- hace 7 semanas
Olivia es interrogada mientras la pasión con Yaman se vuelve una obsesión. Su hermana le advierte del peligro, pero Olivia la ignora. Se revela que Yaman la está usando para el contraba
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TVTranscripción
00:30You only have two days left in my city and I want to spend them with you.
00:36Why don't you answer my calls?
00:38Whose names are they?
00:39This...
00:40Hey, this girl is divine.
00:42Olivia loves Istanbul more than many Turks I know.
00:45Should you take it with you on one of your trips to Türkiye?
00:48Love took you for a dance.
00:51It's passion. A very strong passion.
00:54What if I don't return to Spain?
01:00The Spanish one stays. I hope it's not useful.
01:15Tell me something to brighten my day, please.
01:18Sister Olivia has just landed.
01:20He wants to go to the hospital.
01:21Sorry, Pablo.
01:23But yesterday I managed to get Olivia to open up a little.
01:26A conversation with your sister can affect.
01:28What if I ask you as a personal favor?
01:32Other?
01:34Because I remind you that you are off the case and I am still reporting to you.
01:38And to Neva Alves...
01:40I just told you that your sister might end up in jail.
01:44And if you want to avoid it, it's best to let me do my job.
01:49And I thought we were friends.
01:51A friend doesn't ask you to break the rules.
01:56Pharma.
01:57I know Olivia.
01:58I know how much he loves his sister.
02:00I am convinced that it will be the best for everyone.
02:02But also for research.
02:04Which case are you for, please?
02:06And your mom.
02:08But I decide where and when.
02:10Understood?
02:12I owe you one.
02:18Come on.
02:20Well no.
02:21No, no, no.
02:22She's his sister.
02:23I thought you'd be looking forward to seeing it.
02:24No, because I don't want to see her.
02:26What's up? Are you going to force me?
02:28No.
02:30What have they told you?
02:31The truth is that she tried to commit suicide and is in a hospital under police surveillance.
02:39And how is she?
02:41Worried.
02:44But now I need you to focus and answer my questions.
02:49Because every minute that passes is a minute against you.
02:53He left his home, his family, his job, his life.
02:57No, I didn't leave anything.
03:00I changed course.
03:02And I didn't do it for him.
03:04I did it for me.
03:09Because I told myself...
03:11Lives.
03:13You live.
03:15After all...
03:17That is the only obligation that any living being has.
03:27I know that Yaman and I belonged to very different worlds.
03:38We didn't speak the same language.
03:41We didn't even have the same religion.
03:44Not even the same culture.
03:47We didn't see most things the same way either.
03:52But...
03:54He had that ability.
03:56Of...
03:58Transport myself...
03:59To seventh heaven and...
04:02And leave me there.
04:05In the dark.
04:08So I left nothing behind.
04:09I just changed course.
04:21I gave myself over to passion.
04:25And I did it for me.
04:39If the paint doesn't come off...
04:45I will have your dreams on my skin forever.
04:51You'll have them anyway.
04:57I love that you provoke me.
05:00Well...
05:02That's what you did when we met.
05:06You tested me.
05:10A month ago.
05:13And I swear it seems like just a day ago.
05:18One day... happy.
05:30I'm thinking about looking for a job here.
05:33Yeah.
05:37I think at university.
05:39I don't know.
05:42Work with me.
05:46In the store.
05:49We make a team.
05:53Well, I don't know.
05:54I don't know how to fool your list.
05:55I don't know.
05:56I don't know.
06:06Come on.
06:07No.
06:08Yeah.
06:09No.
06:10We are doing very well.
06:12Why do you want to bring her in like that?
06:14Come on.
06:16Because?
06:17I need you, miss.
06:18I need you, miss.
06:19Oh my God!
06:20Oh my God!
06:21Oh my God!
06:22Oh my God!
06:23Oh my God!
06:24Oh my God!
06:25Oh my God!
06:26Oh my God!
06:27Thank you!
06:57Thank you!
