- 4 months ago
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TVTranscript
00:00:00Cheers!
00:00:30I'd do that a little quicker.
00:00:34Giles just called and they're going to be here any second.
00:00:37Madame demanded that she drive.
00:00:42Is he a nervous passenger?
00:00:44No, she's just a terrifying driver.
00:00:53My, that was fun.
00:00:55Wasn't that fun, Giles?
00:00:57So much fun, milady.
00:01:00I love this.
00:01:07Madame, how wonderful to see you.
00:01:09Thank you, Beth.
00:01:11Finally, I'm home.
00:01:13How was the flight from Paris?
00:01:15Too many people, not enough champagne, other than that.
00:01:18Giles!
00:01:23Guard this with your life, as ever.
00:01:26Always, madame.
00:01:27It's a pleasure, madame.
00:01:28Well, aren't you a picture?
00:01:35Christos, isn't it?
00:01:37It is.
00:01:39Would you be so kind as to help Giles in with a few bits and pieces that I brought with me?
00:01:45Then, when we're all settled, you and I can get better acquainted.
00:01:49I look forward to it.
00:01:50I look forward to it.
00:01:55I decided to travel light this time, although I do confess, with adding another caftan to my collection, it was just all in once at the airport in Paris.
00:02:04I just had to buy one.
00:02:07One, one, three, you know me far too well.
00:02:17Your leadership seems to like me.
00:02:19Her head is easily turned.
00:02:21You're not happy to see me, Giles, huh?
00:02:28What do you think?
00:02:36Beth tells me you have many houses.
00:02:39So, where is home when you're not here?
00:02:41Oh, winter is always spent in London.
00:02:46Marylebone, where I live, is an utter delight on a crisp December day.
00:02:52Paris, in the spring, is de rigueur, with its tree-filled jardin and pretty little pavement cafes.
00:03:00Autumn is New York.
00:03:03I mean, there's just nothing like the big apple in the fall.
00:03:06But in the summer, my heart lies here, in a guinea.
00:03:11This is where I will paint you!
00:03:16When you're not occupied with your other work, I presume that Beth has filled you in on that.
00:03:24Giles was my late husband's right hand in hand years before he became mine.
00:03:29And I've always assumed him completely loyal.
00:03:32But, as you must be aware, working in the gallery, my paintings have been in demand by private collectors worldwide for years.
00:03:46And now, he tells me that people won't pay what they're worth.
00:03:51Now, that simply cannot be true.
00:03:53It pains me to say so, but I think that Giles has been taking a cut of the pie from the sales.
00:04:04I mean, after 30 years of loyal service, I mean, if he wanted the money, I'd give it to him.
00:04:09Now, Beth has told you what you need to do.
00:04:12Just to keep my eyes and ears open.
00:04:14But you mustn't be caught.
00:04:16Do you understand?
00:04:18You must be...
00:04:19Couvert.
00:04:22I can't risk his finding out.
00:04:25And now, I must get into that water and write a bond that you'll come with me.
00:04:30I'm sorry about what I said about your mum.
00:04:44The two of you can have next weekend together, when things are quieter.
00:04:47Yeah, I get it.
00:04:53I'll see you later.
00:04:54I'm going to be late.
00:04:55I did a good thing, yeah?
00:04:56Moving you to this school.
00:04:57Yeah, you do a good thing, Dad.
00:05:00I love it.
00:05:01You do?
00:05:02Yeah, I do.
00:05:03Great.
00:05:03Remember to tell your mum that, eh?
00:05:04I'm going to be late.
00:05:07Like I said,
00:05:35this will be easy money.
00:05:39Well, I mustn't keep man. I'm waiting, right?
00:05:42Meet you back here later.
00:05:44Maybe busy.
00:05:46I'm not one to be trifled with.
00:05:48Well, I guess that makes two of us, huh?
00:06:05Giles! How are...
00:06:09What the hell's going on, Oliver?
00:06:11You received my message, then I take it.
00:06:14This is ridiculous.
00:06:15I was told I had a ten-day window to swap the damn thing,
00:06:20and now you're telling me I only have two days.
00:06:22When you were in Paris, that would have been the case,
00:06:24but now you're in Greece.
00:06:25The product's traveling through Greece,
00:06:27so instead of you receiving it next week,
00:06:28you'll be receiving it by tomorrow.
00:06:30Our associates are expecting you in Athens tomorrow night
00:06:34with the goods.
00:06:36I can't just swipe the damn thing.
00:06:39There is an element of subterfuge.
00:06:42I need to find the right moment.
00:06:44That, Giles, is your problem.
00:06:46I need more time.
00:06:48Well, you don't have it.
00:06:54Hey.
00:06:56You.
00:06:57I don't know what you think you're playing, young man.
00:07:01I'm just earning some extra money.
00:07:02I mean, who could say no to an author of being a painter's muse, huh?
00:07:06If you say anything to her ladyship about our little ruse...
00:07:10What?
00:07:11What?
00:07:12You will do what?
00:07:14I would have thought my monthly payments
00:07:16on top of your gallery wages would have been sufficient.
00:07:21You are putting us both at risk by being here.
00:07:24I get to lie by a pole on a beautiful villa
00:07:27for a few days without doing anything,
00:07:29and I'm also getting paid for it.
00:07:31Don't worry.
00:07:32That won't change our arrangement.
00:07:35Very well.
00:07:36The ladyship requires more blank canvases,
00:07:39and since you're here and not at the gallery,
00:07:42there's a new batch of paintings in the outhouse
00:07:44along with the necessary coordinates.
00:07:46Be as quick as you can.
00:07:47We don't get caught.
00:07:50Coo-ee.
00:07:51Christoph!
00:07:51That's a shame.
00:07:53I guess I will have to do that later, huh?
00:07:55Get it done today.
00:07:58On my way!
00:07:59Hey!
00:08:00Oh, darling boy, come here.
00:08:13Beth is bringing out some lemonade.
00:08:15We've a marvellous array of guests for tonight's soiree,
00:08:18all falling over themselves to meet you.
00:08:21How jealous they'll be of me.
00:08:25You and I are going to get on like a house on fire.
00:08:27I just know it.
00:08:28Now, I noticed that Charles went straight to the study
00:08:33when we came here.
00:08:35Did you hear or see anything as you passed by?
00:08:39No, nothing.
00:08:41But I am sure I will.
00:08:44Of course, I don't get too distracted.
00:08:48How adorable.
00:08:51Oh, I am lucky to have you as my eyes and ears.
00:08:56And, of course, mannequin.
00:08:59Yes, my lady.
00:09:01I hate that title.
00:09:03Makes me feel ancient.
00:09:05I demand you call me Gloria.
00:09:07Well then, yes, Gloria.
00:09:10Now, off with that shirt and go swim.
00:09:21Italia, hi, mom.
00:09:23Came to the station to say hi.
00:09:25Heading back to school soon.
00:09:26Why is she skipping school?
00:09:28To see you.
00:09:29You ought to be flattered.
00:09:30Good morning.
00:09:32Good afternoon.
00:09:33Italia, in the bathroom.
00:09:36I promised to tell her when her mother is here.
00:09:38She is in the lab with George.
00:09:40Oh.
00:09:40Duke, you know the old girl from Regina?
00:09:44Is she still here?
00:09:45Eina.
00:09:46That's what I said.
00:09:47Yes.
00:09:47She has not been charged and she will be released today.
00:09:49But she's in the interview room waiting for her son to pick her up.
