- hace 4 días
Reparto: Arturo Fernández, Françoise Brion, José Bódalo, Manuel Alexandre, Manuel Díaz González, Alberto Dalbés, Tomás Blanco, José María Caffarel, Milo Quesada, Irene Daina, Margot Cottens, Jacinto San Emeterio, Juan Cortés
Dirección: Julio Buchs
Sinopsis: Mario, hijo de un comisario de policía muerto en acto de servicio, es un honrado y eficaz detective de policía. Instruyendo unas diligencias conoce a la atractiva y ambiciosa Elsa y entre ambos comienza una ilícita y apasionada aventura amorosa. A partir de entonces, los firmes principios de Mario se tambalean y su vida cambia por completo, al supeditarse al superficial y costoso estilo de vida de Elsa.
Dirección: Julio Buchs
Sinopsis: Mario, hijo de un comisario de policía muerto en acto de servicio, es un honrado y eficaz detective de policía. Instruyendo unas diligencias conoce a la atractiva y ambiciosa Elsa y entre ambos comienza una ilícita y apasionada aventura amorosa. A partir de entonces, los firmes principios de Mario se tambalean y su vida cambia por completo, al supeditarse al superficial y costoso estilo de vida de Elsa.
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00:00:10Music
00:00:39Music
00:01:07Music
00:01:42Police
00:01:44Don't move
00:01:45Come on, raise your hands!
00:01:47Stop! Stay still!
00:01:50Speak! They're coming!
00:01:52Speaks!
00:01:57Stay still!
00:02:08Stay still!
00:02:55Music
00:03:25Music
00:03:54Music
00:04:00Music
00:04:10Music
00:04:22I share your feelings.
00:04:24Thank you so much
00:04:24Poor thing
00:04:26You have to think about the child
00:04:30Come on, woman
00:04:31Keep that in mind
00:04:46Good morning, sir
00:04:52How is she?
00:04:54And the children?
00:04:55Their grandparents took them away
00:04:56How stupid he was
00:04:58And not getting it right
00:05:00It's better to catch it alive
00:05:02We are police officers
00:05:03No executioners
00:05:04I have his face recorded.
00:05:06Until we find that bug
00:05:08I will not live in peace.
00:05:11We'll take it
00:05:12But take it with more composure.
00:05:14It's part of the job
00:05:15Yes, I know.
00:05:16But let the widow explain it to him.
00:05:18Killed in the line of duty
00:05:19Just like your father
00:05:20And your mother understood that
00:05:22I was not present in that moment
00:05:24But this
00:05:26Perhaps I could have avoided it.
00:05:28I'm telling you, I don't even know.
00:05:29Where did he get the drugs from?
00:05:31I'm going to...
00:05:32Not like that
00:05:32But don't you see that he's lying?
00:05:33Yes, but not like that
00:05:46Remember, man
00:05:47Remember
00:05:48We are very interested
00:05:50And plenty of time
00:05:51To listen to you
00:05:52You understand?
00:05:55His name is Daniel
00:05:56He still had to bring us
00:05:58Another larger package
00:05:59And where can you catch it?
00:06:00That I really don't know.
00:06:01I want to die right now.
00:06:02Don't say that
00:06:03You're dying
00:06:03What a bad memory!
00:06:04The only thing I remember
00:06:06He commented
00:06:07That had come out
00:06:08With a great girl
00:06:10One of those who work
00:06:11In a luxury store
00:06:21Sirs
00:06:22Good morning
00:06:22Good morning
00:06:23Splendid
00:06:24Does someone named Rosario work here?
00:06:26Miss Charito
00:06:27Yes, it's going in the collection
00:06:28We could see it now
00:06:29No to the collection
00:06:30But to Charito
00:06:31Don't you want me to serve you?
00:06:33That's not it, beauties.
00:06:34We are police officers
00:06:36Ande
00:06:37Come on, call her
00:06:39Yes, yes sir
00:06:41I'll let her know right now.
00:06:45What do you think?
00:06:47Do you realize?
00:06:49That hottie
00:06:50Wanting to make fun of me
00:06:51Oh well
00:06:52It's clear.
00:06:53For the most they take you
00:06:54It's because of a municipal [police officer].
00:06:55civilian dress
00:06:56How funny
00:06:57No, I'll have to get it done
00:06:59A plate this big
00:07:00And hang it around my neck
00:07:01Here it comes
00:07:06Miss Rosario?
00:07:07Yes, but I don't understand.
00:07:09Police
00:07:10We just want to do it
00:07:11Some questions
00:07:12Perhaps it's better
00:07:12Let's go inside
00:07:13You can ask me
00:07:14Anything they want
00:07:15Don't be afraid
00:07:16Why would I have it?
00:07:24I assure you that I don't know
00:07:25Where could it be?
00:07:27I went out with him several times.
00:07:29Yes, but I barely know him.
00:07:30And how can you go out often?
00:07:32With people you don't know?
00:07:34I haven't gone out with him often.
00:07:35Maybe twice
00:07:36Only twice?
00:07:37Or three or four
00:07:38But not one more
00:07:40I swear
00:07:42First he says one thing
00:07:43Then he corrects himself
00:07:45I thought he was going to do it to us
00:07:46Simpler
00:07:47He's going to have to come with us.
00:07:48For your note
00:07:49From his statement
00:07:50No, please
00:07:50He can't arrest me
00:07:52No one is talking about stopping her.
00:07:53The only thing we want
00:07:54Just calm down
00:07:55And tell us things
00:07:56More clearly
00:08:01They call this
00:08:02The third grade
00:08:03No?
00:08:04Very ingenious
00:08:06Besides being a fan
00:08:07To American films
00:08:08Who are you?
00:08:09Miss Elsa
00:08:10She is the owner
00:08:12Can you see it?
00:08:13Delighted
00:08:16Tere, go back to your job
00:08:19And may I know
00:08:20What do they want from Charito?
00:08:22Or is it a professional secret?
00:08:25We just want
00:08:26That gives us some information
00:08:28About any client?
00:08:30No no
00:08:30He's a guy I've dated.
00:08:32Two or three times
00:08:32So, what four did we agree on?
00:08:34All I know is that his name is Daniel
00:08:35That he's just passing through
00:08:37She dances very well.
00:08:38And nothing more
00:08:41A wonderful piece of information
00:08:43If my employee's word
00:08:45It is not enough for them
00:08:45I vouch for her
00:08:49A lost afternoon
00:08:51We'll see.
00:08:54Have you noticed the boss?
00:08:58What kind
00:09:21We're in no hurry
00:09:23So we'll start again.
00:09:27High
00:09:27Slim
00:09:29Dark
00:09:30With gray hair at the temples
00:09:32He is known as Daniel
00:09:34And he's probably doing drugs.
00:09:37Like you
00:09:40How's this going?
00:09:42Total amnesia, sir
00:09:51Look closely
00:09:54This is very serious
00:09:58That man has killed
00:09:58To a law enforcement officer
00:10:00He hasn't laughed at the profit
00:10:02To whoever covers it up
00:10:06Listen to me, Chirlo
00:10:07You know him, of course.
00:10:09Commissioner
00:10:10For the glory of my mother
00:10:11That is underground
00:10:11We don't know him
00:10:13That must be one of the fat ones.
00:10:23Let them go
00:10:24Yes sir
00:10:28Hey, Mario
00:10:29You have a visitor
00:10:30And what visit?
00:10:41Oh
00:10:46Did your memory come back to you?
00:10:48That's not what it's about.
00:10:49Charo already told them
00:10:50Everything I knew
00:10:51He wants to ask you a question
00:10:53And how you scared her
00:10:54That way
00:10:54I've come to keep her company.
