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AcoRonaldo
  • 2 days ago
Transcript
00:00What did you do here?
00:08There is no glue because of the glue.
00:11We have very important guests.
00:13They are not angels or friends.
00:14We need to throw them in the rooms that are not on the card.
00:17Is that a pigeon?
00:19No, my yoke.
00:21Your dark room for love.
00:23We need two rooms.
00:25What if they are not together?
00:27Look at these coffers of days.
00:29I have to put a pizza on the ground,
00:30but when you understand which one is,
00:32you will just take it.
00:33Let's go.
00:34The brownie.
00:38Don't have the bomboniere and red.
00:40Can you think?
00:41Danilo.
00:42Ivan.
00:43Whose food will not come to the end,
00:44that is the assistant.
00:45Where's the meat?
00:46You want to eat the meat?
00:47What do you think of yours?
00:48Let's go to jail.
00:50In the meat.
00:51If there is no glue, then it's not working.
00:54What do we do?
00:56A jacuzzi with lead.
00:58Is that a dead fish?
00:59I would rather have a massage with a girl out there.
01:01What is your name?
01:02Ana.
01:03And what are you doing after work?
01:05Do you know where I could find an escort?
01:08Don't worry, I have another department.
01:10Super is a leak.
01:11There is a company that will give me a bill.
01:13The leak was required for a massage with the end.
01:15And I'm ready to go.
01:17I knew you'd be back.
01:19No, no, no, no.
01:21It's me.
01:22It's me.
01:23HR.
01:24Well, hello there.
01:25Hello.
01:26What the fuck?
01:27It's me.
01:28Fuck!
01:29Fuck!
01:30I don't know how much the angel and friends did. They insisted on changing things again.
01:44What's the reason?
01:46You want a woman prostitute?
01:48I'm going to do a woman prostitute without any problems.
01:51I didn't know how to do it. I'm going to do it.
01:54You want to do a woman massage.
01:56I'm going to do it.
01:58Let's do it.
02:00We'll say hi to Angela for you.
02:02We thought that they were homosexuals.
02:06That's not a shame.
02:08In Europe, no one will be ashamed of it.
02:10Now they're ashamed of it when you're ashamed of someone.
02:14That's unfortunate.
02:16That's why young people don't want to decide what they are.
02:20They don't want to be ashamed of it.
02:22It's guaranteed that those false homosexuals were upset.
02:27And she was married.
02:29But she didn't answer it.
02:31I want to tell her that it's not understood.
02:34You know, that they have a lot of food.
02:36Deki, we got an email.
02:38From these from FH.
02:40What do you say?
02:41They say that they will come in three days.
02:44We're ready.
02:46We have a machine, we have a spa.
02:49Wait, wait, wait, wait.
02:51It looks like we'll have to complete the application.
02:53What?
02:54They want to give us at least one example
02:56when we've done a crisis management.
02:59What do we do?
03:00We've done a crisis management?
03:02Right.
03:03He died.
03:05What's so funny?
03:06It's not healthy.
03:07It's got to be short of a corruption.
03:08We've done a good life.
03:10It's empty.
03:11It's not a human being.
03:12It's just nothing.
03:13The only thing we call upon is that much is to be a natural death.
03:16Yes…
03:17It's a natural death.
03:18Nature is a lot of violence.
03:20The only thing we call.
03:22The only thing we call.
03:24You understand?
03:25You understand?
03:26They call it by some people.
03:29I don't know...
03:30I don't know.
03:31I don't know...
03:32I don't know...
03:33But I don't know...
03:34But Dragica...
03:35What does that mean?
03:38Do you understand?
03:40What does that mean?
03:42I don't know...
03:43But I don't know...
03:44What does that mean?
03:46Mr. Ritchie...
03:47I think it's like a little bit of milk...
03:50I have to go to the hospital.
03:52Olga, find something, please, I'll get to the hospital.
03:58See?
03:59I don't know...
04:00I'm going to get the hospital.
04:01Amen?
04:02Let's go.
04:03Let's go, Velja.
04:05No, no, no, no!
04:08No, no, no, no!
04:13My son, everything is in trouble.
04:15What?
04:16Who?
04:17Super, Velja!
04:18We help you, Olga, and Suzy, to feed your home.
04:20So...
04:21Yes, a day of love...
04:22And then...
04:23There's a lot of work...
04:24And that's all.
04:25What the hell?
04:26What the hell...
04:27What the hell...
04:28What the hell...
