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00:00Not easily. He was in the water a while.
00:15Right, do you want to tell me again what happened?
00:20I was out early, checking the traps, rabbits and such.
00:25I saw something in the water.
00:27I realised, so I dragged him out.
00:33Right, if you'd like to go with the officer, we'll need to take a swab and your clothes for testing.
00:52He's picking up another lens.
00:54Someone cut his throat.
00:57Like Anthony?
00:58Similar. No sign of a fight. Single wound, like before. More slash, though. Less stab.
01:04That's awful. Do you think it was the same person?
01:08Chances are, don't you think? Whoever it was, they're quite the artist with a knife.
01:14Any idea when?
01:15Oh, it's hard to tell, what with the body being in the water, but at the moment they're saying sometime yesterday evening.
01:21And Nathan found the body?
01:24Hmm. Of course, it gave him a good excuse for any blood found on his clothes.
01:29Look, he wouldn't be the first killer to find the body.
01:33They think it makes them appear less guilty.
01:35Do you ever look for the good in people?
01:40I'll leave that to you.
01:41Have you seen this?
02:08Blimey.
02:11I hated you in the war, I'd have thought.
02:15How can you tell?
02:16Crosses of Lorraine.
02:18They were the symbol of the Free French.
02:19Remember, they trained here during the war.
02:21So what, all hell breaks loose and these two don't care?
02:28They just dance while the rest of the world burns?
02:32Look at the way he's holding her.
02:34I think it's about the possibility of love in the midst of despair.
02:43My version's more realistic.
02:45Oh, I'm going to talk to Jane Thwaites.
02:50Can you be there?
02:51She's a suspect.
02:52A person of interest.
02:54Certainly.
02:55But she links both men.
02:57She kept her involvement with Anthony's secret.
02:59We only have her word if they weren't in a relationship.
03:02Maybe Ned did kill Anthony and then she killed Ned.
03:06Why?
03:07Revenge?
03:08Why not?
03:08Well, she said she'd forgiven Ned.
03:10She wanted him to try again.
03:11Right.
03:11And she has an alibi of sorts.
03:13She was with me yesterday evening.
03:17How long for?
03:18An hour.
03:19More?
03:20She called Ned from the rectory.
03:21Left him a message.
03:23Okay.
03:26Listen.
03:27You might want to look a bit closer at Alex, too.
03:30He was Anthony's forger.
03:33Was he?
03:34Apparently he wanted out and Anthony threatened to tell his father if Alex didn't carry on.
03:39Does anyone around here not have a secret?
03:43Neil?
03:52Neil?
03:53Ned's watch.
03:54The Reverso.
03:57Where is it?
03:58Come.
03:58Pa.
03:58Anna said the police are coming to interview everyone later.
04:12Yeah, that's right.
04:14Only they might want to talk to you about something else as well.
04:19What do you mean?
04:20About Anthony forging and selling those paintings?
04:32How do you know about that?
04:36Because I was the one that forged them.
04:37I'm sorry, Pa.
04:54I wasn't thinking.
04:57It got out of hand.
04:58No, I never meant to.
05:01Go.
05:02Pa.
05:03Just go, Alexander.
05:04Pa.
05:05I swear to...
05:06I am not going to throw away 15 years without a fight.
05:23I am not going to throw away 15 years without a fight.
05:35But mostly...
05:38It's because I love you, Ned.
05:41Okay, just so I'm clear, you went from here to the rectory to speak to Daniel, and you talked, and then you made that phone call.
05:57That's right.
05:58And afterwards?
05:59I came straight home.
06:03But he still wasn't here, so I waited for him to come back.
06:08When he didn't, I got more and more worried.
06:13I didn't know what to do.
06:14Any minute, I expected him to walk through the door, and we'd talk, and we'd sort things out, and...
06:25Everything would be...
06:27Everything would be...
06:29...
06:31...
06:33...
06:35...
06:37...
06:39...
06:41...
06:42...
06:43...
06:47...
06:48...
06:49...