00:10:56Well, you will go
00:10:57I've been hired
00:10:58To pass a collection
00:10:59North
00:11:01Can I go?
00:11:02Of course
00:11:02But leave us your contact information
00:11:03Naturally
00:11:04I'll send them to you.
00:11:05See how easy that is?
00:11:07Well, you'll see.
00:11:08Which turned out not to be so easy
00:11:10It was to check
00:11:11That his statement
00:11:12It was true
00:11:13You exit
00:11:14With too many boys
00:11:15Miss
00:11:15Ah
00:11:16So he didn't trust me
00:11:18Yeah
00:11:19The thing is
00:11:20Then
00:11:20I reinforced that confidence
00:11:22Already
00:11:24Well, he's been very kind.
00:11:25We don't want to bother you any further.
00:11:27Have you taken
00:11:29Possession of his house
00:11:30I'm not offering him mine.
00:11:31It's always open
00:11:32To the customers
00:11:32The same as this
00:11:33Don't forget
00:11:34Send me the signs
00:11:35Don't worry
00:11:38Listen
00:11:40I find him today
00:11:41Much nicer
00:11:43Well, if you could see me
00:11:44My day off
00:11:44Ah
00:11:45But the police
00:11:46They also have a party
00:11:47Yes, I believe it.
00:11:48And now let's get on with the day
00:11:49Seven hours
00:11:50And the English week
00:11:52On purpose
00:11:54What are you doing tomorrow?
00:11:55At night?
00:12:07He ate very little for dinner
00:12:08Just like you
00:12:09Well, my reasoning is logical.
00:12:11Women
00:12:13Like you
00:12:14They take away my appetite.
00:12:15My reasoning is also logical.
00:12:17Please note
00:12:17That I never dated a police officer
00:12:18Shh
00:12:19I'm incognito
00:12:24Tell me
00:12:24Is your profession beautiful?
00:12:26So risky
00:12:27And romantic
00:12:28As they say
00:12:28Well, that romantic thing...
00:12:30And pretty
00:12:32I don't know
00:12:33I'm in
00:12:34And I can't judge him.
00:12:36I only know
00:12:37That my father
00:12:38He was a policeman
00:12:39And since childhood
00:12:40I admired him for that.
00:12:42My obsession
00:12:43It was also about entering
00:12:45In the body
00:12:46I feel good in it
00:12:48I think that
00:12:49It couldn't be anything else.
00:12:52I like people
00:12:53Who loves his profession
00:12:54I don't think so either.
00:12:55I would know how to live
00:12:56In a different way
00:12:57The one I live in
00:12:57And it shows.
00:12:59He knows how to do it very well.
00:13:00He says that because
00:13:01I brought him here
00:13:01It's intimate
00:13:02It's comfortable
00:13:04I come here a lot
00:13:05Perhaps it is one is not
00:13:06But I only feel comfortable
00:13:08In places like this
00:13:08And who wouldn't?
00:13:11I'm a fanatic.
00:13:13I am passionate about luxury
00:13:15And I cling to him
00:13:16Because I earned it.
00:13:26So important
00:13:27How to win
00:13:29Is
00:13:30Knowing how to lose
00:13:31What is earned
00:13:37Hey, do you think that's right?
00:13:38To make an allusion
00:13:39In the report
00:13:39To the profession and death?
00:13:42Man
00:13:42Who arrives here?
00:13:44What are you murmuring?
00:13:45Do you know what we're going to do?
00:13:46A subscription
00:13:47To give you an alarm clock?
00:13:49Shut up, slanderer
00:13:50Slanderer?
00:13:51And you've been here a lot of days
00:13:52Arriving last?
00:13:54And smelling of expensive perfume
00:13:57When a man
00:13:59He worries
00:13:59About what they do
00:14:00The criminals
00:14:01He's a policeman
00:14:02But when he gets involved
00:14:03In what they do
00:14:04His colleagues
00:14:05He's a gossip.
00:14:06Mario
00:14:07The boss asked about you.
00:14:09He told you to come in
00:14:09As soon as I arrived
00:14:10Mario
00:14:11That?
00:14:12Tell him you arrived earlier
00:14:13And they haven't told you.
00:14:14Until now
00:14:14Thanks for the advice
00:14:16Grandfather
00:14:23Good morning
00:14:24Man
00:14:25The early riser
00:14:26Come in, come in
00:14:29We're making little progress.
00:14:30The drug dealer
00:14:32Didn't the car help?
00:14:33What did he abandon in the charé?
00:14:34The registration
00:14:35It was fake.
00:14:36And the guy seems
00:14:37He swallowed it
00:14:38The land
00:14:38We'll find him
00:14:40Don't worry
00:14:41Sure
00:14:41But what I want
00:14:42It's about finding him.
00:14:46Listen to me, Mario
00:14:47I've known you since
00:14:49Well, ever since you were born
00:14:52And it always has been
00:14:53Very impulsive
00:14:56Look
00:14:58In our work
00:14:59We need to be vigilant
00:15:01A lot of zeal
00:15:03But never personal resentment.
00:15:05O Fusca
00:15:06Luis was my friend
00:15:07No more than your father and I
00:15:09And when they killed him
00:15:11I learned to control myself
00:15:12And I found the killer.
00:15:16Young guy
00:15:18Wouldn't that be convenient for you?
00:15:19Change service?
00:15:21You'll see
00:15:22I have another one outside.
00:15:23Of the ones you like
00:15:24On the border of Portugal
00:15:25And I still don't know.
00:15:26Who am I going to send
00:15:27For many days
00:15:30How stubborn you are
00:15:33Continue with your matter
00:15:34No no
00:15:35Please arrange it
00:15:36What I should do
00:15:37Already
00:15:39Go on
00:15:39Jiménez Day, let it happen
00:15:43And your mother?
00:15:44How are you doing?
00:15:45A while ago
00:15:46I don't pay him a visit.
00:15:47It seems that now
00:15:48The liver makes her feel more at ease.
00:15:49Time takes its toll.
00:15:51Hey
00:15:51Forget about age.
00:15:53Your mother and I
00:15:54We are contemporaries
00:15:59It's the first time
00:16:00That I have shied away from a service
00:16:03If you had considered it
00:16:04It would have been important
00:16:09That's what worries me.
00:16:11What would he have done too?
00:16:12The impossible to stay
00:16:15Aren't you going to tell me?
00:16:17Is it my fault?
00:16:22What do you think?
00:16:24Hello Elsa!
00:16:25We haven't seen you in ages.
00:16:26You always appear out of nowhere
00:16:28Where are you coming from now?
00:16:29Phew, out of 50 sites
00:16:30Right, baby?
00:16:31Of some more
00:16:32You already know this
00:16:33When he feels like traveling
00:16:35Sit down, man
00:16:36Please sit down
00:16:36Are we bothering you?
00:16:38What things do you have?
00:16:39Ah, you know us.
00:16:40Amalia
00:16:41Mario
00:16:41How are you?
00:16:42Hello
00:16:42Ramiro
00:16:43Delighted
00:16:44I'm so glad to see you
00:16:45You don't know the amount
00:16:46Things I have to tell you
00:16:48We're having dinner together tonight.
00:16:49Of course, it's my treat.
00:16:51You can't imagine
00:16:52Who I saw in Paris
00:16:53To Quique
00:16:53Do you remember when he said goodbye?
00:16:55Everyone saying
00:16:55Was he going to seclude himself on his estate?
00:16:57Yes, yes
00:16:58On his farm
00:17:13Elsa is a lucky woman
00:17:15Because?
00:17:17Because he knows how to choose his friends.
