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00:00To be continued...
00:30I'll get home tonight.
01:00I've felt like this before.
01:05Hi, did you miss your bus?
01:06Yeah, it's Castle Moy.
01:07I can take you halfway. Up in.
01:13Cold out night, isn't it?
01:14Cold out night.
01:44Oh, you can't take any further.
01:49Oh, it's in trouble.
01:50Take care of yourself.
01:51Bye now.
01:51I'm stuck here all night, Seuss.
02:08Why'd you leave so late?
02:09This last time.
02:10I've got time.
02:13Shit.
02:14Love.
02:26Fuck, fuck, fuck, fuck.
02:29Fuck.
02:30You didn't stop?
02:31No.
02:32You're late.
02:32Your first day will sack you before you even start.
02:34I think it's coming back.
02:37Hey!
02:39Oh, my God.
02:41I think I've got a lift.
02:48Careful, Moy.
02:51Great.
02:52You, sir.
02:52Amy?
02:58Amy?
02:58Amy?
03:03Amy?
03:13Amy?
05:22Kathy, I got your message. What's wrong?
05:28Lisa, he's outside.
05:29God, okay.
05:32But you'll be safe in the shelter.
05:34You're going to be waiting for me when the clothes are picked out.
05:36You're going to kill me. You've got to help us.
05:39All right. I'll do all I can, Kathy. I promise you.
05:42Editorial in five.
05:56Obviously, the leaders of the divorce referendum, but the women's refuge.
06:03Did the story last month, Lisa. Government made a decision.
06:07Why the hell did you give her the go ahead?
06:08She said she had a new angle.
06:10I do have a new angle.
06:11I don't see it.
06:13What else we got?
06:14Excuse me.
06:14Bill Clinton's statement on the Balkans, Jacques Chirac on nuclear testing, and...
06:19No, we can't not publish this.
06:20These women have nowhere else to go.
06:22Look, maybe a small update.
06:24You're the back.
06:24No, it's the exact same story as last month.
06:26I've interviewed some of the women now, so it's...
06:28Lisa, I've made my decision.
06:30Next.
06:31Women might die.
06:32Oh, for fuck's sake.
06:33Enough, Lisa.
06:34That's my final word.
06:37Now, what else have we got?
06:38Riverdance is a big hit in New York.
06:40Fuck.
06:41Any good news?
06:51Oh, Christ.
06:53Now is not the time, Lisa.
06:55Bill, these women...
06:57Are not our responsibility.
06:58They are our responsibility.
06:59If there's any possibility, the...
07:01Fuck's sake, it's not personal, Lisa.
07:03It is personal, actually.
07:04My mother was murdered when...
07:05When I was ten.
07:07So, I know what will happen.
07:10To these women if this place closes.
07:14And it is a new story.
07:16We only criminalised marital rape last year.
07:19The power of the press can force change, Bill.
07:22You told us that.
07:25All right, Lisa.
07:26I'll tell you what.
07:27Make it personal.
07:28Tell your mother's story, how it affected you.
07:30Make it a confessional, and we'll consider it.
07:33Thank you, Bill.
07:35You won't regret it.
07:37I said consider.
07:39Oh, Jesus.
07:49I'm so sorry, Lisa.
07:52No idea.
07:54It's not the kind of thing you advertise.
07:56You're about to, though.
07:58Are you sure you're really okay with that?
08:00You didn't say if he was ever caught.
08:07It's not too late to change your mind.
08:08Dad, you're late.
08:34Dad, you're late.
08:38No, love.
08:39I'm sorry.
08:42Well, how'd the day go?
08:43How'd you get on?
08:44No, I don't think I did that well.
08:45I bet you did better than you think.
08:47You've always been good at science.
08:49It was maths.
08:51Right.
08:54You were late enough getting in last night.
08:55Yeah, well, Laura had this big party for her birthday, so...
08:59I told your mother you came home on time.
09:01Don't let it happen again, and not in a school night.
09:03Thank you, Dad.
09:04Commander Delta One, suspected gangland shooting on Parnell Street.
09:07One male victim, serious injuries.
09:10I need you over there as soon as possible.
09:12Forensics are on their way.
09:12Are we still hanging out?
09:15Sorry, love.
09:16I'm going to have to go to the...
09:17But I'll drop you home first, yeah?
09:19Mm-hmm.
09:20Put on your belt.
09:32Hired to top the dead mother card?
09:35Fuck you.
09:36You wish.
09:37Something must have happened to her.
09:48Is she a pretty girl?
09:49Your sister?
