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Lud Zbunjen Normalan (242 Epizoda) S10.E2 ∙ Suga i ljubav ne mogu se sakriti
Lud Zbunjen Normalan (242 Epizoda) S10.E2 ∙ Suga i ljubav ne mogu se sakriti
Lud Zbunjen Normalan (242 Epizoda) S10.E2 ∙ Suga i ljubav ne mogu se sakriti
Lud Zbunjen Normalan (242 Epizoda) S10.E2 ∙ Suga i ljubav ne mogu se sakriti
Lud Zbunjen Normalan (242 Epizoda) S10.E2 ∙ Suga i ljubav ne mogu se sakriti
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00:00I don't know who the best interview is.
00:14If I could have earned it.
00:16Nobel, then it's Dr. Jackis.
00:20And you know what else?
00:22Not just that he's a genius.
00:24He's a charmant, spiritual, just...
00:28You can't hear it.
00:30You can't hear it.
00:32How is this going to end with another thought?
00:36Yes.
00:38We don't have to talk.
00:40We know what other thought is.
00:47I have to go to the toilet.
00:49Sorry, I'm sorry.
00:52I'm not a little bit of a drink.
00:54I'm sorry.
00:56I have to go a little bit.
00:58That's right.
01:02I really have to go to the toilet.
01:04You have to go to the toilet.
01:06Let's just go to the toilet.
01:08There is the toilet.
01:10There is the toilet.
01:12Let's go to the toilet.
01:14Let's go, quickly.
01:16For 10 minutes
01:18the first clip
01:20I'm not sure of it,
01:22but it's a bad thing
01:24and I'm not sure of it.
01:26I'm not sure of it.
01:28I'm not sure of it.
01:30I'm not sure of it.
01:32I'm not sure of it.
01:34I'm not sure of it.
01:36I'm a new series.
01:38Hello.
01:40What's the name of this series?
01:42Begova kuća.
01:44Everything happens in Tursk time.
01:46It's not related.
01:48It will be interesting.
01:50What?
01:52It's not related to an old man.
01:54It's a little weird.
01:56It's a little weird.
01:58Faruk.
02:00What is there?
02:02Nothing.
02:04We'll start shooting.
02:06Okay.
02:08I'll just go to the toilet.
02:10I'll just go to the toilet.
02:12I'll just go.
02:14What is it?
02:16I'm not sure of it.
02:18I'm not sure what I'm saying.
02:20I don't know what I'm talking about at the last time.
02:24Who's playing in the series?
02:27Who are you?
02:29Who are you, stupid?
02:30That's the old, stupid.
02:33Here you go, Nadiru.
02:34Rukhfaš!
02:36How much do we do to work?
02:37For me, in four hours,
02:38there's a Chinese food.
02:40Extra quality.
02:41It must be extra.
02:42I mean, the Chinese are familiar with that.
02:44Let's do it.
02:46What I'm talking about,
02:47we could film this before half an hour.
02:49Just so you know.
02:50I have a little bit of a joke.
02:52When I shoot the scene,
02:53you'll be happy to buy it.
02:55Let's take a look at the same scene again.
02:58Because of the constant,
03:00continued,
03:01the quality comes out.
03:03You're not normal here.
03:04You're not normal.
03:05You're not normal here.
03:06You're not normal here.
03:07You're not normal here.
03:08You're coming in four hours.
03:09Let's go.
03:10Let's go.
03:11Let's go.
03:12Let's go.
03:13Let's go.
03:14Let's go.
03:15Let's go.
03:16Let's go.
03:17Let's go.
03:18Soapy.
03:19Let's go.
03:20Let's go.
03:21You sit there.
03:22You sit here.
03:23That's fine.
03:24That's how you sit down.
03:25Great.
03:26You sit here in the middle.
03:28You're looking at Nargile.
03:30I'm not looking at Nargile.
03:32In my regime, you're going to doodle.
03:36You take a crack from Nargile and say the first replica.
03:41The first replica is Ahmer Aka.
03:44He's a good Afganistanist.
03:46Great, fix it, Samke.
03:49Now you've heard a galam from Avlija
03:53and you look at Avlija.
03:57If I'm a galam, can I say to you, Arab?
04:00What do you think of Avlija?
04:02What is that galam in Avlija?