00:17:21By the way
00:17:22Where did he get you from?
00:17:25I haven't seen you anywhere
00:17:26And I know almost all of them
00:17:29Flair
00:17:31Nor am I his Flair
00:17:33It hasn't gotten me out of anywhere.
00:17:36Sorry, kid
00:17:40You don't like Ramiro, do you?
00:17:42No, don't worry
00:17:44It is harmless
00:17:45But
00:17:45She loves these partner swaps
00:17:49Well, not me.
00:17:51I've already noticed it
00:17:53And that's a shame
00:18:00Your chick is drilling into me
00:18:02Don't tell me this is serious
00:18:05The truth
00:18:06I just don't know
00:18:24Tomorrow, if you want, we'll go to...
00:18:26We're not going anywhere tomorrow.
00:18:27Because?
00:18:28Do you offer any of those services?
00:18:30That's not what it's about.
00:18:31And when you talk about my work
00:18:33Do it with more respect.
00:18:34Sorry
00:18:35I didn't mean to offend you
00:18:36Nobody wants to offend me
00:18:37But those idiots of friends of yours
00:18:39They've been bothering me all night
00:18:40When you talk about my friends
00:18:42Do it with more respect.
00:18:43Look, Elsa
00:18:44Deep down, it's better than it is today.
00:18:46This has happened
00:18:47But what happened?
00:18:48Don't get hysterical
00:18:49I don't get hysterical
00:18:50Too many things have coincided today
00:18:52That have made me realize
00:18:53That I can't go on
00:18:54Be quiet
00:18:55Don't interrupt me now
00:18:56You live in an environment that is not mine.
00:18:58Among people who bother me
00:18:59And I don't enjoy being invited by your friends.
00:19:02Not even your friends
00:19:03They suggest I change partners.
00:19:05What nonsense are you spouting?
00:19:06Don't you think you're going too far?
00:19:08Of course I'm going too far
00:19:09I'd been dreading it for days.
00:19:10And now I'm sure
00:19:11Stop here
00:19:11What nonsense is that?
00:19:12I said stop!
00:19:15That's it
00:19:16And now
00:19:17What else can you think of?
00:19:19Elsa
00:19:21I have to finish you off like this.
00:19:23Otherwise I couldn't
00:19:27Mario
00:19:47Oh, you don't say
00:19:48Your mother kicked you out of the house
00:19:49What happened to you?
00:19:51Have you never seen me work or what?
00:19:53Yes, but I was forgetting.
00:19:55Besides, the fact that you're first
00:19:57Uh, nothing about arriving first
00:19:59Some people haven't gone to bed yet.
00:20:01Come on, wake up
00:20:06And that monument of a lady
00:20:07As follows?
00:20:08Drop that subject.
00:20:09Want?
00:20:10Excuse me, man
00:20:11What happened?
00:20:12Nothing has happened
00:20:13Leave me alone to work.
00:20:15Well
00:20:19And don't worry so much about me
00:20:21I know how to take care of myself
00:20:23Grandfather
00:20:32How are you?
00:20:36I don't know
00:20:38Look, you'll have to tweak the cliché.
00:20:40The cheekbones are becoming more prominent
00:20:43The chin is also more defined.
00:20:46And give him some gray hair at his temples
00:20:50No
00:20:51No
00:20:51Certainly not
00:20:53This man has not bought me any car
00:20:55He hasn't even gone through that door.
00:20:58Thank you
00:21:00What a weird guy.
00:21:01That doesn't ring a bell.
00:21:03And you
00:21:04It does look strange.
00:21:07It looks like a mannequin
00:21:09And it's been retouched
00:21:12It's just that he's a...
00:21:13No no
00:21:14It's a composite photo.
00:21:16That?
00:21:17A photo what?
00:21:18A composite photo
00:21:19Sure, man, sure
00:21:21How rude of you!
00:21:23Oh, yes!
00:21:24Made of what?
00:21:26Of different faces
00:21:28Well, have you seen him or not?
00:21:31Not even in pieces
00:21:32Not even a little
00:21:33Yeah?
00:21:34The thing is, this face
00:21:36A dolphin, you say
00:21:39Well yes
00:21:40He took him from here
00:21:42What parentage did he leave behind?
00:21:44I have it in my file
00:21:45I'll show it to you now.
00:21:50I remember that he also told me
00:21:51That he was passing by
00:21:52How did it come?
00:21:53Any announcements?
00:21:55No, you'll see.
00:21:55The waiter sent it to me.
00:21:57From a flamenco tablao
00:21:58A certain Alberto
00:22:00Yes, yes, I remember.
00:22:01He came here several nights.
00:22:03One day I heard him say he wanted a car
00:22:05Me too
00:22:06Since I get a commission
00:22:07For every client I send them
00:22:08That's very common
00:22:10They would have to listen to the inquiries.
00:22:12What some people do
00:22:16And who was with him?
00:22:18Girls
00:22:18Every night one
00:22:19You already know.
00:22:20Already
00:22:21And you don't know any of them?
00:22:23They all look the same to me.
00:22:25If we had to get to know them all
00:22:27That's also true
00:22:42It remains at your disposal
00:22:43Thank you so much
00:22:47It's proving to be quite elusive.
00:22:49This Daniel
00:22:50Yeah
00:22:50Buy a car
00:22:51Providing a false affiliation
00:22:53And every clue we found
00:22:55It ends in an alley.
00:22:56No Exit
00:22:57I don't know
00:22:58Anyway
00:22:59I have the feeling
00:22:59That we are already very close.
00:23:29Come on, Maria!
00:23:31Come on, Maria!
00:23:36Come on!
00:23:37Come on, Maria!
00:23:47Come on, Maria!
00:23:53Come on!
00:23:55We don't know what will come of it.
00:24:33Elsa, I want to talk to you.
00:24:36Wait in my office, I'll be right there.
00:24:40A real young man.
00:24:41But what a grumpy face.
00:24:43It's his...
00:24:44My nothing.
00:24:46Excuse me for a moment, please.
00:24:54Who wouldn't want such a manly nothing?
00:25:04What do you say?
00:25:07Who was the idiot you were with last night?
00:25:10I already told you not to insult my friends.
00:25:14And besides, you broke up with me.
00:25:16Have you forgotten?
00:25:25Because I cannot forget, I am here.
00:25:28Well, I haven't changed at all.
00:25:31Listen, Elsa.
00:25:32Just because I've come here doesn't mean I'm willing to let myself be humiliated.
00:25:36I don't intend to do that.
00:25:37But I won't tolerate scenes like the one in the car.
00:25:39You acted like a child, leaving me alone.
00:25:41You may be right, but please try to understand me.
00:25:43My life was different before I found you.
00:25:45I'm not saying it's better or worse, but it's different.
00:25:49I am used to a very different set of rules than the ones you have set for yourself.
00:25:53So, it's best if we each go our separate ways.
00:25:56Isn't that right?
00:25:58That's what I've tried to do.
00:26:00But it has been useless.
00:26:02Even though I'm far away, in everything I see, I see you.
00:26:06In everything I hear, I hear you.
00:26:09In everything I do, I feel you.
00:26:13Elsa.
00:26:15You win.
00:26:16No.
00:26:18We both won.
00:26:21You'll never know how much I've wanted you to come back.
00:26:25So why didn't you look for me?
00:26:28It was you who left.
00:26:30You had to come back.
00:26:37You hurt me.
00:26:39And you to me.
00:26:46Miss Elsa.
00:26:55Tere.
00:26:56If I need anything, I'll call you.
00:26:58Good.
00:26:59Good.
00:27:10Good.
00:27:34Good morning, sir.
