- hace 2 días
Reparto: Tony Leblanc, Concha Velasco, Antonio Ozores, Laura Valenzuela, Juan Calvo, Antonio Riquelme, José Luis López Vázquez, Manolo Gómez Bur, Jesús Puente, Elvira Quintilla, José María Rodero, Venancio Muro, José Orjas
Dirección: Pedro Lazaga
Sinopsis: Paco y Virgilio son dos golfos madrileños que viven del timo en todas sus variantes: desde el timo de la "estampita" al "tocomocho". En cambio, Julita, la hermana de Paco, y Katy, su mejor amiga, viven honradamente trabajando como mecanógrafas en una agencia de viajes. Como la policía les sigue la pista, son cada vez más frecuentes sus visitas a la comisaría y sus estancias en la prisión de Carabanchel.
Dirección: Pedro Lazaga
Sinopsis: Paco y Virgilio son dos golfos madrileños que viven del timo en todas sus variantes: desde el timo de la "estampita" al "tocomocho". En cambio, Julita, la hermana de Paco, y Katy, su mejor amiga, viven honradamente trabajando como mecanógrafas en una agencia de viajes. Como la policía les sigue la pista, son cada vez más frecuentes sus visitas a la comisaría y sus estancias en la prisión de Carabanchel.
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CortometrajesTranscripción
00:00:00Charity raffle to benefit orphans, with the National Lottery on July 25th.
00:00:19A magnificent car, ticket 25 pesetas.
00:00:23Listen, go by car and do a good deed.
00:00:29In combination with the Lottery, last days of sales, for just five pesetas you can become the owner of this luxury car, brand...
00:00:41Brand...
00:00:43Any.
00:00:44Registered trademark.
00:00:59Registered trademark.
00:01:00Thank you!
00:01:30Thank you!
00:02:00Thank you!
00:02:30Thank you!
00:02:32Thank you!
00:02:34Thank you!
00:02:36Ballots!
00:02:38There's a lady there asking what orphans this is for.
00:02:40What good are orphans going to be?
00:02:42For orphans.
00:02:44Ah, what a wasteland!
00:02:46Come on!
00:02:48Come on!
00:02:50Let go! Let go!
00:02:52Watch out, man!
00:02:54Hey! Here it comes! Here it comes!
00:02:56Come on, hurry! Hurry!
00:02:58Let's go! Let's go!
00:03:12We will eat at El Escorial.
00:03:14And there, more calmly, I will quote the report.
00:03:16Very good.
00:03:28Come on!
00:03:38Hello! Good morning, everyone!
00:03:40Hello, what's up?
00:03:43Hello, hello, guys.
00:03:44What's up, guys?
00:03:45Oh, I'm so tired.
00:03:46What's up, typical guy? How's it going?
00:03:48Well, he's worked quite hard today.
00:03:50Well, we've had a ripple.
00:03:52And if we're not careful, we'll sell a ticket to the car owner.
00:03:55And so?
00:03:55This is because of that idiot, who always gives notice at the last minute.
00:03:58This kid just doesn't pay attention.
00:04:01Careful, man, you're spilling my milk and I just prepared it.
00:04:04Three red wines, sorry, Ramón.
00:04:06What? How was the subway today?
00:04:11Bad. Four and a half empty acts of spite.
00:04:15Is it the end of the month?
00:04:16The end of the month is terrible.
00:04:19Hello, gentlemen.
00:04:21Hello, what's up?
00:04:25Hello.
00:04:28It's so hot!
00:04:30It's nice and cool in here.
00:04:32If you had just come from opening seven locks on Juan Carral Street,
00:04:35You tell me.
00:04:36Clear.
00:04:37How did the merchant do?
00:04:39Oh, smoke!
00:04:40You shut up!
00:04:41These people cannot be allowed to speak.
00:04:44We are beasts!
00:04:45Are they really beasts?
00:04:46That's it, man.
00:04:47Can you lend me a small bottle, Don Ramón?
00:04:49Of course! Yes, sir.
00:04:51Thank you so much.
00:04:54Let's see, the red wine.
00:04:55We're running late, Don Ramón.
00:05:14Yes, son, yes. Let's go.
00:05:17Good morning, Mr. Ramón.
00:05:18Goodbye, son.
00:05:19We are short two hundred and twenty pesetas and sixty cents.
00:05:27What a pity.
00:05:28If it takes half an hour longer, the car owner will have them.
00:05:33We have to get them out somehow.
00:05:34Yes, my ten percent.
00:05:36How's your ten percent, you scoundrel?
00:05:38We're short of money and on top of that you're asking for more.
00:05:39That's your business.
00:05:41It's Julita's jump.
00:05:42But I'm not in love with her, and she's not my sister.
00:05:45So you don't want to contribute to the gift?
00:05:48Say it, say it now, you ungrateful wretch.
00:05:51What agreements will they make and gouge your eyes out?
00:05:53Piece of materialistic gulf.
00:05:54Bad friend!
00:05:56Don't give him a single penny.
00:05:57I don't deserve it.
00:05:59What am I going to give him?
00:06:00Well, yes.
00:06:01If you're going to be like that, I'll cooperate.
00:06:04But could I ask for another small glass of wine to dip it in?
00:06:12Yes, yes, okay.
00:06:25Don Arturo will receive you on Tuesday at five o'clock.
00:06:29Please bring the project outline and written out.
00:06:33Yes, Mr. Arturo can dedicate up to ten minutes to it.
00:06:37Okay, Mr. Olea.
00:06:38Good afternoon.
00:06:40Bye bye.
00:06:40Come on, Katy.
00:06:43Finish your Mediterranean cruise now.
00:06:45Don Arturo is going to ask for the signature any moment now.
00:06:47Let him wait.
00:06:48How irresponsible.
00:06:49How can you tell that you don't have to hand over the cash?
00:06:51For you, passing the signature is like passing the dipteria.
00:06:53Even worse.
00:06:54I'm already used to it.
00:06:55I walk in with my pen resting on the blog and as soon as I open the door, the machine gun opens.
00:06:59Today's date, Mr. Director of the Samoa Hotel.
00:07:01Today's date.
00:07:02Costa Azul hotel chain.
00:07:04Nice.
00:07:05Dear Sirs.
00:07:06Colon.
00:07:06We take the liberty of bothering you to arrogate to you.
00:07:08Please cover for us.
00:07:10Coma.
00:07:10As soon as possible.
00:07:11Coma.
00:07:11The balance in our favor from your esteemed account amounts to four million francs
00:07:15three hundred and twenty thousand.
00:07:16Spot.
00:07:17Hoping to see you pleased and thanking you in advance, etc., etc., etc.
00:07:20Wow!
00:07:23I still don't know how you speak without dictating.
00:07:25Please, Julita, write it up quickly.
00:07:28Has the Mediterranean cruise already ended?
00:07:30I've just landed in Barcelona.
00:07:34Marseille, Venice, Genoa, Athens, Forsyth and Don Artur.
00:07:40Gomez, sign it!
00:07:47Careful, I'm opening it, okay?
00:07:50I have your gift here.
00:07:53What is it?
00:07:55Secret.
00:07:56Go on, tell me.
00:07:57I'll tell you tomorrow.
00:07:59Are you going to invite Virgil?
00:08:01I don't know, he has a lot to do.
00:08:04And Paco?
00:08:04Will he eat with us?
00:08:06I suppose not.
00:08:07They are both very busy.
00:08:09They have a very important business on their hands.
00:08:16These jokes are funny.
00:08:20Listen, I like newspapers, but not enough to eat them.
00:08:24Sorry, I was reading the match report.
00:08:25Don't talk to me about the game.
00:08:27Have you seen me steal?
00:08:28Real Madrid deserved to win, no question.
00:08:30Yes, yes.
00:08:31These are the injustices of life.
00:08:33He could keep it, he knew.
00:08:34Thank you so much.
00:08:34Thank you so much.
00:08:34Thank you so much.
00:09:04Good afternoon, Julita.
00:09:28Hello, sister.
00:09:29Sit down, man, sit down.
00:09:30May I ask the reason for your visit?
00:09:32I've come to keep Paco company.
00:09:33He doesn't know how to come alone.
00:09:34Don't look any further, we haven't taken anything.
00:09:59She is more distrustful.
00:10:00It's natural.
00:10:01Here, when anything gets a bad reputation, I leave for...
00:10:05Yes, let's go.
00:10:05Take that away.
00:10:06In this house I don't want anything that isn't mine.
00:10:08If it's yours.
00:10:09What were you taking with you?
00:10:11How unfair.
00:10:12If I take five more minutes...
00:10:14A pressure cooker, it's beautiful.
00:10:20Do you like it?
00:10:21We bought it for you.
00:10:23It's your saint's day gift.
00:10:24Since we know you don't have time to cook, with the pot you can cook everything in five minutes.
00:10:28And when that food is ready, a whistle blows.
00:10:31Please forgive me for what happened before.
00:10:32Since you've done so many things to me, I had no choice but to think the worst.
00:10:35It doesn't matter.
00:10:36All we want is for you to like it.
00:10:38It's very nice that they give something as a gift.
00:10:40You are all invited to lunch tomorrow.
00:10:42We'll try out the pot.
00:10:43Where did you get it from?
00:10:46From the store.
00:10:47Very strange.
00:10:48Are you sure I shouldn't be embarrassed to accept the gift?
00:10:50Don't be so suspicious, woman.
00:10:53We've started a car business.
00:10:55Very decent.
00:11:04Come on, Paco, wake up, it's already eight o'clock.
00:11:06You already have breakfast ready.
00:11:08Come on, Paco, pick up three, it's already very late.
00:11:11Your coffee is going to get ice cold.
00:11:13Hey?
00:11:15But get up, without shame.
00:11:19Who's calling me?
00:11:19What's happening?
00:11:20This is the car business you used to have, right, Golfo?
00:11:24My sheet, oh my God, all covered in graffiti.
00:11:27Don't worry, woman, I'll wash it vigorously for you.
00:11:29And what about shame?
00:11:30Who washes it for you?
00:11:31Well, the thing is, they required us to carry the propaganda to work.
00:11:34For the benefit of orphans.
00:11:36For your own benefit, shameless ones.
00:11:38Just a moment, just a moment.
00:11:39After all, we're both orphans, aren't we?
00:11:42Hey, shorty, what's up?
00:11:54Hi, I'm cleaning, Paco.
00:11:56Oh man.
00:12:07Good morning, Virgil.
00:12:09Hello, Paco.
00:12:09You overslept, huh?
00:12:12Oh, don't talk to me about sheets.
