La bella Antonia primero monja despues diablo 1972 - HD 1080 - Español Completa - Dir: Mariano Laurenti - Vídeo Dailymotion

Retroscreen Movies Revival - Español - Spanish

Reparto: Edwige Fenech, Piero Focaccia, Riccardo Garrone, Dada Gallotti, Elio Crovetto, Luciana Turina, Fortunato Cecilia, Romano Malaspina   Dirección: Mariano Laurenti   Sinopsis: Antonia está enamorada de Folco, pero su padre no le permite casarse con él, así que ella decide entrar a un monasterio como novicia. Mientras tanto, un pintor que es encargado de pintar su retrato aprovecha para enredarse con todas las mujeres de la aldea. El destino unirá a ambos en la cama en la misma noche de bodas de ella y Folco.

Transcript

00:00:22The Mutanda

00:00:30La Mutanda andà, no me so capito bene, che cos'è this novità?

00:00:39I will feel the priest priest, it is the power of sin, which also turns again, which is a kind of waist,

00:00:49di castità.

00:00:50La Mutanda andà, la Mutanda andà, la Mutanda andà, no me so capito bene, che cos'è sta novità?

00:01:07In the heart of the trecento, when a madonna passes by, there is a vortex of wind, which will paltare la sua

00:01:14gonna?

00:01:22The Mutanda andà, the Mutanda andà, the Mutanda andà, the Mutanda andà, non me so capito bene, che cos'è

00:01:35This novelty?

00:01:39Chi la dice una foglia di fico, di modello meno antico, se l'amore è un po' una guerra, la

00:01:45Mutanda andà, the Mutanda andà, the Mutanda andà.

00:01:58Non me so capito bene, che cos'è sta novità, che cos'è sta novità, che cos'è sta novità,

00:02:11La Mutanda andà!

00:02:45Thank you!

00:03:10Thank you!

00:03:28Rafael, Rafael!

00:03:32Rafael, wake up!

00:03:34Damn you, woman

00:03:35Do you want me to start over?

00:03:37Wow, you're so stupid!

00:03:39Get up, we have a visitor!

00:03:40Down below there is a stranger with a horse.

00:03:42A stranger?

00:03:43Yeah.

00:03:44With a horse?

00:03:46Yeah.

00:03:46What has arrived now?

00:03:48Yeah.

00:03:48Hey, Caterina, who's traveling at this hour with this sun?

00:03:52He's not a stranger, he's an idiot.

00:04:36He is not a stranger with a horse.

00:04:48Welcome, sir.

00:04:49If you wish to eat or sleep, I am ready at your service.

00:04:52Perhaps this time is not convenient for you.

00:04:56Have no scruples.

00:04:57Place your order and I will serve you quickly whatever you wish with great pleasure.

00:05:00Meanwhile, I'll take this to his room.

00:05:02No, no, no, leave it.

00:05:03It's very heavy.

00:05:05You have more qualities for making love.

00:05:13How long will he stay in Vila Santa?

00:05:16I don't know yet.

00:05:18But certainly not until I can pick mine up.

00:05:23Wow, this guy doesn't waste any time.

00:05:27I have been summoned from Rome to paint a portrait of a young noblewoman.

00:05:31Are you a painter?

00:05:32I immediately understood that you were a special man.

00:05:35And who is the young woman you are going to paint?

00:05:37She is the daughter of a certain Domenico Bencarlia.

00:05:39Do you know him?

00:05:41Yes, I know him, yes.

00:05:42He is the master of half the town.

00:05:44Then the portrait must be for Doña Antonia, her daughter.

00:05:48What an injustice to have to paint his portrait just because he is of noble birth.

00:05:51You deserved a sculpture.

00:05:54What more could I want?

00:05:55Should I bring you chicken breast or chicken drumsticks?

00:05:59The thighs.

00:06:00The thighs so you can bite them slowly.

00:06:13Damn, what a beautiful woman.

00:06:14Yes, but she has a very brutish husband.

00:06:19Goodbye you.

00:06:21I was looking for you.

00:06:22Mr. Domérico Mencarlia will be waiting for you early tomorrow.

00:06:25He has a very urgent matter.

00:06:27And?

00:06:28Are you seeking me out for your master's urgent need?

00:06:30It's about time he fixed his own ass.

00:06:32It's a big business, you idiot.