00:27:35How was that trip?
00:27:36Boring, like everyone else.
00:27:37So, nothing new there.
00:27:39Nothing.
00:27:40And of this one, not a trace, of course.
00:27:42Here it is.
00:27:43But it certainly hasn't traveled on my route.
00:27:46That's a real shame.
00:27:47Because as soon as he shows up to go anywhere...
00:27:51No, he hasn't shown up here.
00:27:53And if it appears, it's even worse to go.
00:27:55You can be sure of that.
00:28:00He won't try it for now.
00:28:02It has a good amount of drugs...
00:28:04That will not destroy out of greed...
00:28:07He doesn't even dare to take her, out of fear.
00:28:11This...
00:28:12He's still here in Madrid.
00:28:15Hidden.
00:28:17Trying to master fear.
00:28:19Holding his nerves taut...
00:28:21While he plots escape plan after plan.
00:28:24Waiting for that moment that will never come.
00:28:27The moment we forget about him.
00:28:41Want?
00:28:42Yeah.
00:28:55What are you thinking about?
00:28:57In what really...
00:29:00I still don't know if you love me.
00:29:03You need more evidence.
00:29:05Still.
00:29:07It's true.
00:29:09Don't listen to me.
00:29:29Hey!
00:29:30Taxi!
00:29:30Taxi!
00:29:40Good morning, son.
00:29:45What kind of time is this to be coming home?
00:29:47And what are you doing, up so early?
00:29:49Prepare your breakfast.
00:29:50Don't you like it more than just having coffee out?
00:29:52Of course.
00:29:53Only your coffee tastes like coffee to me.
00:29:55How do you smell?
00:29:57Yeah.
00:29:58Tonight we did a gig at a party venue...
00:30:01...and since there are so many women who smell so good...
00:30:03...because even if you're ten meters away, it sticks to you.
00:30:05What kind of people do you have to hang around?
00:30:07They could have given you other services, son.
00:30:20Don Mario!
00:30:22Man!
00:30:23The Adonis.
00:30:24I was starting to think it was strange not seeing you around here.
00:30:27The longing, Don Mario, the longing.
00:30:29But I've been out of jail for six months, don't think otherwise.
00:30:31A true record.
00:30:32What was it this time?
00:30:33We caught him selling the jewelry of a Swedish tourist.
00:30:35And he gave them to me as souvenirs.
00:30:37The women, Don Mario.
00:30:39that one has.
00:30:41Oh, why did you make me so beautiful?
00:30:44Come on, Mr. Universe.
00:30:45We're going down.
00:30:46Until now.
00:30:47Women, Don Mario, are the ones who lose the most innocent.
00:31:11No!
00:31:16No!
00:31:17No!
00:31:21No!
00:31:24No!
00:31:42What does the gentleman want?
00:31:43A beer.
00:31:46You'll have to tell me, why did you summon me here?
00:31:52What's the matter?
00:31:55No, I'm in a bind. I need money.
00:31:58And all that mystery for?
00:32:00I need much more than you can carry on your person.
00:32:03Wow, then things are serious.
00:32:05Of course she's serious. Otherwise, she wouldn't have asked you.
00:32:17Hey Mario, excuse me, but don't you think that woman...?
00:32:22I didn't ask for advice. You're always the same.
00:32:25Can you give me the money? Yes or no?
00:32:28Okay, man, okay. And how much do you want?
00:32:32Well...
00:32:32I have about 35,000 saved in the bank.
00:32:37Can you manage with half?
00:32:39At least.
00:32:42Oh.
00:32:44Take it.
00:32:45Thank you.
00:33:03You have broken the rule.
00:33:05The right thing to do is for him to be the gentleman who waits.
00:33:08No?
00:33:08Well, I thought I wasn't going to be able to come.
00:33:11Man, that would have been nice.
00:33:13Today I'm wearing this dress for the first time.
00:33:19How are you?
00:33:21Do you like it?
00:33:23You look beautiful.
00:33:24What enthusiasm?
00:33:27I want to have some fun.
00:33:30Go on, drink that.
00:33:32Let's go have dinner. Then we'll go out.
00:33:35Already.
00:33:36And then we'll go to the river to throw the last of my banknotes into the water.
00:33:39Mario, here we go again.
00:33:41What have I done to you now? Tell me.
00:33:42That's what I'm wondering. What have you done to me?
00:33:44That I can neither leave you nor follow you.
00:33:46Follow me where? I don't understand.
00:33:47Yes, to your rhythm of life that makes me get entangled up to my eyes.
00:33:51I've never asked you for anything.
00:33:53And even less so that you get into debt.
00:33:54But don't try to make me give up the lifestyle that I've worked so hard to achieve.
00:33:59Listen, Mario.
00:34:00He was right. You and I march to different rhythms.
00:34:03Don't you realize there's something more important?
00:34:05Maybe.
00:34:06But look for it elsewhere.
00:34:08A little housewife, one of those who get up early and have lots of children.
00:34:11It's you I want.
00:34:12So that?
00:34:13To continue sheltering them?
00:34:15As long as you're a civil servant, you'll continue to torture yourself.
00:34:18and calculating the months you need to pay for a suit like that.
00:34:20That's all you think about.
00:34:24I'm thinking of you.
00:34:26And I don't want to hurt you.
00:34:30And what do you want me to do?
00:34:31What, steal?
00:34:34I don't know.
00:34:37But, in any case,
00:34:40You could do it with more impunity than others.
00:34:44No?
00:35:04Boys.
00:35:05Mister.
00:35:06Leave that for now.
00:35:07This is more important.
00:35:09Alberto, the waiter at the flamenco tablao.
00:35:11Do you remember?
00:35:12Of course, the car broker.
00:35:14And worse things.
00:35:15We have just confirmed that it is a good spot among those that place the merchandise.
00:35:18So she works with our man?
00:35:20Sure.
00:35:21Here is the court order.
00:35:23Go for it.
00:35:24At your service.
00:35:36At your service.
00:35:57That's it. You go up those stairs.
00:35:59Are you staying here?
00:36:00Yes sir.
00:36:08Look, come on, when is he coming?
00:36:10Lady.
00:36:11I notified them eight days ago that the television wasn't working, and look when it finally appeared.
00:36:13You are mistaken, let me explain.
00:36:15I'm not telling you, it turns out it's going to cost something else.
00:36:16Absolutely not.
00:36:17They sold me the television with a guarantee.
00:36:19I certainly think so.
00:36:21My man has lost two games and he's not following me around.
00:36:22But hey, lady, do the color.
00:36:24Let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go.
00:36:32Who is it?
00:36:33Electricity company.
00:36:35The light?
00:36:36But they've already come...
00:36:40Do you remember me?
00:36:41Yes, inspector, but you don't have the right to...
00:36:43That?
00:36:44I'm at home and I'm a decent person and...
00:36:47And?
00:36:48To do this you need a court order.
00:36:50Well, well.
00:36:52You're very well informed.
00:36:54Here it is.
00:36:55While you study it, you're going to sit there without moving.
00:37:03Leave me alone, ma'am.
00:37:04No, but it's known.
00:37:05But who would have thought that you...
00:37:07Yeah I know.
00:37:16Move aside.
00:37:16Listen, but I...
00:37:17Come on.
00:37:24Cocaine, right?
00:37:26Can you explain this to me?
00:37:31Come on, get up.
00:37:41High!
00:37:42Stop!
00:37:43Stop!
00:37:51Stay still, don't try to run away!
00:37:55Still!
00:37:56Still!
00:37:56Stay still, don't try to run away!
00:37:57They're already waiting for us!
