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00:00:00...

00:00:25Can a psychophony kill?

00:00:27In tonight's episode of Cuarto Milenio, we'll learn the story of Juan, a Chilean diplomat who...

00:00:33A recording was obtained that sounded like this, taken from 11 people in a basement of a villa in Madrid.

00:00:48And that's just a fragment. The original is 10 minutes long and for many is the most important paranormal insertion in

00:00:55the story.

00:00:56Blows, laments, a world that some have identified as the voice of hell itself.

00:01:01But this is just one of the files we have reserved for all of you.

00:01:17The Vampire of Barcelona is one of the most sinister and unknown criminal figures of the 20th century.

00:01:23He kidnapped children, drank their blood, and traded their entrails, selling them to wealthy people.

00:01:28So, tonight, we will learn about his horrifying biography.

00:01:33Can a psychophony kill?

00:01:35Can a supposedly paranormal recording influence a person to the point of leading them to a horrible death?

00:01:43The sad story of a Chilean diplomat may resolve our doubts.

00:01:48We will also travel through the mountains of Galicia and Portugal accompanying the only team of psychic archaeologists in our country.

00:01:55Sensitive men and women seeking the sacred energy of certain hidden enclaves.

00:02:02And as always, we will continue investigating the mysterious images that keep arriving at Cuarto Milenio.

00:02:11Avian flu, AIDS, Ebola, anthrax, tularemia, are terms that inspire fear and that, unfortunately, are becoming more commonplace every day.

00:02:21However, there are places in our country where they no longer frighten.

00:02:23And they're not scary anymore because there's no one left to hear this news.

00:02:27They are dead villages.

00:02:29Towns that were suddenly abandoned, one ordinary night, by all the inhabitants.

00:02:33Some had time to dig certain mass graves.

00:02:37Others couldn't even do it; they didn't arrive in time.

00:02:40They are towns and villages marked by epidemics, by plagues.

00:02:44Later legends would tell of the visit of specters, of snakes that devoured everyone.

00:02:49Or even ants or arachnids as the main inhabitants of some places that, like this one, became an absolute desert.

00:02:57Those towns, those villages, those enclaves, are, let's say, the last vestige of what was an ancestral terror.

00:03:04A fear that throbbed in the hearts of our ancestors, our own ancestors.

00:03:08A fear that remains and that we see throbbing alive when the news tells us of new plagues, of

00:03:14new epidemics.

00:03:15I invite you on a journey through time, to learn more about this world which, fortunately

00:03:20Or unfortunately, it's never discussed.

00:03:23Invisible enemies that are still there.

00:03:27Anguish, uncertainty, fear.

00:03:31The worst feelings overwhelm human beings when faced with the threat of a plague.

00:03:36Today they are called AIDS, Ebola, or avian flu.

00:03:41But they have always existed.

00:03:44Today we look at birds with suspicion and distrust, as if they knew something we didn't or were suffering.

00:03:51something that we will suffer.

00:03:55The truth is that since the origins of humanity they have roamed the globe as true predators of men.

00:04:03But none of them were as destructive as the one that ravaged the world in the mid-14th century.

00:04:09Nothing and no one in history has attacked the human race with such virulence as the Black Death.

00:04:18Fevers, swollen lymph nodes, chills, and above all, buboes and black spots all over the body, was the reality that

00:04:27It enveloped the plague victims.

00:04:30At first, many believed it was a punishment from God, to make humankind pay for so many sins.

00:04:37centuries of sin.

00:04:38The most devout would flagellate themselves trying to obtain divine forgiveness.

00:04:42The rest simply fled from the infected as if they were sent by the devil.

00:04:49Later, more earthly causes were sought, blaming the poor and beggars for spreading the disease.

00:04:56And so began the persecutions, the revenges, and the enormous bonfires fueled by human bodies.

00:05:04The tragic truth had nothing to do with all these theories.

00:05:08Apparently, although not all experts agree,

00:05:12The germ was in an animal that has been present in man's nightmares since the earliest times.

00:05:19The rat.

00:05:21The terrible pandemic wiped out 25 million people in Europe.

00:05:26For some scholars, this apocalypse signified the tragic end of the Middle Ages.

00:05:32Since then, the fear of a return of the Black Death continues to linger in the collective unconscious.

00:05:40All this terror, all this hell that people lived through during the centuries of the Black Death,

00:05:46It was reflected in a providential and prodigious way in many books and many paintings.

00:05:51There are small mines that speak of the presence of men who are almost skeletons rather than living people.

00:05:56And there are compositions by great masters that are truly worthwhile.

00:05:59I advise you that if you go to the Prado Museum, don't miss, in one of its rooms,

00:06:03The Triumph of Death, by Peter Bruegel, is, I believe, the most accurate example, the most precise embodiment

00:06:09from the fear of humankind towards what appeared to be divine wrath or demonic inspiration,

00:06:14the arrival of an invisible enemy, viruses, the plague.

00:06:18Skeletons appear almost flooding the land, attacking and burying living beings,

00:06:23giving a twist to the logic of life and death.

00:06:26That painting appears on the cover of this highly recommended book.

00:06:32History of epidemics in Spain and its colonies.

00:06:35Its author is José Luis Bertrán Moya, professor of Modern History at the Autonomous University of Barcelona

00:06:42And he's here with us on Cuarto Milenio.

00:06:44José Luis, welcome, good evening.

00:06:45Good night.

00:06:46That painting reflects the absolute fear of human beings in the face of something they were experiencing, doesn't it?

00:06:50It was like a diabolical revenge.

00:06:52Yes, especially from the end of the 14th century onwards, within what is properly Christian ideology,

00:06:58A taste for the macabre has resurfaced with force.

00:07:01And not only in the case of Bruegel, but even earlier painters of the 15th century,

00:07:06The early 16th century, like Dürer, has very important representations.

00:07:10Let us not forget that one of the most characteristic artistic representations

00:07:14around what appears culturally alongside the Black Death epidemics

00:07:19It is the dance of death, where death is generally represented as a skeleton

00:07:24whose dance is, in some way, accompanied by all kinds of people from different social classes,

00:07:29from kings and clergy to peasants.

