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00:00:05Excuse me! Excuse me! You're on!
00:00:14Welcome, everyone, to this inaugural excursion of the Brokenwood Flyer.
00:00:21The culmination of years of hard work and planning by the many dedicated pharaoh equinologists of Brokenwood.
00:00:31That's a fancy talk for Iron Horse enthusiasts, and I'm sure you all know that already.
00:00:38I'm sure you also know that we wouldn't be here today without the sheer grit, determination, and fundraising stamina of
00:00:45two of the Brokenwood Vintage Railway Society's leading lights, Rosalie Barnes and Shane Griffin.
00:00:54They have committed years to this exciting project, and today is the day when it all comes to fruition.
00:01:01Oh, my God!
00:01:03What'd you do that for?
00:01:05You know what blooms like, he'll prattle on all day if you let him. Mrs. Baker's already in a flap
00:01:10about getting away on schedule.
00:01:11Always thought there was a touch of Mussolini about that woman.
00:01:14Eh?
00:01:15Makes the trains run on time.
00:01:17No, I think Rosalie's the one who's putting the strings.
00:01:19As usual.
00:01:20Sound bitter.
00:01:21I'm not bitter.
00:01:22No, you've spent three years pretending to have an all-consuming interest in vintage trains, hoping to catch Rosalie's glad
00:01:30eye, only to find out that the woman of your dreams has taken up with a sap of a man
00:01:35half your age.
00:01:36Shane's not half.
00:01:38Anyway, you can talk.
00:01:39You French...
00:01:40All aboard!
00:01:42When this day is a rover in the hills of smoke
00:01:49Meet me right back here
00:01:56I had a dream last night
00:01:59We were riding on a silver train
00:02:05So good
00:02:11Well, congratulations, you did it
00:02:13With a lot of help
00:02:15If Regan's father hadn't come to the party, when he did, we'd still be back at the cake stall and
00:02:20raffle stage
00:02:24How are we doing for time?
00:02:25Oh, relax
00:02:26We're all on track
00:02:27Oh, on track
00:02:29Oh, right, so it should be me driving, you know that, don't you?
00:02:36How did you work that out?
00:02:37It's in the blood
00:02:38Dad was a railwayman for 50 years
00:02:40Candy with a shovel, was he?
00:02:42The only reason it's you and not me
00:02:45You haven't got the upper body strength, not for any hard yakking
00:02:51Oh, hey
00:02:57There's nothing quite like it, is there?
00:02:59Hmm?
00:02:59The romance of train travel
00:03:00You're not in a hurry
00:03:03It's only 20 minutes to Little Lake by car
00:03:06This will take twice as long
00:03:08Wait, yeah, but that's not really the point though, is it?
00:03:10It's why they closed the line in the first place
00:03:13It wasn't needed
00:03:15Devil on horseback?
00:03:16No, thanks
00:03:18Oh, no thank you
00:03:33What the hell's that?
00:03:34There's something on the track
00:03:36Just look
00:03:39Oh, jeez, that's not some thing
00:03:40That's some body
00:03:41Stop the bloody train
00:03:45Oh, jeez
00:03:47Oh, jeez
00:03:48Oh, jeez
00:03:48Oh, jeez
00:03:50Oh, jeez
00:03:52Oh, jeez
00:03:54Why have we stopped?
00:04:06What the hell do you think you're doing?
00:04:08You could have got yourself killed
00:04:09Oh, like you care
00:04:10Just go ahead and kill the planet instead
00:04:12Give me strength
00:04:14Unbelievable
00:04:15Billy McKelvey
00:04:16What silly game are you playing now?
00:04:19It's not a game
00:04:19This is a wake-up call
00:04:21What for?
00:04:22It's the middle of the afternoon
00:04:23We're already awake
00:04:24Cole is killing the planet
00:04:26Cole is killing the planet
00:04:28What's all this?
00:04:29Cole is killing the planet
00:04:31Somebody call the cops
00:04:32Cole is killing the planet
00:04:33I will not have her ruin
00:04:35Rosalie and Shane's
00:04:36I mean, everyone's big day
00:04:38I'll deal with you up at the lake
00:04:39Come on
00:04:40On the train
00:04:41No
00:04:41You can't make me
00:04:43You'll do as you're told
00:04:44Or you'll make things worse for yourself
00:04:45Come on
00:04:46Come on
00:04:48Don't touch me
00:04:51More things
00:04:52Are you okay to keep going?
00:04:54We can swap places
00:04:55If you're feeling a bit fragile
00:04:57Nah, nah, I'm fine
00:05:01Come on
00:05:02Back on the train
00:05:30It's just a hobby for you lot
00:05:31But you're not thinking
00:05:33But you're not thinking
00:05:33Oh, you don't want to know
00:05:34What I'm thinking, young lady
00:05:35Cole is killing the planet
00:05:38Cole is killing the planet
00:05:40If you think the biggest threat
00:05:41To the planet
00:05:42Is a quantum train
00:05:43In Broken Wood
00:05:43Your head's on wrong
00:05:44Now, you just don't care
00:05:45Because you'll be dead soon
00:05:47No, no, no
00:05:47All right, chatty Cathy
00:05:48Wrap it up
00:05:50We're almost at the stop
00:05:51For Little Lake
00:06:01Everyone else
00:06:02And follow the path
00:06:02You can't miss it
00:06:05This is going really well
00:06:06I think
00:06:08Where's Rosalie?
00:06:09Oh, she'll be somewhere
00:06:10Tutuing with your frog
00:06:11I'm going to sneak a cigarette more like
00:06:12No, no, no
00:06:13You go with the others
00:06:14She wants to make a big entrance
00:06:16I'll find her
00:06:22Rosalie?
00:06:23You there?
00:06:25Rosalie?
00:06:33Rosalie?
00:06:48Mrs. Baker
00:06:56Hmm
00:06:58Mike?
00:06:59I don't want to be rude
00:07:00But now's not a good time
00:07:02I'm trying to find a runaway bride
00:07:03Uh, I might be able to help you with that
00:07:15What's all this carry-on
00:07:16Is someone getting married?
00:07:18That was the plan, yes
00:07:21Did you know anything about this?
00:07:23All I know is I was supposed to get fed
00:07:25It's hungry business, shoveling coal
00:07:26Oi!
00:07:27Don't touch
00:07:28You reckon the bride's done a runner?
00:07:30I sure wish I'd done a runner on my wedding day
00:07:35I don't know
00:07:37She's a fine figure of a woman
00:07:39Mrs. Trudy
00:07:45Thanks for keeping everybody here
00:07:48It wasn't hard
00:07:49They were expecting a picnic
00:07:50I haven't said anything about Rosalie
00:07:54I wouldn't know how
00:07:55Uh, we'll handle that
00:07:56Next of kin?
00:07:57Oh, um
00:07:59Oh, Regan
00:08:00Rosalie's daughter
00:08:02And
00:08:03Shane
00:08:04The groom
00:08:09Thank you, Mrs. Baker
00:08:11Good job
00:08:13What's her story?
00:08:14Uh, we just need to interview everyone about a recent incident
00:08:18Oh, right, that jumped up little madam on the tracks
00:08:20You think she'll be old enough to know better
00:08:24Right
00:08:25Just hold that thought
00:08:31We're treating your mother's death as suspicious
00:08:34She may have simply just fallen from the train
00:08:36But we need to be sure about it
00:08:39Okay
00:08:40And we need someone to give us a formal ID
00:08:43That should be me
00:08:45If you don't feel up to it, we can ask Rosalie's fiancƩe
00:08:49The what?
00:08:50The wedding was going to be a surprise
00:08:52Rosalie's idea
00:08:53I feel like we'd have been happy with the registry office
00:08:57When was the last time you saw Rosalie?
00:08:59When the train had stopped
00:09:00She'd gone up the front to get changed into her wedding dress
00:09:03I thought she might need a hand with the fiddly bits
00:09:05Everything alright in there?
00:09:07Go away!
00:09:08You're not supposed to see me
00:09:09It's bad luck
00:09:10So you didn't actually see Rosalie
00:09:13You just spoke with her through the door?
00:09:16Yeah
00:09:16Did anyone witness the exchange?
00:09:19No, I doubted everyone else had left the carriage by then
00:09:21Trying to work out why the train had stopped
00:09:24We must have stopped just in time
00:09:26And then everyone got off to see what was happening
00:09:28Including Rosalie?
00:09:30I really can't remember
00:09:32There was a lot going on
00:09:35More than you realised
00:09:37What?
00:09:38The surprise wedding
00:09:39You had no idea?
00:09:41None
00:09:42But you knew that your mother and Shane Griffin were in a relationship?
00:09:46Everybody knew
00:09:47Mum had been raving about it for months
00:09:51But Shane made her happy
00:09:53For the first time in her life, I think
00:09:57So neither Regan Barnes nor Shane Griffin remember seeing the victim after the train stopped?
00:10:04Well, Shane said he'd talk to Rosalie through the toilet door
00:10:07And then got off the train with the others
00:10:08And Doug and Ron were busy letting rip at Lily
00:10:12I talked to Doug
00:10:14Pinko Greenie
00:10:15When she was lying on the tracks like some sort of damsel in distress
00:10:18And she gets up with a placard and starts waving it around
00:10:22Going on about coal and the planet
00:10:24God knows what she was trying to achieve
00:10:26So, what did the Pinko Greenie have to say for herself?