07:07Do I always look at you with these eyes?
07:09These are the eyes with which I look at you.
07:12It's impossible to be more beautiful.
07:16Are you a salamero?
07:18Salamero?
07:20Ah, salamero.
07:22That...
07:24Do you like to give me your ears?
07:27I want to give you everything.
07:30You see?
07:40They are beautiful.
07:44You have to see Istanbul from everywhere.
07:48Everything is beautiful.
07:50Yes, but I feel like an idiot because I've been here many times and I've never seen it like this.
07:54Why are you the tourist here?
07:58Yeah.
08:00The good thing is that...
08:02we have a lot of life left.
08:04Hey?
08:05Hey?
08:06Hey?
08:07Hey?
08:08Hey?
08:09That?
08:10H question?
08:22No.
08:23No, no, no, no, no, no.
08:53No, no, no, no.
09:23No, no, no, no.
09:53And when are you taking the trip to Türkiye?
09:57We'll leave the trip for later for now.
10:02Because Yaman wants to prepare it with more time.
10:05So you can come now?
10:06Oh yeah, I can't hear you.
10:07Hello?
10:08Yes, it will be the coverage.
10:09I'll call you back later, okay?
10:10Come on, a little kiss.
10:11Bye bye.
10:12Cool, Tom sana what will I go?
10:17Oh, sorry.
10:18Tuche, virmilloro.
10:20You don't need to.
10:21I am Rosario, more Spanish than a comb.
10:23Olivia.
10:25Nice to meet you.
10:25Are you visiting?
10:28Well, it's a bit more complicated than that.
10:32A Turk.
10:33There is nothing more complicated than a Turk.
10:36It got complicated for me the day I said yes to a diplomat.
10:38My husband is the Spanish vice-consul in Istanbul, and I prefer not to count the years I've been here.
10:43Oh, it seems like it's taking a long time.
10:45No, but just turning 50, I decided not to do any calculations that don't favor me.
10:50Do you have plans for today?
10:53No.
10:54Well, pay for that dress now.
10:57Well, I met her in the fitting room and she was really nice.
11:00And then we had a coffee and we talked about the university,
11:06Well, my life in Madrid and all that.
11:07But when I told him how well he painted,
11:10suddenly his eyes lit up and...
11:14And well, he told me that he has a very special bond with artists.
11:18I don't know what kind of bond, don't ask me what.
11:24Are you listening to me?
11:29Yeah.
11:32And well, and then I started talking to you, I started asking myself questions and...
11:36Questions?
11:37Ah, now it's there, right?
11:40Since this is about you now, you'll pay attention to me now, right?
11:44No, no, no.
11:46I don't like that you talk to strangers too.
11:49Well, I was just curious about our story, that's all.
11:53Hey, why don't you come to the party? He told me I could bring a date.
12:06I have a meeting.
12:09A meeting that, as always, you're not going to tell me anything about, right?
12:12How are you?
12:15That?
12:18How are you?
12:20How are you?
12:21How are you?
12:22Enjoy...
12:23and talks about my previous ones.
12:28If you want to do business, you come.
12:31Enjoy.
12:33What's happening?
13:03She's getting along with her boyfriend. That's it. That's it.
13:08What if we change the subject? I say this because I think Olivia is starting to feel a little uncomfortable being the center of attention.
13:15But why? I can think of nothing better than telling everyone your love story.
13:21Well, yes, live it, right?
13:24Love stories are lived, aren't they? They're written, not read, not told in emails like this.
13:30Love is made. I'm wrong.
13:34I don't know, you're the experts.
13:37Well, Marco, I'm clear that if I do it, I'll tell it.
13:41The most that this story is not made by you.
13:44Sorry, I got really carried away.
13:46No.
13:46You won't want to come back to any of my parties.
13:49What are you saying?
13:49Considering the success you've had, it would be a great loss for me.
13:52Another wine?
13:56Yeah.
14:14I would love to see your work.
14:15Are you also going to comment on my painting?