06:50Was Ned wearing his watch?
06:52Yeah, yeah, I think so. He always wore it.
06:55And it's not here?
06:57No.
06:59Why?
07:01He wasn't wearing it when he was found.
07:04And you think whoever did this, they... they took it?
07:09It's possible, yeah.
07:15Ned told us that he was researching a story about a man called Curling.
07:20Mm. Yeah, that's right. That's... it's all in there.
07:24Do you mind if I take a look?
07:27If you like.
07:50All right?
07:52Yeah.
07:54Well, it must have been a bit of a shock, finding him, like.
07:58Yeah.
08:00Well, keep busy, that's the thing. Get your mind off it.
08:04That hedge down behind the stables needs trimming.
08:11Where were you last night?
08:13Out. With a couple of mates.
08:15Oh, yeah?
08:17Who?
08:18No one knew, no.
08:32What do you want all that for?
08:34Well, Anthony and Ned were both researching Champton during the war.
08:38So Jane isn't the only link between.
08:39Still, a bit of a stretch.
08:42Perhaps.
08:44You know, if the murders are connected, that's you off the hook.
08:48I don't think anyone's out to kill you.
08:51Oh.
08:52That's something, I suppose.
08:53Still, keep digging up other people's dirt.
08:55That might change.
09:25What?
09:26So the police are just going to give up?
09:29Well, since no one thinks that I was the intended murder victim,
09:31the letters aren't part of the investigation anymore.
09:34We've been the victims of a vicious and sustained assault with vile threats.
09:39We.
09:40Enormous dead rodents hanging willy-nilly from the rafters,
09:42and now the man in charge suddenly turns round and says,
09:44sorry, not my isle.
09:45Well, I'll be having a few words to say to that DS Van Loo when I next see him.
09:48And what happened?
09:49What happened?
09:50What happened?
09:51So what do we do now?
09:52Well, I've got Ernie Cobb's funeral to get ready for.
09:54Harry's dad died the day you arrived.
09:55You make it sound like the two events are connected.
09:57You should be there too.
09:58I don't see why.
09:59I didn't know him from a hole in the ground.
10:00If you see what I mean.
10:01Well, you are my mother.
10:02I think you should acknowledge that you have a certain place.
10:03You have a certain place.
10:04I don't know.
10:05I don't know.
10:06You have a certain place.
10:07I don't know.
10:08I don't know.
10:09I don't know.
10:10I don't know.
10:11I don't know.
10:12I don't know.
10:13I don't know.
10:14I don't know.
10:15I don't know.
10:16I don't know.
10:17I don't know.
10:18Well, you are my mother.
10:19I think you should acknowledge that you have a certain standing in the community.
10:23Wouldn't you say?
10:24Well, when you put it like that.
10:41We have entrusted our brother Ernest to God's mercy.
10:45And we now commit his body to the ground.
10:50Earth to earth.
10:54Ashes to ashes.
10:56Dust to dust.
11:00Ensure and certain hope of the resurrection to eternal life through our Lord Jesus Christ.
11:06Amen.
11:08It was a lovely send off.
11:11Just a shame there weren't a few more people.
11:13Oh, Audrey.
11:14So nice of you to attend.
11:15It's the least I can do.
11:16I'm sure Harry and Katrina are very grateful.
11:20Even though Ernie wouldn't have known who on earth you were.
11:24As mother of the vicar, I have a certain standing in the community.
11:28It's important to acknowledge that.
11:30Don't you think?
11:38I've never been in the boat house before.
11:40Alex and I used to play there as kids.
11:42Do you know anything about the mural?
11:43Hmm.
11:44It was painted by one of the French soldiers who came over to train.
11:48I think he was an artist before the war.
11:51LV something.
11:53No, Paul will know.
11:55He told me once that LV had been kind to him and Anthony.
11:59I think he tried teaching them French.
12:00Needless to say, it didn't stick.
12:02It didn't stick.
12:09Right, I'm heading off.
12:11If you want to stay.
12:12Excuse me.
