- hace 2 meses
Reparto: Mara Berni, Jorge Mistral, Marisa de Leza, Carlos Casaravilla, Ignazio Balsamo, Michele Abruzzo, Vicente Parra, José Calvo, Antonio Casas, Natale Cirino, José Luis López Vázquez
Dirección: Francisco Rovira Beleta
Un antiguo deportista retirado, un estudiante de derecho y un delincuente de poca monta se unen para planear y perpetrar el robo de unas joyas transportadas en el furgón del correo expreso de Andalucía.
Dirección: Francisco Rovira Beleta
Un antiguo deportista retirado, un estudiante de derecho y un delincuente de poca monta se unen para planear y perpetrar el robo de unas joyas transportadas en el furgón del correo expreso de Andalucía.
Categoría
🎥
CortometrajesTranscripción
00:03:00Sample packs.
00:03:10What do they contain?
00:03:12Medicines.
00:03:14It needs to be put in.
00:03:18When will they arrive in Seville?
00:03:20Tomorrow at noon.
00:03:22In other words, the collection has already been done.
00:03:24Iran tomorrow night,
00:03:26on the 10 o'clock express.
00:03:28Yeah.
00:03:30That is.
00:03:36Sample with no value.
00:03:58Come on, come on, meddler.
00:04:00Run, you busybody.
00:04:02Come, come, step on me, run, step on me.
00:04:32Come on, come on, come on, come on, come on.
00:05:01Come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, come, v
00:05:31Give me that!
00:05:41What a way to study!
00:05:43You were looking at this and this
00:05:44Stop!
00:05:44I don't want to!
00:05:45I'm telling you to gild me!
00:05:49Don't listen to that man
00:05:51Tell him to get lost!
00:05:53You keep quiet
00:05:54Low!
00:05:58Get on!
00:05:59No, come!
00:06:01Go!
00:06:06Mom doesn't want you to go out with that jerk.
00:06:08He says it's not good for you
00:06:09What do you know about what's good for me?
00:06:22Wow, you took your time!
00:06:24Hello
00:06:25Hey, your dad's a mail carrier, right?
00:06:28No, not anymore.
00:06:29He is a service inspector
00:06:30Because?
00:06:30Better
00:06:31I'm sure you can help me
00:06:32Alright
00:06:33What is it about?
00:06:34Two friends, Arturo and Waiter
00:06:35Well, you don't know them.
00:06:36They promised me 300 pesetas
00:06:38For sending some certified packages to Seville
00:06:41But when they were supposed to give me the money
00:06:42They had to escape because the police are looking for them.
00:06:44It couldn't be clearer.
00:06:47There was definitely something stolen in the packages.
00:06:50Yes, I think they attacked the Rodriguez jewelry store.
00:06:54I would like to get it back if possible
00:06:55I'm afraid
00:06:56Impossible, it can't be done
00:06:57The packages have been sent as medicinal samples
00:07:00Listen
00:07:01You'll have some friends there.
00:07:03You go in with any excuse and take them.
00:07:05I don't know anyone in the offices
00:07:07Forget about those packages
00:07:08What if they fall into the hands of the police and they discover that I sent them?
00:07:11Nothing's wrong with you.
00:07:12How does it swim?
00:07:13Nothing
00:07:13They asked you to send some medicinal samples here, and that's that.
00:07:16That's why they don't kill anyone
00:07:18You may be right
00:07:19On the other hand, if they found those packages in your possession, you would have looked bad.
00:07:22That is true
00:07:23You know you talk like a lawyer
00:07:26I think I'll become one someday.
00:07:27Go on, go away and don't worry about it anymore.
00:07:30See you tomorrow
00:07:30Bye
00:07:36Hi, Mom
00:07:39Hello
00:07:40But you weren't studying
00:07:42My head was hurting a little, so I went out for a walk.
00:07:44You did well.
00:07:49Don't bend it
00:07:50Then your father gets upset
00:07:52Goes
00:07:52Hi, Blondie
00:08:09I haven't seen Lola all day
00:08:11Is he still in his position?
00:08:13What you should do is leave my sister alone.
00:08:15One of these days I'll grab her and drag her out of this dump
00:08:18Wow, that's great!
00:08:19Do you want to know what was in the packages?
00:08:31Look
00:08:31Hey?
00:08:35What do you think?
