- 3 months ago
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00:00What do you two want?
00:30It should have been you.
01:00Reverend Clement, Daily Express, can you tell us about the murder last night?
01:17Oh, er, no, no, I, er, I'm not right, er, no comment.
01:26The Daily Express wanted a quote.
01:32I was enjoying that, it's catchy.
01:34It's painful.
01:36Hoodie-doodie.
01:39So what did you tell them?
01:40I said no comment.
01:42How exciting.
01:43I've always wanted to say that.
01:45They'll give up in a minute.
01:47Yes, because that's what they do.
01:52Listen, things are going to be difficult enough around here without the papers stirring things up.
01:57So if they approach you, you won't say anything, will you?
02:00Sadly not.
02:03I wouldn't dream of talking to a rag like The Express.
02:06Look, I told you.
02:11Oh.
02:12May I?
02:21How can I help you, Detective?
02:22I'd like to talk to everyone who knew Anthony Bowness, and I figured you'd know where to start.
02:27Well, er, I expect a lot of them will be at the service this morning.
02:30Lord de Flores has said that we can use Chapton House while St Mary's is, er...
02:34A crime scene?
02:36Well, you don't think the killer's here, do you?
02:38I think it's a definite possibility.
02:41Right.
02:42I think we're looking at three options.
02:44Anthony could have been killed because he interrupted a robbery.
02:47What?
02:48Or he could have been the intended victim all along and we just don't know yet why he was targeted.
02:54And then there's option three.
02:57The murderer made a mistake and the person they really wanted to kill was you.
03:19None of this makes sense.
03:22To take a life in a church, the house of God.
03:27It's an abomination.
03:29And I ask myself, what purpose did it serve?
03:34Was it God's plan?
03:36Because if it was, I'm not sure that I can understand it.
03:39I doubt any of us can.
03:41And so for now, I pray.
03:46I pray for the soul of the departed.
03:52And I pray for whoever did him wrong.
03:55That they receive justice and mercy.
04:01Happy Easter.
04:04Mind a step there?
04:05Happy Easter.
04:06Happy Easter.
04:07Is this about Mr Burnett?
04:08Yes.
04:09Right.
04:10See you later.
04:11Oh my God.
04:12Oh my God.
04:13You're all right.
04:14It's not so bad.
04:15You're all desperate.
04:16You're all desperate.
04:17You're all desperate.
04:18Mercy for the killer.
04:19I see.
04:20I see.
04:21And I won't go down well.
04:22I'll take a look at you.
04:23Yes, well, I don't believe in retribution.
04:26Oh my God.
04:55Does MGM mean anything to you?
04:57You mean apart from the flicks? No, not really.
05:00How did Anthony ever find anything?
05:02Yeah, I did ask him that once.
05:04He seemed so together. I had no idea he was so...
05:09Yeah. Yeah, no-one did.
05:14So, how well did you know Mr. Bowness?
05:17Not especially. Kept himself to himself, mostly.
05:21We didn't have a lot in common.
05:23Um, I knew him from the choir, but that's all I'm afraid.
05:27Oh, well, he didn't make it easy.
05:29Kept everyone at arm's length, like he was ashamed.
05:33Don't think anybody disliked him.
05:36You sort of got to have a personality to be disliked.
05:39Tell me, will this delay the Reverend's plans to install a toilet in the church?
05:45You should talk to Edgy.
05:48Edgy?
05:49Patrick Liversidge, the gamekeeper.
05:51There was some sort of bad blood between him and Anthony.
05:55You know what they're like.
05:57They?
06:00Gypsies.
06:03Right.
06:04It's a chanting house.
06:13Oh, yeah.
06:15Yeah.
06:16Yeah, it's during the war.
06:18Wow.
06:19The place is filled with MOD bigwigs and all that SOE stuff, all very, you know, hush-hush.
06:24Yes.
06:26Oh, look at that.
06:28Now it's Kath and Dora Sharman on the right.
06:29Oh, they worked at the house.
06:31Yeah, it's housemates before and after the war and then for the MOD during it.
06:34In fact, quite a few women from the village actually got seconded.
06:39Oh, my God.
06:41What is it?