04:29What the hell...
04:30What the hell...
04:31I had to open my friends...
04:32Yes.
04:37You're good, son.
04:39Yes.
04:40I'm good.
04:41I'm good.
04:42I'm good...
04:43What the hell...
04:44I'm good.
04:45I'm good...
04:46I'm good.
04:47I'm good.
04:48I'm good.
04:49I'm good.
04:50I'm good.
04:51I'm good.
04:52What do you say?
04:53What do you mean?
04:55What do you mean?
05:05It's not what you think.
05:07I don't know what you think, but it's not exactly what you think.
05:13It's just a shame.
05:15Drogice.
05:17We're really not.
05:19We've only found it here.
05:23It's a shame.
05:25It's a shame.
05:31It's a shame.
05:33It's a shame.
05:35It's a shame.
05:37It's a shame.
05:43We need to find out.
05:47This is a terrible tragedy for all time.
05:51For everything.
05:53Dene, in every crisis, there is a chance.
05:57Please, look at the show.
05:59They've asked us to find one successful example of solving a tragic situation in a crisis period.
06:05Do you know?
06:07It's still a crisis.
06:09Death, love, one of the members of our collective, is not the same situation.
06:13And we can only do that.
06:15Do you know what are the five stages of solving?
06:17I know.
06:18Of course, I know.
06:19You're a shame.
06:21You're a shame.
06:23You drink alcohol.
06:25You drink alcohol.
06:26And then the drugs go.
06:28And the story ends.
06:30Not exactly.
06:31It's destruction.
06:33The first phase is a shame.
06:35No.
06:36The only thing we need is to go and take his uncle's uncle's uncle's uncle.
06:42You're right.
06:44You're right.
06:45You're right.
06:46You're right.
06:47You're right.
06:48You're right.
06:49You're right.
06:50You're right.
06:51You're right.
06:52It seems like we have been interrupted.
06:53The Soviets knew what they did.
06:55This is their design.
06:57However, the delay of the relationship between the SSSR in 1948 was the driver of the 48.
07:04The one who was in Kraguev.
07:06You're right.
07:09I know you would have much meaning to me.
07:13You know me.
07:14You're right.
07:15And if you didn't fall into hysteria around the European family,
07:21all of this would not come.
07:23No, I don't like that, I think I'd like to go to the hotel.
07:26I've given you a life.
07:30And I'm ready to take someone to take care of me.
07:40What are you doing?
07:42It's hard to get him to go to the next phase of cheating.
07:45Pogodbe, depresia, and acceptance.
07:48Before that it will be later.
07:50TRAGICCE!
08:01How are you, colleague?
08:03I'm sure he uses it where I'm the best.
08:06What, do you write a monologue for the next colleague?
08:10He writes a letter for a memorial.
08:15What do you want? Who died?
08:18Can you imagine you're in a black hole?
08:22Do you have to do this?
08:25A memorial for a bird.
08:27When we don't give a pilot, everyone has to do it.
08:30I understand that it's hard when your love dies.
08:33And I understand, Velja is indisponer.
08:35But I really think we're doing this for a ptichurina.
08:38It's not clear.
08:39Suzo, my friends, all the collective.
08:41Let's go and let's go.
08:42Let's go.
08:43We?
08:44Velja is the oldest in our collective
08:45and we need to show her a little respect.
08:47Do we not?
08:48We need to find her in such a difficult situation.
08:51What?
08:52Stop me.
08:53I've told you something.
08:54I've told you something.
08:58The ptichurina made me as soon as it appears.
09:01I don't have a clue.
09:03I've killed him, but I'm planning to know.
09:06And whoever he gives, he has a drink from me.
09:09Druga, reči, ajmo polako, uskorat će dragi, čim pomer.
09:17Zoki, zašto nisi u crmini?
09:20Si normalan, br.
09:22Da nosim sa Ninov za goloba.
09:24I know, but.
09:25Hajde, Beki.
09:26Gde si pošo ti?
09:27Voačkala, na tuđena azov.
09:29Vraćaj se ušem tu.
09:30Zoki, zna mali, ovaj stav nas stvarno nigde neće dovesti.
09:36Hajde, šetnje, Debeli.
09:38It's a genage for a wolf.
09:44It's a genage for a wolf.
09:46Well, I've said that we're loving it.
09:48What?
09:50Let's give it, people.
09:52I've told you for love.
09:54It's impossible for a horse, a horse, a wolf, a horse.
09:58All the same.
09:59First of all.
