- hace 23 horas
Reparto: José Suárez, Luis Peña, Carlos Otero, Joaquín Navales, María Asquerino, Pedro Gil, Carolina Jiménez, Gustavo Re, María Julia Díaz, Juan Velilla, Rafael Moya, María Francés, Victoriano Fuentes, Emilio Sancho, Carlos Ibarzábal
Dirección: Francisco Pérez-Dolz
Sinopsis: Para crear una banda profesional de atracadores en Barcelona, Martín y el joven francés Antoine se ponen en contacto con Román, un amigo del pasado politizado de Martín, para que les consiga armas y un cuarto hombre. Mientras, Marisa, la novia de Román, quiere cambiar de vida y prosperar pero las promesas de Román nunca se cumplen. Finalmente, Román intentará convencer a Jordi "el Picas", un antiguo atracador que ahora trabaja en una masía, para unirse a la banda.
Dirección: Francisco Pérez-Dolz
Sinopsis: Para crear una banda profesional de atracadores en Barcelona, Martín y el joven francés Antoine se ponen en contacto con Román, un amigo del pasado politizado de Martín, para que les consiga armas y un cuarto hombre. Mientras, Marisa, la novia de Román, quiere cambiar de vida y prosperar pero las promesas de Román nunca se cumplen. Finalmente, Román intentará convencer a Jordi "el Picas", un antiguo atracador que ahora trabaja en una masía, para unirse a la banda.
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DiversiónTranscripción
00:04:40Good morning.
00:04:43Good morning.
00:04:48Come with me.
00:04:49Where to?
00:04:49Be again.
00:04:50I?
00:04:51Yes, you.
00:04:52Sir, education is essential in life.
00:04:56Take it with you.
00:04:59So, where are you going on your excursion today?
00:05:02We want to show ourselves.
00:05:03We love San Jerónimo.
00:05:05Very good.
00:05:06Be careful.
00:05:07Don't do anything stupid, okay?
00:05:08And you eat it all.
00:05:10Goodbye, Dad.
00:05:11Goodbye, Dad.
00:05:11Bye bye.
00:05:12That's it, goodbye.
00:05:13And watch out for cars.
00:05:16Dad.
00:05:17What do you want?
00:05:19Well...
00:05:19Money.
00:05:20That?
00:05:20Money?
00:05:21You're always asking for things.
00:05:23But, man, didn't your mother already give it to you?
00:05:24Yes, but...
00:05:25Okay, here you go.
00:05:27Wow!
00:05:27Thank you!
00:05:27Wow!
00:05:29Come on, let's go.
00:05:31Good morning.
00:05:32If you say so.
00:05:34As?
00:05:36That?
00:05:37I mean, if you say so.
00:05:38Ah, yes, of course.
00:05:40That's what they always say, isn't it?
00:05:42Maybe later...
00:05:44Come with me.
00:05:45No, don't do anything to me.
00:05:46I don't do anything to him.
00:05:47Don't hurt me.
00:05:47I'm not hurting him.
00:05:48Go on, continue.
00:05:49No.
00:05:50Hey?
00:05:51What is this?
00:05:52Don't do anything to me.
00:05:53I will give them whatever they want.
00:05:54You don't have to give anything here.
00:05:55We do it as a dance.
00:06:03Bye bye.
00:06:03Bye bye.
00:06:04Will you be late?
00:06:05I don't know.
00:06:14It always happens to me.
00:06:31That?
00:06:36Good perfume.
00:06:38Chanel.
00:06:39Are you new here?
00:06:40No.
00:06:42I only work overtime.
00:06:44Ah.
00:06:47The keys.
00:06:49It seems you're a little hard of hearing.
00:06:51I asked him for the keys.
00:06:53Oh, turn around.
00:06:54Come on, hurry.
00:06:57Go on.
00:06:58Strip.
00:06:58Below.
00:07:06Oh, turn around.
00:07:08Oh, turn around.
00:07:11Oh, turn around.
00:07:17Oh, turn around.
00:07:20Oh, turn around.
00:07:21Oh, turn around.
00:07:22Oh, turn around.
00:07:22Oh, turn around.
00:07:23Oh, turn around.
00:07:23Oh, turn around.
00:07:23Oh, turn around.
00:07:24Oh, turn around.
00:07:24Oh, turn around.
00:07:25Oh, turn around.
00:07:26Oh, turn around.
00:07:27Oh, turn around.
00:07:29Oh, turn around.
00:07:30Oh, turn around.
00:07:40Everyone leave.
00:07:42Come on?
00:07:43Everyone leave.
00:08:00Take off your coats and jackets.
00:08:02That?
00:08:02Fast!
00:08:15Throw them away there.
00:08:17There.
00:08:19You never hear.
00:08:20There!
00:08:27Now for the pants.
00:08:29The pants.
00:08:29I said the pants.
00:08:31Ah, the pants.
00:08:42Let's see those hands.
00:08:43I said hands, you idiots.
00:08:58What did you expect?
00:08:59The Civil Guard?
00:09:02Delicate hands.
00:09:04A gentleman accustomed to handling greenbacks.
00:09:08Did you have fun tonight?
00:09:10You still smell, I'll finish.
00:09:15Look, yours smell like a steering wheel.
00:09:20What's the matter?
00:09:22Stay still.
00:09:24Are you cold?
00:09:26Speaks.
00:09:27Say something.
00:09:30Turn around.
00:09:33I'd like to know what your dear friend thinks.
00:09:38I don't know how she puts up with you.
00:09:57Ah!
00:10:01Ah!
00:10:04Ah!
00:10:05Ah!
00:10:07Ah!
00:10:18This one seems to be.
00:10:20No, he wasn't that young.
00:10:21I would say no.
00:10:22Other.
00:10:25Jesus.
00:10:26Thank you.
00:10:26No, not that either.
00:10:27No, no, no.
00:10:28Come on, change it.
00:10:31What is this?
00:10:32Come on, come on.
00:10:33Just a moment, commissioner, he'll be right there.
00:10:38No, not this one either.