00:09:52Okay, Duke, can I go and say hello to her?
00:09:57I don't think Captain would like that.
00:09:59Oh, yeah.
00:10:00No.
00:10:00Sorry, Shirley.
00:10:01No, good as gold.
00:10:02Don't worry about it.
00:10:04Well, you'd better go and warn tea your mom's here.
00:10:06Yeah.
00:10:06Okay.
00:10:06I saw a video of your band playing online the other day.
00:10:29Really?
00:10:30Yeah.
00:10:31It was pretty cool.
00:10:32I mean, not my kind of stuff, but, you know,
00:10:35I'm young and you're...
00:10:37You were going to say old, weren't you?
00:10:39No.
00:10:40Hmm.
00:10:41I was going to say...
00:10:43Yeah, I was going to say old.
00:10:47But your singing is all right.
00:10:49Well, thank you very much.
00:10:50I will take pretty cool and all right.
00:10:53Here, have a look at this.
00:10:55Yeah, and that is...
00:10:57Basilis subtilis.
00:10:59Yeah.
00:10:59It's revolting.
00:11:00No, my dear.
00:11:01This is beautiful.
00:11:03And you've got a very weird taste.
00:11:05Speaking of which, my mom, do you...
00:11:12Talia, your mother is here.
00:11:14Is she mad?
00:11:19You like my mom, don't you?
00:11:21Um, yes, she's...
00:11:23She's very nice.
00:11:24Nice?
00:11:25Okay.
00:11:27Warm, yeah.
00:11:29Not warm.
00:11:30She's kind.
00:11:32That's what she is.
00:11:32She's very kind.
00:11:33Yeah, she is.
00:11:34She's very kind.
00:11:36What about...
00:11:38Pretty?
00:11:40What?
00:11:41Don't you think she's pretty?
00:11:42I mean...
00:11:43Yeah, yeah.
00:11:44Yeah!
00:11:45I knew it.
00:11:46I give you permission to ask her out.
00:11:48Oh, you give me permissions?
00:11:50Yeah.
00:11:51The daughter always gives permission.
00:11:52Didn't you know that?
00:11:53No, I didn't know that.
00:11:56Thalia!
00:11:59Thalia!
00:12:00Yeah.
00:12:01She's mad.
00:12:02Thalia!
00:12:05Can I be?
00:12:06Shirley?
00:12:07I, um, hear you're being set free.
00:12:10Don't you, Perkins has been looking after you, I can tell.
00:12:14Very good, man.
00:12:14Very good, man.
00:12:15And the cells here, very nice.
00:12:18Very comfortable bed.
00:12:19And best sleep I ever had and no cooking.
00:12:25Um, I wanted to ask you, um, about Ari.
00:12:31He's here?
00:12:32No, he's not.
00:12:34He's still missing.
00:12:35And Helen and I are trying to find him.
00:12:37And we haven't managed to yet.
00:12:39How did you know him?
00:12:40At first he was, he was just a man, uh, Spiros was buying, um, seafood, lobsters, crabs, you
00:12:50know, and then, then he became friend, good friend, my friend.
00:12:55He helped me sometimes when, uh, Spiros got crazy.
00:13:01When did I leave?
00:13:03Spiros found that Ari was policeman before he got crazy.
00:13:08He found me next day in the garden hiding.
00:13:12He told me we must leave because, uh, Spiros knew dangerous men.
00:13:17Me and my son make very, very small, like mouse, so nobody, nobody noticed us.
00:13:24And then Ari left.
00:13:26Did he say where he was going?
00:13:32I look like him.
00:13:34You're very calm.
00:13:36And you have his eyes.
00:13:37Charlie, I was just passing.
00:13:46I just thought I'd pop in very briefly.
00:13:48You know, you don't need an excuse to come in here if you want to see me.
00:14:11What is the lemonade?
00:14:15In the fridge.
00:14:17On the middle shelf.
00:14:18With the champagne.
00:14:19Are you worried about us being discovered?
00:14:27Is that it?
00:14:28I don't think it's going to be a problem.
00:14:30We'll have to tell her at some point.
00:14:33Tell her what?
00:14:34That you and I are an item.
00:14:37Are we?
00:14:38You know, now that I am here, I was thinking that perhaps, uh, how do you say?
00:14:48But it's a bigger fish to fry.
00:14:52She's old enough to be your grandmother.
00:14:54I know.
00:14:55It's such a little time.
00:14:57But so many houses to hide in her will.
00:15:00You don't have to worry.
00:15:02I will tell her to give you one of them.
00:15:04The smallest one, of course.
00:15:06Now, you listen to me, you.
00:15:08You try whittling in, and I'll, I'll...
00:15:11You what, huh?
00:15:13Will you tell her that you hired me here for your own use rather than hers?
00:15:17I don't think she's going to like this, will she?
00:15:20She's known me since I was a child.
00:15:23If you think she's going to choose you over me, you're mistaken.
00:15:27You're just another pretty thing.
00:15:29And a disposable one.
00:15:32For now.
00:15:36I just...
00:15:37How has a package arrived here today addressed to me?
00:15:47No.
00:15:48Why?
00:15:49Oh, because I'm expecting one.
00:15:52Something important?
00:15:53Kindly let me know when it arrives.
00:16:01Mum, I...
00:16:01Mum, you cannot skip school, Thalia.
00:16:04But, Mum, I saw your text, and I missed you, too.
00:16:08Okay.
00:16:09I can't wait for you to come home.
00:16:11But first, we have to convince your father that you're safe at home with me.
00:16:15And if he thinks that I'm encouraging you to skip school...
00:16:18But you didn't.
00:16:19Okay.
00:16:19Let's get you back first, and then, don't forget, next weekend, you're with me.
00:16:24And me.
00:16:24I'm staying, too.
00:16:25Oh, choice.
00:16:26Ha!
00:16:27I told her that.
00:16:27Oh, I wanted to tell you, Dad says I can stay with you at the weekend, if that's okay.
00:16:33You did?
00:16:33Really?
00:16:34Oh.
00:16:35Okay.
00:16:36Um, has anyone come across a package?
00:16:39Just some houseware things.
00:16:41Nothing special.
00:16:42I just seem to have misplaced it.
00:16:45Yes.
00:16:45I saw Beth with it in the kitchen.
00:16:49You're sure?
00:16:50I saw Beth with it in the kitchen.
00:17:20Straight away, Madam.
00:17:36So I see you've found your package.
00:17:38Why would you keep it from me?
00:17:40I didn't keep it from you.
00:17:42I was looking after it.
00:17:44Madam's news, for all we know, could be a thief.
00:17:47If you don't trust him, why did you hire him?
00:17:51Giles, this was a joke.
00:17:53You're very jumpy today.
00:17:55Anything to do with that package?
00:17:56You know, I don't know what you're up to with that Christmas boy, but I can tell you,
00:18:01nothing good will come of it.
00:18:03I don't know what you mean.
00:18:04What were you thinking?
00:18:06Bringing someone here from the same place that we refresh the canvases.
00:18:10Refresh?
00:18:12Is that what you call it?
00:18:14Or do you mean protect the eyes of the world from those hideous efforts she calls art?
00:18:20When Lord Whitten's souls passed away, he expressly asked me to keep his wife's care at the centre of my thoughts.
00:18:29And I've been honoured to do so.
00:18:32Your mother felt the same way.
00:18:34She was a good housekeeper.
00:18:36A good woman.
00:18:38Unfailingly loyal to Gloria.
00:18:40You, on the other hand.
