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  • 6 days ago

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00:00And... action!
00:25And it was here, in these skies, that the Luftwaffe was defeated.
00:29Not just by brave airmen in fine aircraft,
00:32but by invisible beams of electromagnetic energy
00:35that could see further than the human eye.
00:37The great British secret weapon, radar.
00:42Um, yeah, that's all good. Um, it's just the hands.
00:46Do you want me to move them more? For emphasis, that kind of thing.
00:50Actually, move them less.
00:51Writer, not the tele-expert.
00:54And... action!
01:00And it was here, in these skies, that the Luftwaffe was defeated.
01:04Not just by brave airmen in fine aircraft,
01:06but by invisible beams of electromagnetic energy
01:09that could see further than the human eye.
01:11Cut!
01:12Is there something wrong with the camera?
01:14Um, no, but there is something wrong with your hands.
01:17Not enough hand action.
01:19Too much.
01:20Really? Are you sure?
01:22No, of course, you've... you've won a BAFTA.
01:24You wouldn't say it if it wasn't true.
01:30And... action!
01:34In the last year, in these skies!
01:37Cut!
01:38That's a...
01:39Ha-ha!
01:40Take that, you beauty!
01:41No!
01:42Oh, no, stop it!
01:43Oh!
01:44Ha-ha-ha-ha-ha-ha-ha-ha!
01:45Ha-ha-ha-ha-ha-ha-ha-ha!
01:46Oh, no!
01:47Ha-ha-ha-ha-ha-ha-ha...
01:51That's great stuff!
01:52Fantastic!
01:54Ha-ha-ha-ha-ha-ha-ha-ha!
01:55OK, guys, guys, listen up.
01:57Listen up, guys.
01:58Um, look, it's... it's bad news.
02:00It's bad news. I've just been talking to the Parish Council and they strongly feel that we should drop the dame rape from this year's panto.
02:11What? Now, I know how you all feel about this.
02:14But it's traditional. It's everyone's favourite bit.
02:17I'm sorry, but I'm afraid the message I'm getting loud and clear from the Parish Council is that it's offensive in this day and age.
02:24Oh, what? What next? I suppose they're going to tell us we can't have Cinderella sucking off the panto horse now.
02:31Well, I'm afraid they did voice some concern.
02:35But Mrs. Edwards has built a contraption that makes it jizz.
02:38That's right.
02:39Look, I'm just... just don't shoot the messenger.
02:43But the messenger shooting's the only bit of gore in the whole thing.
02:46I know and I'm sorry.
02:47Oh, this is ridiculous.
02:49First, the dwarf gassing scene has to go, then the Mr. Wolf wank song gets cut, Buttons has to be wearing clothes, which means his name's not a joke anymore.
03:00I must say, I'm on the point of walking.
03:03Tell me, Alan, can we still force-feed Mother Goose and throw her resultant pate at the audience?
03:08Oh, yeah, they're fine with that.
03:10OK.
03:12Well, it's terrible what some people do to animals.
03:14I mean, we're just here to help repair the damage, do what we can to make them better.
03:20Right, here we go.
03:22What have we got?
03:22Pheasant, gunshot wound to the chest.
03:24Oh, not again.
03:25Right, let's get him through.
03:28Yes, the first thing we do is remove some of the feathers to make it easier to get to the wound.
03:33Then we use various salves and unguents to start the healing process.
03:37Terry will talk you through it.
03:38Yes, I'm using a salve made of olive oil, a bit of rosemary, some salt and pepper.
03:46It sounds odd, but it really is the best chance these pheasants have got.
03:50And are you going to bandage the wound?
03:52I've done it already, actually.
03:53I use bacon again, so it sounds odd, but medically it really does the trick.
03:59Well, hang in there, little chap.
04:01Other methods we use involve suppositories.
04:07We try to use the most natural ingredient medicines that we can.
04:11So a typical suppository may contain sage, perhaps chestnuts, maybe some mushrooms.
04:20It can work wonders.
04:22Damn!
04:23We've lost it.
04:25No pulse, no respiration.
04:27Oh, that humanity.
04:28Don't worry, Terry, you did your best.
04:31I can't stand losing them.
04:34I'll see them the rest of the way.
04:39This is the crematorium.
04:41These ovens are very much like the ones you'd find in the kitchen, but much, much hotter.
04:46We try to give them some dignity in death, put some special tokens of their life in with them.