00:10:40Oh, no, he didn't have a mustache.
00:10:43Okay, another one.
00:10:45It's the last one.
00:10:47No, no, no.
00:10:48No no.
00:10:48He definitely didn't have a mustache.
00:10:50Alright.
00:10:50Go away!
00:10:53He certainly didn't have a mustache.
00:10:55No, I know.
00:10:59Well, that's it.
00:11:01Well, folks, it looks like we haven't had any luck.
00:11:04We will follow another system.
00:11:07Any of these that you have seen fits perfectly into the job that has been done to them.
00:11:10They need to be taught a lesson.
00:11:12It's inconceivable that such things could happen in a city like Barcelona...
00:11:17Everything will work out.
00:11:18For now, we need your cooperation.
00:11:20Count on me for anything.
00:11:21I believe he can count on everyone.
00:11:24The thing is, I haven't slept a wink yet, commissioner.
00:11:27What's up with me?
00:11:28I understand, but this is essential.
00:11:30Wage.
00:11:30Yeah.
00:11:31Please accompany the gentlemen to the identification office.
00:11:33Good.
00:11:35Our artists will try to create a test portrait with your help.
00:11:38Thank you, gentlemen.
00:11:39Bye bye.
00:11:39Good morning.
00:11:40Goodbye, gentlemen.
00:11:40A lesson learned.
00:11:41That's what needs to be done.
00:11:43This way, gentlemen.
00:11:44I think the government is too lenient with criminal hooliganism.
00:11:47You know I have a cold.
00:11:48I'm not going to help them much.
00:11:50Honestly, I'm dead tired.
00:11:53I want to go home.
00:11:54My head hurts.
00:11:55It will happen, it will happen.
00:11:55As soon as we're done, it'll only take a moment.
00:11:57It hurts a lot.
00:11:58I'm not feeling well.
00:12:00Furthermore, they are not on file.
00:12:01It's still a difficult task.
00:12:03We'll have to go around in circles a lot.
00:12:04I've already had midsoles put in.
00:12:06Are you going to the movie?
00:12:07Forward.
00:12:08Listen to the source.
00:12:08Gather them in my office.
00:12:09I'll be right there.
00:12:11Have you ever had to dance with the ugliest one?
00:12:13It was to be expected.
00:12:24Are you going to keep them here for a long time?
00:12:27That's none of your business.
00:12:28Yes, it matters to me.
00:12:29Every time that appears, you change your way of being.
00:12:32He controls you like you're a puppet.
00:12:34Shut up, stupid.
00:12:35Hey, Roman, why has the price of caustic soda gone up?
00:12:38Oh, how should I know?
00:12:39What do I know, what do I know.
00:12:40But they've raised it.
00:12:40Tell him the police are snooping all over the neighborhood
00:12:42and that this is not a hotel and that they should leave.
00:12:44Leave me alone.
00:12:52Your sister is a little nervous.
00:12:54Don't do that to him.
00:12:56That's not a bad idea.
00:13:01There you have it.
00:13:02He wanted to experience the frivolous life of the city.
00:13:06This guy doesn't know what he's doing.
00:13:07A good Spanish cognac.
00:13:10Take.
00:13:11Do you want some?
00:13:13It's the best thing for getting rid of a hangover.
00:13:15Ah, from Lesboa!
00:13:19And what role does this Frenchman play in all this?
00:13:21Don't believe it.
00:13:22It's a good element.
00:13:24He has been trained using modern methods.
00:13:27Sixteen.
00:13:28Roule a cordar.
00:13:29Toulouse.
00:13:33Doesn't it tell you anything?
00:13:34Yeah.
00:13:35And I don't find it funny at all.
00:13:36I haven't been involved in politics for years.
00:13:38Frank, you told me about something else.
00:13:39Something very different from what you've done in the garage.
00:13:42I'm behind you.
00:13:43Yes, yes, okay.
00:13:44But knowing you, I know you would have been a little suspicious.
00:13:47Now you know who Antoine is.
00:13:50Roman.
00:13:51Good.
00:13:51And what do you decide?
00:13:57Look, we need some machine guns and a different kind of trust.
00:14:00But be careful, I don't want any crooks.
00:14:02If not, we'll do it ourselves.
00:14:04I don't like your systems.
00:14:05You'll have to find other people.
00:14:06I don't know where to find what they're asking for.
00:14:08Don't talk nonsense, Roman.
00:14:09You know fifty people who could do it.
00:14:12Between the four of us, we're going to drive the police crazy.
00:14:16A couple of blows that will make history and vacation on the other side of the border.
00:14:33Take.
00:14:35So you can afford the increase in the price of caustic soda?
00:14:39You've quickly made a profit.
00:14:40Martin gave it to you, didn't he?
00:14:42Don't ask questions.
00:14:43Come on, take it.
00:14:44You can return it to me when you can.
00:14:46No no.
00:14:50You don't want to get dirty, do you?
00:14:51Already.
00:14:52For your peace of mind, I'll tell you that Martín is one of you.
00:14:55From mine?
00:14:55No.
00:14:56All he knows how to do is steal and kill.
00:14:59Perhaps they didn't teach him anything else.
00:15:00Yes, they taught him something else, yes.
00:15:02What happens...
00:15:03Bah, I got what I deserved for being a donkey.
00:15:05You seem very resigned.
00:15:06Anyone would say you've chosen the best.
00:15:08Yes, it's possible, I know.
00:15:10You don't need to tell me.
00:15:12I'm a failure.
00:15:14And I'm still grateful I have this.
00:15:16But my biggest failure is you.
00:15:20I would have wanted the best in the world for you.
00:15:23But they tricked me like a Chinese person.
00:15:26They denied me the only opportunity that...
00:15:28Don't get sentimental, it doesn't suit you.
00:15:30I want the best in the world too.
00:15:32Money.
00:15:33And I still have time to achieve it.
00:15:46Me too.
00:16:11You gave me quite a fright.
00:16:12Why don't you turn on the light?
00:16:14Where do you come from?
00:16:15Going for a walk.
