Supernatural by Reel Videos - Dailymotion

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00:18:45even for you, Doc.

00:18:47Come on, Cobra.

00:19:07What is it, darling?

00:19:10I'm...

00:19:11I'm going to beg...

00:19:15Mrs. Reed?

00:19:18It's nice to hear that.

00:19:20Be nice.

00:19:22I want to be Mrs. Reed.

00:19:24Well, you are.

00:19:25But I want to be Mrs. Reed, really.

00:19:29I want to be everything that name means to me.

00:19:33And I can't.

00:19:35I can't.

00:19:36Oliver.

00:19:38Be kind.

00:19:39Be patient.

00:19:41Let me have time.

00:19:43Time to get over that feeling.

00:19:44There's something evil in me.

00:19:47Darling.

00:19:49You have all the time there is in the world if you want it.

00:19:53And all the patience and kindness there's in me.

00:19:56Only little time, Oliver.

00:19:59I don't want more than that.

00:20:14Good night, Herrera.

00:20:16Good night, Herrera.

00:20:21Good night, Herrera.

00:20:37Good night, Herrera.

00:20:39Good night, Herrera.

00:20:49Good night, Herrera.

00:21:06Well, I ain't seen you here in some time, ma'am.

00:21:08Been married.

00:21:09Been married for almost a month.

00:21:12That's what I tell this, Greta.

00:21:13Nobody comes to see him when they're happy.

00:21:16No, sir.

00:21:17Monkey house in the air where he gets all the happy customers.

00:21:19Well, he's beautiful.

00:21:22No, he ain't beautiful.

00:21:24He's an evil critter, ma'am.

00:21:27You'll read your Bible, Revelation, where the book's talking about the worst beast of

00:21:32them all.

00:21:33It says, and the beast which I saw was like unto a leopard.

00:21:39Like unto a leopard?

00:21:41Yes, ma'am.

00:21:43Like a leopard, but not a leopard.

00:21:46I guess that fits this fellow.

00:21:48Yes, it fits him.

00:21:51Nothing else to do, nothing else to do.

00:21:55I straight went according.

00:21:57I tried men.

00:21:58Best wishes for your marriage, ma'am.

00:22:01Nothing else to do, nothing else to do.

00:22:05No, but not a leopard.

00:22:10No, I couldn't porcelain.

00:22:20No, no.

00:22:23No, no.

00:22:24No, no.

00:22:25No, no.

00:22:26No, no.

00:22:37I don't know.

00:24:41It's not just because the bird died.

00:24:44It's me.

00:24:46I envy every woman I see on the street.

00:24:50They can't match your little finger.

00:24:52I envy them.

00:24:54They're happy.

00:24:55They make their husbands happy.

00:24:58They lead normal, happy lives.

00:25:02They're free.

00:25:10Do you know what happened to the bird?

00:25:12It died.

00:25:14I died of fright when I tried to take it in my head.

00:25:18All right.

00:25:18The bird was afraid of you.

00:25:19That's nothing.

00:25:20I had a rabbit once that hated me.

00:25:22Yet I grew up to be quite a nice fellow.

00:25:29Oliver, when I went past the panda's cage, I had to open the box.

00:25:36I had to throw the bird to him.

00:25:39Do you understand?

00:25:40I had to.

00:25:42I had to do it.

00:25:48That's what frightens me.

00:26:01Irina, I've been trying to kid you out of it.

00:26:04Maybe that's wrong.

00:26:06I've tried to.

00:26:07No one could have been more gentle.

00:26:09No more patient.

00:26:11I tried to make you realize all these stories that worry are so much nonsense.

00:26:14But now I see it's not the stories.

00:26:17It's the fact that you believe them.

00:26:20We've got to have help, Irina.

00:26:26Not that sort of help.

00:26:28There's something wrong that we have to face in an intelligent way.

00:26:31We don't need a King John with fire and sword.

00:26:34We need someone who can find the reason for your belief and cure it.

00:26:40That's what we need.

00:26:43A psychiatrist.

00:26:45Find one for me, Oliver.

00:26:48The best one.

00:26:50The very best one.

