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00:04Transcription by CastingWords
00:13What is it? What is it?
00:15I'm interested in one thing.
00:19Where do you think you're lying?
00:21Who do you work?
00:24We've told you that it's a tough intelligence.
00:26It's a tough intelligence.
00:29Where is it?
00:31Where is it?
00:34What is it?
00:37What is it?
00:38You're sure you don't work for me.
00:40If you don't work for me, who do you work for me?
00:46You know what I'm doing for you.
00:48I don't know exactly what you're doing.
00:51You don't know what you're doing?
00:52No.
00:53Why did you tell me that Alex Ožegović paid a lengthy note?
00:58I have to tell you something.
01:03You can. I just pray for some criticism.
01:06You don't have any more knowledge.
01:08And this isn't a criticism. It's a compliment.
01:14Compliment, I'm sorry.
01:15I'm sorry.
01:16Listen.
01:17I have a lot of work.
01:20It's like you're doing something.
01:23You're looking for a little bit.
01:25You're looking for a little bit.
01:26You're looking for a little bit.
01:28I understand you.
01:29Let's do it.
01:29Let's do it.
01:32What are you doing?
01:34What about you?
01:35What about you?
01:35We're talking about Natasha Ožović.
01:40What are you doing with Ožović?
01:41No.
01:44You're a wonderful mother.
01:46Alexa is Lenkin's great love from the past.
01:53When Lenkin would know that Alexa would pay her money,
01:57she would return to her.
01:59And no one would have been able to divide her.
02:03Sorry, I don't know what this is.
02:05I think if we need to call him Alex,
02:10we can be able to solve it.
02:11No problem.
02:12You don't care about anything?
02:13We can't solve it,
02:15because Lenkin would have been able to call him only in my house.
02:19You know, everyone loves it.
02:21Everyone is happy.
02:22Everyone is happy.
02:22And that's it.
02:23That's it.
02:23I can't say anything.
02:26I can't say anything.
02:26I can't say anything.
02:27I can't say anything.
02:27I can't say anything.
02:28I'll only need an assistance
02:32from an unexpected person.
02:34Not unexpected person.
02:35An assistance.
02:37Okay.
02:37That's just a good time.
02:40In a long time,
02:42you are going to get back with very common information
02:47about the rest of Topic,
02:51the Grkljane and the Urošur Mikovic.
02:58Here in the club, from Xenia, the other side of the live.
03:05She's a girl.
03:07What's with her?
03:10I thought I'd say that she'd say that she'd come here.
03:15She'd say that she'd say that she'd come here.
03:19I've told you that I wasn't a brother.
03:25Okay.
03:27In this case, it would be better for her son.
03:29I'd say that she'd come here.
03:32It's easier.
03:34What do we not want to do?
03:36We'll be happy with her.
03:42This road starts to turn.
03:45Turn, turn, turn.
03:47What do you think you need to do?
03:49We need to leave her as soon as possible.
03:53Okay.
03:54And we need to do our story.
04:01Bye.
04:15Bye.
04:20Bye.
04:42To be continued...
05:14To be continued...
05:49To be continued...
05:59To be continued...
06:15To be continued...
06:17To be continued...
06:25To be continued...
06:30To be continued...
07:00To be continued...
07:30To be continued...
07:33To be continued...
08:03To be continued...
08:33To be continued...
09:03To be continued...
09:07To be continued...
09:37I have to do it.
09:49Let's go to Alexi and Žegović.
09:51Are you aware that this is impossible?
09:53Do you understand that you enter the open room with Uroš?
09:57And?
09:58What is it? Do you hear me on what I'm saying?
10:00I hear you perfectly, I understand what I'm saying,
10:03but I don't care what Uroš will do to do.
10:05Okay, that's not the most important thing.
10:07It's not the most important thing that you want to sit on two floors.
10:10I sit on two floors?
10:12No, I'm trying not to fall brother's blood.
10:15What brother's blood?
10:16I've told you that he's not a brother and don't call him.
10:19Okay, okay.
10:22Let's not deal with Uroš.
10:25Let's deal with your own father, Velibor.
10:29Why are you a little, but even a little,
10:32you don't look at him.
10:34What?
10:35He looks at him.
10:36And that's why I'll be the main head in this city.
10:39Okay.
10:40Do you know why he's been your so-called main head?
10:44I don't know.
10:46He didn't go around.
10:47He took a gun and made a fool.
10:50He made a fool.
10:50But even though he didn't say that he went into a war with someone,
10:57he didn't enter that war.
10:59Never.
