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- hace 9 meses
Reparto: Mary Carrillo, José Luis López Vázquez, Concha López Silva, Celia Conde, José Cordero, Ángel Álvarez, María Luisa Ponte, Andrea Moro, Chus Lampreave
Dirección: Marco Ferreri, Isidoro M. Ferry
Rodolfo y Petrita llevan doce años de relaciones. Para casarse necesitan un piso y no hay forma de encontrarlo. Rodolfo vive realquilado en casa de doña Martina, una anciana que está a punto de morir, cosa que el casero está esperando para poder desalojar la vivienda y derribar el edificio. Algunos amigos aconsejan a Rodolfo una solución heroica: casarse con doña Martina y esperar lo poco que le queda de vida para heredar el alquiler. En principio, se resiste, pero cada vez con menos fuerza.
Dirección: Marco Ferreri, Isidoro M. Ferry
Rodolfo y Petrita llevan doce años de relaciones. Para casarse necesitan un piso y no hay forma de encontrarlo. Rodolfo vive realquilado en casa de doña Martina, una anciana que está a punto de morir, cosa que el casero está esperando para poder desalojar la vivienda y derribar el edificio. Algunos amigos aconsejan a Rodolfo una solución heroica: casarse con doña Martina y esperar lo poco que le queda de vida para heredar el alquiler. En principio, se resiste, pero cada vez con menos fuerza.
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00:03:32Bye bye!
00:03:44Every morning.
00:03:50Rodolfo!
00:03:51Rodolfo!
00:03:52Rodolfo!
00:03:53It's so cold!
00:03:54Let's taste it, Maricruz!
00:03:56I don't want to know anything.
00:03:57It gives me a lot of boundaries.
00:03:59She cannot be sovereign!
00:04:01Move it, at this rate we're not going to make it on time!
00:04:04But where to?
00:04:05Do you like roast rabbit?
00:04:07Yes of course.
00:04:08Roast rabbit?
00:04:09For work.
00:04:10Do we have to...?
00:04:11You, Maricruz, bring the sack, even if it's the one for firewood.
00:04:13Do you like roast rabbit?
00:04:15Don't worry, if we catch him, I'll take care of preventing it.
00:04:18Here.
00:04:19Here.
00:04:20The sack.
00:04:21The sack, the sack.
00:04:23Relief!
00:04:24Help! Someone come and help me!
00:04:26But it hasn't hurt me!
00:04:28Hat, hat!
00:04:30I love it!
00:04:33Watch out, I'm going to open them!
00:04:34But give it to him!
00:04:35Good morning!
00:04:36Good morning!
00:04:37Good morning!
00:04:38In the morning!
00:04:39Do it!
00:04:40Do it in your room!
00:04:41Good morning!
00:04:42Calin, late, late, late!
00:04:43Are we ashamed?
00:04:45Looking at a poor old woman who no longer has anything to do with it
00:04:48Good morning!
00:04:49We'll treat you to the roast rabbit that's already cooked!
00:04:52Inside!
00:04:53Stop talking nonsense! You're going to explode! And so are you!
00:05:03She won't realize that we're hardworking people who have to put me to sleep with the maid!
00:05:11Rodolfo! Rodolfo! Rodolfo! Rodolfo! Where are you!
00:05:14Here! I'm here! He's hitting me!
00:05:17Come here, Rico! Come on, sit next to me, Rodolfo!
00:05:20Hey, what did that savage Don Dimas say?
00:05:26He hasn't said a word. All he's done is slam the door so hard it almost brought the house down.
00:05:31She's very malicious. Ever since she found out that when I die, the apartment will be yours.
00:05:40Hey, when are you getting an answer?
00:05:43Hey, let's see what my boss says. Well, what if you don't send anything...
00:05:49Oh, God willing, I'll say yes! So you can take care of Teodoro when I'm gone.
00:05:55Oh! Oh, what does the boss say! And what if you don't want anything!
00:06:01Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah!
00:06:06Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah!
00:06:24Gentlemen, it's time to eat. Avelina, let's see that letter.
00:06:29Okay?
00:06:36Can you leave now?
00:06:39Go away, go away.
00:06:40See you tomorrow!
00:06:41120, Don Manuel. How many?
00:07:01That 120.
00:07:04Ah, again like rifle bullets. Why do you make them so tight?
00:07:08It's just that the machine...
00:07:10...nor what dead child.
00:07:13The thing is, he's obsessed with the apartment situation and there's nothing to be done about it.
00:07:17Do you think that prosecutor will be well informed?
00:07:19Man, he's a friend of mine, a very good friend of mine, who ate during the war thanks to me.
00:07:25He's not going to fool me.
00:07:26Then there is no solution.
00:07:29You see, everything works out in life.
00:07:33If you're so interested in the apartment, have the courage and marry the old woman.
00:07:38Well, have you seen the solution this guy gave me?
00:07:42Here's your raincoat, nice and warm. I've had it on the stove all morning.
00:07:46Come on, you know what? I'm in a hurry.
00:07:47Yes sir.
00:07:47Wait, ma'am. Bring the motorcycle down for me, quickly.
00:07:50Well, what a solution.
00:07:52Shut up with the old woman, shut up with the old woman.
00:07:55He'd better pay a higher salary.
00:07:57And then you'd have enough money to buy an apartment, because with that, nothing can go wrong.
00:08:02Besides, kid, I don't know why you're worried.
00:08:04Don't you see me?
00:08:05Single, alone, I have my own things to do, my own problems, man, I'm used to living.
00:08:08That's three days.
00:08:09What do I say to Petrita?
00:08:10The truth.
00:08:11To anyone.
00:08:13Ah, well, that's up to you.
00:08:14Come on, give me a hand and take a look at that spark plug.
00:08:16And he calls this a motorcycle.
00:08:17The spark plug is fine.
00:08:21Hey, why don't you ask Petrita if you want to marry the old woman?
00:08:25Oh, what things.
00:08:26Okay!
00:08:27Does the motorcycle go down or not?
00:08:29Yes, sir.
00:08:30Brave, this black guy.
00:08:31I'm holier than...
00:08:32If the circus thing goes well, I'm going to leave him high and dry and even more stingy.
00:08:47No, no, no, no, no.
00:09:18Oh, he's so fat.
00:09:30Don Rodolfo, Don Rodolfo.
00:09:35Hello, Mr. Pepito.
00:09:37How's it going?
00:09:38Ah, we're getting there.
00:09:39And you?
00:09:40Fine, thanks.
00:09:41You're going up, right?
00:09:42Let's eat.
00:09:43And me too.
00:09:47Well, goodbye and have fun.
00:10:04Excuse me, but how long do I have to carry the cane?
00:10:06That'll be over the fire the day after tomorrow.
00:10:07And in fifteen days I'll be back here for the consultation.
00:10:09Bye bye.
00:10:11Hello everyone.
00:10:12What's on the floor?
00:10:13And my hair starts hurting again.
00:10:14I told him here in fifteen days, man.
00:10:16Okay, tell me, what happened?
00:10:17Nothing, there's nothing to be done.
00:10:19When the tenant dies, the right to the apartment reverts to the owner.
00:10:22Hey, you're joking about it, but the old lady is really dying.
00:10:25This morning I did her feet and her arteries are like guitar strings.
00:10:28Hello, Rodolfito.
00:10:30You shut up.
00:10:32With the vito, vito, vito, with the vito, vito, it goes.
00:10:36With the vito, vito, vito, with the vito.
00:10:39Do you want me to do it?
00:10:40You need to talk to the owner.
00:10:42Neither you can lose your apartment, nor can I lose my clientele.
00:10:47What is this?
00:10:48This is for the expense.
00:10:48It's me, Don Martina.
00:10:50I'm coming, I'm coming right away.
00:10:51Oh, my name is...
00:10:52Come on.
00:10:52Tell the old woman that you can talk to the landlord.
00:10:55What is the landlord going to do?
00:10:56Assert your rights as a guest; he'll fix it for you if he wants to.
00:11:03Ask them to give you a document stating that it is in compliance.
00:11:08Yes, well.
00:11:09Ask them to give you a piece of paper stating that you have been living here.
00:11:11Yes, yes.
00:11:11Yes, yes.
00:11:11No, without anyone.
00:11:17No, look.
00:11:18That you are one of mine.
00:11:19Good afternoon.
00:11:19And we're playing with money.
