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00:00THE END
00:00THE END
00:00THE END
00:01THE END
00:01THE END
00:04THE END
00:10Hello, Lukasine.
00:12Hello, Miloradi.
00:13Did you come to ask me for a kid's meal?
00:16No.
00:17Why did you come to try a chocolate mousse?
00:21I didn't come to do that.
00:23Let's talk to yourself.
00:26I want to ask you for help.
00:29You can see her.
00:31She took Galino's work place.
00:34She took Galino's mom.
00:38What will I do?
00:39I'm tired, you know,
00:41all women are here.
00:43Because
00:46Vukasina came here.
00:47Vukasina.
00:49He was asked at Rev.
00:50and he told me
00:52to close the door
00:54and send some information.
00:56Yes.
00:59And what did you tell him?
01:02You know what I'm saying?
01:03I'm tired.
01:06You sound like your mother.
01:08Let me see my phone.
01:11Do you see what you're hiding here?
01:14No, no, no.
01:15I'm only for myself.
01:17What?
01:17What, Mila?
01:19You don't have any trouble anymore, Mila.
01:21You've lost, Mila, right?
01:23No, no, no, no, no.
01:25What?
01:26What?
01:27You ran away from the moment
01:28when there was a problem.
01:29When there was a problem,
01:31you broke up.
01:31I broke up.
01:33I broke up.
01:36I broke up.
01:37I broke up.
01:37You broke up?
01:38Yes.
01:38But there's one thing.
01:40I don't know.
01:41I don't know.
01:42I don't know.
01:43Okay, listen.
01:44I'm sorry.
01:45Something in my head
01:46was like a secretary
01:47contacted Alex.
01:49They called him.
01:51He didn't want to pay.
01:53So it's not important.
01:56I respect you.
01:58You did everything you've done.
02:00I'm here with you.
02:02I'm here with you.
02:02I'm thanking you.
02:03Ivan didn't say anything.
02:05How was it?
02:06It was.
02:07How was it?
02:08He made some problems.
02:09I was a little nervous, I was surprised, but I was surprised.
02:14How were those tests?
02:16Do you want me to know?
02:18Yes, I want you, just as Ivan is smiling.
02:21I won't tell you.
02:22What kind of father you are.
02:24Iver does not fall far away from me.
02:25Do you understand me?
02:27I understand.
02:28Okay, I agree, I admit that it was wrong. It wasn't just this one. I was wrong.
02:33All right.
02:34What did you start?
02:35I was wrong.
02:39Let's go.
02:40Let's start from the beginning.
02:43With small steps, like with children.
02:46Here it is.
02:47I am ready to make all my mistakes with Vukashini.
02:53No, you didn't forget that.
02:56That's what I thought.
02:57No, I didn't.
02:59No, I didn't.
03:00You're right, you're right, you're right.
03:01And now we're interested in making a little bit of a little bit of a mess from the rest,
03:05because it's you.
03:07You're right.
03:09You're right.
03:10What's wrong?
03:11I'm sorry.
03:11If they hear that I'm out of their car,
03:15they will be hurting me,
03:17to hurt me,
03:18to drink me,
03:19to pay me more money.
03:20You understand that.
03:21It's much better to be a problem for them.
03:24And it happened to you so much that she never died?
03:28Yes.
03:30Okay, I can't say I'm sorry, but I won't insist on it.
03:55I can't say I'm sorry, but I can't say I'm sorry, but I can't say I'm sorry.
04:38It's a game of love, it's a game of happiness, someone who wants, someone who doesn't want it.
04:47It's like on the fly, the world is all over, and we are our hearts, our love.
05:12Until our ending ends, we are here that you don't want us, our hearts, our hearts, our hearts, it's a
05:13place to be filled with sparkly, more rivers, andänge.
05:13Ourεw, we are the children drunk.
05:37Oh my god, how did I get this picture of you?
05:43I can't help you.
05:46Okay, Gorane, why are you laughing? Why are you laughing?
05:50What's that?
05:50You're telling me something?
05:52Yes, you're telling me something.
05:55In my time, Gorane, I didn't know what you thought of a woman
05:59even though you didn't look into the eyes.
06:01Why didn't we even know that at that time
06:04we didn't even want to write a poem to write?
06:06And what?
06:07Well, what?
06:09You have poems in books.
06:13What do you have?
06:14I have poems in books.
06:17First of all, you're a mother.
