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00:00Hello and welcome back to coverage of people buying a house and then living in it.
00:09So, hello, Jeff, you want to buy a house. Here's a house, what do you think?
00:12Yeah.
00:13Do you like the house?
00:14Yeah, it's fine.
00:15Will Jeff be able to buy the house that's fine of his dreams? Yes, he will. It's in budget, is it, Jeff?
00:19Yeah.
00:20That was not a close one.
00:21No.
00:21We'll be catching up with Jeff when he's bought his house, which is now.
00:24Jeff, you're now living in your house.
00:26Yeah.
00:26What's that like?
00:27It's all right, doing a bit of DIY, putting some shelves up, but nothing major.
00:31We'll be catching up with Jeff's attempts to live his having things on shelves dreams now. How are the shelves?
00:35Useful.
00:36Well, that's fascinating. So, to sum up, Jeff, who you don't know, has bought a house and is now living in it, having put up some shelves.
00:42And I think we can all agree that that's basically a good thing.
00:44Join me next week when I'll be presenting coverage of people arranging to rent a flat and then going to the shop to buy some food to eat in it.
00:57I'm afraid, sir, we still have a problem with Detective Harrison.
01:16Yes. Mr. Harrison has an irritating talent for disrupting my arrangements.
01:24Would you like me to have him... removed?
01:29Yes, perhaps.
01:32Perhaps it would be better if Mr. Harrison were taken out of the picture.
01:37Sorry, guys, you're doing it again.
01:40What, Alan?
01:41Have him removed. Take him out of the picture. I thought we agreed at the meeting that these terms are needlessly ambiguous.
01:47I suppose.
01:49We all agree that from now on, when we want someone murdered, i.e. deliberately killed to death, then that's what we're going to say.
01:56Look, everyone knows what we mean.
01:57Well, on this occasion, perhaps. I mean, that was an order to murder Detective Harrison, right?
02:02He has become a nuisance.
02:04Yeah, right, but a nuisance we should murder. Is that it? I mean, my nephew's a nuisance, but you see what I mean?
02:13Yes. Yeah, all right.
02:16Well, can you say it then, please?
02:18OK. Please deal with the Harrison situation.
02:25You see, that's no good.
02:26Oh, that was perfectly clear.
02:27Oh, what are you talking about, Keith? This is going to be, let's hope Professor Ritson meets with a little accident all over again.
02:34We spent nine months hoping that Professor Ritson would meet with an accident before Leslie made it clear it was an accident we were supposed to make happen.
02:41All right, you've made your point. You two get on with your work now.
02:46Oh, murdering?
02:47Yes.
02:48Oh, and Alan, perhaps I'll see you later for a little light refreshment?
02:58Do you mean anal sex?
03:02Yes.
03:05All right, then.
03:14Hello, and welcome to Number Wang, the maths quiz that simply everyone.
03:17Joining me today are Julie from Northampton and Simon, who is also from Southampton.
03:22So, Julie, any funny stories to tell us?
03:24Yes.
03:24Simon?
03:25No.
03:25Great. Let's play Number Wang.
03:28And it's Simon to go first. Too slow.
03:31Julie?
03:3138.
03:32That's Number Wang.
03:33Let's move on to round two.
03:35Imaginary numbers.
03:36Simon?
03:36Twentington.
03:37That's Number Wang.
03:383,500, Neeb.
03:39That's Number Wang.
03:41Shinty 6.
03:42Oh, bad luck, Simon.
03:43I'm afraid Shinty 6 is a real number, as in the popular phrase,
03:47I only have Shinty 6 days left to live.
03:50So, on to round three.
03:52Julie, Simon, please take to the number-leens.
03:57And if I can have time on the clock, please.
04:00Let's play Number Bounce.
04:018.
04:0493.
04:0615.
04:0770.
04:08That's Number Wang.
04:09Take a number.
04:10Julie?
04:1130.
04:11That's Number Wang.
04:12Take a number.
04:13Simon?
