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Lud Zbunjen Normalan (254 Epizoda) S10.E14 ∙ Gdje zena buci, tu musko muci
Lud Zbunjen Normalan (254 Epizoda) S10.E14 ∙ Gdje zena buci, tu musko muci
Lud Zbunjen Normalan (254 Epizoda) S10.E14 ∙ Gdje zena buci, tu musko muci
Lud Zbunjen Normalan (254 Epizoda) S10.E14 ∙ Gdje zena buci, tu musko muci
Lud Zbunjen Normalan (254 Epizoda) S10.E14 ∙ Gdje zena buci, tu musko muci
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FunTranscript
00:00My children, my children!
00:02Are you coming here?
00:04I'm a little bit late.
00:06Don't you want me to come back to me?
00:08You're right.
00:10What's your name, my boys?
00:12You're coming here?
00:14You're coming here, I'm coming.
00:16You're coming here.
00:18You're coming here.
00:20You're coming here.
00:22What are you talking about?
00:24Let's drink something?
00:26Let's drink something.
00:28I'm going to sit down.
00:30Please.
00:32Interesting, your business partner is your job.
00:36Yes, I'm a writer.
00:38I have some reasons.
00:40I want him to know better.
00:42You know what I mean?
00:44But I want you to know better.
00:46Only on another way than him.
00:48I understand.
00:50I understand, of course.
00:52But it's hard.
00:54It's hard.
00:56It's a true number.
00:58We're looking for a Mufid.
01:02This is a comedy.
01:04It's hard.
01:06Let's try one more time.
01:08On Mindera.
01:10Haydu Kveljko.
01:12Ballekbek.
01:14Ballekbek.
01:16Ballekbek, two dots.
01:18I'm not thinking.
01:20Good.
01:22Haydu Kveljko.
01:24What do you want to do with Balik Beže?
01:28It's all for you.
01:30Yes, but I do.
01:32I do with him and Suleyman on trips.
01:36On trips?
01:38So, Vasil and Dunjaluk are over.
01:40It's not good.
01:42It's good to travel.
01:44I don't know why you're allowed to travel.
01:46I don't know how to do it.
01:48I don't know how to do it.
01:50I don't know how to read the maps.
01:52I don't know how to do it.
01:54Hey, my Balik Beže, you really aren't in trouble.
01:58What am I in trouble?
02:00Who says you have to do it?
02:02Who says that? Who is lying?
02:04That's why there are tourist agencies.
02:06Tourist agencies?
02:08Tourist agencies.
02:10What is this?
02:12What a tourist agency.
02:14Why do you have to do it?
02:16Everything is organized
02:18to the most severe details.
02:20I don't know how to do it.
02:22I don't know how to do it.
02:24That's right, Gurnešu Bisage.
02:26You need to do it.
02:28Everything is organized.
02:30I really didn't know
02:32that there are agencies in Bosnia.
02:34There are.
02:36The most popular tourist agency in Bosnia
02:38with the most popular tradition is
02:40Sole Relax Tours.
02:42You need to do it.
02:44You need to do it.
02:46You need to do it.
02:48You need to do it.
02:50Sole Relax Tours.
02:52That's how it is.
02:54I'll remember.
02:56Sole Relax Tours.
02:58Stop!
03:00Why do you have to do it?
03:02I'll be right back.
03:03I'll be right back.
03:04I'll be right back.
03:05I'll be right back.
03:06What a second double?
03:08What a second double?
03:09There's no one or the other double
03:11until you don't understand these nonsense.
03:13What nonsense, Balan?
03:15We're holding the text straight.
03:16Why are you holding it?
03:18What is the text in the text
03:20for these tourist agencies?
03:22You can see the scene a little before you
03:24read the scene.
03:25Here, let me show you.
03:26Let me see.
03:27Let's go.
03:28Let's go.
03:29Let's go.
03:30I'll be right back.
03:31I'll be right back.
03:32I'll be right back.
03:33I'll be right back.
03:34No!
03:35No!
03:36No!
03:37No!
03:38No!
03:39No!
03:40This one has been hit 100%.
03:42100%.
03:43I don't know how to do it.