09:51Yes.
09:51What's happened?
09:52Well, she's probably off having a good time with the fella that picked her up.
09:55My sister's not like that.
09:57She'd never go off with some stranger.
09:59And she just got a new job.
10:00You'd start this morning.
10:02She wasn't going to risk losing that.
10:03If she's not home within 24 hours, come back.
10:06That's all we can do.
10:19Sweetheart.
10:24Opening paragraphs of woolly.
10:26Your mother's murder should lead us in.
10:27Not the other way around.
10:29Apart from that.
10:30He's going to run at the front page.
10:43Yes.
10:47In the latest survey, figures suggest that 57% of people support the amending of the Constitution
10:54and removing the divorce ban in Ireland.
10:56While the number of people are losing remains the same.
11:00Also today, the cabinet ban on the bishop of Nelson, who is raised in this ban, the marriage should be combined.
11:06And abolishing the ban on divorce would greatly increase the heartache and trauma of those involved in the breakup of a marriage.
11:13Especially for the children involved.
11:15In other news, customs now snorts that are assigned to you.
11:19Whether you can get any issues or composing of these manard systems are a matter of what they carry.
11:27Oh, thank you.
12:06Thanks for coming in, Detectives.
12:17So what am I looking at?
12:19That's me, age 10.
12:21I was taken by the man who murdered my mother.
12:25Okay, Lisa.
12:27Take your time.
12:29What was her name?
12:32Janice Wallace.
12:34Can you tell me what happened?
12:36What do you remember?
12:39I remember it was hot.
12:42I couldn't sleep.
12:46Finally I did sleep.
12:47And when I woke...
12:53I were...
12:54sound.
12:55I couldn't see his face because he was masked.
13:18And my mom was on the bed, tied up.
13:26Then I remember a blinding light, like a...
13:30I think it must have been a camera flash.
13:34And he was taking this.
13:49And he, um...
13:51he locked me in, in the wardrobe.
13:58And...
13:58he did what he did to my mom with me there in the room.
14:05Jesus.
14:07And, uh...
14:12When I woke...
14:15the door was open and...
14:18and she...
14:21I thought she was asleep.
14:23I'm so sorry, Lisa.
14:30I'm so sorry, Lisa.
14:37When did this happen?
14:38November 14th, 1980.
14:40And was there anyone else living in the house?
14:43Your father?
14:44Siblings?
14:45No one.
14:46My father wasn't there.
14:48Where is he now?
14:49He might remember something that could be helpful.
14:51He wasn't there.
14:52Even so?
14:53No.
15:00Okay.
15:04Is there any chance this could be your mother?
15:07No.
15:09Not with that nail polish.
15:12Plus, that photo was taken outside.
15:15And it was taken recently.
15:18That's a Polaroid type 779 film.
15:20They only started making that this year.
15:21I had my secretary call Polaroid in the Netherlands
15:24while we were waiting.
15:29It could still be staged.
15:31We don't know he's taken anyone.
15:32But that's obviously what he means.
15:34Fun, past and present.
15:37Why do you think he's contacting you now?
15:39Because I just wrote a piece about my mother's murder.
15:42And I called him a coward.
15:44What a pathetic, depraved animal.
15:47Yesterday was the anniversary.
15:50Well, at least we know he reads the Evening Mail.
15:54What's your circulation?
15:5665,000 upwards.
15:58Narrows it down a bit.
15:59The officer here will gather the evidence and take your prints.
16:04We'll send them to the lab.
16:06If he did leave prints, then we have him on record.
16:08We'll track him down.
16:10But you are going to reopen the case.
16:13And look for this girl.
16:15I have to get authorisation.
16:16The police did nothing for my mother.
16:17Not one suspect in 15 years.
16:20Lisa, I'm sorry that...
16:23I'll look into it.
16:26But please.
16:28I'm going to need a couple of days.
16:32See you, Ash.
16:35My daughter, Amy.
16:40She...
16:41She's not the type of girl who wouldn't call.
16:43She always tells us where she's going.
16:44What is your daughter?
16:4620.
16:47Then she's a grown woman.
16:48If it was a child, it would be different.
16:51Go back in 24 hours if you don't hear from her.
16:53This is my youngest daughter we're talking about.
16:56My baby.
16:58Please, I...
16:59I beg you.
17:00Go home.
17:01Come back tomorrow.
17:03That's all we can do for now.
17:04You don't care.
17:06Step away from the desk.
17:07There's a lot of people waiting.
17:09Shame on you.
17:10Step away.
17:12I will have you removed.