00:10:30Huh
00:10:31Not much
00:10:32Lily McKelvey, 145 Old Creek Road
00:10:35Date of birth, 27 March 2008
00:10:37And that's all you're getting
00:10:40She seems very well trained for an 18-year-old
00:10:43Are we sure she was acting alone?
00:10:46Uh, I'm afraid Mrs. Bake is in a bit of a state
00:10:49Any idea when we might get the all clear?
00:10:51As long as they've given their initial statement, everyone's free to go
00:10:54Oh, lovely
00:10:55Uh, just not on the broken wood flyer
00:10:57We still need to inspect the carriages
00:10:58Ah, I see, I see
00:11:00I'll see what I can do
00:11:01Um, what's the point in being there if I can't rustle up a council coach when we need one?
00:11:05Um, and, uh, Lily McKelvey
00:11:07Don't worry about her, she's coming with us
00:11:09Okay
00:11:14Oh, here
00:11:16Let me give you a hand with that
00:11:17Oh
00:11:19Thank you, Rowan
00:11:19Got it?
00:11:20Yeah
00:11:23See, Jug, that's what a gentleman looks like
00:11:31Oh, hello there
00:11:33You sound relaxed
00:11:34Not at all
00:11:35Slogging it out, you know how it is
00:11:36Wow
00:11:37I need you to find what you can on a Lily McKelvey
00:11:41You want to know if she has any kind of regular involvement
00:11:44Climate, process, that sort of thing
00:11:46Well you, I will clear my desk
00:11:49Give the board a wipe while you're at it
00:11:51We're going to need it
00:11:58So, Doug and Ron are in the engine cab with no access to the carriage
00:12:04And everyone else is in here
00:12:07Black roses
00:12:08Old choice
00:12:10And then at a certain point, Rosalie moves to the front of the carriage
00:12:16To change
00:12:19But ended up down there
00:12:26Before falling or being pushed onto the tracks
00:12:30While everyone else was preoccupied by Lily's protest
00:12:33Or so they want us to believe
00:12:43What if the offender wasn't one of our travellers?
00:12:47Someone else got on board the train before it left Brokenwood
00:12:50And waited for their chance to attack
00:12:53Risky
00:12:53With nowhere to hide
00:12:55There's only this one cubicle
00:12:58Yeah
00:12:59And a black rose for a corsage
00:13:01It's slightly weird
00:13:11For R
00:13:13You know what this means
00:13:19Next step
00:13:20Hand riding samples from everyone on the train
00:13:24What did you find on Lily McKelvey?
00:13:28Yeah
00:13:29Brokenwood's answer to Greta Thunberg
00:13:31Her socials are dedicated to protest content
00:13:34Nothing about today's protest?
00:13:36If you're going to go to all that trouble to stop a train
00:13:38You'd want the world to know about it, right?
00:13:40You'd be live streaming
00:13:42Or at least making sure someone was there to record it
00:13:45Well, perhaps somebody did
00:13:46Maybe the protest was just a diversion
00:13:49Well, whatever happened
00:13:50It went down fast
00:13:53The Crimestoppers' report about the body on the tracks
00:13:56Came through at 2.47
00:13:58Not long after the train moved off again
00:14:00Who did that report come from?
00:14:02Well, someone who saw something
00:14:03But didn't want to get involved
00:14:05Called it in anonymously
00:14:06Well, Lily might be more forthcoming
00:14:09Now that she knows that somebody has died
00:14:12Oh, um
00:14:13Gina's going to be expecting one of us soon
00:14:16So fight amongst yourselves
00:14:17Heartbreaker
00:14:17Uh, was that you volunteering?
00:14:21Nice one
00:14:25Thank you
00:14:29I'm assuming you weren't actually tied to the tracks
00:14:33I'm not an idiot
00:14:34Did you have any help getting into position?
00:14:36Lying down isn't hard
00:14:39At my age, anyway
00:14:40Hmm
00:14:41Uh, no one to cheer you on?
00:14:44No
00:14:46Thanks for your phone, Lily
00:14:50Who's Noah?
00:14:53At 2.45pm, you got a text
00:14:56Just two words
00:14:57You okay?
00:14:59From someone called Noah
00:15:01He's my boyfriend
00:15:03Did he know about your protest?
00:15:05No
00:15:06Then why the text?
00:15:07Why those words?
00:15:09You okay?
00:15:10He was just tricking in
00:15:11I guess
00:15:12Just
00:15:13It's the kind of guy he is
00:15:15Tell me a bit more about him
00:15:19I cannot be precise about the time of death
00:15:21No, I get it, Gina
00:15:22Usual terms and conditions apply
00:15:24But when I arrived at the scene
00:15:25What we call the tracking of the eyes
00:15:27Had not begun
00:15:27Impala mortis was not complete
00:15:29It can only have been a matter of minutes
00:15:3115 or 20
00:15:33That's pretty precise
00:15:34What do you mean?
00:15:36I am very precise
00:15:37Yeah, of course, but you just
00:15:39Do you think my job is easy?
00:15:42No, but you just
00:15:43You want me to hand you the bone saw?
00:15:44Knock yourself out
00:15:47No
00:15:47I'm good
00:15:48Good
00:15:49Now
00:15:50Cause of death
00:15:51See here?
00:15:53One significant impact wound
00:15:55And the number of small scrapes and bruises along her right side
00:16:00She died when she hit the rail track
00:16:02Not necessarily
00:16:05What does this tell us?
00:16:09She bounced
00:16:12Mike would understand
00:16:14Well, Mike's not here, so
00:16:16Perhaps she was fatally hit on one side of the head
00:16:19And then
00:16:20Thrown from the train
00:16:21And landed on the other side
00:16:23Very good
00:16:25Now
00:16:25We have a guest
00:16:32Come through
00:16:42That's her
00:16:44Ask me memorously
00:16:46Thank you
00:16:48Was it quick?
00:16:49Very
00:16:50If you'd like
00:16:51We can keep you up
00:16:52Has anyone told Dad?
00:16:55Hayden Barnes
00:16:56As in Barnes Farming Supplies
00:16:59Regan's father
00:17:00And Rosalie's ex-husband
00:17:02Sims is with him now
00:17:04Excuse me
00:17:05I'm here for my daughter
00:17:07You must be Mr. McKelvey
00:17:10Troy
00:17:10Could you get Miss McKelvey, please?
00:17:13Of course
00:17:16Come on through
00:17:19I'm Bridget
00:17:20Lily's grandmother
00:17:21Where is she?
00:17:23She'll be here soon
00:17:24You do realise she's only 18?
00:17:26Yeah, old enough to be charged with breach of the police
00:17:29Not today, however
00:17:30We're letting her off with a warning
00:17:32You just thought you'd scare her by keeping her here all afternoon
00:17:35Hey, kiddo
00:17:36You alright, love?
00:17:37Can we go, please?
00:17:40Your granddaughter has been helping us with our inquiries into a suspicious death
00:17:46A woman died on the train that was stopped by her protest
00:17:49She didn't say anything about that when she rang
00:17:52Does the name Rosalie Barnes mean anything to you?
00:17:58You were close?
00:17:59Used to be
00:18:00Old school friends
00:18:02We travelled overseas together
00:18:03It was a long time ago
00:18:04How did it?
00:18:07What happened?
00:18:07We'll be releasing a statement in due course
00:18:09Right
00:18:10I should go
00:18:13Lily told us that she was in a relationship with one of your farmhands
00:18:18Noah?
00:18:19Noah Dunphy?
00:18:20If you see him, could you tell him to get in touch?
00:18:22Why do you want to talk to Noah?
00:18:24We'll explain that when we see him
00:18:26Alright, I'll pass that on
00:18:29Thanks, love
00:18:32It's hard to believe
00:18:34She had a big train launch this afternoon
00:18:36I thought she'd be swilling champagne all day
00:18:38I have to ask you this
00:18:41Where were you around 2.45pm?
00:18:44Quarter to three
00:18:44I was here
00:18:47Yeah, you can ask Dan
00:18:49And when was the last time you saw Rosalie?
00:18:52A few weeks ago
00:18:53We met to sign the divorce papers
00:18:54It was all very amicable
00:18:55If you're wondering
00:18:58My daughter, does she know?
00:18:59Yeah, she identified the body
00:19:00So she may need some support
00:19:02Alright, Bob
00:19:03Okay, I'm here
00:19:04I'm here
00:19:04It's gonna be okay
00:19:12I did some research on the McCalveys
00:19:14Found this
00:19:16Bridget and her best friend Rosalie
00:19:18Protesting the closure of the Brokewood Railway Line
00:19:21Way back in the 80s
00:19:22The line was closed anyway
00:19:24But the track was never pulled up
00:19:25And then 40 years later
00:19:27Rosalie's the driving force behind the Brokewood Flyer
00:19:30Which was bitterly opposed by Bridget's son, Troy
00:19:33He was pushing his own plan
00:19:35To turn the track into a cycle trail
00:19:43Well, it was either restore the rails
00:19:45Or pull them up
00:19:46The council had been shunting that decision
00:19:48Down the track for about 30 years
00:19:49Excuse the pun?
00:19:51I would have done the same
00:19:52If I'd not know what a kerfuffle it would turn into
00:19:54So, what swung it in favour of the vintage railway?