04:51So, for example, with this pheasant, we've got some carrots and potatoes and a few shallots.
04:59So, 15 minutes a pound should be cremated in about an hour and a quarter.
05:07This is Clive.
05:10Hello.
05:11Why don't you tell them what you do here, Clive?
05:12I'm the head chef.
05:13Surgeon.
05:14Yes, surgeon, head surgeon.
05:16And tell them what happened the other day.
05:18Oh, right, yeah.
05:19Well, it's not just birds we treat here.
05:21For example, on Monday, we had this lamb brought in.
05:24It was very sad.
05:25We had to amputate his leg.
05:27And then you got an infection.
05:29So, we had to take off the other leg, then both shoulders.
05:32And in the end, chasing the infection, we ended up having to amputate most of him one chop at a time.
05:38That's a medical term, by the way.
05:39Chop.
05:41I take it he didn't pull through?
05:42He certainly didn't.
05:45Tragic.
05:50So, just keep them in your pockets, all right?
05:53Sure.
05:54Anything to help?
05:54All right, and action.
05:58And it was here, in these skies, that the Luftwaffe was defeated.
06:02Not just by brave airmen, in fine aircraft.
06:05Cut!
06:07I'm bored.
06:09I'm bored as well.
06:10Come on, kids, it can't be that bad.
06:12There must be something you want to do.
06:14I want to play Numberwang.
06:15Me too.
06:16But, kids, you know we can't do that.
06:18Numberwang is for the television only.
06:20Playing Numberwang at home would infringe copyright law,
06:23thus depriving people of legitimate royalties and jeopardising future game show production,
06:27and could result in a prison sentence of up to 20 years under the Game Show Criminality Act of 1998.
06:31How about playing Cucumberwang?
06:36No, Timmy, because that would be shit.
06:39Hey, kids and Mum and Dad.
06:42I'm the actual real host of Numberwang, and I've got a question for you.
06:46Do you sometimes wish you could play Numberwang at home, but without the risk of going to jail?
06:50Well, now, with the release of the official Numberwang Play Numberwang at Home Numberwang board game,
06:55you can play Numberwang at home on a board.
06:57Look!
06:57Our days of misery and boredom are over.
07:01It's Numberwang in a box.
07:03Hooray, Wang!
07:05I might even stop my affair.
07:08It's got everything you'll find in the programme you love.
07:12It's got a board.
07:14It's got numbers.
07:16It's got two 400-sided dice.
07:19It's got special hosting accessories, so you can be just like the real thing.
07:28And there are all 37 volumes of the rules.
07:31So you can say, that's Numberwang, with confidence.
07:34Free.
07:35Who's that, Numberwang?
07:36Well, let's see.
07:37OK.
07:49And it even comes with a real rotating board.
07:55Let's rotate the board.
07:58What's on the other side, kids?
08:02It's an apple.
08:06The actual official Numberwang board game for everyone from ages 8 to 88.
08:11Sorry, Nan.
08:13And at a price of just £238.91, now every day can be a Numberwang day.
08:22That's Numberwang!
08:27Tina Edwards is no ordinary woman, because she has a second head that hates her.
08:34You look so fucking old.
08:36Do you know that?
08:38Continuing our point-and-laugh-but-in-a-caring-way season,
08:41we'll see Tina struggle at home and at work.
08:45Thanks very much.
08:46Oh, thanks very much.
08:48Twat!
08:50We'll be half-heartedly listening to Tina's problems,
08:54while secretly hoping for lots of footage of her weird second head going mental.
09:02That's the woman with the second head that won't stop calling her a bitch.
09:06Bitch.
09:07This Friday on 5, in between the news and the gambling.
09:11Hello?
09:14Oh, hello.
09:15Are you my co-tenant of this bit of office space?
09:17Oh, yeah.
09:18Make yourself comfy.
09:19I'm Colin.
09:20I've been here since before the private investigator killed himself.
09:23Hi, I'm Ray.
09:25So there was a PI here?
09:27Oh, yeah.
09:27He used to have this whole place before he got his receptionist pregnant.
09:30And then, you know, the worry got to him.
09:32I got to him.
09:33How did he do it?
09:36Asbestos.
09:36Right.
09:38Don't touch it.
09:39It might be the kidnappers.
09:40Oh, is that what you do?
09:42Yes, I'm a hostage negotiator.