00:08:38Five million in jewelry
00:08:39Yes, and you sent them to Seville
00:08:41But there will be no one there to pick them up.
00:08:43Your friends will be very careful not to be seen together for a good while.
00:08:46Medicines
00:08:47Damn
00:08:49Five million have passed through my hands without me noticing.
00:08:52Neither you nor anyone else
00:08:53What if those packages disappeared before reaching their destination?
00:08:56Disappear? How?
00:08:58What are you thinking?
00:09:00Suppose someone manages to take them away
00:09:02For the police, for the postal workers
00:09:03Those medicinal samples would have disappeared.
00:09:06Who would care about them?
00:09:07It's true
00:09:08And only the two of us know this.
00:09:10You'll say the three of us
00:09:11But if you keep shouting like this, all of Madrid will hear you.
00:09:15Hello pelota player
00:09:15Don't get involved, Andrade
00:09:17This is our business.
00:09:19We could discuss the matter like good friends.
00:09:21Or would you prefer that I take the story to the police?
00:09:27When did you send the packages?
00:09:29Come on
00:09:30Answer
00:09:31Go on, tell him
00:09:34It'll be a couple of hours ago
00:09:36So they'll be leaving tonight
00:09:37No, tomorrow
00:09:38That's better
00:09:39And I know all the street vendors on the line
00:09:41His father is a service inspector
00:09:43I don't want to involve my father in this.
00:09:45Very interesting
00:09:46I could ask if they would let me go with them in the carriage and...
00:09:48And?
00:09:49You're already in the carriage
00:09:50Let's admit that you recognize the packages and manage to take them.
00:09:53Which is already
00:09:55What do we do with the jewelry?
00:09:57Yes of course
00:10:01We need to think about this
00:10:02How are you doing financially?
00:10:05Me, without a penny
00:10:06I can give you two hundred pesetas
00:10:08You have to start somewhere.
00:10:10But more is needed
00:10:11Nothing can be done without money.
00:10:13Wait for me at one o'clock at the viaduct
00:10:17Do you have any ideas?
00:10:19No
00:10:19Andrade is the guy we need.
00:10:23You don't understand.
00:10:24If anyone is capable of doing it, it's him...
00:10:27We'll see.
00:10:28But, Mose, no
00:10:41Leave me alone
00:10:42No, no, no, no
00:10:42Goodbye, gentlemen
00:10:43Look
00:10:44Hey, champ!
00:10:47Can I have the cigarette butt?
00:10:48What's up, a good amount?
00:11:12Hello, darling
00:11:13Are you looking for something?
00:11:14Yes, a corner to be with you
00:11:16Okay, let me know when you find it.
00:11:19OK
00:11:20Hello, are you here?
00:11:27Hello
00:11:27What I'm telling you is...
00:11:30It looks like it's going to rain.
00:11:31Hollow!
00:11:33No way! If it's clear, buy yourself some sunglasses.
00:11:35I say it's going to rain cake.
00:11:36Yeah
00:11:37In this case...
00:11:41Why are you wasting your time with those clowns?
00:11:48Because here you don't care.
00:11:49That's precisely why
00:11:51What do you know?
00:11:54Maybe someday I'll remember you're in the world
00:11:56And how beautiful you are
00:11:57Andrade
00:12:02What are you thinking about?
00:12:05Where can I get 3,000 pesetas?
00:12:07If only I knew where to find 3,000 pesetas
00:12:10I would buy the nicest stall at the flea market.
00:12:12What if you had 5 million?
00:12:16Would I buy from you?
00:12:19You'd be making a bad deal.
00:12:20Clean
00:12:39What time is it?
00:12:42It's going to give the average
00:12:42Is Don Carlos there?
00:13:06No
00:13:06But if you want to pawn something, I'll help you.
00:13:08Why are you using the informal "tú" with me?
00:13:10Okay, excuse me.
00:13:10Don Carlos is not here
00:13:11I'll wait for you on the floor
00:13:13Listen
00:13:13Can't you see I'm going to close?
00:13:16Go through the portal
00:13:16I'm waiting for Mr. Salinas
00:13:34It won't take long.
00:13:38Hey cutie
00:13:39Is this where the engagement visits are received?
00:13:42No, in the living room, but...
00:13:43I am a casual visitor
00:13:45Laura
00:13:49Laura, you've left
00:14:06Laura, you've left
00:14:11I stumbled across this
00:14:17This was nothing less than a piece of sebre porcelain.
