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00:01AVAILABLE NOW
00:18What are you doing?
00:24It's a little bit.
00:25Who?
00:28I think it would be nice that your brother would stay in a nice memory,
00:35and not that he would die as mine.
00:39All right, that's your choice and your thoughts.
00:43What, don't you agree with that?
00:46I wouldn't go into that.
00:48Yes, they went there after a while.
00:55Did they have been here for a while?
00:58No, of course not.
00:59Alexei just took him to look at the house to see a little bit.
01:05They didn't have a lot of trouble.
01:07Why would they have a lot of trouble here?
01:09They have their own house, right?
01:12Maša!
01:14You're not alone, you're not alone.
01:16Thank you for your permission.
01:20You're not alone, you're not alone.
01:24Let's go. You're not alone.
01:27Here you are. You're not alone.
01:29You're not alone.
01:29You're not alone.
01:31Yes.
01:33My hobby is to be nervous and spend time on the fight.
01:37What happened, Vuki?
01:38What do you think of that?
01:41I came to you to help me to try to understand some things.
01:46Okay, who are you?
01:48I went to a circle of information that is the most remarkable thing.
01:54Hey!
01:55Hey!
01:55Hey!
01:55Hey!
01:55Hey!
01:56Hey!
01:56Hey!
01:58Hey!
01:59I was at early, I started no time on the road.
02:01I stayed at the station before my home.
02:03So, according to my company, you know me.
02:07You don't know me.
02:08I'll never take a old turn on you.
02:11What will you do, Guess?
02:12You have to see something you say under.
02:14Nice and so.
02:14What do they have to do with these ones?
02:17They met him here in Ph pegar.
02:20That's funny.
02:24Don't see now, Vuku.
02:28Miković, Linkinim, sadašnjim dečkom.
02:31Da, upoznao sam ga.
02:33Dođi.
02:34Šta je?
02:36Znaš, ko je ušao u zgradu?
02:38U zgradu?
02:39Da.
02:41Ko?
02:42Gabrielina, majka.
02:43Gabriela ima majku.
02:45A jok, nema majku.
02:46Naravno da ima.
02:47Znaš, kako je fina, fina.
02:50Delo je kulturno, vino, prijatno, onako gospođa.
02:54A, hoće to tako.
02:56Majka fina, čerka vešta.
02:59Nije slučajnost što se ovo desilo baš sada.
03:02A u rukos misli?
03:04Pa u smislu, Majka je dugo živela ovdje u vili, zaštićena i niste mogli njih da primetite da se neki
03:12mutni likovi šunjaju oko vas, tako da.
03:14Zvuki, stvarno, ne mogu da se mješam u njim privaten život.
03:18Možda bih tragao.
03:19Ta priča je gotova, rekao sam ti.
03:23Pa neko će nešto morati da prizna.
03:25Da, da.
03:26Da, jeste malo rizično to sve, ali nemamo drugog rješenja nego da ispitamo terenu.
03:32Nema.
03:34Sreće pa si ti maestro u tome.
03:37Znaš, sve to sa tatom.
03:40Ona je dala novac, on je odmah poslije toga umro.
03:42Jao, ja nisam, nisam dobro procijenila da ne treba tako da joj kažem.
03:50Znam.
03:51Ali, mislim da znam šta treba da radiš sad.
04:16Kažu da život piše romane.
04:21Kažu da život nije fejl.
04:26Ponekad pobodi, ali često mane.
04:30I sve je nežvesno, osim sudbine.
04:40Kao u ljubavi u ratu, kuca se nema pravila.
04:50Imaš jedan život, samo jednu šansu.
04:53Da postaneš nikom, jer zvezda sve mi da.
05:02Igra sudbine, kao kolo sreće.
05:07Nekoga hoće, nekoga baš neće.
05:12Kao na uletu sve se okreće, a mi svoj caoci.
05:20So je su pijero.
05:27Oh, oh, oh, oh.
05:32Oh, oh, oh.
05:35Oh, oh, oh.
05:37Oh, oh, oh, oh.