00:12:15The short guy has found you a great car on La Montera street.
00:12:19Fixed parking available every morning from 10 to 12.
00:12:2310 to 12.
00:12:26He's revealed the truth about the raffle.
00:12:30He kicked us both out, come on.
00:12:32So what about the food?
00:12:33No, he hasn't said anything about that.
00:12:35But from the sheet, impossible.
00:12:37Anyone could pull it out.
00:12:40Well, he really did kick us out of the raffle.
00:12:44So what do we do?
00:12:45That?
00:12:46Here, what's giving me the creeps, one of these crazy guys!
00:12:50Hey, you!
00:12:51Give me a peseta!
00:12:53You'd better take these kinds of people with you, or I'll take them away.
00:12:56Come on, give me a peseta!
00:12:59Come on, come on!
00:13:00I'm going to miss the train.
00:13:01Well, I won't let him leave unless he gives me the peseta.
00:13:04Rage, who is going to miss the train.
00:13:06Get out of there!
00:13:06If you get hit on the stomach, it's going to be worse than meningitis.
00:13:09Oh yes, it's a man!
00:13:11Go on, you!
00:13:13Give me a peseta!
00:13:15Give me a peseta!
00:13:17No, that silly west will ruin me!
00:13:20Evil!
00:13:22Take the peseta!
00:13:24And I don't want to see you anymore, you wretch!
00:13:26Take a holy card!
00:13:28But you know what this is!
00:13:35A holy card!
00:13:37He found me overfilled!
00:13:39But it makes me angry!
00:13:40They're all duplicates!
00:13:42Goodbye, hick!
00:13:43Goodbye, hick!
00:13:45Hey, guys!
00:13:56Come here!
00:13:59Wait!
00:13:59Hey, you!
00:14:14Come here!
00:14:17Hey!
00:14:19Come!
00:14:20Do you have a lot of holy cards?
00:14:22Many!
00:14:23Cough from an ice pack!
00:14:25Oh my God!
00:14:26And are they all mine?
00:14:28They're all repeats!
00:14:30And why do you want so many of the same?
00:14:32Oh, how funny!
00:14:33And what are you doing here?
00:14:35I!
00:14:35For my children!
00:14:38Okay, how many children does he have?
00:14:41Thirty!
00:14:43Oh!
00:14:44Well, I don't know how you're doing worse than me!
00:14:48Good afternoon!
00:14:51Would you please do me a favor?
00:14:53Is this the way forward for Atocha station?
00:14:55If you give me a weight, I'll say it.
00:14:57In this Madrid, even breathing costs money.
00:15:00Yes sir, this is
00:15:02Thank you
00:15:02If he gives me a little weight, I'll give him a holy card.
00:15:05Shut up!
00:15:07Don't bother this gentleman
00:15:08If it's not too much trouble, poor thing.
00:15:10Stay still, you little rascal!
00:15:13Hey?
00:15:14But...
00:15:14Come on, we need to talk
00:15:16But listen
00:15:18But have you seen it?
00:15:25Of course!
00:15:26That fool... Look at that!
00:15:27They're not holy cards
00:15:28They are one thousand peseta notes
00:15:30And an overfill
00:15:31What do you think?
00:15:33We're halfway there on the matter
00:15:35But he's not ashamed
00:15:37Who do you think I am?
00:15:39Can't you see the habit I'm wearing?
00:15:41And what about remembering my dead?
00:15:43My Intel is flying away
00:15:45Hey, kid
00:15:47Come closer
00:15:49Don't be afraid of anything.
00:15:50We need to talk to you
00:15:52Who do you live with?
00:15:59With no one
00:16:01You have no family
00:16:03I have a father
00:16:04But I don't talk to him because he's a womanizer.
00:16:07To execute him?
00:16:08With a creature like that
00:16:09It still has value...
00:16:10No, because I'm a womanizer.
00:16:12How awful
00:16:14I really don't know
00:16:20It would be better to take the money away from him.
00:16:22I believe it's a charitable act.
00:16:24Yeah
00:16:24Do you want to sell the holy cards?
00:16:32Hey?
00:16:33But they're not going to give me what I'm going to ask for.
00:16:35Let's see where this turns out.
00:16:37How much do you want?
00:16:39A pesita for the stamp
00:16:44Poor thing
00:16:47One moment
00:16:49We need to arrange things so that that unfortunate man benefits as well.
00:16:57Yes, that sounds good to me.
00:16:59That's just how it is.
00:17:00How much money do you have here?
00:17:04Counting the holy card he gave me
00:17:05And everything, everything
00:17:07About three thousand
00:17:08Give them to me
00:17:10I'll buy you something useful.
00:17:13What do you contribute?
00:17:15Nothing
00:17:15I don't want to know anything about this matter
00:17:18The whole package for you
00:17:20I want to sleep peacefully.
00:17:23Without remorse
00:17:26This habit is very demanding.
00:17:30That's a saint.
00:17:32I'm trying, that's all.
00:17:37Come on, kid.
00:17:47Goodbye sir
00:17:50Goodbye, well
00:17:50Goodbye, waiter
00:17:53I'll walk you home
00:17:55Poor thing, what a shame
00:17:57Poor boy
00:18:01It's so good
00:18:02Poor thing, what a shame
00:18:32And now, for dessert, the cake.
00:18:39Do you like my earrings?
00:18:43They're a gift from Katy, aren't they beautiful?
00:18:45Very beautiful and elegant as well
00:18:47And very big, right?
00:18:48It's the fashion now, big ones are in style
00:18:50And what did you give him/her?
00:18:52A pressure cooker
00:18:53Ah, how convenient.
00:18:56What, aren't we having coffee?
00:18:59It's a very practical gift.
00:19:00How did you come up with that?
00:19:02Men, you have no imagination for these things.
00:19:04Whether it's flowers or chocolates
00:19:06But a pressure cooker is a great gift
00:19:08I'll see if the coffee's ready.
00:19:09I'm going with you.
00:19:10I want to see the pot
00:19:11I was planning to give one to Mom.
00:19:13The point is that...
00:19:14I'm warning you, it's not worth it.
00:19:15It's an ordinary pot, nothing special about it.
00:19:17No, yes, what I wanted to see was the model
00:19:19They're the kind that when the food is cooked
00:19:21They say, I saw, to warn
00:19:22Nah, it's really disgusting
00:19:23But where is it?
00:19:24The fact that...
00:19:26The pot...
00:19:26It's not there
00:19:27We had to take her to the store
00:19:29It wasn't working quite right
00:19:31Toward...
00:19:31Very strong
00:19:33A horrible noise
00:19:34His nerves were on edge
00:19:36I'm such an exaggerator.
00:19:38You don't know that very well.
00:19:40Since they have an advertising business
00:19:42They've gotten used to exaggerating everything
00:19:44Do you advertise?
00:19:47A bit
00:19:48Dic is a new procedure
00:19:50Sheet advertising
00:19:52That?
00:19:53But they now dedicate almost all their time to charity.
00:19:55They are altruists
00:19:57Purita, for God's sake.
00:19:58They've organized a very important raffle
00:20:00For the benefit of orphans
00:20:02Show great pity to the orphans
00:20:04You are extraordinary
00:20:05There's truly nothing like friendship.
00:20:13You really are my friends
00:20:16More friends than anyone
00:20:17I want us to be like brothers.
00:20:20Three brothers
00:20:22That is
00:20:23But, man, don't be such a kisser, what makes it so obvious and slow
00:20:27No, it's there.
00:20:28Yes, he's very affectionate, you can't help but love him.
00:20:30Hey
00:20:32We can see you getting like this.
00:20:35Come see that we want this
00:20:37We're going to close
00:20:38We want more
00:20:40Pepe, please, will you give me the child's pelargonium?
00:20:48This is over now.
00:20:49Immediately
00:20:50I've put it in the fridge so you don't get sick.
00:20:52Thank you
00:20:52My children, how they both pull you.
00:20:55Asturias, beloved homeland
00:21:01Asturias, lawsuits to die
00:21:07Man
00:21:09Oh, I
00:21:09Oh, I
00:21:10Me, me, me
00:21:11Me, me
00:21:11Me, me, me
00:21:12Me, me, me
00:21:12Me, me, me
00:21:20Okay, hurry up, you idiot!
00:21:26Okay, hurry up, record the banana!
00:21:37Oh my God! I think they were telling me.
00:21:41It was like a nightmare.
00:21:43Something has happened to him, something has happened to him.
00:21:45Calm that lady down. It was a minor accident.
00:21:48Oh my god, I'm going to have a heart attack!
00:21:49It was a lucky accident. In 40 days they'll remove the cast and he'll be as good as new.
00:21:54My love, answer me. Tell me something.
00:21:58What's wrong with him, my God? He's not saying anything.
00:22:00What's he going to say? He's unconscious, he doesn't see it.
00:22:02The anesthesia. It's like being drunk. It'll last a while yet.
00:22:06Quite a lot, because she's taken a lot of anesthesia.
00:22:10What she must have suffered.
00:22:11Don't worry, it's all over now.
00:22:14Here is the invoice.
00:22:16X-ray, assistance, plaster materials, ambulance.
00:22:19Three thousand seven hundred, including shipping and everything.
00:22:23Including the Montepío, of course.
00:22:25Okay. Sabina, the chili receipt book is in the first drawer of the dresser.
00:22:29Bring it.
00:22:30And the bag too.
00:22:31And you know, in 40 days you should go to Dr. Martínez Zansure's clinic to have the cast removed.
00:22:36Asturias, eh, my loves.
00:22:40He's spoken, he'll be right back.
00:22:42What are you saying, sweetheart?
00:22:44I don't know what he said about Asturias.
00:22:48Poor.
00:22:49Asturias.
00:22:51That's because I'm from there.
00:22:52Come on, come on.
00:23:15This is for you.
00:23:18Please, ma'am, don't offend us.
00:23:20No, no, accept it.
00:23:21It's the least I can do.
00:23:23We did our duty, and that's all.
00:23:26You have saved him.
00:23:27No, ma'am, not us.
00:23:30The one who saved him was a simple man from the village.
00:23:32An anonymous hero who pulled him out from under the car wheel, risking his life.
00:23:36But where? Where is that man?
00:23:40Down there.
00:23:42Please bring it up.
00:23:44Yeah.
00:23:50Lord, Lord.
00:23:52Please bring it up.
00:23:55The lady wants to see you, please.
00:23:58Go up.
00:24:00Be careful, okay?
00:24:04Slowly.
00:24:04Slowly, slowly.
00:24:07With great care.
00:24:09Great care.
00:24:11Effortlessly.