03:45I'll be right back.
03:46I'll be right back.
03:47I'll be right back.
03:48I'll be right back.
03:49It was a strange thing.
03:50The Ottoman Empire is now
03:52a tourist agency.
03:53I think it's not correct.
03:54Guys, don't try to change anything in the scene.
03:58Let's take a look.
03:59Just take a look.
04:00Listen to yourself!
04:01Listen to yourself!
04:02Listen to yourself!
04:03Listen to yourself!
04:04Listen to yourself!
04:05Listen to yourself!
04:06Listen to yourself!
04:07We'll never do anything
04:08until you don't have to deal
04:09these nonsense!
04:10Is it true?
04:15Hello!
04:16Come on!
04:17Here we are.
04:18Listen to yourself.
04:19Listen to yourself.
04:20We have an actual report of the author.
04:21Never, never.
04:22No, no, no, no, I'll come in for a second.
04:26Pause for two hours.
04:29And you, the listeners, focus on the concentration and articulation.
04:33Here's me for two hours.
04:36What I mean, Faruk is 100% here.
04:40I'm not sure, I didn't get it.
04:43It didn't get it because the tourist agencies were in the Ottoman Empire.
04:48What do I know? I'm feeling good.
04:51It's enough to drink water.
04:54I can see what happened here.
04:57What happened here?
04:58It happened here.
04:59It happened here.
05:00I don't know what you're talking about.
05:01It happened here.
05:02I don't have any problems.
05:04Only where I'm here.
05:18Bunjelu, bunjelu, bunjelu, bunjelu, bunjelu, bunjelu, bunjelu, bunjelu, bunjelu.
05:25But it's not that clear.
05:27Why isn't that clear?
05:29You're talking to me like a baby, like a pig.
05:34Can I tell you?
05:36Tell me the words to explain that metaphor in the image.
05:40What is happening in the scenario?
05:43What's happening? The last episodes are really funny.
05:48Yes, I don't say that they are.
05:51But look at the stupidity with the tourist agency.
05:56I love you, who is the best friend?
05:59Who is the best friend?
06:00Alzheimer!
06:02The only senility can prove such stupidity.
06:05How are you, Alzheimer's people?
06:08Now I can count on the representation of Yugoslavia in 1950.
06:16Let's go!
06:18I'm listening!
06:21It's very simple.
06:23Tell me how we are with the money.
06:26Do you think we are like Fazlinović or we are like Accord?
06:30Both!
06:31But I'm going to look at how we are like Fazlinović.
06:34Do you remember what was the last show when I went to drink?
06:42People, it's not a day, I'm going to drink.
06:46Don't have to tell us about everything you are doing.
06:51I'm not here to tell you about it.
06:54I'm looking for money.
06:56What do you like?
06:57What do you like?
06:58I'm going to drink all the chips and I found seven marak.
07:04Wait, I have...
07:06I'm thinking...
07:07What do you call this?
07:10Here...
07:12Here...
07:13There's four marakas...
07:15and...
07:16three swanning.
07:18It's really cool.
07:20And you?
07:21I'm going to drink all the chips.
07:22And for the difference between you...
07:23I'm going to drink all the chips.
07:24I'm going to drink all the chips.
07:25I'm going to drink all the chips.
07:26I'm going to drink all the chips.
07:27I don't know how it looks.
07:28I forgot how it looks.
07:29Here...
07:3010 marakas...
07:32I have some...
07:34Just to see.
07:36Two marakas...
07:37and 14 feningas...
07:3912 and 40.
07:40We have 24 marakas...
07:44We are solvent...
07:46Absolventni.
07:47Dragi drugovi...
07:48Zaručak...
07:49Ja se ne bi nadao...
07:50Ničem boljem...
07:51Nek pa šteti.
07:52Ha...
07:53Jesu sam se...
07:54Usrećio s vama dvojicom.
07:56Dragi druže Tito...
07:57Pa vidiš li ti ovo?
07:59Ti si govorio...
08:00Ako imamo ovakvu omladnu...
08:03Ne trevamo se bojati za budućnost.
08:05E...
08:06Dragi druže Tito...