00:11:22Good afternoon.
00:11:23Is this you, Doña Martina?
00:11:25Well.
00:11:26What have they told you about the apartment?
00:11:29Nothing.
00:11:30I can't keep him when you die...
00:11:32Because?
00:11:33Come on, play.
00:11:34If you are a decent person and I want the apartment to be yours.
00:11:39It's the law.
00:11:39Once the tenant is dead, it's over.
00:11:41Oh, what else could it be?
00:11:43What will become of my Theodore?
00:11:46What will become of my things when the Lord calls me to his side?
00:11:50And how are you going to get married?
00:11:54I don't know if it will be of any use, but...
00:11:56Maybe by talking to the landlord...
00:11:58Well, they're the landlords.
00:11:59If it depends on the landlord, don't worry.
00:12:03Luisito is very good and very understanding.
00:12:08Go see him and tell him you're coming from me.
00:12:11And do you think he'll listen to me?
00:12:14Of course, son.
00:12:20But I saw him make his first communion.
00:12:24Go ahead, eat in peace and don't worry.
00:12:31Luisito is an angel.
00:12:33If you could see how resignedly she bears her misfortune.
00:12:39Because Luisito...
00:12:41Oh dear, Doña Martina, stop with the sad things.
00:12:43Hey, Rodoncita, what card do you think it is?
00:12:46Of course, I ask Don Rodonso, because he's the one who knows the most, and then I always lose.
00:12:48Because I'm an ingruzera.
00:12:55Very good.
00:12:57Very good.
00:13:09Well, this one.
00:13:11How are you doing?
00:13:13My wife read it.
00:13:17What's up?
00:13:18The little that it has.
00:13:20Hello, Petita.
00:13:22Has anything new arrived regarding Superman?
00:13:25Not yet.
00:13:25And what about that?
00:13:26Ma'am, now we have to go see the landlord.
00:13:29The landlord?
00:13:30And the prosecutor?
00:13:31What does the prosecutor say?
00:13:33Home?
00:13:33The landlord.
00:13:34But what does the landlord want me to say?
00:13:35Homemade, homemade.
00:13:36Landlord, what are you going to say?
00:13:38Foolishness.
00:13:40See you tomorrow.
00:13:41I'm leaving Doña Paca's girls there, okay?
00:13:42Well, goodbye.
00:13:43See you tomorrow.
00:13:43I'll take it with me.
00:13:44Let's see if something happens in an instant.
00:13:47It's always the same.
00:13:48Can you legally keep the apartment or not?
00:13:50No, Petrita, no.
00:13:51But we cannot get up.
00:13:52Doña Martina told me that she is a good person.
00:13:55I already suspected this.
00:13:57So many years of waiting for nothing.
00:13:58But don't get like that, woman.
00:14:00Look, you'll see how everything works out.
00:14:02Let's see what happens and then.
00:14:04It's nearby.
00:14:05I know what happens next.
00:14:06But, woman, don't get like that.
00:14:08Look, I need to be there for myself.
00:14:16And what about the prosecutor?
00:14:21What's wrong with him?
00:14:22And then the prosecutor said we were wrong.
00:14:38That's the story.
00:14:39If you would like to help me...
00:14:43Understand.
00:14:44I understand these human cases very well.
00:14:47I have given orders not to let anyone in who is looking for an apartment.
00:14:50Because I am sick.
00:14:52He understands me.
00:14:53Heart patient.
00:14:55And this is mine.
00:14:56What appears to be health is actually water.
00:14:59Water.
00:14:59Touch.
00:15:00Touch.
00:15:01And I have to go to Switzerland.
00:15:03I'll take it to Switzerland to have it extracted.
00:15:05But to go to Switzerland I need money.
00:15:08And with the 30 pesetas they give me a month, what can I do?
00:15:12I need the house to tear it down.
00:15:15That is.
00:15:16Look at and understand my sorry state.
00:15:19Understand.
00:15:19This little butterfly.
00:15:25Yes, I have it.
00:15:26Thank you.
00:15:28This is a race, let's see who dies first.
00:15:30Whether it's the tenant or me.
00:15:32This is also human.
00:15:34But...
00:15:34One moment.
00:15:36You have said that Mrs. Martina Rodríguez, God forbid, is going to die.
00:15:40Understand that I want him to die.
00:15:43Because if I put you on the floor, I'm the one who's going to die.
00:15:46No, he understands me.
00:15:49I told you, I told you.
00:15:50But please understand us.
00:15:52It's been 12 years of relationship and...
00:15:55Ah, human selfishness.
00:15:59How much would I give to have your health?
00:16:01I am a case, a sad case.
00:16:04Are you okay, dude, dude?
00:16:05Throughout.
00:16:05I have plenty of water.
00:16:07What do you want from a poor sick person?
00:16:12Do you know that if I feel like it, I can keep the apartment without your consent?
00:16:15No.
00:16:16I forgive you, but you cannot stay.
00:16:18No.
00:16:18Ah.
00:16:20No?
00:16:20No.
00:16:20Well, I'll marry the old woman and turn on her biome and make her sick.
00:16:24Tenant.
00:16:26Tenant.
00:16:27With all rights, tenant.
00:16:30Tenant.
00:16:30With the same people, with all the rights, tenant.
00:16:34Tenant.
00:16:35Tenant.
00:16:35With all rights, tenant.
00:16:37Tenant.
00:16:50With all rights, tenant.
00:17:20Leave the child.
00:17:21Come on, you.
00:17:22Out, Mom.
00:17:22You don't bring me, because you're not a mother, I belong to my aunt.
00:17:25I told him to leave.
00:17:27Well, let's see if you can find something, because here you can see it, Rodolfo.
00:17:30Petrita cannot continue.
00:17:32Let's see, I've been told they're building a lot for sale.
00:17:35God willing.
00:17:39Keep going, son, keep going.
00:17:40Does that sound good to you?
00:17:42Yes that's fine.
00:17:47Rodolfo, look.
00:17:48They've already pointed out some addresses that might interest you.
00:17:51Let's see.
00:17:52It varies by neighborhood.
00:17:53The method is the best there is.
00:17:56Then it's going to be a place.
00:17:57It turns out that everything is a mess.
00:17:58Yes, yes.
00:17:59Nothing, man.
00:17:59Don't worry.
00:18:00I'll find one.
00:18:02Come on, pempia.
00:18:03Let's see if he stops bothering us now.
00:18:05But this is a real piece of work.
00:18:09Look, look, look if there are any apartments.
00:18:12The thing is, you're a bird.
00:18:14I know you.
00:18:14But I am desired.
00:18:15Pint.
00:18:16Well, ma'am, your children want to throw me down the stairs.
00:18:19And I'm fed up.
00:18:21Fed up!
00:18:22Our contract was for three and now there are eight.
00:18:24Leave it, my lady, unburdened.
00:18:26Oh, heavens, you were missing that!
00:18:28Oh, heavens, you were missing that!
00:18:58Oh, heavens, you were missing that!
00:19:28And that's even though he's lost quite a bit now, because we've had him very sick.
00:19:34What do you give him?
00:19:35By neighborhood.
00:19:35Well, peeled and baby food.
00:19:38Have you looked at the scenes?
00:19:38You give a lot, because otherwise the bald guy will solve it for me at a very high price.
00:19:41Everything is the same.
00:19:43It's very good.
00:19:44I give it to mine too.
00:19:45Last Wednesday we were on Telecultura.
00:19:47And they've told us it's going much better.
00:19:50Hey, be careful with the ice.
00:19:51It's getting the lens wet.
00:19:52Hey, get it through your head.
00:19:54Yes, yes, yes.
00:19:57What's the matter?
00:19:59Maybe you're wanted.
00:20:00Well, no, I don't think so.
00:20:01It must be a slight cold.
00:20:02With these weather changes.
00:20:04Good.
00:20:04And we found something around here.
00:20:05Don't trust the doctor.
00:20:07There is an epidemic of hearing.
00:20:08Yes, that's something.
00:20:09Yes, it's very beautiful, but you'll see.
00:20:10This doctor is an eminent figure.
00:20:12It's from the insurance.
00:20:12Yes, but we've been lucky.
00:20:37That?
00:20:37That?
00:20:38That?
00:20:38That?
00:20:38That?
00:20:38That?
00:20:38That?
00:20:39That?
00:20:42No, no, no, no, no.