00:37:58Oh, what am I telling you, a child!
00:37:59Get out of the way!
00:38:05High!
00:38:06Stay still now or I'll shoot!
00:38:09Ah!
00:38:23Mrs. Luisa!
00:38:24Mrs. Luisa!
00:38:25Ah, sir!
00:38:26But it's Alberto!
00:38:35He was following him, he was chasing him, I saw him myself!
00:38:38He was chasing him, I saw it myself!
00:38:41It's fallen apart!
00:38:43Did you find this?
00:38:45Yeah.
00:38:46Is there nothing more?
00:38:48No.
00:38:52That's all.
00:38:59Mario, I didn't hear you arrive.
00:39:01I'll finish in a moment.
00:39:10Close your eyes, will you?
00:39:14Close them.
00:39:24That's it?
00:39:27But...
00:39:28But how?
00:39:31I inherited the lottery.
00:39:34Think what you want.
00:39:37In any case, I like it.
00:39:44And you too.
00:39:50What hobbies did he have?
00:39:52Alberto's hobbies.
00:39:53I think he had no other passion than money.
00:39:55I didn't spend a penny.
00:39:57I didn't want anything to do with the banks.
00:39:58He must have had them stored at his house.
00:40:00Even fantasies.
00:40:01Are you lying?
00:40:02No, not like that, man.
00:40:03You've changed a lot lately.
00:40:05But why would I lie?
00:40:08Why would I lie?
00:40:30By the way, I have to take a trip.
00:40:33Where to?
00:40:35That?
00:40:36It's something related to business.
00:40:40But don't ask me where or what.
00:40:43What mysteries are you bringing up now?
00:40:46Give me that.
00:40:47Mario.
00:40:49Haven't you ever wondered
00:40:50Where did the money to set this up come from?
00:40:52And my house.
00:40:55Your job?
00:40:57Don't be naive.
00:41:00It was with someone's help.
00:41:02A crucial help.
00:41:05That I still need.
00:41:07And that someone?
00:41:09Does it demand anything in return?
00:41:11that you cannot deny him?
00:41:13Elsa, you never told me that...
00:41:15Why do I have to tell you everything?
00:41:16Why do you insist on getting more and more involved in my life?
00:41:18Because you're not in mine.
00:41:20It's just that something always has to come up to separate us.
00:41:22There are hardly any things that unite us, Mario.
00:41:24It isn't true.
00:41:25There are more and more of them, Elsa, and they're getting stronger.
00:41:27Whatever you want.
00:41:29But this is a reality I have to face.
00:41:32Although I'm disgusted and repulsed by it now, I have no other solution.
00:41:36I'll sort this out.
00:41:38To have you, I did things I never thought I could do.
00:41:41But I need you in a total and absolute way.
00:41:44To achieve this, I will do whatever it takes.
00:41:47Mario, calm down.
00:41:48You don't know what you're saying.
00:41:49This time it's not about banknotes or a small jewel.
00:41:54I know what it's about.
00:41:56And you will have it.
00:41:59Even if I risk it...
00:42:01...whatever is at stake.
00:42:03And you will have it.
00:42:53The same as every Tuesday, Mrs. Herrera.
00:42:55More or less.
00:43:18Mister.
00:43:20Good morning.
00:43:21Could I see the director?
00:43:22If necessary, I think so.
00:43:24What do you want?
00:43:26Open a significant account.
00:43:30Alright.
00:43:31Please pass him my card.
00:43:35Excuse me for a moment.
00:43:43Excuse me.
00:43:44Happens.
00:43:55He's receiving you right now.
00:43:58He's receiving you right now.
00:44:19Yes, Mr. Director.
00:44:21It can happen.
00:44:23Good.
00:44:23Thank you.
00:44:27Good morning.
00:44:28Good morning.
00:44:33Hernandez.
00:44:34Hernandez.
00:44:35Sir, I've told you that no one should enter without a visitor's slip.
00:44:39Good.
00:44:40You tell me, sir...
00:44:41...Mr. Richie.
00:44:43You see, first of all...
00:44:44...my name is not Richie.
00:44:46I'm not an engineer, as it says there.
00:44:48Nor am I here to open any account.
00:44:51Not even...
00:44:52...this beard is mine.
00:44:53Listen, I don't understand what you mean...
00:44:54...don't be alarmed.
00:44:55I am a police inspector on duty.
00:44:59Do you want to see my ID card too?
00:45:02No, that's enough.
00:45:05But, honestly, I still don't understand it.
00:45:09Furthermore, that...
00:45:11...yes, indeed, the beard thing is a bit theatrical.
00:45:14But I had to avoid being recognized by Mr. Herrera.
00:45:17Could he be referring to the manager of Tarsa?
00:45:19It's about him.
00:45:20He knows me from when I started this investigation.
00:45:22I had to keep an eye on him today when he made his usual deposit at this bank.
00:45:25Please, will you tell me once and for all what I have to do with all this?
00:45:28We are on the trail of a clever counterfeit of one thousand peseta notes.
00:45:32A few minutes ago Esteban Herrera deposited quite a few of them here.
00:45:36Impossible.
00:45:36There must be some mistake.
00:45:38Tarsa has been a client of ours for many years.
00:45:41Yes I know.
00:45:41But it's not about the company, it's about Mr. Herrera, an accomplice of the counterfeiters.
00:45:46And how come he hasn't been arrested?
00:45:47Because first I need to make sure that the tickets have actually been passed through.
00:45:50That's where your bank needs to help us.
00:45:53Tell me what I have to do.
00:45:55First, we will review that income.
00:45:58Please send for the thousand peseta notes
00:46:01which have been deposited by Herrera at Window 4.
00:46:04But how are we going to know which ones they are?
00:46:07We'll have to order them all.
00:46:11Box?
00:46:12Listen, Saez.
00:46:13Collect all the thousand peseta notes from Window 4 and bring them to my office.
00:46:17Yes, everyone.
00:46:19Hurry.
00:46:21I'll call the auditor.
00:46:22Don't call anyone else.
00:46:24Once we have checked everything, you will be able to use this information.
00:46:27Not before.
00:46:36Calm that man down. Would you like a drink?
00:46:37Yeah.
00:46:47Here it is.
00:46:48Okay, thank you very much.
00:46:49You are welcome.
00:46:59And if we find those counterfeit bills...
00:47:01We will wait until Mr. Herrera, more confident,
00:47:04Please repeat the login process.
00:47:06possibly with a larger quantity of counterfeit bills.
00:47:09So, before...
00:47:11Exactly.
00:47:13Forward!
00:47:15Here they are, Mr. Director.
00:47:17Happens.
00:47:17Leave it there on the table.
00:47:20Did you bring the receipt?
00:47:22He can't hear me.
00:47:23The receipt?
00:47:24Ah, yes.
00:47:25Are...
00:47:25Leave.
00:47:26I'm not going to start counting now.
00:47:29Here you are.
00:47:30Don't be surprised.
00:47:31I'll explain it to you.
00:47:33Do you need anything else?
00:47:33Not now.
00:47:34Thank you.
00:47:34I'll call him again later.
00:47:42Okay, here you go.
00:47:43We'll see.
00:47:47But he's going to look at them all.
00:47:48Yes, of course not.
00:47:50They have a detail that can almost be seen with the naked eye.
00:47:59I think we've got it now.
00:48:01Indeed, see for yourself.
00:48:04What should I look at?
00:48:06There.
00:48:07Above the second zero.
00:48:09I don't see anything normal.
00:48:11Put yourself in good light.
00:48:14So.
00:48:15Notice that there is a small notch on the curve of the second zero.
00:48:21No!
00:48:50I want to review this.