04:143,249.
04:16That's Number Wang.
04:17Take a number.
04:18Julie?
04:18Not.
04:19That's Number Wang.
04:20Take a number.
04:21Simon?
04:214.5.
04:22That's Number Wang.
04:23Take a number.
04:24Oh, and I'm afraid we're out of time, so you'll have to put those last numbers back.
04:29Well, that's the end of Number Bounce. Well done, everyone.
04:33So, as we go into the final round, it's neck and neck, because Julie is on 82, and Simon is also on 26.
04:39It's time for Wanganum. Let's rotate the board.
04:54Julie, Simon, welcome back. Let's play Wanganum. Julie, you go last. Simon?
04:5844. Julie? 404.
05:01Ooh. 4.4. Ah.
05:03444.4.
05:0544.44?
05:0740. 4.
05:09That's Wanganum!
05:12Julie, you've been Wanganum, but Simon, you are today's Number Wang.
05:16More Number Wang tomorrow, but until then, stay Number Wang!
05:24Oh, they were two of the greatest actors of their generation, there's no doubt about it, but with that goes a certain amount of ego, yes?
05:35So, the only way we could get them to do Holmes and Watson in the West End was if they alternated who played Holmes, night by night.
05:45One night Alec would play Holmes.
05:47So you see, Watson, the advantage of my unique powers of observation.
05:51And the next night it would be Michael's turn.
05:54So you see, Watson, the advantage of my unique powers of observation.
05:58And I suppose there was a certain amount of one-upmanship.
06:04So you see, Watson, the advantage of my unique powers of observation.
06:09I think that really added something.
06:16Well, I don't know how much the audience picked up.
06:19So you see, Watson, the advantage of my unique powers of observation.
06:24So when we came to make the film, we were faced once again with the problem of which of them would play Holmes.
06:40But I think everyone agrees we found a rather elegant solution.
06:45Yeah.
06:46Not like you to be superstitious, Holmes.
06:48It's hardly superstition, Watson.
06:50I was merely acknowledging the power of fear.
06:52And what effect that fear can have on the minds of the ignorant more vulnerable.
06:56Holmes, you're not seriously suggesting that the villagers believed...
07:01The story of the Phantom Wolf?
07:03Of course they did.
07:04Oblige me, if you will, old fellow, by fetching Madison's Witchcraft Almanac from the library.
07:09And I'll show you just how powerful a grip some...
07:11Of these old myths can have on people.
07:13Middle shelf, isn't it?
07:15Yes, just above the encyclopedias.
07:17Ah, yes, I've got it.
07:19Shall I bring it through?
07:21No, stay where you are, I'll join you.
07:24And of course they both felt very strongly that it was important to...
07:28To keep all of that wonderful energy that the stage production had had.
07:35That's not the Witchcraft Almanac, Watson, you plot!
07:38And of course as family men, the film gave them a great opportunity to get their kids into the business.
07:56We can't think on empty stomachs, Watson.
07:59Let's see what Mrs Hudson has laid out for us.
08:02What have you got for us, Mrs Hudson?
08:04Crumpets!
08:06OK, ten minutes for lighting.
08:10David?
08:12Yeah?
08:13Is it pos...
08:14Yeah.
08:15Er...
08:16What?
08:17No, it's all right.
08:18Well, what's the question?
08:20There's just something in this, but you're just going to be all horrible.
08:24No, I'm not, what is it?
08:27In here it looks like...
08:29I mean...
08:30I mean, basically, can people levitate?
08:34Can people levitate?
08:37Oh, I knew I shouldn't have asked.
08:38Can people levitate?
08:40Don't...
08:41Just...
08:42I mean, it's no, isn't it?
08:44Yes, it is no.
08:46Don't be like that!
08:47What?
08:48I haven't said anything, don't have a go at me!
08:50You're the moron who thinks people might be able to levitate!
08:54It was very convincing!
08:55Can you levitate?
08:56I...
08:57I knew you'd be...