00:06:34You can make a lot of money.

00:06:36Okay, I've told you.

00:06:38Good luck.

00:06:40You are an important person.

00:06:42I know what that bastard pig Don Domenico wants.

00:06:47He wants the same old thing, for me to give him loads of fat peasant women.

00:07:09Forgive me, Antonia.

00:07:11I can't lose this ray of light.

00:07:14Sir, this is the fifth time in an hour that you have touched my breasts under the pretext of the beam of light.

00:07:19Yes, but without any malice.

00:07:21It's the touch of an artist who is inspired.

00:07:23I would say it's more like the groping of a fresh one.

00:07:26You offend me, my dear.

00:07:28I play it professionally.

00:07:30In front of you I am only the painter, since the man in me has left this room.

00:07:35That the painter gets along so well with him.

00:07:37That's enough for today.

00:07:38Can't.

00:07:39I have committed to immortalizing her beauty in this mess.

00:07:43And my brush demands it.

00:07:49Oh, does it have a demanding brush?

00:07:52Of course.

00:07:53And now he's trembling with anxiety.

00:07:55Good heavens, how sensitive.

00:07:57This is over.

00:07:59No, think of my paintbrush.

00:08:01I don't care.

00:08:04But this painting...

00:08:05Do you dare call these filthy puppets paintings?

00:08:09Sir, just stop making fun of my illustrious father.

00:08:16Amantonia.

00:08:17No.

00:08:18You stay and see if the master is really playing with his paintbrush.

00:08:21I think it's just a boast.

00:08:37Don't listen to him, teacher.

00:08:39Amantonia is going through some very difficult and delicate times.

00:08:44And a good artist like yourself should keep your spirits up.

00:08:48Look at those smooth lines and that beautiful volume.

00:08:51By the way, did you think these breasts were square?

00:08:56Amantonia has nothing that I don't have.

00:08:59Come on, it seems to me.

00:09:01Of course.

00:09:02And in the same place.

00:09:06Come.

00:09:13Look, Beatriz.

00:09:16My God.

00:09:18I'm speechless.

00:09:30Can I come in?

00:09:32Of course.

00:09:33This is your home.

00:09:35I felt her get up and I brought her a delicious breakfast.

00:09:40I don't know if he'll like spicy salami.

00:09:43I do it myself.

00:09:44I like everything spicy better if it's yours, ma'am.

00:09:47Please, I must go to the kitchen to stoke the fire.

00:09:50No, it's well revived, Doña Caterina.

00:09:53Sparks are flying.

00:09:55Oh, mother.

00:09:56It's possible.

00:09:57That?

00:09:58That it has nothing underneath.

00:10:00Does that seem like nothing to you?

00:10:01To you, my lord.

00:10:03Yes, I touch it, I touch it.

00:10:04But I'm talking about panties.

00:10:06About what?

00:10:07In panties.

00:10:08The latest fashion trend to arrive from Milan.

00:10:10And what the hell are panties?

00:10:11He doesn't know.

00:10:13Today, women wear them everywhere.

00:10:16In Florence, Rome, Bologna...

00:10:18Panties everywhere.

00:10:20Look.

00:10:23This garment makes women irresistible.

00:10:27Holy souls in purgatory!

00:10:28Now I understand why my husband, my Rafael, hasn't tasted me in a long time.

00:10:32Do you always see me without this garment?

00:10:34Can I try them on?

00:10:36Of course.

00:10:36Okay, I'll put them on, but...

00:11:03Holy souls in purgatory!

00:11:15Oh my God, you're not going to pull my leg, are you?

00:11:17And to leave me without putting on my panties.

00:11:24Well, has anything bad happened to you?

00:11:27Have...

00:11:28Do I need to take this to Mr. Giovanni Piccolomini?

00:11:32Yes, what's worrying you?

00:11:33Nothing, but I'm scared.

00:11:35And why are you afraid?

00:11:37Mr. Piccolomini is a man like any other.

00:11:39No, no, he really likes to beat people up.

00:11:42Stay calm, you have nothing to fear.

00:11:45In this case, you're just my errand boy.

00:11:48He won't lay a hand on you.

00:11:50Not the hands, but definitely the feet.

00:11:52Okay, okay, don't make a scene.

00:11:53Are you or aren't you my hunger for trust?

00:11:55Yes, I'm not complaining about that.