10:00It's a collection of food on the streets.
10:02It's like a culture.
10:04They go to the streets.
10:06They buy džempelčiće, šorciće.
10:08And then they start to crush them in our names.
10:11Then they write their inheritance.
10:14They make a grave.
10:16And now they're like a memorial.
10:18Wait, we all need to play the bullies.
10:21It's all one and the same thing.
10:24And you know who it is.
10:27They don't give up because nowadays you'll be kicked.
10:28Why are you so sorry for the bullies.
10:31You'll have to call yourself the bullies.
10:32You'll have to protect yourself.
10:34When you talk about your bullies.
10:35Then you're going for him.
10:36That's why you don't want to kill him.
10:37What about you?
10:38I'll have toash go for him when he municipals.
10:39I'll save him.
10:40I'll have toash him for him.
10:41That's the director.
10:42We'll have toash him.
10:43That's it.
10:44Okay.
10:45I'll have toash him.
10:46I'll have toash him for a while.
10:47You'll have toash him.
10:48That's it.
10:49Let'sash.
10:50Now, if you're not toash him.
10:51I'll have toash him.
10:52You're not toash him.
10:53The director?
10:54You don't have to look at him when I tell you.
10:57You've known the village, but you're not.
10:59I don't know.
11:01No, no, no.
11:03Okay.
11:05Milan?
11:06I remember my village, Uy Kumiladina, who died in Slavia.
11:11He was like that like Milanče, like Globus,
11:14and he didn't know how to say that.
11:17He was looking for
11:20pasta and the Russian salad,
11:23and when it came, he took the last box,
11:27and his head fell,
11:29and his hand fell into the Russian salad.
11:32We were thrown in the Russian.
11:34We kept it,
11:36and I,
11:38that's why I became a molecular engineer.
11:41I don't want food to kill people.
11:44Everyone is suffering, as they know.
11:50as we lose it.
11:51Is this the point when Chinese 저녁
11:52were sent?
11:53Is this a really strange rumor that
11:55you didn't make everything
11:56as the heart was burning?
11:59I don't know.
12:00I don't know.
12:01I think seriously!
12:02I undecided that system
12:03and I do not know what we draw.
12:04I am saying that
12:04this scene in school can help work.
12:07I don't know if it is to kill me again.
12:09I hope masse щобile into the blood,
12:10but quickly it carries me into the 400 Gambar.
12:11We have to make it hard to make it hard.
12:15Please make it hard to make it hard.
12:18It has to be hard to make it hard.
12:21You're really hard.
12:23Drogarići, thank you for being here.
12:35Before we start with the official...
12:41You don't hear anything.
12:51Yes.
12:53Let's stop and stop for a minute of hearing.
12:56Before the tragic moment.
13:04A minute has started.
13:07Now.
13:11A minute.
13:18Drogarići, is that fine?
13:20Drogarići, do you want to break this?
13:21I don't like to, I want to regret that.
13:23I regret that.
13:24I'm going to break this one, please.
13:25Go, go, go, go, go.
13:32Come on.
13:33We'll start with the measurement from the beginning.
13:35Bravo, that's good.
13:49Good. How can I help you?
13:52We heard that you're going to go.
13:55We'll give you an example.
13:56One massage.
13:57Aha! Maserk, maserkavante.
14:00Ono je nedostupno.
14:03Dačina mala.
14:04Deje.
14:06Ono je na komemoraciji.
14:08To nam je je komemoracija u hotelu.
14:11Može ona kad se vrati.
14:12Mogu ja...
14:14Mogu da vam davam lepo pomenene termine.
14:16Možete da upišete imena svoje.
14:18Ne?
14:19To is not with her, deke.
14:21What apartment?
14:22What's your name?
14:24Our friend.
14:26What's your name?
14:28What's your name?
14:30A brother-in-law, brother-in-law.
14:32Don't go to random.
14:36What do you do, brother?
14:38Is she old?
14:40Yes.
14:52What's your name?
14:54What's your name?
14:56What's your name?
15:02Thank you, Bane, for this film.
15:04It's really...
15:06It's good.
15:08Today, we're asking Dragice,
15:12who, for the last five years,
15:14all of us, especially Velji,
15:16has fallen into my heart.
15:18Every one of us is difficult,
15:20and those two of us,
15:22who, without knowing,
15:24are left in shock.
15:26These tragedies
15:28are a great mystery
15:32and question
15:33about what's in this life?