14:21Well, you shouldn't underestimate me.
14:23There are experts who place me among the most promising artists of my generation.
14:27Fuck.
14:27And what is your specialty, apart from giving yourself importance?
14:35Well, I'm bored with canvases.
14:37I'm more of a wall person.
14:39Moralist or graffiti artist?
14:41I'm also bored with labels.
14:43That's why I like to meet different artists.
14:47When are you going to show me your paintings?
14:49I don't have anything finished.
14:53No, it's not the same.
14:55I've been imagining how you feel in private all night.
14:59I mean when you're in front of a canvas.
15:04AND?
15:06I don't know, I'm lost.
15:09There are times when I imagine you being realistic, taking care of every detail, every brushstroke.
15:13And there are other times when I imagine you destroying the canvas,
15:16throwing paint or destroying self-study.
15:22Well, I'm sorry to disappoint you, but I don't have a studio.
15:27I paint in the living room.
15:31In your living room?
15:33Yeah.
15:35Now I want you to put me in even more.
15:41Hey, you remember that I have a boyfriend, right?
15:44Yeah.
15:44I'm not interested in your work, Nora.
15:48Olivia, come here and let me introduce you to my husband.
15:50A lot.
15:50Thank you.
16:04Hi, you know?
16:06Hello. What are you doing, wake up?
16:26Wait for you.
16:30How was the party?
16:32Okay. Let's go to bed and I'll tell you tomorrow.
16:36Have you been there all the time?
16:41Yeah.
16:43And you were the last to leave, weren't you?
16:47No, there were more people.
16:52Are we going to go or are you going to keep interrogating me?
16:56I worry.
16:58Alright?
17:03What's not right is that you control me.
17:06Do you know what awaited me every time I came back from a party?
17:15My father.
17:15I thought you might be with another man.
17:20I thought I could be with another man.
17:49But...
17:50Isn't it jealousy?
17:53No?
17:54No.
17:55So what is it?
17:58I don't know.
18:02Another thing.
18:06If it was jealousy, I wouldn't be excited.
18:11On the boat, when we kiss, you imagine yourself in other arms, dying on other lips.
18:29What I feel for you goes beyond my skin.
18:42On the boat, I wouldn't be on the boat.
18:43No?
18:44I wouldn't be on the boat.
18:45No?
18:46I wouldn't be on the boat.
18:47I wouldn't be on the boat.
18:48Our passion goes beyond us.
19:02I want to see you seduce other men while you think about me.
19:18Are you telling me this because you want to be with other women?
19:24Because if so, no.
19:30No.
19:34No.
19:38Leave it.
19:42I don't know, I just didn't expect this from you.
19:44Not all circuses are what you think.
19:51Forget it.
19:57Let's go to sleep.
20:14Was I right or not?
20:40No, I won't be able to move tomorrow.
20:42But no one can take away this endorphin party from you.
20:45And over time you get used to it.
20:47Well, you'll be watching the endorphin party next week on your own.
20:50Oh.
20:52No, also because I have to focus and look for work.
20:55I'm thinking about college.
20:57At university?
20:58Why don't you focus on painting?
21:00What are they doing to my life with painting?
21:02It seems like the perfect plan to me.
21:05Come on, we can talk to Marco.
21:06He can guide you on how things work here in Istanbul.
21:08It seems you understand each other very well.
21:15I don't know.
21:16For me it's a dream.
21:18Woman, give yourself a chance.
21:20What do you lose by trying?
21:26The truth is that it is a marvel.
21:29The motifs are beautiful.
21:34It looks like one of the pieces from the Calouste Foundation.
21:36You wouldn't believe what I paid for it.
21:52Ten lire.
21:53Oh, please!
22:02And you're the experts, huh?
22:05Happy liras.
22:07They should have seen each other.
22:09I don't know if it's a good idea for you to work together.
22:30We don't work together.
22:33Well, but that's a matter of time.
22:35I keep repeating it to call him.
22:38They need a woman like you, Bolivia.