11:00Let's go, let's go.
11:01Open the door.
11:03Let's go, let's go.
11:04Let's go, let's go.
11:04I've heard this whole life.
11:05This is what it's doing, this is what it's doing.
11:08Now is the other time.
11:10I have a way to get to what I'm telling you.
11:17Okay.
11:18And what about Uroša,
11:20he will never get to what I'm telling you.
11:24Okay.
11:43But...
11:45And what do you think you're doing?
11:48I don't know.
11:49I don't know.
11:49But I would have to be afraid of that to save Alex.
11:53But...
11:54How?
11:55Well, that's a good question.
11:56Since we haven't seen a long time,
11:58I don't know who would be the reason for our vision.
12:01I'm Gabriela here with us at home.
12:03Yes.
12:04That's all the overwhelming surroundings.
12:07I know.
12:07But you know how I'm feeling?
12:08It's like I'm going to kill him if I don't say anything.
12:11No, Olga.
12:12I ask you, don't do anything.
12:15Okay.
12:16Are you so much against it?
12:18I'm not.
12:19I'm not.
12:20I'm not.
12:21But you need to do these things.
12:23You don't need to do the cold feet.
12:24You don't need to do the first impulse.
12:28I don't know.
12:29I'm really scared.
12:31Alex would be scared when he would do it.
12:34I know.
12:34But on the other hand,
12:35he told me that he won't forgive me
12:37if he creates an opportunity for it.
12:39Yes, but not to do it.
12:41You can't do it.
12:43You know what I'm saying.
12:46You know what I mean?
12:47You need to go a little time
12:49and that time will decide
12:51when he's done a moment
12:53to tell you.
12:54I believe you.
12:56Okay.
12:57I'm sure I'm sure I'm sure.
12:57You know what I mean.
13:16I'm sure I'm not even scared.
13:22I'm sure he's dead.
13:24I know what I'm saying.
13:24And I'm not sure what I'm saying.
13:25No.
13:26No.
13:26I'm not sure what I mean.
13:27No.
13:27It's nice to me, Pañči.
13:30It's nice to me, huh?
13:32Now it's nice to me, huh?
13:33It's nice to me.
13:35I actually realized that I was a simple man.
13:40You know what?
13:41You see, if you were saying that you would understand,
13:46but you would have to explain it.
13:49To me, Pañči, for happiness,
13:53it's just a little love and family support.
13:58Do you understand?
13:58And krompir.
13:59That's it, Pañči.
14:05You're nothing without a family.
14:07Nobody is nothing.
14:08Anyone who has lost it,
14:11nothing.
14:12There's nothing from that, Pañči.
14:16What would you do?
14:19I really don't know.
14:21Thank you, Pañči.
14:24Please, Pañči,
14:25in the head of the sky.
14:28Where are you, your sun,
14:31where are you, Pañči?
14:32Where are you, Pañči,
14:33when you left me,
14:35when you left me,
14:35when you left me,
14:35when you left me with me.
14:40I admit you.
14:43And you?
14:46I'm not satisfied.
14:46I'm not satisfied.
14:47I've got the money.
14:49What the money was by.
14:49Yes.
14:50And, right?
14:51And they were angry at us,
14:52by burning her head and the hook.
14:55And, right?
14:58And...
14:58And, sorry.
15:02I'm sorry,
15:03I'm sorry thousands of times.
15:04I can tell you, sorry.
15:08Melema, you have to do it.
15:11You have to do it.
15:15I have to do it.
15:16I have to do it.
15:19I have to do it.
15:21I like this.
15:29I like it.
15:31Trio Fantastico, again in the crowd.
15:33Wait, wait, wait.
15:34Is it Trio Fantastico?
15:36I don't know.
15:37I don't know.
15:38Sorry, sorry.
15:39Okay, listen.
15:40There's some music.
15:41Some cocktails.
15:42Super.
15:44Is there something new?
15:45Is there something new?
15:47A collection?
15:49Yes.
15:50I think we need to talk a little bit about it.
15:52I have a few ideas.
15:55Let's see.
15:56I thought I had to do it.
15:57I thought I thought that we would put some lightweight materials, some more fun colors, some more.
16:04You see?
16:04There's something like that.
16:06I like it.
16:07It's a natural.
16:07It's a really nice.
16:08I like it.
16:09It's good.
16:10Yes.
16:10I think it's great.
16:12It's good for me to show up.
16:13It's good.
16:15I mean, I think it's a good review.
16:15Let's say something.
16:16It deserves a good review.
16:20A review?