08:07Debelo si se zajebo.
08:09Predebelo.
08:10Zareći da si rekao...
08:13Nešto novo...
08:15Pa to je opšte poznata stvar...
08:17Da smo mi Faslinovići frontalni kokuzi.
08:20Tako je?
08:21A sad ti...
08:22Me ne reci kako mi sto imamo...
08:24Ko produkcija akorda...
08:25To mi reci.
08:29Na biježi bolje tijeda ne znaš.
08:30Ni moj bolje tijeda ne znaš nego...
08:32Rjeci mi kad se plate glumci ekipa struja voda...
08:35Koliko ostaje čistih para produkcija akorda.
08:39Tell me that.
08:41What do I say to you?
08:44I got a loan from the bank tomorrow,
08:47but you wouldn't believe what the bank would say to us.
08:56When I explain to you what the tourist agency does,
09:00you will know why you have such a father.
09:05What do I say to you?
09:11I don't know what you think.
09:13Placement marketing.
09:15You look like you're falling off.
09:17You know what it is.
09:19I don't know. Placement marketing.
09:22I was the first to do placement marketing in our business.
09:26Do you remember when we filmed the series
09:29Don Juan's Alipašinok Polja?
09:32I don't know how to do it.
09:36You've never done a lot of coffee.
09:40Do you know where I bought it?
09:42Where, Snaho?
09:44Do you know the car salon Carvent?
09:48Is it the car salon that has the highest price in the city?
09:53New and skilled cars?
09:58Not only that.
09:59They have all kinds of cars.
10:02Yes, I know.
10:04It's the car salon car carvent.
10:07In the street, Babović's number 18,
10:11the entrance from the cathedral.
10:13Here.
10:14You've invented the story of the car salon.
10:18You!
10:19I don't know.
10:21I don't know.
10:22Maybe you've written it.
10:25But I've been making my own personal life
10:29and I've made my own personal life
10:32so that no one could be able to do placement marketing.
10:37It was so easy.
10:39Well, that's why you're lying about yourself.
10:41But why are you lying about me, Bulan?
10:43Well, I can't remember that you're lying about your name
10:46and asked you what the story is about the car salon.
10:52Stop! Stop! Stop! Stop!
10:56Stop!
10:57Why are you lying about the car salon car?
11:01Where is she going? Where is she going?
11:03Where is she going?
11:04Where is she going?
11:05There's a car scenario.
11:07It's not possible to film it.
11:09It's a real value.
11:11Oh, old man.
11:13I'm just kidding.
11:15I'm just kidding.
11:16I'm just kidding.
11:17I'm just kidding.
11:18I'm just kidding.
11:20I'm just kidding.
11:21Why are you kidding me?
11:23Listen, don't tell me.
11:25That tourist agency,
11:26is it placement marketing you're talking about?
11:30I'm just kidding.
11:32I want to tell you.
11:33Oh, man!
11:36How?
11:37How can you sell us at a tourist agency?
11:41What can they give us to us?
11:42200, 300 bucks?
11:44You're going to lose our author's rights,
11:48which is our whole life.
11:51My dear, I didn't talk to the tourist agency.
11:55Why are we advertising the tourist agency?
11:58Well, I was talking directly to the marketing agency.
12:03They have a large package of different products
12:07that we're advertising.
12:09This, this, alcohol, and the oil.
12:13And that tourist agency is one of their clients.
12:19Hold on.
12:21How do you get to those marketing agencies?
12:26Well, there's a person who you know very well.
12:32Hey, wait a minute.
12:34Do you have a minute?
12:35Uh-huh.
12:36Where did you go?
12:39Well, here.
12:40The head and the head.
12:41What do you want?
12:43If you want me to ask Faruka
12:45that you give me one double,
12:47thousand times,
12:48it doesn't come to me
12:49as soon as I'm in my job.
12:51It's not something else.
12:52You know what I'm doing,
12:54what I'm doing,
12:55what I'm doing,
12:56what I'm doing,
12:57other than what I'm doing in the series.
12:58I know.
12:59You work with my Milene Beranek
13:00at a marketing agency.
13:02That's right.
