- 3 weeks ago
Di sebalik komedi Mojoku Hilang, tersembunyi kisah tentang komuniti, kebersamaan dan persoalan yang semakin relevan hari ini, masih wujudkah semangat "satu kampung" dalam masyarakat moden? Bersama pelakon Gambit Saifullah dan pengarah Min Lim, kami bongkar kisah di sebalik pembikinan filem yang bukan sahaja mengetengahkan keindahan Perlis, malah mengangkat nilai yang semakin sukar ditemui.
Category
🗞
NewsTranscript
00:00Intro
00:08Assalamualaikum dan salam sejahtera kepada semua yang menonton awal di pagi
00:11anda sedang bersama Sekabar Aziz
00:13dan pada pagi ini kita nak bercakap tentang satu film yang akan disiarkan pada hari ini
00:18iaitu film Mojoku Hilang Bila Komuniti Jadi Hero Sebenar
00:23kerana bila kita tengok dalam kebanyakan film
00:25biasanya kita menantikan kemunculan seorang hero yang akan selamatkan keadaan
00:29tapi kali ini dalam Mojoku Hilang
00:31hero sebenar mungkin bukan watak utama dia
00:33tetapi adalah seikun lembu yang menjadi rebutan
00:37dan sebaliknya kekuatan film ini terletak pada sebuah komuniti yang sanggup bersatu
00:41untuk mempertahankan kampung dan cara hidup mereka
00:44disebalik elemen komedi dan kisah cinta romkom
00:47Mojoku Hilang mengangkat persoalan yang semakin dekat dengan masyarakat hari ini
00:51masih adakah semangat satu kampung dalam dunia yang semakin individualis
00:56dan untuk itu kita bersama dengan dua orang daripada film itu
00:59pelakonnya salah seorang adalah Gambit Saifullah dan juga pengarahnya Min Lim
01:03selamat pagi
01:04selamat pagi
01:05baik hari ini kita nak berbincang tentang cerita Mojoku Hilang
01:08bila kita tengok trailer itu kan
01:10saya tengok trailer itu
01:11mula-mula saya kurang faham
01:13sebab Mojoku Hilang
01:14Mojo itu adalah lembu itu
01:15dan ada watak utama dan juga ada watak Mimilana
01:19semua itu kan
01:19jadi mungkin untuk awalnya
01:22mungkin pengarahnya sendiri Min Lim
01:23will you tell us
01:25maybe sinopsis on what should we know about this film
01:28so the movie is about
01:30a man who lost his cow and found his purpose
01:32right
01:33it's quite funny
01:34a man lost his cow
01:35yeah lost his cow and found his purpose
01:38so basically the story begins
01:40with Adi
01:42who is the business development
01:43manager of a big dairy company
01:46called Mojok
01:47and the mascot of this dairy company
01:51is a viral cow called Mojo
01:53very unimpressed
01:55but for some reason very viral cow called Mojo
01:57and Mojok is going around the country
02:00trying to buy up all these small farms
02:02and there's a small farm in the north
02:05in Perlis called Kapo Semerapadi
02:06and Mojok have been really trying to buy them
02:09but they really do not want to sell
02:10and so the old men of Semerapadi
02:13decide on a stupid plan
02:15to go and kidnap Mojo
02:18they're not very good at what they do
02:20and so when the company find out
02:22who's kidnapped the cow
02:23they say well we can't call the police
02:26to go and get the cow back
02:27because these guys won't sell to us
02:28so Adi you go in there
02:30you use soft tactics
02:32to try and convince them to sell
02:33and you go get your Mojo back
02:35you go get the cow back
02:36so that's how we start the story
02:38Adi goes to the kampong
02:40he integrates with the kampong
02:41but as he integrates with the kampong
02:42and he falls in love with a feisty kampong girl
02:45he realizes that maybe
02:47selling might not be the best thing for them after all
02:50so what does he choose?
02:52does he choose between his career
02:54and himself
02:55or does he choose
02:57his newfound family
02:59so you'll have to watch to find out
03:01it's a quite funny concept of the movie
03:03because you know that Mojo
03:05Mojo means your groove
03:07so it's quite a play with words
03:09Mojo ku hilang
03:10hilang groove
03:10and the lembu is missing
03:12being stolen by the kampong people
03:13and now we
03:14kita nak tengok
03:16Gambit punya role
03:17in the film kan
03:18because Gambit
03:19you would say that Gambit
03:21works with
03:22Boom Magic
03:22Boom Magic
03:23yes
03:24and now Gambit
03:25bila Gambit dalam film ini
03:27Gambit dah dengar
03:28the concept of the film
03:29lembu hilang
03:30perlu cari ke kampong
03:32kampong yang curi lembu itu
03:33dan nak cari semangat kampong itu
03:34apa yang buatkan Gambit
03:36nak terima role dalam movie ini?
