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Igra sudbine Epizoda 1845,Igra sudbine 1846,Igra sudbine 1845,Igra sudbine Epizoda 1846, Igra sudbine Epizoda 1845,Epizoda 1846 Igra sudbine ,Epizoda 1845 Igra sudbine
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00:13It's good that you didn't have a test.
00:15It's really interesting. How was it?
00:17It was very pleasant, very pleasant.
00:21You won't tell me any more about it.
00:24It's better that you don't know anything.
00:27Okay, I understand. But you know what?
00:29It's important that you've been given to all of this.
00:31I agree.
00:31It's true.
00:32It's true.
00:34I've ordered a look at one of the best ones.
00:38And now I'm going to go to the right corner.
00:43What is it?
00:46What are you talking about?
00:52What are you talking about?
00:53What are you talking about?
00:56What are you talking about?
00:58Good.
01:00Good.
01:01Good.
01:05Good.
01:05Good.
01:05I really understood that I'm a single person.
01:09You know?
01:11And what do you want now?
01:13What do you want with that Usoenko?
01:15He sits on a place where he doesn't belong and he's not for you.
01:18What do you think of this?
01:19What is funny?
01:19I heard that you took the pair of Alexi Možegović.
01:25Okay.
01:26What are you talking about?
01:28What are you talking about?
01:31What are you talking about?
01:32What are you talking about?
01:35What are you talking about?
01:43What are you talking about?
01:44You've served a wonderful job, but I'm going to tell you that it's not a memory.
01:49What?
01:50What do you think of me?
01:51What are you talking about?
01:56Okay.
01:57I want to tell me what is with me.
02:00Nothing.
02:01Nothing.
02:04You want to speak with someone with the client?
02:06I think I need a therapist.
02:08Seriously.
02:10It's hard to look like that.
02:12But you're right.
02:14Okay, you're right.
02:17I didn't have a good job.
02:19He didn't go around,
02:20he was a gun, made a stupidity.
02:24But when he was absolutely screaming
02:28to get into a fight with someone,
02:31he didn't get into that fight.
02:32Never.
02:33Don't worry about that.
02:34Open the fight.
02:36Don't worry about that.
02:37I'm listening to this whole life.
02:38This is done like this, this is done like this.
02:41The question is wrong.
02:44He's got something to do with Senko.
02:48Did you agree with that?
02:52That's right.
02:54Who reminds Senko?
02:56Who reminds Senko?
02:58You mentioned Senko.
02:59Man, you understand me.
03:01Listen to me what I want to tell you.
03:02It's not about Senko.
03:06It's not about Senko.
03:07It's about Goran and his new development.
03:11That's right.
03:15That's right.
03:16What are you asking?
03:19What do I ask?
03:21What else do I know?
03:22You don't know.
03:23You look at different kind of your situation.
03:26How can I know what you're asking?
03:28You're asking.
03:29Yes, you're asking me to bother you.
03:31That's right.
03:32You're asking.
03:32I am a lot of artwork and I am a lot of jobs.
03:35It's not that it's not that it is not that it's not that it is that it is not that
03:39it is not that it is not that it's not that it is not that it is that you want
03:43to still be effective, you need to tell me what to do.
03:47Let me ask you what you want to ask for.
03:57Why did you take so much money?
04:01And why do you think they were the ones who were in the machine?
04:26They say that life is not fair.
04:31Sometimes it's free, but often it's mine.
04:36And everything is unknown, except my fate.
04:46Like in love in the war, there is no rules.
04:55You have one life, only one chance.
04:59To be no one, because the star is all right.
05:08I play as a surprise, someone wants, someone doesn't want.
05:17Like in the summer, there is no love.
05:21And I'm not alone.
05:26I'm not alone.
06:58I don't know where the danger comes from.
07:01I understand. I have some ideas.
07:05I don't have any doubt.
07:06I can tell you that it's finished.
07:11I think it's done.
07:39I'll be right back.
07:41I'll be right back.
07:43I'll be right back.
07:45I'll be right back.
08:30I'll be right back.
08:43I'll be right back.
09:11I'll be right back.