16:21Yes, yes.
16:22Yes.
16:23What to see? You deserved it. You heard it, brother.
16:27Okay, okay. You deserved it. Great work, but I'll tell you right now.
16:32What? What do you think you don't know?
16:45How do you do it?
16:48It's not for us.
16:50It's not for you, brother.
16:51You need to get yourself, as you know and you know.
16:54You can't go through your life without your head.
16:57I am a sovereign.
16:59I am a quiet, calm, calm soul.
17:03I don't have the strength for these things.
17:07I don't have the heart.
17:10You're a calm soul.
17:12It doesn't mean that you need to be the one who will be the one who will be.
17:17What does it mean now?
17:18It means that you have to be quiet.
17:21I am quiet.
17:23You are quiet?
17:24I am quiet.
17:25I am quiet.
17:27I am quiet.
17:28I am quiet.
17:29I am quiet.
17:41I am quiet.
17:46I am quiet.
17:50I am quiet.
18:11On the floor.
18:13I can't wait for you.
18:14So, take it and turn off.
18:19But, Mila, I have a prayer for you.
18:24Yeah.
18:38It's been a little while from your time, only this.
18:42What's the matter with you?
18:44Okay, let's take a look.
18:46100% would someone thought,
18:48comment that you would use a whole situation
18:51for promotion, that you want to be able to rate yourself.
18:54Yeah.
18:55Why do I care when I know that it's not true?
18:57Okay, but when are people interested in the truth?
19:00Everyone has their own perception and that's it.
19:03It's not important what we think,
19:05something else will they say?
19:07Oh, I'm sorry.
19:08When the job is in question, it's important
19:10what people will say and what people will think.
19:13Now, when it happens to be a review,
19:15it will happen at least one,
19:17that one, one kind of and this person over the world,
19:20it will be a good one,
19:22a kind of a thing about it,
19:23it will be great.
19:23What do you think about it?
19:25I think that someone has said to me,
19:28someone who says to me,
19:30who is sensationalism,
19:31or who is trying to take advantage,
19:33to have a free profit,
19:34it is not enough to be a good person,
19:37anybody that'sage to me about it.
19:38A person that makes them want,
19:41and that makes them all things,
19:42who doesn't matter,
19:43things that aren't as a matter of the things,
19:45in terms of marketing,
19:46That's not it.
19:47Okay. That's why I'm here. I understand myself.
19:50It's my job. I know what I'm talking about.
19:52Okay.
19:54Okay, whatever. I'm with you.
19:57Revie, revie, no revie, no revie, no revie.
19:59Whatever you decide, I'm here.
20:04Let's go over here. How much time is it?
20:06I have to start. I'm going to go for a little bit.
20:08I love you.
20:10I love you.
20:11Bye.
20:21I love you.
20:22That's it.
20:23Do you have any problems with him?
20:35Ask him, pray, look and say.
20:40The question is Goran.
20:43No.
20:44What else did you say with Senko?
20:46Is it done already?
20:50It is done.
20:52It is done.
20:53Who reminds him of Senki?
20:55Who reminds Senki?
20:57You mentioned Senki.
20:58Listen to me, listen to me.
21:01Concentration.
21:02It's not about Senki,
21:06it's about Goran
21:07and his new girl.
21:10That's right.
21:11That's right.
21:14It's called Suna.
21:15Suna?
21:16It's about Alex's company.
21:19I'm sure you're
21:21with Alex's company.
21:24Blamira.
21:25You know Suna?
21:27I know.
21:28What are you doing?
21:31Good morning, sorry if we go.
21:33No, no, no, no.
21:34Good morning.
21:35Good morning.
21:38I'm Lea,
21:40and I'm Suna.
21:40We've come to an interview for the job.
21:43Are you able to get some
21:45of some salt and salt?
21:47Salt? No.
21:48Not, no!
21:50You don't have to do anything.
21:51You can do anything else.
21:52I will do anything else.
21:53One of my old age
21:54was having the sleeping of that
21:55and he tried to get the drink on the show.
21:57And we've spent the night.
21:58We'll have to go out for now, Suna.
21:59OK.
22:00I are at home and on this one.
22:02You can do anything else.
22:03And you'll be back.
22:05You'll be back.
22:07We'll be back in the house.
22:15We'll have to go out.
22:16Oh, my dear, what are you doing?
22:21We have a message for a gift.
22:23We have a message for a max.
22:28You have a message for a gift?
22:29Yes.
22:32You are not giving me a gift for a gift.
22:33Instead of giving me a gift for a gift,
22:35you will have a paper.