00:24:13Slowly, slowly.
00:24:16Believe me, I don't know how to thank you.
00:24:19Please accept it.
00:24:20If it happened a thousand times, I would do the same thing a thousand times.
00:24:23Excuse us, ma'am, but we have a lot of work to do.
00:24:26Many are suffering.
00:24:28Thank you so much.
00:24:28I will never forget what they have done for my husband.
00:24:32Goodbye, ma'am.
00:24:33Bye bye.
00:24:33And you, boy, let's go home soon.
00:24:35Those blows to the head are not good at all.
00:24:37At his feet.
00:24:38Bye bye.
00:24:39Be careful, and with care.
00:24:40Don't worry, I'll bring it to you.
00:24:42Ah, yes.
00:24:43Thank you so much.
00:24:44You're welcome, ma'am.
00:24:45Thank you so much.
00:24:46You are welcome.
00:24:46Be careful on the curve, watch your head.
00:24:48Bye bye.
00:24:48The list of the American expedition in quintuplicate.
00:25:04But please, Julita, no rush.
00:25:06I don't want to rush today.
00:25:07I don't know if I'll be able to do it slowly.
00:25:09I'm not used to it.
00:25:10And you, Katy, do you want to do something or would you prefer to rest?
00:25:13I'll continue with the crossword puzzle if you don't mind.
00:25:14I like to celebrate holidays.
00:25:16What could have happened to him?
00:25:18This is the first time he has been absent in three years.
00:25:21In eight years, it will mean that I am the oldest.
00:25:24And this is the first time he's missed the list.
00:25:26If I manage to finish the crossword puzzle during office hours, I'll frame it.
00:25:31I'm finally going to know what it's like to have a coffee during work hours.
00:25:36You know, if there are any updates, I'm in surgery or something.
00:25:40And they send me a notification.
00:25:44There it is.
00:25:54Good morning.
00:25:56Good morning.
00:25:57Good morning.
00:26:02Good morning.
00:26:12Can I order another one?
00:26:14Ask for whatever you want, but they're going to hurt you.
00:26:17I really like them.
00:26:19You've already got four.
00:26:20Anyway, waiter.
00:26:24What do the gentlemen want?
00:26:25Another flan and for me a black coffee.
00:26:28Would you like a small glass of brandy?
00:26:29Poor thing, yes, the cognac really gets you high.
00:26:31What brandy do you want?
00:26:32To me, being French, Napoleon.
00:26:35Yeah.
00:26:35We will sacrifice ourselves.
00:26:36Will the gentleman have coffee?
00:26:48Yeah.
00:26:49But first,
00:26:52Bring me one
00:26:52a little pineapple nation here.
00:27:01Please don't fill it up for me.
00:27:03The man seems to be in a good mood.
00:27:05What a load of crap.
00:27:07Actually, everything has been very plentiful and very good.
00:27:09Thank you very much, sir.
00:27:11That's why I'm sorry to have to upset you.
00:27:15You tell me, sir.
00:27:15We don't have money to pay for food.
00:27:19It's a joke, right?
00:27:21I don't play tasteless jokes.
00:27:24I have no money, but I am a serious man.
00:27:25If they have no money, why have they eaten?
00:27:28Just because we don't have money doesn't mean we aren't hungry.
00:27:31What cynicism.
00:27:32I've never seen such freshness.
00:27:34Let's go, quietly.
00:27:35They're insulting us and I don't want to have them.
00:27:37Yes, it will be better.
00:27:38Is this where it won't leave?
00:27:39Are we not leaving here?
00:27:40No, we didn't go out.
00:27:41Come on.
00:27:41What's happening?
00:27:42These two scoundrels want to leave without paying.
00:27:44Don't be rude, Mom, I know myself.
00:27:46I'll fix this.
00:27:47Don't touch me, because I only allow it from anyone.
00:27:49Shut up, you idiot!
00:27:50I touched myself when I was short.
00:27:51Still!
00:27:52Let me go!
00:27:53Strong!
00:27:54Strong!
00:27:54Strong!
00:27:54Strong!
00:27:54Strong!
00:27:56Strong!
00:27:57Strong!
00:27:58Strong!
00:27:59Strong!
00:28:00Strong!
00:28:00Strong!
00:28:00Strong!
00:28:00Strong!
00:28:01Strong!
00:28:01Police, police!
00:28:02What's going on here?
00:28:03These two scoundrels have stuffed themselves with food and refuse to pay.
00:28:06We have no money.
00:28:08We were hungry.
00:28:09And is the French cognac they drank really that good for hunger?
00:28:12So, on top of that, it's French brandy, huh?
00:28:14Wow!
00:28:16Come on, to the police station.
00:28:17To the police station!
00:28:19You won't forget this so easily.
00:28:23Me neither.
00:28:25Hello, Paco.
00:28:27The food in Bampa is good, isn't it?
00:28:28Very good, Mr. Inspector, but a bit expensive.
00:28:31Two months and a day, at least, right?
00:28:34Come on!
00:28:41Remove.
00:28:47Dear Julita, Ávila is very beautiful.
00:28:52What else?
00:28:57You have so little imagination.
00:29:00Go on, write.
00:29:03The sky is very blue.
00:29:06Now I see it from my bedroom window.
00:29:08By the way,
00:29:09that Ávila is very similar to Seville.
00:29:12The windows have bars.
00:29:13and the people are very friendly.
00:29:15We miss you so much.
00:29:17You have no idea how much I want to see you again.
00:29:20Business is going very well.
00:29:21I'll tell you all the details when I get back.
00:29:23We will still be in Ávila for about a month and a day.
00:29:27So rest assured.
00:29:28Kisses from your brother Paco.
00:29:31Postscript,
00:29:31Don't worry.
00:29:34For your brother,
00:29:35that I will take care of him.
00:29:36Warm greetings from Virgil.
00:29:38They've put them in Ávila again.
00:29:41Warm greetings from Virgil.
00:30:12Oh!
00:30:13There's nothing like freedom.
00:30:15I can't wait to get home.
00:30:17Me too.
00:30:17It must be filthy.
00:30:19I have a lot of cleaning ahead of me.
00:30:20And Julita,
00:30:21He won't suspect a thing.
00:30:23No way,
00:30:23I have no idea.
00:30:24This is Ávila's trick,
00:30:25I don't know if...
00:30:27And why haven't we been able to go to Ávila?
00:30:29Last summer,
00:30:30Julita went to Mallorca
00:30:31and it seemed like the most natural thing to do.
00:30:33I mean,
00:30:33the brute,
00:30:33That's different.
00:30:34I have an idea.
00:30:36What if we bought egg yolks from Saint Teresa?
00:30:38And what is that?
00:30:39Some Russians doing something in Ávila.
00:30:40Are the sad people going there?
00:30:41I like them a lot.
00:30:43Come on, let's go,
00:30:43if you buy me egg yolks.
00:30:45Get a tattoo!
00:30:46Degenerate.
00:30:47That all you think about is eating.
00:30:49Slacker!
00:30:51And it will upset your stomach.
00:30:53Gulf!
00:30:54Look at them,
00:31:08They have come.
00:31:09How are you,
00:31:09Iglesias Pardillo?
00:31:10The dirtier,
00:31:11better.
00:31:11We came by train.
00:31:12It's true.
00:31:16Hello,
00:31:17How's it going in Ávila?
00:31:18Great.
00:31:18We have brought you
00:31:20Santa Teresa's egg yolks.
00:31:22Delicious sweets
00:31:23that they only do in Ávila.
00:31:24Thank you so much.
00:31:25I don't want anything from you.
00:31:26Let's go, Cati.
00:31:27What's wrong with you?
00:31:28But,
00:31:28Julita...
00:31:29Leave them be,
00:31:29That's their business.
00:31:31Jealousy,
00:31:31that bothers her
00:31:32that we go to Ávila.
00:31:33How does he have that reputation...
00:31:35Fame for what?
00:31:37Yeah,
00:31:37That's what I say,
00:31:38Unless it's because of the walls...
00:31:41Julita,
00:31:42Listen, woman.
00:31:43Don't be like that.
00:31:44Julita,
00:31:45Just wait a moment.
00:31:47I have to tell you something that's been going on for a while.
00:31:49Something very important.
00:31:50For me,
00:31:51You are not Paco's sister.
00:31:52Fifth.
00:31:53Julita.
00:31:54Juli.
00:31:56Julita.
00:31:58Julita.
00:32:00Can you hear me?
00:32:01You are not Paco's sister.
00:32:03You are everything to me.
00:32:04You're like my girlfriend.
00:32:05Even more.
00:32:06Oh well,
00:32:06And on top of that, you're going to make love to me.
00:32:08You're a scoundrel,
00:32:09cynical, thuggish.
00:32:10Malefactor?
00:32:10What are you?
00:32:11A thug.
00:32:11Malefactor?
00:32:12Yeah.
00:32:12Yeah,
00:32:13But I love you.
00:32:15Seriously, too.
00:32:15How exciting.
00:32:16He really likes me.
00:32:18Wedding and all, I suppose.
00:32:20We'd make a good couple.
00:32:21Me in white
00:32:22And you in your striped prison uniform.
00:32:24The honeymoon
00:32:24We would spend it in Ávila, I suppose.
00:32:27No, that...
00:32:28wherever you want.
00:32:29Listen to me carefully.
00:32:30I never want to see you again.
00:32:31Clear,
00:32:31as...
00:32:33I'm not a good catch.
00:32:34Oh, no,
00:32:34And on top of that, he insults me.
00:32:36I am not a gold digger.
00:32:37So you know.
00:32:38I wouldn't mind
00:32:39to love a poor man.
00:32:40But yes,
00:32:41that he be honest,
00:32:42that he earns his bread
00:32:43with the sweat of his brow.
00:32:45Look at them.
00:32:46How much is there?
00:32:47Four, ninety.
00:32:48Okay.
00:32:49They are poor workers,
00:32:51But they work.
00:32:52They are honest.
00:32:53Come on, go for it.
00:32:55One moment,
00:32:56But what are you doing?
00:32:56The peachy one with two meters
00:32:58That will be enough.
00:32:59But they're going to cover me up.
00:33:00the store entrance.
00:33:01What are you saying?
00:33:02That I am the owner
00:33:03from this store.
00:33:04Oh ok,
00:33:05It was a pleasure.
00:33:06Why so much pleasure?
00:33:07I need to know
00:33:08What are they going to do here?
00:33:09He doesn't see it,
00:33:09a ditch.
00:33:10That's ruinous.
00:33:11We don't know anything.
00:33:13Orders are orders.
00:33:15Whose orders?