15:38What can we do,
15:40and not only through it,
15:44but through it,
15:46it's important
15:48that she was connected to us.
15:50Yes, she was
15:52like an angel
15:54who looked at us.
15:56And she was
15:58in the house,
16:00and in the house.
16:02Every day.
16:04But she was
16:06looking at us.
16:08She was connected to us.
16:10I can tell
16:12that,
16:14as a director of the hotel,
16:16I'm going to try
16:18to take her role
16:20to take her role.
16:24Come on, Dragice.
16:26Come on.
16:28Come on.
16:30Come on.
16:32Come on.
16:34What's your life?
16:36What's wrong?
16:38What's wrong?
16:40What's wrong?
16:42Why don't you panic?
16:44No, no, no.
16:46You're Muslim.
16:48They won't give you
16:49to me.
16:50Of course.
16:51I won't say anything.
16:52For now.
16:57Guys!
16:59What's wrong?
17:00I like to play!
17:04What's wrong?
17:05Three drinks.
17:06Three drinks.
17:07Three drinks.
17:08Just a little bit of knowledge.
17:09Even before a day,
17:10they come and sit
17:11with one of your
17:13colleague.
17:14A racer.
17:15Yes.
17:16And for yourself,
17:17a Coca-Cola.
17:18And for his dog,
17:19a fish with lemon,
17:20a soup,
17:21a salad.
17:22The dog is called Mile.
17:24And the colleague is called...
17:29Why are you talking?
17:30I don't know.
17:31I'm very nervous.
17:32you can drink.
17:33Three drinks.
17:34What's wrong?
17:35You can drink.
17:36For now.
17:37What a dog.
17:38Three drinks.
17:39Today.
17:43What a coward.
17:44It's easy.
17:45I'm not angry.
17:46I'm not angry.
17:49I don't know.
17:50I think it would be okay to use this moment and we can also connect with each other.
17:59We will all share some of the eternal diseases and the pain we've experienced.
18:09I ask the members of the collective to come and share with us in a safe space.
18:16I think it's because of the pain.
18:24Ana, please.
18:26Ana, please.
18:28Thank you, Ana.
18:33And I, when I was in school, lost a bird.
18:51And what happened?
18:57He was destroyed.
19:01What was destroyed?
19:03He died in nature.
19:05And it was...
19:07It was...
19:08It was...
19:09It was...
19:10It was...
19:11It was heartbreaking.
19:16And...
19:17What else did you do?
19:20How did you forgive me?
19:22I...
19:23I...
19:24I...
19:25I...
19:26I...
19:27I...
19:28Aren't you...
19:29I...
19:30I...
19:31I...
19:32I...
19:33I'm sorry.
19:34How did you forgive me?
19:35I...
19:36I'm sorry.
19:37I'll go through the container.
19:38Or, I mean, the other piece left me.
19:40Just a little bit of a chia.
19:41And what did you do?
19:43I have to say it was very scary.
19:45It was very scary.
19:48There's a moment when you get out of here.
19:52When you think everything is done.
19:55Especially when I put you on more white paper.
19:59Just a couple of times.
20:02But...
20:04I found a Japanese tennis series with a handicap.
20:08I played 3 out of the system yesterday.
20:11Every time it came, the last one is not 5 minutes.
20:14Veljo, Praštaj, Žami i tijetice i all the families.
20:18But I believe that I can now be in Korotu.
20:20I have to get my money to get back to me again.
20:23Just as if I'm here.
20:29Thank you, Olga.
20:31What am I looking at?
20:35I was a little girl, but I was a little girl.
20:38My mother and the family were a little girl.
20:42I have to wait for him.
20:45He's going to drop the box.
20:46He's going to drop it.
20:47He's going to drop it.
20:48He was going to drop it.
20:49He was going to drop it.
20:51He's going to drop it on the dead.
20:52He was going to drop it.
20:53He took it on the dead.
20:54He was like, what was that after?
20:56Later?
20:57After he was cleaning, washing, hooking,
20:59The sand, the sand and the sand.
21:02How did you feel after that dead?
21:05I'm sorry.
21:07That's it.
21:09And before that, baby,
21:11you'll lose Rex,
21:13a dog dog.
21:15Thanks, Olga.
21:17Thanks, Olga.
21:19We'll leave a little space for others.
21:21Thank you very much for the picturesque.
21:25Now I would like to ask our lady
21:29to come and say some words
21:31about our strange tradition.
21:33Thank you very much.
21:35Thank you very much.