00:07:33In a dance that seems to equalize, before death as a democratic fact, let's say, the existence of all,

00:07:38regardless of existing social differences.

00:07:40What surprised me, José Luis, when reading your book, honestly,

00:07:44It took a long time to find out what was causing this problem that many, understandably,

00:07:49They almost associated it with divine punishments, with the sins that people were committing on Earth

00:07:54and that evidently the time had come to fulfill and purge their sentences.

00:07:58It was discovered very late, there are still many doubts,

00:08:01How did the Black Death, for example, affect our country, Spain?

00:08:05Well, the first impact of the epidemic that Spain is suffering is precisely from the spring months onwards.

00:08:11of 1348,

00:08:13when coming from Italian lands, by two routes or two itineraries that today scholars

00:08:18They are in some way in agreement to affirm, either by way of Marseille,

00:08:23well, precisely via the Balearic Islands,

00:08:25It penetrates either through Catalonia or through Valencia towards the interior lands.

00:08:29And practically the same year of 1348 and then the following years,

00:08:33It devastates the peninsula, although the worst of it will be concentrated mainly in the territories of the old

00:08:39Crown of Aragon.

00:08:40It is a disease that, as you have rightly said, was not known until the end of the 19th century,

00:08:46In the midst of the Pasteur era of discovery, what is its causative pathogenic agent?

00:08:52It was initially at the end of the 19th century, in 1895, when a Swiss doctor,

00:08:58A former disciple of Pasteur, whose name is Alessandro Yersin,

00:09:01Well, in some studies they are conducting in the Southeast Asian region,

00:09:06discover the causative agent, in this case a bacillus, Pasteurelia Yersin,

00:09:10that somehow causes contagion within the human being

00:09:14by being inoculated from the very parasite that rides on the back of the black rat,

00:09:20the traditional domestic companion of the European throughout this period.

00:09:25Many people will be wondering if the fear of plague victims,

00:09:28to those affected by this virus or this disease,

00:09:31It may be similar to the fear we are feeling these days,

00:09:35When we hear words like avian flu, bird flu,

00:09:39Fear of certain foods, of course, fear of infected people.

00:09:43This is happening in Africa, where Ebola and other viruses are causing real devastation.

00:09:47although we didn't find out about it.

00:09:49José Luis, the treatment of those affected, this is truly worthy of these almost demonic paintings.

00:09:56They became a different kind of inhabitants; there are towns, and we're going to talk about that.

00:10:01that were left uninhabited, entire villages in Castile, in Catalonia, in Aragon,

00:10:05which became uninhabited because people did not want to live there,

00:10:08villages were marked with a cross.

00:10:10But how were these people treated?

00:10:11They were little more than the living dead; some were burned alive.

00:10:15Others closed themselves off in ghettos.

00:10:17What was daily life like for someone affected, for example, in 1348 in Spain, during the Black Death?

00:10:23Well, the truth is that the plague, given the panic it caused among the neighbors,

00:10:27Among family members, it generally led to a certain degree of rejection,

00:10:30even among the closest people within the family.

00:10:34This obviously created a situation of helplessness.

00:10:37which, over the years, especially, led to certain practices

00:10:41in which the isolation of the sick was the norm.

00:10:43In many cases, the illnesses could last for several months.

00:10:49An illness in any of the Spanish cities of this period could easily last

00:10:54for two or three months, during which the city remained practically isolated.

00:10:58The patients, the practice, the knowledge that experience itself was imparting

00:11:03throughout the different episodes,

00:11:05This increasingly led to the municipalities, the town councils of the time,

00:11:10They opted to place the sick in spaces outside the city,

00:11:15outside the city walls themselves,

00:11:18sometimes taking advantage of monasteries and convents that might be on the outskirts.

00:11:22It should be noted that the disease, after a few days of having entered the body,

00:11:27I used to develop a fever,

00:11:30that at certain times it reached a situation in which the patient seemed to go crazy.

00:11:34And at that very moment, born of desperation, sometimes occasionally a little as a result of abandonment,

00:11:40because there could be episodes that the chroniclers have told us about

00:11:44or as some of the accounts from that time have told us,

00:11:48in which it was common to see sick people who were confined to their homes

00:11:52They chose to simply commit suicide, by throwing themselves from balconies to the ground,

00:11:57or sometimes in the very pits that were opened so that the sick could somehow

00:12:01were buried once they had died, throwing themselves directly into that state of despair

00:12:05that the fever caused.

00:12:07Images, portraits of a bygone era that was once there

00:12:10and reminds us that the fear of invisible enemies swarming in the air,

00:12:15that expand, for example, with breath,

00:12:17There were many theories about how the plague could be spread,

00:12:20They remain in the deepest recesses of our collective unconscious.

00:12:22We wanted to ask, from the point of view of pure and simple medicine,

00:12:26to an epidemiology specialist about, for example, how the patient lived,

00:12:30What was wrong with them? Why did the painting depict them as almost like skulls with skin?

00:12:34What was wrong with those people?

00:12:36And this is how he answered us.

00:12:37After the rat flea bites,

00:12:41The patient begins to experience a febrile syndrome,

00:12:43with very high fever, general malaise, nausea, vomiting,

00:12:49diarrhea, intolerance,

00:12:50And then what were known as buboes appeared or began to appear,

00:12:55which are nothing more than the lymph nodes,

00:12:58that get fatter, become inflamed,

00:13:00and then they open to the outside and begin to ooze.

00:13:04And the picture, the process, the febrile syndrome,

00:13:07without treatment, which didn't exist then,

00:13:10Well, it's getting worse.

00:13:12and developing a very high fever,

00:13:14malnutrition, dehydration, delirium,

00:13:16and finally the sick die.

00:13:20One of the great documents of this work that has left me impressed

00:13:23It is humorous graphic material.

00:13:26which perfectly reflects the state of the nation of Spain

00:13:30Well, at the beginning of the century.

00:13:32These days, surely

00:13:33You have heard the term Spanish flu many times.

00:13:36because many television programs,

00:13:39brothers of radio, of the press,

00:13:42They have tried to focus on the major Spanish epidemics.