13:03So, I have a customer advice
13:06that would be interested in you.
13:08What did you say to me?
13:11He said he tried to say it,
13:13but he didn't know what to say.
13:16he said he said it!
13:17Hey, Rukfaš,
13:18can I talk about work?
13:19Uh,
13:20is that you,
13:21sorry?
13:22Okay.
13:23Okay, but I won't do my job,
13:24I get the best job.
13:25A day to just tell you.
13:26Okay, I'll explain what work.
13:27I won't listen to people
13:29during paying for a number of jobs later.
13:30I'm just secretive岩,
13:31I'm not an extension.
13:32Okay, but I'll tell you.
13:33Let's explain-
13:35Your story, your dublo, you're not a horse!
13:42I've left my head to the ground. I'm going to walk away from these stairs.
13:49I don't want to!
13:52I thought I'd like to look at me at all.
13:56I don't know how to scare a dog with a dog.
14:00We'd have been shooting over 100 times.
14:03But this time, he wanted to tell you that we can all be fine to work.
14:08Placement marketing.
14:10That's right, Izzete.
14:11Watch out, our agency can bring clients to you if they don't.
14:15The automobile industry, the grocery industry, the banks, the oil industry, everything is alive.
14:21I know, Izzete.
14:23But how do we convert the auto industry into the middle of the year?
14:27We are still limited to working for such clients.
14:31That's what I said to him.
14:34But when he told me about what is going on...
14:45That's enough.
14:46That's enough.
14:47That's enough.
14:48That's enough.
14:49That's enough.
14:50That's enough.
14:51I have to be honest with you.
14:53That's a big fish to work for a long day.
14:56For a long day.
14:58Look at this.
14:59It's about the delivery for one month.
15:07One month.
15:08I'm going to write in a scenario...
15:11...that...
15:13...the clouds fly into the middle of Bosnia in the middle of the year.
15:17Yes?
15:18Tell me.
15:19Tell me what's in the numbers here, Shapno.
15:23It's good to sit down.
15:26Wait.
15:28Wait.
15:29What are you telling me?
15:31What are you talking about?
15:32What are you talking about?
15:34What did I say?
15:36What?
15:37On the basis of one month.
15:39On the basis of one month?
15:41Oh, how many planes have to fly from Bosnia.
15:47We have a sultana to put them in the shuttle.
15:51That's what I'm saying.
15:53Besides that, it's known in comedy.
15:57It's known in dramaturgy,
15:59that they can fly in planes and cars.
16:02That's what's called...
16:04...comical unrealism.
16:06I've never heard of that.
16:08I'm not old, but...
16:10I've just defined the art and art of our series.
16:19Hello, Faruk.
16:20Hey, Jelena, who are you?
16:22I think it's time for me to talk a little bit.
16:25What?
16:27I've already told you I want to explain why I married with Izet.
16:30And why I wanted to know him better.
16:32I don't really care Izet.
16:36I don't really care Izet.
16:38I don't really care about it.
16:39What do you care about?
16:41Because I'm Izet's daughter.
16:48What are you?
16:49Izet's daughter.
16:50Your sister.
16:52Hey, boy.
16:54What are you doing?
16:56Father.
16:57I'm so sorry.
16:58Come here.
16:59Come here, come here.
17:00Come here.
17:01Come here.
17:02Come here?
17:03Come here.
17:04Come here.
17:05Come here.
17:08Mother.
17:11Where's that balegvik with coffee?
17:14I'm going to drink coffee.
17:16I get a coffee.
17:17I'm fine.
17:18I'm fine.
17:19I'm fine.
17:20Gorkan, with a lot of bouquets and aromas of the sea.
17:26Oh, my dear, let's go.
17:30Here we have a little bit of coffee.
17:34Let's take a look at it.
17:37Let's drink coffee.
17:39That's the coffee you told me.
17:42Which coffee?
17:44What?
17:46That's what you told me.
17:47With a 100-year tradition.
17:50Do you remember?
17:52I don't remember anything, but there are a lot more coffee.
17:56How much?
17:58What do you remember?
18:00I think that coffee is more expensive.
18:03It's more expensive.