21:53Who any of you is responsible for the death of my friend,
21:59who has to be the end of the day
22:01to be the crime.
22:03On the contrary,
22:05I'm going to put a thing
22:07in my hands.
22:09I'll go.
22:11I'll go.
22:13I'll go.
22:19For a kilo,
22:21it's on your own.
22:22I'll drink the whole meal
22:23as they went.
22:24I know.
22:25I mean,
22:26we would have had some cocktail,
22:27but not that team.
22:28You are more your,
22:30Serbians.
22:31They are mine.
22:32I'll go.
22:33Now you will see
22:34you little girl who is a girl.
22:35No, no, no.
22:36No, no, no.
22:37No, no, no, no.
22:40Here you are, guys.
22:42Another trip on my account.
22:44Here you are.
22:45Here you are.
22:46And if you have a problem,
22:47this new passenger
22:48would like you to enjoy a trip.
22:49They would be very happy.
22:50I would like you to enjoy a trip.
22:52They are very happy.
22:54A new passenger?
22:56Yes.
22:57I want you to say
22:58that it's not ours, right?
22:59No.
23:00It's not ours.
23:01It's not ours.
23:02It's not even ours.
23:05Muslim.
23:07Hello.
23:08Do you have something
23:09against Muslims?
23:10Who is that?
23:11Who is that?
23:13I don't know.
23:14We are dead.
23:15You.
23:16Are you lost?
23:17What do we call him?
23:18The star.
23:19What is your life?
23:20To the star.
23:22Well, what is your,
23:22who is the starlight.
23:23Who is that?
23:24Or a starlight from the car.
23:25To the original cars.
23:26For all theocrats.
23:27I win.
23:28Why am I a patriot?
23:30And Elfar Duben?
23:32Bukari Torima?
23:34Seduba Summa, Kalulu, Zahid.
23:38Gelur Kanga, Silas, Seol, Sheriff Ndiaye?
23:42No! No! No! No! No! No! No! No! No! No!
23:46No! No! No! No!
23:48Look how you know everything.
23:50Look, see, we've got a little tired.
23:54Can we go a little bit?
23:56Let's go.
23:58We can go to the restaurant.
24:02I'm proud of you.
24:04Of course.
24:06Zoki, let's go.
24:08Let's go.
24:10Zoki, Zoki.
24:12A little bit, Zoki.
24:14From sports, I'm only reading Roni from Salivena and Snooker.
24:18I don't care about football.
24:20I don't watch football.
24:22I don't care about football.
24:24They're not rational people.
24:28I don't care about football.
24:30I don't care about football.
24:32I don't care about football.
24:34You want me to write it?
24:36You know I haveverbative roles.
24:38You know what?
24:40Everybody who directives themselves to solve this situation,
24:42are crazy.
24:44This situation I want to solve,
24:46because Vela has faith only in me.
24:48That's true.
24:50You can tell me how to do an investigation.
24:57Let's pray. I know all of you.
24:59All of you have to do it.
25:05Wait, wait, wait.
25:07Maybe you can jump on today?
25:09What?
25:10Some of them came. They were very specific.
25:13What's the problem? They were looking for you.
25:16Really?
25:17And I can, if you want to talk to them.
25:21Slowly.
25:23I told them that you were taken away.
25:26I'm tired today.
25:30So, I'm lost.
25:33No, Ana, Ana.
25:35Slowly.
25:36Sometimes you've been sitting, writing, go to some flow.
25:41You understand?
25:42And when they applied for this EFH,
25:45it's like a day, like a man.
25:47Today, there are drivers.
25:49There's a bomb.
25:51What do I do now?
25:53Chichmi, Kemaluster.
25:55That's how it is.
25:56Who are they?
25:57Ah, that's right.
25:59Chichmi is a driver driver.
26:03And the drivers are still with him.
26:06And they are still with him.
26:07And they don't.
26:08But they don't.
26:09They're going to get hurt.
26:10Do you want me to talk to them?
26:11What did they get hurt?
26:15We got five goals in the last game.
26:18And they decided, as I was wrong,
26:22because the goal was playing until 5.
26:24They were on the game.
26:26Okay.
26:27But what do I do with that?
26:29I don't know.
26:30I mean,
26:31that's their tactics.
26:33So, they know that I'm a big fan,
26:36but they'll send me a message.
26:38What message?
26:40And you get to go with him like that line.
26:44Go get it.
26:45So, I don't know what I'm asking.
26:47How did they know I'm left behind.