00:11:56But if we do the math, the cakes are always for me, aren't they?

00:11:59Go in peace, Ariosto.

00:12:01Mr. Piccolomini won't dare mess with you this time, that's for sure.

00:12:07Here, these coins will help you feel calmer.

00:12:09Go calm and content.

00:12:11And if something were to happen, nothing.

00:12:13Remember that I am here.

00:12:15Okay, you stay here and I'll be there.

00:12:17Go away, go away, go away.

00:12:31One word, one shout and I'll cut your throat.

00:12:35Quickly, confess the truth.

00:12:37Who is my husband's latest victim?

00:12:40What a dirty bitch will be with him tonight.

00:12:43There will be no bitches tonight.

00:12:45Then it will be a cow.

00:12:46Look, Ariosto.

00:12:48I know my husband's vices well.

00:12:50His depraved tastes.

00:12:51And I know that you're the one who takes it to the peasant women.

00:12:55I swear, ma'am.

00:12:56Believe me, Mr. Domenico has made me come here for another matter.

00:13:00Look, I have to deliver this message to Mr. Piccolomini.

00:13:05A message for Mr. Piccolomini?

00:13:09Unfortunate.

00:13:10He said it and he did it.

00:13:12It will destroy our daughter's happiness.

00:13:15Poor child.

00:13:33Poor!

00:13:34Poor!

00:13:35Poor!

00:13:37Poor!

00:13:42Poor!

00:13:46Poor Antonio!

00:13:48So young and beautiful.

00:13:50She will have to give up her dreams of love.

00:13:53Oh, I am so unhappy, an unhappy mother and a cuckolded woman.

00:13:59Calm down, ma'am, calm down, don't cry.

00:14:01With time and a bit of help, everything can be fixed, everything.

00:14:04No.

00:14:06And what are you doing in my room?

00:14:08And what do I know, you told me to come.

00:14:10Get out, go away, go away, you miserable worm.

00:14:12Get out right away!

00:14:27Antonia.

00:14:29Antonia.

00:14:31Antonia.

00:14:32Forco.

00:14:42Sorry, but I was looking for you somewhere else.

00:14:44Did you come dressed as a fig tree yesterday?

00:14:46Yes, but this costume is more comfortable.

00:14:48Antonia, I can't go on like this, woman.

00:14:51You're right, my love.

00:14:52But as long as our parents continue to refuse to be friends,

00:14:56This is the only way we can see and kiss each other.

00:14:58By the way, kiss me.

00:15:03Courage, my love.

00:15:05Our love will triumph.

00:15:07Now I have to go.

00:15:09See you tomorrow.

00:15:10Yeah.

00:15:10But think of some other kind of trick to find us.

00:15:13I don't want to dress up as a tree.

00:15:14Because?

00:15:15Because there are too many dogs in your father's land.

00:15:17Look here.

00:15:30Hey, what are you looking at?

00:15:35These are things for gentlemen, not for poor people like you.

00:15:38Go away, go to hell.

00:15:41Ariosto, come here.

00:15:42I want to invite you for a drink.

00:15:44And why?

00:15:45Because yes, because I like you.

00:15:47It seems like you've been greatly upset.

00:15:50I know, I always end up dancing with the ugliest one.

00:15:52Tell me, what's going on?

00:15:53Mr. Piccolomini.

00:15:55Who is it?

00:15:56A son of a bitch.

00:15:57What has he done to you?

00:15:58No, nothing yet.

00:15:59So?

00:16:00He's a son of a bitch for what he's going to do to me soon.

00:16:02I don't understand you.

00:16:04Look, I have to deliver a letter to him and I already know what's going to happen to me.

00:16:07As soon as I read it, she'll get angry, grab a sledgehammer, and break my arm, my leg, and my spine.

00:16:12That man is a madman.

00:16:14Ah, I don't know about the lunatic.

00:16:15To me, he's a son of a bitch.

00:16:19Rafael, Rafael, wake up.

00:16:21Look at this beautiful thing I have.

00:16:23I know that your thing is beautiful.

00:16:24I've used it many times.

00:16:26I'm referring to something else, Rafael.

00:16:28Wake up.

00:16:29I want to show you my panties.

00:16:32Do you like them?

00:16:33It's the latest trend in Milan.