03:39for me
03:40dalam setiap role yang saya pilih
03:43setiap script
03:44setiap role yang saya pilih
03:45dia ada perbezaan kat situ kan
03:47kita kena tengok macam mana
03:48kadang-kadang kita berlakon pun
03:50kesesuaian dia lain
03:51tapi untuk film
03:53Mojo ku hilang ni
03:55saya ingat lagi
03:56sebab waktu ni
03:57saya baru nak
03:58pergi Indonesia shoot
04:00ada satu film tu
04:02nama dia Smooth Smothered
04:07lupa nama film ni
04:08nama original
04:10Malang Kundang
04:11Malang Kundang
04:11dengan Joko Anwar
04:13so right after that
04:13kita shoot film ni
04:15so film ni
04:17of course saya minta script dulu
04:18tapi
04:19saya rasa dalam film ni
04:20dia ada banyak faktor tau
04:22tapi antara satu faktor ni
04:24adalah tim
04:25sebab seboleh-bolehnya
04:26of course saya akan
04:27nak bekerja dengan semua orang
04:28tapi kadang-kadang
04:29dia seronok bila kita dapat
04:30bekerja sama dengan
04:31dengan
04:33team-team yang kita biasa
04:34dan team-team kita biasa tu pun
04:36ada banyak daripada
04:37segi kebiasaan
04:38sebab dalam tim ni
04:39khas dia pun ramai yang
04:40best
04:41and then
04:41the team
04:43so
04:43ini antara satu faktor
04:45dan definitely
04:45saya rasa semua orang
04:46yang shoot cerita ni
04:47sangat enjoy
04:49the process of shooting
04:50because
04:51shooting moment tu
04:52kita dapat enjoy
04:54tapi
04:54dalam enjoyment tu
04:55kita dapat push
04:56the quality
04:57as how we want
04:57for a rom-com
04:58so tu satu
04:59and then nombor dua
05:00of course
05:00saya tengok the script
05:02bila saya tengok the script pun
05:04saya rasa macam
05:04nak
05:05timing pun ok
05:07dan saya
05:08kan kadang-kadang
05:09kalau kita shoot ni
05:10tak
05:10dia susah nak shoot
05:12dengan binatang
05:12dengan
05:13dengan
05:13dengan
05:14memang pakai lembu betul lah kan
05:16so
05:16kalau you shoot
05:17you shoot dengan binatang
05:18dengan you shoot dengan
05:19baby
05:20tu antara benda yang
05:21paling difficult tau
05:22so
05:22so
05:24ya saya banyak
05:25bermain dengan lembu juga
05:26tapi saya
05:27saya rasa
05:28team tu best
05:29team actors
05:30you know
05:31team-team
05:31production team
05:33ada creative team
05:34yeah
05:35that's definitely
05:36the main reason
05:37banyak mainan lembu tu
05:38Gambit punya role memang
05:40melibatkan
05:40jaga lembu tu ke
05:42saya
05:43tidaklah jaga
05:44sepenuhnya
05:44saya macam jaga
05:46bila saya nak
05:48dalam cerita tu
05:49kalau kau kan apa
05:49role
05:50what is Gambit's role
05:51actually
05:52Gambit
05:53actually works for
05:53Boomagic
05:54and he is
05:55I'm his friend of mine
05:57friend of mine
05:58yeah so he works with him
05:59he's his friend
05:59but also they have
06:00this slight competitiveness
06:02love hit
06:02going on
06:06adi is
06:07kind of
06:08anak emas
06:08of the company
06:09Gambit
06:10wants that
06:13but unfortunately
06:14for Gambit
06:15Mojo
06:16goes missing
06:16because of him
06:18because of him
06:20so he has
06:21the kind of
06:22the pressure
06:22is on him
06:23but
06:24Adi is the one
06:25who is sent
06:25to retrieve Mojo
06:26so Gambit
06:27is working on
06:27his own plan
06:29to further
06:30his own career
06:31and that
06:32gets everybody
06:33into trouble
06:34this seems like
06:35a very fun
06:35idea of a film
06:36I'm sure
06:37the inspiration
06:38must have
06:39come from
06:39something
06:39so maybe
06:40you could
06:41tell us
06:41where did
06:42the inspiration
06:42from this
06:43film
06:43came from
06:44so this concept
06:45has been sitting
06:45on my desk
06:46for like 10 years
06:47now
06:47and it started
06:48out as a
06:49Raya Haji movie
06:52I really thought
06:53hey it would be
06:54very nice
06:54to do a Raya Haji film
06:55in which nothing
06:56happens to the cow
06:57the cow is great
06:59the cow is alive
07:00at the end
07:00of the film
07:02but what I really
07:03really liked
07:03about the original
07:04concept
07:04is I liked
07:06the Haji themes