26:49I haven't been blamed for anyone.
26:51Definitely.
26:52I never pinned me to my social media.
26:53I just didn't really make up.
26:54I didn't even hurt anyone.
26:55I didn't really hold it on.
26:56Maybe I have him to say it.
26:57Maybe, maybe.
26:58Maybe I have to say it.
26:59Maybe.
27:00Maybe I have to say it.
27:01But they may have to say it.
27:03It's a problem that we know we should make a change.
27:05I understand what you say.
27:07But it's a good thing, guys.
27:09Really, it'll be cool.
27:11Good.
27:15Hello?
27:17Ana?
27:20Ana, love you.
27:24Debbie.
27:31Klazdojca.
27:34When did you see Dragic last time?
27:37Here, in Kujina.
27:39Direktore, the animals are severely prevented.
27:41I don't think...
27:43I've never seen anything.
27:44Let me stop this.
27:45Long.
27:46Debbie, I've called this from the crematorium for the animals.
27:48They can't receive the next week.
27:50I've tried to find a connection to a new grave.
27:53He wants to receive the cremation,
27:55but to divide the term with someone else.
27:57How to divide the term?
27:58We'll get 30% of Dragic and the rest is Milorad.
28:01No, no, no.
28:02We don't have to worry about that.
28:03Yes, no, no.
28:04What's wrong, Milorad?
28:07No, no.
28:08I'm here.
28:09No, I'm here.
28:10It's not.
28:11No.
28:12I'm here.
28:13I'm here.
28:14You're right.
28:15This one's the one?
28:16Yes.
28:17He's already eating a little bit of a bread.
28:19Did you know who is at all this stage?
28:20You should say that's what I was thinking, right?
28:25All right.
28:26We need only pepper.
28:27Yes.
28:28There!
28:30I'm here.
28:31I'm here.
28:32I'm not a cremator, but I'll give him five to a basket. It's not a philosophy.
28:47Our three guests, the lovers of tennis, football and other sports, decided for today's menu.
28:55Caramel, fried eggs. Klasic.
29:01Pudding from a spicy paradise with oregano lead.
29:05That's it, you know the lovers of sports. Okay, Mr. Milano, could you be in this regime?
29:10I would have killed him.
29:12Gasparco from Jastoga in menti.
29:15That's it, 3-0-3, 3-0-3. L-U-L-E.
29:20Chef, do you want me or me?
29:22Wow.
29:25That's what I thought.
29:26That's it.
29:27Wait a minute, come on.
29:31Tomorrow.
29:32Tomorrow.
29:52I'm in a together.
29:53Up, pitch.
29:54I threw this.
29:55I don't know.
29:56How are we?
29:58In a row.
29:58I will give you an idea.
30:00I can't invest this anymore.
30:01I can't invest this anymore.
30:02I have my wallet here.
30:05I am the empowers.
30:06I have my wallet here.
30:07This battery has been downloaded.
30:08This battery is a delayed service.
30:11That battery has been delayed for you.
30:13The load was delivered.
30:14Lan, for the money.
30:15When you are youroteers.
30:16Natural videos.
30:17These battery will be done before me,
30:18andrik and how about you Heil.
30:19Come on. Sit down.
30:30That's a stone to me.
30:32Shut up, brother.
30:34Where were you?
30:36In the night between the afternoon and the afternoon?
30:40My son.
30:43My son. Where were you, my son?
30:46You died, brother, and all the rest. What are you asking?
30:49I'm asking you here. I'm asking you.
30:51Not you.
30:52The last time you saw it,
30:54when we saw it,
30:55when we saw it,
30:56the false homosexuals are lost.
30:58And...
30:59...the dead lady.
31:01Tell me.
31:02What do you have to tell me, friend?
31:04You're looking at the camera?
31:06You're looking at me?
31:07I'm not a fool.
31:09The camera is working on a wire,
31:11but it wasn't.
31:12Is this a coincidence?
31:14No.
31:15No.
31:16It's time to be numbing.
31:17I let him make a credit.
31:18It's been a year and a year,
31:19he's told me to give a false proposal.
31:20And then everything is done,
31:21when he has no stitches.
31:22I'm like a big star of juice.
31:23I'm talking to a messenger of the people.
31:24I'm putting the cards out.
31:25I'm saying that you're going to go and get those things.
31:26I'm getting rid of them.
31:27I'm not using it.
31:29That's what I need.
31:36Well, Olga.
31:39That's what is for you.