00:48:51No!
00:48:55No!
00:48:56No!
00:48:57No!
00:49:12No!
00:49:37Thank you so much.
00:49:43Good morning.
00:49:44Good morning.
00:49:47Good morning.
00:50:11No, no, no, no, no, no.
00:50:14No, no, no, no, no, no.
00:50:48No, no, no, no, no, no, no, no.
00:51:17No, no, no, no, no, no.
00:51:41No, no, no, no, no.
00:52:09No, no, no, no.
00:52:39No, no, no, no.
00:53:09No, no, no, no, no, no.
00:53:36No, no, no, no, no, no, no, no.
00:54:06No, no, no, no, no, no, no, no.
00:54:34No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:54:36no, no, no, no, no, no, no, no, no, no, no.
00:55:20Let's see.
00:55:22Reflect.
00:55:24Can you really not remember anything about the visitor?
00:55:27No, sir. Nothing. Nothing.
00:55:30How is that possible? You come in here with the tickets.
00:55:32Yes, but the other one was right there in front, backlit.
00:55:33And the brightness of the street only allowed me to see his silhouette.
00:55:40The CEO is out. He wants to see me.
00:55:42I'll go now.
00:55:46Tell me, was this the first time that man had visited the bank?
00:55:49Yes sir.
00:55:50How can you say that if you just told me you didn't see his face?
00:55:52Well, no, no. The truth is, I didn't mean to say... I just didn't think...
00:55:57So think carefully about what you say before making any claims.
00:56:01We are trying to identify a killer.
00:56:07Mario, it was about time.
00:56:09I left as soon as you told me.
00:56:11Listen, will you tell me once and for all what you're doing here?
00:56:13And why are you entrusting this to us if it's not our responsibility?
00:56:16Ah, but you have managed to find out what is due to us.
00:56:18Go on, the boss is waiting for you.
00:56:19I'm coming. Hey, how did the director die?
00:56:23The robber hit him on the head. Apparently, he had a heart condition and died of shock.
00:56:28So he didn't want to kill him.
00:56:29That's the first thing he'll say when we catch him.
00:56:31Look, there's the ATM. Let's go.
00:56:43He just said he wanted to open an account.
00:56:46Listen to this and see if you can make anything out of it.
00:56:49This damn thing is very confusing.
00:56:53So, apart from his director, you were the one who spent the most time with him.
00:56:57It's not that?
00:56:58Yes, sir. I mean, I suppose so.
00:57:01What do you think?
00:57:02A guy walks right into the bank like he owns the place.
00:57:05And all the employees can think of is to help him empty a box.
00:57:09Come on, think.
00:57:12What was it like?
00:57:13I've already told him.
00:57:15Barbara...
00:57:15No, that's not interesting. It's a disguise.
00:57:18What I want you to remember is a personal characteristic.
00:57:21A gesture, a particular detail that allows us to identify him.
00:57:26I don't know. Let me think.
00:57:28Let's see, man, let's see.
00:57:29Where did the robber spend the most time?
00:57:31There. Looking at those engravings.
00:57:34Mario.
00:57:41Ponte.
00:57:45So?
00:57:46A little further to the left.
00:57:51There.
00:57:53Come back, Mario.
00:57:59Now I remember it perfectly.
00:58:01Middle-aged.
00:58:03The height in style.
00:58:04A light-colored trench coat.
00:58:06The very light ones.
00:58:08The pants...
00:58:09Dark.
00:58:10Yes, I think they were dark.
00:58:12And the shoes...
00:58:15...blacks.
00:58:16What's wrong with him?
00:58:17Go on?
00:58:18No, nothing's wrong with me.
00:58:21I just don't remember any more details.
00:58:22Sir, few footprints.
00:58:25I suspected as much.
00:58:26Yeah.
00:58:26You can leave.
00:58:27Yes sir.
00:58:29Take his sign.
00:58:29I'm going to see that advisor.
00:58:32Your address and full name.
00:58:35Please.
00:58:38Excuse me, but we don't know each other from somewhere.
00:58:44How curious.
00:58:46Come on, where do you live?
00:58:54Hello, Mario.
00:58:56Let me drive there.
00:59:03Take.
00:59:04It's for you.
00:59:13You don't open it.
00:59:20Is that enough for you?
00:59:22That's a lot of money.
00:59:24Yeah.
00:59:26But it has cost a man his life.
00:59:28Mario, what are you saying?
00:59:29Was it necessary?
00:59:30No.
00:59:30It wasn't.
00:59:32I never even thought about doing it.
00:59:34He had everything so well sorted out.
00:59:36He didn't even look at my ID.
00:59:38So why?
00:59:39Because even the most perfect crime always gets complicated.
00:59:43And I knew it.
00:59:44Won't you be in danger?
00:59:46No, I'm not.
00:59:48Well, it's done.
00:59:50The important thing now is not to lose your head.
00:59:53Now the important thing is not to lose yourself.
00:59:59You've got me now, Mario.
01:00:02You can rest assured.
01:00:04And just as you wanted, only for you.
01:00:11Mario, a good police officer must know how to control his feelings.
01:00:15You've heard me say that many times.
01:00:17TRUE?
01:00:19Yes sir.
01:00:21Well, there you have it.
01:00:23I am still shaken by what happened to me this morning.
01:00:25In the storage?
01:00:27At the burial of the bank director.
01:00:29No.
01:00:30It wasn't his corpse that impressed me.
01:00:32I've seen too many.
01:00:35His widow and son were there.
01:00:38When I arrived, they both raised their heads and stared at me.
01:00:43Without saying a word.
01:00:46Yeah.
01:00:47It's terrible.
01:00:50Know?
01:00:51I couldn't help it.
01:00:54I remembered you and your mother in an identical scene.
01:01:00Sorry.
01:01:02Hey, Mario.
01:01:03I think you're the best person to handle that matter.
01:01:06Yes, I know, I know.
01:01:07The drug dealer's case is still pending.
01:01:10You can continue with that too.
01:01:13Employ the men you need.
01:01:15Good.
01:01:16Is this the folder?
01:01:17Uh-huh.
01:01:18Anything else?
01:01:20Luck.
01:01:21At your service.
01:01:23Hey.
01:01:26The bank manager's son, you know?
01:01:30He was looking at me the whole time.
01:01:32Very fixed.
01:01:34Valid.
01:01:35Without crying.
01:01:40Just like you did.
01:01:42Why does that remind me of?
01:01:44Because I want you to catch it.
01:01:49What's up?
01:01:50One moment.
01:01:52Mario, this is for you.
01:01:59Take.
01:02:00Yeah.
01:02:02Say.
01:02:04As?
01:02:07Who?
01:02:09Yes, inspector.
01:02:11Ruiz.
01:02:12The secretary of the poor murdered director.
01:02:19Who?
01:02:20And what does he want from me?
01:02:21I think I have an important lead on the bank robbery, naturally.
01:02:30Then come and see me at the brigade.
01:02:32You see, I thought it would be better if it were just the two of us, you understand?
01:02:39We'll see each other at...
01:02:41Where does it say?
01:02:44Okay, I'll go.
01:02:46Be punctual.
01:02:49Bad news?
01:02:51No.
01:02:52Because?
01:02:54Well, that's it.
01:03:33Leave them alone, beautiful.
01:03:35Sit down.
01:03:36Here.
01:03:37Here.
01:03:45Do you think this is a place to talk about something as serious as a robbery?
01:03:49I only intend to make a slight allusion to him.
01:03:53Well, do it as soon as possible and finish it.
01:03:55And I hope, for his sake, that he didn't make me come in Valter.
01:03:58Demarde.
