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04:26Don Paco, the coffee is here.
04:28It's after eight o'clock and the Salustian is waiting for him at the door
04:37Don Paco, do you give your permission?
04:56Hey, Don Paco didn't sleep at home
04:59What do you mean he didn't sleep?
05:01He didn't spend the night at home, can't you hear?
05:04Go with Don Paco, no, go with Don Paco no
05:07No, you know perfectly well how it is.
05:10Did you hear him come in last night?
05:12Woman, I'm not going to be watching over a 50-year-old man
05:15No, because he hasn't slept in his bed.
05:18What did he tell you yesterday?
05:20Again?
05:21What's the everyday thing?
05:22Well, it's past twelve, and if you want
05:26And if he didn't spend the night at home, we have to assume that the delay isn't normal.
05:31I'd say he slept.
05:33You know where, but you're embarrassed to say it
05:36Well, they don't know anything, not at their daughter's house, not at the pharmacy, not at the school
05:40Nor where the long ones
05:42I've walked the whole town from top to bottom
05:45But he didn't tell you where he was going
05:48Now that I think about it, what a joke
05:49Don Paco told me, and I told you.
05:52First of all, everyone in their place.
05:54From you
05:57Have you told Don Andrés?
05:59The term has been searched for everywhere
06:01The vent and the cliffs of the gorge were also searched.
06:04The lower plains first, I suppose
06:06Naturally, and nobody has seen him
06:08Furthermore, according to the reports gathered, he has not taken any risks.
06:11I know, I know they do their job well.
06:13A wine?
06:14Or is it considered a service?
06:16No, thank you very much, Mr. Andrés.
06:19I don't think you should dwell on it.
06:20Nothing's wrong with him
06:21The region is quiet, you know that.
06:23What are you going to tell me?
06:25It costs us a lot of money
06:27No, I don't think anything bad has happened to him either.
06:29But he knows that the town hall stops when he's absent.
06:34What could have gotten into that man's head?
06:44That?
06:46He has not appeared
06:49Well, girl, don't torment yourself
06:51What's going to happen to him?
06:52Jealous women do a lot of silly things.
06:55And seeing him with Doña Agustina really got to you.
07:01You've fallen in love, my girl, without even realizing it
07:06But it's not your fault either if that lizard Don Andrés stole a kiss from you.
07:09You know what I'm saying?
07:10What if Don Paco thinks you're a lost cause?
07:13He deserves what happens to him.
07:15Mother
07:16Oh, what a great shame.
07:18And I can't get it out of my head that they're going to knock on that door.
07:21And they're going to say they found Don Paco hanging from a tree
07:25Man's pain
07:26Get out of here, you witch
07:27And you say things you don't mean.
07:29I'm leaving, I'm leaving
07:30I was just saying it so you'd get the idea.
07:32It's all the fault of that hypocritical Doña Inés.
07:35I wouldn't pay if they weren't burnt fried in oil.
07:38If something bad happens to Don Paco
07:40I'll slit her throat.
07:41That, and getting yourself committed to a mental hospital
07:42And to die of sadness seeing you there
07:46She'll appear in a ravine, mother
07:48Jesus, girl
08:13No, no, no, no, no
08:48No, no, no, no, no
09:08No, no, no, no, no, no, no
09:28No, no, no, no, no, no, no
09:58No, no, no, no, no, no, no
10:28No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
10:32no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
10:32no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
10:32no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
10:35no, no, no, no, no, no, no, no, no, no
10:48No, no, no, no.
11:32No, no, no, no.
12:10No, no, no.
12:15No, no, no, no.
12:44Let's get started, we have a lot of things to do.
12:47From the brotherhood, I mean.
12:48Good afternoon, good afternoon, Mrs. Inés.
13:06Good afternoon, Mrs. Inés.
13:32Good afternoon, Mrs. Inés.
13:44Good afternoon, Mrs. Inés.
13:46Good afternoon, Mrs. Inés.
14:05Good afternoon, Mrs. Inés.
14:35Yes, you are right about getting lost in the mountains.
14:39It happened to a friend of mine, because of a woman, well, because of a young girl.
14:44Of course, his head wasn't working properly.
14:46You see, a grown man, with a good character, with money, respected in the town.