00:16:16Are you coming? Did you come by car?
00:16:17Okay, I'm lying, I'm lying.
00:16:21You should at least thank me for the decency to lie.
00:16:23I don't know why you're acting like this.
00:16:25Always with your questions and then you end up furious.
00:16:28Things are the way they are.
00:16:29And if you want to change them, you know what you have to do.
00:16:32I can't take it anymore. I'm fed up.
00:16:33I'm fed up, do you hear me?
00:16:35Yes, I can hear you. You don't need to shout so much.
00:16:37I'm here, I'm not deaf.
00:16:38Every holy night the same thing.
00:16:41It's always the same song.
00:16:42I'm fed up too. Very fed up.
00:16:45And you're going to buy a truck.
00:16:46And I'll buy it, you'll see.
00:16:47Or two or three, I don't know.
00:16:49Absolutely, I'll buy it.
00:16:50We had to live like princes.
00:16:53I believe it.
00:16:54Everything is very nice.
00:16:55Pink, just like in the movies.
00:16:57Yes, yes.
00:16:58Yes, yes.
00:16:59Yes, words and more words.
00:17:01And on top of that you come at me with demands.
00:17:03It's very funny.
00:17:05I do what I can.
00:17:06All you know how to do is complain, always complain.
00:17:09I do what I can.
00:17:10And what's the point of complaining so much?
00:17:12There are men who would be capable of making money out of stones, if necessary.
00:17:17You know many men.
00:17:20Too many.
00:17:21Who was that guy?
00:17:22What type?
00:17:23The one who brought you here.
00:17:24Oh, please, Roman.
00:17:25You know I don't care about anything.
00:17:27I don't care about anyone.
00:17:28You have no shame.
00:17:30You are one.
00:17:31A what?
00:17:33Say it.
00:17:35You like to deceive me just to annoy me, don't you?
00:17:38I don't deceive anyone.
00:17:39Yeah.
00:17:39No.
00:17:40These suits and this apartment, which you like to come to so much, cost me money, you understand?
00:17:45I live by realities, not promises.
00:17:47So now you know.
00:17:49If you don't like the plan, there's the door.
00:17:57You'll feel better now, won't you?
00:18:01Marisa.
00:18:02Marisa.
00:18:03Marisa.
00:18:22No, don't go.
00:18:25Go on.
00:18:26You're coming.
00:18:39Do you have everything ready?
00:18:41Yes, now I'm going to get the machine guns.
00:18:43The machine guns and your friend.
00:18:46Which friend?
00:18:48I've already told you that it's difficult to find what you want, there's no time.
00:18:51But hey, now you come out with that.
00:18:53You know as many people as I do, go out and find him.
00:18:55Hey, Roman, I don't like to argue.
00:18:57And even less so now.
00:18:59That guy should be here already.
00:19:02It's very easy to say.
00:19:04Give the orders and let someone else...
00:19:06Who gives the orders?
00:19:09Everyone has their own job, their own risks.
00:19:12If you, me...
00:19:14And that one?
00:19:14What are the risks?
00:19:15No, everyone.
00:19:16Don't worry about him.
00:19:19Did you tell me about a guy who had machine guns?
00:19:22Yes, but...
00:19:23Go see him.
00:19:25Tell him it's a good deal.
00:19:27He's a friend of yours, isn't he?
00:19:30Then he'll be a good boy.
00:19:31Sure.
00:19:34See you tomorrow.
00:19:45Thank you!
00:19:47Thank you!
00:19:47Thank you!
00:19:58Thank you!
00:20:10Thank you!
00:20:11Thank you!
00:20:21Thank you!
00:20:26Thank you!
00:20:28Thank you!
00:20:30Thank you!
00:20:33Thank you!
00:20:45Good morning!
00:20:47Wait! Wait!
00:20:51Oh! But! It's Roman!
00:20:56Good morning, Mrs. Quimeta!
00:20:58Good morning, son! What brings you here?
00:21:01How long!
00:21:02Yes, he came to see his son
00:21:05Yes, I was around here.
00:21:07Noi! Jordi! Jordi!
00:21:11Em sembla que és a l'estable
00:21:12And what did you do?
00:21:13Okay, okay, I'll go look for it.
00:21:15Will you stay for lunch?
00:21:17Well, they invite each other, a meal is always a meal
00:21:20Thank you
00:21:21It's clear that yes
00:21:22Look, I'll kill a chicken.
00:21:25Yeah
00:21:31What's up, spits?
00:21:33Roman!
00:21:35Hey, Roman!
00:21:36Okay, kid!
00:21:37Roman! But how did you get here?
00:21:39Walking
00:21:40You'll stay for lunch, right?
00:21:41Yes, of course, your mother has already invited me.
00:21:43You live the good life, thief!
00:21:44What are you doing? Working
00:21:45Working like a mule
00:21:48Well, don't ask me what you're here for.
00:21:50Well...
00:21:50Don't know
00:21:52I've come for something special.
00:21:55I need the machine guns
00:21:59There they are, greased and ready.
00:22:01And now, good luck!
00:22:03With Martín, you don't need luck.
00:22:05We've been left with a loose end.
00:22:06There they are, take them whenever you want
00:22:07You haven't understood me.
00:22:08I want you to come too
00:22:10Me too?
00:22:12Ah, I see.
00:22:13And you're in charge of finding the weapons.
00:22:15And the missing man
00:22:16Don't go on, Roman
00:22:18Spades
00:22:21Hey
00:22:23If done properly, this should yield results, right?
00:22:26Have you ever thought that this property could be yours?
00:22:29Yes, I've thought about it.
00:22:31I've definitely thought about it.
00:22:34I've been thinking about it for four years.
00:22:37There in the shadows is the only thing there's time for.
00:22:39Food for thought
00:22:40Yeah
00:22:41Four years is a long time
00:22:42And you don't know how angry it made me.
00:22:44But this time you have to come
00:22:46Martin is involved and everything will be alright
00:22:48That guy has talent.
00:22:49Otherwise, I wouldn't be here.