05:44Oh, oh, oh, oh.
05:47Oh, oh, oh, oh.
05:48Oh, oh, oh, oh.
05:48Oh, oh, oh, oh.
05:53Oh, oh, oh, oh.
05:54Oh, oh, oh, oh, oh.
05:56Oh, oh, oh, oh.
05:58Oh, oh, oh, oh.
06:03Pa...
06:03Ja, bože, jel može neki dan da prođe bez nekog problema o ovoj kući?
06:08Stvar, naj ti kaže šta je?
06:10Obeća sam onom ludom Žiki da ću da ga naučim na svjere gitaru ne bili zadobio Marijaninu pažnju, a može
06:18da i ljubav.
06:19Boživan, on pre može da zadobije pažnju i ljubav nekog Pavijana, ne Marijaninu.
06:24Još samo nam fali da nam on tandrče sa gitarom po celoj kući.
06:27Znaš šta, obećali smo da će da mu pomognemo, šta da radi?
06:30Jeste, ali nismo obećali čarobni Štapić po Bogu.
06:33Pa dobro da mu pomognemo, onda, najte.
06:35Pa kako da mu pomognemo, kada ona neće da ga vidi?
06:38Znaš šta, ajde, pusti ga da svira, šta fali?
06:42Pa dobro, ti ako hoćeš još više da ga odvojiš od nje, ti mu pomožeš, šta ti kažu?
06:46E, Olga, devojke vole momke sa gitarom, znaš?
06:50Jela, otkud to znaš?
06:51Pa iz ličnog iskustva.
06:54Znaš šta, ajde, ajde da ga pustimo da svira, možda nešto dobro izveđi iz svega toga.
07:00Sigurno, kad ne vrbi rodi grožće, daj molim te.
07:12Misliš da će Gala da mi je oprosti?
07:14Mislim, ja sad ne mogu da vratim vrijeme.
07:17To je tačno, ne možeš da vratiš vreme, ali i možeš njoj da daš malo vremena.
07:22Da.
07:22Olako, da se i njoj sve to slegne, da ona lepo isprocesuira sve informacije.
07:28Pazi, i njoj je ovo šok. I to ogroman šok.
07:31Da.
07:32Tako da, polako.
07:34Mislim, ne znam ako ti je za utehu i prema meni se ponoša nešto baš šudno u zadnje vrijeme.
07:40Ne znam, kao da nešto nije u redu, a ne mogu tačno da skapiram šta.
07:44Stvarno?
07:45Da.
07:48Ko će ga znati?
07:49Da, nema, bolj.
07:52Al' dobra.
07:54Ja moram da idem.
07:56Baš ti hvala na svemu. Puno si mi pomogla.
07:59No, ne se saj.
08:03Ne, ne, ne, molim te. Samo sjedi.
08:05Ajde, dobro.
08:05Ajde. Čujemo se.
08:07Odmori se malo.
08:08Hoću, hvala ti.
08:09Hajde. Čas.
08:32E, al' zašto sumnjiš o meni?
08:34Pa nisem ja lud da pomislim da će Žika da postane neki virtuuz na gitara.
08:39Možda nešto dobro.
08:40Okay, do you know how hard it is to play?
08:44Okay, and you learned how to play?
08:47Yes, I did. And what I achieved?
08:49I didn't have anything to do with her.
08:52I just made myself a problem.
08:53Okay, because you are the top dancer,
08:56I'm just a old troubadour.
08:58Exactly, and then?
09:00Yes, and then your expectations are huge.
09:04I can teach you to play some fun,
09:07a chord, a chord, three chords.
09:10That's it.
09:11Wait, I don't know if you gave me a compliment
09:15or I need to take you to play?
09:16Yes, but I will tell you that there is nothing wrong
09:21to try to teach him something from the guitar.
09:25You know what it is saying?
09:27The way to the floor is a good choice.
09:30Do you know what?
09:31Do you know what?
09:32And his case.
09:33There is no charm in those cases.
09:36You don't have to do that.
09:37You don't have to do it.
09:38You don't have to do it.