06:19Then you're a older sister, if you have a baby,
06:22you're going to play, you're going to play, you're going to play.
06:25They had to open it up,
06:27so they'd say to them to see what they wrote.
06:30They'd be replaced by the land.
06:31Do you understand?
06:33How was that?
06:33Good.
06:34We were found in different ways.
06:37Then he said,
06:37you'll take the mother and sister to the mother,
06:40so they don't get caught up,
06:42and you're going to pray with her.
06:43Then you're waiting for the answer.
06:46Wait, wait, wait.
06:48And the heart, you know how beautiful it is.
06:50Then you were women all on a horse,
06:55you look up a horse and a horse.
06:57There were princes who were married.
07:00Good, my mother.
07:01Good.
07:02You're old.
07:03That's the time.
07:05The time was so early.
07:18It was such a time, you understand me?
07:23What do you love? I can see you in the ground.
07:25You are normal.
07:26This is technology. I can see it and hear it.
07:29Technology has lost us.
07:31Technology has lost us.
07:33Technology has lost us.
07:35You don't know anything.
07:36It was lost in the speech.
07:38The waiting, the waiting, the excitement, the excitement.
07:41We are young people.
07:44Let's go. It's better for me.
07:45It's better.
07:47When it's better, give it to me.
07:48It's better.
08:00I have milk.
08:03I have a problem with you.
08:06What's the problem, brother?
08:07What's the name of Godoni?
08:12What's the name of Godoni?
08:15I gave it to him.
08:19He gave me a text, a song, everything.
08:22You understand?
08:23He doesn't have anything.
08:25How does he have?
08:26What?
08:27I don't know. I don't know what to do with him.
08:29I'm proud of you, girl.
08:44So, Uroš, this is an article for the previous quarter.
08:48I'm going to need your signature.
08:51These are the documents about the payments.
08:54I'm going to need your signature.
08:56I'm going to need your signature.
08:58I'm going to need your signature.
08:59I'm going to need your signature.
09:02Is everything okay?
09:03Yes, it is okay.
09:06Yes.
09:10Let's go a little later and get to the parapherum.
09:13It's okay.
09:13It's okay.
09:20What?
09:21What do you do?
09:22What are you doing now?
09:23One thing is interesting.
09:26So what do you think?
09:29Do you want me to go for?
09:29Who you work for?
09:42How do you tell me that I'm in your head so I know what's going on?
09:46What's in my head? What are you telling me?
09:49I'm telling you, I have my own letters, you understand?
09:52I'm telling you, I'm not going to die, but I'm waiting for you to understand.
09:55What's going on?
09:56I'm telling you, Gudonio, so you don't have your ears, sit on your ears!
10:00Okay, what are you talking about?
10:01What are you talking about?
10:03I'm telling you, I'm not going to talk to someone.
10:05I'm not going to talk to someone.
10:08I'm telling you, I gave him 5000€ for that text.
10:16I'm not going to die as a god, I pray for you.
10:18I'm not going to kill you because of that.
10:20You hear me?
10:21And he wrote that A.E.
10:23The intellectual intelligence, you hear me?
10:25What is it now?
10:26What are you talking about?
10:27So, that's the thing, you don't have to walk alone, you write all the time.
10:32I'm telling you, I'm not going to tell you what you're saying.
10:34What is it now?
10:35You just think you're going to die?
10:36Oh, my God, my God.
10:38My God, my God.
10:39We've told you that he's a tough intelligence.
10:41It's possible to take me into my hands, brother.
10:45Five thousand.
10:49Five thousand?
10:50Five thousand?
10:51I'm not going to die.
10:52Five thousand?
10:52I'm not going to die.
10:53I'm not going to die.
10:53What is it now?
10:54You hear me?
10:54I'm not going to die.
10:57Here's the text back.
10:58Give me my money.
11:00You hear me?
11:01And?
11:02What?
11:02He said, I'm going to go to the bank and I'll throw you down.
11:05And I won't go?
11:06I won't be on the phone.
11:10What are you going to do now?
11:11What are you going to do now?
11:13What are you going to do now?
11:14He's got to hurt me.
11:16You see?
11:17You said that he doesn't have anything.
11:18See?
11:19Listen.
11:20I have a proposal for you.
11:22Really?
11:23And what?
11:24I have a proposal for how to solve it.
11:27Let's go.
11:29I'll tell you.
11:29You are my trust.