00:18:42Is that it?
00:18:44You resent me because I want more.
00:18:47Perhaps I don't want to stick around for 30 years hanging on the coattails of someone else's life.
00:18:53Giles, I'm sorry.
00:18:55That was...
00:18:56A little hot.
00:18:58But you're right.
00:18:59That is exactly what I have done.
00:19:03And I've been proud to do so.
00:19:05Giles, I might be ambitious.
00:19:08But so is Christos, more than I realise.
00:19:10Madame asked me to bring him here to watch you.
00:19:14Me?
00:19:15She thinks you're stealing her painting proceeds.
00:19:19Oh, thank you.
00:19:21But...
00:19:22And now he intends to seduce her.
00:19:26Oh, my dead body.
00:19:38Christos, you must be starving.
00:19:40I know I am.
00:19:42And, Gloria, you haven't had a thing since breakfast.
00:19:44True.
00:19:45Perhaps a little something.
00:19:47Christos, would you mind awfully getting Beth to put together a tray of sandwiches for us all?
00:19:53Mm-hmm.
00:19:55Much appreciated, Christos.
00:19:57Now might be the time to have that little dip you're so desperate for.
00:20:09How do you know me so well?
00:20:13What would I do without you?
00:20:15You'll never have to.
00:20:16Uh, I'd leave the necklace behind if I were you.
00:20:24You know how the salt water affects gemstones.
00:20:26Oh, heavens!
00:20:28I completely forgot I had it on.
00:20:30Oh, that would never do, would it?
00:20:32Oh, no.
00:20:34It's one of my favourites.
00:20:3515th wedding anniversary.
00:20:4020th, I believe.
00:20:42Hmm.
00:20:44Hmm.
00:20:45Hmm.
00:20:57Hmm.
00:20:58Thank you very much.
00:21:15Thank you, Maria.
00:21:21Did you still work on the weekend?
00:21:23The morning of the day.
00:21:25Please, Alexa, listen.
00:21:28it's about eleni what about eleni she's been digging around she knows what he was accused of
00:21:38i told her it was all lies which it is i don't want it to be true any more than you do alexa
00:21:44oh please don't give me that there was evidence no there was no evidence i recalled it myself
00:21:50but you would not listen i didn't want to make you you were too upset oh okay so i will listen
00:21:56now prove it i destroyed it i destroyed his confession before eleni could find it it's up
00:22:03to you to tell her that he confessed before she finds out another way i'm doing everything i can
00:22:09to make sure she does not go down the same route as her father that's the least i can do for you
00:22:14alexa simo samata we are history long gone and best forgotten do not take it out on my daughter
00:22:22what are you talking about you are punishing her punishing her i'm protecting her how
00:22:28by bullying her and making her to menial work so that's how you see it she told me you had her
00:22:33filing the more power eleni gains the more she becomes a target just like ari these gangs need
00:22:41someone worth corrupting someone who could hide evidence make witnesses vanish vanish like ari
00:22:47ari was not a witness ari was not a witness into peace ari found the case notes for ari's arrest
00:22:56i destroyed the interview recordings but soon she will be asking questions she already is
00:23:04you know i wonder if you did what you did so that you and i could you know how could you say
00:23:11that alexa no matter what my feelings were for you he was still a friend of mine i loved him
00:23:18i have to leave for the mainland tonight
00:23:38whatever for some business affairs of your husband's estate have come up well can't they
00:23:44wait a few days well i think it's best if i deal with it now i'll only be away for a day or two
00:23:49well what about my swearing i'm going to leave with the fox talkers after dinner
00:23:54they've chatted a boat she'll return them to athens tonight they have to fly off to monaco in the
00:23:59morning kel surprise says never can keep away from that casino for long i don't know how carol copes
00:24:09you believe her husband has some expensive tastes of his own to keep him busy
00:24:13and hopefully he will be in the mood for buying some art indeed
00:24:21oh christos you are a marvel i just washed the grapes and i am very tempted to ask you to peel one
00:24:34for me oh with pleasure uh shall i no i wanted christos to do the honors oh well i'm afraid christos has
00:24:43some errands to run for me and he needs to get ready for dinner tonight we can't have a smelling of seaweed
00:24:51too true giles our muse must look his best and i have a beautiful silk shirt that you can borrow
00:25:00thank you gloria
00:25:02oh would you grab that for me tea
00:25:16you got a text from robbie oh yeah what's it say night well man of few words trust me the fact that
00:25:28he remembered is as romantic as it gets anything else
00:25:32got a little something flying your way
00:25:36well maybe he remembers more than i thought
00:25:40remembers what it's my birthday this weekend
00:25:45why didn't you say yeah well you know it's no biggie and when you get to my age definitely not
00:25:58looking for this
00:26:08still very much for hire now aren't we
00:26:13when we get married i will tell you to stop with this painting nonsense
00:26:21how can she call this art deluded old woman and i have to let her paint me
00:26:31what do you think she wants to do something else in america ever
00:26:36cheers
00:26:45cheers
00:26:47cheers
00:26:49cheers
00:26:50cheers
00:26:51cheers
00:26:52cheers
00:26:53cheers
00:26:54cheers
00:26:55cheers
00:26:56cheers
00:26:57cheers
00:26:59thank you for joining me on my first night back for some good wine and some delicious food
00:27:09and to christos who will inspire me and my art throughout the summer i am truly blessed
00:27:16gloria where's giles and michaelis and i were hoping he'd be dining with us tonight
00:27:21giles is devastated that he can't partake but he has some pressing business to attend to before departing
00:27:29so this is your first modeling job is it i know this great booker in paris
00:27:35i will try to convince giles to join us for at least one drink
00:27:39ah miss christoph please do
00:27:41yeah
00:27:43yeah
00:27:45yeah
00:27:47yeah
00:27:49yeah
00:27:53yeah
00:27:55yeah
00:27:57Did you finish covering the canvases?
00:28:13Yes.
00:28:15I understand that you have designs on m'lady.
00:28:20Designs?
00:28:20Beth tells me that you plan to seduce Gloria.
00:28:25Well, she looks like fun.
00:28:27What she looks like is rich.
00:28:30But looks can be deceiving.
00:28:32There's almost nothing left.
00:28:34So I suggest that you enjoy the pool for a few days and the extra money and leave.
00:28:41Well, I'm thinking about staying a little more and see how much she likes.
00:28:48In that case, you're fired.
00:28:51I'm not going anywhere.
00:28:52And if you say one word, I will tell Gloria that you were ordering me every summer to paint over her art.
00:29:04And that Beth hired me for her own amusement.
00:29:08I go.
00:29:09We all go.
00:29:11What will it take to get rid of you?
00:29:14One hundred thousand.
00:29:15That is insane.
00:29:18As insane as ordering somebody to destroy her employer's art and make him mock her over her passion?
00:29:28I don't think she's going to like it if she finds out right.
00:29:33I'm going to Athens tonight.
00:29:37I will be back tomorrow morning.
00:29:39I can offer you twenty thousand and not a cent more.
00:29:42Fifty.
00:29:44You will bankrupt this household.
00:29:47Either that or I propose Gloria.
00:29:51And then you will have to call me.
00:29:54How do you say?
00:29:55Hmm?
00:29:55My lord.
00:29:56Hmm?
00:29:56Very well.
00:30:00Fifty thousand it is.
00:30:02I will bring him back tomorrow and you will leave immediately.
00:30:09Jase.
00:30:09Don't you've caroused on me, you throat.