09:39You don't have to focus on your own problem,
09:40and see how we will do that.
09:42That's what is important for you.
09:43You understand?
09:44Okay, you are right.
09:45You are right.
09:46Of course, you are right.
09:46You are right.
10:00You are right.
10:14I will return to France today.
10:17But we will go again soon.
10:19Okay, good.
10:22I just wanted to see how you are.
10:25And I welcome you.
10:27See, thank you for everything.
10:38I will be right.
10:40I will reach you.
10:41And I will reach you.
10:41I will reach you.
10:42You will reach me.
10:42You are right.
10:42And that's what I am today.
10:45You are right.
10:49I will reach you.
10:50I enjoy it.
10:52It did.
11:22I'm coming.
11:26Sit down, Asia.
11:29Who is that so upset?
11:31Or is it the standard situation when I come home?
11:36What happened, mama?
11:40We don't have any problems yet,
11:43but we can't stop.
11:45Was it Daniel?
11:47What is Daniel, Asia?
11:49I ask you, do you want me to take the Daniel out of the house?
11:51Okay.
11:52I don't know what you're doing.
11:54I'm not lying.
11:55I'm not lying. I'm not lying.
11:57Okay.
11:57I'm a stupid woman who has all this experience
12:01and I don't want to...
12:04You're welcome, Maksim.
12:07Okay.
12:08Let him go.
12:08He can go to Antartic.
12:12He hasn't been welcome, Maksim.
12:15It looked like I was upset at Biljana.
12:19I came here to buy Kiriju
12:22and I told her that Ivan and Olga were with us.
12:27What?
12:29Did she get out of it earlier
12:31and she came to explain it to you?
12:33What?
12:34You can't believe what the situation was.
12:36Let me ask you.
12:37I'm really interested in what you have.
12:53What?
12:54I don't believe it.
12:55What are you listening?
12:56What's anything?
12:58What is the word?
12:58What's anything that you watch?
12:58I don't think so.
13:00There is no one peek at you.
13:00No, no.
13:01No.
13:04Baka has something for you.
13:07What?
13:09I made you something. Do you want to see?
13:12I want to.
13:14What?
13:17I'm so excited.
13:20Now I will see who is.
13:24Chupers.
13:25Chupers.
13:26Let's take a look.
13:29Yes.
13:30Let's take a look.
13:34What about the other sister?
13:36What about the other sister?
13:39Don't want to be sweet.
13:41No other sister will say nothing.
13:45It will be our little sweet secret.
13:49Let's take a look.
13:53Let me tell you something. Is there something to ask you?
13:57And you tell me everything you know. Is it true?
14:00It is true.
14:02Is it true?
14:03Is it true that Olga and Ivan had something mentioned
14:09when they traveled there?
14:11Where they went and where they went?
14:13Did they tell you something?
14:32Let me tell you something.
14:34Do not make me laugh.
14:36We will do everything.
14:38It was a stupid thing.
14:41I was told you something like a girl at the cafe.
14:44I don't know if she was alive.
14:45Not at all, she was so nice to me.
14:48I wanted to get her to go.
14:49And I thought I would like to get her to go.
14:50I was like a girl at the cafe.
14:51She didn't get her to go.
14:54She didn't get her to go.
14:55I was able to get her to go.
14:57But I don't know.
14:59She was very funny.
15:01It's nice to me that we didn't say anything.
15:05I don't know, Asia.
15:06What did you tell me?
15:07I don't know.
15:09I don't know.
15:09I don't know.
15:09I don't know.
15:10It's very often happening.
15:15You're really nice to talk to the woman who was born.
15:18You don't have to be afraid.
15:20You only care.
15:21I care for you and for yourself.
15:23You don't have to care for yourself.
15:24I've done it and everything will be okay.
15:25Yes, and this time.
15:27Now we will only fall and we will leave without blood on the head.
15:30What?
15:31Because of my stupidity, right?
15:33Because of any kind of sadness.
15:38Okay, Asia.
15:39I'm sorry, I promise you.
15:41I promise you that the next time will be grateful.