14:55He started thinking about that woman, who didn't deserve it, and off he went to the mountains.
15:05Who knows where he is now.
15:07Well, we'll have to start thinking about sleeping.
15:10You can stay there, by the fire, next to Grandpa.
15:15They put us old folks together, huh?
15:20A cigarette?
15:34Perhaps that friend of his, who got lost in the mountains, still didn't know if he was an old man or
15:41No.
15:42Probably.
15:47The bomb! The bomb!
15:50But what's going on?
15:52Come on, man, talk, what's wrong?
15:56Mr. Mayor, Don Paco is alive, alive and kicking.
16:00Oh man, he's already lost the money to Julian.
16:03You can't trust anyone.
16:05But explain yourself, how is he alive?
16:07I just ran into Lucas, the muleteer, who saw him yesterday by the cliffs of the plain.
16:12Don Paco didn't see him, or didn't want to see him, because he went the other way.
16:16That doesn't make sense to me.
16:18Well, it's as clear as day.
16:19He was kicked out because of that lizard girl's jealousy.
16:22Well, that goes without saying.
16:24Don Paco's fox must have visited her in the early hours of the morning.
16:28And the girl would get along with Don Andrés during siesta time.
16:31And also in Doña Inés's own house.
16:34And don't forget Don Álvaro's shirts either.
16:38Which shirts?
16:39Yes, man, yes.
16:40As soon as Don Paco disappeared, Don Álvaro rushed off to the Juanas' house to order shirts.
16:45The same trick as his father-in-law.
16:47Imagine if Don Paco comes back now, all hell will break loose.
16:50You had thought about ordering a frock coat, hadn't you?
16:53I?
16:55Well, yes.
16:56But what...
16:57Come on, there's no rush.
16:59My wife, who's taller than you, said that Don Paco was going to have his last wild time.
17:04And he was right.
17:05Wow, he was right.
17:06That one is in Cordoba.
17:08And I know very well where...
17:10Please clarify that.
17:12How am I going to explain it, woman?
17:13If Cordoba is today like Sodom and Gomorrah.
17:16Just like in the times of the Moor, decadence.
17:18No, maybe it is, right?
17:20And there's a difference too.
17:22And that's regardless of what you think.
17:23I'm still holding on.
17:25But they're going to bring Don Paco in on a stretcher.
17:28Jesus, Mary and Joseph, don't be so mean.
17:31A little chocolate, the rosary in the afternoon, and then some chest-beating.
17:33And we wait for God to call us to his saint, huh?
17:36Exactly, you took the words right out of my mouth.
17:38To the fountain to drink a small glass, but in a wheelchair.
17:42You really do have the rotten tongue of the Moor.
17:44I?
17:45I'm saying this for your own good.
17:48And especially for that little girl.
17:50I came to order the shirts because she said at my house that she was very good at making ruffles.
17:54By the way, where has he gone?
17:56She must have gone into the convent.
17:58Get rid of the fact that we are all sinners here.
18:00Of course, some more than others.
18:03I'm going to bring you some fabrics for you to choose from.
18:06Go on, show Don Álvaro some frills.
18:10So you come to this house mainly because I make the cascades very well.
18:13Better than anyone else in town and with a very graceful flight.
18:18We'll have to study what suits that face best.
18:28Can I help you?
18:31Take your hands off there or I'll break you in two.
18:38But what's wrong with that?
18:39What's wrong with him?
18:41Oh, I can't do it again.
18:43Sit down here, relax.
18:45My God, this man is dying on us.
18:48But what's wrong with you, Don Álvaro?
18:50What's wrong with it?
18:52What should I do!
18:54Mother!
18:56Mother!
18:57Mother!
18:59Come quickly, this man is dying!
19:01Oh my God!
19:02Let the bald guy come!
19:03Let the bald guy come!
19:05For me!
19:06Let the bald guy come!
19:09Get out of here!
19:09Go on, drink, drink.
19:12So.
19:14He could have commissioned the waterfalls in Cordoba, where you know.
19:18Oh, Juana is so mean!
19:22That hand!
19:24That hand!
19:26Stop, it doesn't agree with him!
19:28You already know what the doctor told you, not to get excited.
19:31If he behaves well, in a week he'll be as good as new.