18:05Now I've been back there and tried it.
18:09Stop, stop, stop.
18:11Stop!
18:12What are you doing?
18:14What are you doing?
18:15Who would give you the right to call you stop?
18:19I have the right to tell you.
18:22Who was the right to tell you?
18:24Director directly.
18:26I don't understand, Jelena.
18:28What did you say to Farka?
18:30Let's go first and say why I'm here.
18:34I wanted to know why I'm here.
18:35Tata!
18:36Here he comes, he told me to call him.
18:38Let's go.
18:40Here he is.
18:42Here he is.
18:43Aksja!
18:44Aksja, Aksja.
18:45Aksja.
18:46Aksja.
18:47Aksja.
18:49Aksja.
18:51Aksja, his nevermind.
18:53We need to know buff.
18:55Are you still playing the right to play?
18:57Aksja!
18:59Those men guys, you've got to film a shoot.
19:03Is it the sponsor saying the Dкого Finja album will be an episode that will be the next episode?
19:07What do you want to do?
19:09My friend, I can't take care of you.
19:13What do you take?
19:15You take care of me.
19:17Rejuvenation?
19:19Rejuvenation.
19:21I pray here.
19:23Hear me. Rejuvenation.
19:25Do you know how much it means to me?
19:27I know, brother.
19:29Don't worry. Your rejuvenation is in my hands.
19:33What did you say to me?
19:35If you say that you rejuvenation, you rejuvenation.
19:39How do I rejuvenation when you keep your text?
19:41The thing is very simple.
19:43Samir won't be able to answer any advertising.
19:45Not for a coffee or any other product.
19:47Man, God.
19:49He says that you have to be in the set of time
19:51and that you have to be in the memory of the text.
19:53I will have to be in the memory of the honor.
19:55The text I know in memory is now.
19:57But I won't be able to answer it in front of the camera.
20:01You won't be able to answer it in front of the camera.
20:03I won't be able to answer it in front of the camera.
20:05I will have to admit it in the現ary.
20:07I have to admit it all.
20:09You will be able to show you, Faruk.
20:11You have to be able to sell your products.
20:13And I, who will tell you about the advertising
20:16from the money that you take,
20:17is I'll kill you.
20:19That's right, right?
20:20Samir, this scene must be filmed today.
20:23It is not filmed.
20:24I know it is. It is not me.
20:26What's wrong with me? Balegbeg is the main character.
20:28I know that he is the main character.
20:29That's why I have a serious explanation if you want to listen to me.
20:33Oh, daddy.
20:35Tajo, are you okay?
20:37No, daddy. I'm just shocked.
20:39Good, my pulse. I'll get to you soon.
20:42Oh, you're such a jerk.
20:46The same thing.
20:47I'm going to get everything out of here.
20:48Ligno, we need to get back to you when she said that she was a sister.
20:53You don't even know me. I have my name, Jelena.
20:56It's not nice to be born in my mother.
20:59Why is Jelena so easy? We need to get used to it.
21:03It's not a kilo of meat.
21:05Let's go.
21:07Get water, give me a drink.
21:09I have my drink in my drink.
21:11What is it? We have a drink. Give me a drink.
21:15There's no coffee in the house.
21:16There's no coffee in the house.
21:20Let's go.
21:23What do you want me to do?
21:26I'll find a key in the house.
21:27What's the key? I can't even go back.
21:29What am I going to do?
21:30Come on, come on.
21:34Tajo, are you okay?
21:36I'm not. I'm better now.
21:38But this is a small thing.
21:40Jelena, my heart.
21:41What I said a little bit earlier, is it serious?
21:47Let's go.
21:48Let's go.
21:50What's your heart?
21:51I love it.
21:52I'm going to go.
21:53I'm going to go.
21:54I'm going to go.
21:55Let's talk about it.
21:56Really, Jelena, you need to tell us more information.
22:00Not just that.
22:01I'm your daughter, your sister, your aunt.
22:03Tata, do you know what's the name of Perse in your life?
22:07It's the same as a bird.
22:10You're asking me who she was flying in there.
22:13Perse?
22:15That's what she called, my dear mother.