07:08which are faith
07:09community
07:10and sacrifice
07:12because faith
07:13is not necessarily
07:14religious faith
07:15faith can be
07:16faith in yourself
07:17faith in your choices
07:18in your journey
07:19and I think
07:20that these themes
07:22they are universal
07:23it's not just
07:25Malay or Islamic
07:27or Malaysian
07:28it is universal
07:29and I thought
07:30these themes would be great
07:31to put in the story
07:32so that's kind of
07:33where I came from
07:33mungkin Gambit rasa
07:35bila dengar tema tu
07:35kenapa tema tu
07:37macam kita perlu
07:38tunjukkan kepada
07:39masyarakat dekat Malaysia
07:40apa signifikan tema tu
07:42tema mojuk
07:42yes tema mojuk
07:43yang nak tunjukkan
07:45semangat
07:45kebersamaan semua tu
07:47saya rasa
07:48pertama sebab
07:50sebenarnya
07:51kita rakyat Malaysia ni
07:52bukan hanya kita orang Melayu
07:54tapi kita rakyat Malaysia ni
07:55kita
07:56kita ada
07:57tema tu
07:58sebenarnya dalam kita
07:59kalau kita kata
08:00macam
08:01you know
08:01orang kita ni
08:02berbudi bahasa
08:03so
08:04tema ni sebenarnya
08:05kita semua ada
08:06dalam diri kita
08:07tapi
08:07mungkin
08:13keselaluan
08:14tema ni
08:15hidup
08:15itu mungkin
08:16jarang sekali
08:17kita dapat rasa sekarang
08:18kalau macam contohlah kan
08:20mungkin zaman dulu kan
08:21kita hidup
08:22bukan nak kata
08:23kampung je
08:24tapi
08:24berkomuniti
08:25berkerja
08:26macam
08:27time piramli
08:28time ni
08:29walaupun you
08:30Melayu
08:31India
08:31China
08:31tapi
08:32walaupun masa tu
08:33tak ada call
08:34one Malaysia
08:34contohnya
08:35pada masa tu
08:35tapi kita live
08:36sort of like
08:37kejiranan tu
08:39you know
08:39kita ada benda tu
08:40baik daripada
08:41dalam harmony
08:42baik dalam kehidupan
08:45baik dalam suasana
08:46baik dalam
08:47mungkin
08:48lagu-lagu pun
08:49yang dimainkan kan
08:50secara tidak langsung
08:51kita live that moment
08:52so saya rasa
08:54bila
08:55sebab bila kita shoot pun
08:56maksud saya tadi
08:57yang saya rasa happy tu
08:58sebab kita live that
08:59kita masih buat kerja kita
09:01tapi dalam keharmonian tu
09:03ada
09:03macam sekuruh keluarga
09:04yes
09:04so I think
09:06I kind of like
09:07saya macam
09:08tersend sebenarnya ni
09:09tapi bila saya shoot
09:10cerita ni
09:11saya dapat rasa perjalanan ni
09:13so saya juga rasa
09:15bila kita tengok
09:16kat wayang nanti
09:17hari ni
09:18you boleh tengok
09:19the whole thing
09:20you boleh rasa
09:21benda tu
09:22and saya rasa
09:22benda tu dah lama
09:23sangat kita tak rasa
09:24kan kalau macam
09:25zaman piramli ke apa
09:26kita sering rasa
09:27this feeling kan
09:28zaman movie
09:28Yasmin Ahmad
09:29semua tu
09:29itu memang
09:30tapi kekerapan dia
09:32tidak
09:34sering
09:34untuk sekarang
09:35memang dah jarang
09:36ya dengan
09:38yelah
09:39dengan film-film yang ada
09:40bukan nak kata
09:40tidak bagus
09:41betul-betul bagus
09:42tapi maksud saya
09:43daripada
09:44segi kekerapan
09:45keharmonian perasaan ini
09:47dia sudah
09:48lama tidak ada
09:49so saya rasa macam
09:50yelah
09:51Min pun dah simpan
09:52dari
09:5210 tahun
09:5310 tahun
09:54saya 21
09:54masa tu
09:55kena bagi tahu
09:56so
09:59ada reason lah
10:00benda tu berlaku
10:00tapi saya rasa
10:01audience akan dapat
10:02rasa benda tu
10:03and benda tu saya rasa
10:04sebagai seorang
10:05rakyat Malaysia
10:06tak kira lah kita ni
10:08berada di mana
10:08kita pergi
10:09sana ke
10:09kita pergi sini
10:10tapi at the end of the day
10:11we're still Malaysian
10:13right
10:13so this movie
10:16melambangkan itu
10:17dan saya yakin
10:19audience hanya perlu
10:21kewayang
10:22untuk merasakan
10:22benda ni
10:23because
10:23I think just watching
10:25the movie
10:25you make yourself
10:27being part of Malaysian
10:28not just for
10:29sharing but
10:30for yourself also
10:31so I feel that
10:32and also I feel like
10:33you know
10:34there's so many bad things
10:35happening in the world
10:36today
10:36yes
10:36right