11:31We are all about you.
11:44Do you understand how you will take care of yourself?
11:44What do you mean?
11:45That's why you don't work for me.
11:47When you were able to inform me the important thing,
11:49if you're not working for me, who do you work for me?
11:52Yes, that's your fault.
11:53You know what I'm doing for you.
11:54I don't know why you work for yourself.
11:56What is the matter?
11:57You don't know why you work for yourself?
11:58No.
11:59Why did you say that Alex Ožegović paid Lenkin' outpun?
12:07Okay, okay, okay, okay, okay, okay, I'm not here, I'm not here, I'm not here.
12:12I'm not here, I'm not here!
12:13You're coming in.
12:14You're coming in.
12:15I'm going in.
12:16I'm not here.
12:16I'm going in.
12:17I'm going in.
12:17I'm going in.
12:18I'm going in.
12:19I'm here.
12:22I'm here.
12:27Imaš mnogo sreć, znaš?
12:30Što?
12:32Što što smo uroši?
12:34I naši Lenku doveli je kući,
12:37i ne palijen je tlaka sa glave, to je tačne.
12:39Pa, naravno.
12:40I šta je naravno?
12:42To je jedina prilika da izučeš rebeli za ove katastrofe !
12:46Katastrofe?
12:47Da.
12:48Polamiliona evra je tebi katastrofa, o?
12:51Polamiliona katastrofa, o?
12:53Are you aware of how the problem is going to be a problem with us?
12:59What kind of problem?
13:02Do you think you're going to allow me to take a lot of money?
13:07He's looking for a lot of money.
13:10He's looking for a lot of money.
13:12The city knows that I'm looking for a lot of money.
13:20I'm looking for a lot of money.
13:22There's no goodwill to give.
13:27Find someone who was there.
13:31How?
13:33Wait, wait, wait.
13:35How do you think I'm going to do that?
13:38Why don't you go?
13:40Why don't you go?
13:41Go on, you're going to tell him.
13:45Let's go when you're going.
13:47Okay.
13:48Can we find a body?
13:50Let's go and say that those were the people.
13:53We can find them.
13:55What kind of body?
13:56Are you normal?
13:56What do you think?
13:57I'm going to do that.
13:58What?
13:59What?
14:00What?
14:00What do you think?
14:00No, no, no.
14:02The people are more ambitious.
14:03I don't know.
14:05He doesn't want to stop this.
14:08He wants to do it alone.
14:11You know what?
14:13The blood is a problem.
14:15You know what?
14:16What?
14:17What?
14:17What?
14:17What?
14:18I don't know.
14:20I don't know.
14:21What did you tell me?
14:24I don't know who Alex is,
14:26and why it's important to pay for him or not.
14:30If you decide that it's not important,
14:32it's not your price to tell me, right?
14:35Well, you didn't believe in my price, right?
14:39I did.
14:39I did, old man.
14:40But you're changing.
14:42Do you understand?
14:44That's right.
14:45That's right.
14:47Okay.
14:48What's important?
14:49What did Alex pay for him?
14:52What did he buy for him?
14:53Can I tell you?
14:54Tell me.
15:06Wait, wait, wait.
15:07How do we solve it?
15:09What?
15:10I have one another,
15:13who will be fine to buy that money from him.
15:16What does he have to buy?
15:18I don't want to call my money.
15:20No, no.
15:20They give you your money.
15:22And from him,
15:24they take the money.
15:24Do you understand?
15:26Wait.
15:26I don't want to call him.
15:28No, I wouldn't.
15:28No, I don't want to call him.
15:30I don't want to call him.
15:31What are the good guys, the only people?
15:34What?
15:35What?
15:36What to call him and what to call him?
15:37What to call him?
15:39What to call him?
15:39They are all people on the fence.
15:40I see.
15:40Some good people.
15:43I see.
15:44What the hell?
15:44I see.
15:44How on the fence?
15:45Oh, nice.
15:46Everything against him is all right.
15:49Nothing against him.
15:50Nothing against him.
15:50No, no.
15:54No, no.
15:56See, you can only explain yourself that you want.
15:59And you sit with them and talk to them, they give you that.
16:04You take your part and turn it to the pancetta.
16:06You give me a percentage for me,
16:09that I'm going to put it on Tenerife,
16:10that I'm going to take a little bit of salt,
16:11and that's it.
16:14So, everyone has their own.