00:21:12No, no, no, no, no, no, no.
00:21:42No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:21:52Be patient, Petrita.
00:21:54We'll find it.
00:21:54We must keep going.
00:21:56So that?
00:21:57Why waste any more time?
00:21:59Nothing.
00:21:59For less than 3,000 pesetas, nothing.
00:22:02So what do you want us to do?
00:22:04Should we just stand idly by?
00:22:06But don't you realize that the years are passing us by?
00:22:09Yes, Petrita, but what's needed is for us to continue loving each other.
00:22:13Why bother? It's better to leave it alone.
00:22:29Do you realize that, Rodolfo?
00:22:32You can't even walk anymore.
00:22:35Do you remember when we met?
00:22:39The way I am, I look awful.
00:22:52Don't be silly.
00:22:55You are the same to me as you were then.
00:22:57Look, with only one leg. Better than those with two.
00:23:14Hop! Hop! Hop! How wonderful!
00:23:18Sato como un peito!
00:23:21Leave me alone. Okay.
00:23:23But, woman, don't get like that.
00:23:26We'll go looking again on Sunday.
00:23:27Yes, yes, on Sunday. Ha, ha! Neither on Sunday nor ever, it never ended.
00:23:30To continue being the eternal girlfriend. No, son, no.
00:23:32It's over, it's over. So what do I do?
00:23:35And me. I've lost everything. Youth, dreams, life.
00:23:40And at this point... Let's see what I do.
00:23:43As soon as the avalanche comes, I'll see where I go.
00:23:45But, well, what do you want me to do?
00:23:49Don't you want us to sublet? Don't you want anything?
00:23:52Sublet? To live like my sister?
00:23:54If you were making money, there wouldn't be a problem.
00:23:57We would have an apartment in Puerta del Sol.
00:23:59But do you want me to marry the old woman and wait for her to die?
00:24:03Should I marry her and then kill her?
00:24:04Oh! That's the last thing! The last thing I needed to hear!
00:24:08Leave me alone! Leave me alone, go away! I don't want to see you anymore!
00:24:11Leave me alone! Leave me alone!
00:24:15Let me!
00:24:45You wretch! You're a wretch!
00:24:50Who's going to listen to you now if you're just a parrot?
00:24:52I don't care! I don't care!
00:24:54Don't you care? I don't care either.
00:24:56What matters to me is that you leave.
00:24:58You can't continue here.
00:24:59Where? Where are we going to put whatever comes?
00:25:03Imagine arguing with that fool after so many years of wasting time.
00:25:06Damn, that's sick!
00:25:07Am I not allowed to shout in my own home?
00:25:11I shout because that's what I pay for.
00:25:14Be quiet! Everyone be quiet!
00:25:17Where are you going? Where?
00:25:19What you need to do is marry that monkey.
00:25:22Why don't you sublet a room like we do?
00:25:24It's better to die than to live like this.
00:25:26Don't worry, I'll be leaving soon.
00:25:28Let's see if it's true. And soon, okay?
00:25:29Let it be soon, because if we stay here, nothing, sweetheart.
00:25:45Disgusting!
00:25:48These children of Satan!
00:25:51Thugs, a bunch of thugs!
00:25:54There are nothing but hooligans!
00:25:59In my day, children behaved better.
00:26:02But now...
00:26:08Wine.
00:26:17Yes, yes, yes, yes, yes.
00:26:18I've added water to the wine again.
00:26:19I can't work!
00:26:20Good old Petrita, I'm having no ideas there.
00:26:26They make it here, right here.
00:26:29Hail Saints!
00:26:32Long live freedom!
00:26:34Long live!
00:26:38Keep your spirits up!
00:26:45Look, kid!
00:26:47Well, worse...
00:26:48Too bad for her.
00:26:51It's trust, Dimas.
00:26:53I was starting to get bored because it's a bit...
00:26:55strong.
00:26:57I've known her since she was like that.
00:27:00And then it will be...
00:27:02a bonbon.
00:27:04A real stunner.
00:27:07What is he going to do to you now?
00:27:09But hey, you've done something irreparable.
00:27:11Yeah I know...
00:27:12You know what I mean.
00:27:13From man to man.
00:27:15I am your friend.
00:27:16No way, I swear.
00:27:17Then there is no responsibility whatsoever.
00:27:20Clear.
00:27:20Let's drink.
00:27:21The pity is that we can't keep the apartment.
00:27:33That's the pity.
00:27:35We would have found an apartment sooner...
00:27:37when we were most excited.
00:27:40Rodolfo.
00:27:41And that...
00:27:41Is she the one who dumped you?
00:27:43I'm coming, I'm coming, I'm coming.
00:27:50We'll see, Mr. Martin.
00:27:52Wait.
00:27:54Wait.
00:27:55Breathe on me.
00:27:57It smells like a stinking juniper tree.
00:27:58Rodolfo.
00:27:59Go.
00:27:59Bastille.
00:28:00I'm coming, I'm coming.
00:28:01Bastille of lies.
00:28:02I'm Petrita.
00:28:03One moment.
00:28:04Where are the fake pills?
00:28:05Make Petrita wait.
00:28:07Bastille.
00:28:08Hop.
00:28:09Calm down, Rodolfo.
00:28:11Don't worry.
00:28:11You've got the upper hand.
00:28:14Fool.
00:28:16Now, what would I do without my boy?
00:28:22This is already fixed.
00:28:34Oh.
00:28:36Go.
00:28:38Here.
00:28:39We'll be better off here.
00:28:43Sit down.
00:28:47Please.
00:28:52Waiter.
00:28:53Bring two ca...
00:28:54No.
00:28:55Two glasses of cognac.
00:28:56Nothing, nothing.
00:28:57It fits us much better.
00:28:57To you and me.
00:28:58I'm very nervous.
00:28:59And very chilled.
00:29:00Look.
00:29:01Touch, touch.
00:29:02And so it has been since yesterday.
00:29:03Yes, now she's very affectionate.
00:29:04And then...
00:29:05Okay, what did you say can be fixed?
00:29:09Yes, Rodolfo.
00:29:10Yeah.
00:29:10Because you love me.
00:29:12You love me, right?
00:29:13Go on.
00:29:14Of course.
00:29:14Tell me.
00:29:16Swear it to me, Rodolfo.
00:29:17Go on.
00:29:17Swear it to me.
00:29:17I'm really excited about it.
00:29:19Go on.
00:29:20Listen, do this, please.
00:29:25God.
00:29:29Okay, tell me.
00:29:31I've thought about it a lot, Rodolfo.
00:29:34I haven't slept all night.
00:29:36I think the best thing is...
00:29:38...is that you marry the old woman.
00:29:40Hey?
00:29:40With the old lady?
00:29:41Yes, Rodolfo, yes.
00:29:42Then he dies.
00:29:43And we can be happy.
00:29:44Hey?
00:29:45Don't think it's a dish I enjoy?
00:29:47Okay, let's see, Petrita.
00:29:49Look, let's talk seriously.
00:29:55More seriously?
00:29:56You don't say you love me.
00:29:58You don't say that if you marry her, we get to keep the apartment.
00:30:00Hey?
00:30:01But, there are things...
00:30:04...there, to the point of ridicule.
00:30:06Me too.
00:30:06But I'm sacrificing myself because I love you.
00:30:08And you don't like me.
00:30:10Cynical.
00:30:10You're a cynic.
00:30:12Packer.
00:30:13Bad that he's a fraud.
00:30:14And you swore it.
00:30:16Just a moment, Petrita.
00:30:17Let's reflect on the fact that this is madness.
00:30:20Craziness?
00:30:21Is it crazy to believe you?
00:30:23You.
00:30:23You're the one who put that idea in my head.
00:30:25And now you're backing down.
00:30:27Let's see.
00:30:27So, what do I do now?
00:30:29To the subway.
00:30:30What has the subway done to me?
00:30:31What are they going to throw into the subway?
00:30:32I can no longer go to my sister's house.
00:30:34The best thing would be for me to die already, because I'm stupid.
00:30:35Please.
00:30:36That is.
00:30:37Petrita, you're not going to leave him, woman.
00:30:38What has he done to me?
00:30:39What has he done to me?
00:30:39Oh, subway!
00:30:40It's not decided!
00:30:42It's not here!
00:30:42I have no other solution!
00:30:44I'm telling you, he's not here!
