Qué sucede cuando el pasado regresa para reclamar los sentimientos que nunca se dijeron? En Esteros, dos amigos de la infancia se reencuentran años después para enfrentar una conexión que el tiempo no pudo borrar. Entre paisajes rurales y recuerdos compartidos, exploran sentimientos reprimidos y una atracción latente que desafía sus vidas actuales. Una historia sensible y profunda sobre el despertar, la identidad y la valentía de ser uno mismo. Disfruta de esta película completa con calidad premium y déjate llevar por una narrativa que toca las fibras más íntimas del corazón.
#Esteros #PeliculaCompleta #CineLGTB #DramaRomantico #AmigosDeInfancia #PeliculasEnEspañol #CineIndependiente #EsterosPelicula #HistoriasDeAmor #CinePremium #Estrenos2026 #SentimientosReprimidos #CineArgentino #PeliculaCompletaHD #AmorYVerdad
#Esteros #PeliculaCompleta #CineLGTB #DramaRomantico #AmigosDeInfancia #PeliculasEnEspañol #CineIndependiente #EsterosPelicula #HistoriasDeAmor #CinePremium #Estrenos2026 #SentimientosReprimidos #CineArgentino #PeliculaCompletaHD #AmorYVerdad
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00:10:24Music
00:10:54Music
00:10:54Come on, come here, you idiot
00:10:58Music
00:10:59Music
00:11:02Music
00:11:03Music
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00:11:11Music
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00:11:27Music
00:11:29Music
00:11:36Music
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00:11:53Music
00:11:55Music
00:12:01Music
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00:12:43Music
00:12:45Music
00:12:46Music
00:12:47Music
00:12:51Music
00:12:59Come on, come on, I'm going to remove it with the bridge.
00:13:33Look, Geno.
00:13:46This is a mess.
00:13:53This is my favorite.
00:13:55No, you have to see this one.
00:13:57No.
00:13:58Dude, the return is the best zombie movie in the universe.
00:14:02No.
00:14:13Cereno!
00:14:15Cereno!
00:14:27Cereno!
00:14:31Cereno!
00:14:35Cereno!
00:14:36Cereno!
00:14:37Cereno!
00:14:38I'm leaving.
00:14:39Four.
00:14:39Nobody's going to pull this on me.
00:14:42He didn't leave.
00:14:43No.
00:14:44Come on.
00:14:46There are no chacanés here, are there?
00:14:48Chacanes and vipers.
00:14:49It's a shed.
00:14:50What's up?
00:14:52There is!
00:14:52But with the mess we're making, even the fish are going to leave.
00:15:00I'm about to pee.
00:15:13Shh!
00:15:14For.
00:15:15Stop, I'm done.
00:15:16Come on.
00:15:18Come.
00:15:24And didn't you see them?
00:15:26Yes, did you see?
00:15:27Look at it.
00:15:30You shameless bastard!
00:15:42For.
00:15:46No.
00:16:13I don't care, I still love you.
00:16:36Well, but further in, yes.
00:16:48I don't care, I still love you.
00:17:13I don't care, I still love you.
00:17:41I don't care, I still love you.
00:18:09I don't care, I still love you.
00:18:33There you go, guys.
00:18:40Has the cold weather passed yet?
00:18:43Yeah.
00:18:43Mother.
00:18:45Okay, I'll get dressed quickly.
00:18:46Give the food.
00:18:50Good.
00:19:06Do you want color?
00:19:07Yeah.
00:19:09Hello.
00:19:10How are you?
00:19:11Yeah.
00:19:21Good.
00:19:36Good.
00:19:38Good.
00:19:38How was this party?
00:19:39Incredible.
00:19:39And I prove myself happy.
00:19:41Hey, you found my jacket.
00:19:44If you want, I'll bring it to you.
00:19:46No, no, let it happen these days.
00:19:49Okay, let's continue.
00:19:50Come on, go for it.
00:19:51Enjoy the carnival, eh.
00:19:53Bye.
00:19:53Bye.
00:19:54Bye.
00:19:55Bye.
00:19:55How are you doing over there?
00:19:56No.
00:19:57No no.
00:19:57I'm tired.
00:19:58What if we go to the bar?
00:20:00No, the bar is going to be packed, my love.
00:20:02Please, I need to be a little...
00:20:03Oh, Martin.
00:20:04Don't be like that.
00:20:05Sometimes it's difficult with you and your phobias.
00:20:07Hey?
00:20:07What phobias?