19:34Wow!
19:37Swallow it!
19:38On top of having to take care of everything now, you're bothering me.
19:43It is possible, Álvaro, that the devil will not abandon you.
19:46Well, you'll see.
19:47Either you calm down, or you'll stay like this for life.
19:54Oh, that vice, that flees from your whole body.
19:56It gets into your head and won't let go.
19:58The foreman has arrived, ma'am.
19:59He is waiting.
20:00Here, you go next.
20:11Stay still, baldy, the lady might see us.
20:17Why all the fuss?
20:21What you are suffering is nothing compared to the gall and vinegar they gave to Christ.
20:29If you suffer, you will gain heaven.
20:35Go on, do one of your silly things so the gentleman can have fun and rejoice.
20:39I already do them, but the man gets even angrier and screams more.
20:42How can he be having such a bad headache?
20:50Well, you're right.
20:51This way of cutting my hair makes me look younger.
20:54Well, you'll see when I give him the lotion I received from Cadiz.
20:59Did you call me Don Andrés?
21:00Come in, come in.
21:01Give us a moment.
21:02I'll call you right away.
21:06I'm going to give you a delicate task.
21:08Whatever you command.
21:11I want to have a one-on-one interview with a certain person.
21:14If it's a matter of skirts, you know me.
21:17You're going to win over her maid.
21:20Don't worry.
21:21And who is the person in question?
21:27Juanita, the long one.
21:29The last one I could imagine.
21:31Luckily, Rafaela is very well suited for this handling.
21:34That's done.
21:36Well, I'll walk then.
21:37And tell the barber he can come in now.
21:42I imagine you've already thought about it, but...
21:44What's happening?
21:45No, nothing.
21:46I already know that you and Don Paco are very good friends.
21:49But since that man sometimes has that temper, jealousy really does blind people.
21:54You're the one who's blind.
21:55Why do you think I do what I do?
21:57For their own good.
21:58For opening his eyes when he appears.
21:59Clear.
22:00You'll fix it today.
22:02Things are happening while they're still hot.
22:03Today is better than tomorrow.
22:05That.
22:05Whatever you command.
22:18Are you coming or not?
22:18I told you no.
22:20Until I rip out his guts.
22:22Go on, you.
22:23I'm leaving.
22:42You'd be better off setting me free and escaping with your accomplice.
22:45Do you think 16,000 reais is a small amount?
22:47You are very rich.
22:508,000 reais for each one is a pittance.
22:52I want more!
22:53But where do I get them, man of God?
22:55It's quite a misfortune for me to run into people like you.
22:58But how did you find out he was bringing that money?
23:02I don't understand.
23:04Let go and shake off another 10,000 reais.
23:07And so on.
23:07You don't know my wife.
23:09I tell him to write that letter.
23:12And it's worse for you if she doesn't give them.
23:15He already knows.
23:16Or those 10,000 reais fall.
23:18Or I'll kill him!
23:19Even if you cut me into little pieces, you won't get a penny out of my wife.
23:22I'll meet her.
23:24I would rather give you my life and the lives of all my relatives than that money.
23:27Even if he cries his eyes out afterwards.
23:29Shut up!
23:30Time to write the letter?
23:32No.
23:33No?
23:35You will write it!
23:38Don't make me lose my patience!
23:42Write on that paper!
23:57What a great joy, Don Paco!
23:59And what point do you reach?
24:03Grab your blunderbuss, just in case, Don Ramón.
24:07And load it, if you know how.
24:09I hope I didn't kill him.
24:15Antonio.
24:26Don Paco, you and I on that mule.
24:29"It holds up," I reply.
24:31He has loaded eight boxes of melindres to Córdoba.
24:33I won't say any more.
24:34No, you go up.
24:35He's been humiliated and also had a very bad time.
24:39Ale, up.
24:47You look like a young man.
24:49You should see the beatings he gave this scoundrel with his cane.
24:51It's a shame it's nighttime.
24:53If it were daytime.
24:54What a welcome we received in Villa Alegre!
24:57What matters is not the reception.
24:59What matters is coming back.
25:08Thank you!
25:29Thank you!
25:43But how could you do such a thing, you wretch?
25:46You're going to give me a terrible headache!