04:04No, Samke, fix it.
04:07You're going to take Avlija to Avlija.
04:11I know, Balakberge, Balakberge.
04:13What are you doing?
04:15What?
04:17I said it's a heavy test.
04:19It's not a problem, I thought it's a reader.
04:21Who said it's a reader?
04:23It's a heavy test, like we're shooting.
04:25Let's go to Avlija.
04:27Let's go to Avlija.
04:29Come on, come on, go to Avlija.
04:32You're completely angry with Avlija.
04:34This is Avlija.
04:36When I mentioned Avlija, and I?
04:38What are you?
04:40There's no one in this scene, man!
04:43There's no one in there.
04:45There's no one in there.
04:46Where are you?
04:47Where are you?
04:48Where are you?
04:49Oh, my mother.
04:50Sorry, Avlija.
04:52I'm sorry.
04:53When you hear Barbara saying this, I won't.
04:58You're going to go to her.
04:59No, she says, I won't.
05:01And then I'll go to her.
05:03Okay.
05:04Let's go.
05:06Let's go.
05:07As a recording.
05:09As a tone.
05:11As a camera.
05:13As a coffee.
05:15As an action.
05:17As a coffee.
05:18You need to talk to anyone who wants.
05:20But this is Avganistan.
05:22This is the right thing.
05:24And again, a ghongula.
05:27You're going to hit us.
05:28You're going to hit us.
05:29You're going to hit us.
05:30You're going to hit us.
05:31I'm not sure.
05:32I'm sure.
05:33I'm not sure.
05:34I'm sure.
05:35My dear, I'm not sure.
05:36I'm not sure.
05:37I'm not sure.
05:38I'm not sure.
05:39I'm not sure.
05:40I'm not sure.
05:41I'm not sure.
05:42My dear, I'm not sure.
05:43I'm not sure.
05:44I'm not sure.
05:45I'm not sure.
05:46Oh!
05:47Here's Avganistan.
05:49Is that they're hungry?
05:51I know they're hungry.
05:52I'm at least hungry.
05:53Who's your turn?
05:54Who's your turn?
05:55What?
05:56Who's my turn?
05:57I'm just doing my job.
05:58You're just getting tired of your food.
06:00You're not sure.
06:02You're dead.
06:04I'm taking rich and giving them.
06:06Who do you have to give the money?
06:08I gave it.
06:09I gave it.
06:10I gave it to myself.
06:11I'm a jerk.
06:12I don't live in Kadifi like you.
06:15I'm a dog.
06:17I'm a black dog.
06:18I'm a black dog.
06:19I'm a black dog.
06:20I'm a black dog.
06:21We all know how it is.
06:23Can you drink a coffee?
06:25Do you have a real coffee?
06:27Latifa got him from Carigrada with Suleiman.
06:30He gave me a real, but real coffee.
06:33I could only have a drink.
06:35I didn't have a long time.
06:37Yeah, let's go down to the kitchen.
06:39Let's go.
06:40Let's go.
06:45Stop.
06:46It's all over.
06:49I want everyone to have a happy.
06:52The first drum.
06:54The house is the first drum.
06:56We could do this again, my mother.
07:07Not all, really.
07:08Too much.
07:09Too much.
07:14When we run out, it's hard to have a broken heart.
07:16Big settings, but I don't have a reason to have a drink.
07:17No, it doesn't taste good.
07:19What would you do?
07:20I'm a man with him.
07:22Son, I'm a man with him.
07:26Listen, do you love him?
07:29I love him. I'm a fool of love.
07:34A fool of love? Listen.
07:38I think it's good to me because of you.
07:41What are you doing here?
07:44Nothing.
07:46I have to go. The djebra will come.
07:52Let's go.
07:54I have to make a storyboard for tomorrow's disposition.
07:58I'm going to be here.
08:00Look at this laptop.
08:03He's making so big lapses.
08:06What's going on?
08:08I can't play with this laptop.
08:14I can't do this.
08:16Where is storyboard?
08:18Nothing. Look at how it goes.
08:20Great.
08:22Do you know what the material is?
08:24Hollywood.
08:26The clowns?
08:28The clowns are phenomenal.
08:30Samir and Avdija are out there.
08:32Who are the singers?
08:34Barbara?