22:37What are you talking about?
22:38How do I eat a kiseli kupu for a gift?
22:40A kiseli kupu is full of minerals and vitamins.
22:43What are you talking about? Where do you eat paper,
22:45paper, wood, wood?
22:46What do you think?
22:47Oh, my dear.
22:48Okay, where is Alex?
22:51There he is.
22:52There he is.
22:53Excellent.
22:54Try a laptop.
22:55It's delicious.
22:56I can't.
22:57We will not have a gift.
22:58We will go back to the store again.
23:00Okay, okay.
23:01No, no.
23:03I want you to ask me everything.
23:07Who is?
23:09Who is?
23:09Who is?
23:10Who is?
23:11Who is?
23:12Who is your parents?
23:13Who is their family?
23:14Who is their family?
23:15Who is when no one is watching?
23:16Who is when everyone is watching?
23:18Okay, I have to write all of this.
23:19What do you have to write?
23:21Remember?
23:22A little memory of the memorial center.
23:25You have to find everything in the mirror.
23:28You have to find it and analyze it.
23:31And analyze it?
23:33That's right.
23:35Is it over there?
23:36It's over there.
23:38It's over there.
23:38It's over there.
23:40I will not stop the case.
23:44I will not stop the case.
23:45Are you ready?
23:46It's a blood group.
23:47Just.
23:55What is the question?
23:57I don't know.
23:58What is the problem with you?
23:59I don't know.
24:01What is the question?
24:02What is the problem with you?
24:02Okay.
24:03I think that I'm really looking at the situation.
24:06Have we thought a lot of lies?
24:08Yes.
24:09And now we have to keep it in life.
24:12All this story about your apartment, your apartment, your door, your door.
24:17Have we planned the story that you were under stress?
24:20That it was necessary to avoid everything, to work on your mental health?
24:24Is that right?
24:25Yes.
24:26Now just think about it.
24:27How would it look like you're doing a review?
24:32Once again, you're good.
24:33Everything is okay.
24:34It's just bad for marketing.
24:38You really think that it's a bad idea?
24:40At this point, it would be very intelligent.
24:45It's not good for a brand, brother.
24:48It's just a question.
24:52What else would it be?
24:53What else would it be?
24:54Why do I know, Kala?
24:55I don't know.
24:56It's strange that you feel different.
24:58How can I know what I'm asking?
25:00Let's go.
25:01Let's go.
25:01Let's go.
25:02I'm strange.
25:04It's not.
25:05I'm just humorous.
25:06I have a lot of jobs.
25:07That's all.
25:08It's nothing.
25:10Okay.
25:10It's nothing.
25:11And when we're at jobs, the best is to go home to everything I need.
25:17She's so happy.
25:19I just wanted to feel like she's a kid.
25:21Okay.
25:23Good to see you.
25:23Let's see you.
25:24Bye.
25:26Bye.
25:27Bye.
25:33Bye.
25:45Okay, Vanja, do you want me to tell you what is with you?
25:49Nothing.
25:50Nothing.
25:53You want to talk to someone with a lawyer.
25:55I think you need a therapist.
25:57Seriously, I'm sorry to look at you like that, but you need me.
26:03I don't think I'm good, Gabriela.
26:09Why? I mean, what are you doing?
26:13Look, I don't know, how to explain it to you, I'm involved in so many things,
26:19but I don't know why I'm the real reason for this.
26:23I don't know, I have a feeling like I'm hitting the place.
26:28That's it, that's your life.
26:29I'm just thinking that you know something more about it.
26:34I know, but whatever I do or something else, I have a feeling that I'm wrong.
26:40I'm not sure if I'm wrong.
26:43I'm not sure if I'm wrong.
26:46I'm not sure if I'm wrong.
26:46See, if you want to be effective and good, you have to tell me exactly what it is.
26:52That's it.
26:56Let's go and ask me specifically what you want to know.
27:02Why are you and Alexa taking so much money and why do you think Topić is invested in all of
27:09this?
27:24We have a problem.
27:27I wouldn't be here to be here.
27:34I don't know.
27:36I don't know.
27:37I don't know.
27:37You've never been honest with them.
27:39They were close to me and more than I like.
27:43They were even lanky.
27:47Some vukashin inspector, or whatever, in the police.
27:51What do they do?
27:53They were in relation to Relje.
27:55That little guy and he still had problems in life.
28:00What is the case?
28:00I'll ask you to ask me to ask you.
28:03Do you want to be resolved?
28:06Not so fast.