09:44Oh, right.
09:44And you can do all that just from here?
09:46Oh, yeah.
09:47I mean, it beats going down there, you know, shivering on a rooftop with a loud hailer.
09:50I find it's very difficult to give a shit when I'm cold.
09:54Mind if I listen in?
09:56OK, but we've got to pick up at exactly the same time.
09:58OK.
09:59OK, so after three.
10:00One, two...
10:02Hang on.
10:02Is this actually going to be on three or on the beat after three?
10:05On the beat after three.
10:06Right, so on four.
10:08No, not on four.
10:09Who says on four?
10:10It's after three.
10:11Just trying to clarify.
10:12I don't want to ruin this for you.
10:13OK, so one, two...
10:16Oh, shit!
10:18Right.
10:19One, four, seven, one.
10:20It's ringing.
10:23Oh, hello.
10:25Now, this might sound like a bit of a strange question,
10:28but is the kidnapper there at all, please?
10:32Oh, speaking.
10:33Oh, what a relief.
10:34Hi, it's Colin here, the negotiator.
10:36Yeah, sorry I didn't get to the phone.
10:37I was having a colonic.
10:41It establishes trust.
10:44So, yeah, what have you got to say for yourself?
10:47Oh, yeah?
10:48Yeah?
10:48Well, fuck you!
10:49You're playing on my timetable!
10:53Don't panic, Ray.
10:54I'm just playing hardball with them.
10:56They'll call back.
10:57Poor man.
11:15Are we done?
11:16Yeah.
11:17Shall we do this, then?
11:18I'm sorry about this, child.
11:20No problem.
11:20No problem.
11:20Sure we'll get it this time.
11:24And...
11:24action!
11:25And it was here, under these skies, that the Luftwaffe was defeated.
11:30Not just by brave airmen in fine aircraft, but by invisible beams of electromagnetic energy,
11:36which could see further than the human eye.
11:38The great British secret weapon, Rayna!
11:42Cut.
11:46Forgive the blindfold, Mr. Cooch.
11:48An unfortunate necessity, I fear.
11:51I bid you welcome to the new headquarters of my organisation.
11:57Yeah.
11:58Very nice.
11:58Call me Ryan.
11:59Alas, I abhor informality.
12:02To business.
12:04Permit me to outline for you, if I may, the amusements I wish you to realise for me.
12:10This wall, for example, a sturdy and unyielding wall, wouldn't you say?
12:17But what I require, Mr. Cooch, is a culling mechanism whereby pressure applied to a lever,
12:24camouflaged as, shall we say, this volume of Miss Katie Price's Being Jordan,
12:31will rotate the entire wall to reveal on its dexter side,
12:38well, that need not concern you.
12:41Is that clear?
12:42You want it not through?
12:45No, you misapprehend me.
12:47The wall must remain, yet rotate.
12:50It must be there, yet not there.
12:53You want a hatch?
12:54No.
12:55No, Mr. Cooch, not a hatch.
12:58I wish for the entire wall to rotate, turn upon its axis, roundy round.
13:08Why?
13:09I just do.
13:12Right, well, can't be done, I'm afraid.
13:15This is a low-bearing wall.
13:16Nevertheless.
13:17Now, I mean, if it was this wall that you wanted to, what, rotate, is it?
13:21Yes, yes, rotate.
13:22Well, it would be a huge job, but I think there's a way you could do it.
13:27Hmm.
13:27Well, somewhat less impressive, but the roaring fire lends a certain je ne sais quoi.
13:34No, the fire would have to go.
13:35Well, by no means.
13:37It is integral to the effect that the fire burns merrily in the grate as the wall turns.
13:44Look, mate, if you rotate a wall with a burning fire in it, the effect that you'll get is a room full of smoke.
13:50I can't revolve the chimney, mate.
13:52It's down to health and safety.
13:53Forgive my levity, Mr. Cooch, but when you come to know me better, you will learn that neither health nor safety are among my primary concern.
14:07Look, if you want to rotate this wall, here's what you need to do.
14:11Fireplace decommissioned, yellow and black edging around all moving sections, clear, well-lit signage saying, warning, this wall may revolve.
14:20I begin to find you tiresome, Mr. Cooch.
14:23Don't get personal, mate. It's not me with a bonkers interior designer.
14:27Look, if not a revolving wall, then how about a nice, simple trapdoor?
