- hace 5 meses
Olivia descubre que una pasión tan intensa como peligrosa puede ocultar verdades tan oscuras que ni ella imagina.
Mientras Yaman la seduce con promesas y mentiras, su confianza se desliza hacia la incertidumbre. El deseo se convierte en sospecha, y cada mirada revela sombras del pasado.
Entre engaños, manipulación emocional y secretos por revelar, este capítulo lleva el drama al límite. Nadie está a salvo cuando el amor se vuelve obsesión.
Prepárate para un episodio lleno de tensión, intriga, romance intenso y decisiones que podrían costar demasiado.
Disfruta este capítulo imperdible doblado al español, con giros que cambiarán todo.
Mientras Yaman la seduce con promesas y mentiras, su confianza se desliza hacia la incertidumbre. El deseo se convierte en sospecha, y cada mirada revela sombras del pasado.
Entre engaños, manipulación emocional y secretos por revelar, este capítulo lleva el drama al límite. Nadie está a salvo cuando el amor se vuelve obsesión.
Prepárate para un episodio lleno de tensión, intriga, romance intenso y decisiones que podrían costar demasiado.
Disfruta este capítulo imperdible doblado al español, con giros que cambiarán todo.
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TVTranscripción
00:30You only have two days left in my city and I want to spend them with you.
00:36Why don't you answer my calls?
00:38Whose names are they?
00:39This...
00:40Hey, this girl is divine.
00:42Olivia loves Istanbul more than many Turks I know.
00:45Should you take it with you on one of your trips to Türkiye?
00:48Love took you for a dance.
00:51It's passion. A very strong passion.
00:54What if I don't return to Spain?
01:00The Spanish one stays. I hope it's not useful.
01:15Tell me something to brighten my day, please.
01:18Sister Olivia has just landed.
01:20He wants to go to the hospital.
01:21Sorry, Pablo.
01:23But yesterday I managed to get Olivia to open up a little.
01:26A conversation with your sister can affect.
01:28What if I ask you as a personal favor?
01:32Other?
01:34Because I remind you that you are off the case and I am still reporting to you.
01:38And to Neva Alves...
01:40I just told you that your sister might end up in jail.
01:44And if you want to avoid it, it's best to let me do my job.
01:49And I thought we were friends.
01:51A friend doesn't ask you to break the rules.
01:56Pharma.
01:57I know Olivia.
01:58I know how much he loves his sister.
02:00I am convinced that it will be the best for everyone.
02:02But also for research.
02:04Which case are you for, please?
02:06And your mom.
02:08But I decide where and when.
02:10Understood?
02:12I owe you one.
02:18Come on.
02:20Well no.
02:21No, no, no.
02:22She's his sister.
02:23I thought you'd be looking forward to seeing it.
02:24No, because I don't want to see her.
02:26What's up? Are you going to force me?
02:28No.
02:30What have they told you?
02:31The truth is that she tried to commit suicide and is in a hospital under police surveillance.
02:39And how is she?
02:41Worried.
02:44But now I need you to focus and answer my questions.
02:49Because every minute that passes is a minute against you.
02:53He left his home, his family, his job, his life.
02:57No, I didn't leave anything.
03:00I changed course.
03:02And I didn't do it for him.
03:04I did it for me.
03:09Because I told myself...
03:11Lives.
03:13You live.
03:15After all...
03:17That is the only obligation that any living being has.
03:27I know that Yaman and I belonged to very different worlds.
03:38We didn't speak the same language.
03:41We didn't even have the same religion.
03:44Not even the same culture.
03:47We didn't see most things the same way either.
03:52But...
03:54He had that ability.
03:56Of...
03:58Transport myself...
03:59To seventh heaven and...
04:02And leave me there.
04:05In the dark.
04:08So I left nothing behind.
04:09I just changed course.
04:21I gave myself over to passion.
04:25And I did it for me.
04:39If the paint doesn't come off...
04:45I will have your dreams on my skin forever.
04:51You'll have them anyway.
04:57I love that you provoke me.
05:00Well...
05:02That's what you did when we met.
05:06You tested me.
05:10A month ago.