00:26:53You were saying the cats.

00:26:56They torment me.

00:26:59I wake in the night

00:27:01and the dread of their feet

00:27:03who whispers in my brain.

00:27:06I have no peace.

00:27:10For they are in me.

00:27:15In me?

00:27:18In me?

00:27:46Of course, I have no peace.

00:27:48To make me feel better than I am from nothing to what I pride him.

00:27:48Some of my patients, too, find it exhausting.

00:27:51It's only that I'll remember nothing.

00:27:55It's my duty to remember.

00:27:56I have it all here.

00:27:58Most interesting.

00:28:00You told me of your village and the people and their strange beliefs.

00:28:04So ashamed.

00:28:06It must seem so childish.

00:28:08And the catwomen of your village, too.

00:28:10You told me of them.

00:28:12Women who, in jealousy or anger,

00:28:13are out of their own corrupt passions

00:28:15can change into great cats like panthers.

00:28:19And if one of these women were to fall in love

00:28:21and if a lover were to kiss her, take her into his embrace,

00:28:25she would be driven by her own evil to cure him.

00:28:29That's what you believe and fear, isn't it?

00:28:34These things are very simple to psychiatrists.

00:28:39You told me about your childhood.

00:28:41Perhaps we'll find this trouble stems from some early experience.

00:28:45You said you didn't know your father,

00:28:47that he died in some mysterious accident in the forest before your birth.

00:28:51And because of that, the children teased you

00:28:53and called your mother a witch, a catwoman.

00:28:58These childhood tragedies are inclined to corrode the soul,

00:29:03to leave a canker in the mind.

00:29:05But we'll try to repair the damage.

00:29:09You're not to worry.

00:29:11What shall I tell my husband?

00:29:14Naturally, he's anxious to have some words.

00:29:16What does one tell a husband?

00:29:18One tells him nothing.

00:29:34Alice, it's so nice to see you.

00:29:36Hello, darling. How did you make out with Lewis?

00:29:39Lewis?

00:29:40Dr. Judd.

00:29:43Alice knows, darling.

00:29:46Of course, didn't I suggest Dr. Judd?

00:29:48I met him on the Commodore's boat.

00:29:50The way he goes around kissing hands makes me want to spit cotton.

00:29:53But I guess he knows all there is to know about psychiatry.

00:29:58Uh-oh.

00:30:00I told Alice, I knew she'd know some good doctor.

00:30:04I don't see why that was necessary.

00:30:09Sorry.

00:30:10I seem to have put my big foot in it.

00:30:17I'm sorry, Elena.

00:30:19I'm sure neither Oliver nor I had any notion of offending you.

00:30:23I'm dreadfully sorry.

00:30:27Goodbye, Alice.

00:30:38Darling, really, there's no reason to...

00:30:40But, Arlen, how can you discuss such things?

00:30:43Such intimate things about me?

00:30:46How much did you tell her?

00:30:47Oh, you can tell Alice anything.

00:30:48She's such a good egg, she can understand anything.

00:30:50There are some things a woman doesn't want other women to understand.

00:31:12I'm not sure.

00:31:14There, it's very racist.

00:31:17If the dead is the middle is on her.

00:31:17And there's no reason to say it.

00:31:18No one's down to her.

00:31:22I'm scared, temos a debate, but.

00:31:28I've never had a part.

00:31:59Raina.

00:32:04I woke up.

00:32:05You were gone.

00:32:07What's wrong, darling?

00:32:09I couldn't sleep. I went out.

00:32:11Where'd you go?

00:32:12Just walked.

00:32:14I'm sorry about this afternoon.

00:32:16I...

00:32:17I just didn't think.

00:32:20Oliver.

00:32:22We should never quail.

00:32:24Never let me feel jealousy or anger.

00:32:27Whatever is in me is held in, is kept harmless.

00:32:31And I'm happy.

00:32:33I turn handspring, darling.

00:32:35I dance in the streets to make you happy.

00:32:37I turn handspring.

00:32:45Toward the shear line.

00:32:4962 degrees.

00:32:53Hey.

00:32:56I'm sorry.