00:14:20I'm sorry
00:14:21Should I apologize to Mr. Sebres?
00:14:24He thinks he's really funny, doesn't he?
00:14:26Well, I assure you it's not funny at all.
00:14:28Alright
00:14:30Tell me the price and that's it.
00:14:32She doesn't look like she can afford it.
00:14:36I asked for Don Carlos
00:14:38Not because of you
00:14:39She's wearing an open robe
00:14:43Haven't you gotten dressed yet?
00:14:52Go
00:14:53What have you come here to do?
00:14:56If you have something to sell, that's what the store is for.
00:14:58I don't want to be disturbed in my home
00:15:00It won't be annoying at all, I assure you.
00:15:02What's this about? What do you want?
00:15:05He would be interested in a collection of jewelry valued at 5 million pesetas
00:15:08Hey, I'm not in the mood for jokes.
00:15:11Don't you believe me?
00:15:15Are these them?
00:15:16Maybe
00:15:17Yes or no?
00:15:18Otherwise, it's pointless to continue.
00:15:19Yeah
00:15:22Why have you come to me?
00:15:25Because I don't know anyone else who can sell them and because I need money
00:15:28Do you have them?
00:15:29No, but I know where they are.
00:15:30Where?
00:15:32That's my business.
00:15:32I'll tell him if he gives me 3,000 pesetas in advance.
00:15:34Do you agree with Arturo and the waiter?
00:15:37Keep your questions to yourself
00:15:38Do you want to?
00:15:38First you must say whether you intervene or not.
00:15:40And if you can give me an advance
00:15:42I'm not interested
00:15:44It's too dangerous
00:15:45You're right
00:15:46It's much more convenient to buy lottery tickets.
00:15:49I'm warning you that I can call the police and tell them what you're proposing.
00:15:52He won't.
00:15:55Go away
00:15:57I thought 5 million pesetas would have interested him
00:16:01But apparently I was wrong
00:16:03It made him smarter, frankly.
00:16:06Oh, and if you change your mind, you'll find me at the pelota court until 10.
00:16:11Come on?
00:16:20Some setback
00:16:21No?
00:16:24No
00:16:24Because?
00:16:25I don't know, you seem worried.
00:16:275 million pesetas is a lot of money
00:16:37TRUE?
00:16:38Yes, but these aren't things that concern you.
00:16:41I just said something.
00:16:42Furthermore, I don't think that scruffy fellow could propose such important business deals.
00:16:53That raggedy fellow, as you call him, has been one of the most famous pelota players
00:16:57Until one day he suffered an injury and had to retire
00:17:00Maybe he was serious
00:17:01But it's a dangerous business
00:17:08Cheer up and don't think about it anymore
00:17:11We could get out of this mess once and for all.
00:17:13And to tour theaters throughout Europe with the revue
00:17:18But you are a man who knows what he must do
00:17:21It's getting late.
00:17:2540
00:17:38And they sealed pelota players
00:17:4250, average...
00:17:4440, 30,
00:18:0540,
00:18:06There's no one left who plays like you used to.
00:18:08No, of course not.
00:18:12From Mr. Salinas, it's for tonight's performance.
00:18:42Thank you!
00:19:12Thank you!
00:19:42Are you looking for Salinas? He was waiting for me in the box.
00:19:55I preferred to see her before you.
00:19:56Because?
00:19:57To see if she continues to be as dismissive as she is at home.
00:20:00Now I will be even more so, because I have to change.
00:20:02Changed.
00:20:06I also wanted to congratulate her.
00:20:08I saw your performance. You were magnificent.
00:20:10Thank you.
00:20:13I respond by giving him some advice.
00:20:15I've managed to get Carlos interested in the matter.
00:20:19Now, if you want me to intervene, be less arrogant.
00:20:24Salinas is a cautious man.
00:20:26Who does he intend to benefit with this advice?
00:20:28Him or me?
00:20:30Especially me.
00:20:33This is speaking plainly.
00:20:35Of course.
00:20:37I know the amount. It's tempting.
00:20:39Then I will try to reach an agreement.
00:20:41To please her.
00:20:44You can leave now.
00:20:47Pity.
00:20:49You will find Salinas in your car.
00:20:52That man is so lucky.
00:20:53Don't exaggerate.
00:20:54If I had known him sooner,
00:20:57I wouldn't have let him get ahead of me.