01:04:00It's an expression I dislike.
01:04:02Because I am very interested.
01:04:05You know?
01:04:06Come on, shorten it, will you?
01:04:08Aguarte, aguarte.
01:04:09Don't be impatient and let me speak.
01:04:14Do you like these places?
01:04:16No.
01:04:17Yes, I do.
01:04:18And a lot.
01:04:20There are some very pretty girls.
01:04:25Beautiful and kind.
01:04:28The downside is that it's a very expensive pleasure.
01:04:32And I am a man of limited financial means.
01:04:36And what's the point of all this?
01:04:38Therefore, I have no choice but to sell my information.
01:04:44For my expenses, you understand.
01:04:48I don't live off Valter.
01:04:50What information are you trying to sell me?
01:04:52HE.
01:04:54Who is the murderer of my beloved director?
01:04:58The death of its director was not a murder.
01:05:00Well, whatever the judges want to call it.
01:05:05The fact is that the one with the little beard finished him off.
01:05:09No?
01:05:10And what do you know about that?
01:05:11A lot.
01:05:13The robber was in disguise.
01:05:15His boss said so.
01:05:16But there are some things that can't be disguised.
01:05:20Height, appearance, includes, voice.
01:05:28And above all, one detail.
01:05:31Look closely.
01:05:33There was a long cut in the heel of the right shoe.
01:05:38That's what led me to him.
01:05:44What do you think?
01:05:49Intelligent.
01:05:50TRUE?
01:05:51And what's with the dancers?
01:05:54Look.
01:05:56Look closely.
01:05:58Leave that for now.
01:05:59And that's all your information?
01:06:02Enough to arrest the killer.
01:06:05Right?
01:06:07Finish it once and for all.
01:06:08What does he want from me?
01:06:10How nice it is to see you again.
01:06:14As soon as possible.
01:06:15The day after tomorrow, for example.
01:06:18Bringing a large bundle.
01:06:21Big.
01:06:22Worthy of Mr. Richie.
01:06:29It was the rush, you understand, the rush.
01:06:32I changed everything before going out.
01:06:34I changed everything except my shoes.
01:06:37How could you make such a mistake?
01:06:38Sir, anyway, let him say whatever he wants.
01:06:41He has no proof other than his word against yours.
01:06:43Who's going to believe him?
01:06:44They won't believe him at first.
01:06:45But the doubt always remains.
01:06:47This is a doubt that needs to be clarified through investigation.
01:06:50And you don't know what a police action is.
01:06:52They are tenacious, you understand, tenacious.
01:06:55And as soon as they have the slightest indication.
01:06:58I wasn't free for even two hours.
01:07:01So, we need to find a solution.
01:07:03And right away.
01:07:05There is no other solution but to pay.
01:07:08Give him the two hundred thousand pesetas he's asking for.
01:07:11That's just the beginning.
01:07:13Then he'll ask for more and more.
01:07:15And that money is ours.
01:07:16Well, above all, thanks to him I have you, right?
01:07:24Mario, this is not the time for recriminations.
01:07:27And less unjustified.
01:07:32Sorry.
01:07:34Don't worry.
01:07:37I will try to make sure he doesn't ask us for any more.
01:07:40Have your tickets ready.
01:07:43I'll sell them tomorrow.
01:08:11Don't worry.
01:08:29He just left.
01:08:31They are blackmailing him.
01:08:33He has to pay two hundred thousand pesetas.
01:08:35What are you saying?
01:08:39I need everything.
01:08:42Good morning, Mario.
01:08:44Hello.
01:08:51Thank you.
01:08:51You are welcome.
01:08:53Good morning.
01:08:57The bank secretary.
01:08:59What has he come for?
01:09:00I don't know, he's been with the boss for quite a while.
01:09:02I wanted to see him urgently.
01:09:12Mario, what's wrong?
01:09:14Mario, what's wrong?
01:09:14You seem worried.
01:09:15What nonsense.
01:09:19Mario.
01:09:21Yes, sir?
01:09:22Come here for a moment.
01:09:38Did you see the one who just left?
01:09:40Yes, Ruiz.
01:09:41The bank secretary.
01:09:43Neither.
01:09:43Exact.
01:09:46A strange guy.
01:09:49I don't like.
01:09:50Me neither.
01:09:51Neither.
01:09:52Because?
01:09:54Well, for the same reasons as you.
01:09:59She came to me to tell me that she's afraid.
01:10:05Afraid of what?
01:10:06I don't know exactly.
01:10:08That's why I don't like it.
01:10:10Look.
01:10:12He showed up here without anyone calling him.
01:10:15What did he want?
01:10:16He's gone.
01:10:18And I still don't know.
01:10:20He sat down in that chair and began with a confusing explanation.
01:10:23Told me...
01:10:25Since the bank robbery?
01:10:27I am scared.
01:10:28I'm scared, you know?
01:10:30Because...
01:10:31After my poor dear director...
01:10:33I am the one who spoke with the murderer the longest.
01:10:36Understand.
01:10:37If the robber gets the idea that I can facilitate his capture.
01:10:41He doesn't realize it.
01:10:42He'll want to kill me too.
01:10:43And what would I gain by killing him?
01:10:45The robber will already assume that you have told us everything you remember seeing.
01:10:49Because that's how it is, right?
01:10:50Yes, absolutely.
01:10:52Well then...
01:10:53If we know as much as you do...
01:10:55Silencing him now is useless.
01:10:57Do you realize?
01:10:59Yes, well.
01:11:00That's true.
01:11:03But...
01:11:03That's what he thinks.
01:11:06Look, commissioner.
01:11:08This is the first time I've found myself in a mess like this.
01:11:11What a mess!
01:11:12Well, call it whatever you want.
01:11:14But for me, all this is very new and very unpleasant.
01:11:18Understand.
01:11:19I don't know what a murderer might be thinking.
01:11:21And it's understandable that she's afraid of him.
01:11:24Calm down, man.
01:11:25Calm down.
01:11:26And let's get to the point.
01:11:28What do you want from me?
01:11:30Well, let them protect me.
01:11:32He must protect me in case something happens to me.
01:11:34And what could happen to him?
01:11:35I'm telling you.
01:11:36Let that man kill me.
01:11:41And that was it?
01:11:43More or less.
01:11:45I didn't get him out of there.
01:11:48I'll go see that guy.
01:11:49As soon as possible.
01:11:50It needs to be pounded while hot.
01:11:52Harass him.
01:11:54Do you know anything about the robber?
01:11:57What he hasn't said.
01:11:59So why hasn't he arrested him?
01:12:02Because that way, being free, is how he's going to lead us to the killer.
01:12:16You stay here.
01:12:25Marten.
01:12:26Marten.
01:12:27Open it now.
01:12:28I'm coming.
01:12:29I'm coming.
01:12:30I'm coming.
01:12:47It's really not necessary.
01:12:48He's waiting for me.
01:12:55Good morning.
01:12:56Good heavens, Inspector.
01:12:58No, I didn't expect to see him until tomorrow.
01:12:59And not here.
01:13:01Today is a day of surprises.
01:13:03I didn't expect to find you in the brigade either.
01:13:06Weren't you going out?
01:13:07Yeah.
01:13:09She's my wife.
01:13:10I forgot to introduce her to him.
01:13:11Don't go to so much trouble.
01:13:13You know why I've come.
01:13:15I already told him he could keep it until tomorrow.
01:13:18Impassive.
01:13:19What is the purpose of going to see my boss?
01:13:21Nothing.
01:13:22I'm not setting any goals.
01:13:23And I will be loyal to you if you do your part.
01:13:27But I need to protect myself.