00:19:57Well, no word
00:19:59Rosalie
00:20:00She was a bit of a steam engine herself, if you get my drift
00:20:02A hard woman to say no to
00:20:03Helped that she had Hayden Barnes's money behind her
00:20:06Before the divorce, I mean
00:20:08Though I imagine she took a good chunk of it with her when they split
00:20:12He bought the engine and carriages, paid for the restoration
00:20:15Troy McKelvey must have found it hard to compete
00:20:17He just couldn't promise the investment we were looking for
00:20:20Whatever he had himself, he sank into buying up land along the tracks
00:20:23He had some grand scheme for accommodation and a cafe
00:20:27Actually, I've got it here somewhere
00:20:28Um
00:20:31Yeah
00:20:33How are you expected to pay for it?
00:20:35I have no idea
00:20:38This is the McKelvey farm here, eh?
00:20:40Yeah, what's left of it
00:20:41Troy's been selling bits off trying to claw back his investment
00:20:46Do you mind if I get a copy of this?
00:20:48Would be a pleasure
00:20:51Follow me, young man
00:20:54Brand new photocopier
00:20:56Very flanch
00:20:58Voice activated
00:21:02And copy
00:21:06Got it, yeah, you have to say it right
00:21:08And copy
00:21:14Annoying
00:21:14Might just, uh, use the old digit there
00:21:27Trudy
00:21:28There's a Noah Dunphy drink here
00:21:30Friend of yours, is he?
00:21:32It's a professional inquiry
00:21:33Thought so
00:21:35Don't make me say it
00:21:37It's not knocking
00:21:38If he hasn't done anything wrong
00:21:40Sure
00:21:42Lena
00:21:45On my tab
00:21:47What was that you just did?
00:21:48Well you know what a tab is, don't you?
00:21:50No, the nose tab you think
00:21:51What's that all about?
00:21:53Trudy nose
00:21:55That's all that matters
00:21:57Okay, so Noah comes in with his mates every now and then and, you know, well he's always hitting on
00:22:03me
00:22:04I mean, I got there and it was just nothing
00:22:06Nothing cool
00:22:07Two pails
00:22:09And a hazy
00:22:10Thanks very much, appreciate it
00:22:15Thanks again
00:22:17Do you like cats?
00:22:20Yeah, cats are, uh, cats are cool
00:22:22Cool
00:22:22I have a catsuit at home
00:22:24You know, I mean, like for special occasions
00:22:29Okay
00:22:31Uh, that's, that's, um, that's interesting
00:22:34Yeah, thanks
00:22:36Lena
00:22:44I thought you said he hit on you
00:22:48He did
00:22:49He said I was interesting
00:22:50And he's cute
00:22:52I mean, not
00:22:52Not as cute as Chad
00:22:53Oh
00:22:54You think so too?
00:22:56No, I just
00:22:57But then, no one is
00:22:58But he is a little bit bad boy
00:23:00Which is nice sometimes, right?
00:23:03Thanks, Lena
00:23:03Yeah
00:23:06Oh, hello
00:23:07You're here for that pizza for Shane
00:23:09Well, normally I would have cooked him something
00:23:11But, I don't know, I can't seem to settle
00:23:13I'm all a quiver
00:23:14It's all good, huh?
00:23:16Mrs Baker
00:23:17How's Mr Griffin holding up?
00:23:19Do you really need to ask?
00:23:21Oh, I'm sorry
00:23:22I know you're only doing your job
00:23:24And that's how the police mind works, isn't it?
00:23:28The nearest and dearest are the biggest suspects
00:23:30But I am telling you
00:23:31Shane is one of nature's gentlemen
00:23:33He wouldn't hurt a fly
00:23:35And Hayden Barnes
00:23:37Would you say the same about him?
00:23:40Well
00:23:42That's a different story
00:23:52Thanks
00:23:53So
00:23:54It's hard to say if it's intel
00:23:56Or just gossip
00:23:57But according to Mrs Baker
00:23:59Hayden and Rosalie's split
00:24:01Wasn't as amicable as he tried to make out
00:24:08I am not a bloody ATM for your pet project
00:24:11Oh
00:24:12Grow up
00:24:13This is bigger than us
00:24:14Us?
00:24:15What us?
00:24:16You've already got yourself a new toy boy?
00:24:18Is everything alright?
00:24:18You're welcome to the gold-thicking cow
00:24:21Good luck to you
00:24:24Obviously, Rosalie liked her men younger
00:24:26She had ten years on Hayden as well
00:24:30Did Hayden know about Rosalie and Shane's wedding yesterday?
00:24:33He didn't say
00:24:34But Mrs Baker insisted that no-one knew about it
00:24:37Not even her own daughter, Regan
00:24:38Check in with Shane
00:24:40Find out if he or Rosalie got any more aggro from Hayden
00:24:44Or the McKelvies, for that matter
00:24:46Oh?
00:24:48Well, Lily clearly isn't a fan
00:24:50And Rosalie and Troy were practically feuding over rival schemes
00:24:58This is the McKelvie farm
00:24:59And this is the additional land that Troy bought for the tourist development
00:25:06Right next to where Lily stopped the train
00:25:08And Bridget's old friend Rosalie was killed
00:25:15What do you got?
00:25:20No, I've done for you
00:25:21Still not responding to my calls
00:25:23But that could be because he has a history of prior arrests
00:25:26Disorderly behaviour, assault
00:25:28Assault on who?
00:25:29It was related to a protest action
00:25:31A bit of pushing and shoving on the front line of a march
00:25:35Climate protest?
00:25:36Coal, mining, oil
00:25:37Anything that messes with the environment, he's against it
00:25:40So his text to Lily
00:25:41Moments after his stunt
00:25:43Was in no way a coincidence
00:25:44Gotta go
00:25:47Lily, I was hoping you could help us
00:25:49I've already told you everything
00:25:51We've been trying to track down Noah
00:25:53But we can't
00:25:53Yeah, me too
00:25:53So if you see him first, let him know from me that we're done
00:26:03I think the kids call it ghosting
00:26:08Is there something else you wanted?
00:26:10Yes, actually
00:26:13Why are you so interested in Noah?
00:26:16Well, he's Lily's boyfriend
00:26:18For now
00:26:20It's reasonable to assume that he knew about a protest
00:26:24Maybe he filmed it
00:26:26I mean, after all, you know, what's a protest these days?
00:26:29It isn't all over the internet
00:26:30Well, it's a bit of a stretch to go from being a protester to a murderer, isn't it?
00:26:36We had an anonymous tip-off about Rosalie's body
00:26:41Whoever made that report may have seen more than they initially shared
00:26:45Right
00:26:45The incident happened very close to your land
00:26:48Did either of you see anything out of the ordinary?
00:26:51I was here, making jam, head down over the kitchen bench
00:26:55I was up in Old Creek Paddock, fixing some fences
00:27:00Nowhere near
00:27:01Meanwhile, your daughter was tying herself to railway tracks
00:27:05Did you know about that?
00:27:08She's always up to something
00:27:10Thought she was just going to wave a sign
00:27:12We've always encouraged Lily to think for herself
00:27:16She's so compassionate and engaged
00:27:18And that's something to be admired, isn't it?
00:27:21Chip off the old block, perhaps
00:27:24Do you think Lily's protest was inspired by this?
00:27:32Well, you'd have to ask her
00:27:34You had your own reasons to oppose the Vintage Railway
00:27:38Your failed development plans
00:27:40Oh, come on
00:27:41Must have been very frustrating
00:27:43Well, not to mention expensive
00:27:45We lost that fight ages ago
00:27:48And accepted it
00:27:49Ages ago
00:27:49Why are you giving me and my mum the third degree?
00:27:52We weren't even on the train
00:27:54Shouldn't you be chasing the people who were?
00:27:57All lines of inquiry are being explored
00:28:00Which is why I'm going to need a handwriting sample from each of you
00:28:10Here you go
00:28:12I'm not going to win any awards for calligraphy with that
00:28:14Thank you
00:28:15Sorry to disturb you
00:28:17It's fine
00:28:19Anything to help find whoever hurt Rosie?
00:28:22Can you think of anyone who might want to do that?
00:28:24No
00:28:25No, she was wonderful
00:28:26She was very caring, very passionate
00:28:29Although, her passion could rub some people up the wrong way
00:28:32Like Hayden?
00:28:33If Rosie had done me, I'd be devastated too
00:28:36How did you and Rosie get together?
00:28:39Well, there was no overlap if that's what you're getting at
00:28:41Understood
00:28:42We were both on the committee for the train project
00:28:45Lots of long nights
00:28:47And weekends
00:28:48And I keep thinking she's going to come out of the bedroom
00:28:52Or bring me a glass of wine
00:28:57You and Rosie weren't the only ones who gave a lot to the rail project
00:29:01Adam Barnes made a huge commitment too, didn't he?
00:29:04It was his money that
00:29:05It was Rosalie's money as well
00:29:06That's what marriage means
00:29:07Sharing everything
00:29:11I wonder how much Hayden shared with Rosalie in the divorce
00:29:15Hmm, and who's in line for it now?
00:29:18Yeah, I'll chase out the will
00:29:19But Regan, you'd think
00:29:21And probably Shane
00:29:23And they were both on the train
00:29:25Shane may have been the last person to talk to Rosalie
00:29:27Hmm, the romantic toilet door exchange
00:29:30But what did he do after that?
00:29:35Mrs. Baker?