00:20:09No, love.
00:20:10I'm fed up with people.
00:20:11I can't stand carnival anymore.
00:20:12A gente volta.
00:20:13A gente volta.
00:20:14But next time I'll be given a map.
00:20:15Because that way I can choose better where you want to go. Is that right?
00:20:38What phobias do you have?
00:20:46What are we going to do?
00:20:48Leaves.
00:20:49Thank you?
00:20:53Okay?
00:20:56Dub ideas.
00:20:56Okay?
00:20:57Okay?
00:20:59Okay?
00:21:00Okay?
00:21:01Okay?
00:21:01Okay?
00:21:02Okay?
00:21:03Okay?
00:21:04Okay?
00:21:06Levo.
00:21:06Okay?
00:21:06Okay?
00:21:07Okay?
00:21:25What are you doing? I brought you the jacket.
00:21:27Hello.
00:21:28You caught me putting the jezo in the kitchen.
00:21:30Come.
00:21:37Did you see it at the worst possible time, huh?
00:21:38Yes, yes. The heat is unbearable.
00:21:42Hey, thanks.
00:21:44Wait, give me a minute to clean my hands a bit.
00:21:46Dale.
00:21:50AND?
00:21:52How does Libres treat you?
00:21:54Good, good. A lot of people, huh?
00:21:58Can?
00:21:59Yeah.
00:22:02They're all mine, that's it.
00:22:06This one is really good.
00:22:09My favorite.
00:22:11Yeah?
00:22:12Do you have time for some tegres?
00:22:15Dale.
00:22:16Yeah.
00:22:18Rochi is with some friends.
00:22:19She gave me your address.
00:22:33Hello.
00:22:34Hello.
00:22:37Good.
00:22:46I think they know each other.
00:22:47Matías, Gustavo, my cousin.
00:22:49Yes, yes.
00:22:50Ah, yes, yes, yes.
00:22:51At a birthday party, right?
00:22:52Shall we count, boys?
00:22:52Could be.
00:22:54Yeah.
00:22:54You're great, you're helping me with the arrangements.
00:22:57We are?
00:22:58We are.
00:22:59See you.
00:23:11Hello, Sim.
00:23:20No.
00:23:21No.
00:23:26Second fair, I'm back.
00:23:32Yeah.
00:23:34I already sent the information.
00:23:37Clear.
00:23:39In the first hour.
00:23:41Bye.
00:23:54You thought he was my boyfriend, didn't you?
00:23:56No.
00:23:58Hey, dude! You almost sneezed.
00:23:59It's not even close.
00:24:06He's not my type.
00:24:12And I don't have a boyfriend.
00:24:14No.
00:24:19Your whole face is covered in smears. Where have you been?
00:24:25Like when we were kids.
00:24:45There it is.
00:24:52No, look at this photo.
00:24:57Of course, your mom wasn't taking pictures all the time.
00:25:01Yes, he even got that one's mustache covered in dirt.
00:25:04No.
00:25:06No, this isn't dirt.
00:25:07It's food.
00:25:08Look.
00:25:13You see, we were eating all the time.
00:25:17You're right.
00:25:19Roquefort.
00:25:20Sure, exactly.
00:25:22How deformed, we really liked Roquefort.
00:25:26You liked it.
00:25:29Yeah.
00:25:30And you too, right?
00:25:34Did you just stay in Brazil?
00:25:36Yes, yes. I did a good job.
00:25:39Are you sure you studied biology?
00:25:41Yeah.
00:25:41Does it have anything to do with bugs?
00:25:43No, biology yes, bugs no.
00:25:53I love Roquefort.
00:25:55Don't you like bugs anymore?
00:25:57I had forgotten about the Roquefort and the bugs a little too.
00:26:02I work in research now.
00:26:05No, I don't believe Roque, eh?
00:26:08You loved it.
00:26:13I put it in the cart.
00:26:15Hey?
00:26:18Marilu was always absentminded, so she would go, grab it, and there was always enough for a snack.
00:26:25Look, I didn't know.
00:26:29That's how fanatical he is.
00:26:36Investigation?
00:26:37Yeah.
00:26:38In a company.
00:26:39New soybean seeds.
00:26:42Soy?
00:26:43Transgenic.
00:26:44They're just better seeds, that's all.
00:26:48I prefer fieldwork, but oh well, it's an important project.
00:26:53The money must be very good.
00:26:55Yeah.
00:26:57Yes, the money is fine.
00:27:03And you?