08:58I'm just trying to get to the root of why you felt the need to ask such a humiliating question.
09:03Because I have the intellectual confidence to appear stupid sometimes.
09:08You're the thick bastard who has to pretend he knows everything.
09:10Well, certainly I'm sufficiently insecure to have felt the need to establish to my own satisfaction,
09:15before the age of 33, whether or not humans can fly.
09:19That makes me a chippy little autodidact in your eyes, and so be it.
09:22I'm just not going to ask you anything ever again.
09:34Lunch in ten minutes?
09:37Er, twelve minutes, you twat!
09:42Ten? Twelve?
09:43Er...
09:44Er, don't make difference!
09:45Don't make difference between ten and twelve!
09:47Hello, and welcome to another edition of coverage of people who are ill in hospital receiving treatment.
09:55Dave, you're ill.
09:56That's right, I've got gallstones.
09:57They've been taken out.
09:58Indeed.
09:59Are you nervous, but everyone's been wonderful?
10:00No, a nurse fingered me.
10:01Gillian.
10:03Thanks, Edward. I'm here with Chris, who's got a broken arm.
10:05That's right.
10:06How did you break your arm, Chris?
10:07Just broke.
10:08That's an interesting story, and they're going to put it in plaster, are they?
10:10That is the plan, yeah.
10:11We'll be there to film them doing that and put it on the telly.
10:13In a minute, I'll be talking to a doctor you don't know who's tired.
10:15Edward.
10:16Thanks, Gillian.
10:17Well, we've had a bit of a cock-up here, and Dave is dead.
10:19Here is Dave.
10:20In a minute, they'll be carting him out on a trolley, and we'll be here to film that
10:23and put it on the telly.
10:24Meanwhile, here are some nurses and doctors walking about a bit.
10:32So, how's it going, Pete?
10:34Yeah, pretty good.
10:35I think you're going to be pleased.
10:36Yeah, paper came through from Singapore.
10:38Jono's been tinkering with a laser printer.
10:40Er, Colin, my top guy in New Jersey, he's looked after the watermarks.
10:43Yeah, I think it's looking pretty tasty.
10:45Well, I'll be the judge of that, mate.
10:47Come on, let's have a look.
10:51Here you go.
10:56What's this?
10:58It's the finished article.
11:00It's a tenner.
11:01So, of course, it's not.
11:02Nice, nice, nice.
11:03Wink, wink.
11:04Well, obviously not.
11:05It's all wrong.
11:06That's not even the Queen.
11:08It's a Queen.
11:09It's a Queen.
11:10Mate, punters aren't going to notice.
11:11Queen Beatrix of the Netherlands, the Queen.
11:14There's details.
11:15Don't get hung up on the details.
11:17Don't sweat the small stuff.
11:18That is a tenner.
11:19That's what the man on the street's going to see.
11:21Ten pounds.
11:22Puns.
11:23It says puns.
11:24It's not.
11:25It's your mind.
11:26It's playing tricks on you.
11:27You're on a negative vibe.
11:28It's the wrong colour.
11:29Oh, right.
11:30Compare it to another tenner.
11:31Right, that's fair.
11:32I don't think.
11:33Of course, it's going to come off badly compared to a real tenner, Hughie.
11:36But in the real world, who sits at home and goes,
11:39Oh, I think I'll get out all of my ten-pound notes and compare their colour?
11:43Doesn't happen.
11:44Never going to happen.
11:45We're fine, mate.
11:46We're cushy.
11:47It's the wrong size.
11:48Things look more real when they're bigger.
11:51That's on purpose.
11:52It's a trick of the trade.
11:53It's shit.
11:54All right?
11:55It's total shit.
11:56Look, okay, quick.
11:57Which is the real one?
11:58That one.
11:59No!
12:00See?
12:01No, you're wrong.
12:02Because, all right, that is the real one.
12:03But you had to think about it, didn't you?
12:04No.
12:05You had to look, though.