05:13And I swear it seems like just a day ago.
05:18One day... happy.
05:30I'm thinking about looking for a job here.
05:33Yeah.
05:37I think at university.
05:39I don't know.
05:42Work with me.
05:46In the store.
05:49We make a team.
05:53Well, I don't know.
05:54I don't know how to fool your list.
05:55I don't know.
05:56I don't know.
06:06Come on.
06:07No.
06:08Yeah.
06:09No.
06:10We are doing very well.
06:12Why do you want to bring her in like that?
06:14Come on.
06:16Because?
06:17I need you, miss.
06:18I need you, miss.
06:19Oh my God!
06:20Oh my God!
06:21Oh my God!
06:22Oh my God!
06:23Oh my God!
06:24Oh my God!
06:25Oh my God!
06:26Oh my God!
06:27Thank you!
06:57Thank you!
07:07Do I always look at you with these eyes?
07:09These are the eyes with which I look at you.
07:12It's impossible to be more beautiful.
07:16Are you a salamero?
07:18Salamero?
07:20Ah, salamero.
07:22That...
07:24Do you like to give me your ears?
07:27I want to give you everything.
07:30You see?
07:40They are beautiful.
07:44You have to see Istanbul from everywhere.
07:48Everything is beautiful.
07:50Yes, but I feel like an idiot because I've been here many times and I've never seen it like this.
07:54Why are you the tourist here?
07:58Yeah.
08:00The good thing is that...
08:02we have a lot of life left.
08:04Hey?
08:05Hey?
08:06Hey?
08:07Hey?
08:08Hey?
08:09That?
08:10H question?
08:22No.
08:23No, no, no, no, no, no.
08:53No, no, no, no.
09:23No, no, no, no.
09:53And when are you taking the trip to Türkiye?
09:57We'll leave the trip for later for now.
10:02Because Yaman wants to prepare it with more time.
10:05So you can come now?
10:06Oh yeah, I can't hear you.
10:07Hello?
10:08Yes, it will be the coverage.
10:09I'll call you back later, okay?
10:10Come on, a little kiss.
10:11Bye bye.
10:12Cool, Tom sana what will I go?
10:17Oh, sorry.
10:18Tuche, virmilloro.
10:20You don't need to.
10:21I am Rosario, more Spanish than a comb.
10:23Olivia.
10:25Nice to meet you.
10:25Are you visiting?
10:28Well, it's a bit more complicated than that.
10:32A Turk.
10:33There is nothing more complicated than a Turk.
10:36It got complicated for me the day I said yes to a diplomat.
10:38My husband is the Spanish vice-consul in Istanbul, and I prefer not to count the years I've been here.
10:43Oh, it seems like it's taking a long time.
10:45No, but just turning 50, I decided not to do any calculations that don't favor me.
10:50Do you have plans for today?
10:53No.
10:54Well, pay for that dress now.
10:57Well, I met her in the fitting room and she was really nice.
11:00And then we had a coffee and we talked about the university,
11:06Well, my life in Madrid and all that.
11:07But when I told him how well he painted,
11:10suddenly his eyes lit up and...
11:14And well, he told me that he has a very special bond with artists.
11:18I don't know what kind of bond, don't ask me what.
11:24Are you listening to me?
11:29Yeah.
11:32And well, and then I started talking to you, I started asking myself questions and...
11:36Questions?
11:37Ah, now it's there, right?
11:40Since this is about you now, you'll pay attention to me now, right?
11:44No, no, no.
11:46I don't like that you talk to strangers too.
11:49Well, I was just curious about our story, that's all.
11:53Hey, why don't you come to the party? He told me I could bring a date.
12:06I have a meeting.
12:09A meeting that, as always, you're not going to tell me anything about, right?
12:12How are you?
12:15That?
12:18How are you?
12:20How are you?
12:21How are you?
12:22Enjoy...
12:23and talks about my previous ones.
12:28If you want to do business, you come.
12:31Enjoy.
12:33What's happening?
13:03She's getting along with her boyfriend. That's it. That's it.
13:08What if we change the subject? I say this because I think Olivia is starting to feel a little uncomfortable being the center of attention.