08:36She's a big man.
08:38She's a big man.
08:40She's a big man.
08:42Barbara is sexy.
08:44Hello?
08:46What are you talking about?
08:48Who are you?
08:49Barbara is sexy.
08:50I told you that.
08:51I told you that.
08:52No, I didn't.
08:54You're not normal.
08:55My mother, how crazy are you going to start her?
08:58I didn't think of it.
08:59I'm not mad at all.
09:01I'm not mad at all.
09:02I'm not mad at all.
09:04I'm not mad at all.
09:05But you said that you were sexy.
09:09I said that.
09:10I didn't remember anything.
09:12I'm not mad at all.
09:13No, I'm not mad at all.
09:14You're not mad at all.
09:15What did you decide for your service?
09:19It's not an important role.
09:21I found one.
09:23The same, the same.
09:25The same.
09:26The same.
09:27Even Farouk.
09:29I'm not mad at all.
09:31I'm not mad at all this costume.
09:33You need to do it,
09:34you're not mad at all.
09:39I can't believe that.
09:40I don't believe that.
09:41I'm not mad at all.
09:42I'm a special fan of Fazlinović.
09:44I'm a fan of Fazlinović.
09:46I know.
09:47I'm a fan of that.
09:49Here's me.
09:50You're sorry.
09:51I'm sorry.
09:52A little bit. Do you know how many of you are waiting for us?
09:5530 seconds.
09:59Mali doesn't know now. I'm going to go.
10:01What?
10:02I'm going to talk about it.
10:03Is it something that's important?
10:06Son, go to the house and watch TV. Mama and teta have to talk about it.
10:10It's not a problem.
10:13Let's go.
10:17Let's talk about what you want from me.
10:19I'm paying for food.
10:21No.
10:22No.
10:23It's something else.
10:25Did you hear about the trichomonas?
10:27No, I don't know.
10:28I'm going to go.
10:29I'm going to go.
10:30I'm going to go.
10:31I'm going to go.
10:32I'm going to go.
10:33I'm going to go.
10:34I'm going to go.
10:35I'm going to go.
10:36What do you think?
10:37Who did I get?
10:38The last person I was with you.
10:39I'm sure you didn't get it.
10:41I got it from you.
10:42No.
10:43No.
10:44I'm going to go.
10:46Barbara, I couldn't get it.
10:48I don't have any symptoms.
10:50I'm going to go.
10:51Stop it, doctor.
10:52Stop it.
10:53The doctor told me that I'm going to give antibiotics to all men.
10:59Then I'm going to take antibiotics.
11:02Oh my God.
11:03Oh my God.
11:04The stomach hurts me.
11:05Four times a day.
11:07I have my own.
11:08Please.
11:09If nothing.
11:10I'm not sure if you don't have any symptoms.
11:11Don't be able to sleep with antibiotics.
11:13Don't be able to sleep with antibiotics.
11:14I'm not sure.
11:15I'm not sure.
11:22I don't care.
11:23What do you want me to tell you?
11:25What do you want me to tell you?
11:27Let me tell you.
11:28Tell me.
11:29Are you here the occupators?
11:30The occupators?
11:31The occupators?
11:32I'm not sure.
11:33I'm not sure.
11:34What do you think?
11:35What do you think?
11:36The occupators are coming to our country and they don't speak our language?
11:39All the small ones are grungy.
11:40You're a grungy.
11:41You're a grungy.
11:42I've been letting the occupators look at my mother.
11:45My mother had the best occupators in the village.
11:49Okay.
11:50They are occupators.
11:52They are the occupators.
11:53What are we going to do now?
11:55I'm waiting for you.
11:56If they are occupators, then what are you?
11:58You're a grungy.
11:59That's right.
12:00You're a grungy.
12:01You put me directly from Staringrada.
12:02Is that right?
12:03Yes.
12:04Yes.
12:05Yes.
12:06Yes.
12:07Yes.
12:08Yes.
12:09Yes.
12:10Yes.
12:11Yes.
12:12Yes.
12:13Yes.
12:14Yes.
12:15Yes.
12:16Yes.
12:17Yes.
12:18Yes.
12:19Yes.
12:20Yes.
12:21Yes.
12:22Yes.
12:23Yes.
12:24Yes.
12:25No...