14:35Trapdoor?
14:37Er, yeah. Yeah, that sounds possible.
14:41Excellent. Well, I want them under each of these seats with chutes leading down to a tank full of ravenous piranhas.
14:49Fair enough. We'll have that done by Tuesday.
14:53Action!
14:56But it is here, under these skies, where the Luftwaffe was defeated, not just by brave airmen in fine aircraft, but by invisible beams of electromagnetic energy,
15:05which could see further than the human eye.
15:07CUT!
15:08CUT!
15:09Was there a problem, Charles? I thought the arms were rather good on that one.
15:12So what do you do when you're at home?
15:16I don't mean at home, I mean here.
15:18Oh, I write the storylines for pornographic movies.
15:22Really?
15:22I expect that's pretty quick work.
15:25I generally bash out about seven a day.
15:29I start with a piece of paper with, they have sex, written on it 15 times.
15:34And then I've just got to fill in the gaps.
15:37Sounds quite easy. You know, the plumber comes round, they have sex.
15:41Right, good. But then what? Does the plumber go away? Does he do his plumbing?
15:46Does the plumbing not get done so they have to get another plumber round and then they have sex?
15:51Yeah.
15:52Bit samey. All plumber sex.
15:54Well, you could have the electrician or the man from Sky.
15:57No, no. Sky don't like it. They think it cheapens their brand, if you can imagine such a thing.
16:02I can't.
16:03No.
16:04Also, there are legal issues.
16:06If the Sky man has sex with her, then the Virgin Media man, the BT Broadband man and the Freeview man all have to do her as well or it's undue prominence.
16:15Blimey.
16:16And I expect one of them has to be disabled.
16:19That's a separate genre, Colin.
16:22I don't like to get involved in that whole ampew porn world.
16:26I don't blame you.
16:27But no, if you've got the plumber and the four TV guys there, then that's five of your sexes ticked off.
16:33Hello?
16:35Yeah, I got the finger.
16:38To be honest with you, Barry, I don't know why you're expecting me to be quite so shat up. The kid's not a pianist.
16:44Well, yeah, I'm sorry, but the message the parents are giving me is that if you mean business, you'll send a whole hand and only then will they call the bank.
16:52Well, I'm glad they're not my folks too, Barry, but, you know, look at it from their point of view. They do have three other sons.
16:59Yeah, well, have a think.
17:01My worry is that if four of the sexes are with people from digital TV, the dialogue might get a bit repetitive.
17:09There's loads, you know, oh, that's what I call a broadband cable.
17:13What does that mean?
17:14Well, it kind of refers to...
17:16What, penis breadth?
17:17Don't call me penis breadth.
17:19No. No, breadth. Breadth of penises.
17:23Yeah.
17:24It's pretty oblique. You've got to remember, Colin, that we're watching two people actually knobbing.
17:30So, a double entendre that doesn't quite work is just going to get lost.
17:35OK, well, what if she sits on the TV whacking off and makes some comment about having a set-top box?
17:40Gold.
17:46So, er, he should be reduced to no more than a handful of dust now.
17:51Oh, no.
17:53Oh, that...
17:55That isn't supposed to happen.
17:58That... I'm going to have to call the engineer and tell him that the oven just isn't hot enough to burn things.
18:03This just looks cooked, more than anything.
18:07It's terrible.
18:08Really terrible.
18:13Well, the thing about writing an American courtroom drama is that even though we don't necessarily know that much about courtrooms or America...
18:22Or drama.
18:24No, no, we do know about drama, is what I'm saying.
18:26We felt it being such a rarefied field, we didn't need to mess around with that much so-called research before knocking out ten episodes.
18:37Yeah. I mean, how many people do you know who have actually been to America or met a lawyer?
18:42Or both.
18:43Or either.
18:44Or either.
18:45Doesn't happen.
18:47Damn it, Speedo, you're the best defense attorney this side of Palm Springs in Florida.
18:51So why are you now going to become a prosecutor?
18:53Isn't it like poacher turned gamekeeper already?
18:56Listen, Janice, I'm sick of sticking up for rapists brilliantly so they don't go to prison.
19:00It's time to use my powers for good, not evil.
19:02Yeah, a lot of people wondered why you stuck up for rapists in the first place.
19:04I guess I just like rapists.
19:05Speedo?
19:06Relax, Janice, that's just my wicked sense of humor.