12:13Rector, do you have a moment?
12:14Of course.
12:15I wanted to ask if I could have a look at the parish records.
12:17If you like.
12:18Why?
12:19I'm beginning to think my mum might have originally been from here and went to Rudnham to have me.
12:23Thought there might be something in the records.
12:25You could just ask around.
12:27It's in living memory for a lot of people around here, isn't it?
12:30Anecdotal evidence.
12:32That's what you're looking for.
12:33Do you think someone might remember?
12:35A small community like this?
12:37In my experience, some silly little tart gets herself into trouble.
12:41Someone always remembers.
12:46Make you think, don't they, Juniors?
12:50What's that bit?
12:51Something about shadows fleeing.
12:54We have but a short time to live.
12:56Like a flower we blossom and then wither.
12:58Like a shadow we flee and never stay.
13:01That's the one.
13:02And poor Jane Thwaite knows that better than anyone at the moment.
13:06I imagine she does.
13:08You know, Onoda Fleurs was telling me she was out riding yesterday evening
13:11and she saw Jane on the path by the lake.
13:15By the lake?
13:17Imagine.
13:18One minute you're enjoying a walk.
13:19Hello.
13:20The next the police are knocking at your door.
13:24Talk about shadows fleeing.
13:30What is it? Not another note?
13:32That's from the diocesan registrar.
13:36I'm facing an allegation of misconduct.
13:39Bringing the church into disrepute.
13:41I've been summoned to explain myself to Bishop Cregan.
13:46For getting arrested at that protest.
13:49I told you not to cross him.
13:50So what are you going to do?
13:51Well the only thing I can do.
13:52Accept it.
13:53Fight it.
13:54How?
13:55It's a ridiculous charge.
13:56Really?
13:57Because it's not like you didn't get arrested.
13:58I'm aware of that.
13:59And now you think you can just waltz in and take on the bishop of all people.
14:03Don't worry about it.
14:04Is that meant to make me feel better?
14:05I will think of something.
14:07Well think fast.
14:08Because I don't want you making me homeless for a second time.
14:34Even if you're so confused...
14:37Oh no, I thought absolutely not to make me fazlaское Vorteile like me andw Understand
14:47I don't want you to take care of me, right?
14:50You come to be a little stranger, right.
14:52You're watching all of the other things...
14:55Let's take care of this.
14:57How can we please raise our house,
14:58and let's pay attention and stop one of your faces?
15:01I want to take care of this until this evening,
15:04I don't know.
15:34I don't know.
15:44Crypt.
15:47No crypt.
15:59Paul.
16:00Yeah?
16:02It's a bit rough, but I thought I'd put my skills to better use.
16:08Right.
16:09I thought perhaps when it's done and varnished and everything we could put it somewhere.
16:15Anyway.
16:16So look, I've decided it's not good for you to be messing around all day doing whatever
16:28it is you do.
16:29But you're clearly bored and aimless and it can't go on.
16:32It can't go on, so you need to get a job.
16:37A job?
16:38Yep.
16:39Yep.
16:40Go out and earn your keep, see how you like it.
16:42And if I don't?
16:43Alexander, I've had enough of you showing utter contempt for your birthright whilst enjoying
16:48the comfort and luxury that that birthright affords you.
16:51Get a job.
16:52Or find somewhere else to live.
17:06The mother said you'd be here.
17:21I needed to get out of the house.
17:23Sulking in the sacristy was how she described it.
17:26How alliterative.
17:27She also gave me a hard time over your threatening letters.
17:30She seemed to take it quite personally.
17:32Hmm.
17:33I noticed.
17:34I told her we'd done all we could, but it's a dead end.
17:38Anyway.
17:39Here they are.
17:42Okay.
17:43Well, thanks for trying.
17:47What are those?
17:49Floor plans.
17:501726 and 1943.
17:53And you're looking at them because?
17:57Well, look.
17:581726 shows there used to be a crypt under there.
18:03But during the war in 1943, it's disappeared.