22:17Perse.
22:18Perse?
22:20I'll give her a black book in the first place.
22:24Dear mother, my child is a dumbass man.
22:28A famous man writes.
22:31Tata, I've written everything.
22:33Here it is.
22:34Perse, what do you say?
22:36That's beautiful.
22:41What's the book?
22:42Tata carries a very precise documentation
22:46about every woman who has a relationship.
22:49If you don't have your Perse,
22:51we don't have to do the same thing.
22:54I have the same book.
22:56Do you have a black book?
22:58My black book is a little bit low,
23:00but it's the same thing.
23:02Do you have a book?
23:03It's the same thing?
23:05It's the same thing?
23:06No, sweet brother, but with all my boys.
23:09It's a great list, understand?
23:10I don't remember anything.
23:12Live.
23:14How you're wrong.
23:15Tata, the top of my life.
23:17Here I go.
23:19Pemba, Pavlina.
23:22Here's Perse, Potocarka.
23:24No, my mother was Janković.
23:27What?
23:28Here's Perse, Janković, 1950s.
23:33The color of the eyes is blue,
23:35the color of the lower reon is also blue.
23:38It's an original blue.
23:41The height of 170,
23:43the height of 58,
23:44the height of 62,
23:4561.
23:46Haha,
23:47amazing!
23:48The mother was a mother.
23:50I remember her.
23:52My mother was a woman.
23:53And my mother was a woman.
23:57What are you, son?
23:58It was 1980.
24:02Your mother was already dead.
24:05Is this your mother?
24:06Yes.
24:07Well, it's good to say that this is your mother.
24:10It doesn't mean anything.
24:12It doesn't mean that you're doing this girl.
24:14It doesn't mean that she's your mother.
24:17I don't know, son.
24:18I don't know why.
24:19I don't know, son.
24:20I don't know, son.
24:21I'm going to ask her.
24:23I'm going to do DNA analysis.
24:28Let's do DNA analysis.
24:30And you, son,
24:30when this child is not coming,
24:31take this drug.
24:32No, no, no.
24:34He's very supportive.
24:36He has a decent taste.
24:39He doesn't drink any milk.
24:41He only drinks maxuziju.
24:43Come on, son.
24:44It's better than nothing.
24:49Oh, son, son.
24:52Why is this so good?
24:54I told you that it's good.
24:56I spend years on a secret location.
24:59Here we go.
25:0060, one, one, ten.
25:03I found the key from the parking lot.
25:06And then I found out
25:07what's the same from these pictures.
25:09Let's give it to you.
25:19Oh?
25:20Eh.
25:21Eh, pa,
25:22s'ina, Jelena.
25:24Pa, je ti,
25:25nabavljaš ovu raku.
25:27Tamo na jugu Hercegovine.
25:28Ima jedno mesto
25:29između Stoca i Trebinja.
25:31Ja ga zovem Popovopolje.
25:34E to je moja tajna lokacija
25:36da ja godinama kupujem tu neku.
25:39S'jabudrite vas vojt sa tako.
25:41Pa, s'ine, Jelena.
25:44Ne trebao nam DNK, djeco.
25:47Our little girl is a thousand years old.
25:53Mother.
25:54I came to the door and said,
25:56you were once with my mother on the tree of Sijena.
25:59Yes, or?
26:00What do I know?
26:01There were different trees on the tree of Sijena.
26:03And what do you say when she says that?
26:05I ask, son, what's your name?
26:07She says, Zorica.
26:09I pray, Zorica.
26:11That means, the priesthood.
26:13That would be my Sabaheta.
26:15That's right.
26:16We will burn one of them.
26:18You have one of them?
26:20Aurora.
26:22Well, where are you?
26:24You are the only people.
26:26Duhana Tragnik.
26:28The best factory in the region.
26:30The filter is under the last standard of the European Union.
26:34Aurora.
26:3520 mil cigarettes.
26:37Aurora.
26:38The tradition speaks more than a thousand words.
26:42Samir, where are you?
26:44Duhana Tragnik.
26:45I didn't want to film it until I gave him 25%.
26:47What the hell?
26:49I won't take him in the next series.