00:32:58I must have given you the wrong figure. Let me try again.

00:33:00Wait, let's have a cigarette first.

00:33:02That's the third wrong figure you've given me this morning.

00:33:05I'm getting careless in my old age.

00:33:08Something's on your mind.

00:33:10Anything wrong?

00:33:12No.

00:33:17Must be marriage.

00:33:20Well, in a way it is.

00:33:23I'm worried about Irina.

00:33:25But I thought she was going to Dr. Judd.

00:33:27Yeah, that's what I thought.

00:33:28I ran into Dr. Judd this morning.

00:33:31She hasn't been back since the first visit.

00:33:33But you told me she seems so anxious to be cured.

00:33:37Apparently not.

00:33:39I'm sorry, Ollie.

00:33:41Must make you very unhappy.

00:33:44You know, it's a funny thing.

00:33:47I've never been unhappy before.

00:33:50Things have always gone swell for me.

00:33:53I had a grand time as a kid.

00:33:55Lots of fun at school.

00:33:57You're at the office with you and the Commodore and Doc.

00:34:02That's why I don't know what to do about all this.

00:34:06I've just never been unhappy.

00:34:23I can't help it.

00:34:25I just can't help it.

00:34:28I can't bear to see you unhappy.

00:34:31I love you too darn much.

00:34:32And I don't care if you do know it, Ollie.

00:34:34I love you.

00:34:38I'm sorry.

00:34:39Forget it.

00:34:41There's Irena.

00:34:42You're in love with her.

00:34:43I don't know.

00:34:46All this trouble has made me think.

00:34:50I don't know what love really is.

00:34:53I don't know even whether I'm in love with Irena.

00:34:57I know what love is.

00:34:59It's understanding.

00:35:02It's you and me and let the rest of the world go by.

00:35:05It's just the two of us living our lives together happily and proudly.

00:35:10No self-torture and no doubt.

00:35:13It's enduring and it's everlasting.

00:35:16Nothing can change it.

00:35:18Nothing can change us, Ollie.

00:35:21That's what I think love is.

00:35:23Well, that's in the way I feel about Irena.

00:35:28It's a different feeling.

00:35:32I'm drawn to her.

00:35:34There's a warmth from her that pulls at me.

00:35:40I have to watch her when she's in the room.

00:35:43I have to touch her when she's in here.

00:35:48But I don't really know her.

00:35:50In many ways, we're strangers.

00:35:53You and I will never be strangers.

00:35:59You and I will never be strangers.

00:36:31Oh, I'm always forgetting it.

00:36:33Ain't no worry in it.

00:36:34Nobody want to steal one of them critters.

00:36:44You resist temptation admirably.

00:36:47Temptation?

00:36:48The key.

00:36:50Why would I want it?

00:36:52For many reasons.

00:36:53There is in some cases a psychic need to lose evil upon the world.

00:36:58And all of us carry within us a desire for death.

00:37:01You fear the panther, yet you're drawn to him again and again.

00:37:06Couldn't you turn to him as an instrument of death?

00:37:10You didn't come back to see me, Friday.

00:37:13I've had to come to you.

00:37:14Well, how did you know where to find me?

00:37:16You told me many things.

00:37:19Why didn't you come back?

00:37:22I don't feel you can help me.

00:37:24You're very wise.

00:37:25You know a great deal.

00:37:27Yet when you speak of the soul, you mean the mind.

00:37:31And it is not my mind that is troubled.

00:37:33What a clever girl.

00:37:35All the psychologists have tried for years

00:37:37to find that subtle difference between mind and soul.

00:37:40And you found it.

00:37:41It does seem presumptuous of me, doesn't it?

00:37:44Goodbye, doctor.

00:38:03Irina.

00:38:12Irina.

00:38:15I'm worried.

00:38:16What's happening to us?

00:38:17I love you a little.

00:38:19I know, but people can love

00:38:21and people can still drift apart.

00:38:24And that's what I feel is happening to us.

00:38:27We don't talk together openly.

00:38:29You're not frank with me.

00:38:30I've never lied to you.

00:38:34I ran into Dr. Judd today.