00:29:38I was wondering if I could get my things from the train
00:29:40My clipboard and whatnot
00:29:42I've got another wedding this weekend
00:29:44I can only hope that that couple
00:29:45Hasn't caught wind of my involvement with this debacle
00:29:50R.I.P. Rosalie, obviously
00:29:52Your timing is immaculate, Mrs. Baker
00:29:55We're in need of your insight
00:29:59Please, come on through
00:30:00Oh, hmm
00:30:04Sort of a thing, isn't it?
00:30:08Actually being part of a murder investigation
00:30:11Could you talk us through what happened?
00:30:13Starting at the beginning
00:30:16Well, um, Ron and Doug were at the front
00:30:20Anyway, I should drive
00:30:21I have seniority
00:30:22Seniority?
00:30:24What you have is being scared of hard work
00:30:28Um, we're not so worried about them
00:30:31Can you remember where everyone was on the train?
00:30:35Um, well, the catering was in this one
00:30:38And then we were all in the back
00:30:40There was, um, General Mingling
00:30:47Do you recall where Shane Griffin was?
00:30:50Oh, um, he was mainly talking to a friend
00:30:54Fellow train geek
00:30:56They're a special breed to those
00:30:59Ferreniquinologists
00:31:00Shane told us he went to speak to Rosalie
00:31:03Through the cubicle door
00:31:04When the train stopped
00:31:05Oh, yeah, that sounds about right
00:31:07He was the only other person on the train
00:31:09Who knew what she was really doing
00:31:11I'll tell you what
00:31:11It wasn't easy keeping that a secret
00:31:13Sorry
00:31:15So, was Shane with you
00:31:17When you got off the train?
00:31:18Or was he still back with Rosalie?
00:31:21I remember him turning up at the tracks
00:31:23It's not a game
00:31:24This is a wake-up call
00:31:26What's wrong?
00:31:26It's the middle of the afternoon
00:31:27We're already awake
00:31:28Cole is killing the planet
00:31:31Cole is killing the planet
00:31:33What's all this?
00:31:35I can't be certain how long he was on the train
00:31:37Before he joined us
00:31:37Lily was very distracting
00:31:39And he
00:31:43No, no, no, no
00:31:44Not Shane Griffin
00:31:45He would never
00:31:46He was such an integral part of the planning
00:31:49There was a theme
00:31:51I had it all worked out
00:31:52Champagne flutes
00:31:54Tick
00:31:55Doilies
00:31:56Tick
00:31:57Flowers
00:31:57Oh, what in the blazes are those?
00:31:59I was very clear with that florist when I wanted
00:32:01I'll be having strong words with Jenny Monroe
00:32:03I don't quite like them, actually
00:32:04Really?
00:32:05Hmm
00:32:09No, they were not from me
00:32:10Definitely not part of my catalogue
00:32:13Besides
00:32:14Black roses are a terrible omen for a wedding
00:32:18They symbolise death
00:32:20Would Rosalie have known that?
00:32:27That note could have been attached to the flowers
00:32:30And I know where else I've seen black roses recently
00:32:39I'm not much of a flowers man, but I imagine these are pretty rare
00:32:44Yeah, I suppose
00:32:45So if a bunch of black roses were to show up in the vicinity
00:32:50Chances are they would have come from your garden?
00:32:52There are florists in town, you know
00:32:53Sure, but I'm talking about a hand-picked bunch
00:32:56Tied with a ribbon
00:32:56Delivered with a note
00:33:00Is this your writing?
00:33:03Yes
00:33:03It's an interesting message
00:33:05Given that black flowers symbolise death
00:33:08Is there anything you want to share, Hayden?
00:33:10Look, black roses don't just symbolise death
00:33:13Okay, they're transformation
00:33:16New beginnings
00:33:17Endings, farewells
00:33:20Yeah, I know
00:33:21I'm not exactly the type
00:33:22But Rosalie planted this bush
00:33:24She told me all about it
00:33:25She would have known what I was saying
00:33:26Mum was wearing one of the roses on her dress
00:33:29She wouldn't have done that if she thought Dad was being threatening
00:33:32You told us you weren't at the launch
00:33:33And that you haven't seen Rosalie for weeks
00:33:35Dad couldn't handle actually being there
00:33:37And seeing her with shame
00:33:39Can you blame him?
00:33:41So I said I'll drop the flowers off
00:33:44Right
00:33:46Excuse me
00:33:48Gina
00:33:50Will you be okay?
00:33:51I've got to take my car to the garage
00:33:52See you soon
00:33:53Everything alright, Rob?
00:33:54Yeah, just a service
00:33:55Should only take a few hours
00:34:01For me, nothing can beat the appeal of a steam train
00:34:04The Trans-Siberian Railway
00:34:06It's on my bugger list
00:34:08Your what?
00:34:09My bugger list
00:34:10You know when you say
00:34:12Bugger it, let's just do it
00:34:14It's a very common expression, Mike
00:34:16I'm surprised you don't know it
00:34:17I think you mean bucket list
00:34:19Well, the things you want to do before you kick the bucket
00:34:22But what has the bucket done to you?
00:34:24Well, it's a saying
00:34:25Well, anyway
00:34:26The Brokernut Flyer
00:34:27It's not of the same league, of course
00:34:29But one day
00:34:30I hope for a ride
00:34:31Now
00:34:32I have something
00:34:33I think you'll like
00:34:34Fire away
00:34:36When I looked closer
00:34:37At the two head wounds
00:34:40I found something interesting
00:34:42Metallic fragments
00:34:43In both of them
00:34:44So the murder weapon was metal?
00:34:46Same as the railway tracks
00:34:48Same age
00:34:49Same wear
00:34:51Same rust pattern
00:34:52Rosalie was hit with the length of rail line
00:34:55A small length
00:34:57Unless the offender was very strong
00:35:03Mrs. Baker can vouch that everyone got off the train at the same time as she did
00:35:07Except for Shane Griffin
00:35:10Oi
00:35:10You lot
00:35:11Anyone home?
00:35:17Hello?
00:35:18Oh
00:35:19You want to talk to this guy?
00:35:21Noah, you are a hard man to find
00:35:23Not really
00:35:33Get in
00:35:34That was beautiful
00:35:35Not for me, you idiot
00:35:37You have to talk to the police
00:35:39Or they'll think you killed her
00:35:41Look, he knows his rights
00:35:42So don't try anything dodgy
00:35:44Okay?
00:35:45Wouldn't dream of it
00:35:45Just because he has priors
00:35:47Doesn't mean he's done anything wrong
00:35:49Ghosting your girlfriend
00:35:50Isn't technically a crime
00:35:54It was one tick
00:35:56The timing was freaky
00:35:56It doesn't mean anything
00:35:58You weren't exactly in a hurry to talk to us though
00:36:01So you're saying
00:36:02Despite your prior history of protest action
00:36:04You had no idea what your girlfriend was planning to do
00:36:07Look, the real target should be the freight trains carrying the coal from the mines
00:36:10And she's out here
00:36:12Trying to shut down a vintage train
00:36:13It was pathetic
00:36:14It was almost embarrassed to be involved
00:36:16So you were involved?
00:36:19No comment
00:36:19It is weird that there's nothing on the socials about it
00:36:23So if we checked your phone
00:36:25There wouldn't be any footage of Lily's protest
00:36:29Lo and behold
00:36:32He obviously was in one of the trees by the line
00:36:35There's Doug and Ron exiting the engine cab first
00:36:39Everyone else piling out of the carriage
00:36:41Mrs Baker
00:36:43Mayor Bloom
00:36:44All the others
00:36:45Alibis confirmed
00:36:46That's something
00:36:48There's Regan
00:36:49But where's Shane?
00:36:51He said he was checking in with Rosalie
00:36:53Yep
00:36:54Wait for it
00:36:55So
00:36:57Regan
00:36:57Gets back on briefly
00:36:59Presumably to
00:37:00Alert her mum
00:37:02And there she is stepping back off
00:37:04Followed by Shane
00:37:06Which means
00:37:07He's getting off the train a good
00:37:09Minute
00:37:09After everyone else
00:37:10Enough time?
00:37:12If he worked fast
00:37:13You can't see the back of the train from this angle
00:37:15Why would he want to kill someone he's supposed to be marrying?
00:37:19Well I followed up with Rosalie's lawyer
00:37:21Shane is a main beneficiary in the will
00:37:24As is Regan
00:37:26Is this all the footage?
00:37:28According to Noah
00:37:29I stopped recording when Lily got taken onto the train
00:37:31And did you see anything else or anyone else?
00:37:35No
00:37:35We'll need your phone
00:37:36And there was nothing unusual in his call log
00:37:38Ditto his search history
00:37:40So if Noah is to be believed
00:37:43He wasn't the person who called Crime Stoppers
00:37:45Well he said he took off once Lily was on board the train
00:37:48Where did you go?
00:37:50Back home
00:37:52Well Lily told us you were ghosting her
00:37:54So presumably she couldn't find you there
00:37:56I didn't stick around for long
00:37:57I went to a mate's place
00:37:59Well we will need to speak to that mate
00:38:01Oh you can't
00:38:02He's in Sydney
00:38:03I needed some space to myself
00:38:04So I crashed out there instead
00:38:06Why did you need some space?
00:38:09To work out what I was going to do
00:38:11Dump Lily
00:38:12And leave town
00:38:13To make it sound worse than it was
00:38:17Look I was over it
00:38:18This train thing was the last straw
00:38:20And I just wanted to bail without more of Lily's drama
00:38:24Yeah I'm not sure I'm buying that
00:38:26Agreed
00:38:27Where is he now?