12:06Admit it.
12:07I saw you looking.
12:08Yeah, well, obviously I had to look.
12:09Look, I'll see you later, all right?
12:10Okay, look.
12:11Forget the notes.
12:12What about this?
12:14Look me in the eye and tell me you didn't think that was Van Gogh's sunflowers.
12:18I'm going.
12:19All right, all right.
12:20You don't like the picture.
12:21You don't like the notes.
12:22I can understand that.
12:23I mean, who uses notes anymore?
12:24Plastic.
12:25That's what everyone uses these days, isn't it?
12:26So, what about this?
12:30Mmm.
12:31Not bad.
12:33Not at all bad.
12:35Exactly.
12:38It's floppy.
12:40Yeah, folds away like a dream.
12:43It smells of cheese.
12:47It tastes of cheese.
12:49Of course it does.
12:50It's an improvement on the real one.
12:52Real credit cards taste like shit.
12:59Then call it a ruddy food court.
13:01It just means you have to queue twice.
13:03You've only missed the first three frames.
13:05Oh, and that's a bad miss.
13:07And a chance now for Chris Lester as he strides towards the table.
13:14One of the taller players, as tall as he is toned.
13:19And I think it's all right to say that in this day and age.
13:22I agree, Peter.
13:23I don't think there's anything wrong with mentioning in passing that Chris Lester is very easy on the eye.
13:31At the end of the day, it's good for the game for a gifted young player such as Chris.
13:36A gifted, young, tall, blonde player such as Chris.
13:42He is all those things.
13:45And I don't think it's going too far in these days of PC for me to call another man sexy.
13:53And Chris Lester is that man.
13:57He is a friend of mine.
13:59He is a sexy young friend of mine.
14:02He is my sexy young friend.
14:06He is a big boy.
14:07He is a big boy.
14:08He is a big boy.
14:09He is a big boy.
14:10He is a big boy.
14:11He is a small boy.
14:12He is a big boy.
14:13I've never been in the distance.
14:14He is a big boy.
14:15I'm talking to John, who looks after the zebras, which you can't see because they ran away from the camera.
14:20John, what are you doing?
14:21I'm getting the zebras their zebra food.
14:23Do the zebras find it colder here in Wiltshire than in Africa?
14:26They do because it is.
14:27Well, while we let John, who you don't know, get on with his job which he does every day,
14:30Gillian's been talking to head tree counter Mike.
14:3315,000... So, Mike, we're getting coverage of you counting threes, is that right?
14:38Yeah. Oh, I've lost count.
14:40Sorry.
14:42One, two, three, four, four.
14:44OK, thank you for calling. Pass us a biscuit.
14:57Ah! God!
15:00Forget you saw that, OK?
15:02But that didn't happen.
15:05Look...
15:06I have some telekinetic powers, OK?
15:09But it's really nothing.
15:12Nothing? You can move objects with your mind!
15:15Shh!
15:16No-one can ever know.
15:18Also, it's very limited.
15:20I can really only do it with biscuits.
15:22Even so, it's a gift.
15:24You should share it with the world.
15:26No.
15:27I vowed never to use my powers.
15:30Why not?
15:31Because when I do, things happen.
15:35Dark, terrible things.
15:40But of course, I thought it was harmless.
15:43I suppose I was so high on the thrill I didn't realise.
15:46But even then, my powers were consuming me like I was the last segment of a high-quality shortbread fan.
15:52Jane? Jane, is that you?
15:53What?
15:54What a surprise.
15:55Why didn't you call me?
15:56It was complicated.
15:57Your mother told me you died.
15:57No, I didn't want to hurt you and you were so persistent.
16:00Still, water under the bridge, eh?
16:01All my rage and fear welled up inside me.
16:04And expressed itself in biscuit form.
16:05Are you all right, mate?
16:06Are you all right?
16:07Are you all right?
16:08Are you all right?
16:09Are you all right?
16:10Are you all right?
16:11Are you all right?
16:12What?
