- 3 months ago
Category
🎥
Short filmTranscript
00:00I don't have time to allow some abstractions
00:12as a pressure to stand on the way that it needs to be done.
00:16And that is to send our new guest to our new guest
00:20a proposal for the European Union.
00:22How is it going?
00:23I've just started.
00:24Well, let's go a little bit.
00:26This could be our chance.
00:28I don't have a guvara.
00:30Why is it going to give me?
00:32I don't want to thank you.
00:33I think I'm going to forgive me.
00:35On the first date.
00:36We have now a spa.
00:38It's all that.
00:39I'll leave it for the rest of the day.
00:41I'll leave it for the rest of the day.
00:43Oh, that's the angels.
00:44Welcome to the collective.
00:46I didn't need a job.
00:47I'm the director of hotel.
00:49I'm the face of hotel.
00:51Stop it!
00:52All the food is gone.
00:54Let's have some food in my life.
00:56So, your fake massage are only hobby.
00:58My fake massage are now a very professional.
01:01Maybe they'll get what they've been asked, but they'll give it what they need.
01:06And these are the most important.
01:07I've got this.
01:08I've got this.
01:09I've got this.
01:10I've got this.
01:11I've got this.
01:12I've got this.
01:13I've got this.
01:14I've got this.
01:15I've got this.
01:16I've got this.
01:17I've got this.
01:18I'm happy.
01:19I have this.
01:20What are we going through?
01:21It's my email.
01:22What are you saying?
01:23We're sending people to the ground for several days to make an announcement to the patient's situation.
01:28L.U.L.E.
01:36Hello to all of you, the delicious delicious food.
01:39A special welcome to all of you, all of you, I see you have a lot of fun.
01:43But you won't miss it because you will learn how science, innovation, technology
01:48combine with kitchen.
01:50Today we have a gazpacho from white bread with carbonated ground.
01:55You need to take a few of them and put them in your canister with CO2 carbonizer.
02:01It would be good if you could be able to carbonize...
02:04Now you understand why Dule Vega is still a chef.
02:07Let's go, Bannerred, let's find some normal food.
02:11Look, this is normal in Europe and the world.
02:15In other thoughts, EFH requires innovation, among other things, in the kitchen.
02:20We get it with L.U.L.E.
02:22We also get better image.
02:24Let's go, Tvoj Paz da nam popravi image.
02:27Oskar?
02:28Da.
02:29Pa, ako ga angažujete i dovoljno platite, hoće.
02:31Bannerred, a da li tvoj kuvar, da li on zna da napravi ribić u Kajmaku, recimo?
02:38To je bukvalno kao da me pitaš da li pilot ume da vozi tramvaj, stvarno, deki.
02:44Ajmo, Bebo, dođi.
02:46Uostalom.
02:47Dođi će Lule pa ga pitaj.
02:49Ajmo, Bebo.
02:50Ako ti nije glupo, pitaj ga da li zna da pravi kuvane uši, džigelice i šta već jedeš ti.
02:56Pilot da vozi tramvaj.
03:00Kolege, velika mi je čas da vam saopštim da je EFH prihotel na našu aplikaciju.
03:15I oduševljeni su tom našom aplikacijom.
03:25I postali su ovako jedno tridesetak nekih tačaka koje još treba da ispunimo da bi zapravo postali članovi te evropske.
03:34Evo ovako, evo, vidi, sada, znači mi hoćemo da stignemo evo ovde.
03:42E, F, H, jel? Razumeš, na vrh, na top, što vi mladi kažete.
03:49Jel, od kad puštamo kerove u hotel?
03:53Od danas. Mi smo od danas pet friendly hotel.
03:56Da, uostalom to su stavili na spisak zahteva koje su poslali.
04:00I šta je sledeće? Svi u isti WC.
04:03Mnogo je sladaka.
04:05Jeste, cuko, dobri.
04:07Mopsevi se strašno linjaju, znaš što?
04:10E, izvini, mogu da idem do tolata?
04:13Nemo, mojte, sad ček samo malo.
04:15Mi smo sada ovde.
04:17Mi bih teli ovde, a sad smo ovde.
04:20A znate zašto smo mi ovde?
04:22Zato što to je kako mi radimo.
04:25Što tako razmišljamo.
04:27Razumeš?
04:28Ta Evropska unija hotela.
04:30Familija hotela.
04:31Dobro, bane, familia, familia.
04:33E, moj me breve iše Fortas, me ispravio stanom.
04:35Ta Evropska familija hotela, oni će da pošalju nekog čoveka da proveri šta smo mi tu radili.
04:41Razumeš?
04:42Čovek će da dođe i da vidi.
04:44Šta će on da vidi?
04:45Tebe.
04:46Mene, pa jest i mene će i da zatekne.
04:50A će i tebe da vidi, razumeš, na recepciji kako pišeš scenarije.
04:54I bih, sad ću, sad ću.
04:56I sobarice što se svađaju po hodnicima i jure golubove, razumeš?
05:01A u kujni nema konobara, nema kuvara, nema šefa sale, nikog nema, razumeš?
05:06Samo ima neka misteriozna baba koja purnja, razumeš, ko lokomotiva i bivše vojno lice.
05:11Pa izvini ujko.
05:14A tebe, bre, jako sretno ima da poluda od sreći.
05:18Ima odmah kupe loz.
