00:00I've noticed the Pride and Prejudice, you made that shot drama, right? And I think it's quite
00:06popular. Can you dive into what makes it stand out? So American and Chinese audiences seem to really
00:14like, I could be wrong, this is what I think, seem to really like, you know, the British accent,
00:20the British stories, that kind of thing. So having a really well-known period type drama brought into
00:27a vertical format is a no-brainer to what would definitely sell to people and what would entice
00:34that audience. I know people went crazy for it, you know, who doesn't want to see that kind of thing
00:40on vertical format if they're really interested in the British historical period and also the kind
00:47of romance that went along with it. Yeah, and our name is Pride and Prejudice. I think many of our
00:54audience have already seen the movie version or the drama version. So they're just curious how
00:59this is going to be in vertical and they will just download or they just open it. And also our
01:06costume
01:06and our makeup and our character, they did really good job. So it comes really good in how you look
01:14at it. It's beautiful and it's nicely shot. That could be a formula that to choose a very famous
01:20this kind of book and to re-adapt it into a short drama. Yeah, I can definitely see it being
01:26a thing.
01:26If the story's worked before, it can definitely work again. And also, you've also got an audience
01:31that have previously seen that story that would be interested to see it in a vertical format.
01:35We can always do that old story, but we tell it in a new way. But when we do verticals,
01:40we have to add
01:41like magical moments, for example, intimate scenes or the hooks to let our audience click or download.
01:49This is a must because this is how vertical runs.
01:53Okay.
01:53So,
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