00:38:39You haven't been back to see him.

00:38:41He cannot help me.

00:38:42Well, you won't let him help you.

00:38:44You won't let me help you.

00:38:46You won't even help yourself.

00:38:48It's what I said to Alice this afternoon.

00:38:50You're content to go on if we are...

00:38:57Oh, I...

00:38:58I promise you we'd never quarrel.

00:39:01Let's calm down a bit.

00:39:05I'll go back to the office.

00:39:08I've got some work to do.

00:39:36I'll go around the corner to Sally Lunds

00:39:38and get a cup of coffee before I get to work.

00:39:40I'll be back.

00:39:57Hello, Mr. Reed.

00:39:58Minnie.

00:40:00Maybe you'd like some nice chicken gumbo today.

00:40:02No thanks, Minnie.

00:40:04How about some apple pie and a cup of coffee?

00:40:06Yes, sir.

00:40:08My goodness, don't love I do like chicken gumbo.

00:40:30Hello.

00:40:33Hello?

00:40:35Hello?

00:40:37Hello?

00:40:38Hello?

00:40:45John Paul Jones, don't you hate people who do that?

00:40:56Is that John Paul?

00:41:14Here, Ms. Agnew, a couple of new matchbooks for your collection.

00:41:16Oh, thank you, Ms. Moore.

00:41:18Mmm, chartreuse. Ain't that elegant?

00:41:21Too bad you wasn't here just a minute ago.

00:41:23Mr. Reed looked in.

00:41:25Oh, where'd he go?

00:41:26Said he was going around the corner.

00:41:28I'll see if I can catch him. Good night.

00:41:30Good night, Ms. Moore.

00:41:39Could you squeeze a coffee pot for me, Minnie?

00:41:41No.

00:41:42I sure could, only this coffee's been working so long it's got muscles.

00:41:47What are you doing in this part of town at this hour of night?

00:41:53Mmm, stormy weather.

00:42:07Olly, you're going to have to solve your problems your own way.

00:42:10I'm going to drink up and go home.

00:42:15I think you'd better go home, too, and make it up with Irina.

00:42:19Alice, you're very swell.

00:42:20That's what makes me dangerous. I'm the new type of other woman.

00:42:23Good night, Minnie.

00:42:24Good night.

00:42:25Good night, Minnie.

00:42:26Good night.

00:42:37You cold?

00:42:38My cat just walked over my grave.

00:42:48Don't you want me to walk you home?

00:42:50No, thanks. I'm a big girl now, and I'm not afraid.

00:42:52Oh, good night.

00:42:54Good night.

00:42:55Here we go.

00:43:36Here we go.

00:43:59Here we go.

00:44:30Here we go.

00:45:04Here we go.

00:45:07Here we go.

00:45:16Here we go.

00:45:24Here we go.

00:45:38Here we go.

00:45:41Here we go.

00:46:05Here we go.

00:46:06Here we go.

00:46:11Here we go.

00:46:12Here we go.

00:46:14Here we go.

00:46:21Here we go.

00:46:34Here we go.

00:46:35Here we go.

00:46:39Here we go.

00:46:41Here we go.

00:47:06Here we go.

00:47:14Come on.

00:47:40There is in some cases a psychic need to lose evil from the world.

00:47:46There is in some cases a psychic need, a desire for death, to lose evil, a desire for death,

00:47:55a psychic need, a key, a key, a key, a key, a key.

00:48:11There is in some cases a psychic need, a key, a key, a key, a key, a key, a key,

00:48:24a key.

00:48:46I'm afraid this is dull for a rainer.

00:48:48Well, look, darling, there's some beautiful marlins upstairs.

00:48:50Why don't you take a look at them?

00:48:52Well, I like these little boats.

00:48:54I want to be with you.

00:48:56Don't send me away.

00:48:57We're not sending you away.

00:48:58We just don't want you to be bored.

00:49:02We'll meet you in the main lobby in an hour.

00:49:07Oh, Ollie.

00:49:08Look, a drawing of the victory.

00:49:10You know, that's the last man of war with the Latin sailor.

00:49:12You know, I'm not going to be alive.