18:06Now, why would anyone hide the existence of something like that?
18:10I'm guessing you've got an idea.
18:12Well, I told you about the Scallywags, didn't I?
18:15Yeah, some sort of guerrilla army in case the Germans invaded, right?
18:19Right.
18:20Well, Anthony had been looking for their secret bunker.
18:24So I wonder if that's what he was doing when he died.
18:28And you think it's in here because of those plans?
18:31A bit far-fetched, don't you think?
18:38I thought maybe a hidden entrance of some sort.
18:41Right.
18:42Do you fancy a drink?
18:47You make it sound so medieval.
18:49Right now, it's just the bishop who decides.
18:51I make my case and he either dismisses it or recommends a tribunal.
18:55Let me get this straight.
18:56The bloke you were protesting against now gets to be your judge and jury.
19:01Okay, that does sound a bit medieval.
19:04Hard to see it ending well for you.
19:06You sound like my mother.
19:08Is that why you had to get out of the house?
19:11Because you had a row?
19:13We don't row as such.
19:16We exchange a few broadsides and then retreat wounded to a safe harbour.
19:23Until the next time.
19:24Oh, by the way, you might have been right about Jane Thwaite.
19:32How do you mean?
19:34Well, it's probably nothing.
19:35And I only heard it third-hand, but according to my mother,
19:39Honor saw Jane on the path by the lake yesterday evening, before she came to me.
19:44What was she doing there?
19:45I've no idea, but given the window you've got for the time of death,
19:48she could have killed Ned first and then used me as her alibi.
19:57Look at you.
19:58We'll make a detective of you yet.
20:07All right, thank you.
20:08Goodbye.
20:10What is it?
20:12That was the insurance company.
20:15They say we aren't covered.
20:17What?
20:18We don't have accidental damage or something.
20:22We have to pay for everything ourselves.
20:27If we do that, how the hell can we afford to go to France?
20:32Okay.
20:33And you still think the war has something to do with this?
20:36Yes.
20:37You reckon there's a connection between the murders and something that happened 40 years ago?
20:41Yes, I do.
20:43I don't see it.
20:44Well, it doesn't mean it's not there.
20:47Okay.
20:49You find the connection, and then we'll talk again.
20:52Do you want to lift home?
20:54No, no. There's a...
20:55Sorry, I need to see.
21:02Oh, Hector.
21:04Hi, Kath.
21:05Have you got a minute?
21:06I wanted a quick chat.
21:07Of course.
21:09What about?
21:11Harry Cobb.
21:22I may be wrong, and if that is the case, I do apologise.
21:26But earlier today, you reacted...
21:29Oh, it's alright.
21:31Whatever it is, you can say it in front of Dorla.
21:35No secrets here yet.
21:40Well, it was something my mother said.
21:43In her usual warm and understanding way, she...
21:47She disparaged girls who fell pregnant.
21:50I saw your expression, and...
21:54It looked like it hurt.
21:56Like she was talking about you.
22:06Don't you think it's time Harry knew?
22:09What if he blames me?
22:12For giving him up.
22:14And for lying this whole time.
22:17If he...
22:19Doesn't want.
22:22We say hello.
22:24It's nice.
22:26I can see him.
22:27And the baby.
22:29And nobody knows.
22:31It all...
22:33Works.
22:37I'm not sure I'm ready to risk that.
22:39There you are.
22:53Went for a drink with Neil.
22:55Good.
22:57As long as you weren't stewing on your own.
22:59No.
23:01Have you eaten?
23:02Had some crisps.
23:04I could do you a soup? Sandwich?
23:05I'm fine.
23:06It's no bother.
23:10No, thank you.
23:11I'd like that.
23:13Crisps.
23:35Jane, we have a witness who saw you on the path by the lake the evening your husband died.
23:49So?
23:51So I'm wondering why you didn't mention it.
24:06I was looking for Ned.
24:09It's one of his favourite places to go. He loved taking photos there.
24:14Something about the light.
24:15I thought perhaps I might find him.