17:13Come on, Mum.
17:15They're not going to help.
17:20Excuse me.
17:26I'm really sorry for the way that you were treated in there.
17:29I'm sick of them doing nothing.
17:32Listen.
17:33I shouldn't say, but...
17:35You should contact the media.
17:36Local radio, TV.
17:38Ask them for their help.
17:40But you didn't hear from me, okay?
17:41Of course.
17:42Thank you so much.
17:44Good luck.
17:50Good luck.
17:51Good luck.
17:52Good luck.
17:53Good luck.
17:54Good luck.
17:55Good luck.
17:56Good luck.
17:57Good luck.
17:58Good luck.
17:59Good luck.
18:00Good luck.
18:01Good luck.
18:02Good luck.
18:03Good luck.
18:04Good luck.
18:05Good luck.
18:06Good luck.
18:07Good luck.
18:08Good luck.
18:09Good luck.
18:10Good luck.
18:11Good luck.
18:12Good luck.
18:13Good luck.
18:14Good luck.
18:15Good luck.
18:16Good luck.
18:17Good luck.
18:18Good luck.
19:53I know, but they make me dizzy out of it and with my job.
19:58The Trazopan works, but you have to take it as directed.
20:02And perhaps you might not just be cut out for such a stressful job.
20:09There's plenty of other things you could do.
20:12Visiting time.
20:19Take your appointment seat and remain seated throughout the entire visit.
20:2230 minutes.
20:23They told me it was a joke.
20:29They told me it was a joke.
20:34I thought it was a joke.
20:47I can't believe you.
20:48I'm not here to make up with you.
21:02Please return to me.
21:06I'm not here to interrupt.
21:10Yes, that night.
21:37I'm sorry.
21:40It's just...
21:45God.
21:56Was...
21:57Was it a...
21:59Revenge killing for what you did?
22:03No.
22:06No.
22:07No.
22:09Not a chance.
22:11The police, they used that as an excuse.
22:16The men I knew, they wouldn't dare torture a rival going for me.
22:21They had a cold.
22:23This...
22:24This was a fucking psychopath.
22:31What if they just happened to send a psychopath?
22:34They didn't know what he was going to do.
22:35No way.
22:38No way.
22:39The other boss, Rob Kelly?
22:43He volunteered to help the police.
22:45But they refused.
22:47He came to visit me, Luisa.
22:51Person.
22:53He swore to my face.
22:55That had nothing to do with that.
23:00He didn't have to do with that.
23:03He owed me nothing.
23:04What?
23:04I did answer.
23:05The men I knew, he was helping her.
23:13How little?
23:15He won't let me in, military Chase.
23:16They're back in front of the other one.
23:17He won't let me in.
23:17...
23:22Why didn't you tell me about your father?
23:52Because the police used it as an excuse not to investigate.
23:55But it's obvious we're looking for a sadist, not a gang killer.
23:57You may very well be right, but I've still got to convince my superiors.
24:01You know what he did to my mum. And now the photo.
24:04We can't rule it out being staged.
24:05Oh, come on. Her hands are swollen. Purple, for fuck's sake.
24:09Lisa, for this to work, I have to present a watertight case.
24:13The theories of a convicted murderer and the denials of Rob Kelly, it's not going to wash.
24:19Lisa.
24:21Lisa.
24:23Lisa.
24:29George Street, Grand Station, how can I help you?
24:31Hi, Lisa Wallace here from the Dublin Evening Mail.
24:33Is there a police national database for missing persons I can access?
24:37Eh, no.
24:38No, I can't access it? Or no, it doesn't exist?
24:41No, it doesn't exist. You'll have to contact local police stations individually.
24:45How many are there?
24:46554. Yeah, right so.
24:49Thanks.
24:49Evidence lost. Crime scene contaminated. Typical lady's botched job.
25:01Hmm. If you'd look more closely at the case files, you'd have seen that the original chief investigating officer was me.
25:10Don't get to my position by botching investigations.
25:14No, sir. Of course not, sir. But this was payback.
25:19What the father did. Open and shut the case.
25:21Then who killed her?
25:23Oh, rival gang member. Wallace murdered someone to clear his debts and his family paid the price.
25:28But what about the method of the killing? The sexual element?
25:33Hmm. Sexual psychopath. Possible serial killer, right?
25:38Yeah. Well, no, we thought of that. But, you see, he never did it again.
25:43What if he changed his M.O.?
25:45What if one of his victims was misclassified as a missing person?
25:47Now, that's possible. But it's unlikely.