00:33:16From the company.
00:33:17From the gas?
00:33:18You tell me.
00:33:19It's not going to be the one from Martín.
00:33:22And do they have to do
00:33:23Is the ditch right here?
00:33:24Man,
00:33:25We've already started here.
00:33:26and somewhere
00:33:27It has to be.
00:33:29Wait.
00:33:30Here you go.
00:33:36And open the fanny pack
00:33:37Further down, huh?
00:33:39In front of that store.
00:33:41They are very unfriendly.
00:33:44Good morning,
00:33:44meningitic.
00:33:45What's up?
00:33:47Hello.
00:33:52I have a surprise for you.
00:33:54Here is the savanna.
00:33:55I've already recovered it.
00:33:56I told the short guy
00:33:56that I start preparing
00:33:57the raffle material.
00:34:00What's the matter?
00:34:02Take that sheet with you right now.
00:34:04I'm embarrassed to look at her.
00:34:06It truly is
00:34:07a little dirty,
00:34:07But come on, not really
00:34:08to get like that.
00:34:10The raffles are over.
00:34:12What's happening?
00:34:13Has there been a tip-off?
00:34:14Sure, yes.
00:34:15No.
00:34:16It's not that.
00:34:18It's because I've become decent.
00:34:21But how can it be decent?
00:34:24You don't know what that is, do you?
00:34:26I feel sorry for you.
00:34:28You are a being without conscience,
00:34:29without morals.
00:34:30Unscrupulous.
00:34:32I used to be like that too.
00:34:34But what about before?
00:34:36You'll say yesterday.
00:34:37Because yesterday you weren't
00:34:37nothing decent.
00:34:39Don't remind me.
00:34:41Yesterday he was a scoundrel
00:34:42like you.
00:34:43Today I am an honest man.
00:34:45And you should do it too.
00:34:46We need to be more decent
00:34:47that nobody.
00:34:49Look at that pot.
00:34:50Poor Julita.
00:34:51He has not been able to
00:34:51nor accept it.
00:34:53He's ashamed of us
00:34:54And that's natural.
00:34:54What he must suffer
00:34:56with how good she is.
00:34:57She only has you in her life.
00:35:01And you?
00:35:03Who are you?
00:35:05Your brother?
00:35:06No.
00:35:08You are
00:35:08Gulf, nothing more.
00:35:10Rotten humanity
00:35:14of cheaters who...
00:35:15That?
00:35:20Shall we work?
00:35:24Be quiet!
00:35:26Scoundrel!
00:35:26But...
00:35:27You are to blame for everything.
00:35:30I've got you figured out.
00:35:31But don't think
00:35:32that everything will continue
00:35:32as before.
00:35:34Letting ourselves be swept away by you.
00:35:36You're a scoundrel.
00:35:37Without morals.
00:35:39Conscienceless.
00:35:40But if I...
00:35:41And what's worse.
00:35:44Unscrupulous.
00:35:47Oh, mother!
00:35:48Not so much, man.
00:35:58Then it sticks
00:35:59the plaster to the bottle.
00:36:01Forgive me, Don Ramón.
00:36:02I just can't seem to get the hang of it.
00:36:04I just can't seem to get the hang of it.
00:36:05I just can't seem to get the hang of it.
00:36:06It'll be right on!
00:36:07It'll be right on!
00:36:16Served.
00:36:20Hello.
00:36:21Good afternoon.
00:36:26Thank you.
00:36:34What's the matter?
00:36:35Something horrible.
00:36:38I did not know
00:36:38which was so dreadful
00:36:39be decent.
00:36:41What have they done to you?
00:36:42Don't do anything to me.
00:36:44That he had no money.
00:36:46What are you going to tell me?
00:36:48Since we became decent
00:36:50misery.
00:36:53And I haven't been able to anymore.
00:36:53endure more.
00:36:56What have you done?
00:36:59I have sold
00:37:00the skeleton.
00:37:02Whose skeleton?
00:37:05Mine.
00:37:07This morning
00:37:09at the medical school.
00:37:11But is it without a skeleton?
00:37:13No, man, no.
00:37:14It will stop when I die.
00:37:16And what do you want the money for?
00:37:17When will you die?
00:37:18No, if they pay on the spot.
00:37:20In that respect they are very serious.
00:37:22You sign a paper
00:37:23and they hit you with the forty-dollar bill.
00:37:26How embarrassing, Paco.
00:37:28Sell the skeleton.
00:37:29Oh, mother.
00:37:40What's it going to be?
00:37:42A small glass of red wine
00:37:44And give me some olives.
00:37:46Bone-in or bone-out?
00:37:47With the bone, please.
00:37:51Yes, man, yes, with bone.
00:37:52That's what you eat
00:37:53is raised.
00:37:53Of course, man!
00:37:56I feel very strange.
00:38:00It's unbelievable, Paco.
00:38:01If Julita found out.
00:38:03Why did you do it?
00:38:09For forty pesetas.
00:38:11Fifty pesetas
00:38:11And I won't lower the price any further.
00:38:12I won't insist.
00:38:13This is not a store.
00:38:14And the forty-dollar bills
00:38:15They are a reward
00:38:16that is given
00:38:17for cooperating
00:38:17to scientific research.
00:38:19And aren't you ashamed?
00:38:20Treating scientists like this?
00:38:21Well, does he want to or not?
00:38:23Okay, let's take it one step at a time.
00:38:25How much for the legs?
00:38:27We're finished, sir.
00:38:28If you don't want to give up the skeleton,
00:38:29Go away.
00:38:31Alright.
00:38:32Give me the forty pesetas.
00:38:36Sign here.
00:38:37And with this safeguard
00:38:38pass for administration
00:38:39that they will pay him.
00:38:47What things need to be done?
00:38:49I'm selling the skeleton
00:38:51out of necessity.
00:38:52Don't you think so?
00:38:52Should I sell it as a business?
00:38:54I can imagine.
00:38:55Otherwise,
00:38:56I would advise
00:38:56real estate agencies are better.
00:38:59Good morning.
00:39:00See you soon.
00:39:03A needy person, right?
00:39:05Note to the boss
00:39:06of the department
00:39:07advertising.
00:39:07Spot.
00:39:08Inside.
00:39:08Spot.
00:39:09I've been noticing
00:39:10with disgust
00:39:10these last few weeks
00:39:11a decline
00:39:12in advertising
00:39:13from his department.
00:39:14Spot.
00:39:14Repeatedly
00:39:15I've seen fences and walls
00:39:16from Madrid
00:39:16without a single poster
00:39:17from Comfort Express.
00:39:18Spot.
00:39:19What is happening
00:39:19with the radio stations
00:39:20It gives radios even more lamentable.
00:39:21Spot.
00:39:22We are nullified
00:39:23and overcome
00:39:23by other advertisers.
00:39:24Spot.
00:39:25Shortly
00:39:25people
00:39:26instead of traveling
00:39:26coma
00:39:27The money will be spent
00:39:28in soups.
00:39:29Eat.
00:39:29Come on.
00:39:30It is necessary to record
00:39:31in the brain
00:39:32of the people
00:39:32the name
00:39:33from our agency
00:39:33travel.
00:39:34And we have to achieve
00:39:35in the short term
00:39:36of time
00:39:36that
00:39:36coma
00:39:37when the children
00:39:38learn to speak
00:39:39his first words
00:39:39be dad, mom
00:39:41and Comfort Express.
00:39:41That's outrageous!
00:39:46Yes, daughter,
00:39:46Nobody can stand him.
00:39:50It's been a long time.
00:39:51I don't see Paco, oh well.
00:39:52Has he returned to Avila?
00:39:53No, they're both here.
00:39:55That?
00:39:55Are you still acting like monkeys?
00:39:56I haven't seen it
00:39:57from that day
00:39:58I don't plan on ever seeing him again.
00:39:59Woman, it can't be that bad.
00:40:00That embarrassed him.
00:40:02Hey, what are you doing?
00:40:03I'll call you?
00:40:03No way?
00:40:04He'll be around there.
00:40:05partying with my little brother.
00:40:06They're two scoundrels.
00:40:09Oh, mother, mother.
00:40:11Goodbye, Paquito.
00:40:23Goodbye, Virgil.
00:40:28Oh, I'm losing my mind.
00:40:29Oh, don't scare me, Paco.
00:40:30I'm going to call the doctor.
00:40:32Leave it.
00:40:33It's melted!
00:40:34go hand in hand this last time.
00:40:35Oh, what have you done, my God?
00:40:37That I have given
00:40:38four hundred cubic centimeters
00:40:40And I think that's too much.
00:40:42What are you saying?
00:40:46It's already passing.
00:40:47It's been dizzying
00:40:48unimportant.
00:40:50Virgil is the one who should be
00:40:51It's a shame.
00:40:52Oh, they've given it to him.
00:40:53one hundred and fifty pesetas
00:40:55more than me.
00:40:56Poor guy, he's delirious.
00:40:58No, woman.
00:40:59We will come with blood.
00:41:00Blood?
00:41:01About what?
00:41:02What do you mean, what about?
00:41:04Ours, our blood.
00:41:05They pay us in pesetas
00:41:07cubic centimeter.
00:41:08It's not possible.
00:41:09Cheap, right?
00:41:10But what do you want?
00:41:12You're not going to start haggling.
00:41:13It would have a bad effect.
00:41:14I can't believe it.
00:41:15Really
00:41:15Are you selling blood?
00:41:17In the pocket
00:41:18You have the receipts.
00:41:21These people
00:41:21It has everything.
00:41:22with great seriousness.
00:41:24They get you out of a tight spot,
00:41:25But daughter,
00:41:26They leave you feeling like flour.
00:41:31Four hundred pesetas.
00:41:33To pesetas, centimeters,
00:41:34I've already told you.
00:41:35How crazy.
00:41:35Why are you doing this?
00:41:37We've become decent.
00:41:40A crisis of conscience.
00:41:41Virgil had it first,
00:41:43Then Virgil converted me
00:41:44And now we're chasing after the short one.
00:41:48But there's no way.
00:42:05How would I love to dance with you?
00:42:08I prefer to go for walks.
00:42:09It's a wonderful afternoon.
00:42:12Damn.
00:42:13Back when I had money
00:42:14She didn't want to go out with me.
00:42:16And now that you're out
00:42:16We cannot enter.
00:42:17Don't be impatient.
00:42:19You'll find a job
00:42:20and you'll earn a lot of money.
00:42:21You'll see.
00:42:23Look at those.
00:42:25You're better off than me.
00:42:28Two reales per person.
00:42:29They have a lot of fun.