05:19He, pošto ti još nisu došli od vada odradim u dostovu.
05:22Jasti na četiri zjezdice, pa da ne kvari samo vi i cepa, ajte, bez mene.
05:26To.
05:27Ćao.
05:28Ćao, bre.
05:29Kaj ja o ovome vam pričam.
05:32Jer oćem u Evropsku uniju.
05:34Familiju.
05:35Pa da ako hoćemo, moramo tako da razmišljamo.
05:37Razumeš?
05:38Mi treba odavde da stignemo vamo.
05:40Opa!
05:41Izvini samo, pre Evrope, ako ja mogu do tog toaleta, molim ti.
05:45Ne možeš, Susa.
05:46Ne možeš.
05:47Ja isto trpim, vrate.
05:48Znaš od kad se meni idu u toalet?
05:50Od sinoć, bre.
05:51Evo ga ovaj.
05:54A tu ste.
05:55Zar ti nis dao od kad sam?
05:57Jesu, na mesto šefa kuhini, a ne šefa sali.
06:02Pa će ova džukela ovaj?
06:03Predstavlja evropske vrednosti.
06:07Zapadne vrednosti.
06:08Svuda počnu sa džukelama.
06:10Čim vidim da žena šeta kere umjesto deteta, znam da tu trava ne raste.
06:13E zato i odumiremo kao narod.
06:15Sve je to ta Evropa smislila.
06:18Da se ne razmnožavamo i da nas na kraju ostane šačica
06:21i onda mogu da rade s nama što hoće.
06:24Jel ti imaš decu?
06:26Nemam.
06:27Ali ja tu nisam bitan. Šta sam ja tu bitan?
06:29Šta sam ja tu bitan?
06:30I evo, upravo ulazim u hotel koji mi je poslao ponudu za saradnju.
06:37Okej, o nisam očekivo.
06:39Ali, ko znam, možda će biti neka nova avantura.
06:43Pomislite twil od koralne čipke.
06:46Agah, agah, sriraca sa sverifikovanim uljem.
06:50I sve to na jelovniku restorana u centru grada.
06:55Dali smo meč?
06:56Stay tuned.
06:57Ljepšu buku.
06:58Ljepšu buku.
06:59Ljepšu buku.
07:00Ljepšu buku.
07:01Ljepšu buku.
07:02E, hashtag Lule Molekul.
07:03Da.
07:04Ču liko vas volim i pratim i mnogo sam srećan što ste tu.
07:06Ja sam Branislav Bane HR ovog hotela.
07:10A ovo ovde je Oscar od Wild.
07:14Oni ste ima društvene mreže i voli, tako?
07:17I njemu bi baš, baš, baš bilo važno da vi njega zapratite ako možete.
07:24Okej.
07:25Hoce, druge, ba neko da hoce.
07:27E, ajmo mi odmah do kuhinje.
07:29Može?
07:30E, sa psonom.
07:32Ne, ne, ne.
07:33Ja ću njega da ostavim u njegov krevetiću u moj kancelariji.
07:37A mi ćemo tamo da upoznamo usput i Dekija.
07:39Dejana, pardon.
07:40On je direktor našeg hotela.
07:42I, čiso malo ako da suputim, on nema društvene mreže. To ne voli, tako?
07:47Ali onako što bi mi mladi rekli staromut.
07:53Kao i ovaj hotel.
07:54Lule, kao što sam vam rekao kad smo se čuli preko telefona, mi apliciramo za evropsku familiju hotela.
08:07I, s tim u vezi, mi smo vas svali, s obzirom da želimo da radimo nare brendizaciji našeg hotela.
08:17Ko?
08:19Veli mi te aparat za penu?
08:22E, imamo, ja bi ćemo. Evo. Evo.
08:26Nabavit ćemo, ne brinite ništa.
08:28Spustite.
08:29Sed za dekoraciju također.
08:31Mhm, opisujem.
08:33E, da pitam ja vas nešto, gospodine Lule. Umete li vi da napravite ribić u Kadmaku?
08:41Al onako da se topi?
08:43Mhm, što bih pravio ribići?
08:45Nećete, Lule. Neće biti potrebe za time.
08:48Mi nismo nikakva kafančuga na okretnici autobuske stanice. Mi smo renomirani ugostiteljski objekat.
08:56Prestani da mu postavljaš besmislene pitanja.
08:58Čoveče, mi smo oni ovde koji određe da će ovaj čovek da radi ovde. Mi postavljamo pitanja.
09:02Ne, ne, ne. Saberi se, molim te. I pusti me da ja osredim.
09:08E, šta je ovo?
09:13Mislim, čemu služi?
09:15Mi nećemo da zapošljamo po svaku cenu.
09:18Mislim, imamo problem, nemamo kuvara, ali ja znam da pregovaram.
09:24A ove mlađe generacije o tome nemaju pojma.
09:32Mislim, čemu.
09:34Mislim.
09:36Dajte molim te mre, ove su četiri milančetove plata.
09:39Ne pada mi na pamet da uvredimo čoveka.
09:40Pa ti mi reci, je lovo realno.
09:42Evo, ti si računovodje, možemo bi ja.
09:44Ja sam HR.
09:47Šta je, bro?
09:48Jedna zvezdica.
09:50A ljudi, ja sam stvarno misli da može da bude dobar koncept.
09:54Kao da ja proslami vaš restoran Zero2Hero, ali ste živi sahranjeni.