12:26Stop!
12:35Stop!
12:36Stop!
12:37Stop.
12:38Stop.
12:39Toma!
12:40LSSLSK
12:41Do you have to work?
12:42Yes.
12:43Yes.
12:44Yes.
12:45You're naive.
12:46Yes, but I'd after another chance.
12:48I'll repeat another try.
12:50Moreover, repeat it.
12:51Yes.
12:52Quisling in a Turkish war.
12:54This is a material mistake.
12:56Where did she go?
12:57I'm going to run it.
12:58You hear me? Stand boy!
13:03What did she say?
13:05What did she say?
13:07What did she say?
13:09You remember Quisling's dialogue.
13:13Quisling was the Norwegian...
13:16...who worked for fascists in the Second World War.
13:20I can't believe in Balikbeg and Hajduk Veljko.
13:24I can't.
13:26How can I see?
13:28You really?
13:30I'm wrong.
13:32You can't.
13:34Of course, you can't.
13:36You can't.
13:37You can't.
13:38You can't.
13:40It's not a problem.
13:42It's a problem.
13:44I don't have an assistant.
13:48An assistant?
13:50I need an assistant to investigate these historical facts.
13:55Listen.
13:56It's less likely to be an assistant.
14:00I can't.
14:02I can't.
14:03That's why I drink and drink.
14:05You understand?
14:06When we fought the Second World War...
14:08...it's very easy.
14:09It's in a small hand.
14:11But this Turkish Vakat...
14:13...it's very easy.
14:14I can't.
14:15I can't.
14:16I can't.
14:17I don't know.
14:18You don't have any money.
14:20We don't have any money to pay for your assistant.
14:24You don't have any money.
14:25You don't have any money to pay for your assistant.
14:27You don't have any money to pay for your assistant.
14:29You don't have any money to pay for your assistant.
14:30That's amazing.
14:31You have a stick.
14:32You know?
14:33The cinematography, the costume...
14:34...you know?
14:35You don't have any money to pay for your assistant.
14:37They are a bad band. We don't have enough money to pay your stamp.
14:42Here, Chef. It's 11.00.
14:44Your green tea. It's your metabolism.
14:47Thank you, Mala.
14:49You know what?
14:50I'll take a list of the guys that need for tomorrow.
14:53I'll do my disposal.
14:55Thank you, Chef.
15:00Who is Mala?
15:02Who is Mala?
15:04Who is Mala?
15:05Who is Mala?
15:06Nina, my assistant.
15:09Why are you looking at me like that?
15:12I'm a teacher.
15:14I can't work without assistants.
15:17Look at you, dear.
15:19All serious teachers have their assistants.
15:27Okay, you can get your assistant.
15:32I pray, you can get up to 200.
15:35What do you want?
15:37I'm a teacher and my assistant.
15:41I'll pay 300 bucks.
15:43Okay.
15:45Let's go and get up to 300.
15:48I pray, you don't have any more.
15:50I'm a teacher.
15:51I'm a teacher.
15:54I'm a teacher.
15:55I'm a teacher.
15:56What's happening between you and Anji?
15:58What's happening?
16:00Nothing.
16:01What's happening?
16:02Nothing.
16:03What's happening?
16:04I'm a fool.
16:05It's enough to see you yesterday.
16:07I'm a teacher.
16:08I'm not her teacher.
16:09I'm a teacher.
16:10I was a teacher.
16:11I can't wait.
16:12You go and get up to 200.
16:14What is the name of it?
16:15I can't wait.
16:17You're a teacher.
16:18You're the name of it.
16:20I'm a teacher with an assistant.
16:21What do you have?
16:23Nothing.
16:25Marjan, I don't want to drink. I still have to...
16:29Yes, I have to. I have to go to WC.
16:33Yes, I have to go.
16:35Never go to WC.
16:37Let's go.
16:39See you.
16:41Damir, I don't know if you two are normal.
16:49You have to stop doing what you are doing.
16:53I know. I know.
16:55But Marjan is stronger than me.
16:57And from her.
16:59You are the same.
17:01No, no, no. We are not.
17:03We both have together.
17:05We are the same.
17:07We are the same.
17:09We are the same.
17:11I know.
17:13I was the first to say that she will be with you.
17:17But, Damir, she is with your father.