00:22:52I owe you.
00:22:53And I would like you to get ahead too.
00:22:56You knew when to keep quiet
00:22:58And that's not easily forgotten.
00:22:59Leave him alone, Roman
00:23:01That's water under the bridge.
00:23:05You would have done the same in my place, wouldn't you?
00:23:07Yes, you can rest assured.
00:23:10What's wrong with your wife?
00:23:12She doesn't seem very happy to see me.
00:23:13Go on, just ignore him.
00:23:14Au, nois
00:23:15Don't you say that to the table?
00:23:17Yes, yes
00:23:18He's not feeling well.
00:23:20It's almost here
00:23:21Maria, you see, she's carrying some joints
00:23:24You see, after so many years of marriage without children
00:23:27Smallpox in old age
00:23:33Hey, does Martin know I've been in jail?
00:23:35Oh, no, no
00:23:44What are you doing there?
00:23:45Why did you get up?
00:23:49Cover yourself up, woman, you're going to catch a cold
00:23:50No no
00:23:55What did you want, Roman?
00:23:58Nothing, he came to see me
00:23:59Can't you visit a friend?
00:24:00Is that all he came for?
00:24:02What's the matter?
00:24:03Why so many questions?
00:24:04I don't know, it surprises me that you have to go to Barcelona tomorrow of all days.
00:24:08I already told you.
00:24:09I need to go talk to the administrator
00:24:11Talk?
00:24:12About what?
00:24:12Well, what else would it be from the farm?
00:24:14They have to give us the tractor and...
00:24:15And this is what's keeping you up at night?
00:24:19Look, I'm worried, Maria.
00:24:21I'm having problems
00:24:22Leave me alone
00:24:23No, no, you're hiding something from me.
00:24:25I'm afraid
00:24:26I don't know what's wrong with me
00:24:28Come on, come on
00:24:29I'll be back in a couple of days.
00:24:30Go on, cover yourself up and go to sleep
00:24:42He will not be on the list
00:24:44No, because it has to be
00:24:50Your friend always makes you wait.
00:24:52He said he would come, and he will come.
00:24:53Man, I'm glad.
00:24:54He seems to be a man of his word.
00:24:56What is he doing at the farmhouse?
00:24:57I like the countryside, you know?
00:25:09Hello
00:25:10Hello, picas
00:25:12Where are they?
00:25:13They are downstairs
00:25:14Who?
00:25:14That?
00:25:15Who?
00:25:43Thank you!
00:25:45Until now!
00:26:15Thank you!
00:26:26Thank you!
00:26:30Thank you!
00:26:31Thank you!
00:26:32Thank you!
00:26:33Thank you!
00:26:33Thank you!
00:26:35Thank you!
00:26:36First they tell me the usual.
00:26:38And when it was time to leave, whoosh!
00:26:39They give me a check for half a million.
00:26:42It's coming right away.
00:26:43And on top of that, they send me alone.
00:27:16I'm going to spend the whole morning here.
00:27:19That's it, we're almost there.
00:27:20Look, look at the time, look.
00:27:45Thank you!
00:27:52Thank you!
00:28:04Thank you!
00:28:17Thank you!
00:28:20Thank you!
00:28:30Thank you!
00:28:42Thank you!
00:28:44Thank you!
00:28:46Thank you!
00:28:49Thank you!
00:28:55Thank you!
00:29:01Thank you!
00:29:11Thank you!
00:29:14Thank you!
00:29:27Thank you!
00:29:36Thank you!
00:29:37Thank you!
00:29:40Thank you!
00:29:43Thank you!
00:29:46Thank you!
00:29:47Thank you!
00:29:48Thank you!
00:29:48Thank you!
00:29:50Thank you!
00:29:51Thank you!
00:29:51Thank you!
00:29:53Thank you!
00:29:53Thank you!
00:29:55Thank you!
00:29:56Thank you!
00:29:57Thank you!
00:29:58Thank you!
00:29:58Thank you!
00:29:58Thank you!
00:30:06Come on!
00:30:14Try what you can.
00:30:25Come on, get out!
00:30:28Come on!
00:30:59Turn over!
00:31:02Turn over!
00:31:09Let's go!
00:31:11Let's go!
00:31:23Let's go!
00:31:31Let's go!
00:31:32that they don't move.
00:31:51Careful.
00:31:55What is this?
00:31:56Don't worry.
00:31:57It's definitely football.
00:31:59You'll see what a plot is.
00:32:05It's wood.
00:32:07Look.
00:32:08And that he will soon emulate in film
00:32:10the hits of the late Chica.
00:32:13And finally,
00:32:14Our televised seventh art broadcast concludes.
00:32:16Sofia Logren's face,
00:32:18accompanied by her husband, the producer
00:32:20Carlos Ponti, newly arrived
00:32:22once again to the Spanish capital.
00:32:41That's it.
00:32:53You'll be tired.
00:32:55Give yourself a fight.
00:32:56Look, come here.
00:33:02Did everything go well?
00:33:04Yeah.
00:33:12The fifteenth graduating class of the Official School of Technology,
00:33:16Andrew of Jesus,
00:33:17He will travel to Ávila next Sunday.
00:33:19where it is celebrated
00:33:23a run of two,
00:33:24and a festival too.
00:33:25The events will be presided over by the minister
00:33:27of those who have decided us
00:33:28about the treatment of Parque.
00:33:30In the Bullfighting Commission
00:33:31the teeth will participate
00:33:32Edrés,
00:33:33Luis Pedro in Valencia,
00:33:34Antonio Jesús,
00:33:35Diego Villero,
00:33:36E. Caballero.
00:33:37After,
00:33:37and in the second deal,
00:33:38those who have decided us
00:33:40with the leading newspapers
00:33:42like Maria Rosa,
00:33:45José Miguel and the Girl.
00:34:07Boy,
00:34:08as if you were at the police station.
00:34:09You have to pry the words out of you.
00:34:11Okay, so what do we do now?
00:34:12I'd like us to go anywhere,
00:34:14far from here.