06:42Oh, it's from the plane that crashed.
06:45Plane crash?
06:46Oh, yeah, yeah.
06:47The SOE chaps used to fly across to France.
06:50They'd rendezvous with the resistance.
06:51They'd drop off agents that supplies weapons and then come straight back.
06:55But they used to take off and land right by the house.
06:57So, Anthony and I, yeah, we used to watch them from my bedroom window.
07:03So, what happened?
07:05Oh.
07:06Yeah, no, it was, um, it was late.
07:10It must have been around 11.
07:11Anyway, we had the engines fire up, so we raced over to the window and...
07:16Well, she took off, okay, and then she...
07:21Oh.
07:22I said it was faulty wiring, a spark, and she just, you know, exploded.
07:27Well, they didn't stand a chance.
07:31Anyway, a few days later, Anthony found this.
07:34Said he wanted to keep it.
07:37A reminder that the war was...
07:40real.
07:42Yeah.
07:46Have we got any of that lavender honey left?
07:53Well, she'll be in here.
08:07Visit the lavender fields of Provence.
08:11Don't you think it's time?
08:17MyView to be the one.
08:17MyView to be the one.
08:18Is this a своих
08:35MyView to be the one.
08:36I've heard stories, is all I'm saying.
08:52What sort of stories?
08:54Well, outsider comes from a small rural community.
08:58There are always secrets, which he uncovers,
09:00and it always ends badly for him.
09:03First of all, Anthony wasn't really an outsider,
09:05and second, it's not the wicker man.
09:08Who said anything about Anthony?
09:12So, tell me about Patrick Liversidge.
09:18Well, Edgy was a boxer once upon a time.
09:21Fares and a bare-knuckle circuit.
09:23I hear he was pretty good at it,
09:24but when he got back from the war, he was too old to fight.
09:27So he got a job as the gamekeeper.
09:30Not at first.
09:32He was a debt collector for a while.
09:35There were rumours, pub gossip mostly,
09:37that he did more than just collect the money.
09:41Handed out punishments too.
09:44And he was very good at that.
09:45OK.
09:55Oh, yeah, help.
09:57Can you have a word for me?
09:58Did you know Anthony, like in the village?
10:00How word are you?
10:01No comment.
10:04I didn't know him, to be honest.
10:06Even though you were both working at Champton House?
10:10We said hello and that, you know, polite like.
10:13Margaret Portis seemed to think that you didn't get on.
10:17Oh, is that right?
10:18Yeah, bad blood is what she said.
10:21And I would say she's got a very good imagination.
10:23When was the last time you saw Mr. Bowness?
10:29Uh, that would be the open day, I suppose.
10:34When?
10:35In the morning.
10:36I was doing the parking.
10:38OK.
10:39Only Mrs. Portis says she saw you talking to him much later.
10:43Oh, if that's what she said.
10:44What were you talking about?
10:45I don't remember.
10:52It's understandable, Edgy.
10:54These last couple of days, I've certainly forgotten things.
10:57It's the shock.
10:57Yeah, thanks, Reverend.
10:59It is upsetting.
11:01You get all churned up, like.
11:04Sorry.
11:10Don't do that.
11:11Do what?
11:12You feel the silence.
11:13I don't see how that...
11:14You let him off the hook, and you reassured him.
11:16I was simply...
11:16I don't want them reassured.
11:18I want them off balance.
11:19Because that's when they're likely to say something interesting.
11:23You know, people quite often tell me things that they're ashamed of.
11:26But they don't want others to know.
11:27You don't have to trick them.
11:29Not everybody wants to confess.
11:34I mean, how long's the church going to be closed for?
11:37Different jacket.
11:38All my gardening stuff's there.
11:40How am I meant to prune my roses?
11:41It's most inconvenient.
11:42For Mr. Bowness, too.
11:43How much do you think?
11:46What's it meant to be?
11:48A sophisticated garden party.
11:51They look like they're waiting for the bus.
11:53Hello, Mrs. Clement.
12:06I saw the sign outside, and I couldn't resist.
12:10Aren't I the fortunate one?
12:11Stella.
12:13High-class ladies' fashion.
12:14So inviting.