26:52I won't.
26:53How did you get mad with her daughter?
26:55I got a sister in these years.
27:00I think that the world is only a female example of Pazlinović.
27:05Now it's complete.
27:07Wait, wait.
27:08Wait, wait.
27:09Wait.
27:10Wait, wait.
27:11Wait, wait.
27:12Good.
27:13Wait.
27:14Wait.
27:15Wait.
27:16What is that?
27:17What do you think?
27:18I pray that you don't call me Burazir until you do DNA analysis.
27:24Call me Fino, my name is Rukvaš.
27:27Don't go, Burazir, but get to know you with your own,
27:31with your own friends.
27:33Here, my dear.
27:36You're free to be with me, my dear.
27:38You're free to be with me, right?
27:40When you're driving me, anywhere.
27:42You don't need any DNA analysis.
27:46She looks more than me.
27:52Hey, you're here.
27:53Where did you go?
27:54Yes, here's the cover.
27:56Have you opened it?
27:57No, I don't.
27:58I think it's time to open when we're here together.
28:01Call me one by one.
28:03I'll call him.
28:04Hey, Damir, where are you?
28:07I'm in the car.
28:09I'm in the car.
28:10I'm in the car.
28:12I'm in the car.
28:14Don't go inside.
28:15I'm ready to find her.
28:16Don't go inside.
28:17Don't go inside.
28:18She's here.
28:19She's here.
28:20She's familiar with Avdija.
28:22I'll bring her.
28:23Let's see.
28:24Let's see.
28:25Let's go.
28:26Let's go.
28:27Let's go.
28:28Let's go.
28:29Let's see.
28:30Why are you so much?
28:31What are you doing?
28:32What are you doing?
28:33Let's go.
28:34Let's go.
28:35Let's go.
28:36You're ready for the day.
28:37I know the results of the day.
28:39I believe.
28:40We'll see you in the evening.
28:42We'll see you in the evening.
28:43We'll see you.
28:44Bye.
28:45What are you doing?
28:46Why are you doing so much?
28:48Maybe you're my sister.
28:49What?
28:50Let's go.
28:51Let's go.
28:52Let's go.
28:53Let's go.
28:54Let's go.
28:55How do I go?
28:56Normal.
28:57Normal.
29:04Evo mene.
29:05Hajdu u kveljko.
29:06Evo mene s fenjerom.
29:08Kakav je to fenjer da tako jako svetli?
29:11Nije to do fenjera.
29:13Hajdu u kveljko.
29:14Nego do ulja.
29:15Muž.
29:16Znači ulje napne industrije žepče.
29:20A onda je sve jasno.
29:22Poznato je da ulja muž.
29:23Ima puno više kakvoće i energijski vrednosti.
29:25Nego bilo koje drugo ulje na regionalnom tržištu.
29:28Muž.
29:29Motorno ulje žepče.
29:31Šta inače ima kot tebe nako?
29:34Hajdu u kveljko.
29:49Dijete moje drago.
29:51Čeri moja jedina.
29:55Žao mi je što nisam bio u stebe dok si odrastala.
30:00Ali nemoj da brineš čaveće to sve do nadoknadi.
30:05Sine, recimo, ljubo može biti neka greška.
30:10A Jelena, sine, a dje si ti zapravo u Saraje u Osila?
30:14Po u hotelu.
30:15U hotelu?
30:16Da bire, odmah uslobađaj sobu.
30:18Tetka Jelena spava u njoj.
30:19A dječi ja?
30:20A dječi ja?
30:21Ne moj, dječi ja ništa.
30:22Tetka Jelena spava u tvojoj sobi.
30:25Šta ti gledaš konju jedan?
30:26Hjaj, donesi.
30:27Čaše.
30:28Ovo se mora zaliti.
30:30Ne dobiva se čer svaki dan.
30:33Ne dobiva se čer od 30 kusur godina svaki dan.
30:38Jelena se, dušo.
30:40Ne moj ti da bi pratila nas trojcu u piću?
30:43Mi, Fazlinovići, mi smo ti prva liga.
30:47Familija Fazlinović, to je olimpici.