25:51Well, sir, 375 people have gone missing in the last 15 years.
25:55Huh? Abortion seekers, runaways, prostitutes.
25:58Some. Majority, maybe. But if even one of those was one of his victims.
26:03Not enough evidence to investigate.
26:08Sir, Janice Wallace's killer contacted the daughter.
26:11So whether it was a serial killer or a gang member, it's a still-alive murder investigation, isn't it?
26:16Did you find any prints on these?
26:19No. We found traces of talc. He probably wore surgical gloves.
26:22Hmm. Then we can't trace them, can we?
26:27No, sir.
26:28Now, sit back. See what happens next.
26:32Her daughter won't be happy. She's a journalist and she hates the police. She could cause trouble.
26:36Well, media meddling's not my concern.
26:41This is police work.
26:45Three females reported missing in the past two months. Two still unaccounted for.
26:49Can you give me their names?
26:51M.O. Dunnahoo, age 50, from Willow Heights, and Lizzie, emin' age 37, Carrow Road.
26:56Can you give me next-10 contact numbers?
26:58No, sorry, that's confidential, but I'm sure you can track them down.
27:03Thank you. You've been very helpful.
27:05Okay, best of luck.
27:06That woman has been deterred missing in unexplained circumstances, as she made a routine journey from Dublin to Castle Roy.
27:14Today, live from the studio, her family has made an appeal for any witnesses...
27:19Does anyone know where the remote is?
27:20...asked for anyone who might have encountered this woman on the night of her disappearance to come forward.
27:26We need her back.
27:27Please, Amy, if you can hear us, we love you so much.
27:32Please, love, if you can, call us.
27:37Just let us know you...
27:38Francis, Susan.
28:00Hi, Lisa Wallace, Dublin Evening Mail.
28:06I know, Amy.
28:07Amy, she wouldn't have gone off without telling us.
28:09The police said my sister was some kind of whore of sleeping with some stranger.
28:14Can I ask, did Amy wear nail polish at all?
28:18Yeah.
28:19She liked painting her nails black always.
28:22She's into her grunge.
28:23Still loves Corkabane like you wouldn't believe.
28:24I have a copy of a photo to show you.
28:29I have to warn you, though, it's quite disturbing.
28:36Do you think that could be Amy?
28:38I don't know.
28:41Maybe.
28:43Amy's got small hands like that.
28:45Bites her nails, too.
28:46Where did you get this?
28:48Have the police seen it?
28:49It was sent to me anonymously.
28:51The police have the original.
28:52But is that person in the photo alive or dead?
28:56Alive, I hope.
28:58I'm so sorry.
29:00I'd never have shown you this unless I thought it would help.
29:03I'll do all I can to find Amy, I promise you.
29:14You showed the photo to the family.
29:16They said Amy always wore black nail polish black.
29:19And she bit her nails.
29:19Well, it had a clear, positive ID.
29:21It's no good to us.
29:22Amy disappeared the night before my article came out.
29:25The very next day, I got the cards.
29:27We can't be certain they're connected.
29:29I presented the case to my senior officer.
29:32It was rejected.
29:33But he's going to kill again.
29:35You know it.
29:36I tried.
29:37You've got to do something.
29:39There's nothing else I can do.
29:41And I've been ordered to drop it.
29:42I'm sorry.
29:43Well, if you're not going to do anything, then I'll have to write about it.
29:48I don't know.
30:09I am amazed, I let it slip away, I am crazy, it's running in my veins, I am everything that rises.
30:33How you doing?
30:35Can we get in?
30:39You jumped to too many conclusions.
30:53Yeah, I agree.
30:54We need to force the police into action.
30:57Women's lives are at risk.
30:59Then get more proof.
31:06Did you see the leader in the Irish Times this morning?
31:09No, you don't need to embrace the part that you call.
31:11I know I'll be there for this plan.
31:14I see the leaders in the Irish Times.
31:26I love you.
31:27We are before the people.
31:28I'm Joseph Schwartz to speak to you like me.
31:28I know what he wants to be.
31:29I love you.
31:31I love you.
31:31I, I love you.
31:32I love you.
31:33What is the city?
31:34What is the city?
31:34What is the The Three-B one?
31:35Oh, my God.
32:05Oh, my God.
32:35About my mother's murder.
32:37Well, I told the police, so you probably know.
32:41Just tell me.
32:43Well, your ma, she came to visit me.
32:46She said she was getting prank calls.
32:50Heavy breathing.
32:50She felt like things had been moved around in the room.
32:56Like somebody had been there.