00:38:28At the McAlvey's
00:38:29But we told him to stick around
00:38:31Good
00:38:36We had a ticket on a silver train
00:38:41Coming true
00:38:43It's out here you reckon?
00:38:45Yep
00:38:46Clear line of sight to the tracks
00:38:50The train would have obscured
00:38:52Whatever was happening to Rosalie at the back of it
00:38:55Once it moves off though
00:38:57Thanks guys
00:39:00Oi
00:39:01What am I not allowed to turn?
00:39:03Not on my train
00:39:04Protocol
00:39:04Hardly the worst thing that's happened on your train
00:39:07Is it?
00:39:10If Noah was still close by
00:39:12After the train moved off
00:39:13He would have been able to see Rosalie's body
00:39:16But he claims he didn't make the crime stopper's report
00:39:19But he might have seen who did
00:39:21Or he committed the crime himself
00:39:24Could the phone have been on a tripod?
00:39:27He left it here while he boarded the train
00:39:30The footage was pretty shaky
00:39:32Had to be hand held
00:39:33Or he was working with someone else
00:39:35He gave them the camera while he went to the train
00:39:37If he is hiding something
00:39:40What's his motive?
00:39:47Sorry I don't know what else I can tell you
00:39:48Well what I can tell you is that we've got footage
00:39:51That confirms your story about being last off the train
00:39:54Okay
00:39:55Good
00:39:56What I'm interested in is what you were doing before that point
00:39:59I told you I was talking to Rosalie
00:40:01She was changing and I thought after that she'd probably have a cigarette
00:40:05So I left her to it
00:40:07Here you are
00:40:08You have to help
00:40:09With what?
00:40:10Mrs Baker's yelling at someone
00:40:11I don't know what's going on
00:40:11Okay
00:40:13Everything on Mrs Baker's schedule was timed to the minute
00:40:15So I knew she'd be in a flat
00:40:17Had the delay
00:40:18So what schedule?
00:40:20Yeah
00:40:20Nothing left to chance
00:40:24It's like holding on to a little piece of her
00:40:25Which is silly
00:40:27I know
00:40:29But I can tell you that
00:40:31When I spoke to Rosalie
00:40:32It was around 2.35pm
00:40:34Changing time
00:40:36Can I take that?
00:40:38You'll get it back
00:40:41Sure
00:40:42I can email you a copy of that too if you like
00:40:44Thanks
00:40:46Why is it so important to know when I got off the train?
00:40:52Mrs Baker said you might go down that route
00:40:54We're following all lines of inquiry
00:40:57You've got this so wrong
00:41:00That's another branch of the old rail line
00:41:03That's right
00:41:04It was never part of the restoration plan though
00:41:06So most of the tracks were pulled up years ago
00:41:08How were they disposed of?
00:41:10I don't have an idea
00:41:10I suppose they would have been taken off for scrap
00:41:14Thank you
00:41:18What's that?
00:41:19Regan Barnes?
00:41:20Yes
00:41:20On bereavement leave of course
00:41:22Poor thing
00:41:22Just popped in to get a few things
00:41:25That was a beautiful piece of advice
00:41:27I don't think I'm going to tell you
00:41:27But I can tell you
00:41:31I don't think I'm going to take a few things
00:41:31I don't think I'm going to take a few things
00:41:32Well, you can tell you
00:41:43What's that you're going to take?
00:41:57Hello?
00:41:58Hi there.
00:41:59You alright?
00:42:00Yeah, just taking a walk.
00:42:03Helps me think.
00:42:05Am I right in thinking that this used to be the old Johnson sawmill line?
00:42:09It's going back a bit, but yeah.
00:42:12Is Troy around by any chance?
00:42:14Well, he's out just now, but he shouldn't be too long.
00:42:18I'm happy to wait.
00:42:29You better come up to the house then.
00:42:32Oh, well, if you insist.
00:42:38And this is where you tell me I haven't changed a bit.
00:42:41Apologies, they caught my eye.
00:42:43That's okay. I took a long stroll down memory lane last night.
00:42:46This is you and Rosalie?
00:42:48Hmm.
00:42:50You obviously had some adventures.
00:42:52Oh, Rosalie, she was the adventurous one.
00:42:55She taught me into all sorts of things.
00:42:56There's one of us on a rollercoaster somewhere.
00:42:58The look on my face...
00:42:59Is this Troy?
00:43:01Hmm.
00:43:03He was born overseas?
00:43:04Poland.
00:43:06And I hope you're not going to ask me about the father.
00:43:08No.
00:43:09Well, that is the end of the adventures.
00:43:13Well, it started a new one, I suppose.
00:43:15Parenthood.
00:43:18Solo parenthood.
00:43:20I moved home when Troy was a few months old.
00:43:23Be back in here with mum and dad.
00:43:25And they were remarkably non-judgmental, given the circumstances.
00:43:31And Rosalie?
00:43:34Three years in New York.
00:43:38Two in Paris.
00:43:39And God knows where after that.
00:43:40We lost touch.
00:43:42Our lives were...
00:43:44So different.
00:43:51Shane mentioned he went up to the cubicle.
00:43:54Just after the train stop.
00:43:56I guess so.
00:43:58What, you didn't see him go?
00:43:59I saw him come back.
00:44:01If that helps.
00:44:02Everyone else had got off by then.
00:44:04So I got back on to find him.
00:44:06I told him Mrs Baker was stressing out and he should go and see what was up.
00:44:09And did he?
00:44:10Yes.
00:44:11But I got off before him.
00:44:13So there was a time when she and Shane may have been the only two people in the carriage.
00:44:23You don't think?
00:44:23No, we're just trying to establish a timeline, that's all.
00:44:27But if you do have reason to believe that Shane wanted to harm your mother, then you should tell us.
00:44:35Regan?
00:44:37Mum was super rich and Shane is super broke.
00:44:41The only thing he has is thousands of dollars of debt.
00:44:46I don't know where Troy's got to. He should be back by now.
00:44:49Oh, sorry.
00:44:52Sims.
00:44:52Regan Barnes is suggesting Shane Griffin has money issues.
00:44:56I see.
00:44:57Bring her in.
00:44:58Copy that.
00:44:59I'm just calling Troy.
00:45:02Tell him I'll catch up with him another time.
00:45:13It's a big call you've made suggesting that Shane Griffin killed Rosalie for her money.
00:45:19I didn't say that.
00:45:20No.
00:45:21You stopped just short.
00:45:22I don't want to believe it, but the facts are the facts.
00:45:25I thought you should know.
00:45:27This debt of Shane's, how do you know about it?
00:45:29I work for the council in the rates department.
00:45:32Shane's house is owned by his dad who's in a dementia care unit, but he hasn't paid his rates for
00:45:37the last 20 years.
00:45:38And Shane is responsible for that?
00:45:40He has power of attorney.
00:45:41But no way of paying?
00:45:43Well, it's nearly 200,000.
00:45:46The council's been talking about forcing the sale of the house.
00:45:49Well, if Shane wanted access to Rosalie's money, surely marrying her would get him that?
00:45:53It was still her decision.
00:45:54What to do with it?
00:45:56Maybe she didn't know about the debt.
00:45:57She never mentioned it.
00:45:58Why didn't you tell her?
00:46:00And lose my job for breaking confidentiality.
00:46:03Did Rosalie ever mention changing her will to include Shane?
00:46:07Not to me.
00:46:10She did though, didn't she?
00:46:13But whether Shane knew that is another question.
00:46:21This way.
00:46:24How'd you get on with the council?
00:46:26I'm still on hold.
00:46:28But they said my call is very important to them.
00:46:30Be quick at a walk.
00:46:33Hmm.
00:46:33Uh, talk to Shane.
00:46:35See what he has to say for himself.
00:46:38Yes.
00:46:39I'm afraid Dad did let things get out of hand.
00:46:42I don't know if it was his dementia or just sheer bloody mindedness.
00:46:45How's that?
00:46:46Well, there was a dispute with the council over a boundary line.
00:46:49Years ago.
00:46:50Dad used to get pretty worked up about it.
00:46:52So he stopped paying his rates.
00:46:55Did Rosalie know about the debt?
00:46:57Yeah, of course.
00:46:58We didn't have any secrets.
00:47:00Good news I think.
00:47:02Case closed.
00:47:03No, our case.
00:47:04Not yours.
00:47:05Or is it?
00:47:06Closed I mean.
00:47:07I wouldn't know, would I?
00:47:09How could I?
00:47:10I mean, could I?
00:47:11No.
00:47:11Sorry.
00:47:13I've been talking to the council about it.
00:47:15They were paying it off in instalments.
00:47:16But it's just, it's all the interest and the penalties.
00:47:19It's a real kicker.
00:47:21I bet.
00:47:25That was DSS Shepard calling from the council office.
00:47:27Your father's rates debt was paid in full today.
00:47:33A scheduled payment from the account of Rosalie Barnes.
00:47:36With the reference, wedding gift.
00:47:50Thanks.
00:47:51Thanks.
00:47:53It was Regan, wasn't it?
00:47:55Who told you about the debt?
00:47:57I knew she didn't think much of me, but I didn't think she'd think to that.
00:48:00Well, she's just lost her mother.
00:48:02She's looking for answers.
00:48:04I feel sorry for her.
00:48:05They never really got along.
00:48:07Rosie was a wonderful woman, but motherhood was not her forte.
00:48:11She was always finding fault with Regan with her hair and with her clothes and with her attitude.
00:48:17Mothers and daughters, eh?