00:13:45The Spanish flu was the most terrible

00:13:48And notice that some newspapers

00:13:50They did, well, macabre humor, black humor.

00:13:54There we see a very strange virus

00:13:55monstrously, yet smiling

00:13:57And the biologists below say

00:13:59He's gorgeous,

00:14:00Tell us who you are.

00:14:02The fear of an entire country,

00:14:04of nascent science,

00:14:05from biology, from medicine,

00:14:07facing an absolutely monstrous enemy.

00:14:10There are a lot of people, or at least

00:14:11It's ingrained in many people

00:14:13the feeling that the new viruses of the 21st century

00:14:16are artificially generated

00:14:18and that can be generated in a laboratory

00:14:20or by experiments.

00:14:21In your personal opinion,

00:14:22What is the truth in this?

00:14:24This is also very scary.

00:14:25Obviously, everything is, in some way,

00:14:27sometimes the result of speculation,

00:14:29Sometimes I don't know to what extent

00:14:31really well-founded.

00:14:33It is true that throughout history

00:14:35There has also been a trend

00:14:36to consider the possibility

00:14:38that human beings

00:14:38has been able to generate

00:14:40this type of, let's say, evils,

00:14:42with a desire at times

00:14:44closely linked to war issues.

00:14:46José Luis, thank you very much for your brief visit.

00:14:48And let's hope it's not the last one.

00:14:51Thank you very much for your invitation.

00:14:52And now we move on

00:14:53on the subject of epidemics,

00:14:55of a historical matter

00:14:55to another one that also has a part of history

00:14:58because the voice or the recording

00:15:00apparently strange

00:15:01which was obtained in Madrid

00:15:03in a villa about 15 years ago

00:15:05Well, it certainly had something demonic about it too.

00:15:07like this painting by Peter Bruegel.

00:15:10Certainly those who were

00:15:11on that day

00:15:13almost pleasantly in a basement

00:15:16Well, just trying it out to see what would happen

00:15:19They regretted it

00:15:20because that's where it began

00:15:22a real nightmare.

00:15:53Thanks for watching the video.

00:16:01As is logical

00:16:02many

00:16:02They were called crazy.

00:16:04We are talking about great men of science

00:16:06inventors

00:16:07no more, no less

00:16:08like Marconi

00:16:09or Edison.

00:16:10In the last days of his life

00:16:12They both agreed

00:16:13in an interesting curiosity.

00:16:16They believed that in the future

00:16:17would be possible

00:16:18design an artifact

00:16:19that recorded

00:16:20the voices of the past.

00:16:22They were convinced

00:16:23that somehow

00:16:24our voice

00:16:25it remains in the ether

00:16:26It remains as if it were

00:16:27the old hard drive

00:16:29from a gigantic archive

00:16:30It stays there

00:16:30and it can be recovered.

00:16:32Were they wrong?

00:16:33or were they the parents?

00:16:34of an entire current

00:16:36research

00:16:36which led

00:16:37in the calls

00:16:38EVP (Electronic Voice Phenomena)?

00:16:39I'm sure

00:16:39that many know

00:16:40the term

00:16:41psychophony

00:16:42or some

00:16:43They call them

00:16:43paraphonies

00:16:44voices of unknown origin.

00:16:46The story

00:16:47It is very clear

00:16:47in this regard.

00:16:48Around the year

00:16:491959

00:16:49the filmmaker

00:16:51and documentary filmmaker

00:16:52Swedish

00:16:52Fredrik Jurgensson

00:16:53is found

00:16:54performing

00:16:55a series of recordings

00:16:56to capture

00:16:57the sound

00:16:57of some birds

00:16:58that I wanted to add

00:16:59to the soundtrack

00:17:00of his next production.

00:17:02The big surprise

00:17:03It's that for several days

00:17:04and in a forest

00:17:04completely

00:17:05unoccupied

00:17:06without population

00:17:07emerged

00:17:08a species

00:17:08of murmur.

00:17:09By amplifying it

00:17:10solo

00:17:11in his study

00:17:12realized

00:17:12that she was a woman.

00:17:14His horror

00:17:14it grew

00:17:15when on successive days

00:17:16He recorded again.

00:17:17with a device

00:17:18exactly the same

00:17:18that this

00:17:19an old nagra

00:17:20and that voice

00:17:21He seemed to be talking to her

00:17:22from some point

00:17:23lost in time

00:17:24and space.

00:17:25A voice

00:17:26that he was saying

00:17:27Friedel

00:17:27my little Friedel.

00:17:29He had no doubt

00:17:31It was the voice

00:17:31from her mother

00:17:32only he

00:17:33I called her that

00:17:33with that diminutive

00:17:34with that shape

00:17:35And the most curious thing

00:17:37It's because her mother

00:17:37She was already dead

00:17:38several years ago.

00:17:40That's how it began

00:17:40the investigation

00:17:40of what was called

00:17:41paraphony

00:17:42psychophonic research.

00:17:44Many of these

00:17:45expeditionaries

00:17:46almost going in

00:17:47in an unknown world

00:17:48It needs to be said

00:17:49have finished

00:17:50pretty bad

00:17:51his days

00:17:51obsessed

00:17:52wrapped

00:17:53thousands

00:17:54of tapes

00:17:54how are you

00:17:55of recordings

00:17:56nowadays

00:17:57of computers

00:17:57convinced

00:17:59of being

00:17:59making contact

00:18:00with another reality.

00:18:02They are the voices

00:18:03from the past

00:18:03And today I want to talk to you

00:18:05and I want to introduce you

00:18:07a story

00:18:07which is frankly

00:18:09negative.

00:18:11Take it with caution

00:18:12because these matters

00:18:13they can influence us

00:18:14to the point

00:18:15who knows

00:18:15if it costs us

00:18:16life.