15:43I really believe.
15:45I believe.
16:08You're right.
16:08You're right.
16:09You certainly need to know what you're asking.
16:11I don't know.
16:11I don't know what you're asking.
16:14You're right.
16:16You're right.
16:17You don't know what you're asking.
16:18They didn't say anything when they would travel to the foreign country.
16:24They didn't.
16:25They didn't.
16:26They didn't?
16:26They didn't.
16:28Look at me in the eyes and think about it.
16:32I didn't.
16:33Yes, I didn't.
16:34Let's eat that kolač.
16:38But really, I'm sure that Olga and Deka Ivan didn't even mention anything.
16:50What are you doing here?
16:55It's a mess of me and a lullet, Olga.
16:59And why does he eat sweet before sleeping?
17:03I gave him.
17:04I don't know if I told him that he doesn't do it.
17:07He has another daughter.
17:10You don't ask yourself, my dear friend, is that right, lullet?
17:13Yes.
17:14What are you doing?
17:16We were talking about the treatment of Ivan in the foreign country.
17:22Lullet, let's go down to the room and let us talk about it.
17:27And leave the kolače.
17:37Please, ask me if you're interested in something.
17:39What?
17:40What is that?
17:41Don't do that.
17:43Why don't do that?
17:44Don't do that.
17:45Ask me freely.
17:45Don't do that.
17:46Don't do that.
17:46Don't do that.
17:48Don't do that.
17:49Don't do that.
17:50Don't do that.
18:02Good evening.
18:03Good evening. I will wait for a friend later.
18:08Good evening.
18:14Good evening.
18:15Matija Šarc.
18:16Dušanka Vodić.
18:18Good evening.
18:21We talked about the phone. Don't worry, I am a friend.
18:30Really? I don't know if you are a friend.
18:34Better to say, we have some mutual friends.
18:38And they gave you my number of phones?
18:40Yes.
18:41Who are they?
18:42I know a man.
18:43Who is he?
18:44Grkljan.
18:47How did I get married immediately?
18:50Now, when I look at you, you are a younger version of Grkljan.
18:54You are a little different.
18:57Why didn't he come here?
18:59Why did he send you?
19:02He was upset.
19:03Then our chef asked me to replace him.
19:06You need nothing to worry about you.
19:10Thank you for not to worry about you.
19:11No.
19:14How can I help you?
19:17I need information.
19:19What?
19:20What?
19:21You know all about Lukashen is in the same way.
19:34I don't use my children anymore, but it is obvious that you have not gone anywhere, and that you have
19:44something to do with me, and that you have something to do with me.
19:46No, da.
19:47You call our treatment about the treatment.
19:49You call it a secret, right?
19:51No, it's a secret.
19:53You understand?
19:54It's a secret.
19:55It's not something.
19:56No, nothing.
19:57I don't know how to explain it.
19:59It's our family thing.
20:02You can understand it?
20:03I understand it.
20:04How is it your family thing?
20:06We are not the same family,
20:08we live with the same blood.
20:09We are not the family.
20:11When did you get Gabriela and Alex?
20:14I don't know how to explain it.
20:15Okay, so we are not the same.
20:18I don't know how to explain it, right?
20:20I don't know how to explain it.
20:20What do you understand?
20:25That you don't understand the things that are personal.
20:29Yes?
20:30Yes.
20:31All things that are your personal.
20:33And I, who live with me and I don't know anything, right?
20:38No, you don't know anything.
20:40What do you want to know?
20:42What do you want to know?
20:43What do you want to know?
20:45I just want to know what happens to me,
20:47what happens to me, what happens to me,
20:48what happens to me in this house.
20:49You would have a kind of control over the world, right?
20:53Yes.
20:55Do you hear yourself?
20:56Yes, you hear yourself.
20:57And you are talking about such a tone as I am.
21:00Yes, yes.
21:00What tone?
21:01Listen, if you thought you were thinking
21:04that you were a guest here,
21:06then you can forget it immediately.
21:14Yes, yes, yes.
21:16Yes, yes, yes.