25:48Come in!
25:49Come on in!
25:52Don Paco.
25:54And what will happen to the shopkeeper now?
25:56Because that's a nasty bug.
25:57He has recovered the eight thousand reales that your son took from him.
26:00But of the other eight thousand that the accomplice took,
26:03Someone will have to answer for this.
26:05What a disaster!
26:06My God, what a disaster!
26:09And Antoñuelo better not get the silly idea of running away.
26:13The Civil Guard would be behind him, and it would be worse.
26:16But...
26:16Take the mule to Don Ramón tomorrow.
26:18But eight thousand reales is a fortune, Don Paco.
26:23Now keep an eye on your son, and tomorrow God will decide.
26:29Let's all be quiet, Don Paco is tired.
26:32Eat, eat another bun.
26:33They're her daughter's and they're freshly made.
26:35I brought them yesterday.
26:36I don't know why, but my heart told me that you...
26:39Here's another one, it'll do him good!
26:42God knows what you've been eating out there!
26:46It's glorious to watch him eat.
26:49Come on, you haven't looked any younger by getting rid of that big beard you had.
26:53Here it is.
26:54Sooner, blessed are the eyes that be upon you.
26:57How were those days as a hermit in the mountains?
27:01Did they agree with you?
27:02Getting rid of Villalegre for a few days is better than a purge.
27:06Come on, sit down and eat something.
27:31I've come to talk to you, but not as a commissioner.
27:36You did things wrong and now the consequences are coming.
27:41Come on in, we're going to have a long talk.
27:47Little girl, where are you going?
27:51Don Pascual, what's going to happen?
27:54Your daughter might be upset.
27:58That man is not the same today as he was before.
28:01Today he doesn't even know what he wants or where he's going.
28:14Girl, wait.
28:15I told you he was there, but maybe he's already gone.
28:18Wait, woman, you don't listen to anyone.
28:20I might get in trouble for letting you in like that.
28:25Leave her alone, let her go wherever she wants.
28:36Open!
28:37I know you're there!
28:40Furthermore, what I've come here for is to ask for your forgiveness.
28:43You'll like that, won't you?
28:44Let them sort it out among themselves.
28:46You and I have no business here.
28:49We praise.
29:03And if you don't want to open up to me, don't think I care.
29:06I already told you, didn't I?
29:07I have apologized to you.
29:08That's what a woman does.
29:11But now, of course.
29:13Until you figure out what you want to say.
29:15Me, out here and keeping quiet.
29:18Well, you're very wrong.
29:20And don't hide behind the barrels.
29:22You're going to have to listen to me anyway.
29:25You want me to flatter you, don't you?
29:28Well, I've already told you.
29:31Yes.
29:32I love you with all my soul.
29:34That I have been loyal to you.
29:36And I don't care what age you are.
29:40Don't you think that's enough?
29:42Do you think I'm a child?
29:47Wait.
29:48Where are you going?
29:50Look, if you don't open the door, you're going to force me to do something crazy.
29:58Hey, if someone has to hide, it's for a reason.
30:02You don't remember anymore.
30:03What was the first thing you asked me for?
30:05That she was your beloved.
30:07That seemed fine to you.
30:09Then you realize that Juanita is worth much more.
30:12And you very politely ask me to be your wife.
30:15Very refined and very brave.
30:17Ready to challenge all those riffraff from the town who offended me.
30:20Starting with your daughter.
30:24Don't hide from me!
30:28And what happened next?
30:29Tell me what happened next.
30:31When they tell you that Don Andrés is after me and your son-in-law, everyone is after Juanita.
30:38So, Juanita, she's a lost cause.
30:40You can go hunting for twenty-five thousand reales with that partridge of Doña Agustina's.
30:45But, Juanita, you can't even step out the door.
30:50Well, find out!
30:51I am as free as you, and I am in charge of my own life!
31:00Well, I could also let you be in charge a little.
31:23I am as free as you, and I am in charge of my own life!
31:46I am as free as you!
32:07I am as free as you, and I am in charge of my own life!
32:37I know that Antoñuelo is unforgivable.
32:40But you are the only one who can help him.
32:43The man from Murcia is not willing to make any arrangements.
32:47You can't get along with that man.