00:30:45He's going to jump in front of the subway!
00:30:46A young woman!
00:30:48A young woman is going to jump in front of a subway train!
00:30:50Petrita, we have to wait until tomorrow.
00:30:52This is something to think about carefully.
00:30:54Also, I left my hat at the cafe.
00:30:56Maybe they'll take it away from me.
00:30:58The best thing is for me to jump in front of the subway.
00:30:59And to end it once and for all.
00:31:00That.
00:31:00But, but please, Petrita, wait.
00:31:03Always the same!
00:31:03Wait.
00:31:04First you say one thing, then you say another.
00:31:06Leave me alone, I'm going to the subway right now.
00:31:08No, woman.
00:31:08Let me.
00:31:08Go on, let's see.
00:31:09Look, it's already being discussed.
00:31:10But do you think we should talk to him right here?
00:31:11Oh, how should I know!
00:31:12You'll know!
00:31:13You are the one who made me come.
00:31:14I'm not involved at all.
00:31:15Wow!
00:31:16There you have it.
00:31:17Come on.
00:31:18Okay, then we'll tell him.
00:31:19I don't know, son.
00:31:21What a show!
00:31:22Go on, go on.
00:31:23There you have it.
00:31:25Doña Martina!
00:31:26Doña Martina!
00:31:28Oh!
00:31:29Hello, son.
00:31:30Hi, where are you going?
00:31:33Good afternoon, Mrs. Martina.
00:31:34Petrita and I...
00:31:36You'll see, you'll see.
00:31:37We wanted to talk to you.
00:31:38It's because of the apartment.
00:31:40Ah, I see.
00:31:41Sure, all the best to you.
00:31:43It's best if we talk in the sunlight, okay?
00:31:45Yes, yes.
00:31:45In the sun.
00:31:46You see it.
00:31:47God tests us, but He does not drown us.
00:31:49Look, it seems to me that...
00:31:52Yes, you'll see, you'll see.
00:31:54Rodolfo has come up with a solution.
00:31:56Yeah?
00:31:56He's marrying you and that's it.
00:31:59As?
00:31:59Oh my God!
00:32:00Yes, Rodolfo is marrying you.
00:32:03And so, when he becomes her widower, he keeps the apartment without the rent going up.
00:32:07Oh, Jesus, Mary, Son of God!
00:32:10Oh my God!
00:32:11Wow, I can see myself!
00:32:12You're seeing it, you're seeing it, you're seeing it!
00:32:13What, I'm seeing it, I'm seeing it!
00:32:15What fault is it of mine that she's a senile old woman?
00:32:18I don't know why she has to act like this, okay?
00:32:20I don't know.
00:32:21Well, that's it, when you get something in your head, nobody goes back home.
00:32:25What a mess, man.
00:32:26Come on, what's that to me!
00:32:27Goes!
00:32:27What nonsense!
00:32:28Of course!
00:32:30Well, yes, now you'll be drinking with me, on top of everything else.
00:32:33Of course!
00:32:34Let's come now!
00:32:35Okay, that's better?
00:32:35Oh, son!
00:32:36Oh, daughter!
00:32:37Oh, daughter!
00:32:37Oh, daughter!
00:32:59Oh, daughter!
00:33:00Oh, daughter!
00:33:00Oh, daughter!
00:33:00Oh, daughter!
00:33:03How tactless!
00:33:11If you tell me.
00:33:12But it was her.
00:33:15Hey, you wimp!
00:33:15And if the old woman has a really bad fainting spell and stays in a trance...
00:33:18Almost!
00:33:27Almost!
00:33:29Don't drink anymore.
00:33:30Maybe you have to get married in articulation with death, because you're drunker than a skunk.
00:33:35But you too, man.
00:33:37You don't understand that it's madness.
00:33:40The only thing I understand is that you can keep the apartment.
00:33:43And an apartment in Madrid is worth more than a thousand women.
00:33:46If we lose it, where do we put our customers, you see?
00:33:48Well, if I fix it for you, I suppose I'll have the right to stay in the apartment, right?
00:33:58I don't want to know anything.
00:34:00Under your responsibility.
00:34:03You just relax.
00:34:04You, girls.
00:34:06Cool!
00:34:07You'll see!
00:34:10You'll see!
00:34:11Thank you!
00:34:11You'll see!
00:34:12You'll see!
00:34:12You'll see!
00:34:13You'll see!
00:34:13No, no, no, no.
00:34:43I know men.
00:34:46He did it with good intentions.
00:34:48But you have made me a dishonest proposition.
00:34:53And she, that girlfriend, is shameless.
00:34:59Do you want me to stay and keep you company?
00:35:01If I'm feeling unwell, I don't go out.
00:35:03No, daughter, no.
00:35:05Go to work.
00:35:07But be careful.
00:35:09Listen, Mrs. Martina.
00:35:10You see how they are...
00:35:13You haven't understood anything, ma'am.
00:35:16Rodolfo wants to marry you.
00:35:18For reasons other than you think.
00:35:20You're obsessed, ma'am.
00:35:21Rodolfo is a gentleman, a true gentleman.
00:35:24Rodolfo wants to get married.
00:35:25Yeah?
00:35:26So that when he dies, his cat, his clothes, his furniture and his house will be in good hands.
00:35:34Think about the day you will be in heaven with your parents.
00:35:38Yes, with their parents.
00:35:40Oh, if only my parents hadn't died.
00:35:45Join us in yourself.
00:35:46They wouldn't take advantage of a poor, lonely woman.
00:35:49Why did you leave me?
00:35:53Look at your dad.
00:35:54Mr. Rodriguez, please advise your daughter.
00:35:59Tell her that God forbid.
00:36:01At his age, he is not free from paralysis.
00:36:04What will she do on her own?
00:36:04Disabled.
00:36:06Who provides the food?
00:36:07Who goes to bed?
00:36:08Who dresses a poor invalid better than her husband?
00:36:11Nothing.
00:36:12Oh, Don Tomás.
00:36:13Come on, have faith in them, they won't deceive you.
00:36:18And now, time to rest, okay?
00:36:21Tomorrow she'll ask Rodolfo to forgive her and get married properly, right?
00:36:25For your own good, Doña Martina.
00:36:27Yeah.
00:36:28Clear.
00:36:33But do you think Don Rodolfo comes with good intentions?
00:36:38Naturally, daughter, why are you so distrustful?
00:36:43Tell him yourself, Merit, please tell him yourself, because he doesn't listen to me.
00:36:46Of course, Doña Martina.
00:36:49Rodolfo is a good boy.
00:36:50And believe me, I know a thing or two about that.
00:36:52Yes, daughter, yes.
00:36:57Six and seven, thirteen, I've got one, six and eight, fourteen, I've got one.
00:37:01Good, good, good.
00:37:03This invention by Ligalmendra has been formidable.
00:37:06Two thousand pesetas, Rodolfo, clean.
00:37:11Here's a cigarette to celebrate.
00:37:13Thank you so much.
00:37:15This business, when you're honest without exaggerating, leaves its mark.
00:37:23Don Manuel, I would like to ask you for some advice.
00:37:30Speak up, Rodolfo, men have to speak without fear.
00:37:33That?
00:37:36It's because of the apartment issue, you know?
00:37:43The floor.
00:37:45My girlfriend, Petrita, has insisted, well, she's gotten it into her head that I marry the old woman.
00:37:53You told me it was the only solution, right?
00:37:58Well, sometimes things are said, but that's not a solution.
00:38:02That's just... that's beyond words.
00:38:05Yes, yes, yes, I also think that's outrageous.
00:38:08But this afternoon we're going to talk to the old lady to come to an agreement.
00:38:13Come on, you're going to ask for her hand in marriage.
00:38:14Hold on a minute, Sainz, we're not in the mood for jokes.
00:38:19Listen.
00:38:21Look, I know the apartment is nice, right next to Gran Vía, but...
00:38:26The apartment is certainly great.
00:38:28Freak.
00:38:29And what a place.
00:38:30Yes, yes, whatever you want, but we're not in America.
00:38:33If I think like you, shouldn't I marry the old woman?
00:38:38Well, those are very delicate matters.
00:38:41Marriage is a very serious matter.
00:38:44I warn you, Don Manuel, that the old palm tree will be this winter.
00:38:48And the room is very beautiful.
00:38:49How many rooms does it have, you say?
00:38:51Four.