00:34:15Don't be in such a hurry,
00:34:16wait.
00:34:17What are you waiting for?
00:34:19Look, Rico,
00:34:20I've been waiting a long time.
00:34:21and I can't take it anymore.
00:34:21Apparently, I'm not involved here at all.
00:34:24One of these days I'll just quit and leave.
00:34:26I have a lot at stake too,
00:34:27almost as much as you.
00:34:29How much did you get?
00:34:30Quiet, Marisa.
00:34:31Don't even think about it.
00:34:33I'll do it for you.
00:34:34It must be Martin.
00:34:35Eduardo Sánchez Calvo,
00:34:37a radio announcer you know perfectly well,
00:34:39a television presenter
00:34:40that you can identify just by looking at them
00:34:42because every day
00:34:43at three o'clock and at nine thirty at night
00:34:45has an appointment with...
00:34:47Is Roman there?
00:34:48Yes, it happens.
00:34:54Can?
00:34:56Wait for me a moment.
00:34:57Now save.
00:34:58OK.
00:35:05Who is that handsome little boy?
00:35:06What's coming with Martin?
00:35:07Look, look, don't ask so many questions.
00:35:08Get ready and leave us alone for a couple of hours.
00:35:10Go to the movies or wherever.
00:35:12You have to pay to go anywhere.
00:35:18Antoine, why don't you bring something worthwhile?
00:35:20Their relationship, their selection,
00:35:22always in agreement with...
00:35:23Use.
00:35:24I don't know, look around there, above.
00:35:27You have to use a little imagination.
00:35:29It's certainly an important part.
00:35:31Thanks to Marcos for giving this award.
00:35:32That award, which also has many...
00:35:35many envoys.
00:35:36Lots of responses.
00:35:36It allows us to offer the prize.
00:35:38Well, Eduardo Sánchez,
00:35:39in addition to all these activities
00:35:40that we stated,
00:35:41He is a professor at the Official School of Journalism
00:35:43and 나눠 formula.
00:35:51What are you doing?
00:35:52Are you looking for something?
00:35:54Oh, drink.
00:35:56Are you going to get drunk?
00:35:57Oh, no, no, madam.
00:35:58Oh, madam.
00:35:59My name is Marisa.
00:36:01Are you going to toast to your victories?
00:36:07Look, they're here.
00:36:13Hey, what's your name?
00:36:15Otuan.
00:36:16Well, you seem like it, and I'm fast.
00:36:20We can be alone for a while, huh?
00:36:22I don't like seeing women around.
00:36:25I know.
00:36:25You don't have to tell me what to do.
00:36:27Come on, man, don't get like that.
00:36:28We're all a little nervous.
00:36:31Okay, let's do the distribution.
00:36:35Don't you speak any Spanish?
00:36:36Oh, a little bit.
00:36:39You speak very well, especially with your hands.
00:36:41Everything you say is clear.
00:36:46Still.
00:36:48I'm not afraid of Roman.
00:36:50You're not afraid of Roman, but I am.
00:36:58Fear is not a bad thing.
00:37:02Who pays?
00:37:04Not you, certainly.
00:37:06Don't get angry, man.
00:37:08Don't get angry.
00:37:11Wow, you took your time.
00:37:14But I see that it was worth it.
00:37:15Okay, I'm going to do it.
00:37:17See you later.
00:37:18Look, what do we do now?
00:37:20They brought the butter before we arrived.
00:37:22Yes, yes.
00:37:23And since this was not what was agreed upon, I suppose you will agree to prepare another matter immediately.
00:37:30Hey, where's Picas?
00:37:32Why isn't he here?
00:37:33He won't come.
00:37:35I agreed to take his share to him.
00:37:36And he'll be happy.
00:37:38Good afternoon.
00:37:40Where are you going?
00:37:41To the movies.
00:37:42Let's watch a gangster movie.
00:37:59Good afternoon.
00:38:00Good afternoon.
00:38:01Are you the owner?
00:38:02Yeah.
00:38:03What do you want?
00:38:03We would like to speak with you for a moment.
00:38:05Please come in.
00:38:08Would you like something to drink?
00:38:09A coffee.
00:38:10I prefer a carajillo with cognac.
00:38:12Just one and a shot of cognac.
00:38:13Brand, huh?
00:38:14Okay.
00:38:16Please sit down.
00:38:18Was I here around one o'clock?
00:38:20Yes, sir, yes.
00:38:21Before the robbery and after the robbery.
00:38:23I haven't moved from here.
00:38:25Have you noticed if someone you like has come in before or after...
00:38:29Man, come in, come in...
00:38:30Thank God I can't complain.
00:38:32I have no shortage of audience.
00:38:34No, I mean that you're used to seeing people.
00:38:36Without meaning to, one notices any detail that might be useful.
00:38:40Do you understand me?
00:38:42Haven't you noticed a group of three or four?
00:38:47Not four, but...
00:38:49Two yes.
00:38:50Two have entered.
00:38:51Two guys I didn't like at all.
00:38:53One of them was like that, a bit odd.
00:38:56He was looking over his shoulder like that.
00:38:58And I really noticed him because he gave me a bad feeling, okay?
00:39:06Enough, you're stinging.
00:39:07You're not for me anymore.
00:39:08Shh!
00:39:09Without touching, okay?
00:39:10Without touching.
00:39:12It couldn't fail.
00:39:13That kingfisher never fails.
00:39:16Never!
00:39:17Look, poop.
00:39:18I'm going back home.
00:39:19No, man, there's no train now.
00:39:21It doesn't matter, I'll walk.
00:39:22I have enough guts to leave on foot.
00:39:24I have nothing left to do here.
00:39:25Yes, you have to.
00:39:27Yes, I'll go, I'll go, I'll go.
00:39:29Come on.
00:39:30Should I go?
00:39:32I'll go anywhere with you.
00:39:33Anywhere, because I'm your friend.
00:39:35Get your head wet!
00:39:36I?
00:39:36Yes, you.
00:39:37No, no, no.
00:39:37You've got bad wine, you bastard.