17:21I know.
17:23I know.
17:25I have to tell you that nothing will be between us.
17:27I have to.
17:29You have to tell yourself.
17:31You have to tell yourself.
17:33You have to tell yourself,
17:35and you will be fine with her.
17:37You have to tell yourself.
17:39Yes, I am.
17:41Yes, I am.
17:43Let's go.
17:45Let's go.
17:47Let's go.
17:49Let's go.
17:51Let's go.
17:53Let's go.
17:55Let's go.
17:57Let's go.
17:59Let's go.
18:01Let's go.
18:03Let's go.
18:05Let's go.
18:07Let's go.
18:09Let's go.
18:11Let's go.
18:13Let's go.
18:15Let's go.
18:17Let's go.
18:19Let's go.
18:20Let's go.
18:23We're the Untilлючiner.
18:25Let's go.
18:27Let's walk.
18:29Look, go now.
18:31Let's eat.
18:33From asking us.
18:35It's sweet as a baklava.
18:37Bezirka, it's tomorrow.
18:39Tomorrow?
18:40It's beautiful.
18:42It's tomorrow.
18:43It's tomorrow.
18:44I have seven women.
18:46I can remember everything.
18:48I'll keep it in my name, Mubera, Aziza.
18:50I'll leave it in the name of the day,
18:52and it'll be easier.
18:53You have seven women?
18:55It's not so bad to be Muslim.
18:57It's not my mother.
18:58God bless you.
18:59Let's go to Islam.
19:00Let's go to Islam.
19:01Merhaba, Hajduk Veljko.
19:03How is Hanuman a Zmija?
19:04Good.
19:05It's tomorrow.
19:06It's tomorrow.
19:07It's tomorrow.
19:08It's tomorrow.
19:09Tomorrow's day is.
19:10I can't wait.
19:11I'll just eat it.
19:13Please come back with this.
19:15I'll be happy now.
19:16It's tomorrow's day-to-day.
19:18Every day of day is a day.
19:21Zmija!
19:23Zmija!
19:25Seven women?
19:27I'm a guest star.
19:29I'm a white man.
19:31I don't know, this laptop is a mess.
19:34Look, I've got something to say. Don't say.
19:38I have to check cash.
19:41What is cash?
19:42My mother knows.
19:43Barbara?
19:44Yes, she buys cashes and reformers.
19:50I need Barbara to ask her to take care of me.
19:54Who will you ask her to take care of me?
19:56Barbara.
19:57What?
19:59Because I don't want to ask her to ask her.
20:02Only business.
20:03Yes, business.
20:04Laptop is for business.
20:06Don't be kidding me.
20:08Why are you laughing?
20:10If you're not good with her,
20:12it doesn't mean that I can't be good with her.
20:14You should be good with her.
20:16You shouldn't have fun with her.
20:18Barbara is really sexy.
20:20I've said it like that.
20:23I don't want to welcome her.
20:26I don't want to look at her.
20:28What?
20:29It's funny when I think Barbara is sexy.
20:32Look at her.
20:34I love her.
20:35Come on, come on.
20:40Janja?
20:41Yes, Mire.
20:44Is Faruk...
20:45Is Faruk there?
20:46Faruk?
20:47Yes.
20:48There is.
20:49There is.
20:50There is.
20:52Janja.
20:53I think I should have to talk about it.
20:58I think I should have to talk about it.
21:01I think we should have to talk about it.
21:02Because...
21:03This is a little childlike.
21:05Obviously, there is something between us.
21:08There is something that exists.
21:10But I don't believe I should have to be you.
21:12I think you and I.
21:13Yes.
21:14Yes.
21:15That would be stupid.
21:16Is it not?
21:17Yes.
21:18Maybe in someone else's life.
21:19Maybe in someone else's life.
21:20Maybe in someone else's life.
21:21Maybe in someone else's life.
21:22Then the others.
21:26The others...
21:29See you?
21:30See you.
21:31See you.
21:32See you.
21:33I'm going.
21:34Do you want to go?
21:35No, I'll hear you.
21:36Okay.
21:37Okay.
21:38I'll go there.
21:39Thanks.
21:40Bye.
21:41Bye.
21:42Bye.
21:43Bye.
21:44Hello.
21:45Good morning.