22:41Intelligent, prepared.
22:42Thank you very much.
22:44Charming.
22:45Thank you very much, but...
22:47I don't know, no...
22:50I have other plans.
22:51Well, and they are plans that you can share with good friends.
22:59Yes of course.
23:01I'm thinking about it.
23:03And I think I'm going to take up painting again.
23:07Ah, well, but you can do that in your free time.
23:10Think about the advantages of working to call.
23:12Would you have the boss at your feet?
23:14Well, since I am lucky enough to be able to choose,
23:18I prefer to be my own boss.
23:21Health.
23:28Health.
23:29Health.
23:33The couple on the cake are still going strong.
23:37And I didn't give a single lira for you.
23:41Thank you.
23:42Yeah.
23:43I mean, I didn't give a lira for him.
23:47Call us stable relationships.
23:48You'll tell me the secret.
23:53Well, there is no secret.
23:55We get along well.
23:56So why do you insist on pulling the rope?
24:00As?
24:01You don't look at me so you know perfectly well what I'm talking about.
24:04No.
24:06You want to be an independent woman.
24:08Well, it's that I'm an independent woman.
24:11Well.
24:11Well then, start by finding a balance between your freedom and his needs if you don't want him to kick you out.
24:18The Turkish man is traditional no matter how much he tries to sell you otherwise.
24:24And I know very well what I'm talking about.
24:25And Amman is different.
24:30Ah.
24:31Different.
24:32Yeah.
24:34I know what I'm talking about too.
24:36Ah.
24:36Are you coming to shower?
24:50I have to work.
24:54And I need to concentrate.
24:56No, no, no, no, no.
25:01Hey!
25:17I'm about to ring your doorbell.
25:19Sorry.
25:20From your study.
25:21I didn't want to show up unannounced.
25:23Hey, you should open the door for me because I have good news.
25:32Hello.
25:33Hello.
25:36Hey, come in.
25:38Can I catch you working?
25:40Uh, yeah.
25:43Are you coming home?
25:45Thank you.
25:47And you are alone?
25:53Yeah?
25:59Well, are you going to tell me that good news or is there going to be an excuse for me to open the door for you?
26:07Well, the gallery I work with is preparing a group exhibition, and I think your work fits the bill perfectly.
26:14Of course, you would have to have it finished in a couple of weeks.
26:18Okay, yes.
26:21Thank you.
26:23I don't know what to say.
26:25Well, don't say anything.
26:31Since I saw you at the party I haven't stopped thinking about you.
26:35It's a shame you have such a... boyfriend.
26:37perfect.
26:38What if I told you that my boyfriend doesn't mind us getting to know each other better?
26:53What if I told you that my boyfriend doesn't mind us getting to know each other better?
27:08No.
27:30No.
27:30No.
27:31No.
27:31No.
27:33No.
27:34No.
27:36No.
27:37Are you OK?
27:49Can you slow down?
27:51No, it's okay.
28:07No, no, no, I want you to go.
28:25Yes, you go.
28:37Can't.
28:54I love you.
28:59Only you.
29:00It was a silly thing to do.
29:02Well, it was a game.
29:03I don't know why I'm telling you this.
29:11He was very happy.
29:14I understand that you need to vent, to talk about that life.
29:20But I'm not the right person.
29:24I'm here for you to answer my questions.
29:28When exactly did you start working for Yaman?
29:33I don't remember there being a specific date.
29:37It was little by little.
29:40It was a while, I kept trying with painting.
29:47Who hasn't come to see the most successful painting in all of Türkiye?
29:52But what are you doing here so soon?
29:53I managed to change my flight.
29:55Ah, good.
29:55We know him.
29:58No, I just didn't want to miss your presentation.
30:00Well, it's not my exhibition.
30:01It is a collective exhibition.
30:03I'm just like a painting.
30:04And what is it?
30:15That?
30:16What do you think?
30:17Well, different?
30:22Well, at least what you usually paint.
30:24Yes, but is different good or bad?