00:27:07I studied film for a while in Corrientes.
00:27:10And that's where I started with animation and effects.
00:27:13Look.
00:27:16If there's no other option, I'm going to work in Buenos Aires.
00:27:18And does that work?
00:27:22I'm not getting rich, but it'll do.
00:27:27Sometimes I get a little scared that I'm wasting time.
00:27:31And sometimes not.
00:27:34Oh, sorry.
00:27:38Hi beautiful.
00:27:39Yeah.
00:27:42Okay, go ahead.
00:27:43Yeah.
00:27:46Hey...
00:27:46Yes, if you want we can have dinner later.
00:27:49Go ahead, go ahead.
00:27:50Well.
00:27:51Bye.
00:27:53I have to go deliver some work downtown, if you want I can give you a ride.
00:27:56Go ahead, go ahead, yes.
00:27:58AND...
00:27:58I have a while.
00:28:00If you're available, I'll go with you.
00:28:03Well.
00:28:06No.
00:28:14The old flat-chested woman.
00:28:16It still works.
00:28:17What a passion for wrecked cars.
00:28:19Ah, he's really taking you places.
00:28:41And will the estuaries hold up?
00:28:43Ugh, the old man is lost.
00:28:44Between rice farming and outbound tourism?
00:28:48No.
00:28:50Did he sell the farm?
00:28:51No.
00:28:52The old man is not going to give in.
00:28:56And what about the preservation movement that's going on, do you know anything about it?
00:28:59No.
00:28:59No, I have no idea.
00:29:01And why don't you come and work the wetlands instead of messing around with soybeans?
00:29:04Yeah.
00:29:05I studied for that, but oh well.
00:29:07I started working at Rochi's old man's company and the project is good.
00:29:11That's it.
00:29:20Ready?
00:29:22How's it going?
00:29:23How's it going?
00:29:24Good.
00:29:24Hello.
00:29:25How are you?
00:29:26Good.
00:29:26Dolls?
00:29:27Dolls.
00:29:28Ah.
00:29:30Oh.
00:29:40It's a moral, huh?
00:29:44No.
00:29:45No, no, no.
00:29:46A friend, Matías.
00:29:56So the country house is still there?
00:29:58Yeah.
00:29:59A little more destroyed, but it's still there.
00:30:01And the garden?
00:30:03Flawless.
00:30:03I don't understand how Marilu does it.
00:30:06Into the eyes.
00:30:11Did you know that my mom asked me to take some things to her farm these days?
00:30:15How long are you staying?
00:30:16Yeah.
00:30:16And until Monday.
00:30:17I have to be at the company on Monday.
00:30:23I was just about to call you and I saw you.
00:30:25What are the boys up to?
00:30:27I was telling Matías that I have to go to the wetlands to take some things to my mom.
00:30:31That's right, if they're tempted, my mom would love to see it.
00:30:33Yes, it's just that I don't know much about farming, and tomorrow I'm staying with Mariela, whom I'm helping with
00:30:37the furniture.
00:30:38Oh, I'd forgotten about that.
00:30:39Yeah.
00:30:40But why don't you go and I quit with the girls?
00:30:44Dale.
00:30:45A picnic.
00:30:46My old man goes crazy if they see you.
00:30:47Are you sure?
00:30:48Yes of course.
00:30:50You always talk about the estuaries, but it's been ages since you've been there, hasn't it?
00:30:53Yeah.
00:30:53Okay, go ahead.
00:30:54Should I pick you up?
00:30:55Dale.
00:30:56But on one condition: I'll ask Mariela for the car and we'll go in that car because I don't trust her.
00:31:01That old clunker you have is going to leave us stranded in the middle of the road.
00:31:04You've come back looking so posh, huh?
00:31:05I'm going to the bathroom.
00:31:06Dale.
00:31:10Were you two very good friends?
00:31:13Other old people.
00:31:15We spent a lot of time together.
00:31:16Especially in the summers.
00:31:17Yes, yes.
00:31:18Matías always talks about the estuaries.
00:31:20The house, the breakwater, the bugs.
00:31:23She even knows the names of the plants her mother had.
00:31:27No, but my mom was the gardening fanatic.
00:31:31I don't understand.
00:31:32That house belongs to your family.
00:31:35Yes of course.
00:31:37We spent every summer there and Matías came with us.
00:31:40But Matías never told me about you.
00:31:44Knowing him, it doesn't surprise me, does it?
00:31:58The first time I hooked up with someone...
00:32:02I don't...