12:16So literal.
12:17We have all the labels here, you know?
12:21Country casuals, trick-or-ville, Jaeger, of course.
12:25I can see.
12:26Very impressive.
12:27Can I interest you in anything today?
12:30No.
12:30Just looking.
12:31I understand.
12:33Quality items like these don't suit every budget.
12:38Sometimes I have a sail rail.
12:40Come again.
12:41You never know, you might get lucky.
12:43I did want to say this.
12:47Take on my son.
12:49You take on me, too.
12:52Good to know.
12:55I think I'm going to like it here.
12:57A marvellous display.
13:13Excuse me?
13:13No, I told you.
13:15I understand.
13:16I'm sorry about earlier.
13:17Some reporters can be a bit pushy.
13:20A bit?
13:21We try not to be like that on the Telegraph.
13:23We find it pays to be a bit more respectful.
13:27Get more that way, I think.
13:30Don't you?
13:32I do.
13:34You're going to France?
13:35Both of you?
13:36I've got a little bit of side.
13:38You know, for a rainy day.
13:40I've always wanted to go to Provence.
13:42To see the lavender fields?
13:43Originally, yes, but it just never happened.
13:46So I thought, if not now, when?
13:49Another.
13:51Yes.
13:51You know, she's doing all this for me.
14:00She knows how important it is.
14:02She's making sure there's nothing left undone.
14:05The least I can do in return is take care of her,
14:09so that the time we have left is as good as it can be.
14:12Sterling work yesterday, I thought.
14:18On the harmonium?
14:20Oh.
14:21Not quite the fruity tones of the church organ,
14:23but needs must, I suppose.
14:25Yes.
14:25Well, thank you, sir.
14:27And then the interview with the police,
14:29straight after.
14:30Such excitement.
14:32Lily?
14:33You think so?
14:34Absolutely.
14:36Unless you've got something to hide, that is.
14:38Well, I suppose.
14:39I mean, I'm sure you told them about seeing Anthony
14:43the night before he died.
14:45I was cycling home.
14:47I saw you coming out of his cottage.
14:50I must say, it all seemed a little furtive.
14:54But I'm probably just imagining things.
14:57Hmm.
14:58I expect so.
15:01You coming?
15:11Ned.
15:12Excuse me.
15:14Ned, can you just wait a minute?
15:17Sorry, Harry.
15:19Oh.
15:20I just wanted to say, I was sorry to hear about your dad.
15:23Thanks, Catherine.
15:24He lived a good life.
15:27And I know he must have been so proud of you.
15:30Anyway, I just wanted to, you know.
15:40Seeing as Patrick Liversedge has a bit of form.
15:43I thought you might.
15:43Well, dating back to the 50s, a couple of arrests for ABH and one for demanding money
15:49with menaces.
15:50Right.
15:50Convictions?
15:51None that I could find.
15:52Also, I got a list of the phone calls made to inform Anthony Bowness's phone the month
15:57before his death.
15:58Right.
15:59The day before Anthony Bowness was killed, five phone calls were made to him.
16:04OK.
16:04And?
16:05That number's a direct line to the editor of the Gazette.
16:10Ned Thwaite.
16:13Ned, I'm sorry.
16:14Ned, I know I promised I said I wouldn't see him, and for a long time I didn't, honest.
16:33But Anthony, he needed me.
16:36I couldn't just abandon him.
16:37It doesn't work like that.
16:39I had no choice.
16:40How long?
16:48A couple of months.
16:57And he kept it secret?
16:59All that time?
17:00Nothing happened, I swear.
17:03I never meant to deceive you, and I would never do anything to hurt you.
17:08Forgive me.
17:10Please?
17:22Alex.
17:26Gin and tonic.
17:28Meeting someone?
17:30Just dropped in for a quick one.
17:32Well, I'll get this.
17:36Cheers.
17:36Listen, I know it's probably nothing, but I saw you with Anthony at the end of the open
17:44day, and it looked like you were having a row.
17:48Were you?
17:51He was just being a bit arsy.
17:53Why?
17:56My guess, he was pissed off with Park as they'd had a row, and he ended up taking it out on me.
18:01You know, kick the cat.