00:38:52And last year we installed the bathroom.
00:38:55Look.
00:38:55Mr. Saez, there's not even a lack of...
00:38:56I wash my hands.
00:38:59Alright, alright, let's get to work, let's get to work.
00:39:00What do I care about the floor or the footprint?
00:39:05Well, yes, I'm in for trouble.
00:39:07Hey, Don Manuel, couldn't you give me a little raise to appease Mendeita?
00:39:12Whatever you do, do something that covers hills.
00:39:15Then people talk, bad reputation sets in, and business is sacred.
00:39:20Alright, alright, let's get to work, let's get to work, let's get to work.
00:39:22What does salary have to do with the housing mess?
00:39:25Here, if you don't run, you fly.
00:39:27Well, we're in a fine mess.
00:39:30Smell, I hate you, smell, smell like a weight.
00:39:52Who will be your friend when I'm gone?
00:39:56I love cats.
00:40:05Why didn't I use that ugly name?
00:40:06He's so fair-skinned, look at him.
00:40:08It's for...
00:40:09For my brother, the poor man.
00:40:12For my brother.
00:40:14No, look, this whole wedding thing, don't you think?
00:40:18Come on, come on.
00:40:19The hands.
00:40:20Take, buddy and woman.
00:40:21Mr. Dimas, a little respect, please?
00:40:24By Doña Martina.
00:40:25A wedding is a wedding, man.
00:40:27Not always.
00:40:29Look, Rodolfo, look.
00:40:31That?
00:40:31It's already waxy.
00:40:34Oh, silly girl.
00:40:36I do everything for you, for Rodolfo, for both of us.
00:40:42So that it's all for you.
00:40:45Come, come.
00:40:46Look, look at that silver covering and it's new.
00:41:04Take one out for Rodolfo, who from today is no longer my guest.
00:41:13How many are there here?
00:41:14And you, from the first of the month, your salary comes home.
00:41:19Salary home.
00:41:23Well, I think that's how we're going to talk about these things, huh?
00:41:26If Don Dimas will allow us, just for a moment.
00:41:28With great pleasure.
00:41:37It's nice here, isn't it?
00:41:39Yeah.
00:41:42Always at your service.
00:41:44He's leaving, Don Dimas.
00:41:48Yeah.
00:41:49Since we're going to talk about money, you'll understand that...
00:41:53Because, of course, I...
00:41:55Rodolfo...
00:41:57Go on, Rodolfo, you speak, this is your business.
00:42:00After all, I...
00:42:01Tell me, son, tell me.
00:42:04Well, whatever you guys say, I'll take it.
00:42:07Because, as always, he leaves the unpleasant things to me, because he's a henpecked husband.
00:42:14Why does everyone do whatever they want with him?
00:42:16That's what Doña Martina wants.
00:42:18How ashamed he must have been!
00:42:19Look at him, there he is, stuffing himself with shortbread cookies and not worrying about his future.
00:42:25Okay, let's get down to business.
00:42:26Oh, daughter, I know what you're getting at.
00:42:30Look, Rodolfo's salary, what Don Dimas gives me, what Meri gives me, who is a good girl.
00:42:40Everything for Rodolfo.
00:42:41And my poor father's savings, which I have never touched and which are very well kept safe in my savings account.
00:42:53No, Doña Martina, I was saying it because when Rodolfo and I get married, God willing, as late as possible, we'll need a little money.
00:43:02You know, a wedding.
00:43:05Oh, how could I not know?
00:43:07I've done my calculations.
00:43:09A wedding, even one like mine, costs a fortune.
00:43:15Because, you know, I have to get a suit made, of course.
00:43:21Hey, won't your relatives mind the idea of the booklet?
00:43:25Oh, daughter, I am alone, all alone in the world.
00:43:31I mean, not now.
00:43:33Now I have Rodolfo.
00:43:36Well, I'll leave it in your hands, Doña Martina, okay?
00:43:41In their hands.
00:43:42Yes, daughter.
00:43:43Only broken.
00:43:51Say...
00:43:52Help me!
00:43:57Help me!
00:43:57No, my love!
00:43:58Ah!
00:43:58Thank you!
00:44:28Uncle slave trader, why don't you go out and distribute the fig and the almond?
00:44:37We're doing a good job.
00:44:39I don't care anymore. I'll have the paper on Saturday.
00:44:42Hey man, don't get like that, it looks like they're going to slit your throat.
00:44:45Take note of what I'm telling you.
00:44:46If I found a bargain like the old woman's, with a room as beautiful as yours,
00:44:51He set up a boarding house and gave this guy a hand, well...
00:44:54Stop making a fuss.
00:44:55The good thing is having money and being able to buy an apartment wherever you want.
00:44:58Look at that house, next to the Puerta del Sol.
00:45:01Freshly made and without needing to marry anyone.
00:45:04Well, that's how things are. I don't like this place to live.
00:45:07Lots of people, lots of traffic, and then maybe...
00:45:09Very nice, man, very nice.
00:45:11It's because a sole has gotten stuck there, a pipe has been stressed.
00:45:13It's because he's lost it, he hasn't even laid a finger on her all morning.
00:45:16But the little fig ruined me and they both went out on the street.
00:45:20Don't eat so much, you idiot. And your mother can come tomorrow.
00:45:28Thank you!
00:45:30Thank you!
00:45:31Thank you!
00:45:32Thank you!
00:45:33Thank you!
00:45:34Thank you!
00:45:35Thank you!
00:45:58Five, four, three, two, one... Stop!
00:46:02The secret to good popcorn is that it doesn't leave a bad aftertaste...
00:46:09Thank you very much, Don Manuel.
00:46:10Hey, Mr. Manuel, won't this hurt our chances of selling Liga Almendra?
00:46:14On the contrary.
00:46:16This product gives us a lot of credibility in the market.
00:46:20Why do you think I struggled for a year to get the exclusive?
00:46:23Because it's a wonderful machine that will make us famous.
00:46:28Let's inflate.
00:46:28They have plenty of food, huh?
00:46:32I'm already saying it.
00:46:35Yes sir.
00:46:36They are delicious.
00:46:37Say.
00:46:38Come on, eat.
00:46:39Yes, one moment.
00:46:40They are necessary.
00:46:40Rodolfo.
00:46:42Rodolfo to you?
00:46:43Here I come, man.
00:46:45Mr. Manuel, may I?
00:46:46Yes, go ahead, go to the phone.
00:46:47The daily call.
00:46:49Shock!
00:46:50Crash, Don Manuel!
00:46:51One day is one day!
00:46:52What the heck!
00:46:53Say.
00:46:54Yes, yes, Martina.
00:46:57Yes, I've already eaten my sandwich.
00:46:59It was very good.
00:47:02The coat?
00:47:03No, I brought the trench coat.
00:47:04Come on, Rodolfo.
00:47:05Court!
00:47:06We've been putting up with this idiot old woman who never dies for two years now.
00:47:10Don't worry and eat.
00:47:13But I'm not cold.
00:47:14You are the one who has to take care of yourself.
00:47:16It goes out into the street and then gets cold.
00:47:19Come on, come on, come on.
00:47:21I'll go to the café, but you know I have to get back to the office, which always says that
00:47:24I stayed and stayed and I can't.
00:47:26Yes, yes.
00:47:28We'll talk later.
00:47:29I'll go to...
00:47:30Goodbye, goodbye, goodbye.
00:47:32What a chin.
00:47:33How is Madrid?
00:47:34The child.
00:47:36Ready?
00:47:37Careful.
00:47:38Blue Danube.
00:47:39Blue Danube.
00:47:40Blue Danube.
00:47:51Won't that suit you mentioned be too light for me?
00:48:03No, Doña Martina.
00:48:04Look, I see in Vogue that this year's fashion is based on prints.
00:48:07Ah.
00:48:08And how much does it cost?
00:48:10Bit.
00:48:11It's very cheap.
00:48:12And it's very beautiful.
00:48:13A suit will look great on him.
00:48:15She is a deity.
00:48:16A deity.
00:48:17Hello.
00:48:18Hello, Lola.
00:48:18Hi, what are you doing?
00:48:19Nothing.
00:48:19Here, having a snack with my boss.
00:48:22And you?
00:48:22Taking a walk.
00:48:24Hey, look.
00:48:31Listen, Mrs. Martina.