00:32:04He was my love, wasn't he?
00:32:05Everyone expected people to be together, but...
00:32:08But with him, never, I don't know, did you want him?
00:32:14Yes, yes, he was cute, he was funny, he was super compatible with me.
00:32:22Sometimes, that's not enough, is it?
00:32:26Finally, in my case, it wasn't with him. And that's what I suspected, you see?
00:32:36Sometimes, I feel like our story is a bit like that, isn't it? How so?
00:32:43Ah, I know it.
00:32:46How am I with that face?
00:32:50When I was with him, all the time, I needed him to love me, you know?
00:33:05Let's stay here tomorrow, shall we? We'll just relax and lie in bed all day.
00:33:12Don't tell me I stayed with Marielle, now I can't dump her.
00:33:19Nadale, don't be lazy.
00:33:37You want to come back, don't you?
00:33:39They understand me, to see the farm.
00:33:43Are you thirsty?
00:34:06You can't say that companies are the devil either, kid.
00:34:08No.
00:34:10They do what we know they do.
00:34:13Look, I'm inside now and honestly, I see everything much better.
00:34:18Ah, sure.
00:34:20Come on, tell me that the estuaries are much better off with the rice paddies.
00:34:25Not in the estuaries, but free yes.
00:34:28Free?
00:34:29Yeah.
00:34:30The same people always win with rice mills.
00:34:41Hardly anyone paints hearts on the walls.
00:34:47No one promises anything beyond time anymore.
00:34:51Don't you want them to miss out on that?
00:34:57Okay, we're getting a little serious.
00:34:59Before, something beautiful.
00:35:11No.
00:35:21He must never die.
00:35:26I want.
00:35:28On the walls.
00:35:37Loves like ours are becoming increasingly rare.
00:35:41Hardly anyone paints hearts on the walls.
00:35:46No one makes promises beyond their own time anymore.
00:35:50Remember what it was like growing up here
00:35:53Yes, but things change.
00:35:58That's why you accepted the transfer to Brazil and all that money they give you, right?
00:36:03Years go by and you still don't understand anything
00:36:07I'm still considering the move, I don't know if
00:36:10Are you going to tell me you like working on privatizations?
00:36:13No
00:36:15What I like is money.
00:36:17And work is money, work, work
00:36:26Well
00:36:28Since the girls are looking for dessert for us
00:36:29I think I'll go get some whiskey, don't you think?
00:36:36Your old man must be a troglodyte, huh?
00:36:48Look how she dances
00:36:56No, in this house nobody is going to skip dessert
00:36:58I brought my grandmother's brigadeiro.
00:37:18Okay, cheers.
00:37:19For the last of the gauchos to free
00:37:22For the last of the gauchos to free
00:37:34Hey
00:37:37Come on, you're freezing.
00:38:07Alright
00:38:09Yeah
00:38:39You're getting cold.
00:39:00Thank you!
00:39:39Thank you!
00:39:41Thank you!
00:39:46Thank you!
00:39:56Thank you!
00:40:11Thank you!
00:40:22Thank you!
00:40:23Thank you!
00:40:24Thank you!
00:40:27Thank you!
00:40:27Thank you!
00:40:29Thank you!
00:40:29Thank you!
00:40:30Thank you!
00:40:31Thank you!
00:40:31Thank you!
00:40:33I can't believe they're going to drive me a borrowed car.
00:40:36Thank you! I need to observe. It's professional research.
00:40:53Thank you!
00:40:56Thank you!
00:40:56Thank you!
00:41:07Thank you!
00:41:09Thank you!
00:41:09Thank you!
00:41:24Thank you!
00:41:53Thank you!
00:41:59Thank you!
00:42:03Thank you!
00:42:04Thank you!
00:42:33Thank you!
00:42:38Thank you!
00:42:41Thank you!
00:42:46Thank you!
00:42:58Thank you!
00:43:01Thank you!
00:43:02Thank you!
00:43:08Thank you!
00:43:18Thank you!
00:43:26Thank you!
00:43:27Thank you!
00:43:54Thank you!
00:43:57Thank you!
00:43:59Thank you!
00:44:01Thank you!
00:44:02Thank you!
00:44:15Thank you!
00:44:21Thank you!
00:44:30Thank you!
00:44:31Thank you!
00:44:44Thank you!
00:44:50Thank you!
00:44:56Thank you!
00:45:12Thank you!
00:45:20Thank you!
00:45:42Thank you!
00:45:47Thank you!