09:21I'll be right back.
09:40I'll be right back.
09:52I'll be right back.
09:58I'll be right back.
10:04I'll be right back.
10:05I'll be right back.
10:06I'll be right back.
10:36I'll be right back.
10:50I'll be right back.
10:54I'll be right back.
11:01I'll be right back.
11:05I'll be right back.
11:08I'll be right back.
11:11I'll be right back.
11:51I'll be right back.
11:52I'll be right back.
11:53I'll be right back.
11:57I'll be right back.
12:08Yes, my hobby is to you and to spend a lot of time.
12:15Okay, what do you want?
12:18I'm calling you because I got a task from Uroša.
12:24A task?
12:26What do I need to help you against me?
12:30No, that task. Don't be careful. You're safe.
12:33You'll get to another person who is on water.
12:36What do you want to do?
12:38What do you want to do?
12:40In front of Lukashina.
12:45Lukashina Subobreka.
12:48Director of police.
12:50I don't know. That's why I'm calling you.
12:55Okay.
12:57If Lukashina is like a snake, you know.
13:01Lukas.
13:03The old Pandora is a lot of danger.
13:08It looks like Lukashina.
13:12It looks like Lukashina.
13:14It's also our mission.
13:18It looks like Lukashina.
13:19It's only dangerous.
13:21It's dangerous?
13:23It's dangerous.
13:25How do you tell me?
13:27It's dangerous.
13:29It looks like you are not aware of it.
13:31I don't know.
13:35I don't know.
13:36I don't know.
13:38You're not afraid.
13:42It's dangerous.
13:43I'm a task for Lukash.
13:44Yes.
13:45I will find out who is aware, who is aware, who is aware, who is not, who is not.
13:48I didn't call you to panic like a baby, but you can give me some information if you have them.
13:54Do you really think you can talk like that?
14:09What happened, Vuki?
14:10What did you think of that mystery?
14:12I came to you to help me to try to understand some things.
14:17Okay.
14:18Who is?
14:20I flew to a circle of information that is in the lowest hand.
14:25I don't know.
14:26Okay.
14:26What do you want me to say?
14:28Please, go ahead.
14:29Here I go.
14:30Here I go.
14:30Okay, listen.
14:32It's about Lenka.
14:35Okay.
14:36I got to know some information that I have to check.
14:41Okay.
14:41What did you get to know?
14:45What did you get to know?
14:46I got to know some information that she was connected with one criminal.
14:53From our criminal community, our homeland.
14:57You understand?
15:09Yes, keep going.
15:12I got to know someIn and not sharing.
15:15No problem.
15:16You know what to do?
15:17When did you want me to know it?
15:17It was your case here.
15:18And me, you got to play.
15:18You know my motive of your Massachusetts.
15:20You must stay anxious.
15:20Let me manage that.
15:22Just go.
15:22Okay, sorry. I really didn't have the intention to get hurt.
15:27Uroš gave me a request. It was quick. I need your help.
15:31Okay, when it's already like that.
15:33What? When it's already like that, what?
15:35If you want to get out of here, you know what?
15:38Here's the number.
15:43800?
15:44No, don't do that, please.
15:46Come on, please.
15:58Who are you?
15:59I am. Who is the number?
16:01That.
16:03That is the number of people who will surely help you.
16:07And enjoy yourself.
16:14Let's see.
16:32Leng, what's up here?
16:35Well, the most important thing is I don't have any one.
16:39Okay, where is it?
16:41Do you know?
16:42You heard about Arsu Dančića, called Grkljan.
16:48I didn't hear it, but I see that there is a lot of weirdness.
16:52Yes.
16:53That is the more bizarre way he got.
16:55I hope I don't want to tell you how he came to.
16:58There is no need for that.
16:59Okay.
17:02Do you know who is Topić Relja?
17:07I don't know, but I don't know who is Suna Topić.
17:10Who is he?
17:12I don't know who is.
17:12He is a young criminal who has been able to control himself.
17:16Okay.
17:16What do you have to do with him and the other one?
17:19There is now Leng.
17:22In the game.
17:23What?
17:35What?