00:16:35Tonight we'll make love with our panties on, like the ladies do.

00:16:38Are you happy?

00:16:40Shameless, slutty woman.

00:16:42Get that crap off you quickly if you don't want it to kill you.

00:16:46Relax, Rafael.

00:16:47What are you doing?

00:16:48It's the latest trend.

00:16:49You wretch, I'm going to give you the latest fashion.

00:16:51They are worn by the ladies of Florence.

00:16:53The whores of Florence and the demons of hell.

00:16:55Look, look.

00:16:58Ah, they don't know what to invent anymore to drag you into sin.

00:17:02I thought it was a beautiful thing.

00:17:05Holy naiveté.

00:17:07This is an instrument of Mephistopheles.

00:17:10Go quickly to see Friar Pomporio.

00:17:13Go and confess immediately.

00:17:15He is a holy man.

00:17:17And since your sin is serious,

00:17:19Who knows?

00:17:20Before I absolve you,

00:17:22How many times should you kiss the umbilical cord?

00:17:39Sometimes I wonder what life would be like if women didn't exist.

00:17:43Don't you like women?

00:17:45What do you mean I don't like them?

00:17:46The problem is that there are too many.

00:17:48Mine, for example, I would get rid of.

00:17:50Are you married?

00:17:51Unfortunately, they made me say yes in a moment of weakness.

00:17:55Understand.

00:17:56Your wife is on top and you are underneath.

00:17:59Oh, no.

00:17:59I always put myself on top.

00:18:02There it is.

00:18:09Look.

00:18:10How ugly she is.

00:18:12Is she your wife?

00:18:17I figured I was going to find you.

00:18:19Me too.

00:18:20We were waiting for you to bring us a piece of bread.

00:18:23Calm down, calm down.

00:18:24Don't protest.

00:18:24I'm with an important person.

00:18:26I can imagine.

00:18:27Another bum bum like you.

00:18:29Our children haven't eaten since last night.

00:18:31Shut up, damn it.

00:18:32Now we feed them.

00:18:34Take.

00:18:35Take this.

00:18:36I'll give you more tonight.

00:18:39Who did you steal from?

00:18:40Be quiet, for a little while.

00:18:42Don't make me look bad, woman.

00:18:43He has to believe that I am a good and honest man.

00:18:46Look, now I'm going to scold you.

00:18:48Just kidding, don't worry, no.

00:18:50You pretend to apologize to me.

00:18:52You understand?

00:18:54And now, go home right away.

00:18:56I'm not going to kick you because I don't want to make a scene.

00:19:01And don't you dare speak to me like that in the street again when I'm in the company of a stranger.

00:19:06You understand me?

00:19:08Next time I'll give you such a beating that you'll be in bed for fifteen days.

00:19:14Even better, so you can learn, I'm going to give it to you right now.

00:19:17That way we won't have to wait until next time.

00:19:19Do you like it?

00:19:20Do you want me to give you another one?

00:19:21She was a mother who has lost you!

00:19:23Okay, okay.

00:19:24No no!

00:19:25No no!

00:19:26No, no, no!

00:19:27You don't hit your own parts!

00:19:28You want me to give you the house!

00:19:32Take!

00:19:33Take!

00:19:35What a man!

00:19:36Take!

00:19:38Get out, family!

00:19:39What lunatics!

00:19:45Mr. Claudio Fornari is a painter of proven fame.

00:19:49And you should feel proud that he has made his paintbrush available to you.

00:19:53And that man keeps going on with his paintbrush.

00:19:55As if there weren't any other in the world.

00:19:56We're not here to discuss painting.

00:19:58Oh, no?

00:19:58So what is it about?

00:19:59Don't play the naive fool.

00:20:01Don't be such a jerk.

00:20:03Do you all know that I'm in love with Mr. Folco Piccolomini?

00:20:06And what do I want, to be his wife?

00:20:08No.

00:20:09You will not be Folco Piccolomini's wife.

00:20:11Because of his father Don Giovanni's greed.

00:20:14Avarice?

00:20:14He asked for a fair and adequate dowry.

00:20:16You say fair?

00:20:17One thousand gold escudos.

00:20:19My daughter is a beauty beyond compare.

00:20:20Her legs alone can be valued at 500 florins.

00:20:23You're charging me too much!

00:20:24What do you know, you fool?

00:20:25I have no intention of adding a single florin to her dowry.