10:38not just
10:38everywhere
10:40that I think people
10:41need to be reminded
10:42of these simple
10:44but very good values
10:45yes
10:46you know
10:46so that's something
10:47that we wanted to do
10:48yeah but it's very interesting
10:49maybe
10:50I nak centuh this topik a bit
10:51because now
10:52memang betul
10:53kata Jan Bek
10:54nilai kebersamaan
10:55unity itu
10:56harmony itu
10:56dah kurang
10:57because of teknologi
10:59I think teknologi
11:00and then bila dalam movie ni
11:01dalam semangat kampung
11:02dipelis
11:02saya pasti dalam movie ni
11:03nanti bila kita tengok
11:04orang kurang main handphone
11:05orang motor
11:06borak-borak dengan jiran
11:07and how should we
11:09you know
11:10approach to
11:11relive that moment again
11:12in a very
11:13you know
11:14rural area
11:14suasana bandar
11:16very susah
11:16but maybe you guys
11:17how would you think
11:18we should relive that
11:19I mean I think
11:20I think
11:20you know there is something
11:21to be said about
11:22the simple life
11:23right
11:23where all you want to do
11:25is care for your family
11:27and preserve the way
11:28I think this is also
11:29what the people of
11:30Kompos Merabadi
11:31are trying to do
11:31is to preserve their way
11:33of life
11:33right
11:35and to be able to
11:36live the way
11:36that they want to live
11:38I also think that
11:39the film is really
11:40about human connection
11:41you know
11:43human connection
11:43and you can't get that
11:46with AI
11:47with a phone
11:47you know
11:48and so
11:49the only times
11:50that you really see
11:51the phone come out
11:52is when Adi is
11:53talking to people
11:54in the city
11:55otherwise
11:56there aren't really
11:58any phones
11:58in the film
12:00so we try to say
12:01okay you know what
12:02let's really look
12:03at this life
12:04and sometimes
12:04people look down
12:05on the simple life
12:07because these people
12:08maybe don't have
12:09they're not wealthy
12:09right
12:10they're not rich
12:11they don't have money
12:12but they are
12:12because they're rich
12:14in what they get
12:15from their community
12:16and in values
12:17yeah
12:17and they're really happy
12:19right
12:19and I think that's the goal
12:20and of course
12:21when you talk about
12:22wrongcom
12:23the romanticism in this film
12:25when you see
12:26Adi is approaching
12:27a feisty kampung girl
12:28it's very rare now
12:30that you know
12:31we can
12:31people like myself
12:33from cities
12:34boleh mengurat
12:35perempuan
12:36yang naturally
12:37without you know
12:38texting
12:38just kat IG
12:39DM
12:40so like
12:42I think this shows
12:43like you know
12:43that thing still
12:44is still here
12:45you can
12:46you know
12:46approach women like that
12:47and itulah
12:48I rasa
12:49di samping the comedy
12:50the romanticism
12:51is what people
12:52would want to see
12:53between Adi
12:54and also
12:54the feisty
12:55kampung girl
12:55yeah
12:56and this is the message
12:57that is very important
12:58to be shown to Malaysians
12:59that we are still
13:00you know
13:01a Malaysian people
13:02and we have that
13:03semangat kebersamaan
13:04that unity in us
13:05that's our
13:06you know
13:07personality as Malaysians
13:08I guess
13:09there's a lot more
13:10that we can talk about
13:11about this film
13:11but we have to
13:12take a break for a while
13:13and we will be back
13:14shortly after this
13:32ok baik kita
13:33bertemu kembali
13:33dalam hari pagi
13:34kepada yang baru saja
13:35menonton
13:35kita dari tadi
13:36sedang membincangkan
13:37ataupun bercakap
13:38tentang cerita
13:39Mojo Ku Hilang
13:40dan kita bersama dengan
13:41dua orang daripada
13:42film itu sendiri
13:43iaitu pengarahnya
13:44Min Lim
13:44dan juga pelakon
13:45Gambit Saifullah
13:47baik kita dah
13:47sentuh tentang
13:48mesej film ini
13:49tentang overall
13:50sinopsis
13:51satu film
13:51now maybe
13:52you want to see
13:53the challenges
13:54or maybe good experiences