09:57I am HR.
10:00Šta je, bro?
10:02Jedna zvezdica.
10:05Ljudi, ja sam stvarno misli da može da bude dobar koncept.
10:09Kao da ja proslami vaš restoran Zero2Hero, ali ste živi sahranjeni.
10:14Juftice i sarme.
10:16Božeme, srčovi.
10:17Nije to realna slika, to su penzioneri i frizeri, oni nam se svetu.
10:22Dene, we have to make the image of the hotel moment.
10:26We have to raise the price and increase the number of stars in the first phase.
10:31Okay, let's go to these panels and decorations.
10:42Here you are, and you will get it.
10:45You don't understand me. It's not all about money.
10:48I have friends who follow my brand, and if they see this, I can destroy them.
10:54We will change these stars until the end of the evening.
10:58We will have four stars at the end of the evening.
11:02On TripAdvisor and on Google?
11:05That's all. We are in the middle of branding,
11:09and you need to reach the stars.
11:11Let's do it like an optimistic person.
11:14You know how do we do it?
11:17Let's try the job in the evening and see how it goes.
11:21Let's try it.
11:26I've heard the first time in my life that he was in the job.
11:30I don't know, maybe in Europe.
11:33I don't know.
11:34I don't know.
11:35But you know how?
11:36When someone is worth it,
11:38you have to work hard to get him.
11:41Do you know?
11:42You can see Denver from Cimo to Jokic.
11:46All right.
11:47All right.
11:49I'm telling you,
11:51you're going to have a list of things.
11:52You're going to be a podcast.
11:53Yes.
11:54I'm telling you,
11:55you're going to be a list of things.
11:56You're going to be a list of things.
11:57You're going to be a list of things.
11:58You're going to be a list of things.
11:59Yes.
12:00Asparagus,
12:02djumbir,
12:03Chinese kupus,
12:04marinated haringe,
12:06passion fruit,
12:07pectin,
12:08small organic shargarepe,
12:10flying avocado,
12:12flying ananas,
12:13I think that it's like a pipoon,
12:15calcium,
12:16alginate,
12:17jerusalemska,
12:18artichoke.
12:20How does that look, bratski?
12:22Yes.
12:23You're like a parishioner.
12:24Piti there,
12:25that means.
12:26Yes.
12:27Yes.
12:28Where do I find it?
12:29Is he going to go to Bailonia?
12:30Yes.
12:37See how he is.
12:39Where is he going to go to the teretano?
12:42Yes.
12:43I imagine that yesterday he was doing biceps,
12:45but that's why he didn't speak the whole day.
12:47He was in a car on the plane,
12:49but later he was late.
12:50He was sorry,
12:51he was going to go to the whole night.
12:53He hasn't learned to know the false profile of the right.
12:57He doesn't have to exist,
12:58with the pictures.
12:59Maybe he will be a little,
13:01poor gamer,
13:02who is just a pilot.
13:03Hey,
13:04maybe,
13:06maybe they can buy them,
13:08and that the guests will be from Bangladesh.
13:12Please,
13:13please,
13:14please,
13:15please,
13:16what we can do is to open the Instagram profile
13:19that we will boost.
13:20If Oki is able to get a thousand followers,
13:22for a week,
13:23we can do it.
13:24We only need to make a brutal event in the hotel.
13:28There is a event.
13:29There is a event.
13:30There is all filmed.
13:31And ready?
13:32Really?
13:33Well,
13:34man,
13:35there is.
13:36Come on,
13:37come and see.
13:45Let's go,
13:46let's go.
13:47Let's go,
13:48let's go.
13:49Let's go,
13:50let's go.
13:51Let's go.
13:52Let's go.
13:53Hotel Soloboda.
13:55Pionirsko stvarenje epokalne,
13:58gradosne,
13:59that was our famous director of this hotel.
14:02That was a legend.
14:03That was a great.
14:04And he was doing JRT.
14:06I should know what it is.
14:09It's a Yugoslavia radio television.
14:12Let's go,
14:13let's go,
14:14let's go,
14:15let's go.
14:16That was a time.
14:19And I've watched it 3 million times,
14:22you know,
14:23there wasn't that film.
14:24We knew this.
14:25We knew the range,
14:26and the vertical was always clean.
14:29Yes.
14:30Let's go,
14:31let's go,
14:32let's go,
14:33let's go,
14:34let's go,
14:35let's go,
14:36let's go,
14:37let's go,
14:38let's go,
14:39let's go,
14:40let's go,
14:41let's go,
14:42let's go,
14:43let's go.
14:44There's something called retro-romantism,
14:46and that's okay,
14:47but there's something called cringe.
14:50It's something,
14:51when they're scared.
14:52What do you think?
14:53What do you think?
14:54It won't go?
14:55You decide,
14:57I don't know.
14:58Okay, I understand.
14:59I understand,
15:00they're young people,
15:01they're young people.
15:02Let's go,
15:03let's go,
15:04let's go,
15:05let's go.
15:06Let's go,
15:07let's go,
15:08let's go,
15:09let's go,
15:10let's go,
15:11let's go,
15:12let's go.
15:13Hotela,
15:14ajde.
15:15Ja znam ovo bre,
15:16ustanovo boljim za bilo komu.
15:18A danas je poprište mnogijeg putnika,
15:21koji rado posjećuju našu socialističku domovinu.