16:13What a surprise.
16:14What a surprise.
16:15Why didn't you call me?
16:16It was complicated.
16:17Your mother told me you died.
16:19No, I didn't want to hurt you and you were so persistent.
16:23Still, water under the bridge, eh?
16:26All my rage and fear welled up inside me.
16:29And expressed itself in biscuit form.
16:32Are you all right, mate?
16:33Are you all right, mate?
16:34Are you all right?
16:35Are you all right?
16:52You may call it a gift, but it's a curse, my friend.
16:55Tragedy has stalked me at every turn.
16:58That's why you can never tell.
17:00No, you were just a kid then.
17:02You're older now and wiser.
17:04You're manager of this sub-team, for God's sake.
17:07Think of the good you could do with one of these now.
17:11Not with that one, actually.
17:12That's a Jaffa cake.
17:13It's not a true biscuit.
17:15Whatever.
17:16The point is you could do great works.
17:18Become famous.
17:19Or at least get a better job.
17:20Something in hospitality, perhaps.
17:22No!
17:23It's too dangerous.
17:24Damn it!
17:25I won't let you squander your gift.
17:26I'm going to call my friend.
17:27He's a manager at McVitie's.
17:29No!
17:30You don't know what you're doing!
17:32Hi, Austin.
17:33Yeah, it's Dan.
17:34Dan, crikey, it's been a lot of support for you.
17:36How are you?
17:37Yeah, great!
17:41No!
17:42No!
17:43Don't you know?
17:44No!
17:45No!
17:46No!
17:47No!
17:48No!
17:49No!
17:50No!
17:51No!
17:52Oh, and that's a bad miss.
18:16And just look at the disappointment on Chris Lester's pretty little face.
18:21That is a shame.
18:23He is devastated.
18:25And I can never make up my mind whether or not he looks more stunning in moments of adversity such as these
18:32as he does in moments of elation and joy.
18:36Well, Ted, for the fullest answer to that question, you'd have to ask his lovely girlfriend, Jackie.
18:41But I know what you mean.
18:42There is a quality to his fragile isolation that puts you in mind of Winona Ryder in court.
18:48Which is about as sexy as it gets.
18:53But for my money, it's when he walks into the Crucible bar after a big win or a few snatched moments with Jackie.
19:00And the light from the fruit machine dances through his hair and he smiles and he turns that smile onto you.
19:08It's like basking in the light of twin suns.
19:12You're quite right, Peter.
19:17It makes me thankful my op went okay.
19:20Oh, no.
19:36No.
19:37No.
19:38Not again.
19:39No way.
19:40No, you're not going to get me this time.
19:42No, sorry.
19:43No, sorry, mate.
19:44No, sorry.
19:45No, sorry, mate.
19:57You bloody bastard.
19:59So, of course, the thing about having kids is that you get to watch all those cartoons you used to love again.
20:11Yeah, but aren't they disappointing, though?
20:13I watched Postman Pat with Jake the other day and I couldn't believe how bad it was.
20:16I'll tell you the worst one, though, is Captain Bloody Pugwash.
20:19Oh, no.
20:20Not really.
20:21No, it is.
20:22It's dire.
20:23When its mouth moves, it just goes bub, bub, bub, bub.
20:26I think that's a bit harsh.
20:27It was pretty good.
20:28It's awful.
20:29Don't tell me one of you worked on it.
20:32Yes.
20:33Actually, Damien.
20:34Damien was it.
20:40Hi.
20:41Oh, come on.
20:42You guys are winding me up.
20:43No.
20:44They're not.
20:45Not really.
20:46You didn't write for it, did you?
20:48No.
20:49I was in it, actually.
20:51I played Steven.
20:52Steven?
20:53Steven Pugwash, the captain.
20:56Oh.
20:57Oh, right.
20:58Stupid of me.
21:01It's just I didn't recognise you without your, um...
21:03I don't go around all day dressed as a pirate.
21:06No, of course not.