13:15But why? I can think of nothing better than telling everyone your love story.
13:21Well, yes, live it, right?
13:24Love stories are lived, aren't they? They're written, not read, not told in emails like this.
13:30Love is made. I'm wrong.
13:34I don't know, you're the experts.
13:37Well, Marco, I'm clear that if I do it, I'll tell it.
13:41The most that this story is not made by you.
13:44Sorry, I got really carried away.
13:46No.
13:46You won't want to come back to any of my parties.
13:49What are you saying?
13:49Considering the success you've had, it would be a great loss for me.
13:52Another wine?
13:56Yeah.
14:14I would love to see your work.
14:15Are you also going to comment on my painting?
14:21Well, you shouldn't underestimate me.
14:23There are experts who place me among the most promising artists of my generation.
14:27Fuck.
14:27And what is your specialty, apart from giving yourself importance?
14:35Well, I'm bored with canvases.
14:37I'm more of a wall person.
14:39Moralist or graffiti artist?
14:41I'm also bored with labels.
14:43That's why I like to meet different artists.
14:47When are you going to show me your paintings?
14:49I don't have anything finished.
14:53No, it's not the same.
14:55I've been imagining how you feel in private all night.
14:59I mean when you're in front of a canvas.
15:04AND?
15:06I don't know, I'm lost.
15:09There are times when I imagine you being realistic, taking care of every detail, every brushstroke.
15:13And there are other times when I imagine you destroying the canvas,
15:16throwing paint or destroying self-study.
15:22Well, I'm sorry to disappoint you, but I don't have a studio.
15:27I paint in the living room.
15:31In your living room?
15:33Yeah.
15:35Now I want you to put me in even more.
15:41Hey, you remember that I have a boyfriend, right?
15:44Yeah.
15:44I'm not interested in your work, Nora.
15:48Olivia, come here and let me introduce you to my husband.
15:50A lot.
15:50Thank you.
16:04Hi, you know?
16:06Hello. What are you doing, wake up?
16:26Wait for you.
16:30How was the party?
16:32Okay. Let's go to bed and I'll tell you tomorrow.
16:36Have you been there all the time?
16:41Yeah.
16:43And you were the last to leave, weren't you?
16:47No, there were more people.
16:52Are we going to go or are you going to keep interrogating me?
16:56I worry.
16:58Alright?
17:03What's not right is that you control me.
17:06Do you know what awaited me every time I came back from a party?
17:15My father.
17:15I thought you might be with another man.
17:20I thought I could be with another man.
17:49But...
17:50Isn't it jealousy?
17:53No?
17:54No.
17:55So what is it?
17:58I don't know.
18:02Another thing.
18:06If it was jealousy, I wouldn't be excited.
18:11On the boat, when we kiss, you imagine yourself in other arms, dying on other lips.
18:29What I feel for you goes beyond my skin.
18:42On the boat, I wouldn't be on the boat.
18:43No?
18:44I wouldn't be on the boat.
18:45No?
18:46I wouldn't be on the boat.
18:47I wouldn't be on the boat.
18:48Our passion goes beyond us.
19:02I want to see you seduce other men while you think about me.
19:18Are you telling me this because you want to be with other women?
19:24Because if so, no.
19:30No.
19:34No.
19:38Leave it.
19:42I don't know, I just didn't expect this from you.
19:44Not all circuses are what you think.
19:51Forget it.
19:57Let's go to sleep.
20:14Was I right or not?
20:40No, I won't be able to move tomorrow.
20:42But no one can take away this endorphin party from you.
20:45And over time you get used to it.
20:47Well, you'll be watching the endorphin party next week on your own.
20:50Oh.
20:52No, also because I have to focus and look for work.
20:55I'm thinking about college.
20:57At university?
20:58Why don't you focus on painting?
21:00What are they doing to my life with painting?
21:02It seems like the perfect plan to me.
21:05Come on, we can talk to Marco.
21:06He can guide you on how things work here in Istanbul.
21:08It seems you understand each other very well.
21:15I don't know.
21:16For me it's a dream.
21:18Woman, give yourself a chance.