32:59Fuck.
33:00And what did the police say?
33:04They said they'd look into it.
33:06I wrote them a letter from prison, but I never held back.
33:13Okay.
33:15I have to go.
33:16Lisa, I'm...
33:17Jack, I know you want to make things right, but you can't.
33:21I know.
33:23I get it.
33:25I can't forgive myself either.
33:35So, no prank calls?
33:37Did you mention anything moved in a room?
33:40Anything strange?
33:41No.
33:41Why?
33:42Amy signed on in Dublin, right?
33:45Yeah, on a Tuesday.
33:47She'd usually stay and meet her friends in the tin roof, then catch the last bus home.
33:51So it was a regular thing?
33:52Yeah.
33:54Did she keep a diary?
33:55All just looks like routine stuff.
34:06She meant to do the artist's way, but she never got around to it.
34:12Did the police search this room after she disappeared?
34:16They never even came here.
34:18Mind if I have a look?
34:21Mm-hmm.
34:25You know, a few weeks ago, Amy said her new lipstick was missing.
34:38We had an argument, because sometimes I borrow her things, but I didn't take it.
34:42She never found it.
34:44Does that help?
34:45Yeah, maybe.
34:46Do you know what this is?
35:11Do you have tweezers, a plastic bag, something I can use to pick this up?
35:14Oh, my God, do you think he got in here?
35:16Can I use your phone?
35:44It's out in Berkeley.
35:49David, it's Lisa.
35:50You looked through my mother's case files, right?
35:52Yes, of course.
35:54Did they know how he got into the house?
35:56Um, yes.
36:00They found a homemade wooden wedge in one of the windows downstairs.
36:04Made the window seem locked when it wasn't.
36:06Jesus Christ.
36:07Lisa?
36:09Lisa?
36:09Lisa?
36:11Lisa?
36:11Go to your mother's house and stay there, okay?
36:25Get this developed straight away, please.
36:33Do you have a story, Lisa?
36:34Yes.
36:35I found the evidence I need.
36:37What is it?
36:39Here's the notes.
36:40You'll see the photos when they get developed.
36:43This is great.
36:45Okay.
36:46It's half an hour.
36:48Bill?
36:50Bill, she fucking did it.
36:51Detective Berkley.
37:06It's Lisa.
37:07Lisa, hi.
37:08Listen, what was that about earlier?
37:10The wedge.
37:11They found in my mother's window.
37:13I think I found the same one in Amy and Susan's house.
37:15Jesus Christ.
37:15Is that enough to open the case?
37:19Yes.
37:19More than enough.
37:20Well done.
37:21You haven't published this, have you?
37:23No.
37:23Good, don't.
37:24Don't say it to anyone, okay?
37:26You'll send guards around to dust the room.
37:28First thing tomorrow.
37:29Just don't fuck this up.
37:31I won't.
37:32And thank you, Lisa.
37:40Change of plan.
37:41We can't publish tonight.
37:42Listen, please just stand by.
37:45What?
37:45What do you mean?
37:46I can't talk about it.
37:47Sorry.
37:48Soon.
37:49I promise.
38:02Hey.
38:03Hey, Dougie.
38:05Tell them to hold the presses.
38:06And I'll need those photos, too.
38:08What are you still doing up?
38:14I couldn't sleep.
38:15This awful thing with that girl that's gone missing.
38:19And then she heard me get up.
38:21Mam won't let me go out on Saturday night.
38:23But Niamh's mam said she'd collect us and everything.
38:25Will you talk to her, please?
38:27You're a man who's best.
38:32Can I, love?
38:33Good night.
38:34Are you coming up?
38:38Soon.
38:39Lots of work to finish.
38:40Okay.
38:40Okay.
38:44Handing out the community to know will that individual is a safe place or otherwise.
38:49So all together, I mean, it seems to me to be it.
38:51Oh, my God.
39:16She would never normally be hitchhiking so late
39:33But she missed her last bus
39:34Everyone we know hitchhikes
39:37There's no other way to get around
39:38It's only two buses a day
39:40If anyone has Amy
39:43Please let her go
39:46We need her back
39:48Please Amy if you can hear us
39:51We love you so much
39:53We need her some soup
39:58Pee and ham
39:59Wait for it to cool
40:01We're asking this morning
40:07Is the Irish Catholic Church in crisis
40:09What with the recent scandals
40:11Dropping church attendants
40:13Particularly amongst the youth
40:14We're turning away from the church of drones
40:16The recent legalisation of contraception
40:19As well as the legalisation of 1937
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