21:16Yes, yes, yes.
21:17You will see, dear dear,
21:18who is here?
21:21I thought something about something.
21:22If not.
21:43I don't know what to do.
21:52I have to know who is going to go to her club.
21:55Yes.
21:56Where are you from?
21:58And me.
21:59But for a while I don't come.
22:00What?
22:01When I went to the TV, I went to Fernando and Rozalinda.
22:06But since you're saying that I have to do it, I'm ready to go.
22:10What a moment, Fernando.
22:11You didn't tell me that you were watching a Turkish series?
22:14No, Ivona.
22:15I first look with your daughter, Fernando and Rozalindu.
22:18Ah, who will fight in peace, like my friend and me, and then with your daughter, I'm looking at the
22:23Tursuit.
22:24Like movie night.
22:26And my daughter and my daughter, who will be with you.
22:29Yes, yes, yes.
22:32Good evening.
22:33Good evening, good evening.
22:35I'm here.
22:36It's nice to me.
22:38Let's go over here and talk about something.
22:40Ivona, give me my name and Xenia what you want to drink.
22:44Come on.
22:45What do you want to drink?
22:46The wine wine.
22:46Come on.
22:57Good evening.
22:58Hey, the wine wine.
23:01What?
23:03Are you asking me for a river?
23:06I think that the Grplian usually gets into the church.
23:09Are you asking me for aüber?
23:11What is it?
23:13I asked you to tell you what you know.
23:17Okay, okay. I'm just surprised.
23:21You're right. I don't need to ask you what you're asking.
23:26Okay, Vukasin, right?
23:29He was a long job.
23:32He was a private detective, and then he was in the direction.
23:36Where?
23:36He was the director of the police.
23:39In other words, the right lady.
23:42With everyone good, but not with anyone close.
23:45In other words, it didn't take years to be like that.
23:49That's just an old tip.
23:52It depends on how you look at it.
23:54If I asked me that, Chica Grkljan, I would say,
23:57yes, old, you are somewhere.
23:59But since I asked Pilence as you are,
24:04How do you look at it?
24:06He sits in the middle, a high level, a beautiful appearance,
24:09and I think that he was a dangerous friar.
24:12I don't think he was a friar.
24:15Why did you ask him? I'm just a good friend.
24:19Or he has a family?
24:22He has a daughter, yes. He lives in the foreign country.
24:25How do you call him?
24:26I really don't know.
24:28I really don't know.
24:29I really don't know.
24:29I'm sorry.
24:30He lives in Italy.
24:32Yes, that's it.
24:35Do you have any more information?
24:37That's right.
24:42Good evening.
24:42Good evening.
24:43Are you ready to call him?
24:44Let me give you anything to drink and put it on my account.
24:52Did you hear him?
24:57You won't drink with the lady, right?
24:59I can't.
25:00I have a lot of trust.
25:02Thank you for all the information.
25:04No problem.
25:19I have to thank you once again
25:21and tell you that you certainly won't show us
25:24that you experienced this opportunity
25:27and especially the opportunity to sing
25:29in this Brooklyn location as yours.
25:31What is your name?
25:33Bruka.
25:35Yes.
25:36The Chikatambura,
25:37this is an extra top.
25:39A strong voice.
25:40Yes.
25:43You can see.
25:45I'm already prepared.
25:47I can start again.
25:49I can start tomorrow evening.
25:50I can also demonstrate now.
25:52What do you demonstrate?
25:55It's like a little teaser.
25:57You understand?
25:57Here it is.
25:59No, no, no.
26:01It's a little teaser.
26:05It's a little teaser.
26:06It's a little teaser.
26:06It's a little teaser.
26:06No, no, no.
26:07It's not something else that I ask.
26:08Sit down.
26:09I'll show you.
26:10Okay.
26:11Let's show you.
26:12I'll see you later.
26:14Listen to me.
26:15You should do something.
26:17You should do something.
26:18For example,
26:20the next one.
26:21You should try to bring Relju
26:24here in the club.
26:27But Chikatambura,
26:28my arrival?