00:20:28That's right, not a single florin.

00:20:30Careful, father.

00:20:31If I can't marry Folco, I'll become a nun.

00:20:33As?

00:20:34You heard right.

00:20:36I will enter the convent of the Little Sisters of Sorrow.

00:20:39You, with that little face,

00:20:41with that desire to live that oozes from your pores, the little sisters of pain.

00:20:45But you wouldn't last an hour with the little cousins of melancholy

00:20:48or with the little sisters-in-law of the minor setback.

00:20:51We'll see.

00:20:53Ave Maria, gratia plena, dominus decum.

00:20:58My Antonia, a sister in pain, a daughter-sister.

00:21:04Have you heard?

00:21:06Wise decision.

00:21:08Becoming a nun,

00:21:10I save on the dowry and she earns...

00:21:14...paradise.

00:21:17On the other hand, at this time,

00:21:19Mr. Piccolomini will have received my letter.

00:21:21The marriage of Folco and Antonia...

00:21:23...it's a dead issue.

00:21:24What did you think?

00:21:26I will defend Antonia's happiness until I can't anymore.

00:21:30I won't leave you alone, I swear.

00:21:37Yes, the michila, yes.

00:21:38Vent it out, vent it out.

00:21:39It's good for the chest.

00:21:41But who is that maiden?

00:21:42A new one?

00:21:44Disgusting pig.

00:21:45You're obsessed.

00:21:50Your mandrake infusion.

00:21:52I hope you like it.

00:21:53Thank you, sweetie.

00:21:55I love it.

00:21:56May I ask your name?

00:21:58It's not called.

00:22:00It has no name.

00:22:00No, because he'll leave right away.

00:22:03He will leave this house today.

00:22:05But...

00:22:05You can leave.

00:22:06Go away now.

00:22:14If Antonia is going to earn paradise,

00:22:17I'll make your life a living hell.

00:22:45Who calls this convent?

00:22:50It's me, Friar Pompop.

00:22:52Caterina, the innkeeper.

00:22:53I must confess right now, right now.

00:22:55Oh, blessed are you.

00:22:57And why are you in such a hurry?

00:22:58I have committed a very grave sin.

00:23:00And my husband Rafael made me come right away to see him.

00:23:03Very good.

00:23:04Your zeal and that of your husband honors me.

00:23:06But I'm sorry.

00:23:07Now it's impossible.

00:23:08The abbess of the convent is waiting for me.

00:23:10But she can wait.

00:23:12The abbess is a saint.

00:23:13It is I who must make peace with my conscience.

00:23:16I have the devil in my body, Friar Pompop.

00:23:18Bewitched, but what kind of sin have you committed?

00:23:20What did he say?

00:23:20I said bewitched.

00:23:22What kind of sin have you committed?

00:23:24Oh, a most dreadful sin.

00:23:26I put on some panties.

00:23:28Ah, some panties, panties, panties.

00:23:31And what on earth is that?

00:23:32A hat?

00:23:34What a hat!

00:23:35Panties are an instrument of...

00:23:38Femistopheles.

00:23:38What Satan?

00:23:39My Rafael told me, but I swear I'm never wearing them again.

00:23:42But can we find out what those Satan panties are?

00:23:45Don't you know them?

00:23:47They are a kind of underpants, like men's.

00:23:50I picked them up and put them underneath everything.

00:23:52Underneath it all?

00:23:53Where?

00:23:56Here.

00:23:58I put them on and covered myself completely, completely, completely.

00:24:00Front and back.

00:24:01What have you covered up?

00:24:03Have you covered yourself from the front and the back?

00:24:05As far as?

00:24:08Look, they started almost at the feet and went right up to here.

00:24:11I've already told you, like men's underwear.

00:24:13Did they go right up to there?

00:24:15And all of this was exposed?

00:24:17No, no, they were covering this up too.

00:24:19This too?

00:24:20Halfway?

00:24:21Everything, everything, up to here.

00:24:23All?

00:24:23What a terrible sin, darling!

00:24:25Is it serious?

00:24:26Very serious!

00:24:27He needs that holy water everywhere.

00:24:29Here, here, here.

00:24:30You have hidden all this grace from heaven.

00:24:32You have offended Mother Nature.

00:24:34What sacrilege!

00:24:36Don't scare me anymore, Friar Pompó.