32:50And I need the eight thousand reales.
32:56If he is not paid, he will go to jail.
33:00You have always been like a sister to my son.
33:04But, Uncle Antonio, I don't have that kind of money.
33:07Do you know?
33:07But I could get it out.
33:09Women always have ways of making money.
33:12That men don't have.
33:15Woman, I mean that you have access to many homes, with many people.
33:21You already know.
33:22If you save him now, I'll send him to America.
33:26He needs to stay away from bad company.
33:29You know that deep down it's not bad.
33:33I know.
33:35I know there are many worse people in the village than Antoñuelo.
33:44But what you're asking me to do...
34:04What a shame about the hands.
34:05They could dedicate themselves to other tasks.
34:08Here or in court?
34:10Here, girl.
34:11Here.
34:12Serafina brought up the congressman again with my mother.
34:15That he is waiting for me to show off my hands in the courtrooms.
34:18Know?
34:19But, child, are you going to listen to Serafina?
34:21That's a fantasist.
34:23He was given a task, he didn't know how to do it, and so it was created...
34:25Go on, go on.
34:27Stop being Serafina.
34:28And give me that message right now.
34:31Are you sure?
34:32You didn't want to hear it last night.
34:35Today I got curious.
34:37No, I was going to talk to you about something serious, not fantasies.
34:40A man like God intended.
34:41And you can have it right there next to you.
34:43So that from now on you can live like a queen.
34:47That is, from someone who can pay eight thousand reales.
34:51I mean, eight thousand and more.
34:53That's a matter of your tricks.
34:56Well, if you don't want to keep listening to me, then shut up.
35:02Well, look.
35:04I've thought about it a lot.
35:06And you're going to tell him two things.
35:09The first one, that she come this afternoon at eight.
35:13And the second, that he put eight thousand reales in his pocket.
35:17Daughter, eight thousand for the first visit, and just like that.
35:21That's the deal.
35:22That it doesn't blow up.
35:24Well, that's it, the three of them just sighed.
35:26You, me, and him.
35:28But don't worry.
35:29He is a resourceful man.
35:32Girl, girl, and all this, have you really thought it through?
35:39And have you really thought about where I'm going to get eight thousand reales from?
35:45That's also true.
35:47Well, there you have it.
35:50That's why I'm here.
35:51I'm going to deliver the message right now.
35:54Let it be at eight o'clock, understood?
35:56And you're far from here.
35:58Mother is at the Utiquia massacre.
36:00And I want the house to myself.
36:01Of course, woman.
36:02Are you going to explain to me how this house is supposed to be at eight o'clock?
36:46No, no, no, no, no, no.
37:07To be truly young, you should be less jealous and, above all, more generous.
37:13But my blood boils when I think that he could deceive me, make fun of me.
37:18But do you really think there are as many cuckolds as they say?
37:21No, man, no.
37:22The problem is simpler and you have to decide now.
37:26And one of two.
37:28Either you get rid of that jealousy, marry Juanita, and be happy.
37:31Or you see Juanita walking by on the arm of someone much braver than you.
37:35And less jealous, that's clear.
37:38Okay, kids.
37:40Leave calligraphy behind and open yourself to sacred history.
37:46Let's read the story of Judith, the sinner, and King Holofernes.
37:52Leave.
37:54Why are you leaving?
37:56Won't you stay and listen for a while?
37:59No, I don't like that Olofernes guy at all.
38:02He was the one who cut off the sinner's head, wasn't he?
38:07Ignorant.
38:09It was Judith who cut it off for him.
38:12And also when you're not looking.
38:14So be careful, okay?
38:34This one is perfect for a wedding.
38:37What are you talking about?
38:39They're going to give the groom more compliments than the bride.
38:42Oh!
38:43But why so much sighing?
38:44In this house, a wedding or a funeral is being prepared.
38:48Even the birds are silent.
38:51The master is getting married.
38:53Let's see if you can give him a proper send-off like the town band.
38:56The poor know.
38:57They certainly know their stuff.
38:58The fact that?
38:59Don Paco isn't getting married.
39:00Let's see if you've finally come down from your high horse.
39:02Oh.
39:02The Holy Spirit, disguised as a goldfinch, told you.
39:05That one over there, the aligacho.