00:42:31Wow, what a mess.
00:42:36They must be having a terrible time in there.
00:42:39Why don't you ask me to dance?
00:42:40Here?
00:42:41What does it matter?
00:42:42It's a beautiful place
00:42:43And it must be horribly hot in there.
00:42:46Come on, come here.
00:42:46You're so nice, Julita.
00:43:02There are very few girls
00:43:03as good as you.
00:43:04Have you ever worried
00:43:05to know which ones are good?
00:43:07Yeah.
00:43:08Don't tell me
00:43:08And what for?
00:43:09Well
00:43:10to go out with the others.
00:43:12What a shameless person you are.
00:43:13A matter of great future.
00:43:34Unlimited earnings.
00:43:36We need intelligent men.
00:43:39Cults.
00:43:41Good appearance.
00:43:42Honest.
00:43:44Natural sympathy.
00:43:45People skills.
00:43:47Ask for Don Ciccino Vélez.
00:43:49Yuvana Cafeteria.
00:43:51What do you think?
00:43:52Like a glove.
00:43:54It's our portrait.
00:43:56Truly
00:43:57It seems they were thinking about us.
00:43:59Sirs,
00:44:11Herein lies a big problem.
00:44:14The origins of man.
00:44:16Every man feels
00:44:17a major concern
00:44:18to know their own origins.
00:44:21You agree, right?
00:44:21Yeah.
00:44:22But how many succeed?
00:44:24Ah,
00:44:24yourself
00:44:26Do you know who you're firing?
00:44:28Of...
00:44:29Ah,
00:44:30I knew it, man.
00:44:30Oh, huh?
00:44:31From the monkey.
00:44:32Of the unfortunate monkey
00:44:33of Adam.
00:44:34Exact.
00:44:35You see,
00:44:36our mission
00:44:36It's a beautiful mission.
00:44:39Helping man
00:44:40in the noble endeavor
00:44:41to know their own origins.
00:44:43Hey?
00:44:44Mostly that of the Orificians.
00:44:46No no.
00:44:48Quite the opposite.
00:44:50We want men
00:44:51with surnames.
00:44:53We don't care
00:44:54that ignore
00:44:54your family tree,
00:44:56that they don't know
00:44:57the story
00:44:58of their ancestors.
00:44:59That's what it's for.
00:44:59It's us.
00:45:01Let them put
00:45:02the surname
00:45:02and we
00:45:03We'll look for it.
00:45:05the lineage.
00:45:06Sure, sure.
00:45:07Here it is
00:45:08the painting
00:45:10services
00:45:11and rates.
00:45:12Family trees
00:45:13up to the sixth generation,
00:45:15until the eleventh,
00:45:17until the mysterious
00:45:18Middle Ages.
00:45:21Sketches of coats of arms
00:45:22weapons
00:45:22of each surname,
00:45:24coats of arms on pastry cases,
00:45:26in gold seals,
00:45:27etcetera, etcetera, etcetera.
00:45:29Already.
00:45:31And above all,
00:45:32Here it is
00:45:33the most complete
00:45:33heraldic guide
00:45:34and social
00:45:35that has ever been written
00:45:36and of which I fit
00:45:37pride
00:45:37of being a special agent.
00:45:41Your mission
00:45:43is to achieve registrations
00:45:45for our heraldic guide.
00:45:47Two thousand pesetas,
00:45:48luxury edition,
00:45:50Good from Russia.
00:45:52Nine hundred,
00:45:54paperback.
00:45:55and I grant them
00:45:58to you
00:45:5920%
00:46:01commission.
00:46:03Thank you so much,
00:46:04Don José Cínio.
00:46:07This,
00:46:09I recommend
00:46:10work in the province.
00:46:11Madrid is
00:46:12very battered.
00:46:14Many potholes in Madrid.
00:46:15Ah,
00:46:16big hole.
00:46:17Here you go.
00:46:19Sign here
00:46:20the contracts
00:46:21registration.
00:46:22Us too
00:46:23We signed.
00:46:23Man,
00:46:24but naturally
00:46:26first
00:46:26is to ennoble yourselves
00:46:27and not with what moral authority
00:46:28They're going to recommend them to you.
00:46:30Clear,
00:46:30Otherwise, what moral authority do we have?
00:46:31We're going to register them.
00:46:33It says here
00:46:33that must be given
00:46:34half upon signing.
00:46:35That's how it is,
00:46:35that's how it is.
00:46:36But don't worry,
00:46:38young,
00:46:38don't worry.
00:46:39To you
00:46:39as a special privilege
00:46:41I'll deduct it from your pay.
00:46:42of the first commissions.
00:46:44You are so kind,
00:46:45Don José Cínio.
00:46:47Oh,
00:46:47Oh,
00:46:47mother.
00:46:53For God's sake,
00:46:54What happened to him?
00:46:56It's back
00:46:57to make you dizzy.
00:46:59I am very sick.
00:47:01Oh,
00:47:02My God.
00:47:03And he told me
00:47:04the owner
00:47:05that next time
00:47:06that I fell
00:47:07I was saying goodbye.
00:47:10What am I going to do?
00:47:12Don't think now.
00:47:13In that,
00:47:13grandfather.
00:47:14The important thing
00:47:14It's that there hasn't been
00:47:15broken into a piece.
00:47:16Come on,
00:47:17let's see.
00:47:18God will repay him.
00:47:21It's a matter
00:47:21noble,
00:47:22all based
00:47:22of well-to-do people
00:47:23that we
00:47:24We looked for his lineage.
00:47:24Oh,
00:47:25Paco,
00:47:25You say it in a way
00:47:26I don't understand anything.
00:47:28Look,
00:47:28There must be trouble.
00:47:29I'm not missing it.
00:47:30Yeah,
00:47:30Yeah,
00:47:30Let's see.
00:47:31Come on.
00:47:33I can't go back
00:47:34home.
00:47:35This is my downfall.
00:47:36You'll see.
00:47:37how everything gets sorted out.
00:47:38Yeah,
00:47:38I am no more
00:47:39that a poor worker,
00:47:41an honest worker
00:47:42who doesn't earn more
00:47:42that which is necessary
00:47:43living.
00:47:44But please,
00:47:45grandfather,
00:47:46Please accept this.
00:47:48I have nothing more.
00:47:51It's the first time
00:47:52in my life
00:47:52that I feel
00:47:53not being rich.
00:47:54Can't.
00:47:55You're right,
00:47:55We need to help him.
00:47:57We have to give him something.
00:47:57The thing is,
00:47:57poor thing,
00:47:58It must have fallen.
00:47:59It doesn't matter,
00:48:01It's not important.
00:48:03Be quiet,
00:48:03Paco,
00:48:04You have no heart.
00:48:05What a shame,
00:48:06I shouldn't accept it.
00:48:08Be quiet,
00:48:09grandfather.
00:48:09Yeah,
00:48:09have,
00:48:10have.
00:48:11Thank you,
00:48:11thank you,
00:48:13daughter.
00:48:13I have this good name.
00:48:14God will repay him.
00:48:15Thank you.
00:48:16People are good,
00:48:17after all
00:48:18We are all brothers and sisters.
00:48:19People are good,
00:48:20We are all brothers and sisters.
00:48:23Let's go,
00:48:23that?
00:48:23But what are you going to do?
00:48:24It's crazy.
00:48:25Don't you have any feelings?
00:48:27It seems unbelievable,
00:48:27You're not going to give him anything.
00:48:28They will be able.
00:48:29Well,
00:48:30clear.
00:48:31I feel so sorry for you,
00:48:32poor man.
00:48:34Oh,
00:48:34I,
00:48:34Yeah.
00:48:35Oh,
00:48:36come on,
00:48:38five cubic centimeters
00:48:39of my blood.
00:48:40Thank you,
00:48:41God will repay you.
00:48:42brother.
00:48:43Well,
00:48:43that?
00:48:44I don't have any change.
00:48:45Do you see it?
00:48:46And what about those five pesetas?
00:48:47I'm not going to give it to him
00:48:48the five pesetas.
00:48:49I didn't think you were like this,
00:48:50I really didn't expect it.
00:48:52Oh,
00:48:53Oh,
00:48:54Oh,
00:48:55Oh,
00:48:56Oh,
00:48:56God will repay him.
00:49:00Nothing of God,
00:49:01You'll give it back to me tomorrow.
00:49:02Hey?
00:49:03What a scoundrel.
00:49:04Bye bye,
00:49:05Well,
00:49:05bye bye.
00:49:05What a scoundrel.
00:49:07Mr. Sanchez,
00:49:08Sánchez credit,
00:49:10loans and financing,
00:49:11a genuine private bank.
00:49:14Mister,
00:49:15me,
00:49:15me,
00:49:16me,
00:49:16Belilla,
00:49:17tributes and banquets,
00:49:20my two new collaborators.
00:49:23Ah,
00:49:23Well, it was a pleasure.
00:49:24Delighted.
00:49:25Very honored.
00:49:26Take care of your hand,
00:49:27that they bring me luck.
00:49:27That?
00:49:28And the children?
00:49:28Good,
00:49:29Children, you know how it is,
00:49:30good.
00:49:30But sit down,
00:49:31sit down,
00:49:32have taken possession
00:49:33his,
00:49:34their gathering.
00:49:36The discussion group.
00:49:37Well,
00:49:37So we meet here
00:49:38every day
00:49:39from eleven to two
00:49:40and from four to seven
00:49:41p.m,
00:49:43making the most of free time
00:49:44that work leaves us with.
00:49:46Since we exchanged impressions
00:49:47of the situation,
00:49:49We propose business deals,
00:49:51which, by the way,
00:49:52They are becoming more frequent every day
00:49:53more difficult.
00:49:54No,
00:49:54Of course, money is made.
00:49:55now that one is finished
00:49:56shedding their blood.
00:49:57What are they going to tell us?
00:49:59from the blood to us?
00:50:01And how poorly paid she is,
00:50:03Hey?
00:50:03Like what?
00:50:04Although the blood
00:50:05coordinated that no.
00:50:06Businesses give
00:50:06many headaches,
00:50:08especially for those who
00:50:09We are serious,
00:50:10like this and me.
00:50:11Hey,
00:50:12you were coming,
00:50:12He can't complain,
00:50:14Your business is extremely safe.
00:50:16Man,
00:50:16Yeah.
00:50:18But please bear in mind
00:50:19that I live off vanity.
00:50:21About what?
00:50:22The friend was coming,
00:50:23organizes banquets
00:50:24to personalities,
00:50:26It comes out one per day.
00:50:28There really are people
00:50:29who deserves everything.