00:30:30Now you've met my beautiful muse.
00:30:39Does anybody fancy hanging him on their wall?
00:30:43Oh.
00:30:44Certainly.
00:30:45She means in a painting, dear.
00:30:48Come on, you two.
00:30:49No bickering.
00:30:51Any luck with darling Giles?
00:30:54Too much to do, he says.
00:30:55Well, he's a very busy man.
00:30:57I'm not surprised, considering how much he does for Gloria.
00:31:00Doesn't he, Gloria?
00:31:01Doesn't he do so much for...
00:31:03Oh.
00:31:05Dear.
00:31:07Anna.
00:31:08Anna.
00:31:09Oh.
00:31:09Oh, whoopsie.
00:31:11Oh, whoopsie daisy.
00:31:13Um, would you get me a new napkin?
00:31:17As soon as I finish serving.
00:31:18Never mind.
00:31:20Christos will get me one, won't you, dear heart?
00:31:22Your wish is my command.
00:31:24How very fortunate.
00:31:26I would like one of the purple ones.
00:31:29Harry, don't you think it's time that you had a new painting for that yacht of yours?
00:31:34The purple napkins are in the dryer, in the old house.
00:31:37Well, Harold and I...
00:31:39Oh, splendid, splendid, splendid.
00:31:41Let's get some fizz to celebrate.
00:31:45I'll get it.
00:31:46Oh, dear.
00:31:47Oh, how clumsy of me.
00:31:52Don't worry, madam.
00:31:53I'll clear it up.
00:31:54Oh, you are a dear.
00:31:56I'll get the fizz.
00:32:00Goal fizz.
00:32:01The little night music always irks me up.
00:32:09Well, it's just a Lady W.S. party without a falling asleep at Mr. Watts.
00:32:12Voila!
00:32:22Lucky you, Harold.
00:32:24Another Lady W.S. original for your collection.
00:32:28No.
00:32:29But you've got to get to do it, because then she thinks...
00:32:38Shh!
00:32:39I think you're all being terribly mean.
00:32:42She's done very well for herself.
00:32:44Oh, yes.
00:32:45Wasn't she a waitress before she landed the good Lord?
00:32:49But look where she is now.
00:32:53Cheers!
00:32:55Cheers!
00:33:02Hey!
00:33:03Hey!
00:33:06Hey!
00:33:12Hey!
00:33:12Hey!
00:33:13Hey!
00:33:14Hey!
00:33:15Hey!
00:33:19Hey!
00:33:19Hey!
00:33:20I've called a cab to the ferry port.
00:33:21I can't wait any longer for those two Lushers in there.
00:33:25I have to get back to Athens.
00:33:29I'm sorry I brought Christos here.
00:33:31Me too.
00:33:32Hey!
00:33:33Hey!
00:33:34Hey!
00:33:34Hey!
00:33:35Hey!
00:33:35Hey!
00:33:35Hey!
00:33:36Hey!
00:33:36Hey!
00:33:36Hey!
00:33:36Hey!
00:33:37Hey!
00:33:37Hey!
00:33:38Hey!
00:33:38Hey!
00:33:39Hey!
00:33:39Hey!
00:33:40Hey!
00:33:41Hey!
00:33:42Hey!
00:33:46Oh!
00:33:46Oh!
00:33:47Oh, I'm so sorry.
00:33:49I just closed my eyes for a second, and...
00:33:53Oh!
00:33:54Oh!
00:33:54He won't tell anyone, will he, Beth?
00:33:55Oh!
00:33:56I don't want anyone to think that I think them boring even if I do.
00:33:59Ha!
00:34:00Good girl.
00:34:01Oh!
00:34:02Now, you better get that bubbling out to our guests.
00:34:05Oh!
00:34:05Good night, Aunty Cheryl.
00:34:15Okay. Good night.
00:34:18Night.
00:34:20Sleep tight. Don't let the bedbugs bite.
00:34:35G'day, Alexa. It's Cheryl.
00:34:53I was just calling because I reckon that Helen could really do with the chat.
00:34:58And if it makes any difference to you,
00:35:03I reckon whatever they pinned on Ari back then,
00:35:06he's innocent.
00:35:09Anyway.
00:35:10Night.
00:35:12I reckon whatever they pinned on Ari back then, he's innocent.
00:35:21Anyway.
00:35:22Night.
00:35:23Night.
00:35:24I reckon whatever they pinned on Ari back then, he's innocent.
00:35:35Anyway.
00:35:36Night.
00:35:37Anyway.
00:35:38Night.
00:35:39Night.
00:35:40Night.
00:35:41Night.
00:35:42Dead.
00:35:43,
00:35:44.
00:35:45Oh, my God.
00:36:16Cheers.
00:36:19Stop it.
00:36:23There you are.
00:36:24We thought you'd sneak off to be with your muse.
00:36:26Of course not.
00:36:28But the night is still young.
00:36:31And so is he.
00:36:45Oh, my God.
00:36:59Oh, my God.
00:37:01Oh, my God.
00:37:17Stop.
00:37:18We should have waited for a free taxi at the marina.
00:37:23It's going to be quite a walk if we don't flag one down.
00:37:26She'll be all right.
00:37:28Talia said that there was a 30-minute wait when she rang,
00:37:31and this is nothing compared to what I do on the farm.
00:37:35I walk out my gate and can't see a soul for miles.
00:37:42Come on.
00:37:43Rattle your dags.
00:37:44Talia, where did you book?
00:37:45I thought we were staying at a resort.
00:37:47No.
00:37:48I thought Auntie Sher would like a bit of rustic grease.
00:37:51Oh, yeah, I'm good with that.
00:37:52Oh, Gina, I mean, it's as beautiful and warm as ever.
00:37:56It's a hina.
00:37:58I'll get it eventually.
00:37:59Well, it's not that hard.
00:38:00I'd like to see you wrap your lips around a few kiwi names.
00:38:09You try, me.
00:38:11Why kakamuka?
00:38:12Why kakamuka?
00:38:15Well, that was an easy one.
00:38:17Te whanganui i tara.
00:38:19Te whanganui i tara.
00:38:23Well, now you just shine off.
00:38:24Mum, what's George doing here?
00:38:33Did you invite him?
00:38:34Of course not.
00:38:36George!
00:38:37What are you doing here?
00:38:39Helen.
00:38:39Are you on holes too?
00:38:41She means holidays.
00:38:42I wish.
00:38:44I was just taking in the view.
00:38:45Listen.
00:38:47There has been a suspicious death in one of the villas on the north side.
00:38:50You're joking.
00:38:52Not my business.
00:38:53Remember, we're on holiday.
00:38:55Just out of curiosity, who is the DI working on it?
00:39:00Haral Ambidis.
00:39:02Oh, right.
00:39:04So, George, would you mind filling me in while we're waiting?
00:39:08Yeah, sure.
00:39:09But, you know, my car is over there.
00:39:10Why don't I take you back to where you have to go and I'll fill you in?
00:39:14Yeah, great.
00:39:16So, George, um, why isn't DI Haral Ambidis with you?
00:39:23Well, we were meant to come across together, but his wife went into labor when we were waiting
00:39:27for the courier to pick us up at PDS.
00:39:30He'll be over in a few hours.
00:39:31You know, they detained two suspects at the villa where the body was found.
00:39:35Two?
00:39:36Yes.
00:39:36Both are employees of the villa's owner.
00:39:39One was stopped last night by an officer, a child, Jowdry.
00:39:43He was carrying a necklace on his way to the ferry in a briefcase worth thousands.