21:46I'd like to announce...
21:48It is, write that...
21:49It's a message...
21:51It's a Ítend app.
21:52What can I say...
21:54I can't speak to my son...
21:57I can't say to my son.
21:58Or a servant.
21:59Or a servant.
22:00Like I said.
22:01It's a message soon.
22:04It's a Ítend app.
22:06It's a help.
22:07I'm a partner on the scenario for investigation.
22:12Write the number of the phone.
22:14Okay, okay.
22:15I'm a partner for investigation.
22:21Okay.
22:23You're not drinking anything.
22:25I don't need it.
22:26But I'm going.
22:28Can I give you that voice?
22:30What do you do?
22:31What voice do you do?
22:32I need a servant.
22:33Did you give me the same as I told you?
22:35And the speaker is not coming.
22:37Now he will come.
22:38The speaker!
22:39The speaker!
22:40The speaker!
22:41What is the speaker?
22:42What is the speaker?
22:43Now you'll see where the technology is coming.
22:44Tell me.
22:45My speaker is saying that I hear on Wednesday and on Wednesday.
22:50No, I'm calling it on Wednesday, but I don't know.
22:53People, hear and hear.
22:55The house of the Balekbega needs a service for a certain time.
22:59The food is prepared every day.
23:02The people, hear and start!
23:05Okay, okay.
23:06I said, come on.
23:07Come on.
23:08What do you say?
23:10Okay?
23:11No, I'm sorry.
23:12That's amazing.
23:13I'm going to hear this voice.
23:15That's the sound of the sound.
23:17You see where the technology is coming.
23:19Let's go.
23:20I'm sorry.
23:21I'm sorry.
23:22I can't do anything.
23:23I can't do anything on the phone.
23:24I can't do anything on the phone.
23:25He's old.
23:26He's crazy.
23:27But now I'm sure I've got to say that the cash should be okay.
23:30But now I've got to say that the cash should be okay.
23:35What's the matter of computers, I'm totally crazy.
23:38When I jump in, yes, no, I'm crazy.
23:42I've downloaded you a new software.
23:45You know what?
23:47I'm sorry that I didn't catch a virus when I was on the internet.
23:51You're not.
23:52You're not.
23:53And, listen, Barbara, I'm sorry.
23:55Don't talk about Damir that you're coming to get me to fix this laptop.
24:00He's lying.
24:01I won't have anything with you.
24:02Oh, damn!
24:03We're going to see each other.
24:05I'm the star in the series.
24:07I know, but what will I do when he will kill him?
24:14Let's go.
24:15Let's go.
24:16Let's go.
24:17Let's go.
24:18Let's go.
24:19Let's go.
24:20Let's go.
24:21Let's go.
24:22Let's go.
24:23Let's go.
24:24Let's go.
24:25Let's go.
24:26What do I care?
24:27We're not years old.
24:28He's trying to control my life.
24:30I'm walking.
24:31I'm eating.
24:32I'm sleeping.
24:33Okay.
24:34At the last time, I'm a little bit.
24:36But I understand him completely.
24:37And I'm so crazy.
24:39But you're flying to me when it was the most important thing.
24:42What do I care?
24:43I'll walk with someone I want and work with whatever I want.
24:46Who is he who does nothing to me?
24:47No, how is that?
24:49He's my son.
24:50My name is not wrong.
24:52You're my son.
24:53I'll see you with him if I don't want to.
24:55Let's go.
24:56Really, you didn't get out of it.
24:58The virus is coming.
24:59Barbara, you didn't get out of it.
25:01I got out of it.
25:02You got out of it.
25:03I got out of it.
25:04What's going on?
25:05What's going on?
25:06What's going on?
25:07The way it's going on.
25:08The way it's going on.
25:09The way it's going on.
25:10Good.
25:11Good, good, Mirko.
25:12Let's go.
25:13Let's go.
25:14Let's go.
25:15Okay.
25:16Don't worry.
25:17Look.
25:18I'm going to ask you to buy me a rack.
25:21Who did you buy a rack?
25:22In A, the most expensive.
25:23In B, the most expensive.
25:25In C, the most expensive.
25:27I didn't ask you to buy me a rack.
25:30I'm going to be a designer.
25:31I'm a designer.
25:32I'm a designer.