26:29I mean,
26:31Relja and I are not together.
26:33Aha.
26:34Okay.
26:35Yes.
26:36Then nothing happens.
26:38And so.
26:39No, no, no.
26:39Wait, wait, wait.
26:40What now?
26:41Nothing happens.
26:42We agreed.
26:44I mean,
26:44I mean,
26:44this is between me and Relja.
26:46I've said that
26:47because he doesn't bring me right now.
26:49You understand?
26:50And he wouldn't come here
26:50because of me.
26:52But I'm going to try something.
26:56See.
26:57I have an idea
26:58of how to bring him here.
27:00Really?
27:11I know.
27:13I've got a difference.
27:13I know.
27:14I understand you.
27:15You Don't worry.
27:16I don't care.
27:17I'm nothing.
27:17I love you.
27:18I'm lying.
27:18It's all useless.
27:20I do it.
27:21I will do it.
27:22You understand?
27:23I will be like.
27:25how terrible you are.
27:26I love you.
27:26My God.
27:27I love you.
27:27I'm sorry.
27:30So, I'm going to talk to you later.
27:31Listen, I'm sorry.
27:34Excuse me, young man.
27:36How does it manifest against you?
27:39How does it manifest?
27:41You know how it is manifest?
27:42I'm going to see you from above.
27:46It's only that?
27:47Okay, it's not only that.
27:49I want you to eat.
27:51I want you to love.
27:53I want you to...
27:56Excuse me, we're not alone.
27:57My friend, my dear friend,
28:00so we'll see you later.
28:01I love you.
28:02Bye.
28:03Bye.
28:07Where are you, Milenze?
28:09Where am I?
28:11I don't know. Where are you?
28:12I'm going to talk to you later.
28:15I'm going to talk to you later.
28:16Nothing, I'm going to talk to you later.
28:19Where are you?
28:21Where are you?
28:22I need to talk to you,
28:24and you won't understand me.
28:25I'm going to talk to you later.
28:26How much do you want?
28:27Yes.
28:28Yes.
28:29But...
28:30Who are you here?
28:34You're here, you're here.
28:39You're here.
28:40With this, my new boy.
28:42I'm going to tell you.
28:43It's very possible,
28:45if you look at the future,
28:47and you'll be proud of it.
28:48You're here,
28:49you've found a new victim.
28:50What a victim?
28:51What a victim?
28:52What a victim?
28:52What a victim?
28:53What a victim?
28:55It's not a victim.
28:56She likes me.
28:57And it seems to me that she is.
29:00What does it do?
29:02It doesn't mean that I have to be my wife.
29:07She is the right.
29:08She is the right.
29:09What a victim!
29:20As is the right?
29:22And you have to be so困困.
29:23Would you?
29:24You know,
29:25that you have to be so困困.
29:26As you're waiting for yourself,
29:27to be unavailable.
29:29But I'm not困困.
29:31I know.
29:32I don't have to be so困困.
29:34It says you're so困困.
29:35You're saying you're so困困.
29:38I don't know how to say it. I don't know how to say it. I don't know how to say
29:42it.
29:42What do you have to say to him? You have done all the things.
29:49And now it's supposed to be done.
29:53Okay, but I can't do it again.
29:57You see, if you do it, and if you bring him here, you will have a meeting here in Faye.
30:08A month? Every weekend?
30:10That's it.
30:11You can't do it. You can't do it. You can't do it. You can't do it. You can't do it.
30:25You can't do it.
30:26And what if he knows what he will think about me?
30:29What do you have to think? What do you care about? What do you think about me?
30:33You're not a little. I don't care about other thoughts. Let me pray.
30:38Well, I don't care about other thoughts. I don't care about other thoughts.
30:44Hey, Faye, a month, a month, a month. Do you know who comes here?
30:50Who can see you, hear you?
30:52Hey, how can you move forward? What do you think about the stars?
30:57Hey, I think... I think it's fair.
31:05Well, it's fair. It's fair. But what do you plan to do?
31:21Do you have a man behind me?