13:55that you've gotten
13:56from filming this film
13:57I've been told
13:59that you've been
13:59filming from last year
14:01and you've been
14:02filming in Perlis
14:03so in Perlis
14:04you know
14:04it's from Utara region
14:06so of course
14:07you have to have
14:07that authenticity
14:08of speaking Utara dialect
14:10so maybe
14:10what are the challenges
14:11in trying to
14:13I guess you guys
14:13are not from Utara
14:14so what are the challenges
14:17to integrate
14:18that Utara dialect
14:19and what are
14:19memorable moments
14:20that you've gotten
14:21from that
14:21filming in Perlis
14:23Perlis is beautiful
14:24of course
14:25it's really
14:26really beautiful
14:26and you know
14:28when I started
14:28looking at the story
14:29and the script
14:30I really wanted
14:32to shoot in Perlis
14:33because I felt
14:34that it was
14:34remote enough
14:35right
14:36that Adi is far away
14:38enough from KL
14:39but also
14:40it's a state
14:40very far
14:41but it's a state
14:43that not many of us
14:44we know the name
14:45but not many
14:46Malaysians have been
14:47and not many Malaysians
14:48know anything about
14:49you know
14:50but it is so beautiful
14:52so we thought
14:52okay let's go to Perlis
14:54and showcase
14:54the beauty of Perlis
14:56because also
14:56not many stories
14:57have been set
14:58in Perlis
14:59some people
14:59have used Perlis
15:00as a location
15:01so that was beautiful
15:02but of course
15:02if you're going to
15:03set a story in Perlis
15:04then you have to
15:04make sure that
15:05it's authentic
15:06right
15:06and that includes
15:07you know
15:08what Perlis people
15:09are like
15:09and Bahasa Utara
15:12and so
15:12what we did
15:13was we made sure
15:14that we had
15:14a dialogue coach
15:15a dialect coach
15:16on set
15:16to make sure
15:17that the actors
15:18were really speaking
15:19in real Bahasa Utara
15:22Namrond is actually
15:22from Perlis himself
15:23so we still
15:25had a dialogue coach
15:26because he's been
15:27in KL a long time now
15:28but we really
15:30made that commitment
15:30to authenticity
15:33so that was
15:33it wasn't really
15:34a challenge
15:35because we just
15:35committed to it
15:36and we wanted
15:36to do it
15:37the biggest challenge
15:39was the cow
15:42how did you
15:43move the cow
15:44and how was
15:45the cow feeling
15:46the cow look
15:47Malaysia
15:48doesn't have
15:49any animal trainers
15:51for film
15:52you know
15:52like if you go
15:53to the west
15:54Hollywood maybe
15:55yeah in Hollywood
15:55they have a lot
15:56of animal trainers
15:57Malaysia has no
15:58animal trainers
15:58for film
15:59let alone
16:00cow trainers
16:00right
16:01and so
16:02to get
16:02this live
16:03500 pound animal
16:05to do the things
16:06that you want
16:07on camera
16:08it was very
16:09very difficult
16:10I mean
16:11what more
16:12can you ask
16:12for me
16:13I mean
16:15sometimes
16:15you want it
16:16to stand up
16:17they say
16:18okay Min
16:18this can only
16:18happen once
16:19otherwise
16:20we have to
16:20wait 30 minutes
16:21for her to
16:21sit down
16:21again
16:21we can't
16:22just make
16:22her sit
16:23down
16:23yeah so
16:23there's a lot
16:24of things
16:24that you
16:24don't think
16:25about
16:25when you
16:26start to
16:26work with
16:26animals
16:27but we
16:28realised
16:29we realised
16:30that the
16:31best way
16:32to get
16:32an animal
16:33to do
16:33something
16:33is to
16:34bribe
16:34them
16:34with food
16:35correct
16:36and she
16:36she loved
16:37bananas
16:37so we
16:37just
16:38kept
16:38feeding
16:38her
16:41so we
16:42kept
16:42feeding
16:43her
16:43these
16:43bananas
16:44but then
16:44she got
16:45to a point
16:45where she
16:45became
16:46such a
16:46diva
16:47so she
16:48wouldn't
16:49eat the
16:49bananas
16:50she had
16:50already
16:51licked
16:52we have
16:53to give
16:54her a
16:54fresh
16:54one
16:55even
16:55she
16:55was
16:56the
16:56one
16:56that
16:56licked