17:37What?
17:39What?
17:50What?
17:52What?
17:56What?
17:57What?
17:59What?
18:01What?
18:02What?
18:12What?
18:12What?
18:13What?
18:15What?
18:16What?
18:18What?
18:47What?
18:55I'm telling you all this because I want to take the money that you gave for Lenka.
19:00For me, this is the end of the story, I already told you.
19:03Yes, I did.
19:04I don't know if Lenka gave the money, I don't know, and her money.
19:08So, I want them to be happy in life.
19:12You'll keep it up again, but I won't do it like that.
19:16What did I say?
19:18You don't understand.
19:19What do I don't understand?
19:21Aleksandr, it wasn't a coincidence that this happened right now.
19:26In which sense?
19:27In that sense, Lenka lived here a long time.
19:30She was protected in the village, and you couldn't even imagine
19:34that there were some ugly faces around you.
19:38I really can't move on to her own private life.
19:42Maybe it would have to be?
19:43That story is finished, I told you.
19:47You would love her so much that you gave her 500,000 euros for her, and you didn't care about
19:54it.
19:57That's why I'm sorry to listen to me.
20:00She won't listen to me.
20:01Maybe she won't listen to me.
20:03Maybe she won't listen to me.
20:04Maybe she'll still want to listen to you, if you want to listen to me,
20:07if you want to listen to me as a society.
20:10But I don't know if I didn't know how it is.
20:12I really thought that this isn't a smart idea and it'll be only counter-efekt.
20:16I know.
20:17I want to tell you this.
20:17He says, if he hasn't understood who he is in a society,
20:25he will have to understand it very quickly.
20:28Yes, he doesn't have anything more concrete than all of this.
20:32I haven't even caught a mozaic,
20:35and that will happen in the days, then he will get it.
20:43He doesn't have anything to do, Žiko. That's right, good boy.
20:48How can't he? He doesn't have anything to do with love, nor with strength.
20:50Those are women, you know.
20:53When a woman wants you,
20:55she will hold you, but you don't feel it.
20:59When she would hold me.
21:00And on the other hand, when you don't want,
21:03you don't want to do it.
21:07Who is he?
21:09Okay, it's not bad.
21:14Nice to meet my friend, Ivana.
21:16Where are you, Lukasic?
21:18Okay.
21:19See, this is our friend, Žika.
21:22He's a good cook.
21:23I love it.
21:24Lukasic, I'm good.
21:25Listen.
21:26He loves to cook the rice,
21:28but his soul loves it.
21:30Yes.
21:31We make the best cook in the city.
21:33What do we do in the city?
21:35You have to try it.
21:36We're in Sremčići, you know.
21:38We're in Sremčići.
21:39We're in Sremčići, you know.
21:40We're very hard,
21:41but I've already had a few years
21:42when I have to write about
21:45killages and cholesterol.
21:46That's what Ivan knows better than me.
21:48In one word, a Christian.
21:50Let's go, Lukas.
21:51Let's go.
21:52See you.
21:54See you, Žiko.
21:55I have one advice for you.
21:59I have one advice for you.
22:08You can.
22:12Hey, Ksenija, what are you doing?
22:15What am I doing?
22:17I'm in your house with you.
22:19Do you need your grandma and grandma, by the way?
22:21I have to ask if you were looking at the picture.
22:23I'm joining the channel.
22:25I am going to tell you.
22:28I can see you now.
22:29But I have something important that I will tell you.
22:33No, I want to ask you.
22:35I want to ask you.
22:37I'm asking you.
22:38Well, what is that?
22:39I don't have time to talk or do I'm working on.
22:44No, I don't say to you. I say to your baby.
22:48Wait, wait. I don't hear it. I'm doing it. I'm doing it.
22:54She can't speak to me. I can't.
22:59I'm asking myself, what did you do?
23:04What did I do? Let me leave my baby.
23:06Listen, Tamora told me that you have to go to the gym.
23:11I'm eating. I'm eating. I'm eating.
23:14Hey, Ivona, I can't really. I'm really going to go anywhere.
23:18I'm still in pyjama, while I'm getting ready.