00:39:43No, my friend.
00:39:44You had to know about small-town life.
00:39:46Who, me?
00:39:48You're from a small town.
00:39:49I am your friend.
00:39:50Your friend?
00:39:51Yes, but shut up.
00:39:52Come on, let's go.
00:39:54Careful, careful.
00:39:56Once you've had two drinks, you don't know what you're doing anymore.
00:39:58I am your friend and I will do whatever you want, whatever you tell me.
00:40:02Yes, yes, but shut up.
00:40:10But who is this?
00:40:12The movie was very long, wasn't it?
00:40:14He's drunk.
00:40:15But what did you love?
00:40:16Is this a nursing home?
00:40:17He's going to make a mess of everything.
00:40:19It's so drunk, it's going to stain everything.
00:40:20Be quiet.
00:40:21Go to bed.
00:40:21And who is this?
00:40:22Tell me, what is this?
00:40:24Stay still, go to sleep.
00:40:25What are you doing here?
00:40:26Not bad.
00:40:27It has, it has a certain something.
00:40:31Not bad.
00:40:34Come on, just drop it.
00:40:35This looks like Las Ramblas.
00:40:37Everyone comes and goes here.
00:40:38He's a friend and I want him to stay the night.
00:40:40He was your friend, but the apartment is mine.
00:40:42Be quiet.
00:40:43Okay, I'll be quiet now.
00:40:44If I do nothing but remain silent.
00:40:46This is war.
00:40:47I'm going to vomit all over the house.
00:40:49Okay, leave me alone, leave me alone.
00:41:10Who?
00:41:12Who?
00:41:13It's you?
00:41:15Hey, one thing.
00:41:17I have an idea and I'd like to explain it to you this morning.
00:41:20Come to the abandoned house.
00:41:22And bring the spade player.
00:41:24Come to the house.
00:41:27Come on!
00:41:38Come on!
00:41:41Come on!
00:41:43Let's go! Let's go!
00:42:15You like little hens, huh?
00:42:17Normal? What do you want?
00:42:21Get in a bad mood?
00:42:23Let's get everything rolling?
00:42:24Can't you see I have everything ready?
00:42:27We'll shut those two idiots up with a few bills.
00:42:29And we'll take the biggest slice.
00:42:31Are you listening to me or what?
00:42:32Yes, I'm listening.
00:42:48Are you listening to me or what?
00:43:13Wouldn't you like to win a football pool with fourteen results?
00:43:17It's very easy.
00:43:19You don't even need to fill out the ticket.
00:43:24Naturally we are going to be the only ones right.
00:43:27It is estimated that at five o'clock on Sunday afternoon
00:43:30It will be in the safe at the provincial delegation
00:43:32all the district's revenue.
00:43:36a respectable amount.
00:43:41Any questions?
00:43:49Come closer.
00:44:05Everyone will be thinking that their luck will change on Sunday afternoon
00:44:10Ours too
00:44:14And we're going to have fun too.
00:44:16They only know that there are four of us.
00:44:18We won't let you down this time either.
00:44:20The four of us will do it.
00:44:21But in two different places at the same time
00:44:23In one there is money, in the other there is risk.
00:44:26I choose risk
00:44:29It's about attracting the police, and that amuses me.
00:44:33Who's coming with me?
00:44:35Whichever one you want
00:44:38The same day and at the same time
00:44:41In two extreme locations of the city
00:44:45Over there
00:44:47And here
00:44:49Aha!
00:44:55Aha!
00:45:02Aha!
00:45:17Aha!
00:45:19Aha!
00:45:20Aha!
00:45:45Aha!
00:45:47Aha!
00:46:08Aha!
00:46:09Whatever I tell you
00:46:10A business that doesn't provide enough income to get up at one o'clock is a bad business.
00:46:24Aha!
00:46:25Aha!
00:46:27Aha!
00:46:40Aha!
00:47:37Thank you!
00:48:06Thank you!
00:48:12Thank you!
00:48:42Yeah.
00:48:44You can leave.
00:48:45Yes, the taxi is at the door.
00:48:47Don't worry.
00:48:54When will we see each other again?
00:48:55I don't know, I have the night shift this week.
00:48:57Well, it's the same thing.
00:48:58Yes, but you...
00:48:59Don't worry, I'll fix it.
00:49:03Ah, here you go.
00:49:18What is this?!
00:49:19Be quiet.
00:49:20Keep going.
00:49:22Keep going.
00:49:29Could you open it for a moment, please?
00:49:33Please don't put me in a difficult position.
00:49:35Ask me for whatever you want, but don't make it public.
00:49:36It's just that I...
00:49:38Nothing will happen to you, don't worry.
00:49:42Come on, beautiful, go outside.
00:49:43No.
00:49:44Come on, hurry up!
00:49:45No, no, no!
00:49:45Get out!
00:49:47Hello.
00:49:53Good afternoon.
00:49:54Hello good.
00:49:55Hello.
00:49:56Hello, good afternoon.
00:50:00Good afternoon.
00:50:01Good afternoon.
00:50:14Good afternoon.
00:50:18Good afternoon.
00:50:21Good afternoon.
00:50:27Good afternoon.
00:50:31Good afternoon.
00:50:32Good afternoon.
00:50:35Good afternoon.
00:50:37Good afternoon.
00:50:38Good afternoon.
00:50:40Good afternoon.
00:50:41Good afternoon.
00:50:41Good afternoon.
00:50:53Thank you!
00:50:56Thank you!
00:50:58Double!
00:51:19So I grabbed her tightly and said, "Hey you, do you want me to see you, yes or no?"
00:51:25The aunt said nothing.
00:51:27Hey, so, so, bam bam, bam bam, I took her to the movies, you know?
00:51:31And at the cinema, yes, no, we went for a walk around.
00:51:36Hey, what I wanted, what I wanted.
00:51:39But you treat them like animals.
00:51:41Sure, that's how you always do it, don't be surprised.
00:52:09Get out of here.
00:52:10Don't move your hands.
00:52:11Yes sir.
00:52:12Salt.