00:50:30But I organize banquets
00:50:32precisely
00:50:33to those who don't deserve it.
00:50:36I don't understand.
00:50:37Clear,
00:50:37man,
00:50:38The others are very few.
00:50:39and besides, they wouldn't be able to attend.
00:50:42Can't you see they're working?
00:50:44Clear,
00:50:44clear.
00:50:45Ah,
00:50:45that are working.
00:50:46Well,
00:50:47Is there any news about the poor man?
00:50:48Mr. Peña?
00:50:49Go on,
00:50:50He still has his ulcer.
00:50:51from duair.
00:50:52The poor man doesn't get up,
00:50:54fall.
00:50:55And now with the plan
00:50:56social emergency
00:50:57for construction
00:50:58of housing.
00:50:59Much worse.
00:51:00That,
00:51:01That's what's making him sick.
00:51:02Clear.
00:51:03It's just not right.
00:51:04I don't know
00:51:05What does the government intend?
00:51:06with that building thing
00:51:08so many homes
00:51:10at affordable prices.
00:51:11Peña does it.
00:51:12They won't give him a place to live.
00:51:14But how do I stand?
00:51:15If you have six,
00:51:17He is involved in subletting.
00:51:18of apartments to be furnished.
00:51:20Clear.
00:51:20Make sure.
00:51:21But now he has had
00:51:22than lower the rent
00:51:23five thousand pesetas
00:51:24and yet
00:51:25cannot find a tenant.
00:51:26Oh.
00:51:26If anything
00:51:27some black American...
00:51:30Hello,
00:51:30sirs.
00:51:30How about kilometer-long?
00:51:32Man,
00:51:32the friend who goes to so many kilometers!
00:51:34Very good,
00:51:34very good.
00:51:35And that tangere?
00:51:36Tangerine a...
00:51:37Imports,
00:51:39Aracil,
00:51:40my two new collaborators.
00:51:42A pleasure.
00:51:43Nice to meet you.
00:51:44Delighted,
00:51:44but...
00:51:45And the children?
00:51:46The children,
00:51:46sit down.
00:51:49You can call him
00:51:50kilometer.
00:51:51We all know him like that.
00:51:53Here he is, as you see him.
00:51:54is one of the most active
00:51:56importers
00:51:56that we have.
00:51:58Every week
00:51:59sunset.
00:52:00And on the way back
00:52:01travels throughout Castile.
00:52:03It's a life
00:52:04with a lot of sherry.
00:52:06Clear.
00:52:06That?
00:52:08Did it happen?
00:52:08of my little order?
00:52:09He shouldn't have given it to him.
00:52:10for doubting.
00:52:13You'll see.
00:52:20Here it is.
00:52:23Come on,
00:52:24rascal.
00:52:25Made of foam.
00:52:28What a nice business!
00:52:29his.
00:52:30Always traveling.
00:52:31Don't think so,
00:52:32Uri gets tired.
00:52:33I just arrived
00:52:33and tomorrow
00:52:34I'm going to Toledo
00:52:35Let's see the customers.
00:52:37Man,
00:52:37Toledo,
00:52:37What a coincidence.
00:52:38Us too
00:52:39We have to go to Toledo.
00:52:40Oh,
00:52:41clear.
00:52:42Noble matter.
00:52:43As you can already
00:52:44you imagine.
00:52:45If they want,
00:52:46I'll drive them.
00:52:47That would be great.
00:52:49We don't know
00:52:49how to thank him.
00:52:50Very easy,
00:52:51paying for the gasoline
00:52:53between the three of them.
00:52:54The paperback edition
00:53:11It's worth 900 pesetas
00:53:13the restraint.
00:53:14But I, as a friend
00:53:15I advise you
00:53:16the deluxe edition
00:53:17in Russian leather.
00:53:18It's a real bargain.
00:53:21Should we give it to them for free?
00:53:22Look,
00:53:22two thousand pesetas.
00:53:23Well,
00:53:24But this
00:53:25What's it good for?
00:53:26For everything,
00:53:27but mainly
00:53:27for the lineage.
00:53:29That?
00:53:30Another tax,
00:53:31TRUE?
00:53:32No,
00:53:32man,
00:53:33No.
00:53:33If this is one thing
00:53:34surnames.
00:53:35Heraldry,
00:53:37human origins.
00:53:39What are your last names?
00:53:40Hey?
00:53:40González,
00:53:41at your service.
00:53:42And the second one?
00:53:43I'm not telling you, González.
00:53:45My name is Gonzalez
00:53:45even the text.
00:53:46Excuse me.
00:53:53They have just arrived
00:53:54tourists
00:53:54at one thirty.
00:53:56They only have five minutes
00:53:57to refresh.
00:53:57Five minutes
00:53:58to refresh
00:53:59and to the Greek.
00:54:00Come on,
00:54:00hurry,
00:54:01come on.
00:54:02Come on,
00:54:03come on.
00:54:04And,
00:54:05go.
00:54:06Please.
00:54:09Come on,
00:54:10let time pass,
00:54:11come on,
00:54:11Let time pass.
00:54:13Please.
00:54:13It's not like,
00:54:36how I hugged them.
00:54:38What discipline!
00:54:39It's nice to be with foreigners.
00:54:41I see it as very simple. And besides, we're not risking anything.
00:54:49Here it's not like in other businesses where your merchandise gets damaged and you go bankrupt.
00:54:53Of course, because no matter how unwell the tourists may be, they can handle a trip to Toledo.
00:54:59The only difficult thing here is finding people's names. And is it really that important?
00:55:04I have one, but I don't know if you'll like it.
00:55:08Which is it?
00:55:08Virpa, Express.
00:55:12Virpa? What's that?
00:55:15But you don't realize it. Vir from Virgil and pa from Paco, both of them.
00:55:22Virpa, Virpa. It sounds good, but it doesn't say anything.
00:55:29Take Confort Express, for example. It says you'll be comfortable, but Virpa...
00:55:35Virpa says so much more. I've thought it all through.
00:55:39Listen.
00:55:41B, travel.
00:55:43R, recreational.
00:55:46T, for.
00:55:49And A, altruists, for example.
00:55:56I don't really like the term "altruists."
00:56:00Altruists, altruists...
00:56:03If it could be a Spanish word, even better.
00:56:08Yes, but it's difficult.
00:56:11I've got it. Adults.
00:56:14Recreational trips for adults.
00:56:16Adults are the oldest.
00:56:18It seems unbelievable.
00:56:20It's because you've never taken medicine that's labeled for adults.
00:56:24Ah, yes.
00:56:25But what if a child comes along?
00:56:27We kicked him out, didn't we?
00:56:29It is not common for tourists to bring children.
00:56:33It's easier for them to take it away.
00:56:34Clear.
00:56:35Furthermore, when they see that our agency has not covered up for minors,
00:56:38They'll think there will be things like in Paris.
00:56:41What a business this is going to be!
00:56:43It's amazing how much we've changed.
00:56:46Do you remember before?
00:56:48Don't talk to me.
00:56:49I am very happy to be decent.
00:56:52Now, when I walk past a guard,
00:56:54I look at him differently.
00:56:56Like a colleague.
00:56:59The one that's a shame is the little cow.
00:57:01Look at him.
00:57:01Training to cheat.
00:57:03This cannot be allowed.
00:57:10Enough is enough!
00:57:11Cheating Gulf!
00:57:13You are a disgrace to this decent house.
00:57:15This morning you will earn your bread by the sweat of your brow.
00:57:20We are a calamity, Don Ucicinio.
00:57:22It seems that lineages aren't our thing.
00:57:24Everyone was born for a specific purpose.
00:57:26Clear.
00:57:27That's it.
00:57:29That toe cap doesn't shine.
00:57:31Give it another go, let it shine.
00:57:33But the shoe is really worn out.
00:57:35Shut up and keep going, lazybones!
00:57:37Well.
00:57:39Well.
00:57:39But ultimately, what are they trying to tell me?
00:57:41The truth is, Don Ucicinio, we are not good at this and we are harming you.
00:57:47So, if you don't mind, we have decided to resign.
00:57:52Accepted, accepted.
00:57:53I do not hold anyone against their will.
00:57:57During all this time we have not made a single inscription of the heraldic guide.
00:58:00Instead, what they ask us for a lot is to make them members of Real Madrid.
00:58:03It's a phenomenal business.
00:58:19Well, what can I explain to you, since you're in the profession?
00:58:22At Comfort Express, they earn what they want.
00:58:24Ours will be a bit more modest at first, of course.
00:58:29Julita and I can help you.
00:58:31Wonderful routes can be organized.
00:58:32The castles of Luar, trips to the biblical city of Rome...
00:58:36For now, we're only going to show Madrid and its surroundings.
00:58:40Then yes.
00:58:40Then everyone.
00:58:43We have to take it one step at a time.
00:58:45It must be extremely difficult to organize a travel agency and also a lot of work.
00:58:49You're going to tell me.
00:58:51I am the deputy general manager.
00:58:53That's great.
00:58:56Yes, but they come with a lot of responsibility.
00:58:59Of course, I already have everything in place.
00:59:00The only thing left to solve is the financial problem.
00:59:02The only thing left to solve is the financial problem.
00:59:03And now there's a huge money shortage.
00:59:05Oh, that's outrageous.
00:59:07At least 10,000 pesetas.
00:59:10One, two, three, four, five, six, seven, eight, nine and nine five hundred.
00:59:20That's all my capital.
00:59:21I was saving up to buy a record player with stereo sound.
00:59:24Thank you, Katy.
00:59:25Taking money from a woman seems wrong.
00:59:28But you're our capitalist partner.
00:59:30We'll return it to you soon.
00:59:32And you already know that you get a third of the profits.
00:59:34We're going to do a great business.
00:59:37But what about Julita?
00:59:38Can't we leave her out?
00:59:42He would get angry.
00:59:43He definitely wants to invest money.
00:59:44No, no, no.
00:59:45Julita no.
00:59:46You don't know her.
00:59:47It's very rare.
00:59:48Paco is right.
00:59:50It's better that he doesn't know.
00:59:51That way we'll surprise him.
00:59:52I don't know.
00:59:54Do you know her better?
00:59:56Imagine.
00:59:57Furthermore, business matters should be kept secret.
01:00:00That's true.
01:00:01Hey, waiter.
01:00:03It's getting late and we still have to sign the contract with the transport company.
01:00:07Excuse me, but this contraption...
01:00:24That?
01:00:25It's an excursion, isn't it?
01:00:27No excursions.
01:00:29We need the car every day.
01:00:30That's something else entirely.