00:21:01I'm usually the one who chooses.
00:21:04It's interesting to change your habits sometimes.
00:21:10Friends.
00:21:11If you're interested.
00:21:14A lot.
00:21:16Friends.
00:21:21What is your name?
00:21:22Andrade.
00:21:24The name.
00:21:26Jorge.
00:21:27Jorge.
00:21:29Don't tell Salinas that he saw me.
00:21:30Good night.
00:21:59Come in.
00:22:00Who told you I was here?
00:22:03Nobody.
00:22:04I saw the car.
00:22:07Tell me about those jewels.
00:22:09They have been sent to Seville as medicinal samples.
00:22:12They'll be in the mail.
00:22:13Nobody knows.
00:22:14What are your goals?
00:22:14Jumping the train?
00:22:16I have the means to enter the labor.
00:22:18Which medium?
00:22:19A friend.
00:22:21Meet the street vendors.
00:22:22He will travel with them.
00:22:25Will I need to rent a car?
00:22:26Buy train tickets?
00:22:28And having some reserve money in case something goes wrong, we have to blame them.
00:22:31OK.
00:22:32I'll also need a gun.
00:22:35A gun?
00:22:36So that?
00:22:37So that it can be tigúe.
00:22:38Street vendors need to be kept in check.
00:22:40He will not shoot.
00:22:41It's because of traffic.
00:22:43Anything else?
00:22:45A passport.
00:22:46Once the jewelry is sold, I want to lose sight of all this.
00:22:48Hello.
00:22:50According.
00:22:51Get in behind.
00:22:52Thank you!
00:23:22Good night
00:23:42Good night
00:23:52Will this work for you?
00:24:08Will you let me see her?
00:24:09Yeah
00:24:09Careful, it's the insurance
00:24:12Geez, I don't like these things at all.
00:24:15Sure, like those are things for men.
00:24:17Bring
00:24:20Don't do that, it makes me dizzy.
00:24:27Shut up, idiot
00:24:27Get down from there
00:24:29Here, for the van rental
00:24:32And don't forget that the train only stops for a few minutes at the curb.
00:24:35That will be enough
00:24:36I'll manage to get the street vendors to let me on.
00:24:38Okay, don't forget that the mail car door must remain open
00:24:42Yeah
00:24:42We will arrive at 12 o'clock sharp.
00:24:45At 12, there will be no difficulty
00:24:46I hope so
00:24:47What time is it?
00:24:50What time is it?
00:25:20The one talking to the street vendors is my father
00:25:29Do you know them?
00:25:32Yeah
00:25:32They are Cortezo and Alcarada
00:25:34There will be no difficulty
00:25:35There will be no difficulty
00:25:37Be at 12 in the police station
00:25:38There will be no sexy
00:25:39There will be no
00:25:41Being at 12 in Control
00:25:42There will be no
00:25:43to die
00:25:43There will be no
00:25:44Polluxa
00:25:44The harmonizer
00:25:45Ojen
00:25:49He cooked me
00:25:51but
00:25:51Thank you!
00:26:21Thank you!
00:26:51Thank you!
00:26:52Thank you!
00:26:53Thank you!
00:26:54Thank you!
00:26:55Thank you!
00:26:57Thank you!
00:26:58Thank you!
00:27:00Thank you!
00:27:01Hello, Cortés
00:27:02Hey, dude!
00:27:03Do you want something?
00:27:04No.
00:27:05Pigardillo?
00:27:06No, no, thank you.
00:27:07What's the matter?
00:27:08I'm in a damn bind.
00:27:09I have to go to the Cázar and I don't have the money for the ticket.
00:27:13Do you mind if I come with you?
00:27:15Well, then...
00:27:21Thank you!
00:27:51Thank you!
00:28:21Thank you!
00:28:51Thank you!
00:28:59Thank you!
00:29:00Thank you!
00:29:01Thank you!
00:29:01Thank you!
00:29:02Thank you!
00:29:03A little bit of joking around?
00:29:06You already know!
00:29:07The heating only works in summer
00:29:09Patience!
00:29:15What time is it?
00:29:17Five minutes to twelve
00:29:19Thank you!
00:29:49Could you please give me your ticket?
00:30:05Thank you.
00:30:09Thank you.
00:30:19You'll end up ruining everything with your nerves.
00:30:23Once you have the packages, take care of Hernandez.
00:30:25I'll be careful of street vendors.