30:51Nisam ni jamači kašelj.
30:53Tetka, ne moj slučajno da nas pratiti,
30:55da ne bi morali da te vodimo ni spumpavanje.
30:57Čutim ali, aj živeli.
30:59Živela.
31:01Čutim ali, aj živela.
31:03Čutim ali, aj živela.
31:05Čutim ali, aj živela.
31:07Čutim ali, aj živela.
31:14Niti ćeš nekogu dispumpavaš.
31:17Kakvija materija.
31:21Čutim ali, aj živela.
31:28Halo.
31:29Avdija.
31:31Jelena ovde.
31:33Aha, da vola me Farukova sestra.
31:37Kad možeš da se nađemo popijemo bocu dve,
31:39može vino neko, a?
31:42Ajde.
31:43Za pola sata.
31:51Koji brezrni olimpijci?
31:53Beda živa.
31:55Ovo zbog, baleg vežoje.
31:57O, sabahajrula hajdu, kveljko, bujrum, bujrum.
31:59E, morao sam da ti dođem, da ti nešto pokažem.
32:01Šta li je?
32:03Napadem ti, a sina ću neko karavan u Dubrovačke republike.
32:05Svakojakiđa konija sam se dočepao.
32:06E, to mi nisi smio reči.
32:07Sad bi te trebao u lancima poslat u Carigradu.
32:09Kako ćeš ti napadat Dubrovačku republiku,
32:10kad mi s nima imamo ugovor o prolazu kroz Bosnu?
32:11I onako je, Venecija,
32:12sada bi te trebao u lancima poslat u Carigradu.
32:13Kako ćeš ti napadat Dubrovačku republiku,
32:14kad mi s nima imamo ugovor o prolazu kroz Bosnu?
32:16I onako je,
32:17Venecija,
32:18ojadu zabavila.
32:19Pa nećeš ti da me staviš u lancima,
32:20znamo i ti i ja.
32:21Šta bi ti bez mene u ovoj vukojebini?
32:22Neću te stavati u lancel,
32:23udri malo na Veneciju.
32:24Ostavi Dubrovačku republiku.
32:25Evo, časna iduška.
32:26Pazi,
32:27šta sam sve našao u toj Dubrovačkoj karavani?
32:28Opa!
32:29Mladi Lajci sire,
32:300,8% masnoće,
32:32bez poječivača ukusa,
32:34bez glutena i veštočkih umetnih tvari.
32:36Ču i tako,
32:37zdrav,
32:38zdrav,
32:39neću te stavati u lancel,
32:40udri malo na Veneciju.
32:41Ostavi Dubrovačku republiku.
32:42Evo,
32:43časna iduška.
32:44Pazi,
32:45šta sam sve našao u toj Dubrovačkoj karavani?
32:47Opa!
32:48Mladi Lajcire,
32:500,8% masnoće,
32:52bez poječivača ukusa,
32:53bez glutena
32:54i veštočkih umetnih tvari.
32:56Čuj, tako zdrav, sir.
32:57Da, da, da,
32:58nema začrpljeni krvni sudova,
32:59nema holisterola,
33:00samo dobre omega-3 masne kiseline.
33:04Jebo te mrak, sir.
33:06Ajde,
33:07da te opravi.
33:08Avijanska receptura,
33:09a proizvode ga u mlečnoj industriji
33:11Gornji Kromolj.
33:12Nema dalje,
33:13kad ti kažem.
33:14Nema što jest, jest.
33:22Jelena?
33:23Koji je mater?
33:24Jelena?
33:25Ja tebe volim.
33:28Djeco!
33:30Djeckice!
33:31Ne možeš me ko staro u krpu odbaciti.
33:37Jelena?
33:38Volki čovjek,
33:39a jado.
33:40Sveka istakata.
33:44Jelena?
33:54Jelena?
33:55Steve,
33:56Driva!
33:57Petite mi!
33:59Pustite me da živim, samo bi da preživim
34:08Malo duge i sreće, život čekati neće
34:13Pustite me da živim, samo bi da preživim
34:18Malo strasi i boli, život je da se voli
34:23Pustite me da živim, samo bi da preživim
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