31:24No, it's fair.
31:30I don't care.
31:32You're not my family.
31:33I'm sorry.
31:34I'm sorry.
31:34I'm sorry.
31:35You're sorry.
31:37I'm sorry.
31:38You're sorry.
31:39The mother is one of them. I love her. I've seen her on the first one.
31:43I believe she would have seen her on the first one.
31:46The blood group?
31:48Gorane, I don't really like how she looks physically.
31:52The tastes are different, you know?
31:54Well, as a man, she is a very young man.
31:58She is such a good girl. She is such a beautiful young girl.
32:02She is a skilled girl.
32:04She is a young man, a young man, a young man.
32:09Yes. And now you think that it is enough to start a relationship?
32:15We have to start from someone else.
32:17I'm just asking.
32:19What do you ask me? Why do you ask me to ask me to judge me, brother?
32:23And tell me, brother, you are the last person in this world
32:26who should give me love advice.
32:28No, Goranče, no. I don't want you to use my memory.
32:33I want to talk to you.
32:34Like a man with a man, a man with a man with a man with a man,
32:37a friend with a man with a man.
32:38Really?
32:39Yes.
32:39And when did you start to be interested in any other life,
32:43except for your own life?
32:43What?
32:44Eh?
32:45Eh, it's wrong to change people.
32:47No.
32:49Goranče, my friend, when I came to a new place,
32:53I was a new man.
32:55I don't say, a new man, a new man, a new man, a new man.
32:58I don't know what you're doing.
33:01I don't know what you're doing.
33:04I don't know what you're doing.
33:05I'm going to open you up here.
33:06You're going to tell me that you're going to say...
33:07Mile, admit me right now,
33:11because this pancetta sent me to go to the voice
33:14and test me.
33:16Oh, what am I?
33:18No, don't you.
33:19No, don't you.
33:20But you can't wait to talk to the pancetta.
33:22What am I doing?
33:22Mile, I'm sorry to ask you to ask you
33:26No! No! No!
33:27No! No!
33:28Just let me tell you who sent you.
33:30What?
33:32I'm sent you!
33:35Okay.
33:39Go on.
33:42Oh!
33:45Who's that?
33:46My gosh, they're not coming.
33:49Sit down!
33:56How many of you know there was a four-year-old?
33:58That's right.
33:59See, there's one.
34:01Okay, you're right, but you're very good,
34:04and you've got a number of people.
34:07Let's go.
34:19I'm only afraid that there won't be any physical calculations.
34:24I understand.
34:24I don't like when the girls are mad.
34:27I like when they're mad because of me.
34:30I don't want my rules to be wrong.
34:34There's no one, Fırkır, what are you doing?
34:46You'll continue with these problems.
34:48Do you understand?
34:50What will I say?
34:51What should I say?
34:51You know what?
34:52quiser falar something.
34:52Was there something?
34:54Yes.
34:55In the past, there was nothing.
34:58No one will understand themselves in the future.
35:01Yes.
35:12I can't believe what you are doing from your life.
35:18You are making a serious scandal, but not that good, beautiful, beautiful,
35:25beautiful, beautiful, marketing scandal.
35:28The one who is good to come to the sky.
35:30No, you are doing the same.
35:33When you are going to travel to the stars, you are making some scandals
35:36where you are going to go down.
35:49Your life is slowly changing.
35:52You are not going to go down the street,
35:53you are going to go down the street and the car is going to go down the street.
35:57Go down the dark and dark, like a car, a helicopter.
36:03See you.
36:13Oh, my God.
36:15Oh, my God.
36:17Oh, my God.
36:24One minute.
36:38I, Goran Crnojević, will I sell you to my husband for a while.
36:56I, Goran Crnojević, will I tell you, who is really interested in you and what you are interested in?
37:06I am interested in everything you know about Uroš.
37:30You have a concrete memory.
37:34Why?
37:37What are we going to do with your Burazerov?
37:42I have told you that it is not a Burazer in my ankle.
37:46I don't think I am going to hit him or not.
38:01I don't think I am going to hit him.
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