00:52:13Hurry!
00:52:14Go out, it won't cost you much.
00:52:16Forgive me, daughter, you've hurt yourself, haven't you?
00:52:17You, come here, auntie!
00:52:18Sobes, you're going to do this to me!
00:52:19No, no, no, no!
00:52:20No, no, no!
00:52:23No, no, no, no!
00:52:24No, no, no, no!
00:52:25No, no, no, no, no!
00:52:27Come on!
00:52:27No, no, no!
00:52:28No, no, no, no!
00:52:28No, no, no, no!
00:52:29No, no, no!
00:52:31No, no, no!
00:52:31No, no, no, no!
00:52:51Are you coming alone?
00:52:53Alone?
00:52:54Alone.
00:52:59Open soon, please.
00:53:01There's a fire in the basement!
00:53:14Yes, it's a beat-up old 600.
00:53:16But, dude, they're giving it to me for free.
00:53:19They're giving it to me at a very good price.
00:53:21Buy yourself a new one, trust me.
00:53:22Hey, they're giving them away for as little as a thousand pesetas a month,
00:53:25and without admission,
00:53:27whoever guesses a ticket of 14
00:53:29You can buy half a dozen Mercedes.
00:53:33You wouldn't believe it!
00:53:33There are six variants,
00:53:34with the Asuna's big wink
00:53:35which nobody expected.
00:53:49No, no, don't get me wet!
00:53:52Don't get me wet, please!
00:53:54Don't get me wet this time.
00:53:59Already.
00:54:14Every Sunday the same thing,
00:54:15Locked up between four walls, but...
00:54:17Well, I like this.
00:54:18Where are you going to find a quieter place?
00:54:22Everyone against the wall, huh?
00:54:23But...
00:54:24Come on, hurry up!
00:54:27But...
00:54:27Without speaking!
00:54:28Come on, move it!
00:54:30You too.
00:54:32Backwards.
00:54:34Face the wall!
00:54:35Come on!
00:54:36Come on, hurry up!
00:54:37To the wall!
00:54:38To the wall!
00:54:39To the wall!
00:54:50To the wall!
00:54:54To the wall!
00:54:56To the wall!
00:55:03To the wall!
00:55:17Tell them everything is busy
00:55:18There's no room
00:55:18Sorry, it's all booked up
00:55:21Honestly, I can't help you.
00:55:23There is no room
00:55:25Come on, let's go
00:55:27Inside
00:55:37For now, we must act.
00:55:39With all due provisionality, of course.
00:55:41A 2, since our information center
00:55:44He said he was winning the port of a certain amount of steel.
00:55:48Provisionally, a 2
00:55:49The fourteenth box
00:55:51The police aren't talking, tell me
00:55:58Come on, come on
00:56:00Everyone get in that corner
00:56:02And don't move
00:56:07Everyone stay still
00:56:10Let no one get the bright idea of doing something foolish.
00:56:13It's for their own good.
00:57:02Take
00:57:22What is this?
00:57:23What is this?
00:57:24What's happening?
00:57:25It looks like he has a weapon.
00:57:47Go to the beach bar.
00:57:48We'll see each other there.
00:58:10Do you want a little bit?
00:58:13Too bad for you, you don't know what you're missing.
00:58:15His Majesty the Mussel.
00:58:16Have you never heard of His Majesty the Mussel?
00:58:21That's also bad luck.
00:58:22Imagine being on duty when these girls are around.
00:58:37What's up?
00:58:40Nothing.
00:59:18Good afternoon.
00:59:20Good afternoon.
00:59:28Do you know where the owner is?
00:59:30No, we don't know.
00:59:39And they don't know if he'll come?
00:59:40Well, I don't know.
00:59:41I don't think it will take long.
00:59:50I think you and I know each other.
00:59:53I?
00:59:54You?
00:59:54No.
00:59:56I think he's wrong.
00:59:57No.
00:59:58No way?
00:59:58What am I going to do wrong?
01:00:00They call you Picas, don't they?
01:00:03Documentation.
01:00:03Come on!
01:00:15July!
01:00:24July!
01:00:25Young guy!
01:00:26Give the gun to Picas.
01:00:27July!
01:00:42You were lysed.
01:00:44I know your whole voice and that's when you told me no.
01:00:48But I didn't give myself to anyone, not you, nor that tangled mess of a Roman.
01:00:53Ready?
01:00:54Yeah.
01:00:57Yeah.
01:01:04Get out!
01:01:05Get out!
01:01:06Get out!
01:01:09Get out!
01:01:30Get out!
01:01:50Let's go! Let's go! Let's go!
01:01:54Come here! I can't!
01:01:59Let's go!
01:02:01Let's go!
01:02:03Help me!
01:02:08Help me!
01:02:10Come here! I can't!
01:02:32Help me!
01:02:35Help me!
01:02:52Help me!
01:03:23Subscribe to the channel!
01:03:52Thanks for watching the video
01:04:21Thanks for watching the video
01:04:24Yes, yes, drowned
01:04:25He has a single wound on his neck.
01:04:28Superficial, painful
01:04:29But in no case serious, much less fatal
01:04:33Who drowned him?
01:04:34Specifically, someone who was nearby
01:04:38Furthermore, he exhibits clear symptoms of violence
01:04:43Ecchymosis, a bruise, these scratches
01:04:49Even the face
01:04:50But there is one thing that leaves no room for doubt
01:04:52His lungs are full of water
01:04:55Yes, yes, this individual has drowned
01:04:58They've found it, haven't they?
01:05:00Yes sir
01:05:01Indeed, Jorge Abad Mateu, alias El Picas
01:05:03These are the details contained in the record
01:05:09Ah, yes, I rob a jewelry store in July after four years and five months of major confinement
01:05:14Ah, yes, I remember now.
01:05:15She left and went to live with her mother in the countryside.
01:05:18He was well-behaved
01:05:19Bring the mother
01:05:20Once I've identified the body, I want to talk to her.
01:05:22Yes sir
01:05:27Poor boys
01:05:29Our job is tough.