00:49:29I'm not going to be alive.

00:49:58Can I have the keys for the swimming pool?

00:50:00Of course, dearie.

00:50:01Oh, what a darling kitten.

00:50:03Yeah, it's one of four.

00:50:04Tabby had them about a month ago.

00:50:09Don't forget to turn the lights out when you're through, will you?

00:50:11I won't forget.

00:50:13Hello?

00:50:20Yeah.

00:50:22Just a moment, dearie.

00:50:24Yes?

00:50:24Is Miss Moore in?

00:50:25She just went downstairs to the swimming pool.

00:50:27Would it be all right if I went down to see her?

00:50:29Of course, dearie.

00:50:30Right down those steps there.

00:50:33Oh, gee, I can't tonight.

00:50:41I can't see her.

00:50:45Ow!

00:50:50Ow!

00:50:52Ow!

00:50:53Ow!

00:50:58Ow!

00:51:04Ow!

00:51:06Ow!

00:52:40What is the matter, Alice?

00:52:45What, Bob? It's Miss Ward.

00:52:47Do you wish, dearie? Are you all right?

00:52:48It's nothing.

00:52:49It was dark down here, and Mrs. Reed coming in unexpectedly, frightened me.

00:52:52I'm terribly sorry.

00:52:56So don't go. I'm coming right out.

00:53:04Sorry to disturb you, Alice.

00:53:06I missed you and Oliver, and I thought you might know where he is.

00:53:10We waited for you at the museum.

00:53:12You'll probably find him at home.

00:53:14If you don't mind, then I'll run on.

00:53:32Could I have my robe, please?

00:53:34Sure.

00:53:37Gee whiz, honey, it's torn to ribbons.

00:53:54Thank you for coming at so late an hour, Dr. Judd.

00:53:56I phoned you because I'm troubled.

00:53:58I think you can help me.

00:54:00How much do you believe about the cat people?

00:54:03The cat people?

00:54:04The story Mrs. Reed told me.

00:54:05Yes.

00:54:07I believe, my dear Miss Moore, exactly as I told Mrs. Reed.

00:54:11The story is a product of her own fear, her own overworked imagination.

00:54:16What did you say, Dr. Judd, if I were to tell you that I believe Irena's story?

00:54:21Yes.

00:54:22Twice I've been followed by something that was not human,

00:54:25something that attempted to take my life.

00:54:28I believe that was the cat form of Irena.

00:54:32Why should she wish to harm you?

00:54:35Because I'm in love with her husband.

00:54:37Oh, my dear Miss Moore, the story grows more and more charming.

00:54:42Simpler, too, all the time.

00:54:46You're both victims of fear.

00:54:48Mrs. Reed fears the past, and you fear the present.

00:54:52Mrs. Reed has a very strong imagination.

00:54:55And you have an equally strong conscience.

00:54:57Dr. Judd, the danger that threatened me was very real.

00:55:00You disappoint me, Miss Moore.

00:55:04Here's my robe.

00:55:11To understand this, I should first have to hear Mrs. Reed's version of the story myself.

00:55:17That should be a most interesting interview.

00:55:19I shouldn't advise you to see her alone.

00:55:22Do you think I'm afraid of so charming a lady?

00:55:25Dr. Judd, I know you don't believe me, but you must be careful.

00:55:28Oh, you want me to carry some means of protection.

00:55:31A gun, perhaps, with a silver bullet.

00:55:33Is that what you mean?

00:55:35If you're lucky enough to have one.

00:55:37Hmm.

00:55:38Of course, uh...

00:55:41This isn't silver.

00:55:45Good night, Miss Moore.

00:55:54You say you have lapses of memory for which you cannot account.

00:55:57They're becoming more frequent, and you're afraid.

00:55:59Oh, help me.

00:56:02I can't help you.

00:56:03You're not truthful with me.

00:56:05But I am.

00:56:05I've told you everything.

00:56:06I have not lied to you.

00:56:08Do you sincerely believe that if your husband were to kiss you,

00:56:12you would change into a cat and rend him to bits?

00:56:15I don't know.