16:15Everyone is happy.
16:16And that's it.
16:17That's it.
16:17But then you can't do it.
16:19And then you can't do it.
16:20I can't do it.
16:21It's just that I'm going to need an assistant
16:25from one of the unexpected people.
16:28Yes, unexpected people.
16:30Yes, that's it.
16:44Sit down and explain to you.
16:52You see, Aleksa is Lenkina's great love from the past.
16:59What do you mean?
17:00Yes.
17:01When Lenka would know that Aleksa was paid for her,
17:04she would return to her.
17:06And no one would have been able to develop more.
17:11Sorry, I didn't know what that is.
17:13I think if we need Alexa,
17:16how to call it,
17:17we can't do it.
17:19We can't do it.
17:20We can't do it.
17:21We can't do it.
17:22We can't do it.
17:23We can't do it.
17:23Then I could only go to the monastery.
17:27He would ask her what happened to her whole life.
17:30Even if anyone knows what he thinks about her,
17:32it would have been destroyed by the whole life.
17:34You understand?
17:34It was destroyed by your relationship
17:36after everything fell.
17:38That's it.
17:38That's it.
17:40What does it mean that we have to do this situation?
17:44Sorry, I didn't know how to do it.
17:46I didn't know how to do it.
17:47What do you need?
17:48You need to contact Renju
17:51and tell him
17:53to give Alexi
17:56money from the steal.
18:00Okay.
18:02Let's go.
18:29Tell me what you did with the Tar Char
18:33I didn't try anything.
18:36How many did not be anything?
18:38Okay, I didn't see that.
18:40Just go through the phone,
18:42You don't want to call him, go and find him from the council, from the state.
18:46You find him, you find him.
18:48What are you doing? What are you doing?
18:51I don't understand you.
18:52Let's try it.
18:53We can't do it.
18:55What are you doing?
18:57With whom?
18:58We're talking about Natasha Ujošević.
19:03What are you doing with Ujošević?
19:04That's it.
19:06Nothing else.
19:07You're an incredible mother.
19:09What am I?
19:10First of all, you call me Natasha Ujošević, and you don't have any idea.
19:14Listen, I've been looking for it every day. I've been working on you.
19:18But nothing.
19:19Nothing.
19:21No problem.
19:22No problem.
19:23No problem.
19:24What are you doing here?
19:30Good morning, boys.
19:32How are you, boys?
19:35I'm happy to see you.
19:50The only thing is solving.
19:51I have to tell you something.
19:55You can.
19:55You can.
19:56Just ask.
19:57Ask yourself, if you have any critique.
19:58No.
19:59You have any more effort.
20:00Ask yourself.
20:01Not a critique.
20:02It's a compliment.
20:02Compliment.
20:06Compliment, I'm proud.
20:08Listen, I'm doing a lot like you did.
20:16You know?
20:17I did it.
20:18Yes, as well as I know you earlier, but you're doing a lot more present,
20:22more resilient, more stable.
20:27Thank you for that.
20:28There were various situations and discussions that were in the right direction
20:34that were broken.
20:36I believe that whatever it was, it helped you a lot.
20:39Yes.
20:41Yes.
20:43As I said, I've always been used to this as security.
20:49Maybe everything has come here.
20:52I have to go back and work in security.
20:55It's not that bad.
20:57It's not that bad.
20:58It's not, man.
20:59You can see that it's very good here.
21:01It's peaceful, beautiful, beautiful.
21:02Yes.
21:03But where is Chale?
21:05I don't know.
21:05He was here until soon.
21:06He would have to come here for a minute.
21:08Yes.
21:09We'll go back to Chale at the door.
21:11Yes.
21:12Ivana, let's leave it for us.
21:15Yes.
21:15Do you want to drink something?
21:17Yes, I can.
21:18Yes.
21:18Come on.
21:22Come on.
21:23Come on.
21:24Yes, I can.
21:27He's my old friend.
21:29Today, he will be met.
21:36Yes, sir.
21:47You can think about the atmosphere, the temperature, everything.
21:53It's a nice atmosphere, temperature, everything.
21:58Look at the coffee.
22:03Good coffee.
22:05I drank it yesterday.
22:11If you don't want the temperature, the atmosphere, you can go out.
22:17You can go out and change the object.
22:18You can go out.
22:23If you want to go out, you can't go out.
22:25You can go out.
22:27The door.
22:30And you know what?