30:29Well, it's good, yes.
30:32Look, I'm not entirely convinced.
30:34There's something that, I don't know, I think it's missing something.
30:37Come on.
30:38It doesn't suit her to be so modest.
30:40If I had his talent.
30:41I am Rosario Enchanted.
30:43Oh, likewise.
30:44Well, she's to blame for all this.
30:47Without her, I don't think I would have dared to do it, honestly.
30:50Hey, thanks a lot for the push.
30:53I already believed that I had come here to Istanbul to be the wife of a sultan.
30:56Hey, where is he?
30:58He couldn't come.
30:59Well, Yamam is incredible.
31:01He's always busy.
31:02I didn't know an antique shop could be so much work.
31:07Don't make it easy for me between the real one and the wing.
31:10Salam, salam.
31:12On the night of the fadal.
31:13I don't know who the fadal is.
31:16The color is soccer.
31:17The owner is fadal.
31:18And you don't have to go.
31:22Hello.
31:25Hello.
31:28Hello.
31:28Haven't you read my message?
31:31Well, I was telling you that my sister brought her flight forward so she could come to the exhibition.
31:34Yes, yes, yes.
31:36Hello.
31:37Hello.
31:38Delighted.
31:39Likewise.
31:39No, but I'd rather stay in a hotel, okay?
31:41I don't want to be here anymore...
31:42No, no, no, no, please, please.
31:43I want a special store for Olivia, but with you, no more will be done.
31:46Come on.
31:48Sit down.
31:49Yeah.
31:50How are you?
31:51Many people?
31:53Well, I know it's always been, but it's been so nice to see my work.
31:56Is it put in a gallery?
31:59Don't give me that face, I know you'll be able to come next time.
32:02Shall we begin?
32:08Yeah.
32:11More wine?
32:13No, thanks.
32:17I thought you wouldn't drink my alcohol.
32:20I am a Muslim, but not a practicing one.
32:29I don't go to the mosque.
32:31Come on, it doesn't strictly comply with all the pillars.
32:34Do you trust me more?
32:39No, no, let's see, forgive me, I didn't mean to imply that...
32:42Calm down, calm down.
32:44It was a joke.
32:50So.
32:51Want to be the first to own a painting of the new Olivia Dorado?
33:10In a few years, he will give us millions.
33:31Sorry.
33:32Sorry.
33:40What about you?
33:43What did you miss: asking him if he has a criminal record?
33:46Well, what do you want me to do?
33:47He loves art, he loves Istanbul, and he owns an antique shop.
33:50I don't know, daughter, it just sounds like a Tinder description.
33:52What else do you know about him?
33:53Do you want to relax a little, Laura?
33:57I don't recognize you, Olivia, who bought your painting and you liked it.
34:01Well, I don't know, it's a detail.
34:02No, the nice thing would have been to keep the painting on display to show yourself that your work is interesting.
34:06What's up? Are you going to paint for him all the time now?
34:08Are you going to let me buy all your paintings or what?
34:10What the hell is wrong with you?
34:12What the fuck is wrong with me?
34:13I don't like this new Olivia Durán.
34:16I don't like it when people hang up on me.
34:18Don't worry about your family.
34:20That he has left all his friendships behind.
34:21I don't even like his painting.
34:23The more I look at it, the less I understand it.
34:24Just like you.
34:25If you have been lucky enough to have bought your painting,
34:27because no one in their right mind would want to buy that...
34:30I don't even know what to call it, really.
34:37Fuck.
34:40Forgive me, I'm an idiot.
34:50Okay.
34:51I'm going to Madrid.
34:56I'm going to see Mom, the girls, Espe.
35:01And that's how you'll realize how much they like the new Olivia.
35:05And do you know why, Laura?
35:07Because I'm happy.
35:09Very happy.
35:09It's a shame you can't see it.
35:30Hello.
35:33Hello.
35:34And Laura?
35:40I'm going for a walk.
35:46Do you think someone would have bought the painting if you hadn't bought it?