00:18:17That story

00:18:18It's Juan's

00:18:19Let's call it that

00:18:20She brings it to us

00:18:21our colleague

00:18:22Santiago Vázquez

00:18:22Welcome Santiago

00:18:23good night

00:18:24good night

00:18:24one of the stories

00:18:25more dramatic

00:18:26that we have never met

00:18:27and a person

00:18:28besides

00:18:28of importance

00:18:29policy

00:18:30relevant

00:18:30in that ending

00:18:32of the 80s

00:18:32early 1990s

00:18:33in Spain

00:18:34Exactly

00:18:35and that it is a story

00:18:36Okay, we have to present it

00:18:38how is

00:18:39It's the paranormal recording

00:18:41most important

00:18:42of history

00:18:43Because?

00:18:45Not only

00:18:45due to its duration

00:18:47which are

00:18:4810 minutes

00:18:49recording

00:18:50uninterrupted

00:18:52this the

00:18:53the specialists

00:18:54on the topic

00:18:55They know what it is

00:18:56Because usually

00:18:57It has to be said

00:18:58which are words

00:18:58phrases like loose

00:19:00very short

00:19:01unconnected

00:19:02Exactly

00:19:0210 minutes

00:19:0310 minutes

00:19:04where they appear

00:19:05all kinds of noises

00:19:07strident

00:19:08very strong

00:19:10sounds of a bell

00:19:11voices

00:19:12who shout

00:19:13that scream

00:19:14the sound

00:19:15of a man

00:19:16who appears to be drowning

00:19:19single words

00:19:20water

00:19:21water at the beginning

00:19:22and then

00:19:24if you like

00:19:24We're already inside

00:19:25later

00:19:25in what is

00:19:26the center

00:19:27from the recording

00:19:28a premonition

00:19:29which unfortunately

00:19:30It was fulfilled

00:19:31before that

00:19:32Santiago

00:19:32a group of people

00:19:35a nagra

00:19:36an engraver

00:19:38and the interest

00:19:39that sometimes

00:19:40It must be said

00:19:41that curiosity

00:19:41It's dangerous.

00:19:42to have an experience

00:19:43because there it was

00:19:44the leading figure

00:19:46and also

00:19:46quite the philosopher

00:19:47a person

00:19:49of a scientific nature

00:19:50Don Germán de Argumosa

00:19:51and Valdés

00:19:52the person who introduced

00:19:53These topics in Spain

00:19:54and it seems that

00:19:55all that group of people

00:19:56I repeat

00:19:57of high political standing

00:19:58They ask him to

00:19:59teacher

00:19:59Why don't we do

00:20:00a recording?

00:20:01It was no castle

00:20:02unoccupied

00:20:03nor ghostly

00:20:03It was a house

00:20:04normal and ordinary

00:20:05that's how it is

00:20:06This was recorded

00:20:06in a chalet

00:20:08on the outskirts

00:20:09from Madrid

00:20:10as you rightly said

00:20:11late 1980s

00:20:12beginning

00:20:13from the 1990s

00:20:15the professor

00:20:16Argumosa

00:20:16met

00:20:17frequently

00:20:18in that chalet

00:20:20for dinner

00:20:21with a group

00:20:22of people

00:20:23which was not always

00:20:23the same group

00:20:24sometimes

00:20:26because they came

00:20:27other people

00:20:28unrelated to that group

00:20:29but all very interested

00:20:30in the humanities

00:20:31in general

00:20:32dinner was served

00:20:33it was proposed

00:20:34a discussion

00:20:36on a topic

00:20:36certain

00:20:37and then the way was given

00:20:38a question period

00:20:39and one night

00:20:40it was proposed to him

00:20:42to the professor

00:20:43Why not do it?

00:20:45a recording

00:20:47psychophonic

00:20:48at home

00:20:49on the plant

00:20:50low

00:20:50specifically

00:20:51of that chalet

00:20:53put a recorder on

00:20:55under way

00:20:55silently

00:20:56total silence

00:20:56and see what would happen

00:20:59aestheticism

00:21:00of course

00:21:01was

00:21:01because what reigned

00:21:03in the environment

00:21:04of that

00:21:05of that chalet

00:21:05But what they found

00:21:07after 10 minutes

00:21:08recording

00:21:11it horrified them

00:21:12sincerely

00:21:17several sound factors appear

00:21:18There are no clear words

00:21:20but

00:21:21a type of coral

00:21:22demonic

00:21:23Yes, indeed.

00:21:25indeed

00:21:26what has been heard

00:21:27and what you're going to hear

00:21:28It's the softest.

00:21:31that can be put

00:21:32only

00:21:33because

00:21:34in the author's words

00:21:36or of the person

00:21:38who recorded this paraphony

00:21:39the professor

00:21:40the rest

00:21:41It cannot be put

00:21:43because

00:21:43has caused

00:21:44serious disorders

00:21:46And I say it

00:21:48with the utmost seriousness

00:21:49serious disorders

00:21:51in certain people

00:21:52that they have heard

00:21:53this recording

00:21:53the 10 minutes

00:21:56uninterrupted

00:21:56paranormal recording

00:21:58What can I hear?

00:22:00Well

00:22:01there is

00:22:02a part

00:22:03from the recording

00:22:04where it arises

00:22:05a voice

00:22:06of woman

00:22:09and it says the following

00:22:11in a tone

00:22:12creepy

00:22:14I've got you now.

00:22:15Juan

00:22:15Juan was one

00:22:17of those present

00:22:18in the

00:22:19at dinner

00:22:20a diplomat

00:22:22for more details

00:22:22I've got you now.

00:22:24Juan

00:22:24in an aggressive tone

00:22:27I will kill you

00:22:28duck

00:22:29I will kill you

00:22:30and thirdly

00:22:31with more aggressiveness

00:22:33still

00:22:33I say again

00:22:33I will kill you

00:22:36This John

00:22:37at three months

00:22:39died

00:22:40Then we tell the story

00:22:42how exactly did he die

00:22:43This John

00:22:43Chilean diplomat

00:22:44one could say

00:22:45Santiago

00:22:47that worked

00:22:48at the embassy

00:22:49from Chile

00:22:50in Spain

00:22:51that was

00:22:52that night

00:22:52with high

00:22:53political figures

00:22:54and that nobody

00:22:55it was expected

00:22:56what was going to happen

00:22:57This was about 15 years ago

00:22:59That's the part

00:23:00that according

00:23:01Germán de Argumosa

00:23:02who it corresponds to

00:23:03the authorship of this recording

00:23:04he doesn't want it to spread

00:23:05but he has given us

00:23:06one minute

00:23:07one minute

00:23:08which is something abnormal

00:23:09in EVP recordings

00:23:11bells

00:23:12regrets

00:23:12and recently

00:23:14when in Millennium 3

00:23:15on the SER radio network

00:23:16we put part

00:23:17from this recording

00:23:17It's curious.