00:48:20The last big blow up was a few weeks ago.
00:48:22We'd asked Regan to meet us for a drink while I was running late.
00:48:26I don't believe this.
00:48:28You're a sad, old, miserable joke.
00:48:32Darling, I'm trying to help.
00:48:33No!
00:48:34You're just trying to control me!
00:48:36What's new?
00:48:38Regan!
00:48:39Regan!
00:48:40Get back here!
00:48:43What was that about?
00:48:46A man.
00:48:47Did she say who the man was?
00:48:49I didn't think it was my business.
00:48:52Not her father.
00:48:58I wouldn't like it if my mother tried to dictate my love life.
00:49:02You don't have a love life.
00:49:04You don't know that?
00:49:06No, I think I do.
00:49:07Anyway, that's not the point.
00:49:09I'm just saying I wouldn't like it, but I wouldn't bash her over the head with a piece of railway
00:49:13line.
00:49:13I don't think Regan went that far either.
00:49:16Noah's video and all the other evidence suggest that she didn't get the opportunity.
00:49:20Shane, on the other hand...
00:49:22Is he near?
00:49:29Yeah, Mum said you wanted to see me.
00:49:32I was out your way.
00:49:33I thought a chat might be useful.
00:49:35You've probably seen our search team working along the railway tracks.
00:49:39Yeah.
00:49:39Yeah, we need to extend the search into the surrounding properties.
00:49:44There's a chance the offender has disposed of the murder weapon somewhere in the area.
00:49:48Right.
00:49:51What was the weapon?
00:49:52We're still ascertaining that.
00:49:55If you have no objections, I could come out with a team this afternoon.
00:49:58Take a look around.
00:50:00Yeah, go for it.
00:50:01You're wasting your time, mate.
00:50:02Yeah, very likely.
00:50:03It's...
00:50:04We're part of the job, though.
00:50:06That's it, then.
00:50:06One more thing.
00:50:08You said you were working on a fence that afternoon.
00:50:11Yeah.
00:50:12Did anyone see you?
00:50:13Yeah, Jock Wilson.
00:50:15He's got the neighbouring farm.
00:50:17Laid up with a broken ankle.
00:50:20But gave me a wave around three o'clock.
00:50:24Oh.
00:50:25Good to know.
00:50:34Hey, Sums.
00:50:35Get your gunboats.
00:50:54They look like railway treks to me.
00:50:56Yeah, they were lying around out by the road for years.
00:51:01What are your eyes, sir?
00:51:04Nobody wanted them, so...
00:51:06So you decided to help yourself?
00:51:08Well, they might come in handy one day.
00:51:10I had a mother-in-law that was like that with ice cream containers.
00:51:18So I had a word to Jock, and yes, he does remember seeing Troy working on the fence at exactly
00:51:24three o'clock.
00:51:26He knows it was three o'clock because he'd just turned on the wireless to listen to the news.
00:51:31Yeah, it's Jock, old school.
00:51:32Then I got a full rundown of the day's activities, starting with Wordle, first thing in the morning, he got
00:51:37it in three,
00:51:38through till five o'clock when he sat down to watch The Chase,
00:51:42which is when he happened to glance out the window and see Troy still at it.
00:51:45Hard worker, that boy, needs feeding up.
00:51:48It's chicken soup from Jock's freezer.
00:51:50Yeah, ta.
00:51:51Thanks again for your time.
00:51:52You are so full of shit!
00:51:54Pass off and leave me alone!
00:51:59Any idea what that was about?
00:52:01Young love.
00:52:09They were just lying there.
00:52:12Undisturbed by the look of the weeds.
00:52:15Then again, someone could have just slid one out from the back.
00:52:19Those things weigh a ton.
00:52:20If you're going to use it as a weapon, you'd want to cut it down, right?
00:52:23There were tools in the shed that could have done that.
00:52:26Who had access?
00:52:27To the rails?
00:52:28Uh, Troy, Bridges, Lily, Noah.
00:52:32Or anyone who knew where they were and wanted to point the finger at the McElvies.
00:52:35Yeah, maybe.
00:52:36I'm wondering how quickly I could get from the crime scene to the Old Creek paddock fence line.
00:52:43Where Jock saw Troy working at 3pm.
00:52:46Lily's protest stopped the train here at 2.40.
00:52:50It moved off again five minutes later and Rosalie's body was reported on the tracks at 2.47.
00:52:56So, if Troy's our man, he had less than 20 minutes to get from point A to point B.
00:53:04Is that even doable?
00:53:06There's only one way to find out.
00:53:13Okay, here we go.
00:53:16Ready.
00:53:17Set.
00:53:19Go!
00:53:32Come on, man, we don't have all J.
00:53:5422 minutes, 43 seconds.
00:53:58Too slow.
00:54:02So, unless Troy McKelvey can run like Usain Bolt, he probably didn't kill Rosalie.
00:54:11You know, I've got to say, I thought you'd be faster.
00:54:14It was soft, underfoot.
00:54:15Challenging conditions.
00:54:17Usain Bolt couldn't run like Usain Bolt in that terrain.
00:54:19Hang on.
00:54:22Hang on.
00:54:24Is that...
00:54:34Going somewhere, Niall?
00:54:36We thought you were told not to leave town.
00:54:38I had to get away from Lily.
00:54:39She's doing my head in.
00:54:40You're not having much luck with this hitchhiking thing, are you?
00:54:43No, this is, uh, this is perfect.
00:54:46You guys are going to be my first stop.
00:54:47Good idea.
00:54:54Sleep out on me.
00:55:00All right, Noah.
00:55:01What have you got for us?
00:55:03Yeah, well, I may have not given you the full picture earlier.
00:55:07Come on, back on the train!
00:55:22On the train left, I didn't know what to do, so I started heading back to the house.
00:55:26You know, she's Lily's Nana.
00:55:27They gave me a place to stay, and I felt like I owed them some loyalty.
00:55:30So that's why you didn't tell us, but did you tell Lily?
00:55:34What, that her nan's a murderer?
00:55:37Yeah.
00:55:39Yeah, I did.
00:55:40Eventually.
00:55:41Well, you saw how that went.
00:55:42You are so full of shit!
00:55:44Lily, what?
00:55:45Puss up and leave me alone!
00:55:46She didn't want to believe me.
00:55:48There's no coming back from that.
00:55:49It's better you just hit the road.
00:55:55So, she was protesting about coal trains, then got run over by a coal train.
00:56:01Karma can be cruel at times.
00:56:02Well, that's not quite.
00:56:05Frodo, you know I can't comment on an ongoing investigation.
00:56:08Yeah, no, of course.
00:56:10Excuse me.
00:56:13Regan, I just want to thank you for bringing Shane's rates issue to our attention.
00:56:19No worries.
00:56:20You might not be up with the latest, but the debt has been paid off.
00:56:25What?
00:56:26By your mother.
00:56:27Scheduled payment.
00:56:29A wedding gift.
00:56:30That must be a relief for Shane.
00:56:33Excuse me, I have to go.
00:56:41Sims.
00:56:42A witness has Bridget McKelvey at the scene.
00:56:44Yeah, I'll be there.
00:56:50We have a witness that puts you with Rosalie's body after the train left.
00:56:54What witness?
00:56:55Are you denying that you were there?
00:56:58Okay, all right.
00:57:01Despite everything, I wanted to see the line in action again.
00:57:08And the train moved off while I was watching, and that's when I saw her.
00:57:13Did you see anyone else there?
00:57:15No.
00:57:16A report was made to Crimestoppers around that time.
00:57:18Was that by you?
00:57:20One last act of kindness for your former friend, perhaps?
00:57:23If we checked your phone, would we find evidence of their call?
00:57:33Yes.
00:57:35It was me.
00:57:43Well, I couldn't just leave her there.
00:57:47After what you'd done.
00:57:49What?
00:57:50Where you had motive.
00:57:51Your conflict over the railway line.
00:57:53Access to the likely murder weapon on your property.
00:57:56And opportunity.
00:57:57You were there when the train stopped.
00:58:00Did you climb aboard and murder Rosalie Barnes?
00:58:05You might want to call a lawyer, Ms. McKelvey.
00:58:12That feels like the closest we're going to get to a confession.
00:58:16What we have is only circumstantial, and I think Bridget knows that.
00:58:19Hmm.
00:58:20How did she know that the train would stop?
00:58:22Or that Rosalie would be at the front of the carriage?
00:58:25Maybe the details of Lily's protest are in the family group chat?
00:58:30Oh, let's find out how chatty they were.
00:58:45I've just called Dad.
00:58:46He'll be here soon.
00:58:49That's fine.
00:58:51Lily, how much did your nan know about your protest?
00:58:54What do you mean?
00:58:55Did she know exactly when you'd be stopping the train?
00:58:59Uh, I doubt it.
00:59:01Why would you want to know that?
00:59:06What?
00:59:07So she could get on board and attack Rosalie or something?
00:59:10No.
00:59:11No, wait.
00:59:12She would never do something like that.
00:59:14It was just me and Noah.
00:59:16Okay?
00:59:16Nan had nothing to do with it.
00:59:18Nothing to do with what?
00:59:19I was about to inform Lily.
00:59:22We've arrested Bridget for Rosalie's murder.
00:59:25What?
00:59:25What?
00:59:27Wanted to talk to her?
00:59:28Well, you can't just yet.
00:59:30You got it wrong.
00:59:31Have we?