00:56:16I'm only afraid.

00:56:20And if I were to kiss you?

00:56:23I only know that I...

00:56:25I should not like to be kissed by you.

00:56:31My dear Mrs. Reed,

00:56:33sometimes in my profession there comes a contest of wills

00:56:35between the doctor and his patient.

00:56:38Patients are clever.

00:56:39Hmm, very clever.

00:56:41And they can fool the doctor.

00:56:43Sometimes.

00:56:47You're very clever.

00:56:49And perhaps you enjoy this little game you're having with me.

00:56:52But I shall discover your secret.

00:56:55Dr. Judge B, believe me.

00:56:56I beg you to believe me.

00:56:58I have no secret.

00:57:00I told you everything.

00:57:01I have not lied to you.

00:57:03I need your help.

00:57:06I can't help you.

00:57:09But I can warn you.

00:57:10Well, these hallucinations approach insanity.

00:57:14This nonsense about Miss Moore at the park and in the swimming pool.

00:57:18It's a deterioration of the mind.

00:57:20The escape into fantasy.

00:57:22And it's dangerous.

00:57:25At this moment, I could go before board and have you put away for observation.

00:57:30You're that close to real insanity.

00:57:39I can't help you.

00:57:40You can only help yourself.

00:57:43You keep going back to the mad legends of your birthplace.

00:57:46Forget them.

00:57:48Surround yourself with cat objects.

00:57:50Pictures.

00:57:51Get rid of them.

00:57:53Lead a normal life.

00:57:56You know, for the first time, you really helped me.

00:57:58Maybe it's because you interest me.

00:58:26Oliver, I went back to look to Judd's office.

00:58:30I'm no longer afraid.

00:58:33Believe me, Irena, I'd been the happiest man in the world if you told me that a little while ago.

00:58:39But things have changed.

00:58:42I had to learn, maybe through this marriage of ours.

00:58:46I didn't want to tell you this.

00:58:49But now you see, I have to.

00:58:52I love Alice.

00:58:54Irena, it's too late.

00:58:56Too late.

00:58:59There seems only one decent thing for me to do.

00:59:03I'll give you a divorce.

00:59:06Believe me, it's better this way.

00:59:08Better?

00:59:09Better for whom?

00:59:12Irena, I...

00:59:13Speak.

00:59:15You can't speak.

00:59:17There's nothing you can say.

00:59:21There's only silence.

00:59:28But I love them.

00:59:30I love loneliness.

00:59:33And maybe I'll be...

00:59:35There's tracks.

00:59:37Oh.

00:59:38There's something.

00:59:40There's something.

00:59:41There's something.

00:59:42Irena, you're talking like an insane...

00:59:43Please go.

00:59:46I want her to go.

00:59:47Please.

00:59:49Go.

00:59:51Go.

01:00:18Bavarian cream?

01:00:23Roford.

01:00:27And you get the apple pie.

01:00:30I have pointed out two alternatives, Mr. Reed.

01:00:33Either have her put away for observation and restraint,

01:00:36or have your marriage annulled.

01:00:38It's tough for Oliver either way, Doctor.

01:00:41As a psychiatrist, I should recommend that you have her put away.

01:00:45As your friend, however, I have much more reasonable advice to offer.

01:00:48I think you should have your marriage annulled.

01:00:50In that way, you are free of responsibility.

01:00:53You two could marry.

01:00:54And if the rain is sent away?

01:00:56The law is quite explicit.

01:00:58One cannot divorce an insane person.

01:01:00If she's not well, I go to take care of her.

01:01:03It's the only right thing, Ollie.

01:01:04As you will.

01:01:05I'll have the commitment papers drawn up

01:01:07and arrange an interview with Mrs. Reed at her apartment tonight.

01:01:10Shall we say six o'clock?

01:01:30Let's not play that.

01:01:33I don't think the rain is coming.

01:01:34He waited an hour and a half.

01:01:38Perhaps it's useless to wait.

01:01:41I don't think she intends coming.

01:01:44She's probably walking in the park.

01:01:51Ollie, let's get back to the office.

01:01:53We've had a terribly broken up day and there's lots of work to be done.