00:23:18because several professors

00:23:19and people

00:23:20of the field

00:23:20from the veterinary clinic

00:23:21They were talking to us

00:23:23that they seemed

00:23:23really animals

00:23:24suffering

00:23:25not because they were that

00:23:26but the pain

00:23:28that they know well

00:23:29it seemed to be transmitted

00:23:30Some people called her

00:23:31the voice of hell

00:23:32It sounded like the voice

00:23:33from hell

00:23:34of purgatory

00:23:35if you agree

00:23:36Let's listen

00:23:37that minute

00:23:38recording

00:23:38uninterrupted

00:23:39which apparently

00:23:40It cost a life

00:23:41that diplomat

00:23:42Chilean

00:23:42named John

00:23:54on purpose

00:24:04of the doing

00:24:06of the appointment

00:24:06on purpose

00:24:10of the crown

00:24:41Thanks for watching the video!

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00:34:31and in part of Portugal, for a very interesting expedition with these psychic archaeologists.

00:34:36Well, I think that says it all. Would you like to know how psychic archaeologists work?

00:34:40What devices will they use? How will they try to reconcile themselves with this energy that seems to have existed for millennia?

00:34:46Are there any points left? Let's embark on this adventure.

00:34:53The remains of ancient civilizations hold many enigmatic clues for archaeologists.

00:34:59We have recently discovered that there is another category of curious searchers,

00:35:04that of the psychic archaeologists.

00:35:06Men and women who use their most subtle mental abilities to uncover the vestiges of the past

00:35:12and provide data that may be revealing.

00:35:21Cuarto Milenio traveled to Galicia and Portugal,

00:35:24and for several days he traveled through various points of an unknown geography

00:35:29to show how a team of psychic archaeologists from our country works.

00:35:33Pablo Novoa Álvarez was a lover of traditional archaeology

00:35:37and explorer of the Venezuelan jungles,

00:35:40until one day his life changed radically.

00:35:43After his father's death, this Galician man met José San Román,

00:35:47a psychic or sensitive person who showed him how to develop some faculties of the mind.

00:35:52Together they began to travel through Galicia

00:35:55and since 1992

00:35:57They continue to discover archaeological sites in a very unusual way.

00:36:02We have proven that outside of monuments, pendulums barely move.

00:36:06And if we concentrate and make use of these devices

00:36:10within these dolmens,

00:36:13We found that the pendulums rotate clockwise.

00:36:18Novoa began to perceive that the megalithic monuments of a remote past

00:36:22and their locations could evoke a range of unusual feelings,

00:36:26like the ones she felt in front of our cameras,

00:36:29inside the dolmen or stone table of Casola do Focho.

00:36:33On the other side of the border, in northern Portugal,

00:36:37We traveled to the town of Podame,

00:36:39where Novoa and the psychic José San Román

00:36:41They discovered archaeological sites thanks to strange coincidences

00:36:45and revealing hunches.

00:36:48In the year 98, in 1998,

00:36:51Pablo and I were actually filming in this area of Podame,

00:36:55in northern Portugal,

00:36:56an area completely unknown to me.

00:36:58When we pass by here,

00:37:00I felt an impulse, as happens to me practically most of the time,

00:37:04I felt an urge to come to a certain area,

00:37:07I started running cross-country.

00:37:08And I came to this stone.

00:37:10At that time the stone was covered in vegetation,

00:37:14branches and such, with the feet.

00:37:15I cleaned it a little and the engravings appeared.

00:37:18I feel different things.

00:37:21It depends on the place I am and the type of discovery I make.

00:37:24But I generally feel an inner urge

00:37:26that makes me go to a certain place.

00:37:29Pablo Novoa first traveled to Podame in 1998.

00:37:33I was hoping to find some discovered petroglyphs

00:37:36about 30 years ago.

00:37:38A strange impulse made him stop his car in the middle of the road

00:37:41and back a few meters to talk to a farmer.

00:37:45It was Mr. Rodrigo, the poet from Podame.

00:37:49Ironically, he was the one who discovered the stones.

00:37:52Mr. Rodrigo, do you remember what happened in 1998 when I met you?

00:37:58I remember it very well, very well.

00:38:01You stopped the line on the other side of the road

00:38:04And I saw that car stopped

00:38:06And I went to see and asked where the stones were.

00:38:10And I say, but how? How are you going to have it here?

00:38:13So, just by chance, I'm saying here that it was Podame going that way,

00:38:16But it's possible, it's what the person who knows knows.

00:38:20who knows these things, that nobody else knows.

00:38:24On the coast of Galicia, near the town of Santa María de Oya,

00:38:27The Cuarto Milenio team climbed a mountain

00:38:30where years earlier José San Román had discovered several petroglyphs

00:38:34using their intuition or psychic abilities.

00:38:37For the first time in his life,

00:38:39She has stepped in front of the cameras to talk about this issue.

00:38:43I really feel it, I feel something internally.

00:38:46I'm fine and suddenly I feel a sharp pain.

00:38:49A twinge here or a twinge there.

00:38:52And I have to go, like an oppression, and I have to go to that area.

00:38:55What's more, it's curious that if I turn to the opposite side,

00:38:59That throbbing disappears, that oppression disappears.

00:39:03If I turn towards where the stone is, it automatically reappears.

00:39:07The sensitive one explained to us that many petroglyphs and other constructions from the past

00:39:11They are related to places considered important or sacred.

00:39:16There are many, well, many, practically all shamans,

00:39:20Shamanism exists in all cultures.

00:39:22Shamanism speaks of centers of power, energy centers or centers of power.

00:39:25I believe this is precisely one of those energy centers,

00:39:28one of those centers of power.