15:29Brate,
15:30k'o govori ovako?
15:33Ja to sad znaš kako je mene bilo s onim tvojim tekstom.
15:36Ej!
15:37Kao prvo,
15:38ja sam ti bar ostvio prostora za improvizaciju.
15:41Let's see what you need to say.
15:45Do you want to hear it?
15:47I want to hear it.
15:49Good morning, we want you to have a nice welcome to our sunken three-star hotel.
15:57I am Ivan.
15:58I am Ivan.
15:59I don't know, I don't know, he has to tell me.
16:02How can we enjoy you today's life and your struggle with us?
16:06And we love you and love you and love you.
16:09I am Ivan and I am Debil.
16:12I am the top.
16:14You are the top.
16:16I don't want to talk about your mother.
16:18What? It's not your name?
16:21No.
16:23No.
16:25Sorry, I don't want to talk to you, but...
16:31Falija, asparagus, mango, kelleraba...
16:33No, brother, everything you want.
16:35Really, not me. Why are you not talking about asparagus?
16:38I have given you those Jewish arctic.
16:41Jerusalem.
16:43What I mean, it can be buddhistic and eons.
16:46You are three kilos here.
16:48Petra on the sky asparagus.
16:53God, my cégemy, they are so ст lingued dark in the world.
16:57Molecular mix with Tik Tok on.
17:00Some Satanististical sugar, something.
17:02But what is the next?
17:03I've said this, that it can make us make AmericanOfferne.
17:07Tik Toki Chinese.
17:09So, they are down practical with Nybilight.
17:12Words.
17:13Let's shoot on the memecare of little carnage!
17:16Let's go quick!
17:17Krevet is, as you can see, on the guest. As you know, we don't have it.
17:21We don't have it now, because they don't know how nice it is with us,
17:25but when they know, they have to get out of it.
17:27Druga Riči, now we'll take a short video for our Instagram profile.
17:32Where is our Instagram profile?
17:35It's not so funny. We have it, Suzana, because we grow, because we're growing, because we're growing.
17:39Oh, I'm sorry.
17:41Let's go, let's go. Let's go, let's go, let's go.
17:44What do you think, maybe we don't put punđe, like in Japan?
17:47What? Maybe we don't want to shoot on Instagram.
17:49I want to. You can't tag me later.
17:52Olga, don't ever ask if the hotel can tag you,
17:56but ask if you can tag me the hotel.
18:00We'll tag me.
18:01Wait, stop, stop, I have to tell you about the action.
18:03The first attempt to change the animal.
18:06Action!
18:09Great, great, Olga.
18:11Just stop, stop.
18:13Olga, great, you're in the video. Suzi, let me do a little.
18:16You understand?
18:17You don't understand?
18:18You're in the crowd, we make one a cream, one.
18:20I'm sorry, wait, wait, wait.
18:23It's not that phone.
18:24You're in the phone, much.
18:25Let's go, let's go.
18:27Action!
18:29Hop, hop, hop, hop, hop.
18:30Druga Riči.
18:31What's up?
18:32We have a cup, we have a cup of tea.
18:35We have a cup of tea.
18:36It's not that cup, Suzi, please.
18:37I'll change the cup...
18:38Just change the cup of tea.
18:39How do we do that?
18:40Let's go to the other side, let's go to the other phase.
18:44What is the other phase?
18:45As soon as it is, action!
18:49Bane!
18:50Oh, my dad, I like it!
18:53Let's go to the moment!
18:55Look at who's doing it!
18:56Let's go to the other side!
18:59Okay, okay!
19:00Okay!
19:01That's great!
19:02You're looking for the profile.
19:04Oh, my dad, are you looking for?
19:06What a talented child!
19:08Bravo, Duso moj!
19:10You know how much I'm able to win!
19:13Oh, how much I love you, right?
19:15L-U-L-E
19:18Come to Hotel 3 Star
19:20The address is in the description to try new specialties
19:23Luletole molecular cookies.
19:25When you hear a sphere from paradise
19:26or a desire from luck,
19:28it will surely start with your heart.
19:30I've tried it, I've tried it.
19:32There's no clientele for this.
19:34Have you heard a colleague Boomer,
19:36who has lived in a deep era
19:38Bajat krompir,
19:40cold-peach...
19:40Hey, don't let go of you!
19:41Don't let go of you!
19:41Don't let go of you!
19:42Don't let go of you!
19:43Don't let go of you!
19:44Don't let go of you!
19:45You've never been able to go to the kitchen
19:47without the finished cooking school!
19:49You wouldn't let go of you
19:51and then you didn't show your diploma!
19:53You didn't have to be 0!
19:55You didn't expect that you didn't have a diploma!
19:57They killed me!
19:59They killed me!
20:00Where are you now?
20:02No!
20:03Don't go directly into the camera,
20:04but a little bit of the camera!
20:06But the pressure is all the time to talk to someone!
20:08Yes!
20:09To be natural!
20:10You can!
20:11Action!
20:16Good evening, everyone!
20:18Stop! Stop! Stop! Stop! Stop! Stop!
20:20Stop!
20:21I'm watching the camera, right?
20:22That's the biggest problem!
20:23Yes?
20:24How do you walk?
20:25How do I walk?
20:26Like a penguin!
20:27We can't put it in advertising!
20:28Like a penguin!
20:29Let go of you!