00:39:47Now, he admitted to theft, but he said he had nothing to do with the death.
00:39:51And he swore the deceased was alive when he left.
00:39:54So, they decided to detain the housekeeper as well.
00:39:57Listen, I was thinking, when we go now, can I stop one or two minutes, I want to speak
00:40:02to the police officer, explain about Haral Ambidis, and then I promise you, I'll take you back
00:40:06to your hotel.
00:40:07George, why don't they send the two suspects across to Piraeus, or at least take them in?
00:40:13I mean, I assume the villa is not that secure.
00:40:15Yeah, but your hotel is the only thing nearby.
00:40:18There's nothing else.
00:40:19And there's a team there, now, watching them?
00:40:22When you say a team, there's only three policemen on the whole island.
00:40:25And there's no cells, only one room.
00:40:28And that is at the Port Authority office.
00:40:29That's why we've had to detain the suspects at the villa.
00:40:33Well, that's not ideal, is it?
00:40:35So, the other suspect, is it a man or a woman?
00:40:39It is a woman, the housekeeper.
00:40:41Ah, then she did it.
00:40:42The butlers always do it.
00:40:44And the man?
00:40:46The butler.
00:40:46Ah, well then, he did it.
00:40:48Case closed.
00:41:03Hi, Yaya.
00:41:04Where have you all gone?
00:41:06Mum tried to call you.
00:41:07We went away for Aunt Cheryl's birthday.
00:41:08Well, where are you now?
00:41:10A hotel in Aguinal.
00:41:11Oh!
00:41:12You're telling me that you, your mother and Shirley are in Aguinal?
00:41:17Yes.
00:41:18Oh, I see.
00:41:19So, when it's your new auntie's birthday, you take it away for the weekend.
00:41:23But it's when it's my birthday, you buy me a bar of soap!
00:41:27It was good soap.
00:41:28Thalia.
00:41:30Yaya, I'm sorry.
00:41:31We tried to call you, but you didn't answer the phone.
00:41:34I...
00:41:34I had things to do.
00:41:35Anyway, um, tell your auntie Shirley happy birthday, and, uh, thank you for the message.
00:41:44Okay.
00:41:44Love you.
00:41:57Oh, yeah, Alexa.
00:41:59Come on, get your kids, Dora.
00:42:03Oh!
00:42:04I thought it might be you.
00:42:18It's just...
00:42:19nothing.
00:42:20Oh, hello, uh, lady Wither's number.
00:42:22Wither?
00:42:23Wither?
00:42:25Wither?
00:42:26Just call me Gloria.
00:42:28I can't bear hearing any more unflattering versions of my name.
00:42:31Yeah, I'm just going to go and check the...
00:42:34And, uh, you are?
00:42:36Detective Eleni Moustakas?
00:42:37Do you mind if I don't?
00:42:38I've just painted my nails.
00:42:40Beth, my housekeeper, normally does it for me, but she's, um...
00:42:43indisposed.
00:42:45Not that it comes an astounding surprise, that.
00:42:49I mean, her betrayal, I mean.
00:42:51I only gave Beth the job, in thanks for her mother's loyal service.
00:42:58But, Giles?
00:43:02That is a knife to the heart.
00:43:04If my husband were alive today, he would beat him.
00:43:09Or Blubber.
00:43:10One of the two.
00:43:12Probably both.
00:43:13Oh, you must forgive me, Detective.
00:43:16I don't seem to quite be able to get over the shock.
00:43:19Of, uh, the young man's death.
00:43:21Oh, heavens, that too.
00:43:23Did you know the diseased well?
00:43:25No.
00:43:26I only met him yesterday.
00:43:29Beautiful physique.
00:43:31I mean person.
00:43:34Oh, what a waste.
00:43:37Are you interviewing me?
00:43:38Is this an interview?
00:43:40Do I need a lawyer?
00:43:41I mean, the two young policemen said that I wasn't a suspect.
00:43:45Am I a suspect?
00:43:47I really don't know.
00:43:48Until a case is solved, everyone is a suspect.
00:43:52Lady Witton Soames.
00:43:53Ah, you got my name right.
00:43:56You're the clever one, I see.
00:43:59Mum?
00:44:01And you brought your daughter to an investigation.
00:44:05Now, that is very progressive.
00:44:07And I see you've got your swimming knickers on?
00:44:09Well, help yourself to lemonade and do take a dip.
00:44:14Feel free.
00:44:15Ah, are we swimming?
00:44:17Uh, no.
00:44:18Thanks.
00:44:19We're not.
00:44:19Aren't you with the forensic team?
00:44:22Oh, yeah, now.
00:44:23I'm her sister.
00:44:26I don't think I will ever understand Greek culture.
00:44:30Well, by all means, feel free.
00:44:34No, this won't be necessary.
00:44:37Oh, come on.
00:44:37You said yourself there's no pool at the hotel.
00:44:40We're not staying on show, aren't we?
00:44:43Tell her, Mum.
00:44:44Well, um, we're going to go in a minute.
00:44:47I just need to go inside and check that everything is fine and...
00:44:50Oh, they're all fine in there.
00:44:52No, no, no.
00:44:53I am the wounded party.
00:44:55I mean, not technically, given that there's a dead body in my outhouse.
00:45:01But essentially, I am the wounded one.
00:45:05Uh, so where do you keep the suspects?
00:45:09Beth is in her room and, uh, Gilda's in the study and there's an officer with each of
00:45:14them.
00:45:15One of whom had the nerve to ask me to fetch them all food and water as if I was starved.
00:45:23Well, um, it's a very hot day, so I'm sure the officers would be most grateful.
00:45:29Yes, no, you're probably right.
00:45:30Gosh, would you hold that?
00:45:31Yes, of course.
00:45:32Oh.
00:45:34Oh, thank you.
00:45:35Oh, wow.
00:45:40No!
00:45:41Mm-mm.
00:45:43This is Myrtle.
00:45:45Looks like it's you and me again, kid.
00:45:49Beth hired Christos to be my muse, or so I thought.
00:45:54I'm an artist, you see, and so I hire a muse every summer when I haven't got Myrtle steps in.
00:46:02How long had you been in a relationship with Christos the diseased?
00:46:08I wasn't.
00:46:09Not according to Lady Whitton's homes?
00:46:12It was a brief encounter.
00:46:15Is this why you got him the job?
00:46:17Did you hope for it to continue?
00:46:20Madame needed a muse.
00:46:22I knew him from the art gallery in the village, so it was convenient.
00:46:26His modeling to her or his relationship with you?
00:46:30Both.
00:46:31Both.
00:46:32Both.
00:46:33Regarding Beth hiring the diseased one, you said, or so I thought.
00:46:38What does that mean?
00:46:39Beth only hired Christos in the hopes of continuing some dalliance with him.
00:46:46An affair.
00:46:47Given the nature of your relationship with him, you don't seem very upset.
00:46:53I'm just confused about it.
00:46:59He told me he intended to seduce Madame for her money.
00:47:03And you didn't tell her of his intentions?
00:47:05There was no time.
00:47:08You believe Giles also betrayed you?
00:47:11He stole from me my beautiful necklace, worth more than 50,000 euros.
00:47:19Why would he do that?
00:47:21Well, when they caught him last night, he whimpered something about having done it for
00:47:29me.
00:47:30How could replacing my real jewels for fakes possibly benefit me?
00:47:36This is the third time I've done this.
00:47:40My late employer was a ferocious gambler, something he kept carefully from his wife.