18:06Surprising how often that happens.
18:12Take care walking home.
18:14Haven't you heard?
18:16There's a killer about.
18:17I know.
18:32I know.
18:34You know?
18:34I know.
18:34There's a killer.
18:35But he's there.
18:36I know.
18:37I know.
18:37I know.
18:37I know.
18:38I know.
18:38I know.
18:39I know.
18:40I know.
18:41I don't know.
19:11Oh, dear me. That's rather horrid.
19:15Did you hear anything?
19:17No, not a peep.
19:19Right, that's it.
19:22I've gone too far this time.
19:24How dare they upset you like this.
19:28That's my job.
19:41I can't believe he's in the paper.
19:47Morning, ladies.
19:48Morning, Rector.
19:52That's OK, Rector. We was only chopsing.
19:55Stamps, please, Mrs Brains.
19:5721st and 22nd.
19:59Your orders arrive, too.
20:02Those fancy pens.
20:05But you know paper won't arrive before Thursday.
20:08Gay plague pasta.
20:25You know what they're like.
20:26His support for the gays is controversial,
20:32even amongst those closest to him.
20:35I don't think we could have got that from anywhere.
20:38He was always one for lost causes,
20:40said his mother, Audrey, 67.
20:44He said he was from the Telegraph.
20:45What time will you be home?
20:49They're not late.
20:50Why? What have you got planned?
20:51Peace offerings.
20:53Jane, you really don't have to.
20:55I know, but I want to.
20:58Yeah, OK. All right.
20:59Well, I've got to go.
21:01OK, bye.
21:05Hey, thanks for coming in.
21:06Oh, I feel a bit of a fraud, to be honest.
21:09Oh.
21:10I took a look, like you asked,
21:11but I'm afraid I couldn't see anything unusual.
21:14Ah, right.
21:15Canon Clement.
21:27Detective.
21:29And it was pinned to a dead rat,
21:31hanging outside the front door.
21:33Well, whoever it was has a taste for the Gothic.
21:36And access to a dead rat?
21:39Someone like Patrick Liversidge.
21:42Maybe there's some truth to the pub gossip after all.
21:44I'll, er, get it tested.
21:46You never know.
21:48I spoke to Alex DeFloas last night.
21:51He said that Anthony had rowed with his father at the open day.
21:55Bernard never mentioned a row.
21:56He didn't, did he?
22:01Listen, um, yesterday I came down on you a bit hard.
22:06It's fine.
22:07I shouldn't have jumped in.
22:08You were right.
22:10There are other ways of getting people to talk.
22:14Well, the collar helps.
22:16Gosh.
22:17Listen, um, I'm going over to the Gazette.
22:21Nev Thwaite was all over Anthony's phone records.
22:25You want to tag along?
22:27Hmm.
22:33Yes.
22:35Oh, hello, Kath.
22:36Hello, Rector.
22:37Mr Thwaite, DS Van Loo.
22:39Can we have a word?
22:40Uh, yeah.
22:42Yeah, sure.
22:43We'll have to walk and talk.
22:46Anthony Bowness was a pain.
22:48On and on about his bloody champton at war stuff.
22:51He was always here, wanting to go through the archive.
22:53And that's a problem.
22:54That is if you don't pay for it.
22:56Look, we've been putting a paper out every week since 1907.
22:59That's a lot of back numbers and it takes up a lot of space.
23:02I've been trying to put it all on microfiche, but it's expensive.
23:04So I started charging him for access.
23:07Only Anthony Bowness thought that because he was de Flore's cousin,
23:09he should somehow get it for free.
23:11It's taking additions home with him like it was his own private archive.
23:15So you denied him access?
23:17Yeah.
23:17Didn't stop him from coming, making a fuss.
23:19Last week he went off on one.
23:21Actually made the receptionist cry while I wasn't having that.
23:23So I gave him a call.
23:24Told him not to come here anymore.
23:26Nothing sinister.
23:27Do you know specifically what he was researching?
23:29Something about the war?
23:31Appears to be a popular subject right now.
23:33New copy for page seven.
23:35Doing a piece myself, actually.
23:36The one that got away.
23:38Oh, Captain Philip Curlin.