00:30:28Where did you leave the truck?
00:30:29300 meters from the station.
00:30:31How are your studies going?
00:30:33Your father says you'll be a great lawyer if you study.
00:30:36Yes, that's what it says.
00:30:37You should give my son Victor a hand.
00:30:39The boy is very good, but when it comes to books he's hopeless.
00:30:49What? It's getting warm, isn't it?
00:31:09Close that door.
00:31:15I'm sorry.
00:31:19Come on, jump.
00:31:31Can't!
00:31:32Come on, Rhaetian!
00:31:34Come on!
00:31:44Nobody bites.
00:31:45Wow!
00:32:02Hurry up!
00:32:08Still!
00:32:09No, attract us!
00:32:11What have you done?
00:32:17What have you done?
00:32:27Don't shoot.
00:32:29They can hear you.
00:32:29They can hear you!
00:32:48Magnificent!
00:32:49If things go well, we will finally make the trip to Italy.
00:32:53Are they related to that Andrade?
00:32:56Likely.
00:32:56Then everything will turn out to your liking.
00:32:58No, no, no.
00:33:28No, no, no.
00:33:58No, no, no.
00:34:28No, no, no.
00:34:58No, no, no.
00:35:28No no.
00:35:58No no.
00:36:28No, no, no.
00:36:58No no.
00:37:28No, no, no.
00:37:58No, no, no.
00:38:28No, no, no.
00:38:58No, no, no.
00:39:28No no.
00:39:58No, no, no.
00:40:28No no.
00:40:58No, no, no.
00:41:28No, no, no.
00:41:58No no.
00:42:28No, no, no.
00:42:58No, no, no.
00:43:28No, no, no.
00:43:58No, no, no, no.
00:44:28No, no, no.
00:44:58No, no, no.
00:45:28No, no, no.
00:45:58No, no, no.
00:46:28No, no, no, no, no, no.
00:46:58No, no, no, no, no, no, no, no.
00:47:28No, no, no, no, no.
00:47:58No, no, no, no, no, no, no.
00:48:28No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:48:58Keep an eye on this for a moment.
00:49:10Hey.
00:49:11What's happening?
00:49:12A police officer just asked for you.
00:49:16What have you done?
00:49:22Why are they looking for you?
00:49:24Go away.
00:49:28You should buy four cheap ones.
00:49:45Turkish, cheap, Turkish.
00:49:46Turkish, 40 euros.
00:49:47You should buy four cheap ones.
00:49:48Cheap.
00:49:58Yes, I hope so.
00:50:07Mr. Andrade?
00:50:10Mr. Andrade, I'm getting a phone call.
00:50:23Listen to me.
00:50:24I'm the blond one.
00:50:25What do you want?
00:50:26I need to talk to you.
00:50:28Immediately.
00:50:29It's important, you understand.
00:50:31Very important.
00:50:32They came asking for me.
00:50:33I just did the sterile one.
00:50:35Listen to me.
00:50:36In a quarter of an hour at the viaduct.
00:50:38And I'm going there.
00:50:40Don't let them slow you down.
00:50:41Bye bye.
00:50:45Thank you.
00:50:46He has a date with someone.
00:50:58I don't know where.
00:50:59Now we'll know.
00:50:59I don't know.
00:51:12I don't know in what.
00:51:13I don't know in what.
00:51:14I don't know.
00:51:15I don't know.
00:51:16Thank you!
00:51:46Thank you!
00:52:16Thank you!
00:52:46Thank you!
00:52:48Thank you!
00:52:54Thank you!
00:53:16Thank you!
00:53:18Thank you!
00:53:20Thank you!
00:53:26Thank you!
00:53:28Thank you!
00:53:30Thank you!
00:53:31Thank you!
00:53:32Thank you!
00:53:33Thank you!
00:53:34Thank you!
00:53:35Thank you!
00:53:36Thank you!
00:53:37Thank you!
00:53:38Thank you!
00:53:39Did you know any of his friends?
00:53:41Not really.
00:53:42Do you know of any related to mail service?
00:53:45I already told her that I was unaware of her actions.
00:53:49I think I met a guy who lives for nothing.
00:53:58Wait for me a little while.
00:53:59It's too much.
00:54:15Carlos is now talking to someone who has come from abroad.
00:54:33Magnificent.
00:54:34Aren't you happy?
00:54:36I did what you asked me to do.