20:30Let go of you!
20:31Let go of you!
20:32Let go of you!
20:33Let go of you!
20:34Let go of you!
20:35Let go of you!
20:36Let go of you!
20:37Let go of you!
20:38Let go of you!
20:39Let go of you!
20:40Let go of you!
20:41Action!
20:44Hey, you know what would happen?
20:45I don't know if you were thinking
20:46What do you think about this?
20:47That's great!
20:48I'm standing up for the camera!
20:49That's what the camera is doing!
20:50Memedović!
20:51He loves women!
20:52No!
20:53I like women!
20:54No!
20:55Let go!
20:56Good morning!
20:57Good morning!
20:58Suzo, Suzo!
20:59I'm going to get you in the car!
21:00I'm going to take off!
21:01I'm going to take off the car!
21:03I'm going to take off the car!
21:04Do you really want to go?
21:05You're like, what's going on?
21:06I'm going to talk to you!
21:07No, don't look at all!
21:08It's good!
21:09It's a hotel!
21:10Now, you can't do it!
21:11Now, you're going to stop!
21:12Good job!
21:13Okay, you're better now!
21:14Let go!
21:15You're going to be better!
21:16You can!
21:18Action!
21:20I would like to introduce you a hotel
21:23that is in your position...
21:25Olga!
21:26Where are you going?
21:27Where are you going?
21:28Olga!
21:29Olga!
21:30I ask you, I'm going to shoot you for a hotel.
21:33You're not in her.
21:35What are you doing now?
21:36You were great.
21:37Believe me, you were great.
21:39Now hold on.
21:40Just continue.
21:41Let's hold on.
21:42Action!
21:43I would like to introduce you
21:46one hotel.
21:47Olga!
21:48We are seeing you, Dušo!
21:50Olga, we are seeing you.
21:51She is running away.
21:52I see you.
21:53I don't know if I'm going to get down.
21:55Let's go.
21:56Pause for 5 minutes.
21:57Wait.
22:02Hotel Tristar.
22:04Arhitektonska nadgradnja
22:06of the former Hotel Sloboda.
22:08You said Hotel Sloboda.
22:10Where is it?
22:11Where is it?
22:12Let's go.
22:13Now all of you understand.
22:15Let me know what you mean.
22:16I will move ahead.
22:17I will move ahead.
22:18Come on.
22:19Come on.
22:20Let's go.
22:21Come on.
22:22Come on.
22:23I will move ahead.
22:24Come on.
22:25Let's go.
22:26To you.
22:27Love you.
22:28To you.
22:29There's a feel of tension.
22:30Tell us.
22:31Continue.
22:32I have a plan.
22:34I have a plan.
22:35Tell me.
22:36We will use...
22:38...the gold.
22:39Bravo!
22:40That's it!
22:41People, this is the skill.
22:42We need a drone for that.
22:44We have a drone!
22:46Where did you have a drone?
22:48I bought it from the train station.
22:50It's not big.
22:51But we will have a job.
22:52We will have a battle.
22:54Only a drone can hide the kitchen,
22:56and everything.
22:57When we go through the village.
22:59Did they come?
23:01A couple of tables, as usual.
23:03It's very important when you serve them,
23:05you tell them exactly what they eat.
23:07This is a pharoah with powdered sugar.
23:09You can see exactly what is.
23:11With a bucket.
23:13You have a pizzeria in the street,
23:16in the semafor.
23:17It's nice.
23:19Hello.
23:23Deki, let's go a little left.
23:25What's left?
23:27Drone, left.
23:28Drone, left.
23:29No, no.
23:30To us.
23:31To us.
23:32Just to see the city.
23:33That's it.
23:34And the 8th.
23:35You can take the hand towards the city.
23:37That's right.
23:38That's your city.
23:39If we add some music,
23:41some text,
23:42it may be a bombon.
23:44Is it a shot or a parallax?
23:46What?
23:47I watched the tutorial on YouTube.
23:50It's a shot.
23:51So, first.
23:52Okay, top.
23:53The yellow, the yellow.
23:54The yellow.
23:55The yellow.
23:56Put it.
23:57Put it.
23:58Yeah, yeah.
23:59Deku, oh, yes.
24:00And the city on the nose.
24:02That's your city.
24:03Stop.
24:04Stop.
24:05Stop.
24:06Stop, stop.
24:08A, how much do you need?
24:10Five hundred minutes.
24:14Where are you?
24:16Uuu, looks crazy.
24:18Are you serious?
24:20I'm serious.
24:22What are you saying, people?
24:24Wait a minute.
24:26Let's try again.
24:28Let's try again.
24:30We lost time, we lost time.
24:32We lost time.
24:34There are mistakes in the work.
24:36Please, stop.
24:37Let's change, we'll shoot again.
24:39Hi.
24:40Hi, Lule.
24:41Did you see the bus on the network?
24:43No.
24:44There were some clinics.
24:45They were overwhelmed.
24:46They paid.
24:47Oh, wow.
24:49Lule, fuck it.
24:51Look, we have new reviews.
24:54Wait, we got a new star.
24:56Yes, yes.
24:58Look, Lule.
25:00I didn't get any request from you.
25:02Did you do something?
25:03We are in the process.
25:05We are in the process.
25:06We have no problem with the drone.
25:07With the drone.
25:08But we will solve it.
25:09Okay.
25:10Okay.