01:00:32How many places does it have?
01:00:34Normally 28.
01:00:36But in football services, we get to science.
01:00:39It's not bad for a start, is it?
01:00:41Dude, I don't think so.
01:00:44The aim is to show Madrid to tourists.
01:00:46Virpa Express Travel.
01:00:49What are their conditions?
01:00:50Well, I could let you have it for 50 bucks.
01:00:55And the gasoline, separately.
01:00:56It seems expensive because, upon closer inspection, it's a museum piece.
01:01:00It's a special price because it's outside of service hours.
01:01:03And then it's up to me to do my job for the boss.
01:01:06But that's my business.
01:01:07OK.
01:01:08We start tomorrow at 11.
01:01:10Ah, if business goes well, the boss gets 5 more coaches.
01:01:15I would take care of talking to the drivers.
01:01:17I hope I have to talk to them.
01:01:18Hello, one please.
01:01:35Welcome to Spain.
01:01:37That's 300 pesetas.
01:01:44Okay, don't lose it, okay?
01:01:46Thank you.
01:01:46My ticket doesn't have a little kitchen with pringada.
01:01:48Oh, thank you.
01:01:49Go in with your colleagues.
01:01:51Travel, Virpa Express, tourism.
01:01:53Hey, hey, young man, young man.
01:01:55Come on, they're letting you.
01:01:55Travel, Virpa.
01:01:56Hey, young man.
01:01:57Virpa Express Travel.
01:01:57Take my word for it.
01:02:00Can?
01:02:01Go ahead, come in.
01:02:03My trail.
01:02:04The gasoline isn't coming.
01:02:06I was supposed to be here half an hour ago.
01:02:08This ruins it.
01:02:09What a lack of formality.
01:02:11We'll look for another driver tomorrow.
01:02:12Yes, but what do we do today?
01:02:13They'll get tired of it and we'll have to give them their money back.
01:02:16Calm down, Paco.
01:02:17There is still time.
01:02:19What's going on there?
01:02:20Hey?
01:02:22He's the short one.
01:02:24Take charge of this.
01:02:26It's mine.
01:02:27I've seen it before.
01:02:28What are you going to see?
01:02:28If you can't see anything with that thing.
01:02:30No offense, okay?
01:02:30You don't know me.
01:02:31In that uniform, not even his parents would recognize him.
01:02:33My father is a priest.
01:02:35Let me go.
01:02:36Dude, I'd eat it up.
01:02:37One moment.
01:02:38What happened here?
01:02:39This Indian guy wanted to rob me.
01:02:41The Indian?
01:02:41It was mine, I'd give it up.
01:02:43Shut up.
01:02:44It seems unbelievable.
01:02:45Aren't you ashamed of stealing an Indian from this poor boy?
01:02:48Come on, come on.
01:02:49I don't want to see him around here anymore.
01:02:51Take it and carry it with your eyes.
01:02:54He robs Indians.
01:02:55That one doesn't appear.
01:03:19What a disaster.
01:03:20What I don't understand is how the tourists put up with it for so long.
01:03:23They are very good.
01:03:26And the short guy handles them wonderfully.
01:03:29Come in, come in, come in.
01:03:31Come here.
01:03:32Bundle of coins.
01:03:34Bundle of coins.
01:03:35Bundle of coins.
01:03:36Place your bets, please.
01:03:38Five pesetas.
01:03:40Thank you.
01:03:41Thank you.
01:03:42Very good.
01:03:43Thank you.
01:03:44Thank you.
01:03:45No more.
01:03:48Come here.
01:03:49Look up.
01:03:50Go down.
01:03:50Look up.
01:03:51Go down.
01:03:53Where's the ace?
01:03:54It's here.
01:03:55Let's see, the Indian, let him raise the letter.
01:04:00No.
01:04:03It's here.
01:04:05Thank God.
01:04:06Come on.
01:04:07Put the bus on the signs.
01:04:09Yeah.
01:04:09Hey, the snout here.
01:04:15Go up, go down.
01:04:17Go up, go down.
01:04:19That is.
01:04:20Very good.
01:04:21Yes, this is very easy.
01:04:22I used to do it at fairs, but I had to stop because the hicks always got me right.
01:04:27Come on, hurry up, the bus won't wait.
01:04:29Come on, hurry up.
01:04:30Come on, come on.
01:04:31Come on, come on, be quiet.
01:04:32Come on, let's go.
01:04:35Huh?
01:04:36Uh, uh, but you...
01:04:38Well.
01:04:39If the first day comes with this delay, another day won't even come.
01:04:42Let me explain.
01:04:43There is no explanation.
01:04:44Let it happen today, but let it be the last time.
01:04:47I've come to tell you that I can't go with you.
01:04:48That?
01:04:50But what does it say?
01:04:51I have to do a service in 20 minutes.
01:04:53I just received the order from the owner.
01:04:56But if they're already going up to the...
01:04:57To play?
01:04:58And what does he hear?
01:05:01Paco!
01:05:01Paco!
01:05:02That?
01:05:02That's not it!
01:05:04I know, don't worry, it was the short one.
01:05:13Transfer, a Spanish custom, typical of Medina del Campo.
01:05:19Come in, gentlemen, come in.
01:05:21Come in, gentlemen.
01:05:22The coach, be careful.
01:05:24The old man, don't break.
01:05:26Here.
01:05:28Come in, gentlemen, come in.
01:05:29This coach.
01:05:32He can't leave us hanging.
01:05:33I have to do the service.
01:05:35Understand it.
01:05:36Otherwise, I would be fired.
01:05:37But what kind of service is that?
01:05:39A funeral.
01:05:41A funeral?
01:05:43This way, please.
01:05:47Quietly, huh?
01:05:49Please don't speak loudly.
01:05:50Here.
01:05:51Please.
01:05:55Silence, silence.
01:05:56Please.
01:05:57Gentlemen, this way.
01:05:58The mademoiselles, this way.
01:05:59Much respect, much respect.
01:06:00The mademoiselles, this way.
01:06:02Here are the Spanish funeral customs.
01:06:05The table in front of them, covered with a black cloth,
01:06:09It belongs to a funeral home.
01:06:10On that piece of paper with a beard, the family's friends sign.
01:06:15And those who have a card, leave it there, but folded.
01:06:18Don't forget, folded.
01:06:21And now, you can go ahead and sign.
01:06:24Come on, gentlemen, you may come forward and sign respectfully.
01:06:27Thanks, kid, on behalf of the family.
01:06:33Happens.
01:06:34Happens.
01:06:35Here.
01:06:35Thank you, on behalf of the family.
01:06:43Come on, early.
01:06:44They already know what they have to say.
01:06:46Gesture of pain.
01:06:47Nobody let me down, okay?
01:06:48Yes, this one.
01:06:55Go up, go down.
01:06:57Go up, go up.
01:06:58But that Chinese guy, show some respect.
01:07:00Sorry.
01:07:00Thank you so much.
01:07:07We are nobody.
01:07:10We are nobody.
01:07:11Thank you.
01:07:13We are nobody.
01:07:15We are nobody.
01:07:16We are nobody.
01:07:17How many thieves?
01:07:17They're ready, huh?
01:07:18And we put the stolen cars.
01:07:20I'm sorry.
01:07:22Thank you.
01:07:23Very sorry.
01:07:25Bye bye.
01:07:26He was so good.
01:07:27Bye bye.
01:07:29Why did it have to happen?
01:07:30Thank you.
01:07:31He was a much-loved man.
01:07:33There's nothing more to see.
01:07:34People have come from all over the world.
01:07:36Thank you.
01:07:37Come on, hurry up.
01:07:50Goodbye, beautiful.
01:07:51Come on, let's go.
01:07:52Come on, come on.
01:07:53Be careful with the kid.
01:07:54Yes, okay.
01:07:55Careful.
01:07:57Be careful, very careful, because then they have to return to their countries.
01:08:00Come on.
01:08:01Come on.
01:08:03Come on.
01:08:04Come on.
01:08:06Hurry, please.
01:08:07This way, ma'am.
01:08:10Pretty.
01:08:11And if everything, please, come and kill.
01:08:13Come and kill here.
01:08:15This.
01:08:16Careful, excuse me.
01:08:18Pass, pass, pass.
01:08:20Here.
01:08:22Come on.
01:08:24This way, please.
01:08:25Here.
01:08:26Be careful with that skirt.
01:08:27He doesn't get tired.
01:08:29The place where we find ourselves now, ladies and gentlemen, friends from all countries,
01:08:36It's called a tavern.
01:08:38Tavern.
01:08:39Tavern.
01:08:42Tavern.
01:08:43That little Chinese guy's clever, huh?
01:08:44The invention of the tavern is very old.
01:08:49At least 300 years ago.
01:08:51Further.
01:08:54Or 400 years.
01:08:56Further.
01:08:57In reality, it can be said that the first inhabitants of the world already lived in taverns.
01:09:02Don't be a beast, man.
01:09:03Those are caves.
01:09:04Is what he says true?
01:09:05I don't know.
01:09:07I took over the transfer 14 years ago.
01:09:09One moment.
01:09:10Come here.
01:09:11Take.
01:09:12What you're drinking now is called red wine.
01:09:18Red wine.
01:09:20There are two kinds of wine.
01:09:22White and red.
01:09:26And there are also two classes of citizens with regard to wine.
01:09:31Those who drink it with meals and those who drink it before.
01:09:35The latter do not usually take it with meals because they generally end up not eating.
01:09:41Very good wine.
01:09:48Very good red wine.
01:09:51More military wine.
01:09:54More military wine.
01:09:56They're going to get her, huh?
01:10:00It's three o'clock.
01:10:02We should already be having Madrid stew.
01:10:04Who's going to take the baby bottle away from these kids?
01:10:05The little Chinese guy is right.
01:10:08This wine is delicious.
01:10:10Come on, come on, push.
01:10:23Let's go, let's move forward.
01:10:24Go ahead, go ahead.
01:10:26Forward.
01:10:27Come on, come on.
01:10:30Come on.
01:10:31Come on.
01:10:36Come on, come on.
01:10:38Ali is worth his weight in gold.
01:10:39Spanish couplet, right?
01:10:41That's it, that's it.
01:10:43This little cinema takes everything.
01:10:44It's worth a lot, yes.
01:10:45They're all incredibly drunk
01:10:48But for decent love, we'd put them in casts faster than you can say "cock-a-doodle-doo."
01:10:51Go ahead! Go ahead! Let's go! Cheer up! Go ahead!
01:11:05What a disaster!
01:11:08Poor tourists
01:11:09We haven't taken them to the places on the planned itinerary.