00:47:47By the time Lord Whitten Soames died, there was very little left of the estate beyond the
00:47:52equity sunk into the couple's four residences.
00:47:55And soon, one of those will have to go.
00:47:59For now, liquidating Gloria's less concrete assets was the best, least upsetting thing I
00:48:06could do to keep things afloat.
00:48:09And Lady Whitten Soames knew none of this?
00:48:12Her ladyship has never really concerned itself with the fiscal elements of living such an
00:48:17existence, and his lordship expressly asked me to keep it that way after he died, and I
00:48:24have fulfilled his wishes.
00:48:26Her ladyship believed that the proceeds from her ghastly paintings funded her entire estate.
00:48:38Ghastly?
00:48:39That's a bit harsh.
00:48:40But fair.
00:48:41Giles went into all that trouble of making a fake necklace just to steal the real one.
00:48:53Lady Whitten Soames, I think you should have all your jewelry valued.
00:48:57It's not the first time he does this.
00:49:04I made rather a good job of those nails.
00:49:07These thefts are in fact missions of mercy.
00:49:11Well, I take no pleasure in deceiving the woman it has been my duty to serve for nigh on three decades.
00:49:18It was not an undertaking I took lightly.
00:49:22But, as I have said, it was not my undertaking at all, but her husband's.
00:49:26He directed me before he died to a fence in London.
00:49:30With whom he'd already been doing exactly the same thing in his absence.
00:49:35The task now sadly falls to me.
00:49:39He would loathe it if you called him butler.
00:49:43Giles is my personal secretary.
00:49:46He's been with the family for years.
00:49:48He dealt with all my husband's affairs.
00:49:51And then, when my husband died, mine.
00:49:58So, how could he do this to me?
00:50:04And you haven't taken a cut?
00:50:07Cut?
00:50:08No, no, no. Cut, as you call it.
00:50:12I have paid my wages, which have risen in line with inflation, and no more.
00:50:19How very honorable.
00:50:22Listen, detective.
00:50:24I have spent my life in service.
00:50:27Improving the lives of others.
00:50:29I have very little else to my name but honor.
00:50:33So, these dinner parties.
00:50:35Does your employer hold them often?
00:50:38Mm-hmm.
00:50:39She thinks they will help sell a painting.
00:50:42Not that it ever does.
00:50:44People come, eat the free food, drink a champagne, and go.
00:50:49What do you do with the paintings Lady Whittensome thinks she has sold?
00:50:56I take them here.
00:50:58To the director of a gallery, who has the paintings whitewashed before discreetly giving them back for Gloria to reuse.
00:51:08Did you leave the kitchen at any point whilst preparing dessert?
00:51:13I came from the kitchen onto the patio.
00:51:16Ask any of the guests, they all saw me.
00:51:19Madame had made a mess so I spent a lot of time clearing it up.
00:51:23Are you sure you didn't go anywhere else last night other than the patio in the kitchen?
00:51:29I would strongly suggest you lay your cards on the table now, Ms. Audien.
00:51:33Well, I went to find Giles and we spoke outside the villa briefly.
00:51:39And then I came to the kitchen where I find Madame asleep.
00:51:44Asleep?
00:51:45She does that sometimes.
00:51:47She says it's narcolepsy but I think it's a little bit too much too.
00:51:52So then I shook her to wake her up.
00:51:55Well, she'll tell you about it.
00:52:00Witnesses say that you were missing before Christos was discovered.
00:52:05To the best of your knowledge, Mr. Chowdhury, is there anything in that outhouse that could implicate you in the murder?
00:52:12Nothing at all.
00:52:14What did you and Giles discuss?
00:52:17I apologize for bringing Christos into the house and warned him that he was after Madame.
00:52:24You must have felt really foolish being deceived by Christos in that way.
00:52:30Foolish?
00:52:31Yes.
00:52:32But you don't kill someone because they make you feel foolish.
00:52:36What about angry?
00:52:38I wasn't angry.
00:52:41I was hurt.
00:52:46I knew he wasn't going to last or anything.
00:52:48I mean, I was under no illusions but, well, you saw him.
00:52:53He was handsome.
00:52:55Hello there.
00:53:04Any signs of what killed him?
00:53:08Well, at the moment I can only take photos and I can't touch the body too much.
00:53:13But when Haralambidis comes, I will be able to do more.
00:53:17But I can see his complexion is red.
00:53:19And for this there could be many courses.
00:53:22And also I see he has these, like, small white spots of paint on his arms.
00:53:27White paint?
00:53:28Like he's been decorating or something.
00:53:30Okay.
00:53:31Any suspicious items?
00:53:33You're on the case now.
00:53:34George, I don't need your lecture now.
00:53:36I'm not giving you a lecture.
00:53:37You two having a tiff?
00:53:39No, we're not having a tiff.
00:53:41What is a tiff?
00:53:42Apparently something you're not having.
00:53:44Jeez.
00:53:45He doesn't look too hot.
00:53:47Shelley, you can't be in here, okay?
00:53:49How did he go?
00:53:50Well, we don't know yet.
00:53:52I mean, why didn't he just come out and tell people he was feeling a bit crock?
00:53:55Because the door was locked from the outside.
00:53:57And there was no key on the lock.
00:53:59When did you say her labiddies was coming?
00:54:02Well, he called me.
00:54:03His wife's labour is dragging on a bit.
00:54:05But he should be here in a few hours.
00:54:07There need to be a senior investigating officer on the scene before George can proceed any further.
00:54:12In a murder investigation, every minute counts.
00:54:15And in this heat, I need to take samples, because just in case...
00:54:19Yeah, that's getting a bit wiffy.
00:54:21So you're on the case now?
00:54:23No.
00:54:24Um, couple of hours, he said?
00:54:27Well, we are just waiting for the baby to come.
00:54:30How many kids has his missus had?
00:54:32I don't know.
00:54:33Three, I think.
00:54:34Maybe, why?
00:54:35No worries.
00:54:36I mean, by my third, I was shooting them out like a cannon.
00:54:38So we should be out of here by dinner.
00:54:43So...
00:54:44So we have a senior investigating officer?
00:54:47You have an investigator officer for now.
00:54:50Oh.
00:55:01Hi, Shirley.
00:55:02Hiya.
00:55:03How's Talia?
00:55:04All good?
00:55:05All good.
00:55:06Giving her the villa's wifi code.
00:55:09Oh, well, she must be happy as a clam then.
00:55:13What are you doing?
00:55:14I'm making Lady S a semi.
00:55:16A what?
00:55:17A semi.
00:55:18Sandwich.
00:55:19Well, Shirley, you can't be running around touching things.
00:55:22It's a crime scene.
00:55:23Remember?
00:55:24Even I just wanted to make a...
00:55:25Ah!
00:55:26Oh, yeah.
00:55:27That thing belongs to Lady Whitton's homes.
00:55:31Why has she got a dummy in her kitchen?
00:55:33Her name is Myrtle.
00:55:35Her ladyship says that dummies sound so impersonal.
00:55:40Just the lack of face.
00:55:43Do you normally keep Myrtle in the kitchen?
00:55:46Oh, no.
00:55:47No.
00:55:48Beth usually keeps it in one of the guest bedrooms if her ladyship isn't using it.
00:55:51I would, but I don't have the keys for anything.
00:55:54You know, the guest bedrooms are all locked up in our absence to deter the squatters.
00:55:59So you and her ladyship don't have a set of keys?
00:56:03Heavens, no.