19:09I'm brilliant partly because I'm fucked up.
19:12You can say that again.
19:14Madam Mayor?
19:16So, you're my new chief lawyer in charge of making criminals go to prison instead of sticking up for them so they don't.
19:22That's me.
19:24Tell me, do you still wear Speedos in bed?
19:27Madam Mayor, I know I work for you now, but I needn't remind you it was a very long time ago that we were shagging.
19:34I can't remind you that you work for me now.
19:36Don't remind me.
19:37I needn't.
19:38Don't.
19:43Mr. Speedo?
19:44Janice?
19:46I'm not Janice.
19:48Mr. Speedo, it's time for you to meet your new team.
19:52Madam Mayor.
19:56Janice.
19:59Mr. Speedo, we are new-
20:00I know who you are.
20:01Katie Kelly, tough, brilliant, but unpredictable.
20:04Graduated Yale, first class, cum laude.
20:06Brian Beaufort, tough, brilliant, and a chess grandmaster.
20:09Graduated Harvard, Yale, and Princeton, cum laude in first class.
20:12Mike Mantley, tough, brilliant, and a complete asshole.
20:15Graduated Stanford, Yale, Harvard, Fuxtons, cum laude, cum laude.
20:18Yeah, I've read the files.
20:20Now, what do you want to do? Suck my dick or lock us in villains?
20:22Because let me tell you people, I've got a complicated relationship with my daughter,
20:25and a perennial attitude problem due to the fact my Speedos are too tight for me.
20:28So let me tell you, you need to decide what's it going to be my way or the freeway?
20:35Why did I hire Speedo?
20:37He's tough.
20:38Did you rape this woman?
20:39No.
20:40Did you rape this woman?
20:41No.
20:42Did you rape this woman?
20:43No.
20:45Did you rape this woman?
20:46Yes, yes.
20:47Whatever you say.
20:49Go for the questions.
20:53He loves justice.
20:58What is it, Leslie?
21:02I was just thinking about how much I goddamn love justice.
21:08Have you ever thought about getting some Speedos that fit you better?
21:11Maybe when I'm dead.
21:16And he always does the right thing in the end.
21:21Did you steal his wallet?
21:22No.
21:23Did you steal his wallet?
21:25Hold on.
21:28Speedo.
21:29Daddy?
21:30Honey?
21:31You missed my 16th birthday.
21:33Damn it.
21:34I'm sorry, honey.
21:35I've been real busy at work.
21:36I guess I just missed Mom.
21:38That's right.
21:41Listen, I'm gonna make it up to you.
21:44How about I come to your 17th birthday?
21:46Really?
21:47I'll try.
21:49Thanks, Daddy.
21:51I love you.
21:52I love you, too.
21:56Great kid.
21:59Did you sell his wallet?
22:00I'll see you wearing that T-shirt I bought you.
22:08Yeah.
22:09Well, you dropped quite a few hints about it, actually, so I pretty much felt I had to.
22:13You're very welcome.
22:15You don't think it makes me look fat, do you?
22:17No, no, no, no, no.
22:18I don't actually think that's possible.
22:20Oh, thank you very much.
22:21That's not what I meant.
22:22Oh.
22:23What I meant was the only way it's possible for a T-shirt to contribute to making someone look fat is if they ate it.
22:28Did you deliberately buy this T-shirt to make me look fat?
22:31No, of course not.
22:33I bought it to deliberately make you look gay. You look fat whatever you wear.
22:36Why do you want me to look gay?
22:37None of your business.
22:39Sorry.
22:40Hang on.
22:41All right, if you must know, I got into a bit of a row the other night with this bloke who was gay and I said some things that could be construed as homophobic.
22:52What sort of things?
22:53Nothing, really. Nothing. Just a bit of, back to the wall, chaps, watch out, he wants to bum you. I mean, it was completely ironic.
23:00Bloody hell.
23:01Look, he was being incredibly rude about Tony Blair. And Tony can't defend himself, you know, he hasn't got an army anymore.
23:08So, I'm just covering my arse, so to speak, by making you look gay, so, you know, I can say, look, there's no way I'm homophobic.
23:16I spend my whole time working with that bender.
23:20I mean, I wouldn't phrase it like that.
23:22And where does that leave?
23:23Look, it's no skin off your nose. You haven't got a girlfriend.
23:27In what way do those two statements go together?