00:59:33Bridget was seen on the tracks next to Rosalie's body.
00:59:36Your mother has found herself in a serious situation.
00:59:38As will Lily if we find out that she's been lying to us.
00:59:45Do you think we got to Troy?
00:59:48Without a murder weapon, it's hard to make those charges stick.
00:59:53Hey, what have you got?
00:59:55Mrs Baker's run sheet.
00:59:57Everyone who had it would have known that Rosalie was scheduled to be at the front of the carriage to
01:00:02change outfits.
01:00:03So, Mrs Baker, Rosalie, Shane?
01:00:06Yeah, but there was someone else.
01:00:08Shane emailed me a copy of the run sheet, and as I scrolled back through the chain, I saw all
01:00:14the recipients, including someone who received it in error.
01:00:19Hi, it's Becky.
01:00:21I'm mortified.
01:00:22When DC Chalmers called, I could have kicked myself.
01:00:25In my defence, it was an easy mistake to make.
01:00:27Her address was very similar to Rosalie's.
01:00:31Regan Barnes.
01:00:32Well, she said she didn't know about the wedding.
01:00:35I guess it is possible she never read the email.
01:00:37Or what?
01:00:39She's lying to us.
01:00:41Hey, I've got a little job for you.
01:00:48Hi, Regan.
01:00:49It's Detective Sims.
01:00:50I was hoping we could have a chat.
01:00:58Sorry to intrude.
01:00:59Well, you actually shut up.
01:01:01We were just going through some photos for the remembrance board.
01:01:04Thought we'd do it over a pin's.
01:01:06So much to choose from.
01:01:07It's such an amazing life she had.
01:01:09Could we have a private word?
01:01:10Sure.
01:01:11What about this one of you and your mum?
01:01:12Yeah, your name.
01:01:13No.
01:01:15Some people find their baby photos embarrassing, I suppose.
01:01:19Did not rock the boat.
01:01:23Regan, some of the things you told us don't match up to what we've discovered elsewhere.
01:01:28Would you like me to spell them out for you, or would you like to tell me yourself?
01:01:33God, I was afraid this would come up.
01:01:36I did tell a white lie, but it was only because I wanted to protect him.
01:01:39Who?
01:01:41Dad.
01:01:43Keep talking?
01:01:44When the other guy was asking Dad about the bunch of roses, I told him that I'd been the one
01:01:49to deliver them to Mum.
01:01:50But that wasn't true.
01:01:52Dad was there that day.
01:01:54He was on the train.
01:01:59I need to see my Nana.
01:02:00Which person is yours?
01:02:02How many old women do you have in custody, you factious pigs?
01:02:05All right, take it down a notch.
01:02:07No, where is she?
01:02:09If you calm down, you can come on through.
01:02:14You good?
01:02:19Where's your dad?
01:02:20Shouldn't be alone when you're this upset.
01:02:22I don't know, he took off after those other cops came around.
01:02:26I'll make you a cup of tea.
01:02:27Try calling him again.
01:02:42Okay, yes.
01:02:43I put the roses on the train, I promise you.
01:02:46I took off before I saw Rosalie.
01:02:48Why give her flowers at all?
01:02:49I wanted her to know I wished her well.
01:02:51It was her big day.
01:02:52You knew about the wedding.
01:02:54How?
01:02:55Well, she told me.
01:02:56After we signed the papers.
01:02:57Two champagnes.
01:02:59First date, Ray?
01:03:00Last, actually.
01:03:01We just got divorced.
01:03:03Oh, slave.
01:03:04Sorry.
01:03:05No, not at all.
01:03:06Um, we are celebrating closure.
01:03:09Ah.
01:03:10To the end of our journey.
01:03:20Happy ex-wife, happy life, right?
01:03:22Do you really mean that?
01:03:23Don't tell me you want half the house after all.
01:03:26I want something from you, but not that.
01:03:29What?
01:03:30Shane and I are going to get married.
01:03:32Quite soon.
01:03:35I'd love it if you would give us your blessing.
01:03:38Yeah, she'd ask for the moon, that one.
01:03:39And not for a second think why you might not be able to give it to her.
01:03:42But I got there in the end.
01:03:44That's what the flowers were.
01:03:46Closure for me, a new start for her.
01:03:48So why lie about your whereabouts that day?
01:03:51Or rather, why let Regan lie for you?
01:03:53I was in shock.
01:03:54And I suppose I was worried how it might look to you lot.
01:03:57How's that?
01:03:59Like the angry ex did it.
01:04:01You would have heard about those fights we had in public.
01:04:04But that was early on.
01:04:05I got over it.
01:04:06What about Regan?
01:04:08Not so forgiving.
01:04:10I blamed her mum for the breakup.
01:04:11She always took my side, even though I was no angel.
01:04:14I never asked her to lie.
01:04:16Anyhow, I didn't think it would matter, since I had an alibi.
01:04:21You're a gardener.
01:04:23So, why do you think Regan decided to tell the truth now?
01:04:26No clue.
01:04:28I love that girl to bits.
01:04:29But Rosie had that girl in therapy for years.
01:04:31I still have no idea what makes her tick.
01:04:41The techies have Regan's laptop.
01:04:43They should be able to find out if she opened that run sheet attachment or if it went straight
01:04:48to spam, like she claimed.
01:04:50Since she's been erratic with the truth, I wanted to check on her movements.
01:04:54I saw her get picked up by someone at the council offices while her car was in for a service.
01:05:00Yes.
01:05:00I've got the council CCTV footage.
01:05:09Okay.
01:05:10That ute.
01:05:11That's Troy McKelvey's.
01:05:13So he was playing taxi.
01:05:14Well, that makes sense.
01:05:16Helping her out as she grieves her mother.
01:05:18An olive branch, perhaps?
01:05:19Well, I saw him parked outside Hayden's place today.
01:05:22He took off when he saw me.
01:05:23And they were both at the coffee cart today?
01:05:25Together?
01:05:26No.
01:05:27Regan took off when she saw him.
01:05:29It's almost like she didn't want to be seen with him.
01:05:31Because her families hate each other?
01:05:34Or an illicit love affair?
01:05:36Well, Shane did say that Rosalie and Regan had been arguing about a guy she was seeing.
01:05:40Well, there you go.
01:05:41Romeo and Juliet.
01:05:42And Troy kills Rosalie so that he and Regan can be together?
01:05:46Well, they are both grown adults.
01:05:49They don't need parental permission to be in a relationship.
01:05:52And killing your partner's mother is hardly a romantic gesture.
01:05:58Can you tell me when Troy shows up to pick up Lily?
01:06:09Troy and Regan.
01:06:11What do you know about their relationship?
01:06:13There isn't one.
01:06:14They hardly know each other.
01:06:15Yes, given the hostility between your families.
01:06:19How far back does that go?
01:06:20What do you mean?
01:06:22Troy and Regan, did they know each other when they were young?
01:06:24I told you.
01:06:26After Rosalie came back here, we didn't have much to do with each other.
01:06:29Well, I was busy with Troy trying to make a go of the farm.
01:06:32And Rosalie was busy snagging herself a rich young husband.
01:06:37Different worlds.
01:06:39And then there was the conflict over the rail.
01:06:41Oh, Rosalie always had to get away, no matter who she hurt.
01:06:45I guess that almost counts as a motive.
01:06:48What?
01:06:49You seem determined to prove that you have one.
01:06:53Troy McHelvey's here.
01:06:54He wants to talk.
01:06:58Look, whatever mum might be saying, she didn't kill Rosalie.
01:07:02How can you be so sure?
01:07:03Well, she's pretty fit for her age.
01:07:06But it's still a big ask, isn't it?
01:07:07To think that she could climb onto a train, attack Rosalie, throw her off the back and then jump off.
01:07:15Or in a matter of minutes.
01:07:17Well, you seem to have a very clear idea of what happened.
01:07:20Do you want to tell us about the murder weapon too?
01:07:23Well, how about I tell you that we believe it was a length of sawn-off rail line.
01:07:28The likes of which were lying around on your farm.
01:07:31That Bridget would have had access to.
01:07:33She also had a motive.
01:07:34So did I.
01:07:35Doesn't prove anything.
01:07:37Well, it could be either of you.
01:07:39Could be both.
01:07:41Were you working together?
01:07:42No.
01:07:45I was in the paddock.
01:07:48Jock saw me.
01:07:49You remember?
01:07:50I do.
01:07:51So, unless you want to change your story, Bridget will remain in custody.
01:07:57Why don't you tell us about your relationship with Regan Barnes?
01:08:01There is no relationship.
01:08:02Well, you've been seen near each other multiple times recently.
01:08:07Today, for example, when I saw you waiting outside her house,
01:08:11picking her up from the council offices yesterday.
01:08:13We hung out a few times, that's all.
01:08:15You dated?
01:08:18Regan pulled a pin long before it got close to that.
01:08:20Because her mother disapproved?
01:08:24Rosalie interfered?
01:08:25Regan called time?
01:08:27And how did that make you feel?
01:08:30Angry?
01:08:33No.
01:08:34It wasn't like that.
01:08:35So why have you been trying to see her?
01:08:37The woman just lost her mother.
01:08:39I was offering her condolences.
01:08:42That's all.
01:08:44Nothing concrete to charge him with?
01:08:47Hopefully his concern for Bridget will keep him close by.
01:08:50Mike!
01:08:51Gina!
01:08:55I brought you this.
01:08:56Oh.
01:08:57The love train.