00:54:37Yes, thanks.
00:54:38You did very well.
00:54:42What else do you want me to do?
00:54:47No, not here.
00:54:54Get ready.
00:54:56We'll see each other at home.
00:54:57Will you please leave us alone?
00:55:10Visa.
00:55:12OK.
00:55:13What did that guy say?
00:55:14Does she keep the jewelry?
00:55:15Yes, and he'll pay well, but not right away.
00:55:17We need to let a few days pass.
00:55:18Try another one.
00:55:19I can't wait.
00:55:20Because?
00:55:21Are you afraid things will get complicated?
00:55:23No.
00:55:24I need money.
00:55:25Things are fine.
00:55:26The person who drove the truck will no longer be able to speak.
00:55:30He had an accident while fleeing from the police.
00:55:32As?
00:55:33Does the police who intervened in the express train incident know anything about it?
00:55:34No, only we know.
00:55:36They were looking for him solely because he had certified the papers.
00:55:39So?
00:55:41Don't be alarmed.
00:55:42It's an advantage.
00:55:43Yes, but what about the other one?
00:55:44They were friends, weren't they?
00:55:45The police will investigate.
00:55:46Sooner or later they'll find him.
00:55:47They won't find him.
00:55:48Because?
00:55:49Why do you say so?
00:55:50Exact!
00:55:51Because I say so.
00:55:54Go away, Andrade.
00:55:55You scare me.
00:55:56Try to leave Spain as soon as possible.
00:55:58Take.
00:55:59I'll give you money.
00:56:01I don't have any more now.
00:56:02In a few weeks, once I've managed to sell those condemned ones to Lajar,
00:56:05You will receive the rest.
00:56:06No.
00:56:07I won't leave without my share.
00:56:09It's because you don't trust me.
00:56:12Yes, but not a trust of two and a half million pesetas.
00:56:15I'm sorry.
00:56:29I don't want you to see that man again.
00:56:31Him least of all.
00:56:34You understand me?
00:56:38You don't understand me with the confidence of children.
00:56:39No.
00:56:40No no.
00:56:41No.
00:56:42No.
00:56:43No.
00:56:44No.
00:56:45No no.
00:56:46No.
00:56:47No.
00:56:48No.
00:56:49No.
00:56:51No.
00:56:52No.
00:56:53No.
00:56:56No.
00:56:57No.
00:56:58No.
00:56:59No.
00:57:00No.
00:57:01No.
00:57:02No.
00:57:03No.
00:57:04No.
00:57:05No.
00:57:06Why don't you come down from your high horse for a bit and explain what's wrong?
00:57:13Nothing, nothing's wrong with me.
00:57:15Son, well, anyone would say so.
00:57:17Hey, you haven't fallen in love, have you?
00:57:36The blond man has died.
00:57:49He jumped off the viaduct while fleeing from the police.
00:57:54I'm sorry I was the first. That's how we'll all end up.
00:57:56Don't talk nonsense.
00:57:58Let me go, Andrade.
00:58:00You have to listen to me.
00:58:02The police might be after me now.
00:58:04It's possible.
00:58:05And?
00:58:05Yes, but they'll make you talk. You don't know them.
00:58:08To speak. I wish I could.
00:58:10But I won't, don't worry.
00:58:11Not for you or me, but for my parents.
00:58:14We'll bring the jewelry in a few days.
00:58:16You'll have your share.
00:58:17Come with me, I'll tell you what you should do.
00:58:18I'm not going with you.
00:58:19Keep the jewelry.
00:58:20You will come by force.
00:58:22Let me go.
00:58:22Listen!
00:58:24Leave me alone.
00:58:25You disgust me.
00:58:30I've come to offer you an opportunity.
00:58:32The last one.
00:58:35Hernandez!
00:58:37Let's go.
00:58:38Let's go!
00:58:38Yes, sir.
00:58:53I am a girl.
00:59:07I bet you didn't even know.
00:59:09No.
00:59:10I don't think so.
00:59:11That's it.
00:59:13And that's it?
00:59:17Bye bye.
00:59:17Hey, the beret.
00:59:27But geraniums last even longer.
00:59:29No no.
00:59:30In the large flowerpots we will put white and red carnations.
00:59:34Then I will plant geraniums in the small ones.
00:59:36They're very decorative, you'll see.
00:59:38Hello, Miguel.
00:59:43Hi, Mom.