24:21But then to be honest I had second thoughts.
24:25Why?
24:28Because I realised I was actually afraid.
24:31Of your husband?
24:33Oh, yeah.
24:35And I thought, if I'm afraid of him what does that say about our marriage?
24:42And that's when you went to see Canon Clement?
24:44Yes.
24:49Why didn't you tell me this yesterday?
24:51I don't know.
24:53I wasn't really thinking straight.
24:58Okay.
25:00For the time being I think it's best if you don't leave the area.
25:04I'll show myself now.
25:14You've been out here for hours.
25:15Yeah.
25:16I didn't know better. I'd say you're avoiding me.
25:17Harry's going to start asking questions. You can't stop him.
25:18I know.
25:19And Audrey's right. Somebody always remembers.
25:21I know.
25:22And Audrey's right.
25:23Somebody always remembers.
25:25I know.
25:26And Audrey's right.
25:27Ernie and Jean are both gone.
25:28They kept your side of the bargain.
25:29You kept your side of the bargain.
25:30I know.
25:31And I know.
25:32I know.
25:33And I know.
25:34I know.
25:35I know.
25:36And Audrey's fine.
25:37I know.
25:38And if Harry's asking it's cause he's ready to hear the truth.
25:40It didn't stop him.
25:41It doesn't stop him.
25:42But I know.
25:43it used to fit my thumb.
25:44It was when you start asking questions.
25:46He can't stop him.
25:47And Audrey's right.
25:48Somebody always remembers.
25:50Ernie and Jean are both gone.
25:55He kept your side of the bargain.
26:01And if Harry's asking,
26:03it's because he's ready to hear the truth.
26:20I like to see her as well.
26:25So, I'm sorry.
26:28I can't believe her.
26:36I don't want to hear the truth in her.
26:40She can't be a oak tree.
26:42I'll pass it over to the murders.
26:45Get out of the woods.
26:47I don't know.
27:17Kath?
27:30Will you come with me?
27:33I think I'm Reggie.
27:41I've not taken it.
27:42Sir, I've been going over Anthony Bonass's bank records.
27:46Right.
27:46I noticed he made withdrawals once a month, on or about the same date, always the same branch.
27:53So, over a period of six months, he withdrew £3,000?
28:00In cash. Regular as clockwork.
28:03Why would he do that?
28:05Blackmail?
28:06I didn't know, haven't you?
28:07I'm not.
28:08Anybody?
28:19In some cases, I'm going to guess.
28:20Hello, Kath.
28:41You said you were looking for your real mum and dad.
28:43Yeah, that's right.
28:45I can help you with that.
28:47But, I'm afraid your father died in the war.
28:53I see.
28:55But your mum is very much alive.
29:03When I found out I was pregnant, Lord Diffelro sent me to Rudnham to have you.
29:09Ernie and Jean worked at the big house there and Jean couldn't have babies.
29:15It was the obvious solution.
29:17They were desperate, so, you know, it worked out well for them.
29:28After a week or so, I came back here.
29:34That must have been hard.
29:35That was the deal.
29:40I went back to work and did my best to forget.
29:45But then, a few years later, there was a vacancy at Champton House and Ernie was sent to fill it.
29:52So, Harry ended up here.
29:57Under your nose and you didn't say a thing.
30:00Oh, I'd promised.
30:01Ernie and Jean.
30:02I don't think I could have done that.
30:08It was for the best.
30:11I've got to watch my baby grow up.
30:15How many girls like me got to do that?
30:17D-O-Y.
30:41D-O-Y.
30:42Corrine, have we got the items that were in Anthony Bowness' pockets when he died?
30:58You're looking for something in particular?
30:59D-O-Y.
30:59This ticket.
31:08Find out where this bus route goes.
31:09Public house.
31:30Public house.
31:39Yeah, I remember him.
31:51You sure?
31:52How many people do you think we get in here who want Angostura bitters and tonic?
31:59Was he in here recently?
32:00Yeah, he'd come in, I don't know, every few weeks.