21:07Look, what I said about your mouth...
21:09No, really, forget about it.
21:10I mean, as it happens, I actually have a condition which paralyses my upper lip.
21:14That's why I wear this moustache, but you weren't to know.
21:17And, um, what are you doing these days?
21:20Oh, this and that.
21:21You might have seen me in the Kenco campaign.
21:23Oh, the one with the...
21:24Pirates.
21:25Yes, I do rather suffer from typecasting.
21:28Now I think about it, there was a lot to like about Captain Pugwash.
21:31I mean, it had a real charm to it and the performances were great.
21:36Well, thank you.
21:37Yeah, it was certainly a lot better than some of the rubbish that was on.
21:39I mean, you know, Flumps, Dog Tanyan, King Rollo.
21:43I mean, what the hell was that?
21:45He was like some kind of psycho child.
21:47You know what?
21:48I see.
21:50My boyfriend played King Rollo.
21:56Come on, Adrian.
21:58We're leaving.
22:01I'll tell you what's just caught my eye in the headlines, Ron.
22:04Oh, shut up, David.
22:06I was just going to say that...
22:07I don't want to hear your jokes about the news when I'm trying to sit here and having a nice rest.
22:11No, it's just that my eye was caught by...
22:13Get on a panel show.
22:14You've got a big boil of topical satire that needs lancing.
22:18No, no, I'm just interested in world affairs and at the same time very, very witty.
22:25Anyway, I wasn't going to do a joke.
22:27I was just going to say that my eye was caught by this whole scandal in America.
22:32Ooh, the scandal in America.
22:33Yeah, that is interesting.
22:34Yeah.
22:35That must be the biggest scandal since Watergate-gate.
22:38Since what?
22:40Well, I think the American government hasn't been this screwed since...
22:42Well, I think you have to go all the way back to Watergate-gate.
22:45Watergate-gate?
22:46Isn't it just Watergate?
22:48No.
22:49That would mean it was just about water.
22:50No, it was a scandal, or gate, at the suffix gate, that's what you do with a scandal,
22:54involving the Watergate Hotel, so it was called the Watergate scandal, or Watergate-gate.
22:59But doesn't the term gate, meaning a scandal, come from Watergate?
23:03What?
23:04Take the last four letters of a previous scandal or hotel and add it onto all future scandals?
23:09That can't be the system.
23:11I think it is.
23:12Well, what if there's a scandal about water? What do you call that?
23:16Well, you'd call it Watergate.
23:17What does it mean?
23:18What does it mean?
23:19What does it mean?
23:20Um, Aquagate.
23:22It's not great, is it?
23:27Oh, it's lovely. Thank you.
23:28And this is from me and Ben. Merry Christmas.
23:34Ooh, is this what I think it is? Could be.
23:36It is! It is! It's some heroin! Hooray!
23:41You know how much you like heroin, so...
23:44Too right!
23:45Because we were saying, can we get him heroin, we got him heroin last year, but then Susie said, sod it, let's just get him heroin, he won't mind.
23:52Well, you can never have too much heroin, that's what I'm saying.
23:55Oh, it's Christmas, isn't it?
23:57Uh, this is from us.
23:59Ooh, I wonder what this is?
24:00Hope you like it.
24:01Yeah, we both know how much you like heroin, so we thought...
24:05Oh! It's a book of heroin anecdotes.
24:08Right.
24:10We thought a bit more interesting, you know, than just giving you heroin again.
24:13Yeah. Yeah.
24:15But we got you some heroin to have while you're reading it.
24:18Oh, silly stuff!
24:19And this is from me.
24:24Ooh, thank you, Grandma.
24:26It's some cocaine.
24:28Oh, yeah.
24:30That is the one you wanted, isn't it?
24:32Yeah, yeah.
24:34The man said that would be the one you wanted.
24:37I tried to describe it, and I did the face that you do when you've had some, you know.
24:45And he said that would be the one.
24:47Right.