01:11:12And what did they say?
01:11:14Nothing, they're all drunk
01:11:15That's disrepute.
01:11:17On the other hand, as you can see, the one who had a great time was the little Chinese boy.
01:11:22Does your capital partner already know?
01:11:25We assume so
01:11:25Poor man, it was bound to happen.
01:11:28You have to be a fool to throw money at anything like that, just for whatever comes out.
01:11:31Yes, but it could have turned out well
01:11:33Paco is right, that's how business is.
01:11:36Sometimes you win, sometimes you lose
01:11:37Don't make that face, it's not that big of a deal.
01:11:40How funny!
01:11:41Of course, since you have nothing to do with the matter
01:11:43Hush Julita, that's enough.
01:11:44No, and on top of that, I'm going to be the one to blame.
01:11:46No, not that either.
01:11:47But we're all nervous, you understand.
01:11:50And more tomorrow.
01:11:51Anyone will show their face to the tourists
01:11:53Don't worry, unfortunately none of them are going to appear.
01:11:56Viva!
01:11:57Viva!
01:11:57Viva!
01:11:57Viva!
01:11:57Viva!
01:11:59Viva!
01:11:59Viva!
01:11:59Viva!
01:12:00Viva!
01:12:03We'll see.
01:12:03Come on, come on, calm down
01:12:05One by one
01:12:06Three, three, three, two
01:12:07Three, three, three
01:12:08Three, seven each
01:12:09This is
01:12:11A bit
01:12:13This is
01:12:14It can happen now.
01:12:14The ticket
01:12:15Then I'll ask him there.
01:12:16Know?
01:12:17Bye
01:12:18The ticket
01:12:19The ticket, ticket, ticket
01:12:20Thank you so much
01:12:20You won't eat there
01:12:21This is
01:12:22I'll charge you for the three of them here.
01:12:24To put together for you, sir
01:12:26Here's what's mine back.
01:12:27This is
01:12:27How old, a pimple!
01:12:28Delighted
01:12:29Bye
01:12:30Goodbye, father
01:12:30If I want a boy, I'll sleep.
01:12:32It's for
01:12:32Sir!
01:12:42Come on, slowly, that's fast
01:12:43Come on, kid!
01:12:45Come on, kid!
01:12:47Come on, kid!
01:12:48See ya, kid!
01:12:48Wow!
01:12:49Boz住, boy, boy!
01:12:52See ya, kid!
01:12:54Listen, I don't swear to it!
01:12:55Listen, I don't swear to it, you see?
01:12:56Hey, does Vejo want to take my picture?
01:12:57What did this give?
01:12:59Hello, Paquetto
01:13:01Thank you!
01:13:31Thank you!
01:13:33Thank you!
01:14:00Oh!
01:14:01The leg looks perfect.
01:14:04It's been a long time since we've achieved a better weld.
01:14:08Everything hurts.
01:14:10I don't know, I don't think it turned out well.
01:14:12What do you mean, no?
01:14:13Angel, stand up.
01:14:15What you are noticing are the discomforts that come with immobility.
01:14:19My leg is giving out.
01:14:21What could possibly go wrong, man of God?
01:14:23Come on, walk without fear.
01:14:28See?
01:14:30Ah! Oh, my arm!
01:14:33From day one I've been determined never to back down.
01:14:39Verbal explanations are not helpful to me.
01:14:41The reality is one and incontrovertible.
01:14:43And that reality must be confronted with another reality as rapid and authentic as the one that has occurred.
01:14:51I know it seems like it's not important.
01:14:53But it's the small details that create the atmosphere and set the overall tone for how a business is running.
01:15:00And we have to put a stop to it completely before things get out of hand.
01:15:06No, I do not accept protests.
01:15:08The only reality is that the reports from the Visit Madrid department are practically empty.
01:15:13I don't want to think it's negligence, and I prefer not to believe in your incompetence.
01:15:17But the truth is that that department hasn't been working well for a while now.
01:15:20Aside from that.
01:15:27Confort Express is the first travel agency.
01:15:29The first one!
01:15:30And I cannot accept competition from...
01:15:32Of...
01:15:33From Virpa.
01:15:34About what Gomez says.
01:15:40So now you know.
01:15:42Either you annul the Virpa group, or I will annul you.
01:15:44You may leave.
01:15:45Yes, sir, Don Arturo.
01:15:46At your service, Don Arturo.
01:15:47Okay, Mr. Arturo.
01:15:49Good morning.
01:15:50Good morning.
01:15:52Gomez!
01:15:53Yes, sir, Don Arturo.
01:15:54I need to meet the directors of Virpa.
01:15:56Prepare an interview for me.
01:15:58This...
01:15:58Alright.
01:16:09Ah!
01:16:10Oh my God!
01:16:11Behold!
01:16:12For the evening!
01:16:15You guys are so annoying!
01:16:25We've already had eight cicadas this summer.
01:16:26Hello, what's up?
01:16:31Poor things, you can't say anything to them.
01:16:33Can't you see they're employees?
01:16:34Paco, drop that tone, I can't stand it.
01:16:37We have news for you.
01:16:40Something incredible.
01:16:41Amazing.
01:16:42Okay, just say it already.
01:16:44Don Arturo.
01:16:45The boss at Comfort Express wants to see.
01:16:49Ah, that's it!
01:16:50Do you think it's unimportant?
01:16:52I find it natural.
01:16:53Would you like to ask us for advice?
01:16:54He'll want us to lend him a tourist.
01:16:56Mostly to remember what they're like.
01:16:58You are two unbearable vain people.
01:17:00We simply understand life.
01:17:03But what are you doing?
01:17:05Seafood makes you very thirsty.
01:17:06I've already got three, eh, Paco?
01:17:10Wouldn't you want one like that?
01:17:14Too small.
01:17:15I'm planning on a bigger one.
01:17:17Three colors.
01:17:19Like a flag, right?
01:17:20Yeah.
01:17:22The bad thing about those cars is that they consume a lot of fuel.
01:17:24That's outrageous.
01:17:25That's why I prefer European cars.
01:17:28More modest, but better.
01:17:30Which one are you going to buy?
01:17:33The Mercedes 300.
01:17:35But it's a very expensive car.
01:17:36But what do you want the money for?
01:17:39Oh, I almost forgot.
01:17:41Here you go.
01:17:42These are the benefits of the week.
01:17:43Thank you.
01:17:44What are the benefits?
01:17:45Katy is our capitalist partner.
01:17:55The directors of Birbass Press.
01:17:57Let them in.
01:18:00Please come in.
01:18:05Come in, come in.
01:18:10I was very eager to meet them.
01:18:15What are you looking at?
01:18:17Ah, yes.
01:18:19An accident.
01:18:20A bad luck thing.
01:18:21But please sit down.
01:18:23Thank you.
01:18:30I could swear I know you guys.
01:18:41Where have we met before?
01:18:42Before?
01:18:43Definitely not.
01:18:45I don't recognize her face at all.
01:18:47We have almost always been abroad.
01:18:50That's it.
01:18:52In Geneva, the summer of '56.
01:18:55Were you at the hotel conference?
01:18:57I don't think so, no.
01:18:59We spent that summer in Ávila, actually.
01:19:03Ah.
01:19:04Anyway, folks.
01:19:06The fact is that, although we don't know each other now,
01:19:09I know who you are.
01:19:10We've changed a lot, haven't we?
01:19:12A lot.
01:19:14You are young, honest, intelligent, and bold.
01:19:20In a word, the men I need.
01:19:23I think he's exaggerating.
01:19:24At all.
01:19:26And I am so convinced.
01:19:27I offer you the address of the department visiting Madrid.
01:19:31from Comfort Express.
01:19:34Are you serious?
01:19:35It just can't be.
01:19:36I like helping young people.
01:19:38People with drive, with new ideas.
01:19:42I speak to you now as a father.
01:19:44You deserve a secure job,
01:19:46regardless of the ups and downs of the business.
01:19:49It wouldn't be fair if, having a powerful organization there,
01:19:52Don't offer it to you
01:19:53to make it easier for them to succeed in life.
01:19:57You are so kind.
01:19:58A true saint.
01:20:00No, don't overwhelm me.
01:20:03And please tell me what your wishes are,
01:20:06with absolute freedom.
01:20:08I'm looking for an American car
01:20:11that it be large and three-colored.
01:20:15Well, or two in any case.
01:20:18And you?
01:20:21Mine is a Mercedes 300.
01:20:24Nothing is nobler than a noble ambition.
01:20:29Every citizen has the right to own property.
01:20:31of their own means of transportation.
01:20:34And I promise you that at Comfort Express
01:20:36You will have...
01:20:39car.
01:20:40I could swear that what we put in a cast was his leg.
01:20:48That's what it seems to me.
01:20:49Besides, lately we hardly did any arm exercises.
01:20:52What scoundrels we were.
01:20:53Oh.
01:20:54Imagine Don Arturo putting a cast on you, considering how good he is.
01:20:57A saint.
01:20:58There was a moment when I felt like calling him
01:21:00dad.
01:21:00Well, since I hardly knew mine.
01:21:05And how decent is it?
01:21:07Inform Suárez that on the first of the month
01:21:08César, as head of the department, visits Madrid
01:21:10and that he must place himself at the orders
01:21:12of the new directors.
01:21:13Who are they?
01:21:14The ones from Virpa?
01:21:15I've hired them.
01:21:19Competition must be avoided.
01:21:22It starts with little.
01:21:23and it can all end.
01:21:24Instead, by giving them a fixed salary
01:21:26It's well known that they can never amount to anything.
01:21:28Or to own a Citroën 2CV, at most.
01:21:31Forward!
01:21:33With your permission, Don Arturo.
01:21:34Happens.
01:21:40A gentleman wants to see him.
01:21:41He says he is the tax inspector.
01:21:43What bad luck I have!
01:21:45The leg, the arm
01:21:46And now the tax inspector.
01:21:49I'll wait a moment, please.
01:21:50I'll see you right away.
01:21:57Goodbye, shorty.
01:21:59Goodbye, Virgil.
01:22:01Take off your hat to say hello, without shame.
01:22:05Come on?
01:22:06Doesn't it bother you, the assistant director?
01:22:15See you later, see you later.
01:22:18See you later.
01:22:40Bye bye.
01:22:41Bye bye.
01:22:45Hello, Virgil.
01:22:46Hello, Pulita.
01:22:50Thank you so much.
01:22:53Come on, come here!
01:22:54proxy.
01:23:07Come on, come here!
01:23:07Come on, come here!
01:23:09Thank you!
01:23:39Thank you!
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