00:45:49A carabuz?
00:45:53Yeah!
00:45:55Look at the little paw!
00:46:12Those are herons, aren't they?
00:46:16Güelleras
00:46:21Pass it on
00:46:33The sausages are blooming in the water
00:46:40Together with the Marilú
00:46:42That it can't make it bloom there in the open
00:46:56Aguará, pope
00:46:58Capybara
00:46:59Aguará, aguasú
00:47:04Curuyá, carillú
00:47:07Biancaminaz
00:47:14Urunday, turned
00:47:16Timbó
00:47:22Carillú
00:47:26Very good
00:47:28Full reaction
00:47:33You forgot piranhas
00:47:35Yeah
00:47:38Tararidas are sure to happen
00:47:40Yes, sure.
00:47:50And jacarés, are they around here?
00:47:57I'm sure I'm in there.
00:47:59And I'm sure it'll be here too.
00:48:12Because?
00:48:17No, no, no
00:48:19No no
00:48:30No
00:48:49My favorite place
00:48:57How strange to be with someone here
00:49:00That you didn't bring anyone during this time
00:49:07This is Sleeping Beauty's castle
00:49:10Where no one has ever gone in to kiss him on the forehead
00:49:16You're a device
00:49:21You know what, Matú, it seems to me
00:49:23Much easier to share the monsters than this
00:49:29I don't know, it never happened.
00:49:30And this refuge is not revealed to just anyone.
00:49:37I don't know, I don't know, never again
00:49:37But I don't know, you don't like them.
00:49:44And this refuge is not revealed to him
00:49:50That's what you are
00:50:04Ought
00:50:04Ought
00:50:32Thank you!
00:50:43Thank you!
00:51:17Thank you!
00:51:34Thank you!
00:51:36Thank you!
00:51:37Thank you!
00:52:00That's great! They look amazing!
00:52:05There was hunger.
00:52:17I hadn't noticed.
00:52:20I do.
00:52:21My stomach was making noises.
00:52:24No.
00:52:26I hadn't realized how much I missed this.
00:52:34No.
00:52:40It's the estuaries that pull you in.
00:52:50Yeah.
00:52:50And that's not all.
00:53:05Sometimes I start thinking about what would have happened if...
00:53:11Juan.
00:53:11Yeah.
00:53:14I can imagine you.
00:53:17A true expert.
00:53:21Well, maybe we would have ended up like...
00:53:22Tom Sawyer and Hackley Barry Finn.
00:53:24Who are you sometimes the biggest jerk?
00:53:28What? Don't you have any questions?
00:53:32Yes, of course I wonder.
00:53:36I wonder what it would be like to wake up with someone you really want there.
00:53:39Phew!
00:53:42Well.
00:53:43Alright.
00:53:45You're not going to tell me again that...
00:53:48You dream of growing old with someone.
00:53:50Yes, obviously. Tom Sawyer.
00:53:52And buy him the Roquefort.
00:54:04Sometimes I feel like you're muted.
00:54:07In hushed tones?
00:54:08Yes, in a muted tone.
00:54:09Did you see those televisions that...
00:54:11that are in the hotels?
00:54:12They turn up the volume to a certain point.
00:54:14Yeah.
00:54:16Sometimes it doesn't happen to you.
00:54:18Like now.
00:54:21Could be.
00:54:27Maybe I...
00:54:29I'm playing it with the volume low.
00:54:32But what are you?
00:54:35The bonsai boy?
00:54:37Well, quite the superhero.
00:54:43You're not up for a good job.
00:54:46You don't make movies.
00:54:50And you know what? I'm sure your stories are pretty bonsai-like.
00:54:54One, two catches.
00:54:55One goodbye and that's it.
00:54:56It's not all the same, pal.
00:55:01And let's be honest, you and Rochi don't set a good example of anything.
00:55:03What do you know? What do you know?
00:55:05What do you know, Rochi?
00:55:18What do you know, Rochi?
00:55:21I don't know, it doesn't happen to me.
00:55:28Everything happens, and when...
00:55:31Something else has to happen, it doesn't happen to me.
00:55:39Welcome to the club.
00:55:45Oh, sorry.
00:55:52The return of wild Roquefort.
00:55:56No, no, you piece of shit, I'm going to kill you.
00:56:00No, no, it doesn't happen to me, it's over.
00:56:01No, it doesn't happen to me.
00:56:10No, no, no, no.
00:56:18No, no, no, no.
00:56:20No, no, no, no.