01:13:30Protect yourself from whom?
01:13:31From you.
01:13:31I don't trust him.
01:13:32Do you understand?
01:13:33You are violent.
01:13:34And I know full well that he's capable of anything.
01:13:37And don't come any closer.
01:13:39Killer!
01:13:46If I were a murderer, I would kill him right now.
01:13:51No no.
01:13:52Don't touch me again.
01:13:53I'm warning you.
01:13:54If he lays a hand on me again, he'll see how long it takes for his own comrades to hunt him down.
01:13:59What is he plotting?
01:14:00Say it already.
01:14:01Nothing.
01:14:03I'm not plotting anything.
01:14:04I've already told him.
01:14:06But if he mistreats me again...
01:14:08What will happen next?
01:14:09They'll get what's coming to them.
01:14:11He wrote a note.
01:14:13And if anything happens to me, they'll immediately make her report to her boss.
01:14:30How was that interview?
01:14:31Useless.
01:14:32The only thing that's clear is that he's scared for no reason.
01:14:35No.
01:14:36He's hiding something from us.
01:14:37And you have to get it out of him.
01:14:38He's an insignificant guy who's trying to get attention and make himself important.
01:14:43Too easy.
01:14:44Don't you think so?
01:14:45Look, that's an accomplice or someone who covered it up.
01:14:48Don't forget it.
01:14:48And she's playing with her fear.
01:14:50Or what?
01:14:51Because the killer is going to realize that Ruiz is falling apart.
01:14:55And if we don't find him sooner, we're going to find another dead body.
01:14:59Not all murderers are willing to bear the burden of two deaths.
01:15:02But he's being forced.
01:15:05They will clash over this.
01:15:07And that will be your moment.
01:15:10Don't forget it.
01:15:27Do you know what's worse about an old cop?
01:15:30I don't know, sir.
01:15:31Perhaps rheumatism?
01:15:34It ends because you don't trust anyone.
01:15:49He's waiting for you at his house, isn't he?
01:15:52Yeah.
01:15:58Elsa.
01:16:01Tell me.
01:16:04Do you really love me?
01:16:09More than I ever thought I could love anyone.
01:16:14If that weren't the case, why did I do everything?
01:16:21Kiss me.
01:16:49There's nobody here.
01:16:50There's nobody here.
01:16:50Thank you.
01:17:32Thank you.
01:18:00Thank you.
01:18:32Thank you.
01:19:00Thank you.
01:19:20Thank you.
01:19:58He told me to always carry this letter with me and that if anything happened to me, I should give it to the commissioner, sir.
01:20:12Chávez.
01:20:13He's my boss, I'll give it to him myself.
01:20:20This is what you were looking for.
01:20:21But what did they expect to find in the house?
01:20:24The letter, man.
01:20:26The blessed letter.
01:20:29What's he doing here?
01:20:31Mario is my brother.
01:20:38The killer we were looking for.
01:20:46It's been here the whole time.
01:20:49And what did you want me to do?
01:20:50Throw him out on the street?
01:20:51Or perhaps report him myself?
01:20:53Besides, who is to blame?
01:20:56From you and yours, looking for me everywhere.
01:21:00Otherwise, you would have found me here.
01:21:04So you've been deceiving me like...
01:21:05No, Mario.
01:21:06I only lied to you once.
01:21:07There was no other man.
01:21:08The money was for him, so he could escape.
01:21:10If that was the case.
01:21:11Why didn't you sell all of this?
01:21:13I'll tell you.
01:21:15For not giving up even a part of your comfort.
01:21:17And you've pushed me to the point of crime because of this...
01:21:19Because of this scoundrel.
01:21:21Little by little, eh.
01:21:25That's what...
01:21:26We're getting there.
01:21:28By the way...
01:21:30Congratulations.
01:21:32The bank thing was great.
01:21:35I see you've moved me about as much as a penis.
01:21:39Hey, don't be so dramatic.
01:21:42Elsa had to stand up for me, right?
01:21:45Besides, I've already repaid the favor by taking out that snitch at the bank.
01:21:48It was you, of course.
01:21:50What have you done with the letter?
01:21:53Well, that's where things went wrong.
01:21:56Just when I had almost convinced him, he slipped through my fingers.
01:22:01How could I have guessed he was so lazy?
01:22:04Bercil!
01:22:04When that letter reaches my boss, I'll be just as hunted as you.
01:22:08So there's no time to lose.
01:22:09You have to flee.
01:22:10And right now.
01:22:12Let's go.
01:22:14Let's go.
01:22:17You and I.
01:22:18Where to?
01:22:20Why do you think I got my hands dirty with that ink pad?
01:22:24I needed you.
01:22:25You and the money, intact, because you had to help me escape.
01:22:29What an ingenious plan.
01:22:32To save the very man I swore to catch, you turned me from hunter into accomplice.
01:22:40When I went to see you at the brigade, I was terrified for my brother.
01:22:44Then everything started to change.
01:22:47And now I love you, Mario.
01:22:51Heartwarming.
01:22:53Well, I'll leave you to your problems.
01:22:55Because I'm leaving.
01:22:57Only.
01:22:59You're no longer of any use to me, stowaway.
01:23:02Or maybe so.
01:23:04Looking for you, they might forget my humble self.
01:23:08And I advise you to leave too.
01:23:20The rest is above.
01:23:22Right, little sister?
01:23:29For you, it's your pay.
01:23:33Mario.
01:23:35Careful.
01:23:38Mario.
01:23:39Careful.
01:23:44Enough, Daniel.
01:24:03Come on, get up already.
01:24:22I'm not finished with you yet.
01:24:26What are you doing?
01:24:27You've gone mad
01:24:28We need to get out of here
01:24:30Yeah
01:24:32That's what we're going to do.
01:24:33But to go and turn ourselves in
01:24:35Mario, let him go
01:24:35I know, Elsa
01:24:38Stay still, you rascal!
01:24:40Throw that knife away, come on!
01:24:45Open up!
01:24:46Open up to the law!
01:24:55What are you going to do?
01:24:57You shut your mouth
01:24:58Open up!
01:25:07Last
01:25:08Open up!
01:25:10Get ready
01:25:13Have you gone mad?
01:25:15Release
01:25:15And set aside
01:25:22Mario!
01:25:24Mario, boy
01:25:25Don't do anything crazy anymore
01:25:26You could have killed us!
01:25:29You
01:25:30Give me the key to this
01:25:31Come on, get up
01:25:38Hurry up
01:25:45Answer me, Mario
01:25:47We know you're there
01:25:50We know it's you
01:25:51Who shot us?
01:25:53Shut up!
01:25:54Or I'll die head over heels
01:25:55Don't you think you've already gone?
01:25:56Quite far?
01:25:58Get out of here now
01:25:59Don't force me
01:26:00Let's come get you
01:26:11Focus on the door
01:26:20I'm going to order them to fire
01:26:22About the lock, Mario
01:26:24Get out of the way!
01:26:26I don't want to hurt you
01:26:37Mario, son
01:26:38Can you hear me?
01:26:41Yeah!
01:26:45I'm going in alone, kid.
01:26:47And you're not going to shoot me
01:26:57Stay still
01:27:09No!
01:27:11No!
01:27:11No!
01:27:12No!
01:27:15No!
01:27:16Daniel, no!
01:27:42Forgive me
01:27:46I hand it over
01:27:50The two men
01:27:52That he sent me
01:27:55Arrest
01:28:03Young guy
01:28:08Young guy
01:28:09Young guy
01:28:10No!
01:28:12No!
01:28:13No!
01:28:13No!
01:28:36No!
01:28:41Thanks for watching the video.
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