23:40He was a captain running SOE operations.
23:43He was a suspected double agent,
23:45but it appears he hightailed it back to Germany before he could be unmasked.
23:48They covered it up at the time.
23:50Double agents, bad for morale.
23:51And it stayed covered.
23:53Is that why Kath Sharman was here?
23:55Yeah, yeah, that's right.
23:56I was, uh...
23:57I was hoping she could help me with my research.
23:59Flight logs and stuff.
24:01Waste of time, sadly.
24:02Apparently 40 years plays havoc on the memory.
24:05Look, if that's, uh...
24:06If that's everything...
24:07A reverso.
24:08Yeah, that's right.
24:10It was, uh...
24:11It was a wedding gift from Jane.
24:13When I was a kid, I saw John Mills with one in Above Us The Waves.
24:17It might just have been the coolest thing I'd ever seen.
24:21Right, okay.
24:22Well, uh...
24:23Well, look, I, uh...
24:23I really do have to go.
24:24What the...
24:25What?
24:29Unbelievable.
24:29Unbelievable.
24:30I don't know why, I don't know why.
24:45I can see sayings that gotta be.
24:48I got a new rose, I got a good...
24:50Don't forget that Bat Rawdens are coming for lunch.
24:55And they're bringing Henrietta.
24:58I'm not marrying Henrietta Bat Rawden.
25:00Why not?
25:01She's a lovely girl.
25:01Or anyone else.
25:02You have to marry somebody, Alexander.
25:05You know, if you're so worried,
25:07why don't you concentrate on honour?
25:09Last time I looked, she was very much single.
25:11Because you are next in line.
25:13God forbid that the floors die out, right?
25:15Would it be so terrible?
25:24You might want to tidy yourself up.
25:45Well, uh, she can't confirm Ned's story.
26:01She wasn't in that day.
26:02But she did say that Antony had kicked up a fuss before,
26:05and that generally, he was a right divvy
26:07who needed taking down a peg, or six.
26:10So, there's that.
26:13Right, you coming?
26:14I might have something.
26:16What?
26:17There was a note about MGM in Antony's house.
26:25Of course I know Mr. Bonus.
26:27He comes in every couple of months.
26:29Buying or selling?
26:30Selling.
26:31Is there a problem?
26:33I'm afraid Mr. Bonus was murdered.
26:35The day before yesterday.
26:38Jesus.
26:40Sorry.
26:41When was the last time you saw him?
26:44Uh, a couple of weeks ago.
26:47He brought this in.
26:50Luigi Loire, from about 1863.
26:53Very nice.
26:54And you're sure it's genuine?
26:56Of course.
26:57I have each item individually appraised and verified.
27:01And Mr. Bonus's paperwork, the provenance and such like,
27:04was always excellent.
27:06He was a pleasure.
27:07Mostly.
27:09Mostly.
27:10Mostly?
27:11About six months ago, he, um, started to be more pushy on the price.
27:17He got quite aggressive, saying he needed to make more from the deal.
27:22I mean, really.
27:23Who's the one with the overheads?
27:25Did he say why you wanted more?
27:26I just thought he was being greedy.
27:29Which surprised me, because he, he never struck me as the greedy type.
27:32It felt wrong while mum and dad were still alive.
27:39Trying to find my real parents.
27:44Disrespectful, sort of.
27:45You didn't want to hurt their feelings?
27:48They gave me everything.
27:50But it's, it's like, there's this blank.
27:55I've been looking at all this stuff, and last night when people were telling me all those
27:58stories about dad, I, I, I realised how little I know.
28:01About?
28:02How they came to adopt me.
28:05I mean, I know they came here in 1947 from Norfolk.
28:09Then I didn't tell you anything else?
28:12Just my father died before I was born, and my mother, you know, they weren't married,
28:16so she couldn't.
28:20Not in those days, and beyond that.
28:23You know, if you start digging, you might not like what you find.
28:41He was right.
28:42Anthony didn't seem the greedy type.
28:44If enough money's involved, I find most people are the greedy type.
28:47Cynic.
28:48Probably.
28:48I really thought we were going to find something, you know, concrete that would blow the case
28:52wide open.