23:21I'm going to wash my clothes, clothes, clothes, you know.
23:23I'm talking to you with your dad and dad to watch the show.
23:29What a show, Ksenija, Pobogu.
23:32Come in, I'm fine. I believe that you will pay for the return.
23:35I don't know.
23:37Ivona, that Tursuit, you know.
23:40You know what I mean?
23:41I mean, there's a lot of friends.
23:43I've discovered a new universe.
23:46A young girl in Turkey.
23:48One is like a fancy fancy, sozoned,
23:50brad.
23:51You know, a back pocket.
23:53And the other one is like a kloš,
23:56but sexy.
23:57You know, like a tree.
23:58And he's been married to this fancy woman.
24:01But in fact, he's not his wife, but his sister.
24:04They don't know this yet,
24:06but in a moment...
24:09What the Turks!
24:10Now, Ksenija, put the Turks on pause
24:13and that you hit the night of fame.
24:15We understand?
24:20Don't do it.
24:22I don't hit that.
24:26Listen, I believe that the timbre didn't call you a baddava.
24:30So, you're going to hit here.
24:32Do you understand?
24:36I'm sorry.
24:37You're going to hit my brother.
24:40Okay, let's go.
24:43Great.
24:44Let's see you in the evening.
24:45Let's see you in the evening.
24:45Let's see you in the evening.
24:49Oh, my God.
24:50Oh, my God.
24:52Oh, my God.
24:55Oh, my God.
25:06We're coming.
25:09Look, I can tell you what women love.
25:14Some fasones from my young days.
25:17Great, great. What?
25:19Women like when you play guitar.
25:22When you play in society.
25:23Guitar?
25:24Yes. Then I could teach you some other things on guitar.
25:28Great. I'll be like Santana.
25:31What kind of Santana?
25:32He's a good guitarist.
25:35No, Jiko, he's not a good guitarist.
25:38Carlos Santana is wearing those eyes from fasones.
25:42It's like an image.
25:43And the other thing, he's the top of you.
25:45What Santana?
25:46I'll teach you something basic.
25:48At the end of the village, the house is the house, the house is the house, the house is the
25:53house, the house is the house.
25:54That's great. It's phenomenal for me and Marianne.
25:57We have our house, whatever it is, and it's on the village.
26:01And down there, one of them.
26:02Ivane, it's the best place.
26:04I'm going to write a song and check it out and check it out.
26:07You can?
26:07You can.
26:08Thank you, Ivane, a lot.
26:11Here we go.
26:14Here we go.
26:25Hey.
26:26Hello.
26:27Mom, where are you?
26:30I was at the entrance.
26:32At the entrance according to my company.
26:36You know me.
26:38You know me.
26:38You know me.
26:39I won't lie.
26:42What happened, Mom?
26:43I have to tell you something.
26:45Tell me.
26:47I was at the house to take Kirill.
26:49And she had a very strange thing.
26:52It was very strange.
26:54What?
26:55She said that Olga and Ivan were there with us at our house.
27:02What do you mean they were there with them?
27:04I mean they were there with them.
27:06What are they there?
27:07I don't know.
27:08I'm telling you that it was a strange thing.
27:11Yes. What do you say, Tamaša?
27:16It was very strange. It was like... They were just lost.
27:21It was seen that it was thrown out and then started to lose.
27:25Yes. What would they have lost there? It was very strange.
27:29Yes. It was very strange. That's why I came to you again.
27:33Why? The light lit up immediately. I said, no, something is not right.
27:40Something is there. We have to know what.
27:44I don't know how to do it.
27:49Suna, Suna, come on. Come on.
27:52What?
27:54Who is in the village?
27:56In the village?
27:57Yes. Who?
28:00Gabrielina, mother.
28:02Gabriela has a mother.
28:03No, she doesn't have a mother. Of course, she has a mother.
28:05She is fine.
28:06She is fine.
28:08She works culturally, wine, friendly, beautiful.
28:12She is so.
28:14She is a mother.
28:15She is a mother.
28:17What do you think?
28:18Do you know how it is called?
28:21In the middle of the world, it's a djavola.