16:56it
16:57yes
16:57she
16:57didn't
16:58want
16:58it
16:58yeah
16:59big diva
17:00but she
17:01was
17:01actually
17:01quite
17:02great
17:02because we
17:03shot
17:03a lot
17:03scenes
17:04with her
17:05like
17:05there's
17:05a scene
17:06of her
17:06in the
17:07kitchen
17:07of a
17:07house
17:08so we
17:09actually
17:09had her
17:09inside
17:10outside
17:10and she
17:11was
17:11actually
17:12very
17:12good
17:13but it
17:14was still
17:14a challenge
17:15don't get
17:15me
17:15wrong
17:16gambit
17:17of course
17:17akan
17:19menghadapi
17:19segala cabaran
17:20dengan lembu
17:20itulah
17:21mungkin
17:21dalam utara
17:22lah
17:22gambit
17:22kan
17:23macam mana
17:24dengan lembu
17:25kita
17:26kita
17:26cuba
17:27utara
17:28gambit
17:28macam
17:28mana
17:28apa cabaran
17:32dengan lembu
17:33tapi sebenarnya
17:34saya punya
17:35tara dalam
17:36ni
17:36saya bukanlah
17:37orang yang
17:38dari utara
17:39macam
17:39the rest
17:40saya
17:41menyama
17:42jadi utara
17:43jadi saya
17:45kalau cakap
17:46tu
17:47tambah
17:47akil-akil
17:48je lah
17:48kat belakang
17:48tambah je lah
17:49menyama
17:50kau
17:50but he gets it wrong
17:51all the time
17:52ada cakap
17:52langsiak
17:52kau
17:55sabiak
17:55sabiak
17:56apa khabar
17:57sabiak
17:58orang pilih
17:58tapi dia
17:59tidak tahu
18:00dia bukan
18:01untuk
18:02mengatakan
18:02yang tidak
18:03elok
18:03dia hanya
18:04melakukan
18:05kesalahan
18:05dia memang orang
18:06yang tak tahu
18:07dia pun tidak tahu
18:08dia buat salah
18:09dia cuba
18:10sedaya
18:11dan dia rasa
18:13dia selalu
18:14cuba yang terbaik
18:16dan dia betul
18:17lah
18:17dia dah cuba
18:18yang terbaik
18:18dia buat yang terbaik
18:20dia confident dia
18:20dia self-confidence
18:21100%
18:22macam tu lah
18:24and then
18:24bila dengan lembu tu
18:26gambit yang hilangkan
18:27lembu tu
18:27so like
18:28apa cabangan
18:29gambit dengan lembu tu
18:29saya tidak
18:32ya lah
18:33sebab
18:33dalam cinta ni kan
18:34saya sangat
18:35rasa saya
18:37prepare
18:37confident
18:38tapi
18:40malangnya
18:40dalam
18:41atur cara saya tu
18:43lembu tu hilang lah
18:44dan saya
18:46yang
18:46kena cari balik lah
18:48betul-betul
18:49saya memang
18:50menarik
18:51when you talk about
18:52how you
18:52you know
18:53control the cow
18:53and then become a diva
18:55and you guys
18:55have to learn
18:56utara dialect
18:56but that is
18:58the skill
18:59that we want
18:59in our actors
19:00but now
19:01we want to ask
19:02Min
19:03on choosing
19:04we know
19:05how you choose
19:05Gambit
19:06but now
19:06how do you
19:07choose the hero
19:08and the heroine
19:09and every single
19:10person in the film
19:11how is the casting
19:12I mean the cast
19:13is my dream cast
19:14your dream cast
19:16this is the perfect cast
19:17you know honestly
19:17I did a deck
19:19as you do
19:20before you
19:21you do any film
19:22you do a creative deck
19:23and you say
19:24who you want
19:24as the actors
19:25and I put
19:26the actors
19:27that I wanted
19:28and those were
19:29the actors
19:29that I got
19:30and I was
19:31I don't know
19:31I just
19:32I struck the lottery
19:33right
19:34I got very lucky
19:35when we made
19:36Adi an Indonesian
19:38character
19:38we knew
19:39we had to go
19:39and get an Indonesian
19:40actor
19:41right
19:41for it to be authentic
19:42you can't just be authentic
19:42to utara
19:43and not authentic
19:44to the Indonesians
19:45and we wanted
19:46to cast somebody
19:47who was almost
19:48the same age
19:49as the character
19:49and Adi
19:51is the best actor
19:53for me
19:53of his generation
19:56but Honey and I
19:57were in Perlison Rekki
19:59and we decided
20:00to watch Possessive
20:01which is one
20:02of his early films
20:02on Netflix
20:05and he kind of
20:06blew us away
20:06and at the end
20:07we were like
20:07yeah yeah
20:07that's Adi
20:08and his name
20:09was also Adi
20:10so it's like
20:11fate right
20:13Mimi
20:13you know
20:14I worked with her
20:14I gave her