00:48:33This friend is with an uncle of hers who has come from Victoria.
00:48:36And they invite me to the theater.
00:48:37If you don't mind...
00:48:38Yes, go on, beautiful, go on, have fun.
00:48:41You work a lot.
00:48:43See you later, then.
00:48:44Rodolfo.
00:48:48Goodbye, Rodolfito.
00:48:49What a charming girl.
00:48:51And what friends does he have?
00:48:54Listen, Rodolfo.
00:48:56You were supposed to marry Meri when I'm gone.
00:49:00That girl is really good.
00:49:02And not others that I know of.
00:49:04Well, some things are true?
00:49:06Why are you eating so fast?
00:49:11It's going to hurt you.
00:49:13I've already told him.
00:49:14I have to go back to the office.
00:49:16Every day is the same.
00:49:17You barely arrive and you're already thinking about leaving.
00:49:21Work is work.
00:49:22Yes, well yes, I know.
00:49:24But that office is a funeral home.
00:49:30Maricruz, give the coat to Don Rodolfo.
00:49:33It has cooled down a lot.
00:49:36Yes, you worry a lot about the young master.
00:49:38And you're the one who should be worried.
00:49:40I'll tell Don Rodolfo now.
00:49:41Don't tell him.
00:49:42Yes, I want him to scold her.
00:49:44Sir, you fell again this morning.
00:49:47Why did it come out?
00:49:48Have you told the doctor to take care of yourself?
00:49:50Look, honey, I'll take this little while here,
00:49:53with the music, which is so beautiful.
00:49:56It suits me better than all medicines.
00:49:58Thank you.
00:50:06Hey, baby, let me have the little thing.
00:50:18Hey, baby, let me have the little thing.
00:50:20Rodolfo, this gentleman has taken my little toy.
00:50:22Hey, please leave the kid with the little toy.
00:50:24And do you want to?
00:50:26Come on, come on, let's go.
00:50:27I want to see a lot.
00:50:28Petrita, Petrita, Pago Pepe wants to see the bears.
00:50:32I won this and now it's going to the Pigeon course.
00:50:35Hey, Pigeon, Pigeon, Pigeon, that's right.
00:50:38How disgusting, I'm desperate.
00:50:42Come on, get a nurse.
00:50:44Enduring these two savages from cage to cage.
00:50:47With you, you're so good at discouraging anyone.
00:50:49Please lift me up, I want to see it!
00:50:50You, on the other hand, are getting better every day.
00:50:53What a great deal you made getting married!
00:50:55Another suit!
00:50:57The thing is, I couldn't wear the one I wore to the wedding anymore.
00:50:59Hey, can't you jump over here?
00:51:01No, no, don't worry, it's all calculated.
00:51:05And on top of that, he talks to everyone but me.
00:51:07I have read that at the North Pole
00:51:08Bears can jump from iceberg to iceberg.
00:51:11Polo, don't worry, these bears are cubs.
00:51:15Look, look, look, to see how they pick up the stick.
00:51:19Today I want a hat, you.
00:51:21Give me your hat, because...
00:51:23Watch out, I see you coming.
00:51:24I'm not throwing it away, I can play.
00:51:26I know you.
00:51:27I'm not throwing it away.
00:51:30Yeah, yeah, man, that's all I'm saying,
00:51:32That's it, he threw it away.
00:51:33Let's see where the hat is.
00:51:34But you always find a way to ruin my afternoon.
00:51:38No, look.
00:51:38The hat? Let's see what I say now at home.
00:51:40Go ahead, go ahead.
00:51:41If you cared as much about me as you do about the hat...
00:51:44What's wrong? You're afraid of getting in trouble, huh?
00:51:47Hey, watchman, the kid just threw my hat to the bears.
00:51:50So what can we do?
00:51:52And keep going on about the hat, stop it already.
00:51:54Nothing, he doesn't even care about me, like I'm a dog.
00:51:56Anyway, just stop it. Okay?
00:51:57No, no, no, no, no, no.
00:51:58No, no, no, no, no.
00:51:58No, no, no, no.
00:52:00No, no, no, no, no, no, no.
00:52:00No, no, no, no, no.
00:52:04Where have I put my rosary?
00:52:07Okay, my chair is there, it's right there.
00:52:12Oh Lord, I've dropped my rosary on the floor.
00:52:15Martina, Martina, can I come in?
00:52:25But what are you doing, Martina? Why don't you call?
00:52:28Doesn't she realize she's sick?
00:52:30No, son, nothing's wrong.
00:52:32I dropped my rosary.
00:52:34So you call, okay?
00:52:35I don't want to.
00:52:37Then that indecent Don Dimas comes in and takes advantage.
00:52:41We have to fire him.
00:52:42Delicious, we have it.
00:52:44Yeah.
00:52:44We have to fire him.
00:52:46Yes, well.
00:52:48Where is he going?
00:52:49To the office.
00:52:50We're currently balancing the books.
00:52:53Let's see, let's see, ever since I've been sick,
00:52:57That silly girl from Maricrudez is careless.
00:53:00Don't worry.
00:53:01How could I not worry?
00:53:05Oh, you wretch, you're a disaster.
00:53:10Okay, have you put the rods in your neck?
00:53:13Yes, go.
00:53:15Very good.
00:53:17Bring the money.
00:53:19Well, I only have twelve pesetas left.
00:53:21Wait, wait.
00:53:25You need to bring money to treat your boss.
00:53:29He is very nice.
00:53:31Yes, yes, I'll bring him a cigar.
00:53:34Good.
00:53:35Take.
00:53:35Well, if you have a beer, that way you'll have change.
00:53:39Take brand new ones.
00:53:41One, and eight, and another, and another of a hundred, and another of mine.
00:53:48Well, thank you very much.
00:53:51Nothing, son, nothing at all.
00:53:57Look, they've ironed your pants.
00:54:01Let's see, let's see, son, let's see.
00:54:03Ah, yes, yes, yes, the part is very straight.
00:54:07And Maricru, has she cleaned your shoes?
00:54:11Don't clean them, boot cleaner, they put acids on them.
00:54:15The other.
00:54:18Okay, Martina, see you tomorrow.
00:54:21Bye bye.
00:54:22Time to sleep, and now, time to sleep.
00:54:24Goodbye, son.
00:54:30Look, tell your sister that she's done a shoddy job with my clothes this week.
00:54:33I want it nice and clean, especially the work coats.
00:54:36Just a moment, just a moment.
00:54:38Goodbye, Don Dimas.
00:54:41Mr. Dimas, Mr. Dimas, I have to go about my business.
00:54:45Listen, you are an excellent person, and I like you a lot.
00:54:49I am very grateful for the trust you have in me,
00:54:52But I've been struggling with that callus for two years now, and I don't want to see it anymore.
00:54:55Things are getting worse every day.
00:54:57Okay, but let this be the last time.
00:54:58Then you go see Jiménez Díaz, Marañón, whoever you like.
00:55:02Hey, I told you to leave a phone number when you leave.
00:55:06Because she's dying, huh?
00:55:07He is dying.
00:55:08Hey neighbors, what's up?
00:55:09You see, we can't talk to so many people here.
00:55:12Hey, beautiful, can we come into your unemployment office?
00:55:14Yes, man, go ahead and come in, come in.
00:55:17Would you like a drink?
00:55:18Thank you, beautiful.
00:55:23You move better than on your own.
00:55:26Sit down, boys.
00:55:28Hey, I'm in a hurry.
00:55:30Here are some drinks.
00:55:35Take.
00:55:36Look, the old woman is very ill, and this time I agree with the doctor, okay?
00:55:44Where are you going?
00:55:45Let's dance.
00:55:46It's Petita's saint's day and...
00:55:48Here, playing the innocent, and then over there, into folklore, right?
00:55:53Where are you going to dance, Rodolfito?
00:55:56To sesame.
00:55:56These cigarettes must be like a shot to the throat.
00:55:59They never take me.
00:56:00They have opium.
00:56:01I guess I don't know how to dance very well.
00:56:02Look at them.
00:56:04Come on, I'll show you, okay?
00:56:05Let's see if it's not scary now.
00:56:06Come on, man, like that.
00:56:08Cha, cha, cha.
00:56:08Do you think you can dance for the hat, then, your animal?
00:56:10Cha, cha, cha.
00:56:11Cha, cha.
00:56:11Cha, cha.
00:56:11Cha, cha.