00:59:45Hello.
00:59:46Petunias are better.
00:59:47Here we will put two boxes lined with cil.
00:59:49But the geraniums...
00:59:50We'll also plant geraniums.
00:59:51The day, the above, the ABC.
01:00:10The day, the above, the ABC with the latest news on the express train crime.
01:00:12Luchi, Luchi, go buy the newspaper.
01:00:29Luchi, go buy the newspaper.
01:00:59I'm going out for a moment.
01:01:11Like you just walked in the door.
01:01:13And not a word about studying, is that right?
01:01:16The street, always the street.
01:01:19That's how you're ending up, son, just skin and bones.
01:01:22And why not.
01:01:23With the life he's leading, you're right, Dad.
01:01:26But this is over.
01:01:27Word that's over.
01:01:28So you stay.
01:01:29Can't.
01:01:30My own affairs that I must necessarily face.
01:01:35What issues?
01:01:36Nothing.
01:01:37Nonsense.
01:01:38A silly idea that overnight has become...
01:01:41in something that can no longer be remedied.
01:01:43Bye bye.
01:01:44Goodbye, Dad.
01:01:46What's wrong with him?
01:01:47And you, can you tell me what you have?
01:01:50Don't know.
01:01:50I don't know, but this boy alarms me.
01:01:54Goes!
01:01:54Goes!
01:01:54Goes!
01:01:55Goes!
01:01:55Goes!
01:01:56Goes!
01:01:56Goes!
01:01:57Goes!
01:01:58Goes!
01:01:59No, no, no, no.
01:02:29No, no, no, no.
01:02:59No, no, no, no.
01:03:29No, no, no, no.
01:03:59No, no, no, no.
01:04:28No, no, no, no.
01:04:58No, no, no, no.
01:05:28No, no, no, no.
01:05:58No, no, no, no, no, no.
01:06:28No, no, no, no, no.
01:06:58No, no, no, no, no.
01:07:28No, no, no, no, no, no, no.
01:07:58Will you ever go back to the trail?
01:08:02Yes, I swear.
01:08:03Bye
01:08:08Lola
01:08:12I've always been good to you, haven't I?
01:08:18Yes, always
01:08:33I've always been good to you, haven't I?
01:09:03Yes, it's for you.
01:09:16Say yes
01:09:19Yes, perfectly, I'm going to Molmedo now.
01:09:22Let him come right away
01:09:23Leave the girl alone
01:09:25It doesn't matter, don't worry.
01:09:27Go back to the hotel and keep an eye on Andrade.
01:09:29Have you found out anything about him?
01:09:32Yes, he was a very good pelota player
01:09:34He retired because of an accident, a head injury I believe.
01:09:36Then he wandered along the trail, practically living on the run, until he disappeared
01:09:39He said he moved into the Hotel Astra a few days after the crime was committed.
01:09:42It certainly seems interesting.
01:09:43It is
01:09:44That little liar was in too much of a hurry to get home
01:09:47Hello
01:10:01Silvia Ríos, an Italian friend, huh?
01:10:04Enfranjerucci
01:10:04Nice to meet you
01:10:05Delighted
01:10:05I was waiting for the opportunity to meet her in person.
01:10:08Disappointed?
01:10:09Oh no, on the contrary
01:10:10And we're going to the bar.
01:10:12What can I suffer from him?
01:10:13Thank you, I have to go to the dressing room to try on the black dress.
01:10:16We'll be waiting for you in a quarter of an hour.
01:10:17As soon as it comes out, you know when these things start but not when they end.
01:10:21Magnificent!
01:10:28Here comes the dress
01:10:29Ten
01:10:30Get ready for the next issue
01:10:43Come on, hurry up
01:10:51Forward
01:10:55You
01:10:58I told you I wouldn't cheat on you.
01:11:00And you've already had the chance to prove it to yourself.
01:11:02The police are chasing me.
01:11:03He just warned me
01:11:05We have to flee immediately
01:11:07If you give me the time of day, I'll be ready in no time.
01:11:11I was expecting it.
01:11:13But there's something else.
01:11:15The jewelry
01:11:17Don't forget the jewelry
01:11:20Let him keep them
01:11:21Do you know where he keeps them?
01:11:24Yes, I know, but
01:11:25You have to take control of her, Silvia
01:11:27We will sell them abroad
01:11:30We will find a way
01:11:30We'll have money
01:11:32We will be free.