20:15one of her first
20:15acting roles
20:16when she was 19
20:17on a Astro TV series
20:19called
20:19Ku tinggakan cinta di Okinawa
20:21which I nasi amat
20:23and she
20:24and she was
20:25you could already see
20:26when she was 19
20:27that the talent
20:28was there
20:29and I've just been
20:29watching her go
20:30from strength to strength
20:31so I was like
20:32when I thought
20:33about this film
20:33I was like
20:34Mimi is actually
20:35the one I want
20:35I worked with
20:36Aya
20:37one hand of Hissu
20:38I worked with him
20:39on the bridge
20:39and he was great
20:41but he always plays
20:41these really serious
20:43roles
20:45and nobody had really
20:46seen him in comedy
20:47and I wanted to give him
20:48the opportunity
20:49to do something different
20:50and he was great
20:52and then the rest
20:53of the cast
20:53kind of just
20:54fell in place
20:55if you know
20:55into place
20:56Gambit
20:57helped me read
20:58one of the earlier drafts
20:59right
21:00we're friends
21:02Tony I have worked
21:03with a long
21:04Tony Yusuf
21:05I've worked with
21:05a long time
21:06I'd never worked
21:07with Namron
21:08Datuk Tamimi
21:09Azizem Osman
21:10but who doesn't
21:12know them
21:12and who doesn't
21:13want them
21:13on your film
21:14big names
21:14right
21:15so we were
21:16very lucky
21:17so it kind of
21:18just fell into place
21:19these are actors
21:19who are giving
21:20and who are thinking
21:22and they came on
21:23and they
21:24really understood
21:25the film
21:25that we were
21:25trying to make
21:26because don't forget
21:27they're also directors
21:28there's one time
21:29there were five directors
21:30on set
21:30were you like nervous
21:31because
21:32of course
21:34you know
21:34every
21:35this is my first film
21:36as a director
21:36I've been producing
21:37a lot of television
21:37but this is my first film
21:38as a director
21:39you have
21:40you know
21:40Namron
21:42Azizem Osman
21:43Datuk Tamimi
21:43Zahe Omar
21:44who is our
21:44executive producer
21:46and me
21:46and I am the least
21:47experienced
21:48out of all of them
21:49but they were
21:50incredibly supportive
21:51really very supportive
21:53of my vision
21:54of what I wanted
21:55to do
21:55which was very great
21:56and that's true
21:57you said
21:57this is your debut
21:59film from Malaysia
22:00and you've produced
22:01a lot of drama
22:02and now
22:03shifting that
22:05to film
22:05maybe
22:06how is it different
22:07like what's the challenges
22:08from you know
22:09directing dramas
22:10into directing
22:11a whole film
22:12I think
22:13so people say
22:14that television
22:17is a writer's medium
22:17and film
22:19is a director's medium
22:20right
22:21so
22:21really
22:21yes
22:22in the sense
22:24that
22:25you know
22:25a television director
22:27signs up
22:28to a showrunner's vision
22:29and usually
22:29that's a writer
22:30or a producer
22:31so they
22:32they don't really
22:33set the course
22:34as much
22:35as a director
22:35in a film
22:36would do
22:36so in a film
22:38the director's vision
22:39is central
22:40everything
22:41comes from
22:42the director's vision
22:43so that's
22:44kind of the main difference
22:45but television
22:46really sets you up
22:48for film
22:48because
22:49television
22:50the budgets
22:50are so much smaller
22:51everything is on fire
22:53the schedule
22:54the schedule
22:56is shorter
22:56you just have to
22:57to go with the flow
22:58and roll with the punches
22:59right
23:00so that really teaches you
23:01that okay
23:02when you come to film
23:03you know that you can do that
23:04yeah
23:05but it was
23:06it was a great experience
23:07and maybe to
23:08Gambit
23:09how is it working with
23:10you know
23:11Min in a film
23:12in her debut film
23:14serenok
23:15so I mean
23:16yeah
23:16kita kawan
23:17tapi kita
23:18probably never really
23:19work together
23:20especially in terms of relationship
23:22as an actor
23:23dengan director