00:39:30Also on another mountain, in Santa María de Oya, facing the sea,

00:39:33Psychic archaeologists have conducted a series of experiments.

00:39:38There, dowser Karina Gilmiller uses instruments to detect

00:39:43the energies that emanate from the rocks where petroglyphs are inscribed.

00:39:47Right now, I am capturing the telluric energy of the stone.

00:39:52There are different types of instruments to measure it.

00:39:56In this case, it's called a pivot meter.

00:39:58But energy rods and pendulums are also used.

00:40:03Emblematic places of Galician archeology such as Campo Lameiro

00:40:07They are being studied by the team.

00:40:09There, among ancient figures of deer and concentric circles,

00:40:14Pablo, José and Karina practice mental connection with the stones and their engravings.

00:40:20We hope that sensitive people like Karina, José, and others who have this type of,

00:40:27or channel these types of energies,

00:40:29may be useful to us in the future for conducting research as has been done in other countries,

00:40:34the United States, England, the former Soviet Union, France, Canada,

00:40:39And so we can determine and reach more interesting conclusions.

00:40:44than those provided by current and conservative archaeology.

00:40:54We would like to thank Pablo Novo Álvarez, author of studies such as Cuayu,

00:40:58recounting experiences from this psychic archaeology,

00:41:00that has given us and opened the doors to a team

00:41:03who usually conducts their experiments in a very secretive way, very private.

00:41:08We appreciate that, well, you included the Cuarto Milenio camera.

00:41:11Pablo accompanied them and I think there were many more surprises, Pablo.

00:41:15Definitely something I didn't expect

00:41:17and which was revealed as an extraordinary archaeological find by Pablo Novo Álvarez,

00:41:23It was precisely the discovery of some large geoglyphs,

00:41:26or he calls them monoglyphs, that is, gigantic figures,

00:41:29but drawn with stones, with menhirs, on the slopes of a mountain in Portugal.

00:41:34We're talking about something similar to the Nazca Lines in Peru, for example.

00:41:38They are visible from the sky, that is, they are elujadas for the sky.

00:41:41For the sky, or then to see at a great distance,

00:41:43That is, but they can be seen perfectly photographed from satellites.

00:41:47Pablo, we'll stick with this second part of your work

00:41:49And once again we thank you for this sense of adventure

00:41:52that you contribute to Cuarto Milenio.

00:41:53Always a hug, my friend.

00:41:54Thank you very much, Iger.

00:41:55And now let's see what Pablo told us.

00:41:57What have they discovered?

00:41:58This vanguard of researchers in psychic archaeology.

00:42:01Drawings for the heavens, for the gods?

00:42:04Let's find out.

00:42:09One of the most spectacular discoveries

00:42:12of Iberian archaeology in recent years

00:42:15We owe it to Pablo Novoa.

00:42:17The existence of large animal figures

00:42:19formed by aligned stones

00:42:21that can be seen from a distance.

00:42:24They extend over the slopes of the Peneda Mountains in Portugal.

00:42:28These are compared to famous figures

00:42:31or the Nazca Lines of Peru

00:42:32which also show animals and strange gigantic beings

00:42:36that can only be seen from an airplane or helicopter.

00:42:40Those stones as seen from satellite

00:42:42They form figures of large animals

00:42:44and as quadrupeds, birds, rodents, horses, snakes, etc.

00:42:52Probably made by an unknown culture

00:42:55thousands of years ago.

00:42:56The researcher has also had unusual experiences

00:42:59in the Sierra de Peneda.

00:43:01A powerfully magnetic place

00:43:03And perhaps that's why a chosen center of power

00:43:06by the sensitive shamans of Iberian prehistory.

00:43:11Together with Novoa's team

00:43:13We have visited another secret enclave

00:43:15and the power of deep Galicia.

00:43:17The underground temple of Santa Mariña de Augas Glaras

00:43:21in the middle of the wooded mountains of Aurense.

00:43:23The exterior of the church was never completed.

00:43:26for unknown reasons.

00:43:28Through a door surmounted by a cross

00:43:31of the Order of the Templars

00:43:32access to the interior of this enigmatic crypt

00:43:35which was used to cremate the dead

00:43:37during a strange pagan rite.

00:43:40Saint Marina of Holy Augas

00:43:41It is a monument

00:43:44which takes us back to the Galicia of the past,

00:43:47to magical Galicia.

00:43:48Down there, in the gloom,

00:43:51Pablo Novoa discovered

00:43:52a strange astronomical and mystical phenomenon.

00:43:56During the month of July

00:43:57He observed a faint ray of sunlight

00:43:59He was sneaking in through a small window.

00:44:01into the interior of the underground temple.

00:44:03The lightning, like a spear,

00:44:06one of the thirteen balls was illuminated

00:44:07carved in stone,

00:44:09aligned and attached

00:44:10to one of the walls of the enclosure

00:44:12immediately next to an altar table.

00:44:14The ray struck directly on the seventh sphere,

00:44:18equivalent to month seven

00:44:19or summer solstice,

00:44:21an important ritual date

00:44:23for the deltas and their ancestors.

00:44:25Perhaps the thirteen hemispheres

00:44:27represent the ancient lunar calendar

00:44:29who was known to the Knights Templar.

00:44:33At the back of the crypt

00:44:34An old oven is located there.

00:44:36to burn corpses.

00:44:38The remains can still be seen

00:44:39of a prehistoric dolmen

00:44:40that was reused

00:44:42to build this sinister crematorium.

00:44:44The body was initially washed

00:44:47and purified in the basin

00:44:49which is located at the entrance

00:44:50of this monument.

00:44:52Then he pretended to be the beautiful stone,

00:44:54It was placed right in the pile

00:44:56and after setting it on fire

00:44:59It was believed that the soul

00:45:02transcended to the afterlife

00:45:04through the upper simenea.

00:45:07In the present day

00:45:08This area was being reused

00:45:11precisely as a place of tradition

00:45:14and as a place of current rituals.

00:45:18A few hundred meters away

00:45:19from the Templar crypt

00:45:21there is the sanctuary dedicated to Santa Mariña

00:45:23whose history recalls

00:45:25turbulent and macabre times.