21:20What do you lose by trying?
21:26The truth is that it is a marvel.
21:29The motifs are beautiful.
21:34It looks like one of the pieces from the Calouste Foundation.
21:36You wouldn't believe what I paid for it.
21:52Ten lire.
21:53Oh, please!
22:02And you're the experts, huh?
22:05Happy liras.
22:07They should have seen each other.
22:09I don't know if it's a good idea for you to work together.
22:30We don't work together.
22:33Well, but that's a matter of time.
22:35I keep repeating it to call him.
22:38They need a woman like you, Bolivia.
22:41Intelligent, prepared.
22:42Thank you very much.
22:44Charming.
22:45Thank you very much, but...
22:47I don't know, no...
22:50I have other plans.
22:51Well, and they are plans that you can share with good friends.
22:59Yes of course.
23:01I'm thinking about it.
23:03And I think I'm going to take up painting again.
23:07Ah, well, but you can do that in your free time.
23:10Think about the advantages of working to call.
23:12Would you have the boss at your feet?
23:14Well, since I am lucky enough to be able to choose,
23:18I prefer to be my own boss.
23:21Health.
23:28Health.
23:29Health.
23:33The couple on the cake are still going strong.
23:37And I didn't give a single lira for you.
23:41Thank you.
23:42Yeah.
23:43I mean, I didn't give a lira for him.
23:47Call us stable relationships.
23:48You'll tell me the secret.
23:53Well, there is no secret.
23:55We get along well.
23:56So why do you insist on pulling the rope?
24:00As?
24:01You don't look at me so you know perfectly well what I'm talking about.
24:04No.
24:06You want to be an independent woman.
24:08Well, it's that I'm an independent woman.
24:11Well.
24:11Well then, start by finding a balance between your freedom and his needs if you don't want him to kick you out.
24:18The Turkish man is traditional no matter how much he tries to sell you otherwise.
24:24And I know very well what I'm talking about.
24:25And Amman is different.
24:30Ah.
24:31Different.
24:32Yeah.
24:34I know what I'm talking about too.
24:36Ah.
24:36Are you coming to shower?
24:50I have to work.
24:54And I need to concentrate.
24:56No, no, no, no, no.
25:01Hey!
25:17I'm about to ring your doorbell.
25:19Sorry.
25:20From your study.
25:21I didn't want to show up unannounced.
25:23Hey, you should open the door for me because I have good news.
25:32Hello.
25:33Hello.
25:36Hey, come in.
25:38Can I catch you working?
25:40Uh, yeah.
25:43Are you coming home?
25:45Thank you.
25:47And you are alone?
25:53Yeah?
25:59Well, are you going to tell me that good news or is there going to be an excuse for me to open the door for you?
26:07Well, the gallery I work with is preparing a group exhibition, and I think your work fits the bill perfectly.
26:14Of course, you would have to have it finished in a couple of weeks.
26:18Okay, yes.
26:21Thank you.
26:23I don't know what to say.
26:25Well, don't say anything.
26:31Since I saw you at the party I haven't stopped thinking about you.
26:35It's a shame you have such a... boyfriend.
26:37perfect.
26:38What if I told you that my boyfriend doesn't mind us getting to know each other better?
26:53What if I told you that my boyfriend doesn't mind us getting to know each other better?
27:08No.
27:30No.
27:30No.
27:31No.
27:31No.
27:33No.
27:34No.
27:36No.
27:37Are you OK?
27:49Can you slow down?
27:51No, it's okay.
28:07No, no, no, I want you to go.
28:25Yes, you go.
28:37Can't.
28:54I love you.
28:59Only you.
29:00It was a silly thing to do.
29:02Well, it was a game.
29:03I don't know why I'm telling you this.
29:11He was very happy.
29:14I understand that you need to vent, to talk about that life.
29:20But I'm not the right person.
29:24I'm here for you to answer my questions.
29:28When exactly did you start working for Yaman?
29:33I don't remember there being a specific date.
29:37It was little by little.
29:40It was a while, I kept trying with painting.
29:47Who hasn't come to see the most successful painting in all of Türkiye?