28:53Yeah, it doesn't work that way.
28:55Mostly it's just spaghetti against the wall.
28:58You throw a wadge and see what sticks.
29:00Scales are falling from my eyes.
29:02Sadly, the eureka moment doesn't happen very often.
29:04I imagine it's pretty good when it does, though.
29:06I'll let you know.
29:10Do you think they'll want to talk to me?
29:13Of course they will.
29:14So just stick to the story, and we'll be okay.
29:19Why would they think we had something to do with it?
29:21Because anything bad, someone always thinks we had something to do with it.
29:27No one likes us, son.
29:28That's just the way it is.
29:31They never have, they never will.
29:34So we look after our own.
29:37Always remember that.
29:38Do me a favour.
29:48Take a look at this.
29:52What's Anthony's?
29:53It was on him when he was killed.
29:56We can't make head or tail of it.
29:58Can I hang on to it?
30:00Sure.
30:00If anything leaps out, let me know.
30:02Well, I can't promise, but spaghetti against the wall, eh?
30:06Yeah.
30:10Say?
30:11The preliminary forensic reports are back.
30:14Oh, it's fine.
30:15Come on.
30:15Well, they found traces of lateral, myostomatic and dermal tissue in the wound.
30:21Plant matter.
30:23Plants?
30:23The stem, apparently.
30:30The secateurs.
30:33Sorry?
30:34This is the flower room.
30:35The secateurs are kept here without fail.
30:37Stella insists.
30:38Where are they?
30:40If the secateurs were the murder weapon, they could be anywhere.
30:44I doubt the killer hung on to them.
30:45But it makes it all spur of the moment, doesn't it?
30:48If you intend to kill, don't you bring the weapon with you?
30:51So, who knew they were there?
30:53Any member of the church, I imagine.
30:54It wasn't a secret.
30:55Well, then, that's where we're going to find the killer, Daniel.
30:58In your congregation.
31:14Carpenter.
31:15He hasn't changed either, I have to say.
31:34Bishop, I didn't know you were coming.
31:37A flying visit.
31:40Your mother's been taking care of me.
31:42Spilling the beans in all sorts of ways.
31:46Ashley, indeed.
31:48Most enlightening.
31:50My lord, you are too kind.
31:54Much as I'd love to hear more stories, time and time, will you excuse me?
32:02I think the study, don't you?
32:04So, how are you?
32:12Bearing up.
32:13Thank you, Bishop.
32:14It's a heavy burden you're carrying.
32:17I'm dealing with it.
32:18What else can you do?
32:20Indeed.
32:21Still, there's a lot of publicity.
32:24Something like this, it's bound to attract attention.
32:27People talk.
32:28Even though it'd be better if they didn't.
32:31What would be better is if they didn't have anything to talk about in the first place.
32:36Well, I'm sure we all wish there hadn't been a murder, but...
32:40I'm not talking about the murder.
32:44I'm talking about ill-advised photo opportunities.
32:49My visit to the AIDS patient.
32:58Oh, it's a...
33:00It's a delicate situation.
33:02But seeing their vicar mixing with people like that,
33:07it's upsetting the congregation.
33:11I'm sure you understand.
33:14I'm beginning to.
33:17Good.
33:17Then I'm confident that's the end of the matter.
33:21Do thank your mother for me.
33:23I particularly enjoyed hearing about your childhood.
33:27It's always nice to get a bit of context.
33:32Don't you think?
33:39Thank you so much, Peter.
33:41Oh, remember.
33:42That was fun, wasn't it?
33:48Well, you could have tried a bit harder.
33:55Why?
33:56I don't know.
33:57Good manners.
33:57Because it's important to par.
33:59What's the matter, Alex?
34:07The police...
34:08nosing around, asking questions.
34:10Well, that is sort of their job.
34:12The thing is, you can't choose what secrets get out, can you?
34:16You'll be okay.
34:18They just want to find the murderer.
34:19Anything else is...
34:20irrelevant.
34:22It's relevant.
34:22Let's go.
34:52I'm going up to the house.
35:04I thought lamb chops tonight.
35:07Whatever you like.