31:40Come on.
31:41Come on.
31:46I'm on a friend, you know.
31:48It says that the land is a rage that all the secrets are given.
31:53What secrets?
31:55Different secrets.
31:56The English is a coastal war bar.
31:58The Turks are things in front of you,
32:01and the Americans are just history.
32:04But I think that you should get rid of the crimes
32:09and that you should be easier.
32:11And you have to go, I think.
32:14I think?
32:15Yes.
32:16How do you say it?
32:17How do you say it?
32:18I'm just saying it's a simple thing.
32:20What do you say it's a simple thing?
32:22I'm going to go and see what it tells me.
32:27What's that?
32:28I'm going to reserve the hotel.
32:30I'm going to have a nice house.
32:32I'm going to say, you've never been in the evening,
32:34but I don't know if I'm ready.
32:36Of course, you're not ready.
32:38I'm ready.
32:41I'm ready.
32:43Never!
32:44How could you do this?
32:46Who did you do?
32:47What did you do?
32:48What did you do?
32:49What did you do?
32:50You're a frustrated woman.
32:52I'm sorry.
32:53You should thank you.
32:55I made you the service.
32:57Take it up and drink it up and drink it.
32:59Please.
33:00Thank God.
33:08You can see how the world is changing.
33:12There's no cardiovascular disease.
33:15There's no cancerogenes.
33:16There's no cancerogenes.
33:17There's no reaction when they try it.
33:21Well, you're not good.
33:23No harm or not.
33:24You're not possible.
33:25A?
33:26You didn't have to do this?
33:28You didn't?
33:29You didn't have to write it.
33:30I'm going to write it away.
33:31Where did you write it?
33:33Here.
33:34I write it all because you know,
33:36what's wrong is wrong.
33:37What's wrong?
33:38What's wrong?
33:39What's wrong?
33:40...gurmanska...
33:42...y pljeka sa...
33:44...sa스ssssssス...
33:48...su samom!
33:51Okay, I'm going to call that I can go back.
33:54Why?
33:55You can see how polished it is.
33:57And sit, all that's for you.
33:59You ought to try that.
34:06Come here好的.
34:09Let's go.
34:11I'll go for a massage.
34:15This will work for you.
34:22Here, look.
34:24You have a tone of material.
34:26This will be replaced.
34:28Even if you don't want to see Radu
34:30like a cigarette.
34:35I'll go ahead.
34:37Let's go.
34:39Let's go ahead.
34:45Look at that.
34:47Let's go ahead.
34:57Let's go ahead.
34:59Let's go ahead.
35:09Let's go ahead.
35:11Let's go ahead.
35:13Let's go ahead.
35:14Let's go ahead.
35:15Let's go ahead.
35:17Let's go ahead.
35:19Let's go ahead.
35:21Let's go ahead.
35:23Let's go ahead.
35:25Let's go ahead.
35:27Let's go ahead.
35:28Let's go ahead.
35:33Let's go ahead.
35:35Let's go ahead.
35:36Let's go ahead.
35:37Let's go ahead.
35:39Let's go ahead.
35:47Let's go ahead.
35:49Let's go ahead.
35:52There are very strong indices that show that someone from our collective has caused the death of Dragice.
36:12That's all I can say now, so I won't stop the scene.
36:17That means that there is a shot?
36:22Tell us, what happened with Dragice?
36:34With the wolf. The wolf wolf. That's what it is.
36:37The wolf knows that young people have to go back.
36:40This way.
36:43Olga, we know that you killed the fish.
36:49I didn't kill the fish for three months.
36:52As my mother brought up on the precipice.
36:57You can see this thing you can see.
36:59I don't know.
37:06He's rich.
37:08Is this a mistake?
37:10No.
37:12But we'll just leave the picture only from the scene when he's coming.
37:15The man doesn't want to know this. Do you understand?
37:18I understand. Let's go again.
37:24What? Don't come up.
37:26I don't understand.
37:28I don't understand.
37:30I don't understand.
37:32I don't understand.
37:34I need help, Miri.
37:36No, Miri.
37:38I'll just leave you there.
37:40I'll just give you a little to you.
37:42I'm sorry.
37:44Let's talk to your players that there's no longer term.
37:46You're not getting tired.
37:48Have you seen his selfie?
37:50What selfie? I don't like it.
37:52Just take a look at it.
37:54Look at it.
37:56Look at it.
37:58I love you.
38:00Trust me.
38:01Come on!