25:33I'm a designer.
25:34I'm a designer.
25:35Are you looking for an assistant or a job?
25:38Okay, Mirko.
25:39I have your information.
25:41We'll see you.
25:43We'll see you in the back.
25:44Oh, I've got a pot.
25:46Oh.
25:47Oh!
25:48Oh, good!
25:49Oh!
25:50Oh, oh.
25:51Oh, wow!
25:52I have a corner of the rice.
25:53Come on for a little bit.
25:54Oh!
25:55Please do this.
25:56You have a knife, a knife, a plate for cutting the meat, a piece of meat, a piece of meat, a piece of meat, and a piece of meat.
26:06I'll take a piece of paper.
26:08I'll take it in the hand.
26:10Three, four, one.
26:12Now, go back to the plate.
26:19My mother, where is the meat?
26:22Here, right.
26:26This is totally empty for cutting meat.
26:31I'm dying of meat.
26:33And at the end, despite the fact that I finished the history,
26:37and that I have experience in writing film scenarios,
26:41I think I'm an ideal candidate for your assistant.
26:44You finished the history?
26:46Yes, yes, yes. Diplomated in the Turkish period in the Balkan.
26:49And what if I tell you to make me a coffee for Serušu?
26:56I know a coffee, but I've never done this.
27:04He's qualified.
27:09Faruk, son!
27:11Where did you open?
27:13He's got a job, but I don't have a job.
27:17I'm going to take a job.
27:18Go away!
27:19Go away!
27:20Seruš?
27:21Seruš?
27:22Seruš?
27:23Seruš, Faruk Fazlinović.
27:25Seruš, seruš.
27:26Seruš.
27:27Seruš.
27:28Why, Seruš?
27:29Why?
27:30Why?
27:31Because of all.
27:32I have a strange guy.
27:34He's a woman.
27:35He's a woman.
27:36He's a company.
27:37He's a famous guy.
27:38He's a famous guy.
27:39Seruš.
27:40Seruš.
27:41Seruš, why am I a bad guy?
27:42You're a bad guy.
27:43You're a bad guy.
27:44You're a bad guy.
27:45Because I, and besides all of that,
27:50I think about you again.
28:03I listened to your story.
28:05I listened to a few episodes.
28:06I must say that I was going to be an unlogical.
28:11Unlogical?
28:12I looked at the story of the central Bosnia.
28:14No.
28:15That's not.
28:16It's impossible.
28:17A second thing,
28:19he constantly means to the house
28:21Hajduk Veljko.
28:22And it's known that
28:24he never caught his leg in the Bosnia.
28:26He was born in Zaječaru.
28:28He was starring in Smedereva.
28:30You know.
28:31A second thing.
28:32You remember Seruš, Dušan.
28:35He lived around 1300 years ago. He doesn't have a chance to be scared.
28:42Who knew Balikbega?
28:45Thank you. These are important things you told me.
28:49But let's see some other things.
28:53What?
28:55Very important things.
29:00Here we have three different tariguza.
29:05One-sloj, two-sloj and three-sloj.
29:10I'm going to buy a tariguza.
29:17Who would you choose?
29:20Sorry.
29:23I have to open it.
29:26Good morning.
29:28Is Faruk there?
29:30I don't know.
29:32I don't know.
29:34I think it is.
29:36If it is, then I will put it in the house.
29:38Let's see.
29:42Let's go.
29:44Let's go.
29:46Let's go.
29:48Let's go.
29:50Let's go.
29:52Let's go.
29:56Let's go.
29:58Let's go.
30:00Let's go.
30:02Let's go.
30:34This one?
30:36I think it would be the most quality one.
30:40This one is the most popular perfume.
30:45I have to write that down.
30:54I can't.
30:56You can't.
30:58You can't.
31:00When a woman says no, it means no.
31:04Why?
31:06Janja.
31:08Janja?
31:09Janja.
31:10We are in a serious relationship.
31:12It's been to her.
31:14I thought you were still to me.
31:18You are the only one in my heart.
31:22I love Janja.
31:24I can't do this.
31:26I'm sorry.
31:28I'm sorry.
31:30This one is a pain.
31:31No, it is a pain.
31:33It is a pain.
31:35It is a pain.
31:36I've got a pain.