35:12Well, this is where Anthony did a lot of his research.
35:16This was his hiding place.
35:19There are records here of the house and the village.
35:22They date back to the 1700s.
35:23I mean, there's all sorts.
35:26Yeah, feel free to have a poke around.
35:28Oh, the church.
35:50May I take this?
35:52Yeah, I'll help myself.
35:54Oh, my goodness.
35:57That's us.
35:58Me and Anthony.
35:59God, I didn't know he had this.
36:01Is that you riding the horse?
36:02Yeah, I used to ride all the time.
36:04Hmm.
36:04Wow.
36:17Did you know he was writing a book?
36:19No.
36:21No, that's the first I've heard of it.
36:22Maybe you could try to get it published.
36:25Kind of a legacy.
36:27Yeah, I'd like that.
36:28Do you know he had this.
36:31Oh, that's me.
36:32In the heartache
36:34Ooh, ooh, ooh
36:36Ooh, ooh
36:38Ooh, yeah, shame, shame
36:40Ooh, ooh
36:42In the heartache
36:44And I feel the same
36:58Bernard,
37:00Can you explain how I saw this painting for sale
37:02In a gallery just a few hours ago?
37:06Hmm
37:11Well, Anthony was
37:12He was quite clever, really
37:14So we have a, um
37:16You know, a fair collection of paintings here
37:18And, um, well, he was careful
37:20It was only the middle to low ranking ones that he had copied
37:24So as not to draw attention
37:26But how did he convince the gallery owner they were genuine?
37:30Because they were
37:32The copies are hanging here
37:36You see, it's not illegal to copy a painting
37:38Only to pass it off as the genuine article
37:40Which, of course
37:42He didn't do
37:44So the only person he defrauded
37:48Was me
37:50Yeah
37:52Alex told me
37:56Alex told me that you'd had a row with Anthony
37:58At the open day
38:00Is that what it was about?
38:02Yes, one of the visitors had been looking around the house
38:04And he'd seen the painting
38:06Told me there was an identical one in the gallery, so
38:08I contacted the gallery
38:10And they told me where they got the painting from
38:12Then I confronted Anthony
38:14And said I was gonna go to the police
38:16What did he say?
38:17He rather called my bluff
38:18He said I wouldn't tell anyone
38:20Because I didn't want to risk a scandal
38:22And of course, well
38:24He was right
38:25Amazing, really
38:26You know, after
38:28Everything I'd done for him
38:34Instead of being grateful
38:36He just
38:38He resented it
38:40I imagine you were pretty angry
38:42Damn right I was
38:56The bishop was nice
38:57Hmm
38:58A very smart car he's got
39:00Does he?
39:01And a chauffeur too
39:02Actually it's the gardener
39:04He doubles up when the bishop wants to make an impression
39:08He's a powerful man Daniel
39:09And I think you should do what he says
39:15I couldn't help overhearing
39:16Through the door
39:18Just
39:19Keep your head down
39:21Don't rock the boat
39:22I see
39:23And even if I think
39:25You have a nice life here Daniel?
39:26A beautiful church?
39:27Friends?
39:28A roof over your head?
39:29Don't mess it up
39:32And what if I think the bishop is wrong?
39:36What do I say to those people out there
39:38Who are all alone
39:39And who need someone
39:40Right now
39:41To be by their side?
39:42You're right
39:43I do have a nice life
39:44But it comes with a commitment
39:46Doesn't it?
39:47To do what's hard
39:49Because it's the right thing to do
39:51Shouldn't that be what the church is for?
39:55I remember when it was the miners
39:57And you were there on the picket line
39:59Now it's the homosexuals
40:03You have an admirable commitment to helping others
40:06Thank you
40:08What a shame it didn't extend to your own family
40:10Thanks for the chops
40:19Thanks for the chops
40:21Thanks for the overwhelmed
40:22Poor
40:23Hush
40:24Thank you
40:25Help
40:31No...
40:46That I almost believe
40:48Take pictures
40:50Are all I can do
40:53Ned?
41:10Supper?
41:11I'm, er, just cleaning up
41:13Remembering you
41:15Falling into my arms
41:18Crying for the death of your heart
41:22You're a star
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