25:11I'm going to think about it.
25:12We'll see each other night.
25:13Now I have a guest on the 24 Kitchen.
25:16Hey, television.
25:17Yes.
25:18Can you remember our hotel?
25:20Yes.
25:21Yes.
25:22We're in contact.
25:23Yes, we're in contact.
25:24Yes, we're in contact.
25:26Let's see.
25:27Yes, we're in contact.
25:30What the hell are you talking about?
25:32What do you think of?
25:34Look, he said that a man has a thousand followers.
25:36Where are the thousand followers?
25:37No, you can't be so simple.
25:40Be patient and slow.
25:42No, slow.
25:43No, slow.
25:44In hotelier, there are two stars.
25:47It's the highest.
25:48It's the highest one.
25:49One star.
25:50It's like a Chinese restaurant that didn't go to a sanitary restaurant.
25:55It's like a part of a charme, people love it.
25:57It's so interesting, exotic.
26:00But two stars for a hotel.
26:03It's like an IBAR magistral.
26:08Where did he go?
26:10On TV, 24 Kitchen.
26:12That's the decision, Bane.
26:14That's it!
26:15Of course, we have our lives.
26:18What do you think I call you?
26:20I think it would be very interesting to me.
26:23Wolves.
26:24Usually, Wolves.
26:26Wolves, Wolves, Wolves.
26:30You can go to Tajikistan, you can go to a hotel in my city.
26:34Hello, is this television?
26:36I ask you, who needs me for an interesting story?
26:40When we do it, we'll do it ourselves.
26:43Bane, television is coming.
26:46When?
26:47Now, for five minutes.
26:49When I told you about what it was, they said, we'll come immediately.
26:52And who comes?
26:53Television, man.
26:56The national frequency.
26:58Let me ask you, who watches the television today?
27:00I watch the television.
27:02These people don't even have internet.
27:04It won't change the value of our hotel.
27:06Okay, you're going to go to the internet.
27:09I'm going to the television.
27:10Hey, the national.
27:12Come on, let me show you.
27:14What?
27:15What?
27:16When did you show me?
27:17I have a problem.
27:18I have a problem.
27:19I have a problem.
27:20I have a problem.
27:21I have a problem.
27:22I have a problem.
27:23I have a problem.
27:24I don't believe.
27:25But there is a problem.
27:26Hey, both of you.
27:27There is a lot of trouble.
27:28There is a lot of trouble.
27:29Everyone comes to the television.
27:30To shoot us.
27:31What is the television?
27:32The television.
27:33You've learned a text.
27:34Hey.
27:35I have a bit of a delay.
27:37Let me see.
27:38I think it's better.
27:39Good day.
27:40Good day.
27:41How can I help you?
27:42I'll do it.
27:43We are not an electric distribution.
27:46We are a hotel.
27:47We are a hotel.
27:48We sell ideas.
27:49We are a funeral.
27:50We are married people.
27:51You understand?
27:52They are suffering from life.
27:53They are drunk on the chest.
27:54They come to the house.
27:55You listen to me when I talk about something?
27:57Yes.
27:58And where they come to the house?
27:59Here, in the hotel.
28:00The sun.
28:01The funeral.
28:02The funeral.
28:03The joy.
28:04And the rest of the poetry from Bečić.
28:07How could you?
28:08Good day, Ivana.
28:09Hello, Ivana.
28:13Hey, Dina.
28:14Hello.
28:15Hello, Dina.
28:16You are from the television.
28:17Yes.
28:18Good day.
28:19I'm Dejan Stojković.
28:20The director of this hotel.
28:21This hotel.
28:22This hotel.
28:23This hotel.
28:24Here, please.
28:25Let me drink.
28:26Let me drink.
28:27How are you, Ivana?
28:28I'm good.
28:29I'm good.
28:30I'm good.
28:31Good.
28:32Yes.
28:33I didn't call her a few times.
28:36I didn't call her.
28:38Not even with messages.
28:40Not even on emails.
28:41Not even on emails.
28:42Not even on emails.
28:43Very, very long emails.
28:44Tell me.
28:45Are you still writing?
28:46No.
28:47No.
28:48No.
28:49That's not a scenario.
28:51I'm going to end this.
28:52I'm going to end this.
28:53It's been a lot.
28:54It's been a lot in the between.
28:55It's time for work, I'm sure.
28:59It's just going to break up and it'll be great.
29:03I think you know what the values are.
29:05The values of the scorpions, yes.
29:07Yes, but I don't believe in that.
29:09And you believe in the flipping of rice in hotels and so on.
29:12That's nice.
29:14That's great.
29:16For every person, while he's in his childhood process,
29:20he doesn't need distractions.
29:22He doesn't need a girl to say, I love you,
29:25but, hey, hello, I'm in the city three days.
29:28Two days.
29:30That's what I'm doing.
29:32What do you think I'll be here like this,
29:34so it'll be, what you say, a class?
29:36Let's not do class,
29:38but I'll take the receptionist.
29:40I'll take the camera.
29:42Let's do it.
29:44No problem.
29:46Do you think I'll look at the camera
29:48and look at you?
29:50Sorry, I'm sorry, you've got something in your face.
29:53Yes?
29:54Yes.
29:55Okay, let's do this.
30:00Okay, let's do this.
30:02Let's start, how do you call it?
30:05What do you call it?
30:07What?
30:08Three stars.