28:23Okay. Maybe it is like that.
28:25What is it?
28:27You are crazy.
28:28You know everything.
28:29You know what, Gabriel?
28:34You know how they are, but you know what's wrong with that.
28:36You know what's happening?
28:38You know what's happening to you, and you know what's gonna wait for that.
28:39Yeah, that's the truth.
28:41You know everything.
28:43Yes.
28:51I have to think about it.
28:54I think that Alex is something to hate.
28:57He is certainly to hate, but I don't know in the moment what he is always doing.
29:01Yes, yes. There are no more. I don't know who has to hate from them.
29:05Yes. Okay. I know. But just to tell you, we don't want to get into any conflict with them.
29:11And while we don't know what is specifically on the question, I ask you to be united.
29:15Of course. Of course. Just be patient and wise.
29:18While we don't know all the evidence, while we don't have it in hands.
29:21That's right. And while we don't know which game and which game.
29:25Okay. Nothing. Slow down.
29:29How do you think you should do it? How do you know?
29:33Someone will have to admit something.
29:35Yeah.
29:36Yeah. It's a little risky thing.
29:39But we don't have another solution than to test the terrain.
29:42No.
29:44It's happy to be you, maestro.
29:49Do you know what I mean?
29:51I'll ask you to test it.
29:53Yes.
29:55Okay.
29:55Okay.
29:56Okay.
29:56But...
29:58...just discreetly.
29:59Zero mistakes.
30:01Let's pray.
30:03Let's pray.
30:03Let's pray.
30:04Let's pray.
30:04Let's pray.
30:04You know that your mother knows what she does.
30:08Good.
30:09Let's see.
30:11Let's see.
30:12Let's pray.
30:12Let's pray.
30:13Let's pray.
30:13I want a nice day after you don't forget a lot.
30:15Let's pray.
30:16Let's pray.
30:16Let's pray.
30:31Let's pray.
30:34Desilo se našto vrlo zanimljivo?
30:37Davite, pričaj.
30:39Dolezio ime u kaše.
30:40Ali ne znam zbog čega, bio je vrlo taj novit.
30:43Ček, je bio je kod Alekse?
30:44Yes, yes, yes.
30:46Do you know what they were talking about?
30:47I don't know, they were talking about it and they didn't hear it.
30:51What do you think about it?
30:52I don't know what to do with Lenkin.
30:53I don't know, I don't know.
30:56I'm trying to hear it, but nothing I don't know.
30:58Well, I hope that he will tell us what he was talking about.
31:03It's hard to know how he was talking about it.
31:05Yes, it's really bad for him.
31:06Yes.
31:07There is another problem.
31:13Evo, koji sad problem?
31:24Gala mi se ne javlja.
31:26Neće da mi odgovori niti na poruku, a ni na pozive.
31:30Ništa.
31:31Da, vidjela sam se ja s njom danas.
31:35Stvarno?
31:36Ma da, imale smo sastanak oko posla.
31:39I je li me pominjala?
31:42Pa nije, ne.
31:46Logično.
31:48Pa znam, nisam trebala dela žena.
31:51Pa vidi, ako neko ceni iskrenost, to je onda gala.
31:56Da.
31:57A ja sam se našla u tako nezgodnoj situaciji da nisam znala kako da postupim.
32:03Znaš, sve to sa tatom. Ona je dala novac, on je odmah posle toga umro.
32:09Ja nisam, nisam dobro procijenila da ne treba tako da joj kažem.
32:17Znam, ali mislim da znam šta treba da radiš sad.
32:27Baka ima nešto za tebe.
32:30A šta?
32:32Napravila sam ti nešto, hoćeš da vidiš da?
32:35Hoću šta?
32:37Kolaki.
32:39Hr?
32:41Hr?
32:42Hr?
32:42Hr?
32:42Hr?
32:46Hr?
32:47Čupavci, čupavci.
33:06Stigla sam.
33:10Sedi, ja si vam.
33:13Ko te tako naljutio?
33:15Ili je to standardno raspoloženje kad ja doznam funkcija?
33:21Šta je bilo, mama?