28:09We can't because of Grkjana.
28:11But, at least, the situation goes to me.
28:13And the pace is just related.
28:17And are you talking to him with Sonom?
28:20What do you have to do with him?
28:22It's just about it.
28:25Why do you understand?
28:26She has a connection with her.
28:30Really, she's her brother.
28:32How do you think she'd react to her without her?
28:49Vanja,
28:51there are some things that we need to know.
28:54I mean, that's what I mean.
28:56There are others.
28:58They don't need to know.
29:00And you don't need to know everything about everything.
29:03I know, but I'm not the only one.
29:06I'm not the only one.
29:07I'm not the only one.
29:10You're in a very high position in this company.
29:13I'm not the only one.
29:18Tell me,
29:19when you talk to your partner,
29:21what do you say?
29:23I'm not a little.
29:25You're a little bit if you talk about this.
29:26It's certainly that.
29:29But you certainly enjoy yourself while you thank yourself.
29:32Do you pray for that?
29:35See, Gabriela,
29:38I don't have an agreement on my initial job,
29:41as if he is on the plate.
29:43My dear.
29:46Listen, Vanja.
29:48I'm serious.
29:51When everything is done and when everything is done,
29:53when everything is done and when everything is done,
29:55I promise you one special thing.
29:59Okay?
30:00I think that you will have a little less problem with your advice
30:05and maybe you will start to enjoy a luxury life
30:08that you deserve.
30:36Hey.
30:38Hey.
30:39Hey.
31:10Hey.
31:26Hey.
31:49Hey.
32:18Hey.
32:28Hey.
32:32Hey.
32:34Hey.
32:45Hey.
32:56Hey.
32:57Hey.
33:22Hey.
33:24Hey.
33:28Hey.
33:29Hey.
33:31Hey.
33:38Hey.
33:40Hey.
33:43Hey.
33:45Hey.
33:45Hey.
33:46Hey.
33:47Hey.
33:49Hey.
34:01Who is she?
34:02...a ne da je uništi život kao štene.
34:06A u redu, to je tvoj izbor i tvoje mištenje.
34:10A šta, ne slažeš se s tim, a?
34:13Ne bih da ulazim u to.
34:26Maša, nešto mutiš.
34:29Ne, ne, ne.
34:30Slušaj me dobro, lako, slušaj me dobro.
34:34Mene se i ti i tvoja četka sviđa što ste tako uredne, što sa dama mogu da napravim jako laki,
34:40lep dogovor, ali laganje i nepoznate i nepozvane goste, to neću da to dažiš.
34:48Pa ne, naravno, nema toga obižna.
34:49Ja nisam završila.
35:08Še ti ti, sloba pa, s komoptis, što je?
35:11Hvala, najno, dozvori.
35:15M kasniš, M si ovako, ti ti mene malo kjecaš nešto.
35:19Daj, smiri se, nije mi piće stigla.
35:22Evo stigla ti je piće, znači ti si mene žvao i sad si došao još da me nerviraš, ili tako?
35:26Da, moj hobi, inače, tebe da nerviram i tošim u bojici vreme.
35:42Šta je bilo, Vuki? Šta si tako misterizam, a?
35:45Došao sam do tebe da mi pomogneš da pokušam da shvatim neke stvari.
35:51Dobro, koje?
35:52No, letao sam do neki krug informacija koje su najmanjeno čutne.
36:08Hej.
36:09Hej, Ćera.
36:10Mala u puti.
36:12Pa, bilo sam u prolazu.
36:15U prolazu pored moje firme, baš.
36:19No, znaš.
36:21Znaš me, neću da te lažem.
36:25Šta je bilo, mama?
36:26Moram već da ti kažem.
36:29Kaži?
36:41Teško, znaš kakav je on.
36:42Da, to me baš nervira kod njega.
36:44Da.
36:45E, i...
36:47Postoji još jedan problem.
36:50Evo, ko je sad problem?
37:03Suna, suna, dođi, dođi.
37:06Šta je?
37:07Naš ko je ušao u zgrado?
37:10U zgrado?
37:11Da.
37:12Ko.
37:24Nije slučajnost što se ovo desilo baš sada?
37:27Bavro Kospis.
37:29Pa, u smislu, vajnka je dugo živela od u vili, zaštićena i niste mogli da primetite da se neki mutni
37:37likovi šunjaju oko vas, tako da.
37:40Beć Vuki, stvarno, ne mogu da se mišam u njim privatažima.
37:43Možda bi trebalo?
37:45Ta priča je gotova, rekao sam ti.
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