29:52But what are you doing here so soon?
29:53I managed to change my flight.
29:55Ah, good.
29:55We know him.
29:58No, I just didn't want to miss your presentation.
30:00Well, it's not my exhibition.
30:01It is a collective exhibition.
30:03I'm just like a painting.
30:04And what is it?
30:15That?
30:16What do you think?
30:17Well, different?
30:22Well, at least what you usually paint.
30:24Yes, but is different good or bad?
30:29Well, it's good, yes.
30:32Look, I'm not entirely convinced.
30:34There's something that, I don't know, I think it's missing something.
30:37Come on.
30:38It doesn't suit her to be so modest.
30:40If I had his talent.
30:41I am Rosario Enchanted.
30:43Oh, likewise.
30:44Well, she's to blame for all this.
30:47Without her, I don't think I would have dared to do it, honestly.
30:50Hey, thanks a lot for the push.
30:53I already believed that I had come here to Istanbul to be the wife of a sultan.
30:56Hey, where is he?
30:58He couldn't come.
30:59Well, Yamam is incredible.
31:01He's always busy.
31:02I didn't know an antique shop could be so much work.
31:07Don't make it easy for me between the real one and the wing.
31:10Salam, salam.
31:12On the night of the fadal.
31:13I don't know who the fadal is.
31:16The color is soccer.
31:17The owner is fadal.
31:18And you don't have to go.
31:22Hello.
31:25Hello.
31:28Hello.
31:28Haven't you read my message?
31:31Well, I was telling you that my sister brought her flight forward so she could come to the exhibition.
31:34Yes, yes, yes.
31:36Hello.
31:37Hello.
31:38Delighted.
31:39Likewise.
31:39No, but I'd rather stay in a hotel, okay?
31:41I don't want to be here anymore...
31:42No, no, no, no, please, please.
31:43I want a special store for Olivia, but with you, no more will be done.
31:46Come on.
31:48Sit down.
31:49Yeah.
31:50How are you?
31:51Many people?
31:53Well, I know it's always been, but it's been so nice to see my work.
31:56Is it put in a gallery?
31:59Don't give me that face, I know you'll be able to come next time.
32:02Shall we begin?
32:08Yeah.
32:11More wine?
32:13No, thanks.
32:17I thought you wouldn't drink my alcohol.
32:20I am a Muslim, but not a practicing one.
32:29I don't go to the mosque.
32:31Come on, it doesn't strictly comply with all the pillars.
32:34Do you trust me more?
32:39No, no, let's see, forgive me, I didn't mean to imply that...
32:42Calm down, calm down.
32:44It was a joke.
32:50So.
32:51Want to be the first to own a painting of the new Olivia Dorado?
33:10In a few years, he will give us millions.
33:31Sorry.
33:32Sorry.
33:40What about you?
33:43What did you miss: asking him if he has a criminal record?
33:46Well, what do you want me to do?
33:47He loves art, he loves Istanbul, and he owns an antique shop.
33:50I don't know, daughter, it just sounds like a Tinder description.
33:52What else do you know about him?
33:53Do you want to relax a little, Laura?
33:57I don't recognize you, Olivia, who bought your painting and you liked it.
34:01Well, I don't know, it's a detail.
34:02No, the nice thing would have been to keep the painting on display to show yourself that your work is interesting.
34:06What's up? Are you going to paint for him all the time now?
34:08Are you going to let me buy all your paintings or what?
34:10What the hell is wrong with you?
34:12What the fuck is wrong with me?
34:13I don't like this new Olivia Durán.
34:16I don't like it when people hang up on me.
34:18Don't worry about your family.
34:20That he has left all his friendships behind.
34:21I don't even like his painting.
34:23The more I look at it, the less I understand it.
34:24Just like you.
34:25If you have been lucky enough to have bought your painting,
34:27because no one in their right mind would want to buy that...
34:30I don't even know what to call it, really.
34:37Fuck.
34:40Forgive me, I'm an idiot.
34:50Okay.
34:51I'm going to Madrid.
34:56I'm going to see Mom, the girls, Espe.
35:01And that's how you'll realize how much they like the new Olivia.