00:56:21No, no, there's nothing.
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01:03:12Thank you.
01:03:38Is the ice okay?
01:03:42Dale.
01:04:08The sky falls in stars without hearing wishes.
01:04:13To let go of one rose and strive with two.
01:04:19Feelings are no longer relevant here.
01:04:23As unicorns disappear.
01:04:34Love is a beautiful thing.
01:04:39Pure expression and beauty.
01:04:44A love with love.
01:04:46Do you smoke?
01:04:49Socially, no more.
01:04:51Clear.
01:04:52How are you at the bowling alley?
01:04:54You're doing well, protagonist of people.
01:04:57Obvious.
01:04:59What's your zodiac sign?
01:05:03Aquarium.
01:05:03You?
01:05:04What do you do for a living?
01:05:06Gay.
01:05:09You?
01:05:11Biologist in the estuaries.
01:05:13Do you know where?
01:05:13It is already promised beyond time.
01:05:19The songs speak of wet sheets.
01:05:24Like Romeo and Juliet.
01:05:27This isn't going to stop, is it?
01:05:33Did you continue teaching?
01:05:34It's not a beautiful thing.
01:05:38It's just a matter of heart.
01:05:44One love is everything.
01:06:14Thanks for watching the video.
01:06:44Thanks for watching the video.
01:06:51Thanks for watching the video.
01:07:37Thanks for watching the video.
01:07:55Thank you.
01:08:31Thank you.
01:11:03There are two old men outside.
01:11:04How are you?
01:11:16How are you?
01:11:33How are you?
01:11:51How are you?
01:11:56How are you?
01:11:58How was the return to Esteros?
01:11:59Good, good, very good.
01:12:01Well, here it seems like time has hardly passed.
01:12:04Yeah.
01:12:05Not here, but if you look at the rest, it's changed quite a bit.
01:12:08Clear.
01:12:09It was a surprise when Jero told us you were here on your own.
01:12:14Why don't you sit down?
01:12:16Sometimes there's a horse standing there eating.
01:12:26And things got complicated for us, well, and then the rain.
01:12:34Look at them.
01:12:34Look at them.
01:12:36It looks like they're going fishing.
01:12:38Yes, I look at them, and I feel older and older.
01:12:42You're getting grumpier and grumpier.
01:12:43Well.
01:12:47Well, if we want to arrive by noon, we should leave now.
01:12:50Already?
01:12:51It's a shame.
01:12:52I thought they were going to stay all day.
01:12:53No, Matías has to leave.
01:12:58Well.
01:13:00Eat it, take it with you.
01:13:01No, it's fine.
01:13:03Well.
01:13:07But are you coming back?
01:13:08Yes, I promise it will take less time this time.
01:13:11Bye.
01:13:12Doesn't her face change?
01:13:15Look at them.
01:13:18We did something right, didn't we?
01:13:19Yeah.
01:13:19They're cute.
01:13:20That's enough, Mom.
01:13:22Go ahead, let them go, they're in a hurry.
01:13:23Come on.
01:13:47Take it with you, that way you'll have a souvenir from here.
01:13:51I like that you have it.
01:13:52Yes, but...
01:13:53No.
01:13:54No.
01:13:58No.
01:14:12No.
01:14:13No.
01:14:13No.
01:14:42Thanks for watching the video
01:14:44Thanks for watching the video
01:15:15And I'm not interested in carrying that burden.
01:15:43Thanks for watching the video
01:16:13Thanks for watching the video
01:16:16Thanks for watching the video
01:16:22And it's not my turn.
01:17:10It's not my turn.
01:17:19It's not my turn.
01:17:31It's not my turn.
01:17:39It's not my turn.
01:17:41It's not my turn.
01:18:38It's not my turn.
01:18:50It's not my turn.
01:19:11It's not my turn.
01:19:42It's not my turn.
01:20:13It's just a matter of
01:20:21It's not my turn.
01:20:37It's not my turn.
01:21:00It's not my turn.
01:21:01It's not my turn.
01:21:02It's not my turn.
01:21:02It's not my turn.
01:21:05It's not my turn.
01:21:35It's not my turn.
01:21:36It's not my turn.
01:22:06It's not my turn.
01:22:06It's not my turn.
01:22:34It's not my turn.
01:22:36It's not my turn.
01:23:05It's not my turn.
01:23:05It's not my turn.
01:23:32It's not my turn.
01:23:32It's not my turn.
01:23:34It's not my turn.
01:23:36It's not my turn.
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