01:08:59A trans-Siberian journey into the heart of Russia.
01:09:01You were so interested yesterday.
01:09:03The translation is poor, but the story...
01:09:05Oh, well, thank you.
01:09:10Actually, are you free tomorrow morning?
01:09:12For you?
01:09:13Yes, of course.
01:09:15Work or pleasure?
01:09:16Well, that's a bit of both.
01:09:17Let's call it field work.
01:09:19I look forward to it.
01:09:25What?
01:09:26What?
01:09:27I said it was work, didn't I?
01:09:40I say that.
01:09:41Well, you'd better get it in there quicker than this.
01:09:50So romantic.
01:09:52Steam travel.
01:09:53Thank you for this, Mike.
01:09:55I'm tickling off my bucket list.
01:09:58I'm tickling off my bucket list.
01:10:41Right, this is where the work part of the trip begins.
01:10:47Okay, start the train up again, same speed as the other day.
01:10:51I'll tell you when to stop.
01:10:52Roger that.
01:10:53Yeah, I'll roger that too.
01:10:57I'll tell you when to stop.
01:11:11I'll tell you when to stop.
01:11:14I'll tell you when to stop.
01:11:17I'll tell you when to stop.
01:11:18Regan's not at home, and she's not answering her phone.
01:11:21Could she be ashamed Griffin's or funeral plan?
01:11:24Charmers checked, they were supposed to have a meeting, but she never showed.
01:11:27Still no answer.
01:11:29Is this like her?
01:11:30Not the first time she's taken off to get her head together.
01:11:33Stop here please.
01:11:34What?
01:11:34No, no, not you.
01:11:35Keep looking.
01:11:36Gotta go.
01:11:44There are better spots for a picnic further back.
01:11:47Mike.
01:11:48Five minutes.
01:11:49Mike.
01:11:49If this is all you needed to calculate, I could have done it with simple mathematics.
01:11:53If a train leaves point A traveling at X kilometers per hour.
01:11:58Ah, yes.
01:11:59But what would happen if a person jumped from a moving train traveling at X kilometers per
01:12:03hour?
01:12:04I think this is not a hypothetical question.
01:12:08If they were fit and strong in their role on landing, they could survive jumping from a
01:12:13moving train with no injuries.
01:12:16Still need to clear the fence and make it to the paddock though, to be seen from Jock's
01:12:20house.
01:12:22You'd better do it then.
01:12:24For scientific accuracy.
01:12:33Move a bit slower.
01:12:34Imagine you're carrying a heavy murder weapon.
01:12:36I often imagine this for my job.
01:12:40Mike.
01:12:41Some of these fence posts are made of iron.
01:12:45A very particular iron.
01:12:49Yeah.
01:12:50And a person of interest was seen here on the day, mending the fiends.
01:13:07Opa.
01:13:09Gotcha.
01:13:32Opa.
01:13:34Gotcha.
01:14:03Opa.
01:14:06Opa.
01:14:07Opa.
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01:17:48What you didn't know is that Bridget saw you.
01:17:52What?
01:17:53She was there.
01:17:55She saw it all.
01:18:08You then hid in the cubicle, quicker to train to old Green Paddock than to run.
01:18:22Making it in time to be seen by Jock at 3pm, you return later to conceal the murder weapon,
01:18:28having welded it back to the rail.
01:18:44Buried, it became part of the fence line.
01:18:55Smart guy, aren't you?
01:18:56To be fair, I didn't have it all figured out.
01:19:00I mean, I could see what your motive would be.
01:19:03But Regan, why would she have wanted her mother dead?
01:19:09I've never seen you like that before.
01:19:13Completely out of her mind.
01:19:20You shouldn't be here.
01:19:21The police think I had something to do with her.
01:19:23Yeah?
01:19:23Well, showing up here isn't going to make you look more innocent.
01:19:26Well, what do I do?
01:19:29Regan, listen to me.
01:19:30The cops think it was mum.
01:19:32I've arrested her.
01:19:34What?
01:19:35She's letting them think it was her.
01:19:38I tried to talk to her.
01:19:42Talk some sense and she wouldn't listen.
01:19:43What the hell is the matter with you?
01:19:45But that's good.
01:19:46If she's prepared to take the blame, that's good.
01:19:48Look, I can't do that to mum, I can't.
01:19:50But if Bridget's already convinced...
01:19:51Look, it doesn't matter.
01:19:54I'll leave you out of it, I promise.
01:19:56What?
01:19:56The cops don't need to know you had anything to do with it.
01:19:59It's just me.
01:20:00No, they'll know.
01:20:01They'll work it out.
01:20:02You'll say the wrong thing.
01:20:03Please, don't...
01:20:04Look, they will believe me.
01:20:06For mum's sake.
01:20:15Make them believe you.
01:20:17Show them how desperate you are.
01:20:21I'll help you.
01:20:23Put the knife down, Regan.
01:20:24Put the knife down.
01:20:25Come on, put the knife away, Regan.
01:20:27She wanted you to look guilty by taking your own life.
01:20:31That's a rather extreme suggestion.
01:20:34It's the only way she could trust me not to drop her in it.
01:20:37Rosalie disapproved of your relationship.
01:20:40You see, that's the bit I couldn't understand.
01:20:44Until I spoke to Bridget again.
01:20:47The photo of Troy as a baby, it was taken at a maternity hospital.
01:20:52In Poland, I told you.
01:20:54I saw a similar photo yesterday.
01:20:56Same curtain, same pictures on the wall.
01:20:58Same baby.
01:21:00Only the woman holding him was Rosalie.
01:21:03So?
01:21:04She was there on the day?
01:21:06Of course she was.
01:21:08She was wearing a hospital gown.
01:21:10And a patient bracelet.
01:21:11The last letters of your name were clearly visible.
01:21:15It was Rosalie who gave birth, but to the hospital was Bridget McKelvey.
01:21:19It was your name on the birth certificate.
01:21:23Who were we hurting?
01:21:26I wanted a child.
01:21:29And Rosalie wasn't ready to be a mother.
01:21:32Never really was.
01:21:34Ask Regan.
01:21:35Did Troy know all this?
01:21:37Oh, Aunt Regan must have told him.
01:21:40She came to me in a state a few weeks back.
01:21:43Is it true?
01:21:44What?
01:21:44What my selfish cowl of her mother said, is it true?
01:21:47I finally find a decent man.
01:21:49And mum has to ruin it.
01:21:51She can't stand, send anyone else happy.
01:21:53Least of all me.
01:21:54She just has to hoard it all for herself.
01:21:56All the attention, all the love.
01:21:58She's just sick.
01:21:58Regan, listen.
01:21:59No, just tell me.
01:22:01Is it true?
01:22:03It's Troy, my brother.
01:22:15If it were up to me, Troy would never have known.
01:22:21He's mine.
01:22:23And that's all that matters.
01:22:27Regan obviously told you.
01:22:30And you didn't say anything to Bridget.
01:22:34It didn't change anything between us.
01:22:36But it changed everything with Regan.
01:22:40She told me at the pub.
01:22:42And yeah, she was a little dark on it.
01:22:44Hey.
01:22:47If Rosalie had been a better mother to her,
01:22:50she might have been able to let it go.
01:22:53But...
01:22:55No, something snapped.
01:22:59She was obsessed with getting back at her.
01:23:02And then, at a point,
01:23:04she shared her plan with you.
01:23:11Don't bail on me now.
01:23:15We deserve some happiness.
01:23:16So does Bridget.
01:23:19Since we can't be together,
01:23:20we can at least get us all some money.
01:23:22You went along with her plan to frame Shane.
01:23:30Proof of his debt, Mr. Droyd.
01:23:32I bloody hope so.
01:23:33You believed that Regan would inherit
01:23:36a large chunk of money from Rosalie.
01:23:39Regan offered to share it with you.
01:23:41Maybe it was enough to clear your debts.
01:23:44Keep Bridget in her old age.
01:23:47What you didn't know was that Rosalie
01:23:49had already committed most of her funds
01:23:51to clearing Shane's rates bill.
01:23:54You killed her for money
01:23:56that was never coming your way.
01:24:16Thank you for a lovely service.
01:24:18May she rest in peace now.
01:24:20Time for Pimms, I feel.
01:24:22Trains keep on rolling
01:24:30Throughout the little town
01:24:37It all feels different
01:24:41Without you around
01:24:46Lovely, isn't it?
01:24:48How a funeral can bring people together.
01:24:50Funerals and free beer.
01:24:53Excuse me?
01:24:55Put it on my tab.
01:24:57No doubt to imagine
01:24:57what kind of tab you're running.
01:24:59Tell him.
01:25:01Now.
01:25:03Trudy offered me a year
01:25:04of free tab beer
01:25:05because I did a favour for him.
01:25:09Shifting some stolen goods.
01:25:12It wasn't as dodgy as it sounds.
01:25:15And don't think I haven't been
01:25:16keeping track either.
01:25:17Your year's up as of yesterday.
01:25:19Shut up.
01:25:20Excuse me.
01:25:21I don't want to come
01:25:21between you two lovebirds.
01:25:23What the hell is that supposed to mean?
01:25:25Just try to keep it seemly, eh?
01:25:26This is a wake, after all.
01:25:29Another beer?
01:25:30Yeah, I reckon.
01:25:32On your tab?
01:25:32I haven't got a bloody tab.
01:25:34I'll start one.
01:25:34This is my noun.
01:25:35I'll start one.