22:32No hotel, no temperature.
22:36It's only some walls.
22:37The walls, the walls, the walls.
22:43Wait, Lukasin.
22:45Why don't you talk about this?
22:47What? You don't agree with me?
22:49I agree with everything you said,
22:51but we didn't want to go to the door.
22:58No one goes to the door because they have the need.
23:00You go to the door because you have a collection of stupid things that you have done.
23:05Yes, but we didn't have any stupid things to finish in the door.
23:10Yes.
23:12You are really nice if you think that I don't know what you are doing.
23:16You are not a priority, dear friends.
23:19I had many more stupid things with which I had to fight.
23:22And so, let's go.
23:27Let's go.
23:27So, you know, Vera.
23:32You know my work.
23:33At the time of the time of the day,
23:34we are going to come to the day tomorrow,
23:35to come back with very public information about Relji Topić,
23:45Grkljan and Urošu Mikovic.
23:51I expect an unanswered support from you, because of the best use of your advice.
24:02Let's go.
24:11I don't want to give you a couple of minutes.
24:15What would you do?
24:29And who is our friend? Who?
24:32Vukashin.
24:33That's right. What did he want?
24:37He wants to help him, to take a little bit of Relja.
24:41Relja made some nonsense, but Vukashin doesn't hurt.
24:46It doesn't sound bad.
24:54It doesn't sound bad, right?
24:58It doesn't sound bad.
24:59When I'm talking, nobody's talking about it.
25:01When I'm talking about an idioticist,
25:03that he wants to throw a bomb,
25:06that he wants to throw a box,
25:08then Vukashin's voice heard.
25:10And you heard it.
25:12How do you know how to play together?
25:14Let's get together.
25:16Okay, okay. Let's do this another way.
25:19Let's solve the current problems.
25:21No, no. Why did you hurt yourself?
25:25Well, let's get into the head.
25:28What about Vukashina?
25:29You know that he's a good police officer.
25:31He's doing his job well.
25:32No, let's do it.
25:33I don't care for him.
25:36I don't care for him.
25:37Who?
25:38For the little crotin,
25:40little crotin.
25:42What did you think?
25:44We weren't thinking about it.
25:47I thought about it.
25:49I thought about it.
25:49How could I go?
26:09What did you think?
26:12What did we do now?
26:13What did you think?
26:14What did we do now?
26:17What did we do now?
26:17This crotin started to burn.
26:20Tone, tone, tone.
26:23What do you think?
26:24We should do it.
26:24We should let him go from what's going on.
26:27What's going on?
26:29And we need to make you and I, our story.
26:34That's good, but what will we do for Vukashina tomorrow?
26:41I know him well, but if we try not to say anything,
26:47it will not be good to write to you.
26:52I don't have a solution.
26:56We need to tell him everything we know.
26:59All?
27:00No, not all.
27:02No?
27:02In fact, we tell him everything we know,
27:04only that we take away from ourselves.
27:07And that's it.
27:08How do you think?
27:11It's important.
27:12All, all, all, all, all, and you and me.
27:14Do you understand?
27:15I have one interest with him.
27:18What, brother?
27:20Why is Vukashina interested in that murder?
27:36What's going on again?
27:38What's going on with you?
27:41Will they be the in-house family?
27:51What's going on with you?
27:53And?
27:53What's going on with you?
27:54I thought that I'm going to say that she's going to come here.
27:58I mean, that she's going to say that she's going to come here,
28:00and that she's going to say that she's going to come here.
28:04I see that you have a bad plan.
28:07No, don't worry. If you have better, take it away.
28:09No, no, wait. I just want to see if you can leave it on this scene.
28:14What do I have to leave it on?
28:16She's going to say that she's going to come here.
28:18I'm sure that she's going to come here.
28:20Yes.
28:32I can't even explain why Lukashenko's general interest is about that.
28:38I don't know why Lukashenko both and I think the news is about that.
28:41but...
28:43Shem will remember him and he's from there.
28:46You really believe me now that I don't understand what I do now.
28:51Who is that?
28:52And then there was some kind of family, or something like that.
28:56Developed?
28:57Yes.
28:58What do you do?
29:00He works at a company, I don't know.
29:02What is it, a newspaper or something?
29:06Do you think he has some connections here?
29:09With everyone?
29:12Everyone has some connections with something.
29:14Do you think Kliuroš has connections with him?