32:05Always sat over there.
32:07Did he meet anyone?
32:08Always the same bloke.
32:09Right.
32:11Can you describe him for me?
32:13About 60.
32:15Beard.
32:16Rough looking.
32:17Big old great coat.
32:19And he's smelt a bit as well.
32:20You know.
32:22Animals and earth and that.
32:28Quite a day.
32:35For what?
32:36Pushing me.
32:37I was so worried what would happen.
32:40I was so worried what would happen, but it was lovely.
32:44I'm glad.
32:45You know, there was another reason why I wanted you to tell him.
32:55I needed to know when the time comes that you would have someone that you wouldn't be.
33:07I don't like the idea you being on your own.
33:11You know, with no one to boss around.
33:15I don't boss people around.
33:17Oh, much.
33:27Peas in a pot.
33:30Peas in a pot.
33:31Peas in a pot.
33:36Patrick Liversidge! Open up! Police!
33:47Open the door!
33:56Noisy bugger, aren't ya?
34:02What are you doing?
34:03Dusting for fingerprints. I saw it on Juliet Bravo.
34:11Yardley talcum powder.
34:13Better than that imperial leather mop you use.
34:20It's a bit heavy on the scent, but still.
34:25First of all, the police have already looked. There aren't any prints.
34:28Secondly, and I think the facts will back me up on this,
34:31they don't use Yardley's English lavender.
34:34At least I'm doing something. Feel free to jump in at any time.
34:39You alright? I'm sorry.
34:42First, I'm going to fix a drink. Would you like one?
34:45A nollie. A splendid idea.
34:55I don't know what you're talking about.
34:57The barman says that he saw you meeting with Anthony Bowness.
35:00Why would that be?
35:01You must be confused.
35:03He says he saw Anthony give you a package on more than one occasion.
35:08What can I say? Not me.
35:09Sir.
35:12This was in an old tire round the back.
35:18And, um, this was under the sink.
35:22Patrick Liversidge, I am arresting you on suspicion of the murders of Anthony Bowness and Ned Thwaite.
35:28You don't have to say anything unless you wish to do so.
35:32Anything you say may be put into writing and given in evidence.
35:35Do you understand?
35:38Come on.
35:40Alright.
35:42That lavender is quite strong.
35:44Well, if you will use half a tin.
35:47Perhaps you ought to give some to Kath and Dora.
35:49Because?
35:51Well, they were going to visit the lavender fields in France, but since Dora flooded the house they can't afford to.
35:56Are they insured?
35:57Apparently not.
35:59We had a flood once, when you were little. Do you remember?
36:02Vaguely.
36:03The tap broke on the kitchen sink. Water poured out. We couldn't stop it.
36:07Your father was useless, of course.
36:08So I had to go out into the street to find the main stop tap.
36:12In my dressing gown.
36:13Can you imagine?
36:14In front of the whole street.
36:15I was mortified.
36:17On the street?
36:18What?
36:19The main stop tap, it was on the street.
36:23Of course, so you can get to it in an emergency.
36:25Wouldn't be much good anywhere else, would it?
36:28I have to go.
36:38I've got to go.
36:39But I have to go.
36:40I've got to go.
36:41Because you can walk very well.
36:42Even that, I've gotta go in a park.
36:43I could walk right away.
36:44You can go, drive.
36:45There!
36:46You might go at it tomorrow.
36:47You might have to go.
36:48I've got a photographer.
36:49You here.
36:50You can go.
36:51I'll go.
36:52You don't have to go.
36:53You're going.
36:54I'm going.
36:55You're going.
36:56You're going.
36:57You're going.
36:59You're going.
37:00You're going.
37:02They're going.
37:03I'm going.
37:04You're going.
37:05I'm going.
37:06I don't know.
37:36I don't know.
38:06I don't know.
38:36I don't know.
39:06I don't know.
39:36I don't know.
40:06I don't know.
40:36I don't know.
41:06I don't know.
41:08Gert Breitner, born in Hamburg.
41:12I was right.
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