39:07Don Paco is not the man he used to be.
39:09If you heard him talking to himself.
39:14But then, what does he want the suitcases for?
39:16To leave this town.
39:19But first he will knock on her door and ask for her hand in marriage.
39:21That's right, because Don Paco is a gentleman.
39:24And when she tells him no, he'll leave on his own.
39:27He doesn't want anything to do with the people here.
39:29And he's absolutely right.
39:31And come on, stop the chatter, we have a lot to store.
39:33And that's it, stop the chatter.
40:04Did Dau grant your permission?
40:05You have it.
40:06The door was open.
40:08That's how I left it.
40:09I've closed it.
40:10Well, thank you very much.
40:17You've made great use of the house.
40:19It doesn't look like what it is on the inside.
40:23Very nice, yes sir.
40:27They're not cash, but they're making a racket.
40:30They serve their purpose.
40:31It's a check.
40:34You give it to the man from Murcia and collect the promissory note.
40:37He'll know how to negotiate it.
40:39Okay, paper by paper.
40:40Oh.
40:43Make yourself comfortable.
40:44I'm going to give Catar a very special wine that will surprise him as much as the house itself.
40:48I don't doubt it.
40:49But don't talk to me about you, girl.
40:51How many times am I going to have to address you informally?
40:53Well, a wine that will surprise you as much as the house.
40:56That's better.
41:21Girl, I don't like this.
41:24It's a scam.
41:26I don't see the deception, Inés.
41:27I didn't want to tell you who was coming so you could imagine whatever you wanted.
41:31But the same proposition to keep me as a queen was made to me by your father and before him by your husband.
41:36I preferred to quote this one because the eight thousand reais won't hurt so much if they don't come from the family.
41:41Come on, I say.
41:44What kind of jokes are these, Juanita?
41:46These are not jokes, Inés.
41:48And besides, it doesn't matter who the man is.
41:50I'm always the little lamb.
41:52You see.
41:53And above all, look, I didn't ask you to come here to argue.
41:57I think I was very clear about that.
41:59You lend a hand to my virtue.
42:01You also find out what some of the local men are like.
42:04And if someone starts to talk, nobody's better than you to quickly bite their tongue and
42:08in a hurry.
42:09You don't expect me to come in and interrupt the scene so you don't get burned, do you?
42:12I just wanted you to hear it from the little window.
42:15But the garden gate is open.
42:18I asked you for a favor.
42:20But a favor doesn't oblige anyone.
42:21Neither high nor low.
42:23So, if you want to leave right now...
42:27Already.
42:28I know that preaching is one thing, and putting your money where your mouth is.
43:10So, if you can, if you can help the streets...
43:12You just don't understand yourself...
43:32Let's clear this up because I don't understand you.
43:36You are free and I am free
43:39I respect you, we're on equal footing.
43:42Your mother the flag
43:44And my grandfather, before he became rich, was a pig farmer
43:47Why couldn't we understand each other?
43:49I've already told him
43:50I already told you.
43:52Because I want to love another man
43:54But that man doesn't love you, Paloma.
43:57That is also true
43:58And she doesn't love me because of you and because of others like you
44:02Or have you already forgotten how this whole scheme started?
44:05The silk dress he gave me
44:07The sermon that Inés whispered to the parish priest
44:11But you fixed that really well.
44:14I've rarely seen Inés drive like you do.
44:17Does he want to pay you a dowry because of how mystical and devout you've become?
44:20Imagine
44:21When the Lord rose from the dead, he appeared first to the women.
44:24And he made them apostles to the apostles
44:27You know what I'm saying?
44:28That all of that has a name
44:31Hypocrisy
44:32But hey
44:34I didn't come here for us to fight.
44:36I guess
44:37And what could I do?
44:39Stay here
44:40Isolated
44:41Locked up
44:43Without anyone knocking on my door
44:44Unless it's at this hour of the evening like you today
44:48Hypocrisy, you say.
44:49Of course
44:51But the only thing I got out of all this was...
44:53It was misery
44:54To charge less for my work
44:55To get fed up with reading pious books
44:57I'm fed up with the saintly life.
45:01Oh, putting up with Inés's speeches
45:03Don't think for a second that they always turn out perfectly.