30:09Three stars?
30:10No, three stars, three stars, three stars.
30:13Three stars.
30:14Yes, we're waiting for the fourth star,
30:17which is more of the category.
30:18Yes, no matter.
30:19Let's go.
30:20Yes, no matter.
30:21Here we are today at the city center
30:23with the director of the hotel,
30:24with a very unusual name, three stars.
30:27You will be able to offer all the services
30:29that offer a hotel that has three stars.
30:33Good morning, Dene.
30:34What do you want to tell us about your hotel?
30:37The hotel.
30:40The hotel is the most most important
30:42of the citizens in the world,
30:47as well as with Andrić.
30:49But of course without Turac.
30:52But we had guests from Tursk, they were always good to come.
31:00There were two turcs, not only two days, just two days.
31:07This is important now.
31:09We applied for this European Commission, and now we wait for it.
31:17Director Nedelo, I'm confident, but we are sure that...
31:21I'm wrong, sorry. Can we go back again?
31:24With us today, the young receptionist Ivan Dujović,
31:29who trusted us as a big dream.
31:34In this case, this is a career in Hollywood.
31:37Tell us, Ivone, how it goes.
31:42The hotel is a great place for one artist.
31:46Like in Andrić.
31:48And?
31:55The characters are different.
31:59The characters are in the hotel.
32:03And that's why, when they're many, they're different.
32:07It's just unfortunate that they haven't even contacted you with Netflix.
32:11Have you sent you a message for your scenario?
32:14Yes.
32:16We are sure that they will answer.
32:18With us today, the young woman, what do you call her?
32:23Ana.
32:25Ana.
32:26Ana.
32:27Ana.
32:28Vi ste ana, pretpostavljam, sobarica.
32:30Ne ide vam pretpostavljanje, ja sam maserka.
32:32I also think that you have...
32:36She has a mask and she knows all the best.
32:39Marmoo and shavarmoo.
32:42Apirinac, whatever you like.
32:45I am a student.
32:48I believe that you also have great ambitions like your colleagues.
32:55What are you doing with this woman?
32:57Nothing.
32:58We just wanted different things.
33:03Do you know who you want to go?
33:06Tell me what kind of massage you want.
33:08I can't even know who you want to go.
33:10I don't know why you want to go.
33:12It wasn't always a dream to have a clientele in a hotel with three stars,
33:15but maybe you are really right and maybe I don't think of it.
33:20At the Faculty, we learn that everything that comes in the words
33:24is not really worth it.
33:27I don't know who you are.
33:29I don't know who you are.
33:30I don't know who you are.
33:31You have a gift to have a bombonier.
33:32You understand that your love will be in a hotel.
33:34I'm going to shoot on television.
33:35What is television?
33:37Come on, come on.
33:39Let's go.
33:40Let's go.
33:41Let's go.
33:42Let's go.
33:43Let's go.
33:44Let's go.
33:45Let's go.
33:46Let's go.
33:47Let's go.
33:48Let's go.
33:49Look at this place.
33:50Three very few opportunities.
33:51Let's go.
33:52Let' go.
33:53Let's go.
33:54Take a chair here.
33:56Take a restaurant with the accident and the disaster of a sidewalk.
34:01That's it.
34:03Let's go.
34:04Let's go.
34:05Let's go here.
34:06You're a nice profile, bravo, bravo.
34:11You're a natural talent, my heart.
34:14Now we're going to lift.
34:16Do you know what the lighting is?
34:18You have to be a nice little girl.
34:28I'm waiting for you.
34:30Do you want to wait for me?
34:32No.
34:34I was just a little before I came to a hand with a guy who wrote about it.
34:40Really?
34:41Yes.
34:43Is that a little girl?
34:45It's not a little girl.
34:48I would never have been with artists in my life.
34:53Well, see, even if I'm interested in this,
34:57I wouldn't want some potential future...
35:02I believe what I'm talking about.
35:05Is it possible that you're so egocentric?
35:07Just tell me, how is it possible that you truly believe in the whole world?
35:12Is it normal?
35:13What are you looking for?
35:15Do you want to tell me something?
35:16I don't know what to say.
35:17I thought so.
35:19What do you want to tell me?
35:21What do you want to tell me?
35:22What do you want to tell me?
35:23Okay, Dina, wait.
35:24Come on.
35:25What are we doing?
35:26Look at us.
35:27I mean, we're not us.
35:28We're not us.
35:29We're not.
35:30We're not.
35:31We're not.
35:32We can do it.
35:33We can do it.
35:34We can do it.
35:35Let's do it.
35:36Okay, here you are.
35:37You're hungry.
35:38Sorry, sorry.
35:39Sorry, I didn't.
35:40You ate it.
35:41You're hungry.
35:42You're hungry.
35:43I'm sure.
35:44I'm sure.
35:45Okay, Dina, sorry.
35:47Sorry.
35:48Sorry.
35:51I know.
35:52I know that I'm asleep.
35:53You're a dumb.
35:55You're a dumb.
35:57You're a dumb.
35:58You're a dumb.
35:59You idiot.
36:00Yes, that's a lot.
36:02You're a dumb.
36:03You're a dumb.
36:04You can do it.
36:05Let's go.
36:06Let's go.
36:09Are we ready?
36:10It was wonderful.
36:11Really?
36:12Yes.
36:13Let's go.
36:14Don't go.