01:11:33You realize
01:11:33You have to do it for us
01:11:35Yes, dear, yes
01:11:37I have to go on stage in half an hour
01:11:42I don't think they'll notice my absence right away.
01:11:45But we must hurry.
01:11:47Wait for me outside
01:11:48Silvia
01:11:50Stay calm
01:11:54Look closely
01:12:11What I offer you
01:12:12Everything is signed and cataloged
01:12:15Sorry, Carlos
01:12:16This morning I forgot the lyrics to my new song in the car
01:12:20Do you want me to come?
01:12:22No, I'm going faster.
01:12:23Here they are
01:12:24All women would make perfect thieves
01:12:27Listen, Salinas
01:12:28But Silvia, haven't you gotten dressed yet?
01:12:32Immediately
01:12:33It's just a minute.
01:12:34Come on, baby
01:12:36Before that little girl came a lady
01:13:02Has he been here before?
01:13:03No, but I know her
01:13:05Who is it?
01:13:06A magazine-worthy verdant
01:13:07Silvia Ríos
01:13:09Rosa, where is Silvia?
01:13:15I don't know, I left it here
01:13:16Alone?
01:13:17Yes, but when I left a young man was coming in
01:13:19Come on, everyone out of here
01:13:20Come on
01:13:20It's best if you wait in the store
01:13:47The waitress may be up.
01:13:49Don't be late
01:13:50By now they will have noticed your absence at the theater
01:13:54Just one minute
01:13:56Did you see Miss Rios leave?
01:14:11Yes, Don Carlos
01:14:12And it surprised me.
01:14:13Was she alone?
01:14:14Yes, here, but Quina has gotten into the car, that pelota player friend of yours.
01:14:17Find me a taxi
01:14:18Yes sir
01:14:19Immediately
01:14:19Hey, sit down on the stage
01:14:38On the way back
01:14:39Distinguished Puyo
01:14:45Due to a sudden indisposition of Miss Silvia Ríos
01:14:50He will not be able to continue acting
01:14:52That's when representation has the goodness
01:14:56Instead, the Bonetitín River
01:15:00Hey, put me through to the criminal investigation unit.
01:15:09Good night
01:15:18Watch my car, I want
01:15:19He will not be able to continue.
01:15:49You'll pay for this.
01:16:09No
01:16:15Let me
01:16:17No
01:16:18No
01:16:19No
01:16:20No
01:16:24No
01:16:32Subscribe to the channel!
01:17:02Do you have more money at home?
01:17:05Answer me.
01:17:23Why are you looking at me like that?
01:17:25What's wrong?
01:17:26Let's go!
01:17:27Didn't you hear me?
01:17:29Let's go!
01:17:31No, leave me alone.
01:17:32Leave alone.
01:17:33Be quiet!
01:17:34Happens!
01:17:47Go!
01:17:48They are police officers.
01:18:07Let me!
01:18:08Let me!
01:18:08Be quiet!
01:18:09I've seen who you are, now I understand.
01:18:22Stay calm.
01:18:23Try not to let them see your face.
01:18:25Even now you are using me for your benefit.
01:18:29We'll leave it at the house where I used to live.
01:18:30Go alone.
01:18:32I will not speak, I will not forget anything.
01:18:33Don't stop.
01:18:34Go on.
01:18:35No, I can't.
01:18:36Walk.
01:18:37Smile, Silvia.
01:18:39You can't betray me, can you?
01:18:40Let me.
01:18:42Let me.
01:18:42We're arriving.
01:18:44Slowly.
01:18:45Control yourself.
01:18:46No, don't turn around.
01:18:48Go on.
01:18:49Go on.
01:18:50It's over now.
01:18:55Come on.
01:18:56No!
01:18:57No!
01:19:12No!
01:19:13Damn!
01:19:14Damn!
01:19:44Outside the gallery.
01:20:06Nobody should look out.
01:20:09Come on, let's go inside.
01:20:10And turn off the lights.
01:20:13Surrender.
01:20:14There is no way out.
01:20:16Throw away the gun.
01:20:17Bring it.
01:20:22Don't make me shoot.
01:20:24Don't force me.
01:20:30No te hits.
01:20:33Don't make me shoot.
01:20:33Don't make me shoot!
01:20:34What's happening?
01:21:04What's happening?
01:21:34What's happening?
Sé la primera persona en añadir un comentario