00:24:37Confess to me quickly, right away.

00:24:39The Mother Abbess will be discussed later.

00:24:40The Mother Abbess will wait.

00:24:41A long penance is needed here, a very long one.

00:24:44You have to make a good confession to me.

00:24:46Come here, let's get comfortable.

00:24:48To achieve peace with your conscience,

00:24:50I have to exorcise all this defiled flesh from you.

00:24:55Relax, lie down freely.

00:24:57And above all, don't be in any hurry.

00:24:59Kiss, kiss.

00:25:00My sweet Rafael told me.

00:25:02You'll see how many times Friar Pompó makes you kiss the loyal cord.

00:25:04That man is a saint.

00:25:07Blessed be.

00:25:09Start kissing here.

00:25:10Kiss, kiss.

00:25:11Then I'll tell you when you have to turn around.

00:25:16Brother Pompó, what are you doing to me?

00:25:18Shut up, you devil.

00:25:19If one nail pulls out another, one sin also pulls out another.

00:25:22This must be your penance, for...

00:25:24Glad to hear it.

00:25:25I was getting fed up with so much cord.

00:25:28Make yourself comfortable, Friar Pompó.

00:25:47Get comfortable.

00:25:49Good, good, good.

00:25:52Let's get down, Ariosto.

00:25:54No, I'm not begging for your ass, Your Excellency.

00:25:56Don't touch my ass.

00:25:58But what have you understood?

00:25:59Mr. Piccolomini has told us to back down, to sit down.

00:26:03Isn't that right?

00:26:04Of course.

00:26:06There will be time for everything else later.

00:26:07Please.

00:26:10So that buffoon Mr. Mencaglia refuses to give his daughter a dowry.

00:26:17And in this way, he tells marriage to go to hell.

00:26:20And you, you miserable scoundrel, dare to bring me this message.

00:26:25No, you don't know what they call me in these parts.

00:26:29I know, but I don't tell him.

00:26:32Say it.

00:26:33Say it.

00:26:34What do they call me?

00:26:35Is he a pain in the ass?

00:26:37Exact.

00:26:39Exact.

00:26:42And now I will quickly break yours with this Mazalló.

00:26:45I'll crack them for you like two nuts.

00:26:47No, no, no, no.

00:26:48He's so cute, isn't he?

00:26:49Sir, a gentleman of your stature cannot stoop to beating up a servant.

00:26:54A scoundrel, a wretch.

00:26:57And who is this?

00:26:59What is it that he wants?

00:27:01Bear your wrath instead of this servant.

00:27:04That pleases me.

00:27:06More balls to break.

00:27:25Disgusting, rude.

00:27:26I've told him so many times that it's said,

00:27:28Leave my testicles alone.

00:27:31Lord, I beg you.

00:27:33Leave my ball alone, sir.

00:27:35Please, please, please, please.

00:27:39It has been a pleasure meeting you, Mr. Piccolomini.

00:27:41Youngster.

00:27:43Sir, one moment.

00:27:45What's it called?

00:27:46Claudio Fornari, from Rome.

00:27:48Listen, I've been looking for a man like you for a long time.

00:27:51Do you want to be the captain of my guard?

00:27:53Thanks, but I can't.

00:27:55I hate weapons and violence.

00:27:57My profession is the art of painting.

00:27:58So I'll tell you that these paintings are going to waste.

00:28:02You must have it restored.

00:28:04Okay, okay.

00:28:05Listen, there is a very large fresco in my room to which I am truly attached.

00:28:09Would you like to come and see it?

00:28:14Do you feel like working?

00:28:15Whom?

00:28:16Me?

00:28:16Not too much.

00:28:17But to be with you I am capable of any sacrifice.

00:28:21OK.

00:28:22Can we see that fresco?

00:28:23Yes of course.

00:28:25Please follow me.

00:28:26I will show him the way.

00:28:27Please follow me.

00:28:29Let's put this one on.

00:28:47Giovanni, what are you doing?

00:28:49Forgive me, my dear.

00:28:51I had no idea you were here.

00:28:52Am I in my room?

00:28:54Yes, yes, I'll explain now.

00:28:56The man is an artist.

00:28:57You don't have to worry about him.

00:29:00And that other one?

00:29:01What other one?

00:29:05This guy's an idiot!