00:56:11Cha, cha, cha.
00:56:11Cha, cha, cha, cha.
00:56:13Cha, cha, cha, cha, cha, cha.
00:56:15Cha, cha, cha, cha, cha.
00:56:45Cha, cha, cha, cha, cha, cha.
00:57:15Cha, cha, cha, cha.
00:57:17What I like most with beer are cockles.
00:57:19Well, what I like most about all of this is that...
00:57:22Shall we dance?
00:57:24No.
00:57:28We're not going to be like this all afternoon.
00:57:30How do you want me to be?
00:57:33Come on, let's dance.
00:57:34We're not going to dance.
00:57:36We're not going to dance.
00:57:50No, but no.
00:57:51We're not going to dance.
00:57:52Thank you!
00:58:22Thank you!
00:58:52Thank you!
00:59:22Thank you!
00:59:40We should get married first, Rodolfo.
00:59:45We should have gotten married sooner, Rodolfo.
00:59:51Even if we had to live in a shack.
01:00:15Without your uniform, you are nothing. The uniform is what gives you personality.
01:00:33And look, look how he's wearing it. Dirty, without buttons. Take off that scarf!
01:00:38Tomorrow, when his mother comes to see me, I'm going to tell her what kind of son she has.
01:00:43Yes, sir, yes, sir. And take the three hundred bags to the cinema.
01:00:48And rehearse the song.
01:00:54Already? Yes, no personal calls.
01:00:58I've told him a thousand times that business is sacred.
01:01:02Well, that's something else entirely. Okay, okay. Here we go.
01:01:13That's life.
01:01:19Now, Rodolfo is not to be taken too seriously.
01:01:24But a death is always a death.
01:01:27They're giving the old woman her daily allowance.
01:01:31So can I leave?
01:01:33Yes, of course. In these cases...
01:01:36Pulviseris, pulver... well, etcetera.
01:01:40I say, Don Manuel, that I should go and accompany Rodolfo.
01:01:43Oh, man! You're always taking advantage of the opportunity to not lift a finger.
01:01:47Well, in one case...
01:01:48Go away, go away!
01:01:49I took Rodolfo in my car and found out about the time of the burial.
01:01:51Yes sir.
01:01:53Thank you.
01:01:54This isn't a sofa. It's the bed where I sleep.
01:02:06This is a sofa.
01:02:07And a bed cannot be seized.
01:02:09This is a sofa as stated in the premises.
01:02:10We're workers, you understand? The last embargo has been fulfilled.
01:02:12No, no, no.
01:02:13I'm a gentleman. I'll pay you the day after tomorrow, and if not...
01:02:15You are a face I no longer recognize.
01:02:16This is a memory of my poor mother, may she rest in peace.
01:02:19I'll pay him the day after tomorrow, but for forty measly bucks...
01:02:22He's going to make me sleep on the floor.
01:02:24No, sir.
01:02:25I am the best chiropodist in Madrid.
01:02:26What can I say about Madrid?
01:02:27From Spain, German school, graduated from Bismarck.
01:02:29Please sit down.
01:02:30Sit down.
01:02:31Sit down, man.
01:02:32Sit down!
01:02:33And give me the cue.
01:02:34Give me the foot and I'll leave it like tissue paper.
01:02:36You'll see.
01:02:37And completely...
01:02:38Whatever you do.
01:02:39Vargas too?
01:02:40Well.
01:02:52There is no.
01:02:53It's great.
01:02:54There aren't any anymore.
01:02:55There is nothing.
01:02:56Sit down.
01:02:57Those trips.
01:02:59Hey, big shot.
01:03:00That one with the eyesight, look how crazy they are.
01:03:02Technician change or what's coming.
01:03:03They're top-notch, listen.
01:03:04Those that fall into with little security.
01:03:05Hey, beautiful, Chati.
01:03:06Look, your baby is talking to you.
01:03:07Hey, beautiful, Chati, look, your baby is talking to you.
01:03:11Hey, look, I'm going to take you to the mountains, I'll make room for you here in the car.
01:03:15Hey, I have to get there.
01:03:16Leave me alone, man, just look at the way I walk.
01:03:18That's walking, and everything else is just jogging on the sidewalk, darling.
01:03:21Hey, a single man is a blank check, leave me alone, man.
01:03:24Hey, hey, girl, look, you don't know what you're missing.
01:03:31Hey, where are you going?
01:03:33But hey, hey.
01:03:35Hey.
01:03:44Floor?
01:03:45No.
01:03:46Floor?
01:03:47No.
01:03:48Yeah.
01:03:49You're a cheat, I'm not stepping on anyone.
01:03:51It arrived in Rodolfo.
01:03:55Did you see, did you see what I did to his foot?
01:03:57Does it hurt?
01:03:58Yeah.
01:03:59This is nothing, it's just physical pain.
01:04:01But what about the moral pain of the widower who is left alone?
01:04:04I am alone too.
01:04:05Ah, you are alone and you don't understand loneliness.
01:04:08Do you go to mass?
01:04:10Tell me, do you go to mass?
01:04:11Yeah.
01:04:12Well, if you go to mass and don't know what compassion is, God will punish me.
01:04:17Don Dimas.
01:04:18Tell me, look, look at this picture, ready to be seized, huh?
01:04:23My obligation is to seize and I am seizing it.
01:04:25You are not seizing anything.
01:04:26You always find excuses.
01:04:27Look, the situation isn't right for taking the whole sofa home.
01:04:31Here, here, stay perfectly calm, okay?
01:04:34And come back the day after tomorrow, the day after tomorrow, I'll pay you.
01:04:37I weighed forty duros, which I spend on cigars.
01:04:40Hello, what's wrong?
01:04:42What harm?
01:04:43Did you see that, Don Dimas?
01:04:44Poor lady, what a great misfortune.
01:04:46That's natural, she was already quite old.
01:04:49It's the law of life.
01:04:50Take off my robe, that will happen to me, not to you.
01:04:52Don Dimas, what should I give my rooster who is also feeling a bit under the weather?
01:04:56Testoviron, testoviron.
01:04:58Proprius nato de testovirón.
01:05:01Oh, to my arms, Rodolfo, to my arms.
01:05:04But already...
01:05:05We must be dead, we must be brave.
01:05:07People don't understand loneliness, do they?
01:05:09Dondima! Dondima! Dondima! Dondima!
01:05:11Dondima! Dondima!
01:05:12I've paid him tomorrow, the day after tomorrow.
01:05:13No "the day after tomorrow"!
01:05:14Tomorrow, however, even if they haven't handed over the body.
01:05:16Dondima, to love!
01:05:19But hey, can you tell me what's going on?
01:05:21Nothing, these are just my own things.
01:05:23What you have to do is not delay, because the old woman is dying.
01:05:26Come on, if he dies, he really dies.
01:05:30Come on, don't bother me, go away, get out.
01:05:32Heavy.
01:05:34Permission.
01:05:36Permission.
01:05:39Calm, calm.
01:05:42Look.
01:05:43Blob.
01:05:44Do you see it?
01:05:45When the time comes, science is finished.
01:05:51Like a little bird.
01:05:52That hat, take it away from there, it brings bad luck, someone will die.
01:05:57Calm down, calm down.
01:05:59Maricruz, prepare some coffee for the ladies.
01:06:02And bring the bottle of anise for Don Rodolfo, he really needs it.
01:06:05Hey, Mr. Dima, I want to write down the medicine for my rooster, I've forgotten it.
01:06:10Well, well, we're not in the mood for cockfights right now, I think.
01:06:13No.
01:06:14No.
01:06:15No.
01:06:16No.
01:06:17No.
01:06:18No.
01:06:19No.
01:06:20No.
01:06:21No.
01:06:22No.
01:06:23No.
01:06:24No.
01:06:25No.
01:06:26No.
01:06:27No.
01:06:28No.
01:06:29No.
01:06:30No.
01:06:31No.
01:06:32No.
01:06:33No.
01:06:34No.
01:06:35No.
01:06:36No.
01:06:37No.
01:06:38No.
01:06:39No.
01:06:40No.
01:06:41No.
01:06:42No.
01:06:43No.
01:06:44Well, until he dies, I don't know where I'll go.
01:06:52You shouldn't have said goodbye to the house.
01:06:54I'm going to see my sister, for one night
01:06:57That this old woman didn't think she'd be dying for a week
01:07:00How should I know?