35:05And do you know why, Laura?
35:07Because I'm happy.
35:09Very happy.
35:09It's a shame you can't see it.
35:30Hello.
35:33Hello.
35:34And Laura?
35:40I'm going for a walk.
35:46Do you think someone would have bought the painting if you hadn't bought it?
35:50This sister, right?
36:08He worries.
36:11But not normal.
36:12So much will go away and we will be you and me again.
36:21Okay.
36:25Well.
36:27I'm thinking of going with her to Madrid and spending a few days there.
36:31So everyone can see that I'm okay, you know?
36:33Have I asked you?
36:34Well, not directly.
36:39If you need it.
36:43What a pity.
36:45I had planned a trip to Anatolia.
36:48Adrianapolis?
36:49Yeah.
36:51When your sister returns to Spain.
36:55But nothing happens.
36:58On another occasion.
37:04And Madrid?
37:08It will have to be later.
37:12Laura.
37:14No, huh?
37:16I see you coming.
37:17Yes, to me it does.
37:18The one you don't let come is him.
37:21Well, I'm not going to go in.
37:22I mean, it takes weeks to prepare for that trip and you have to leave right now.
37:25Well yes, right now.
37:28And if you can't be happy because I'm going on an incredible trip,
37:30that I'm going to see places I've always wanted to see,
37:32the problem is yours.
37:36Yaman wanted me away from everything.
37:38But I wanted to be close to him.
37:41To take me to those places.
37:42I could point out the places they visited, couldn't I?
37:47No.
37:49They were very intense days.
37:52And we were in many towns.
37:54I don't know, I usually write everything down when I travel, but...
37:58This time...
38:01I got carried away.
38:02It's funny, but the way I remember it now
38:25It has more to do with a photo album than a trip.
38:29Yaman, always Yaman,
38:40willing to teach me the secrets of that Türkiye so exotic to me
38:43and make me forget my sister's distrust.
38:51Get ready, comrade?
38:53Yeah.
39:08Have you seen this?
39:10This could be authentic.
39:12I'm not 100% sure, but...
39:14Hey, hey, hey, hey, what are you doing?
39:18What are you doing?
39:19I'm going to take a picture of you.
39:21Interpol has an index of lost works.
39:23No, no, no, no.
39:24I will put that business in danger for Ibrahim.
39:26Nothing is seen of its origin.
39:29Well, as a reason still.
39:31What we have to do is buy it and get it out of here.
39:33This should be in a museum.
39:36It could have belonged to an Atracian soldier
39:37and coming from an illegal excavation, perfectly.
39:40We don't know, but...
39:43Or not.
39:45Leave her and look for necklaces to sell without ending up in jail.
39:56Thank you very much, mother.
39:57Well, and then you say that you love your heritage,
40:11that you love your culture.
40:12It's heavier than all these boxes put together.
40:16Why are you going to let a tourist buy that dagger?
40:19for half a lifetime to use it as a paperweight.
40:22Is...
40:23My love, I know how things work here.
40:25That dagger is trouble and more trouble.
40:28Okay.
40:34Ya sen, şimdi, güreşe kalmıyor musun?
40:40Kalmayayım ya.
40:41Biz akşam bastırmadan, karanlık bastırmadan
40:43kendimizi evde neyatsak gelir.
40:45Ya hadi gel gel ya.
40:47Bak, bugün ortam güzel ha.
40:49Hı hı, kim var sen?
40:53E hadi.
40:55E hadi gel.
41:00That one, nobody.
41:01That one, nobody.
41:02That one, nobody.
41:03Yine.
41:04That one, nobody.
41:05In the period of hand there were many schools.
41:19They learned techniques and cultivated the spirit.
41:24The fight is body and water.
41:28A body well filled with oil.
41:35The first one they throw another one, right?
41:40He also gets up.
42:02What's wrong? What are you afraid of?
42:05No, no, no.
42:06Are they scary?
42:07No, no, no.
42:08Tell them, tell them, they're scary.
42:09Come on.
42:10What's happening?
42:11What's happening?
42:12What's happening?
42:13What's happening?
42:18What's happening?