29:16From Kuzama.
29:17He has some papers, something that covers all of them.
29:23He covers all of the books.
29:25Transactions, who will know them?
29:27Let's leave it now.
29:28I will leave it, but...
29:31Lukashinić?
29:32I know.
29:34That's why we have to agree with the story
29:38before we go to the meeting tomorrow.
29:40That's right.
29:50You see, I have a plan for that.
29:53Let's listen to that.
29:55See.
29:56That little girl wants to be a singer, to become a star.
30:02And so, you know.
30:04So, you can finish it with a regular?
30:07I'll tell her to be a couple of meetings, some promotions, etc.
30:14And for the time she needs to be able to do it?
30:17Yes, right.
30:20That's right.
30:21It doesn't sound so bad.
30:24Maybe it works.
30:26Nothing.
30:26Come on, talk with him.
30:28When you talk to me, you can tell me.
30:29I can tell you.
30:30Meanwhile, we will do it with Lukashini.
30:32I'll talk with him.
30:34Okay.
30:34Okay.
30:35I can't do it.
30:39I can't do it with you.
30:41I can't do it, right?
30:45I can't do it.
30:53I can't do it.
30:54No, I can't do it.
30:56Make it cool.
30:56I can't do it.
30:57I can't do it.
31:03Just take away.
31:05You
31:06It's nice to see you.
31:08I've always seen you.
31:12Yes, I don't care about you.
31:14You'll be privy as usual.
31:21And you?
31:22You've been privy?
31:24I've never been privy to the situation
31:27where the brothers are in trouble.
31:29I've told you that he's not a brother.
31:34That's it.
31:36In this case, it would be better for you.
31:38I'll see you a little bit more.
31:41It's easier for me.
31:43What do we want to do?
31:45We'll be happy to have his own brother.
31:50Now you're the opportunity
31:51to have him a little bit.
31:54I'll be happy to do anything that will have him.
31:57If you don't want him to be happy,
31:59you'll be happy to have him.
32:03You'll be happy to have him.
32:05You'll be happy to have him.
32:06You'll be happy to have him.
32:07So I'll be happy to have him.
32:09Okay.
32:10I think it would be better
32:11if we don't do anything else
32:13than what he is.
32:15It would be better.
32:19Okay.
32:19What do you want now?
32:28What do you want to do?
32:28It's good that you weren't at the tests.
32:30I'm really interested.
32:31What was it?
32:32It was very uncomfortable.
32:34Very uncomfortable.
32:36You won't say anything more.
32:39You won't say anything.
32:49I've got a look at one of the best students.
32:54And now we're going to the right war.
33:08What are you doing?
33:11What are you doing?
33:12What are you messing with?
33:17What are you in your morning?
33:19What am I doing?
33:25You're beautiful, right? Now you're beautiful, right?
33:30I actually understood that I was one of the best friends.
33:46And what do you want now? What do you want with that Ustojenko?
33:50He sits at a place where he doesn't belong, and he still wants something out of me.
33:53What do you want now?
33:54What do you want now?
33:55Uroš heard that you took care of Aleksiju, Žegoviću, Zabotko, Blenke.
34:00Okay. And what do you want now?
34:03What do you want now?
34:04You want to go back.
34:16To tell you something, this is a good review.
34:21Review, bratia, Kaša.
34:22Review?
34:23Yes, yes, yes.
34:25What do you want to see?
34:26You deserve it.
34:27You hear me, bratia.
34:29Okay, okay.
34:29You deserve it.
34:30You're amazing.
34:31You're amazing.
34:31But I can tell you now that it's not known.
34:34What?
35:03What?
35:05What?
35:08What?
35:15What?
35:17What?
35:17What?
35:18What?
35:18What?
35:18What?
35:28What?
35:30What?
35:38What?
35:43What?
35:44What?
35:45What?
35:50What?
35:51What?
35:51What?
36:01What?
36:02What?
36:04What?
36:13What?
36:16What?
36:17What?
36:18What?
36:27What?
36:28What?
36:29What?
36:45What?
36:49What?
37:06What?
37:07you
37:17I don't have to feel this feeling.
37:19I don't feel this feeling.
37:22Look, if you want me to be effective and good,
37:26you must tell me exactly what they have done.
37:28That's it.
37:32Let me be free to ask you exactly what you want.
37:38Why did you take so much money?
37:42And why do you think Topić is in charge of everything?
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