24:50I'll take it back for you, love, and change it for some heroin.
24:53Thanks.
24:58Ooh, look, James. Kid's Rapids ride.
25:02Hello. What's this, then?
25:04Er, put the kid in the ring, send him down the rapid.
25:07Oh, sounds exciting.
25:09Right, so you just put him in the ring and just literally...
25:12Yeah, we just literally give him a shove off that bridge there, and he goes down the stream.
25:17Very exciting.
25:19Right. And it's all safe and everything. You've done it before.
25:21Yeah.
25:23No. Well, actually, no. Well, no. We tested it on a football.
25:28Right.
25:31Not that one.
25:33You sure?
25:34No, sir. The one we tested it on, we never saw again.
25:38You never got it back?
25:39Well, it's a football, isn't it? It's not a boomerang. Or a child. I mean, it can't say it's lost.
25:45Sorry, everything's... This is all fine, isn't it?
25:48Oh, yeah, yeah. It's all fine. It's all fine. Of course it is.
25:51I mean, I won't stay in business very long if it is. I mean, I wouldn't have stayed in business very long if it wasn't.
25:57I mean, you've got a safety certificate and everything.
26:00Listen, mate. You can make so-called certificates prove whatever you want.
26:04Okay, but have you got one?
26:06Yeah, that's what I'm saying. You can make certificates prove whatever you want. Look.
26:09Royal Academy of Safe Rapid Rides certifies that Barry Crisp definitely knows what he's doing.
26:17Yeah, but it all seems in order.
26:19Right, do you fancy a ride then, James?
26:24Let's take that as a yes.
26:26Okay, let's get that ring on.
26:28Okay. That's a fiver.
26:32And extra two quid higher of an oar.
26:35Oh, really? Will you need one?
26:38Well, I'd have thought so, growing up.
26:41I mean, I'd want one, wouldn't you?
26:43Okay. And, er, three quid deposit on the ring.
26:46Why?
26:48Why? In case I don't get the ring back.
26:50Is that likely?
26:52Yeah.
26:54This way.
26:56Oh, and that's a bad miss.
26:59Chris Lester approaches the table now.
27:02His trademark headband, Ted, is that purely practical or is it also for the purposes of fashion?
27:09Well, he assures us, Peter, it's purely practical.
27:13It's to keep his plentiful locks out of his forget-me-not blue eyes.
27:18LAUGHTER
27:20But it does look terrific.
27:22Yes, well, we've all got them now.
27:25LAUGHTER
27:30And he set something of a trend amongst the younger players, Ted, but, er, needless to say, none of them look anywhere near as good in theirs as Chris does in his.
27:40Peter Hebden, in particular, looks ridiculous.
27:45LAUGHTER
27:47But, er, I gather that Chris is quite attached to his hairband, cos I was chatting to his lovely girlfriend Jackie the other night and, er, she was telling me, er, that, er, he even wears it in bed.
28:00LAUGHTER
28:02Does he?
28:04LAUGHTER
28:06Boy, oh boy.
28:07What a sight that must be for Jackie or for his other girlfriend, Amanda.
28:13LAUGHTER
28:15During their more intimate romantic moments, Chris looming over them, his face flushed with concentration.
28:24LAUGHTER
28:26Just as he is as he gets down to this long red.
28:29LAUGHTER
28:31It's happened again.
28:33Well, Peter, you'll just have to sit in it till the mid-session interval.
28:36LAUGHTER
28:54OK, ready, off you go!
28:56There we go!
29:04I think the nerves got to him a bit there.
29:06LAUGHTER
29:08APPLAUSE
29:09POP AMAZING
29:12We'll see you soon.
29:14After all of us, guys.
29:16We're here to see you again.
29:18Who's the best?
29:19I'll see you again.
29:21You're here.
29:23We're here to see you again.
29:24There you go.
29:26All the new things going on, you're here to see you again, this one.
29:28What you do not remember?
29:29We're here to see you again.
29:31We're here to see you again.
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