00:29:06Out!

00:29:07Get out of here!

00:29:08Out!

00:29:09They're watching!

00:29:13Heart of the fight!

00:29:23The gentleman is a painter who has come from Rome and has decided to take charge of restoring our beautiful frescoes.

00:29:28I think you'll agree.

00:29:29Yes, dear, although I'm not too keen on having painters in the house.

00:29:34We finished with the bricklayers just ten days ago.

00:29:37Ah, yes, yes, but our friend Claudio Fornari is a master.

00:29:41He knows very well where to use the brush and the colors.

00:29:44Teacher, would you like to see the fresco?

00:29:46Come on, come on, please.

00:29:50This is the fresco I told you about earlier.

00:30:10It's very damaged.

00:30:13Yes, quite a lot.

00:30:14It requires a long and patient process.

00:30:17I feel sorry for you, ma'am...

00:30:19Dona...

00:30:20Hippolyta.

00:30:21My wife's name is Hipólita.

00:30:24The name of the queen of the Amazons?

00:30:26Yes, the one who fought against Hercules when he stole his belt.

00:30:31Of chastity?

00:30:33I don't think so.

00:30:34And who won?

00:30:36Who won?

00:30:37The Queen of the Amazons.

00:30:38Yes, but Hercules kept the belt.

00:30:43We shouldn't be talking about fixing the painting right now, sir.

00:30:46Sir, when would you like to begin?

00:30:49Maybe tomorrow.

00:30:50Oh, in the armory?

00:30:52The one in the bedroom is more urgent.

00:30:55I hope he's not too early.

00:30:58Won't you want to wake me up at dawn?

00:31:02Of course not, ma'am.

00:31:04I don't start work until noon.

00:31:11Magnificent.

00:31:12They are the work of the master Pansiroqui of Verona.

00:31:15They cost me 40 silver florins.

00:31:20If I lost them, I wouldn't be able to sleep in my bed again.

00:31:23They're an integral part of our nights, aren't they, Hippolyta?

00:31:29Please, sir, let's go.

00:31:53We'll give each other something.

00:31:54Who's coming in?

00:31:54I.

00:31:55OK.

00:31:58Two.

00:32:11Cheers, cheers.

00:32:19Ah, no, I'm not going this way.

00:32:21What's wrong?

00:32:22This is my wife's area.

00:32:24And you can't meet a woman twice in the same day.

00:32:44Mister!

00:32:45Mister!

00:32:48He has forgotten his hat in the armory.

00:32:51Oh, yes, I dropped it on the battlefield.

00:32:54Thank you, thank you, girl.

00:32:56I'm sorry you had to go to trouble because of me.

00:32:59It has been a pleasure for me, a great pleasure.

00:33:02Excuse me, is it true that starting tomorrow you will be working at Mr. Piccolomini's house?

00:33:06Yeah.

00:33:07To paint Doña Hipólita's room?

00:33:09Do you dislike it?

00:33:16Would you like me to paint your room too?

00:33:20Oh, yes, sir.

00:33:21But I am a poor servant.

00:33:24I can't ask that much of you.

00:33:25Who said that?

00:33:28A true artist paints wherever he pleases.

00:33:57A true artist paints wherever he pleases.

00:34:07No, I'm a Virgo.

00:34:10And I am a Capricorn.

00:34:12We complement each other perfectly.

00:34:18But I'm a Virgo.

00:34:31She was a virgin.

00:34:37You look great.

00:34:39No, I am a virgin.

00:34:40Yeah.

00:38:56Dear sisters,

00:38:58Truly I tell you

00:38:59who, fleeing the temptations of worldly life,

00:39:03the noble daughter of Lord Domenico Mencalla

00:39:06She has asked to come with us.

00:39:10Let us prepare ourselves, therefore,

00:39:12to welcome Sister Antonia to our convent

00:39:15And let's make tomorrow a day of celebration.

00:39:18Good evening, sisters.

00:39:20Peace be with you.

00:39:21Peace be with you.

00:39:38Frey Pamporio!

00:39:40Frey Pamporio!

00:39:41What is it? What's happening?

00:39:42The meeting begins.

00:39:43What? Is the meeting over?

00:39:46Ah, thank goodness! What a joy!

00:39:48How Jesus has praised himself!

00:39:50But how? Does he want to leave already?