38:02Come on, come on!
38:03Okay.
38:04Yuh.
38:05Do you know this guy?
38:07Yeah.
38:08I'm sorry, that's not.
38:11You're a little bit of a problem?
38:13Yeah.
38:14Okay.
38:15Well, you're fine?
38:17Yeah, that's good.
38:18Let's go, Masir.
38:19How great.
38:20What are you doing?
38:21What are you doing here?
38:22What are you doing here?
38:23No, they're a little red.
38:24Okay.
38:25All right.
38:26There's no more term.
38:27How about you?
38:28There's no more term?
38:29There's no more term.
38:30What are you looking at?
38:31There's no more.
38:32Why are we not here?
38:34We are not here.
38:35Let's go.
38:36Let's go.
38:37You see, these eyes are scared of us.
38:38Why not?
38:39Anna, please, what are you doing?
38:41I'm sorry for the problem.
38:44We have a problem.
38:45I was hit in this hotel.
38:47Yes, yes.
38:48I really don't know how it is.
38:50It's possible.
38:51It's just a shame.
38:52The hotel is clean.
38:54The Gurmans life.
38:56The service is zero.
38:58I want you to voucher for no money.
39:01You've saved the wrong people.
39:03You're sick.
39:04Let's go.
39:05Let's go.
39:06Let's go.
39:0720% from tomorrow.
39:10What 20%?
39:12All.
39:13Don't worry.
39:1420% from tomorrow.
39:16If you think all.
39:19Come on, come on.
39:20Come on, come on.
39:21Come on, come on.
39:22Come on, come on.
39:24Come on, come on.
39:25Come on, come on.
39:29Sunce ti jebe balava.
39:38A ljudi kažu da ne treba trubiti starijam čoveku koji vozi punta i seća se Vukovara.
39:44Sada.
39:45Velja vozi punta.
39:48Pa vi vidite.
39:52Šta se događa, vidi?
39:53A?
39:54Šta bilo?
39:55Ja sam kriva veljo.
40:02Nesretan slučaj je bio. Oprosti.
40:06Nisi vidjela u braku. Šta?
40:08Come here.
40:18My baby is still alive.
40:21Come here, I want to show you something.
40:33Open it.
40:38I'm not the only assistant.
40:40I thought he could, but he doesn't.
40:44What do I do?
40:45If your chef would know how to make a pepe...
40:47No, don't worry, I'm going to sleep.
40:49Don't leave you, two!
40:51Enough!
40:52Enough!
40:53Get out of here!
40:55No, no.
40:57We need to look at it.
41:01We need to.
41:03We need to renovate the floor.
41:06I wanted to tell you,
41:08I think it's the best to eat.
41:10You know, where are you, where are you,
41:12and all of you.
41:25That's my fault!
41:36This is the best to do in the office.
41:38That's the best to do in the office,
41:40and...
41:42This is the best to do in the office.
41:44And...
41:45It's fixed.
41:47Two major situations were solved,
41:49new F.H.
41:50and an application,
41:51just like what you found from us.
41:53Bravo for us.
41:55What happened?
41:57What happened?
41:59What happened?
42:01The whole...
42:03I don't have any time for my friend.
42:07She is like my friend.
42:11You understand?
42:13I know.
42:15She is kind of sweet.
42:17Like...
42:19a dead man from the sea.
42:21Angela.
42:23Hey, excuse me that I didn't call on the phone.
42:25I was on the Maldives.
42:27I heard it with Cristiano and Andreas.
42:29They said that they were on vergeslich.
42:31There are no details.
42:33There are no details.
42:35Thank you, Sean.
42:37Bye-bye.
42:39What does that mean?
42:43It's forgotten.
42:45It's forgotten?
42:47Yes, but it's forgotten.
42:49It can have more meaning.
42:51Hiroshima was forgotten.
42:53I think I think we should be prepared for this.
42:57Yes, sir.
42:59Yes, sir.
43:01Yes, sir.
43:03Yes, sir.
43:05Yes, sir.
43:07Yes, sir.
43:09Yes, sir.
43:11Yes, sir.
43:13Yes, sir.
43:15Yes, sir.
43:17Yes, sir.
43:19Yes, sir.
43:21Yes, sir.
43:23Yes, sir.
43:25Yes, sir.
43:27Yes, sir.
43:29Yes, sir.
43:31Yes, sir.
43:33Yes, sir.
43:35Yes, sir.
43:37Yes, sir.
43:39Yes, sir.
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