23:24kan
23:24so bila
23:25yeah
23:26Min
23:27Min dia ada
23:28dia punya own character
23:29kan
23:29tapi dekat set tu
23:31sebab
23:31dalam cerita ni
23:33kas ramai
23:34bukan macam
23:35kas yang you tengok
23:36ada 4 orang
23:36atau 5 orang
23:37Min je
23:37ramai
23:38main kas pun ramai
23:40semua
23:40ramai
23:41termasuk lembu tu
23:42lembu
23:43of course
23:43mojo
23:44ramai
23:44and then kita
23:45setting pun
23:46bukan dekat bandar
23:47dekat
23:47dekat pelis
23:48apa semua kan
23:50and then saya ingat
23:51saya banyak fly
23:52masa tu
23:52pergi Langkawi
23:53bawa balik
23:53dekat Indonesia
23:54dan dekat set diorang
23:55tengok dia direct
23:56ok
23:58yelah kadang-kadang tu
23:59macam
23:59kalau macam saya lah kan
24:01saya rasa
24:02menjadi seorang pelakon tu
24:03sebenarnya
24:04kerja mereka
24:05bukan hanya
24:08apa
24:08pelakon
24:09dan keluarkan
24:10diorang punya
24:10seni tu kan
24:12tapi kefahaman seni
24:13tu kadang-kadang
24:13bukan hanya lakonan
24:14hanya di situ
24:15dia juga kadang-kadang
24:17you kena faham
24:17team you macam mana
24:18sebab setiap
24:19setiap team yang you shoot
24:20setiap cerita yang you shoot
24:22berbeza
24:23so
24:23I always
24:24rasa saya kena faham
24:26box director tu
24:27macam mana
24:28because
24:29kadang-kadang
24:30pelakon yang diambil
24:32bukan pelakon yang
24:32artistik atau apa
24:33tapi dalam
24:34dalam cerita ini
24:35saya rasa pelakon tu
24:36adalah semua yang sangat
24:37seni
24:38jadi
24:39apa yang director
24:41kotak yang diperlukan
24:42dia hanya bagi kita
24:42dan kita akan flowkan benda
24:44tapi kita kena tahu
24:44kita dalam box tu
24:45so
24:46itu yang kita kena
24:47yeah you know
24:48sometimes
24:48kadang-kadang
24:49bukan you
24:50berlakon apa macam tu
24:51you kena tahu
24:51kalau you berlakon bagus pun
24:53tapi benda tu
24:53tidak dipakai
24:54sebab itu
24:55bukan yang dimahu
24:56pakai oleh director
24:57so
24:58you know
24:59the experience is also
25:01that
25:01so
25:01bila saya dah faham
25:03sebab kita berkawan
25:04tapi bila saya dah faham tu
25:05pasal main
25:06then dia jadi lebih
25:07senang sikit
25:07mula-mula pun saya
25:08sebab kita kena faham kan
25:10benda tu
25:11and then
25:11tapi yang saya
25:13betul-betul bangga
25:15bila saya dapat
25:16tengok
25:17because kita akan juga
25:19tengok end product
25:20kan kalau kita dalam production
25:21kita je yang tahu
25:23apa jadi dalam
25:24proses pembikinan ni
25:25ini jadilah
25:27ini terbakar lah
25:28orang tak akan tahu
25:29tapi
25:30orang cuma akan tahu
25:32dekat last punya
25:33conversion
25:34conversion
25:35which is dekat
25:36final product
25:36dekat wayang
25:37saya berkesempatan
25:39untuk
25:40tengok
25:41the opening
25:41side
25:43opening
25:44untuk
25:44untuk cerita ni
25:46dan bila saya tengok
25:47cerita ni
25:48saya rasa macam
25:49okay
25:50clearly
25:51I mean before this
25:52kadang-kadang kita faham
25:53vision
25:53tapi kita tak
25:54clear on final product
25:56kan
25:56so bila saya tengok
25:57final product tu
25:57saya rasa macam
25:58best
25:59mean
26:00best
26:01genre kita berbeza
26:03tapi ini
26:04best
26:05best
26:05betul
26:06sebab saya jujur je
26:07kalau tak best
26:07saya cakap
26:08betul
26:08depan darat tu
26:10saya memang macam tu
26:11tapi best
26:12dia berani
26:13berani
26:14tapi best
26:14sumpah best
26:15sumpah best
26:15sumpah best
26:16tak tipu
26:16okay
26:17and with that
26:17thank you so much
26:18to me and also Gambit
26:19for sharing about this movie
26:21before yesterday
26:21untuk semua
26:22jangan lupa
26:23saksikan Mojoko Hilang
26:24di Pawagam
26:25pergilah dengan family
26:26apa semua
26:27untuk kita sama-sama
26:28livekan balik
26:29semangat kebersaan
26:30satu Malaysia itu sendiri
26:31dengan itu
26:32itu saja yang kita ada
26:33untuk pagi ini
26:33saya Kabbal Aziz
26:34kita jumpa lagi
26:35selamat menikmati
26:38selamat menikmati
26:40selamat menikmati
26:43Terima kasih
Comments