00:39:53I have spent a day, Mother Abbess,

00:39:55I can't wait to get into bed.

00:39:57I had counted on his company.

00:40:00Tonight I wanted to pray with you, to pray in my cell.

00:40:04I'm so sorry, but I don't have the strength tonight.

00:40:07But, Frey Pamporio, one hour, just one hour,

00:40:10a short hour, just a prayer for the poor little dead ones.

00:40:14I would pray for myself, Mother Abbess,

00:40:16because I can say that I'm half dead.

00:40:19Okay, okay.

00:40:20Then nothing, but upon leaving,

00:40:23Frey Pamporio would like to do me a favor.

00:40:25If I can.

00:40:27Well, not the guardian friar,

00:40:29Neither did Frey Campana,

00:40:31the least cook.

00:40:33Ah, I see!

00:40:35Fili Puchino, the gardener, do you know him?

00:40:37I know him, I know him.

00:40:40Please tell him to come as soon as possible.

00:40:43Give him the gift of running up to my cell,

00:40:44I need it in the prayer for the poor little dead ones.

00:40:47Good idea.

00:40:49I'll send it to you quickly.

00:41:14Give him the gift of running up.

00:41:49Give him the gift of running up.

00:42:18Thanks for watching the video.

00:42:48Thanks for watching the video.

00:42:59Thanks for watching the video.

00:43:21Hey, Friar Pomporio, keep your hands to yourself, okay?

00:43:24But what do you think? I'm looking for you to tell you that the abbess wants to see you in her cell.

00:43:28The abbess?

00:43:29No, it's impossible.

00:43:32Imagine, tonight I have a holy novena with Sister Marforia.

00:43:35Oh, and then two ejaculations with Sister Carlota.

00:43:39Ah, you have to do me a favor.

00:43:42Find an excuse and tell the abbess that it will happen another time, it will happen another time.

00:43:46Good evening, Friar Pomporio.

00:43:48And try to get some sleep.

00:44:11Welcome, Friar Filipe.

00:44:13Fai Filippuccio.

00:44:14I'm sorry, it's me again, Friar Pomporio.

00:44:18Has he regretted it?

00:44:21The cuckolds regret it, and luckily I don't have a wife.

00:44:24I've come to tell you that Fai Filippuccio is busy with a mass.

00:44:27Ah, I understand.

00:44:29But since I don't want to pray the De Profundis alone, when you leave, do me another favor: tell the brother...

00:44:35Wasted time, Mother Abbess.

00:44:37With all the people in this convent, I'm the only one left to pray for the souls of

00:44:43the little dead ones.

00:44:45And because of his father.

00:44:46And why not?

00:45:26Fai Filippuccio is busy.

00:45:48And remember, treat your boss well and you'll see how you come out on top.

00:45:52You must be very submissive, speak little, and always do what I tell you.

00:45:55You've told me the same story ten times now, and when are you going to give me the five coins?

00:46:00Right now, what are you afraid of?

00:46:02You're welcome, just give me half.

00:46:04Now get ready, it's coming soon.

00:46:07Hey, I don't really understand this story about the crown.

00:46:10Why do I have to put it on?

00:46:11I don't know, you just put it on and don't worry about anything else, woman.

00:46:15Go on, come on, let's go.

00:46:26What are you doing? Haven't you ever seen an ass?

00:46:29We'd better do a general test.

00:46:40What a shame you can't see yourself.

00:46:43Bravo, bravo, bravo, bravo.

00:46:45It's wonderful.

00:46:47A true work of art.

00:46:51Good.

00:46:52It's my ass, he gets all the praise.

00:46:55Truly something exceptional.

00:46:56You deserve a bigger reward.

00:46:59Thank you.

00:47:00Thank you, Don Domenico.

00:47:01Francesca, thank the Lord.

00:47:03No, no, no, there's no need to not move.

00:47:05I've never seen an ass like this in my entire life.

00:47:07It's their only one.

00:47:08Go away, go away, go away, Ariosto, go away.

00:47:10Leave me alone.

00:47:11And stand guard!

00:47:38Thank you.

00:48:08Thank you.

00:48:38Thank you.

00:49:08Thank you.

00:49:38Thank you.

00:50:08Thank you.

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La bella Antonia primero monja despues diablo 1972 - HD 1080 - Español Completa - Dir: Mariano Laurenti

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