35:50This sister, right?
36:08He worries.
36:11But not normal.
36:12So much will go away and we will be you and me again.
36:21Okay.
36:25Well.
36:27I'm thinking of going with her to Madrid and spending a few days there.
36:31So everyone can see that I'm okay, you know?
36:33Have I asked you?
36:34Well, not directly.
36:39If you need it.
36:43What a pity.
36:45I had planned a trip to Anatolia.
36:48Adrianapolis?
36:49Yeah.
36:51When your sister returns to Spain.
36:55But nothing happens.
36:58On another occasion.
37:04And Madrid?
37:08It will have to be later.
37:12Laura.
37:14No, huh?
37:16I see you coming.
37:17Yes, to me it does.
37:18The one you don't let come is him.
37:21Well, I'm not going to go in.
37:22I mean, it takes weeks to prepare for that trip and you have to leave right now.
37:25Well yes, right now.
37:28And if you can't be happy because I'm going on an incredible trip,
37:30that I'm going to see places I've always wanted to see,
37:32the problem is yours.
37:36Yaman wanted me away from everything.
37:38But I wanted to be close to him.
37:41To take me to those places.
37:42I could point out the places they visited, couldn't I?
37:47No.
37:49They were very intense days.
37:52And we were in many towns.
37:54I don't know, I usually write everything down when I travel, but...
37:58This time...
38:01I got carried away.
38:02It's funny, but the way I remember it now
38:25It has more to do with a photo album than a trip.
38:29Yaman, always Yaman,
38:40willing to teach me the secrets of that Türkiye so exotic to me
38:43and make me forget my sister's distrust.
38:51Get ready, comrade?
38:53Yeah.
39:08Have you seen this?
39:10This could be authentic.
39:12I'm not 100% sure, but...
39:14Hey, hey, hey, hey, what are you doing?
39:18What are you doing?
39:19I'm going to take a picture of you.
39:21Interpol has an index of lost works.
39:23No, no, no, no.
39:24I will put that business in danger for Ibrahim.
39:26Nothing is seen of its origin.
39:29Well, as a reason still.
39:31What we have to do is buy it and get it out of here.
39:33This should be in a museum.
39:36It could have belonged to an Atracian soldier
39:37and coming from an illegal excavation, perfectly.
39:40We don't know, but...
39:43Or not.
39:45Leave her and look for necklaces to sell without ending up in jail.
39:56Thank you very much, mother.
39:57Well, and then you say that you love your heritage,
40:11that you love your culture.
40:12It's heavier than all these boxes put together.
40:16Why are you going to let a tourist buy that dagger?
40:19for half a lifetime to use it as a paperweight.
40:22Is...
40:23My love, I know how things work here.
40:25That dagger is trouble and more trouble.
40:28Okay.
40:34Ya sen, şimdi, güreşe kalmıyor musun?
40:40Kalmayayım ya.
40:41Biz akşam bastırmadan, karanlık bastırmadan
40:43kendimizi evde neyatsak gelir.
40:45Ya hadi gel gel ya.
40:47Bak, bugün ortam güzel ha.
40:49Hı hı, kim var sen?
40:53E hadi.
40:55E hadi gel.
41:00That one, nobody.
41:01That one, nobody.
41:02That one, nobody.
41:03Yine.
41:04That one, nobody.
41:05In the period of hand there were many schools.
41:19They learned techniques and cultivated the spirit.
41:24The fight is body and water.
41:28A body well filled with oil.
41:35The first one they throw another one, right?
41:40He also gets up.
42:02What's wrong? What are you afraid of?
42:05No, no, no.
42:06Are they scary?
42:07No, no, no.
42:08Tell them, tell them, they're scary.
42:09Come on.
42:10What's happening?
42:11What's happening?
42:12What's happening?
42:13What's happening?
42:18What's happening?
42:19What if?
42:20E bakalım bakalım ha.
42:50What happened?
43:14Are you throwing me off?