00:45:27Santa Mariña de Agosantas

00:45:29a very beautiful girl

00:45:31daughter of the local tribal chief

00:45:33She is wanted by the Roman governor

00:45:36who governs the area.

00:45:39By not agreeing to the demands

00:45:41from the Roman

00:45:41He then proceeds to torture her.

00:45:44Because he doesn't achieve anything.

00:45:45He buries her in a water cistern

00:45:49and she is saved.

00:45:51Subsequently

00:45:52She puts it in an oven

00:45:54and tries to burn it

00:45:55But she continues to save her own life.

00:45:58And later

00:45:59decides to cut off his head.

00:46:01When he cuts off his head

00:46:03The miracle occurs.

00:46:05His head bounces three times

00:46:06and the three springs emerge.

00:46:09miraculous ones that are venerated today

00:46:10by pilgrims from Galicia

00:46:13and from Spain

00:46:13and from other parts of the world.

00:46:24Psychic archaeology

00:46:25and places of power.

00:46:26I am convinced

00:46:27that we will continue

00:46:28traveling all over Spain

00:46:29searching for those enclaves

00:46:31different, distinct

00:46:32where many cultures

00:46:33have overlapped

00:46:34For example

00:46:35their places of devotion to death.

00:46:37This was news at the time.

00:46:38in past centuries.

00:46:40Now, this week

00:46:41Things have happened too

00:46:42that have to do with

00:46:42somehow

00:46:43with other places of power.

00:46:45That's the news

00:46:46of the fourth millennium.

00:47:08It's wonderful to see

00:47:10how the ancients

00:47:11They had their technology

00:47:12rudimentary but effective

00:47:14and caused certain rays

00:47:15of sunshine on certain dates

00:47:17They pointed out certain things.

00:47:19There is another similar miracle

00:47:20whom we saw

00:47:21in the report

00:47:22from our colleague

00:47:22Pablo Villarrubia.

00:47:23It's amazing

00:47:24and it happens

00:47:25in the heart of Castile,

00:47:27in Burgos,

00:47:27San Juan de Ortega.

00:47:28Carmen.

00:47:29Indeed, Iker,

00:47:30in this church

00:47:31March 21

00:47:32an effect occurs

00:47:33in one of its capitals.

00:47:35Nothing more than one.

00:47:36A ray of sunlight enters

00:47:37through the windows

00:47:38and points

00:47:40directly

00:47:40to the belly

00:47:42bulky

00:47:42which appears to be

00:47:44the Virgin Mary.

00:47:45We have had the opportunity,

00:47:46Francisco Contreras

00:47:47has been there

00:47:48and we have had the opportunity

00:47:49to talk to José María Alonso

00:47:50who is the parish priest

00:47:51And he told us this.

00:47:53A ray of sunshine

00:47:53enters through an ogive

00:47:55that is

00:47:56to the setting sun

00:47:58of the building

00:48:00and around

00:48:01is introduced

00:48:01a ray of sunshine

00:48:02that illuminates

00:48:04the Romanesque capital

00:48:05of the initiation

00:48:05a capital

00:48:07delicious

00:48:07content

00:48:09It includes the initiation

00:48:10the expectation

00:48:11the visitation

00:48:11the birth

00:48:13of Christ

00:48:14the one about the magicians

00:48:16the shepherds' one

00:48:17a lot of things

00:48:19all content

00:48:20in that Romanesque capital.

00:48:21By the way

00:48:22in India

00:48:23has happened

00:48:24one of those findings

00:48:25archaeological

00:48:25ancient

00:48:26what would they do

00:48:27the delights

00:48:28of many treasure hunters.

00:48:30This week

00:48:30have been found

00:48:31two idols

00:48:32solid gold

00:48:33of the 8th century

00:48:35B.C.

00:48:36were

00:48:36buried

00:48:37in a pond

00:48:38from India

00:48:39a group

00:48:39of workers

00:48:40Indians

00:48:40that were

00:48:41digging

00:48:41in a pond

00:48:42to the northwest

00:48:42from Tripura

00:48:43they found

00:48:44two idols

00:48:44manufactured

00:48:45in solid gold

00:48:46one of them

00:48:47represents Buddha

00:48:47and beside him

00:48:48two girls

00:48:49dancing

00:48:49and the other

00:48:50It's a statue

00:48:51of the Hindu god

00:48:51Vishnu

00:48:52the statuettes

00:48:53were transferred

00:48:54to the department

00:48:54state archaeological

00:48:55where they are being

00:48:56studied

00:48:57and compared

00:48:58with others

00:48:59found previously

00:49:00on the spot

00:49:00of the discovery

00:49:01hundreds of people

00:49:02they meet

00:49:03daily

00:49:03to pray there

00:49:05through their deities

00:49:06and they will remember

00:49:07seven days ago

00:49:07we were talking

00:49:08and we saw

00:49:08to a calf

00:49:09with four eyes

00:49:10and two mouths

00:49:11well then

00:49:11It seems that it is not

00:49:12a unique case

00:49:13Carmen

00:49:13No

00:49:14Thanks to my friends

00:49:15of fourth millennium

00:49:16we have received

00:49:17This curious photograph

00:49:18of a calf

00:49:20two-headed

00:49:20and three eyes

00:49:21she sent them to us

00:49:22Ramón González

00:49:23from Asturias

00:49:24Here we see

00:49:24to the little animal

00:49:26which unfortunately

00:49:26died

00:49:27within a few hours

00:49:28to be born

00:49:28as we see

00:49:29It was barely possible to stand

00:49:30standing

00:49:31But there is another image

00:49:32which he has also sent us

00:49:33a spectator

00:49:34Francisco de Andrés

00:49:35Isn't that curious?

00:49:36a little pig

00:49:37with two heads

00:49:38these animal monstrosities

00:49:41They don't usually happen

00:49:42a lot

00:49:43But when is that the case?

00:49:45in the villages

00:49:46where these phenomena occur

00:49:48are treated

00:49:48as true

00:49:50icons of mystery

00:49:51well by the way

00:49:52that these two are

00:49:52quite endearing

00:49:54within reason

00:49:54the one that isn't so endearing

00:49:56She is the protagonist

00:49:57from our next story

00:49:58They called her

00:49:59and they baptized her

00:50:00the vampire of Barcelona

00:50:01He killed many people.