00:56:04That's what a housekeeper is for.
00:56:06Mr. Chowdhury, I think I should accompany you back to your room.
00:56:12Pardon, Panno.
00:56:16Hi, Dad.
00:56:17Er, no.
00:56:18We're not at the hotel yet.
00:56:19We had to stop nearby.
00:56:20No.
00:56:21Not the beach.
00:56:22Long story, we're actually at a crime scene right now.
00:56:24I suppose...
00:56:25Um...
00:56:26Uh...
00:56:27There.
00:56:28There.
00:56:29There.
00:56:30There.
00:56:31There.
00:56:32There.
00:56:33There.
00:56:34There.
00:56:35There.
00:56:36There.
00:56:37There.
00:56:38There.
00:56:39There.
00:56:40There.
00:56:41There.
00:56:42There.
00:56:43There.
00:56:44There.
00:56:45There.
00:56:46There.
00:56:47There.
00:56:48There.
00:56:49There.
00:56:50There.
00:56:51Would be fine.
00:56:52Oh, that's nice.
00:56:55Do you like them?
00:56:56Yeah, I mean, it's really cute you've hung your grandkids' drawings on the wall.
00:57:01Oh.
00:57:02I don't have any grandchildren.
00:57:05Oh, these are yours.
00:57:07Whose else would they be?
00:57:08Well, you know, they're very bright.
00:57:11And it looks like you tried really hard.
00:57:14Right.
00:57:15Let me go trim this bush of yours.
00:57:18Lady Whitten Soames, can I ask you a question about last night?
00:57:36night. I am here to help, detective. Is it true you fell asleep in the kitchen and were woken by
00:57:43Miss Gaudian? Me? Fall asleep during my soiree. How absurd. What do you think I am? Some old lush?
00:57:57Are you saying that... Excuse me. I must go and advise your sister on the correct shaping of my
00:58:04Tupperware.
00:58:17Helen, they will transfer the pen to the Equal Tome. I will tell you about the death of death when I learn.
00:58:24Yes.
00:58:27So how is that then?
00:58:29Yes. I like a tidy bush.
00:58:34but...
00:58:36no... no... no... no... no... no... no... no... no... no... no... no... no... no... no...
00:58:39Oops... I dunno.
00:58:40Yeah.
00:58:43I'll go T-Ry ик...
00:58:49nyphor ae...
00:58:53T-Ry ick...
00:59:26What on earth is that?
00:59:38Oh, it's a birthday present from my husband.
00:59:42Oh, he must be really missing me.
00:59:46If my husband had sent me a present like that, I'd have sent it back.
00:59:51What are those?
00:59:53Oh, Kiwi delicacy.
00:59:56Pineapple lumps.
01:00:02No, thank you.
01:00:03What's he doing?
01:00:15Oh, it's a little joke that we've got.
01:00:17He's washing his socks.
01:00:19Romantic?
01:00:20Mind you, that is a very good model of machine you've got there.
01:00:25It's getting on a bit by the look of things, but don't you worry.
01:00:28There's a lot of years in these makes.
01:00:31Just, uh, watch out for the fan belt.
01:00:34That'll be the first thing to go.
01:00:37There's no need to look so surprised.
01:00:39Before I married my darling Whitty, I worked in a laundromat.
01:00:44That's where I met him.
01:00:46Got eyes locked as I passed him an immaculately clean, smoky jacket.
01:00:51Right-o.
01:00:55That's...
01:00:56Unexpected.
01:00:58Hey, Talia.
01:00:59Do you want to chuck this around?
01:01:00Yeah.
01:01:00Can you tell me why there are whitewashed canvases in the outhouse?
01:01:08Well, there are canvases everywhere for my lady, should she ever feel the urge.
01:01:13They are freshly painted.
01:01:15The painting pot and rollers are sitting right beside them.
01:01:19Like I said, Christos was an assistant at the gallery.
01:01:22It was his job to paint over her work.
01:01:25Please, don't tell her ladyship.
01:01:28It will break her heart.
01:01:30So you asked Christos to paint them here at the villa.
01:01:34Wasn't that risky?
01:01:35I had no choice.
01:01:37He turned up.
01:01:39My ladyship wanted him to model for her today,
01:01:42so I had to get him to do the job I hired him for.
01:01:44Otherwise, there would be no canvases for her to paint.
01:01:47And what I did not employ him to do was to win her affections
01:01:52and wheedle his way onto her will.
01:01:54I imagine that must have made you very angry.
01:01:58Listen, detective.
01:02:00I may be a thief.
01:02:02Of sort.
01:02:04But I am not a murderer.
01:02:08Right.
01:02:10Um, pardon.
01:02:12Pano.
01:02:13Excuse me.
01:02:14Hi, George.
01:02:15Any signs of Haralambidis?
01:02:19No.
01:02:19Not a word.
01:02:21He hasn't answered his phone all afternoon.
01:02:24Okay.
01:02:24I'll check with the hospital.
01:02:26Maybe he's there.
01:02:26If not, I'm sure he's on his way.
01:02:29Thank you, George.
01:02:30So tell me, what did you find?
01:02:32Well, given the redness of his complexion,
01:02:35I tested the blood for carboxyhemoglobin.
01:02:37Sure enough, there was high amounts of it in his system.
01:02:40Well, George, I'm a detective, not a scientist.
01:02:44He died of monoxide poisoning, Helen.
01:02:47Are you sure?
01:02:48There's no gas burners or boilers in that room.
01:02:51I know, but Helen.
01:02:53Yes?
01:02:54I'm a scientist, not a detective.
01:02:55Oh, Lady S isn't going to be happy about this.
01:03:09Where do they hang their stuff out to dry?
01:03:13Oops.
01:03:14Oh, maybe now he's moved out, I can put it in the dryer.
01:03:18Eh.
01:03:19I'll go and ask H.
01:03:20Hey, listen, um, Tia and I were playing around with a rugby ball
01:03:29and then I accidentally threw it and it kind of splashed.
01:03:33Only you could bring a rugby ball to Greece.
01:03:36Oh, I didn't.
01:03:37It was in the parcel, along with this photo.
01:03:40And get this, Lady S complimented me on my choice of machine.
01:03:44She used to work in a laundromat and apparently that's a good one.
01:03:47Which brings me on to this, Lady S's caftan,
01:03:51which got splashed and got really wet.
01:03:53Can I put it in the dryer?
01:03:55Shirley, you know what?
01:03:57I really need to go up there and interview this aspect.
01:04:02I'll take that as a yes.
01:04:05Oh, what jolly tunes.
01:04:09Do you know, you are quite divine.
01:04:12I am.
01:04:13Those cheekbones, the way they flow into your hairline.
01:04:19And those eyes.
01:04:21You have your mother's eyes.
01:04:24And your father must be very handsome.
01:04:27Come with me.
01:04:29I'd like to paint you.
01:04:30I didn't think.
01:04:32I will pay you.
01:04:33I pay all my models.
01:04:35Let's get you settled in the right light.
01:04:37Let's get you settled in the right light.
01:05:07And he won't say anything else.
01:05:09Year after year, decade after decade,
01:05:12it is still the same.
01:05:14The power this man has over the people of Athens.
01:05:17Over us.
01:05:19It is such a shame.
01:05:21This young man was on his way to being a good officer.
01:05:25And to lose it for what?
01:05:27A bit of money?
01:05:29Many would not dare to say no to him.
01:05:32That much I know.
01:05:34Many a good police officer has been caught in his web.