23:29Well, you might as well be gay.
23:31I mean, one of us ought to be gay. I used to have a go. Remember my earring?
23:35Yeah.
23:36Well, so now it's your turn.
23:38But, if everyone thinks I'm gay, I'll never ever get a girlfriend, will I?
23:45Look, I don't mean to be rude, but that is kind of the case already.
23:51You know, I mean, at least this way you've got an excuse.
23:54You know, I never found happiness because Rob made me pretend to be gay for his career.
23:59That's a lot better than I never found happiness because of reasons to do with, I don't know, attractiveness or smell.
24:09I don't smell.
24:10Well, must be attractiveness then.
24:13Just trying to give you a get out, mate.
24:16Thanks.
24:19Have a biscuit.
24:20And that, ladies and gentlemen, is the true purpose of the Calippo organisation.
24:33Now, doubtless, this may come as a shock to some of you.
24:36So, let me assure you, if any of you have any moral qualms about my little proposition,
24:46you're more than welcome to simply walk away.
24:51So, any niggling little doubts?
24:59Um, yes, I thought that all sounded a bit...
25:05So, um, I might go, if that's all right.
25:09But I won't tell anyone, I swear.
25:13No, Hugo.
25:15I know you won't.
25:17Well, no, I won't.
25:21Oh, I'm quite sure you won't.
25:24Um, what's that?
25:38Nothing, nothing, don't you worry about that.
25:42OK, so am I free to go?
25:43Uh, yes, yes, just sit tight for a moment, though.
25:46Uh, we need to talk about your redundancy package.
25:49Why, isn't it?
25:50Because you need to press the other button.
25:52Ah, yeah.
25:59So, what's going on?
26:02Nothing, nothing.
26:04Now, we can forward date your pension to...
26:06Attention, attention.
26:08Trap door number three is about to open.
26:10Please clear the area.
26:12Trap door?
26:13Is there a trap door?
26:14No, no, it's just an emergency drill.
26:16You sit tight.
26:17Trap door three is about to open.
26:19Please clear the area.
26:21I think I might go.
26:22No, no, no, stay.
26:23But we haven't talked about what sort of a leaving bash you might...
26:27Trap door three now opening.
26:30Oh, terrific.
26:35Well, what happened was, we were halfway through filming the first series of Speedo, our American courtroom drama about the tough lawyer with the fatal flaw that sounds like his name.
26:45I don't need you to bust my balls, lady.
26:47I'm wearing a pair of incredibly tight Speedos that do that for me.
26:51When the actor who played Speedo suddenly died.
26:55Want to know why they never sold the beef in Albuquerque?
26:58No, but I have a feeling you're going to tell me.
27:03Which was sad, but mainly annoying.
27:06Well, it wasn't that annoying, because we've finished the script, so basically not our problem.
27:11Yeah.
27:12We've just got someone else to play Speedo, and there was some talk about us rewriting the scripts to make them suit him more, but...
27:21We were on a cruise round the med by then, and I hadn't taken my laptop with me, so...
27:25What are you going to do?
27:27I'm not comfortable with this Speedo.
27:29Madam Mayor, I'm never comfortable.
27:31I thought you knew that about me by now.
27:33But you're the wrong lawyer for this case.
27:35How can a rich white lawyer like you defend this poor black kid?
27:38Yeah.
27:39Listen, Mayor, I may be white, but I'm not stupid.
27:41That kid is innocent, and he deserves the best lawyer in the world.
27:44That's me.
27:45Doesn't matter what damn color he is.
27:49I ain't telling you nothing.
27:50Okay.
27:51I get it.
27:53You don't want to talk to the big white guy in the suit.
27:56You are a big white guy in a suit!
27:58I know.
27:59I know I'm the big white guy in the suit, but are we so very different?
28:05What's this?
28:19Get out!
28:20White dude got some moves!
28:23You can be my lawyer!
28:29You know what you're doing, but I know it's different.
28:30It's about the..
28:31It's just for that light to go.
28:33Hartley isанс.
28:34It's the door to see him.
28:35Look..
28:38He's looking for最後 a tweet.
28:40Under Online.
28:41.
28:47One- perché?
28:49To the different teammates?
28:50Promised 초zame.
28:51Be κ� button,
28:52one-perue cutting price.
28:53Ohation.
28:54Who doesn't mean he?
28:55Everyone else can.
28:56They do love that seat.
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