01:01:55It suits me.

01:02:01It suits me, inspector.

01:02:10Erm.

01:02:11Really, please, sir, please.

01:02:19Oh, er.

01:02:19Oh, er, help you put it off me!

01:02:21I left my walking stick in the apartment.

01:02:23Oh.

01:02:23I'll get it for you.

01:02:24Oh, no, it's my fault!

01:02:25Give me the key, I shall only be a moment.

01:02:54Five and a half.

01:02:58And one and three-eighths.

01:03:04And one and three-eighths.

01:03:07There.

01:03:09I'll get it.

01:03:17Hello?

01:03:19Hello?

01:03:22Hello?

01:03:23Hello?

01:03:27They hung up on me.

01:03:30That's funny.

01:03:31What?

01:03:33It happened once before like that.

01:03:35The telephone rang and I answered.

01:03:38There was someone on the other end of the line.

01:03:41I could almost hear them listening.

01:03:43Then there was a little click as they hung up the receiver.

01:03:47That was the night I was followed on the transfers.

01:03:51Ollie!

01:03:52Let's get out of here.

01:03:53I'm afraid.

01:03:55That was a Raina.

01:03:56I know it was a Raina who called.

01:03:58She could call from downstairs.

01:03:59She may be on her way up now.

01:04:01Get your things.

01:04:08The door's open.

01:04:09We can see to get out into the hall.

01:04:15I'll turn off the table lights.

01:04:20Shut up, Al.

01:04:21Just a minute ago it was open.

01:04:31Locked.

01:04:58Raina.

01:05:01Raina.

01:05:06Raina.

01:05:07Leave us, Raina.

01:05:09Leave us, Raina.

01:05:19in the name of God.

01:05:20Leave us in peace.

01:05:38Come on.

01:06:00Let's go down the stairs.

01:06:01Come on.

01:06:11Don't go down.

01:06:11It's gone.

01:06:12Everything's all right.

01:06:13Don't be afraid.

01:06:13I'm not afraid.

01:06:16Look.

01:06:21The Raina's perfume.

01:06:23Strong, sweet.

01:06:35I need a drink.

01:06:59Yes?

01:07:00Dr. Judge?

01:07:01Miss Moore?

01:07:02Yes, we've been trying to get you on the phone, Dr. Judd.

01:07:05I called your hotel.

01:07:07Yes, I know.

01:07:07That's what I want to talk about.

01:07:09Are you alone?

01:07:11You'd better leave then.

01:07:12She may be on her way back now.

01:07:14But she is dangerous, Dr. Judd.

01:07:16I warn you.

01:07:19Hello?

01:07:21Hello, Dr. Judd?

01:07:26Dr. Judd?

01:07:28I think your rainer just came in.

01:07:29He hung up on me.

01:07:30Come on.

01:07:32We'll get a taxi.

01:07:36You're late, aren't you?

01:07:38I kept my appointment.

01:07:41You see, I've never believed your story.

01:07:46I'm not afraid of you.

01:07:49I take you in my arms.

01:07:52So little.

01:07:54So soft.

01:07:56So warm perfume in your hair.

01:07:58Your body.

01:08:02Don't be afraid of me, Raina.

01:08:05You've never looked at me.

01:08:05I keep vem.

01:08:22I have to cry.

01:08:25If I can't...

01:08:33I keep vão to my face.

01:08:34I keep going.

01:08:34No, no, no, no.

01:09:04No, no, no, no.

01:09:36No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.

01:09:44Don't worry, Mr. Reid. Sue Ellen and I phoned the police just as soon as we heard the racket.

01:10:05Sue Ellen, you know better than that.

01:10:08You're not supposed to touch anything until the police get here.

01:10:11The sword cane.

01:10:12Broken. Half of it's gone.

01:10:14We've got to find her. Come on.

01:10:24The sword cane.

01:10:54The sword cane.

01:11:27The sword cane.

01:11:40THE END

01:12:06She never lied to us.

01:12:31She never lied to us.

Cat People: 1942 Supernatural Horror ☆☆☆½ (CC)

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Supernatural

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