01:05:38And once you are in,
01:05:39it is hard to get out.
01:05:42Maria,
01:05:43if you have finished,
01:05:44please leave.
01:05:45Goodbye, Maria.
01:05:47Goodbye, Captain.
01:05:47Goodbye, Captain.
01:05:48Goodbye, Captain.
01:05:48Sarah,
01:05:49go ahead, go ahead.
01:05:50Yes, sir.
01:06:04So, Beth,
01:06:05you admit you knew
01:06:06that Christos was hired by Giles
01:06:08to paint over
01:06:09Lady Wittensohme's canvases
01:06:11and that he was doing so in the outhouse?
01:06:13Just because anyway he was
01:06:14doesn't mean I killed him.
01:06:15Where are the house keys kept?
01:06:18The drawer.
01:06:19No, no,
01:06:19you can't touch anything.
01:06:21I'll have to do it.
01:06:33Is this the only set?
01:06:34No,
01:06:35the other set is in the kitchen.
01:06:38Well, Beth,
01:06:39we know about those.
01:06:40They're already been sent for fingerprints.
01:06:43There were no keys missing from that set.
01:06:45I don't understand.
01:06:47When you went to the bathroom,
01:06:50you found some other key?
01:06:52We must find the key that we lost.
01:06:54This is the key that you bought here.
01:06:58Lady S complimented me
01:07:00on my choice of machine.
01:07:01She used to work in a laundromat.
01:07:04Do you recall
01:07:06the make
01:07:07of the washing machine?
01:07:10I have the warranty manual in there.
01:07:13Can I?
01:07:14Yes,
01:07:14yes,
01:07:14you can.
01:07:32Oi!
01:07:34Oi!
01:07:34Oi!
01:07:34Oi!
01:07:43Oi!
01:07:57Oi!
01:07:58Oi!
01:07:58Oi!
01:07:59Ella, Helen.
01:08:06Hey, George, can you look up for me a model, a washing machine?
01:08:13Okay.
01:08:14It's linked to the case.
01:08:15So, it's RECO 17800.
01:08:19Okay, let me have a look.
01:08:23RECO 17800.
01:08:26About five years old, powered by electricity, has complimentary dryer option, also powered by electricity, unless you choose the gas option.
01:08:36Ten years guarantee.
01:08:37Hang on, what did you just say about the electricity and gas?
01:08:42Well, if you take the dryer, it can be powered by electricity or gas.
01:08:47Miss Guardian, is your dryer powered by electricity or gas?
01:08:51The gas option was madame's preference.
01:08:56Sorry, I kept you waiting.
01:09:23I couldn't find my fan brush.
01:09:28Thalia, can you give us a moment?
01:09:32We will have to search a room, Lady Whitten-Solmes.
01:09:36Do you know what?
01:09:38Oh.
01:09:42Follow me.
01:09:49Can you tell me what you were wearing last night?
01:09:52Oh.
01:10:00Voila!
01:10:02How come you have two of those?
01:10:05I like to have several of each pattern, you know.
01:10:08Were you wearing something else?
01:10:10Underwear and my evening gloves.
01:10:13One of a kind.
01:10:16Okay.
01:10:17I think we're done here.
01:10:19We can go downstairs.
01:10:22Looks like it's you and me again, kid.
01:10:29So, there is evidence that indicates that Christ's death was not accidental.
01:10:57One of you is a culprit.
01:11:02Christ's new secrets of both you, Mr. Caldry, as well as you, Miss Guardian, that would have cost you your livelihood, even put you in prison.
01:11:11However, you, Lady Whitten-Solmes, are also a suspect.
01:11:18All three of you would have known where the house keys were kept, and that the dryer in the outhouse was powered by gas, the same gas that caused monoxide poisoning, killing Christos, after you deliberately locked him in.
01:11:33But it couldn't have been.
01:11:35But it couldn't have been me.
01:11:36I was asleep.
01:11:37I was asleep.
01:11:38Beth woke me.
01:11:38Yes, that's true.
01:11:39Yes.
01:11:40Yes.
01:11:41That's true.
01:11:42I did.
01:11:43But you weren't asleep.
01:11:44In fact, it wasn't you at all on the kitchen table.
01:11:47It was Maple.
01:11:49Oh.
01:11:50Myrtle?
01:11:51Myrtle, dressed in the same identical set of quality clothes.
01:11:59Voila!
01:12:02You hid the dummy in the pantry, wearing the same set of clothes, knowing that Miss Guardian would be too busy serving guests and clearing up the mess you made.
01:12:11Would you get me a new napkin?
01:12:13As soon as I finish serving.
01:12:16Face down, the dummy looked just like you, fast asleep, having orchestrated a reason during dinner for Christos to go to the outhouse.
01:12:25Christos will get me one, won't you, dear heart?
01:12:27Your wish is my command.
01:12:29Earlier that day, you took the outhouse key from Beth's room and set a timer and a child lock that no one else but you would know how to open.
01:12:39You locked him in knowing full well he would not live there alive.
01:12:44Hey!
01:12:46Hey!
01:12:47And you came back to the table without being seen.
01:13:01I am confident that after you left your gloves on Myrtle, the outhouse key you took from Beth's bedroom drawer would have your fingerprints on it.
01:13:12This is completely ridiculous.
01:13:15Do you have the key?
01:13:17Crystal.
01:13:19My colleague found it in the bushes not far away from the outhouse.
01:13:25You could have hoped that it remained unnoticed there until you could retrieve it and return it.
01:13:33Lady Whitton-Solmes, can you stand up for me, please?
01:13:42I am arresting you on the suspicion for the murder of...
01:13:45This is ridiculous!
01:13:48Your lady said no.
01:13:49Madam!
01:13:50Madam!
01:13:59Madam!
01:14:00Why?
01:14:02I caught him defiling my art!
01:14:06My passion, my blissful death!
01:14:12How can she call this art?
01:14:15Deluded old woman.
01:14:16And I have to let her paint me.
01:14:19I have to let her paint me.
01:14:20I have to let her paint me.
01:14:21I have to let her paint me.
01:14:22I have to let her paint me.
01:14:30My work lies in the finest houses in Europe.
01:14:36The blood, the sweat, my creative heart, he stabbed it!
01:14:41I am dead!
01:14:42I am dead!
01:14:43I am dead!
01:14:44I am dead!
01:14:46The artistic imbecile just like your sister!
01:14:49Give her!
01:14:51Insulting me!
01:14:53Insulting me and equating my work with the dorms of a child!
01:14:59I showed her!
01:15:00I showed her!
01:15:02She wanted to dry the castan!
01:15:03Give me the fuel and keep her!
01:15:05Don't let her leave!
01:15:07Shirley!
01:15:08I showed her!
01:15:09Shirley!
01:15:12Shirley!
01:15:15Come on, sis!
01:15:16Oh, I said the washing would be the ruddy death of me!
01:15:35None of you know what art is!
01:15:40None of you!
01:15:46Yeah, well, I know what it isn't!
01:15:55Are you sure you're okay?
01:15:57Oh, yeah.
01:15:58Had a nap now.
01:15:59Good to go!
01:16:00It's still your birthday.
01:16:01Just about.
01:16:02What do you want to do?
01:16:03Well, you know, it's never too late for a Barbie.
01:16:05Hey!
01:16:07And, um, do you guys reckon I'd look good in a caftan?
01:16:12No.
01:16:13Oh!
01:16:14Oh!
01:16:15Oh!
01:16:16Oh!
01:16:17Oh!
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