42:19What if?
42:20E bakalım bakalım ha.
42:50What happened?
43:14Are you throwing me off?
43:15Oh, yeah, right. Now it's my fault.
43:18Emel was right.
43:19Better to be away from Tijuana than important things.
43:23That?
43:24It's just hate, no joke.
43:30Take it.
43:35Take it.
43:37But it's a churro.
43:44I'm not going to go wrong to finish this date.
43:47Well, it was a possibility and I didn't think so, to be honest.
43:51But hey, a bubble bath isn't love either.
43:54Men on the side and women.
44:05Don't know.
44:07A pity.
44:09Can you find a husband?
44:11Oh yeah?
44:11There are mothers who come to the jamán to look for a wife worthy of their sons.
44:17And you're worried?
44:19I?
44:20Yeah.
44:21No.
44:22You're not his type.
44:24Oh.
44:25Well, those children are lost.
44:27Because you and I know she would make a good wife.
44:30TRUE?
44:32Yeah.
44:32Yeah.
44:32No, no, no.
45:02Where were you?
45:08Here.
45:32Where were you?
45:38Where were you?
45:42Where were you?
45:44Where were you?
45:48Where were you?
45:50Where were you?
45:52Where were you?
45:54Where were you?
45:56Where were you?
45:58Where were you?
46:00Where were you?
46:06What is our next destination?
46:36I don't know. The next day?
46:44Where did I go, Lemón and Bautis? I love that fable, it's so pretty. Do you remember it?
46:52Yeah.
46:55But you remember the wish they granted us. They asked to die at the same time, at the same time.
47:06And so they ended.
47:14I want to live. Not leave my future in the hands of a capricious God, no.
47:20I want to be my own God.
47:25Your own God?
47:29Order yours if you want.
47:30Well...
47:31No, no, no.
48:01Patron çok hızlı.
48:03Konuştuklarımızdan farklı parçalar getirmişsin.
48:07Hadi ya.
48:10Ne istediyseniz orada başka hiçbir şey yok.
48:14Uzatma.
48:15Oyun oynamıyorum burada.
48:18Gün batımında Bulgaristan'da olmam gerekiyor.
48:21Ama paramı almadan geri dönemem.
48:25Patronuna söyle.
48:28Benden tek kuruş bir adım.
48:31Benden tek kuruş bir adım.
48:38Benden tek kuruş bir adım.
48:39Benden tek kuruş bir adım.
48:41Benden tek kuruş bir adım.
48:50Benden tek kuruş bir adım.
48:52Benden tek kuruş bir adım.
48:54Benden tek kuruş bir adım.
48:56Benden tek kuruş bir adım.
48:58Benden tek kuruş bir adım.
49:00Benden tek kuruş bir adım.
49:02Do you want me to go now?
49:03I have a lot of work these days.
49:05Or what about time for you?
49:06It's just that I've never felt anything like this and I feel that while I suffer, he avoids me.
49:12I want you to talk to the police and tell them that my sister is innocent,
49:15that you cheated on her and took advantage of her.
49:18What's up? Why are you stopping?
49:21They changed the route to avoid police control.
49:24Yaman takes a detour and the checkpoint is left behind.
49:27Can you explain to me what that was doing in your store?
49:29It is the dagger we lived in Ibrahim's tent.
49:31Olivia!
49:32You keep lying to me!
49:33It's true!
49:34That if my sister has committed a crime it is because Yaman deceived her.
49:37And why don't you question him?
49:39Olivia, the perfect European in love with a Turk.
49:43If I don't trust you, it's because I don't know anything about you.
49:47I don't know anything about your life.
49:49Why don't you tell him the truth, Olivia?
49:50It's up to her to decide whether she stays by your side or not.
49:53I just don't want to leave all this behind.
49:55You don't understand.
49:57I would repeat each of the steps I have taken.
50:00I suppose he told you that he has a very special dinner tonight.
50:03No.
50:04I thought if Olivia came with you maybe it could help smooth things over a bit.
50:08Simona loves girls.
50:10I want to enjoy you.
50:12No, no, no, no, don't touch me, don't touch me.
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