43:15Oh, yeah, right. Now it's my fault.
43:18Emel was right.
43:19Better to be away from Tijuana than important things.
43:23That?
43:24It's just hate, no joke.
43:30Take it.
43:35Take it.
43:37But it's a churro.
43:44I'm not going to go wrong to finish this date.
43:47Well, it was a possibility and I didn't think so, to be honest.
43:51But hey, a bubble bath isn't love either.
43:54Men on the side and women.
44:05Don't know.
44:07A pity.
44:09Can you find a husband?
44:11Oh yeah?
44:11There are mothers who come to the jamán to look for a wife worthy of their sons.
44:17And you're worried?
44:19I?
44:20Yeah.
44:21No.
44:22You're not his type.
44:24Oh.
44:25Well, those children are lost.
44:27Because you and I know she would make a good wife.
44:30TRUE?
44:32Yeah.
44:32Yeah.
44:32No, no, no.
45:02Where were you?
45:08Here.
45:32Where were you?
45:38Where were you?
45:42Where were you?
45:44Where were you?
45:48Where were you?
45:50Where were you?
45:52Where were you?
45:54Where were you?
45:56Where were you?
45:58Where were you?
46:00Where were you?
46:06What is our next destination?
46:36I don't know. The next day?
46:44Where did I go, Lemón and Bautis? I love that fable, it's so pretty. Do you remember it?
46:52Yeah.
46:55But you remember the wish they granted us. They asked to die at the same time, at the same time.
47:06And so they ended.
47:14I want to live. Not leave my future in the hands of a capricious God, no.
47:20I want to be my own God.
47:25Your own God?
47:29Order yours if you want.
47:30Well...
47:31No, no, no.
48:01Patron çok hızlı.
48:03Konuştuklarımızdan farklı parçalar getirmişsin.
48:07Hadi ya.
48:10Ne istediyseniz orada başka hiçbir şey yok.
48:14Uzatma.
48:15Oyun oynamıyorum burada.
48:18Gün batımında Bulgaristan'da olmam gerekiyor.
48:21Ama paramı almadan geri dönemem.
48:25Patronuna söyle.
48:28Benden tek kuruş bir adım.
48:31Benden tek kuruş bir adım.
48:38Benden tek kuruş bir adım.
48:39Benden tek kuruş bir adım.
48:41Benden tek kuruş bir adım.
48:50Benden tek kuruş bir adım.
48:52Benden tek kuruş bir adım.
48:54Benden tek kuruş bir adım.
48:56Benden tek kuruş bir adım.
48:58Benden tek kuruş bir adım.
49:00Benden tek kuruş bir adım.
49:02Do you want me to go now?
49:03I have a lot of work these days.
49:05Or what about time for you?
49:06It's just that I've never felt anything like this and I feel that while I suffer, he avoids me.
49:12I want you to talk to the police and tell them that my sister is innocent,
49:15that you cheated on her and took advantage of her.
49:18What's up? Why are you stopping?
49:21They changed the route to avoid police control.
49:24Yaman takes a detour and the checkpoint is left behind.
49:27Can you explain to me what that was doing in your store?
49:29It is the dagger we lived in Ibrahim's tent.
49:31Olivia!
49:32You keep lying to me!
49:33It's true!
49:34That if my sister has committed a crime it is because Yaman deceived her.
49:37And why don't you question him?
49:39Olivia, the perfect European in love with a Turk.
49:43If I don't trust you, it's because I don't know anything about you.
49:47I don't know anything about your life.
49:49Why don't you tell him the truth, Olivia?
49:50It's up to her to decide whether she stays by your side or not.
49:53I just don't want to leave all this behind.
49:55You don't understand.
49:57I would repeat each of the steps I have taken.
50:00I suppose he told you that he has a very special dinner tonight.
50:03No.
50:04I thought if Olivia came with you maybe it could help smooth things over a bit.
50:08Simona loves girls.
50:10I want to enjoy you.
50:12No, no, no, no, don't touch me, don't touch me.
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