36:15You have to see the terrace.
36:16You know what it is.
36:17Look at me.
36:18Can I just repeat the beginning?
36:20I said, I need a family to say.
36:22Yes, but...
36:23No.
36:24Do you want HR?
36:25Have you seen our HR?
36:27It's like a whole world.
36:30You know what?
36:31If you already have HR,
36:32let's try to start some practical.
36:35People, not these non-dial workers.
36:38No.
36:39You're not.
36:40Don't do that.
36:41Believe me, I don't know why I came to this room.
36:44After this, you have a little bit of a bit of a room.
36:47You will have to get it.
36:48Don't do that.
36:49Don't do that.
36:50I'm really sorry.
36:51Don't do that.
36:52Don't do that.
36:53Don't do that.
36:54I'm ready to do the wrong things.
36:56Let's do something you and me.
36:58You and me.
36:59You want to massage?
37:00No.
37:01You want to have a molecular kitchen?
37:02No.
37:03You want to have a molecular kitchen?
37:04No.
37:05No.
37:06And our mom will bring you where you go.
37:07Every day.
37:08No.
37:09No.
37:10I won't.
37:11No.
37:12No.
37:13No.
37:14No.
37:15No.
37:16No.
37:17No.
37:18No.
37:19You are done.
37:20No.
37:21No.
37:22Never.
37:23I will not do something for you.
37:25I will not do anything for me.
37:26I will not do anything for you.
37:27You want me to do anything?
37:28No.
37:29I will not do anything for you.
37:30No.
37:31You are too late.
37:32Just a sophisticated.
37:33You stupid?
37:34Alright.
37:35You stupid.
37:38Oskare!
37:39Oskare!
37:40Oskare!
37:41I don't care about me.
37:42Of course, thank God you came to this trash and asses!
37:46Don't touch me, you can't shoot me if you want to shoot me if you want to shoot me!
37:48This is the image of your hotel's beautiful!
37:50This is not a joke!
37:51This is so fat, this is dead, this is like this one...
37:54We are 5 friends!
37:55You are not interested in me!
37:56Don't touch me if you want to shoot me if you want to shoot me!
37:59Don't be afraid of me!
38:00Don't touch me if you want to shoot me!
38:01Please leave me, love and daddy!
38:04Come on, my soul!
38:05Where are the eyes?
38:07Take me home!
38:11Do me!
38:12Do me!
38:13Do me!
38:14Let's go.
38:16I got all the organizations for protection of life and all the friends that I know.
38:23See him.
38:24Ah, Bane?
38:25Is that it?
38:26Deki?
38:28Is that the 4th star?
38:294th star.
38:32Good, man.
38:34You are a genius, Bane.
38:36You are a genius.
38:38Oscar, help me.
38:39He is a genius, but you are the owner.
38:42You understand?
38:44We got the 4th star.
38:46Here we go.
38:48Molecular.
38:50Lule?
38:51Hi.
38:52Hey, hey.
38:54Yes.
38:55Just a second.
38:57I'm doing an event.
38:59Tell me quickly.
39:01You called me?
39:03Yes, yes.
39:06I see you came to the world.
39:09Yes, we got the 4th star.
39:11We got the 4th star.
39:12That's certainly because of mine.
39:15It's not because of mine.
39:17No, it's because of yours.
39:18Yes, Lule.
39:19Bravo, Lule.
39:20We don't do anything wrong in this internet world.
39:23No more.
39:24Okay, we'll see you tomorrow.
39:26I can't talk anymore.
39:28Wait, wait.
39:29Does that mean you stop?
39:32Well, we can try.
39:35Lule, thank you very much.
39:37That's it.
39:38Let's go.
39:39Let's go.
39:40Let's go.
39:41Let's go.
39:42Let's go.
39:43We have an image.
39:44We have an image.
39:45And a restaurant.
39:46Let's go.
39:47Let's go.
39:48Let's go.
39:49Let's go.
39:50launch the tomb.
39:51Mile!
39:52NFI NICSCOMED
39:55FLITES
39:56Respir처럼
40:01How many places do you do?
40:03What are you doing me doing stupid stuff?
40:04What do you think of today?
40:06What do you think of today?
40:08You seriously disappointed me, than a dritter.
40:11Yes.
40:12And I didn't know what is absolutely just today.
40:14I don't know what you see in her.
40:19I'm just saying that I didn't see much of the dark.
40:21I don't want to know all of you.
40:23Okay.
40:25Hey, love.
40:28When you see people with whom you were,
40:31it's not bad for you.
40:34When you need a comparative analysis
40:37to see how well you've passed away.
40:39Let's go step by step by step.
40:42Put a needle on a ring.
40:44A needle, no a needle.
40:46And a little oil.
40:48I don't know, a few needles.
40:50Seven needles.
40:53Here is Angela.
40:56What do you say?
40:58I'm sure you're proud of us.
41:00My friends come from Berlin.
41:03Let them prepare a night spa experience.
41:08Fuck.
41:09Berlin has the best sleep center in the whole world.
41:13Do you know what their standard is?
41:15We have a spa experience.
41:17We have this girl,
41:19and Marmo knows,
41:20and Pirinać knows.
41:22Where are you?
41:23Where are you?
41:24I have a feeling from her.
41:25You don't want to mind.
41:26You don't want to mind.
41:27You don't want to mind.
41:28You don't want to mind.
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