01:06:03Go to the abandoned house
01:06:45Go to the abandoned house
01:07:13Go to the abandoned house
01:07:24Have they been here? Has anyone asked about me?
01:07:26What happened to you?
01:07:27Past? To whom?
01:07:29I'm asking if Martín or Picas have been here
01:07:31Nobody has come here
01:07:32Roman, did you listen to the radio last night?
01:07:34The radio?
01:07:37Which radio station?
01:07:38Roman, what happened to you?
01:07:42Look, do you see?
01:07:43Two police officers have been killed at the port
01:07:44The radio said so yesterday.
01:07:46And they found a dead man in the water
01:07:47They already said it yesterday.
01:07:49They found him in the port
01:07:50Don't move from here
01:07:51Don't tell anyone.
01:07:53Don't open the door, no matter what happens
01:07:54What are you going to do?
01:07:55Leave me alone, I'll be back soon
01:07:57But...
01:07:58No
01:08:00It's best if you prepare everything.
01:08:02Yeah
01:08:03And let's get out of here.
01:08:04Wait for me at França station at eight o'clock tonight
01:08:06What are you going to do?
01:08:08Let me
01:08:08Don't worry about me
01:08:10Do what I told you.
01:08:11Roman
01:08:18Don't worry, fish.
01:08:18Don't worry about me
01:08:25Don't worry about me
01:08:42Calm down, woman. Calm down.
01:08:52Come on.
01:09:16Come on.
01:09:17Come on.
01:09:18Come on.
01:09:19Come on.
01:09:21Come on.
01:09:31Come on.
01:09:32Come on.
01:09:40Come on.
01:09:47Come on.
01:09:47Come on.
01:09:53Come on.
01:09:55Come on.
01:09:57Come on.
01:09:59Come on.
01:09:59Come on.
01:10:00Come on.
01:10:00Come on.
01:10:04Come on.
01:10:14Come on.
01:10:16Come on.
01:10:16Come on.
01:10:20Come on.
01:10:27Come on.
01:10:28Come on.
01:10:37Come on.
01:11:08Come on.
01:11:09Come on.
01:11:10Come on.
01:11:10Come on.
01:11:10Come on.
01:11:21Come on.
01:11:23Come on.
01:11:31Come on.
01:11:32Come on.
01:11:40Come on.
01:11:44Come on.
01:11:45Come on.
01:11:52Come on.
01:11:56Come on.
01:11:58Come on.
01:12:05Come on.
01:12:18Come on.
01:12:19Come on.
01:12:20Come on.
01:12:26Come on.
01:12:29Come on.
01:12:35Come on.
01:12:41Come on.
01:12:42Come on.
01:12:46Come on.
01:12:59Come on.
01:13:02Come on.
01:13:02Come on.
01:13:05Come on.
01:13:07Come on.
01:13:14Come on.
01:13:20Come on.
01:13:32Come on.
01:13:32Come on.
01:13:32Come on.
01:13:34Come on.
01:13:36Come on.
01:13:38Come on.
01:13:46Come on.
01:14:10Come on.
01:14:41Come on.
01:15:07Come on.
01:15:10Come on.
01:15:17Come on.
01:15:18Come on.
01:15:31Come on.
01:15:33Come on.
01:15:42Come on.
01:15:45Come on.
01:15:51Come on.
01:15:54Come on.
01:15:56Come on.
01:15:57Come on.
01:15:57Come on.
01:15:58No, no, I won't tell you.
01:16:01Let me go!
01:16:02Say it now if you're a man!
01:16:04Marita! How bad if you pick at it! How bad if you pick at it!
01:16:10Caraigata!
01:16:12Arreda! Arreda! It's Martin! It's Martin! It's Martin! It's him who did it!
01:16:18Martin, right?
01:16:19Hey!
01:16:19Was it him?
01:16:20It's Martin! Arreda!
01:16:23He was my friend!
01:16:24You drowned him! Cowards!
01:16:27Arreda!
01:16:30I'm going to kill!
01:16:38Cowards! Cowards!
01:16:43No! Don't say anything, Father! Don't speak!
01:16:46They'll kill him! They'll kill him! They'll kill him!
01:16:48Hey girl!
01:16:50There are two men dead in the clinic precisely because they didn't shoot first.
01:16:53If he doesn't fire on us, nothing will happen to him.
01:16:56You can believe me!
01:16:59They'll kill him!
01:17:01They'll kill him!
01:17:01They'll kill him!
01:17:24They'll kill him!
01:17:39They'll kill him!
01:17:41Ah!
01:17:42Happy!
01:17:45Mai las!
01:17:47V layers!
01:17:49Since launch, be in the week
01:17:52Come on!
01:17:53Lens!
01:17:53They'll kill him!
01:17:54Am!
01:17:55They'll kill him!
01:17:55Come on!
01:17:55They float!
01:17:57Antoine!
01:18:14Antoine!
01:18:29Martin, Martin, we're even now.
01:18:32Hey, don't be an idiot.
01:18:36You've gone mad.
01:18:40Can you hear me?
01:18:51Now there are two of us to share.
01:18:53You're going to get everything rolling.
01:18:56Have you thought about that?
01:18:59Can you hear me?
01:19:03Answer!
01:19:07You won't get away this time, Martin!
01:19:10Think about it, Roman!
01:19:13Think about it carefully!
01:19:39Surround the house and wait for me to give you orders.
01:19:42Change.
01:19:43No, no, no. Don't do anything.
01:19:45Short.
01:19:48Stay alert and nobody move.
01:20:14No no.
01:20:45No no.
01:21:12No no.
01:21:39No no.
01:21:46Stay still, don't shoot.
01:22:38No no.
01:23:00No no.
01:23:04No no.
01:23:31Yes, on the subway.
01:23:32And through the other station.
01:23:34By Fontana.
01:23:35OK.
01:24:05I mean, lazy Roman, give up.
01:24:15I mean, lazy Roman, give up.
01:24:37I mean, lazy Roman, give up.
01:24:52I mean, lazy Roman, give up.
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