01:07:01And the passbook? What about the savings passbook?
01:07:05Leave that now
01:07:05We have to look for it
01:07:07And let's see how the furniture is.
01:07:09We have to throw it all away, it stinks.
01:07:12It's not the time, Petrita
01:07:13What is this?
01:07:17That's the bathroom
01:07:18Well, not even the water works.
01:07:23There's no pressure these hours.
01:07:24Oh, how is everything, how disgusting
01:07:26Dimas lives there
01:07:27With permission
01:07:34Good afternoon
01:07:37Goodness, Petrita, good afternoon, come in, come in
01:07:39No, no, I just wanted to take a look, that's all.
01:07:42Keep going, keep working
01:07:43Thank you
01:07:43Disgusting
01:07:46How is everything?
01:07:47Hey, we could open the window now, huh?
01:07:50I almost got dizzy
01:07:51Good afternoon
01:07:52Hey Rodolfo, I have to go out for a little while
01:07:54Listen, I'll be right back.
01:07:56That's it
01:08:02Hey, and this one
01:08:04It needs to be thrown out immediately.
01:08:06I'd like to know what's been happening here all this time.
01:08:10Very sorry
01:08:11Very sorry
01:08:13I'm going to see his wife
01:08:14Thank you
01:08:14See?
01:08:18What a cute little virgin
01:08:20Look, with its little lantern and everything!
01:08:21Ugh, it's so dusty, how disgusting!
01:08:23Look at those walls, how awful!
01:08:26What nonsense is this lady spouting here?
01:08:30Let's see
01:08:31Well
01:08:32Let's see the bed, my poor little thing.
01:08:35Now you'll have your real bed
01:08:37Well, we did find the savings account book.
01:08:39Because maybe this woman has given up everything for masses
01:08:42I don't know
01:08:44I don't know, I don't know how we're going to manage
01:08:45Everything needs to be painted
01:08:47Change everything
01:08:50Let's see
01:08:51My poor little thing
01:08:55But Petrita
01:08:58What can we do?
01:09:04This kitchen is a pigsty, isn't it?
01:09:07How awful!
01:09:08Let's see these dishes
01:09:09But anyway, these are some dishes
01:09:11It seems like these dishes never go away.
01:09:13Yes, I'm not up for anything.
01:09:14Let's see
01:09:14I'm terrified of dead people.
01:09:16What's with my clothes, how awful!
01:09:17Let's see this spoon.
01:09:18Buah
01:09:19Well yes
01:09:20Nothing can be used in this house
01:09:23And here?
01:09:24What's here?
01:09:25But
01:09:26But what is this?
01:09:27That's where I sleep, miss.
01:09:29How awful, it smells like cat, how disgusting
01:09:31Clear
01:09:32Well
01:09:32Let's see
01:09:34What did you buy?
01:09:35Since the lady is your sister, then
01:09:36I'm not up for anything.
01:09:38Leave me alone, leave me alone
01:09:39Leave it to me
01:09:40Let's see
01:09:41Well
01:09:42Let's see
01:09:43Well
01:09:44What is this?
01:09:46Have you seen those anchovies?
01:09:47How awful
01:09:48Where did he buy them?
01:09:49If you don't arrive in time, they'll poison you, son.
01:09:51But don't worry
01:09:52Don't worry, my love
01:09:53Now I'm going to fuck off about everything.
01:09:55And I'm going to prepare a wonderful dinner
01:09:56Now you'll see
01:09:57Take it with you
01:09:59Take this syringe
01:10:00Disgusting
01:10:01Oh, what a dinner!
01:10:04And how hungry I was!
01:10:07She looked great.
01:10:08Oh well
01:10:10What did the chicken put in the cooler?
01:10:13Come on
01:10:13Miss, I don't give you anything
01:10:16Look how great!
01:10:18And tomorrow, chicken.
01:10:20There's a turkey
01:10:22Breast
01:10:22What is such a quiet road?
01:10:24This is going to be delicious
01:10:27Okay, enough with the touching.
01:10:36Come on, to the cooler
01:10:38As this lance of the blow says
01:10:39It's something phenomenal.
01:10:41It has to give way from one side to the other.
01:10:42And now in honor of Petrita
01:10:47I'm going to do drunk English
01:10:49Stop the touching
01:10:52Sit down
01:10:54Oh, thank goodness.
01:10:56There's someone in this house
01:10:57That makes you quiet
01:10:58Resign
01:10:59Let go of every roll of fear
01:11:00How does it feel?
01:11:01No, listen
01:11:02We need to talk
01:11:05Don Dimas
01:11:07You like this house
01:11:09You like it as a stew
01:11:11And you see
01:11:13No meatballs
01:11:14Chicken
01:11:15And who doesn't like that?
01:11:17Well
01:11:18How much did you give to Doña Martina?
01:11:21Petrita, I think that
01:11:22Oh, oh, oh
01:11:24I don't like this.
01:11:25Not a fart
01:11:26Look, miss
01:11:26I have nothing to say to you.
01:11:29Me with the widower
01:11:31With the tenant of the house
01:11:33Go ahead, you speak.
01:11:34Speaks
01:11:34Speaks
01:11:36I believe
01:11:37Leave that now
01:11:38I think that
01:11:39You shut up
01:11:40Let me
01:11:41And don't you laugh, okay?
01:11:43Because you
01:11:44What's happening?
01:11:45What's wrong with me?
01:11:46It happens that you are very careful
01:11:47She gathers her things and leaves
01:11:49He's leaving.
01:11:50And why?
01:11:51Because this house
01:11:52At least from now on
01:11:53It's going to be a decent house
01:11:55And in a decent house
01:11:56Certain people cannot live
01:11:57And you leave me alone
01:11:58Listen, here's the only indecent one
01:12:00Are you
01:12:01Tell him yourself, Rodolfo
01:12:02Less trust, huh?
01:12:03Less trust
01:12:04That's in the White House, rich
01:12:05Goes
01:12:06That woman is insulting me.
01:12:08And I am much more honest than you.
01:12:10I haven't married my boyfriend yet.
01:12:11With no old
01:12:12Oh, her boyfriend, her boyfriend
01:12:13Why call this woman your boyfriend?
01:12:16Go to the next room.
01:12:18I have to go downstairs
01:12:19To breastfeed me
01:12:20Come on, let's go
01:12:20That?
01:12:21Come on, let's go
01:12:21Then this
01:12:22That's how we send the tap
01:12:24Yeah
01:12:24Hey, and you, less joking around, okay?
01:12:33Less joking around
01:12:34Nobody gives it to me.
01:12:35I'm the boss in my house.
01:12:36And I do what I want
01:12:37That's it
01:12:38We'll continue tomorrow.
01:12:39Wow, they've really gotten themselves into trouble.
01:12:42You don't know for sure.
01:12:44The mistress, the mistress
01:12:45One moment
01:12:46Calm down, calm down
01:12:47Nothing's happening here
01:12:49Don't cry, Mery
01:12:51Here I am
01:12:52To defend your rights
01:12:53And mine
01:12:54I'll take this to court.
01:12:56How delicious!
01:12:57Eat, daughter
01:12:57Thank you
01:12:58You have a great touch.
01:12:59For the rice pudding
01:13:00Poor thing, thanks
01:13:01Poor thing, poor thing
01:13:05Poor
01:13:06Poor
01:13:06That whole primer thing is nonsense.
01:13:22Are you leaving?
01:13:38I don't want to see her
01:13:39I don't know what's wrong with me
01:13:42Don't worry
01:13:43Such is life
01:13:45You're right
01:13:52We already have a flat.
01:13:57Martina
01:14:18Martina
01:14:20No, Martina
01:14:27You're not going to die
01:14:28Martina
01:14:29Oh
01:14:31Oh
01:14:31Which?
01:14:33Martina
01:15:03Bye
01:15:33The Church of Jesus Christ of Latter-day Saints
01:16:03The Church of Jesus Christ of Latter-day Saints
01:16:33The Church of Jesus Christ of Latter-day Saints
01:17:03The Church of Jesus Christ of Latter-day Saints
01:17:33The Church of Jesus Christ of Latter-day Saints
01:18:03The Church of Jesus Christ of Latter-day Saints
01:18:33The Church of Jesus Christ of Latter-day Saints
01:19:03The Church of Jesus Christ of Latter-day Saints