31:37I can't do this.
31:38I'm so sorry.
31:39No, I can't.
31:41I can't do that.
31:49It is a pain.
31:51I don't know.
32:11Good, Radovan.
32:13Tell me, Radovan,
32:15you've worked a lot earlier,
32:17you have some work experience?
32:19I was at the house of the Queen of Dušana, the main servant.
32:23The main servant is at the house of the Queen of Dušana?
32:26Yes, yes.
32:27That's a good advice.
32:29Rebro Radovan, one question.
32:31Yes.
32:32When I send you to the kitchen and tell me Radovan,
32:35I'll bring you a piece of jane,
32:37and who would you bring the jane?
32:39Rebro.
32:40Where would you bring the jane?
32:41Rebro.
32:42Let's go.
32:43Let's go.
32:44Let's go.
32:45Let's go.
32:46Let's go.
32:47Let's go.
32:48Let's go.
32:49He would bring the jane.
32:50Ma budala.
32:51And the Queen of Dušana was a little old.
32:53It's a great job.
32:55Let's go.
32:58What's the jane?
33:00Here you go.
33:04What do you call?
33:06My name is Ruzdija.
33:08Ruzdija?
33:10Ruzdija is for you the same question
33:12as a servant of the Queen of Dušana.
33:14I have to bring the jane,
33:15I'll bring the jane.
33:16I'll bring the jane.
33:17I'll bring the jane.
33:18I don't have anything to think.
33:20It's a hand.
33:21What?
33:22What?
33:23What?
33:24What?
33:25Good, Ruzdija.
33:26Let's go to the kitchen in the kitchen.
33:28Let's go.
33:29Let's go.
33:30Thank you, Ruzdija.
33:32I love your hands.
33:33I love your hands.
33:34Let's go.
33:35What?
33:36What?
33:37What?
33:38Rebro.
33:39It's a right fork.
33:41Hey, Damir.
33:44Zdravo.
33:45Anja, what do you have?
33:46There are problems.
33:48What problems?
33:49Listen.
33:50It's so unfair.
33:51I don't know how to say it.
33:53But you see, you have to drink these tablets.
33:57Antibiotics?
33:59I don't know how to get it.
34:01Probably from Farouk.
34:02I don't think anyone else.
34:04I don't think anyone else.
34:05From Farouk?
34:06I don't think anyone else.
34:08Sorry.
34:09I'm sorry.
34:10It's so uncomfortable that I was diagnosed with you.
34:13Sorry.
34:14No, no, no.
34:15I don't even know.
34:16I'm going to drink these antibiotics.
34:18I'm not too scared of it.
34:20Let's talk about it.
34:22What else?
34:23No.
34:24How are you?
34:26Are you good?
34:27I'm good.
34:28I drink tea.
34:29I'm waiting for you.
34:31How are you?
34:33You're so talented.
34:35You're not a doctor.
34:37I'm not a doctor.
34:38No, no, no.
34:39No, no.
34:40No, no, no, no.
34:41No.
34:42There's nothing even.
34:43No.
34:44No.
34:45My pleasure!
34:46Where are you here?
34:48Where are you at?
34:49Right.
34:50I'm glad that you are here.
34:52I'm sorry.
34:54I'll just feed him.
34:55No.
34:56What happened?
34:59I was at the gynecologist and you will have to drink these antibiotics.
35:08Why are you not satisfied with the candidates?
35:12Don't ask me. All the bad fruits from the earth.
35:17And you didn't receive anyone?
35:19You didn't receive anyone.
35:21The candidates were very bad.
35:24But one was the same between them and their qualities.
35:30What qualities?
35:32Chefs, I looked at the screen from the laptop.
35:36What do I do now?
35:44Barbara.
35:48Lada.
35:51Janja.
35:54Please, I'm sorry.
35:55I should have had a condom in my house.
35:58Half a mile for work.
36:00Let's go.
36:01The day is changed.
36:04The day is changed.
36:06The day is changed.
36:08The day is changed.
36:10Let's go and live.
36:13The day is changed.
36:15The day is changed.
36:17The day is changed.
36:19Let's go and live.
36:21Only you can live, a little pain and pain
36:26Life is to love
36:29Don't worry, don't worry, don't worry
36:32Don't worry, don't worry
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