45:06See?
45:07I would appreciate Inés's friendship
45:08If only she had given it to me without so many conditions.
45:11Because she's a bossy woman.
45:13A busybody and...
45:14A little clingy
45:15But it's good.
45:17And I've grown fond of him.
45:18Believe it or not?
45:21Hypocrisy
45:22I could have gotten many more advantages out of my body
45:25And I'm sure you know that better than I do.
45:27Very good
45:28A nice speech
45:30But what's done is done.
45:33We are where we were.
45:34And I'm going back to my own thing.
45:35Let's get down to business.
45:39What prevents us from understanding each other?
45:42Because you summoned me for a reason.
45:45And not to come at me with speeches
45:48You're right to be complaining.
45:50But you won't be like that with me, I swear.
45:52My sin, if there was one.
45:55It was delayed
45:56Stop with the niceties, Don Andrés
45:58I didn't look for you in time
45:59You'd better sit down, Don Andrés.
46:02Don Andrés, I don't answer
46:04I just wanted to talk to you
46:06But nobody's going to respect me.
46:09You opened the door to a man
46:11And I'm willing to make up for lost time.
46:14Can't you love me a little?
46:16I told him to sit down, please.
46:18Don't force me, leave me alone
46:41Agnes!
46:43Agnes!
46:44Have you been harmed?
46:46Nothing has happened to me
46:47What do you want to happen to me?
46:49Open!
46:49Open up!
46:50Oh my God!
46:53Agnes!
46:54Are you OK?
46:56Open up!
46:56Please!
46:57So, you had it there from the beginning
47:00There had to be some witness who knew why I did this
47:04This?
47:05The fact that?
47:05To prove that I am honest
47:07Even if being free has to cost me so much
47:11And to get eight thousand reales to prevent a poor wretch from going to jail
47:15Without being called a gold digger
47:16Okay, okay
47:20I'll leave you to attend to your witness
47:24I hope you didn't crack his skull like you did mine.
47:26One moment
47:29And what do we do with this beautifully decorated piece of paper?
47:32Woman, Antoñuelo is also a distant relative of mine.
47:35Very distant, but related
47:38If that's what you wanted, you could have asked me in another way.
47:41Of course, free or not free
47:44Women, you have no other way of asking us for things than by confusing us.
47:48In the end
47:49Give my regards to Doña Inés
47:51And that it's nothing.
48:01Inés, what have you done to yourself?
48:03Leave me alone, please, leave me alone
48:04Was it on the head or the leg?
48:07Oh my God
48:08You hit your leg
48:09I didn't do anything to myself.
48:10Did you break something?
48:12Did you hurt yourself?
48:22Agnes
48:35We both hurt each other
48:46That suitcase is yours
48:50And where are you going?
48:55Because not to the convent, of course.
48:59Well, look
49:02I'll see if I can find it somewhere else.
49:06I find a man already made
49:10Worker
49:12Intelligent
49:14Serious
49:15Tall and with a mustache
49:19Sympathetic
49:21Widower
49:24Something like this
49:28Let's see if I can find it.
49:29And they can't take it away from me.
49:39Something like this
50:08Thank you!
50:38Thank you!
50:43Juanita
50:46Where are you going?
50:49And you?
50:52What were you planning to do?
50:54What can a woman do alone?
50:59You are not alone
51:01Nor will you ever be.
51:04What does that mean?
51:06We're leaving here to get married
51:09To get married?
51:13But where?
51:17Do you prefer it to be here, in this town?
51:22Well, now you know, Inés
51:23Go talk to Don Anselmo
51:25Because the wedding is tomorrow.
51:27But what are you saying, Father?
51:29Is tomorrow the most important wedding in the village in many years?
51:32No way
51:33One Sunday, at the time of high mass
51:35With three priests, with the choir, the brass band
51:37In short, what a wedding requires.
51:38I told you to go talk to Don Anselmo
51:41We're getting married tomorrow
51:48As you command, Father
51:51Thank you!
51:53Thank you!
52:16Thank you!
52:28Thank you!
52:37Thank you!
52:51Thank you!
52:53Thank you!
53:22Thank you!
53:52Thank you!
53:53Thank you!
53:59Thank you!
54:00Thank you!