33:23Pa, nemamo još problem, ali svakako može da nastane.
33:30Bio danije.
33:43Pa, kako odmah nisam povezala.
33:45Sad kad te bolje pogledam, pa ti si zapravo podmlađena verzija Grkljana.
33:50Sama ti je ta bradica malo drugačija.
33:53I zašto nije došao on?
33:54Zašto je poslao tebe?
33:57Pa, bio je sprečen.
33:59Onda me naš šef pitao da ga znam.
34:02Ne treba ti ništa o tome da vriniš.
34:04Jo, hvala ti, hvala ti što ne treba da brinati.
34:06Nema na čemu.
34:19Misliš da će Galada mi oprosti?
34:21Mislim, ja sad ne mogu da vratim vrijem.
34:24To je tačno. Ne možeš da vratiš vrijeme, ali možeš njoj da daš malo vremena.
34:29Bo lako da se i njoj sve to slegne.
34:32Da ona lepo isprocesuira sve informacije. Pazi, i njoj je ovo šok.
34:37I to ogroma šok.
34:39Da.
34:40Tako da bom polako.
34:54Bona.
34:55Kje si, Ksenđa?
34:56Mmm.
34:58Šta kažeš?
35:00Nabacila sam ovu krjušt da Tambura vidi kakva sam ribetina.
35:04Izgledaš atraktivno, Ksenija.
35:06O, to ti kažem.
35:07Ne, ni trebati s njom tako dobro i Betina.
35:10Zato što je Tambura mora da zna ko će njemu da nastupa od klubu.
35:13Da, da.
35:15Gde si joj? Zbogu mi je drago što si tu?
35:17I meni.
35:17Al za malo da ne dođem. Što?
35:29O, će, aj.
35:32Sad, izvini, nismo sami, evo mi ga došao moj drug Mile.
35:35Tako ali ćemo se čutiti i vidjeti posle. Aj ljubim ti. Ćao.
35:39Ćao.
35:39Ćao.
35:43Otkut i mi Lenci?
35:45Otkut ja.
35:46E bro.
35:47Ne znam, otkut ti uputim i u situaciju što je kao?
35:50Da to uputim i u situaciju.
35:52Upad ništa, krivim se, otkrivimo se pa sam došao ovdje.
35:55Pretude.
35:55E.
36:06Lidi, hvala ti stvarno za sve do meva.
36:09A za šta?
36:11Pa, za sve što...
36:14Što si tako pažljiv prema meni što si mi obilazio da vidiš kako sam.
36:18Lenka, si ja imamo neraskidivu sponu.
36:21Ja sam tvoj ujak.
36:22A naša tajna, ona ostaje između nas.
36:24I ne je sudnila tu.
36:26Hvala ti.
36:40Mesec, sami.
36:41Tako je.
36:41Svaki weekend.
36:42Tako je.
36:43Znači, go, go, plesačice, vatrometi, prsklice, VIP, gosti, sve.
36:47Znači, ja u sred srede.
36:48Tako je.
36:52Ne mogu.
36:54Ne, ne, ne mogu to vam uraditi.
36:57Znamete, to je izdaja.
36:58I šta ako on sazna šta će on da misli o mevi?
37:01Šta ima da misli? Šta te brigaš? Šta će reale da misli?
37:04Pa nisi ti mala, pa sada te toliko zanima tuđe mišli.
37:08Hajde, molim te, Kseni.
37:21Šta radite vas ove tu?
37:24Uploši i mene i Lule Tolga.
37:27I zašto on jede slatko pred spavanjem?
37:31Ja sam mu dala.
37:33I ako sam ja rekla da se to ne radi.
37:35On ima i drugo bako.
37:37Ne pitaš se samo ti, draga moja?
37:40Al' tako, Lule?
37:40Da.
37:42Dobro, i šta radite?
37:44Pa evo, pa smo časkali Ivanu vam tom lečenju u inostranstvu.
37:48Hvala.
37:49Hvala.
37:53Hvala.
37:56Hvala.
37:58Hvala.
37:59Hvala.
37:59Hvala.
37:59Hvala.
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