00:50:03looking for children

00:50:04and above all

00:50:05He was looking for her blood.

00:50:06By day she was a beggar

00:50:07and at night

00:50:08She wore the finest silks

00:50:09and attended

00:50:10in an imposing

00:50:12black horse-drawn carriage

00:50:13selling

00:50:14its strange material

00:50:15human blood and fat

00:50:17fiction

00:50:18No

00:50:18reality

00:50:19They want to meet her

00:50:20Here we go, let's do it.

00:50:21in fourth millennium

00:50:22the vampire

00:50:22from Barcelona

00:50:23and

00:51:02It is recounted in old chronicles that Bram Stoker, the famous author of the novel Dracula,

00:51:08He ended his days in a very bad way.

00:51:10First ruined, then stripped of all fame,

00:51:14on a filthy cot, in a grimy inn.

00:51:18And the nurse who was watching over him says that in his last nights of delirium,

00:51:23On the verge of death, he fixed his gaze on a corner,

00:51:27as if there were someone that no one else could see.

00:51:29She looked at him with feverish, terrified eyes, and repeated,

00:51:33Strigoyou, Strigoyou.

00:51:35Of course, no one recognized those words, but Bram knew exactly what he was talking about.

00:51:39An ancient dialect of Dacian, the language of the land of Barakia,

00:51:43which means vampire, vampire.

00:51:46It's as if his own character is devouring him,

00:51:48as if the shadows of true vampirism were coming to his very deathbed.

00:51:54But halfway between legend and reality, we can ask ourselves,

00:51:58Today, in the 21st century, do vampires exist or did they ever exist?

00:52:02People who have an overwhelming need to drink human blood?

00:52:07Well, I want to tell you a story that is surprising, amazing.

00:52:10The Vampire of Barcelona.

00:52:12It all started with this news, with this headline.

00:52:15ABC, March 10, 1912, the child kidnapper.

00:52:20A story that became increasingly complicated and is worthy of a novel.

00:52:23However, it happened in the most stark reality.

00:52:25We traveled back in time, we went to the narrow streets of Barcelona.

00:52:29There, a woman in black clothing was looking for new victims.

00:52:36Teresita Guitart, five years old, was playing like any other day,

00:52:41next to the popular La Paloma dance hall.

00:52:44He ran around carefree through the cobbled streets of the Raval neighborhood.

00:52:49Until suddenly, a large, disheveled woman,

00:52:54He pounced on her, wrapping her in his old, dark cloak.

00:53:06As night fell, at the gray hour,

00:53:08She was wearing full skirts or petticoats, very typical of the 19th century,

00:53:13And when he could, he treated a child.

00:53:15She was the latest victim in a string of strange disappearances.

00:53:19which were occurring in Barcelona almost daily.

00:53:23Psychosis had gripped Barcelona.

00:53:26The press began publishing various reports

00:53:29about the enigmatic child snatchers.

00:53:31They speak of the death carriage,

00:53:34But Barcelona is being talked about, and it's being talked about in many places throughout Europe.

00:53:36A carriage where children were allegedly kidnapped,

00:53:40They were taken away, they were sacrificed,

00:53:42Their fat and blood were extracted to make these pathways for the subject.

00:53:47After 17 days,

00:53:50Specifically on February 27th, around 11 pm,

00:53:54a neighbor named Claudia Elías,

00:53:56He could see a frightened and pale child's face,

00:54:00peering through a dirty little glass window,

00:54:03located at number 29 on the old Ponent street,

00:54:06years later renamed Joaquín Costa.

00:54:09The woman who saw him the next day,

00:54:12She arranged to meet him on the stairs,

00:54:14And he says, "Hey, where is that little girl you have?"

00:54:17He told Enriqueta Martín, "I don't have any daughters."

00:54:19Well, I've seen it.

00:54:20They were already starting to get suspicious.

00:54:23The gendarmes Josep Asens, Juan Ribot and Mendiola,

00:54:26They quickly linked the information to the case of the missing girl,

00:54:31and they decided to go to the building.

00:54:33It was the sinister home where, since 1909,

00:54:37She was receiving a woman with a strange life and a dark personality,

00:54:41whose name was Enriqueta Martí.

00:54:44He found a way to make friends or relationships with high society,

00:54:49with the bourgeoisie,

00:54:50and he began to perform magical workings,

00:54:52Initially, potions, of a healing type, ointments,

00:54:57That was the beginning of Enriqueta Martín.

00:54:59But then things took a turn,

00:55:02He has already fallen into the world of crime,

00:55:05He first dedicated himself to ratting children,

00:55:08who rented them out to high society for secret pleasures,

00:55:12and finally to kill people, to kill children,

00:55:16to recycle all of its organic matter.

00:55:21After banging on the old gate,

00:55:24a woman with a distrustful gaze and a gaunt face,

00:55:27He opened with visible nervousness.

00:55:30The officers, under the pretext of carrying out a municipal health inspection,

00:55:34They began a meticulous search.

00:55:37Everything seemed normal,

00:55:38until they discovered that one of the rooms

00:55:41It remained locked.

00:55:43Upon entering, they were speechless for a few seconds.

00:55:49The macabre discoveries kept coming.

00:55:52Alongside ancient books on witchcraft,

00:55:55The guards discovered bloodstained clothes,

00:55:58jars filled with what appeared to be blood,

00:56:01hair, teeth, bones,

00:56:03and even large quantities of human fat,

00:56:06that looked freshly extracted.

00:56:09He gets strong and goes inside.

00:56:12What the brigadier and his companion discover is horrifying.

00:56:16First of all, they find a sack,

00:56:18a large sack,

00:56:19where there is a large amount of children's clothing,

00:56:22as a young child,

00:56:24bloody,

00:56:25and a large skinning knife,

00:56:27of the Skinner type,

00:56:28full of blood,

00:56:29and they begin to find,

00:56:31sometimes,

00:56:32in holes made in the walls,

00:56:34sacks full of children's bones.

00:56:37They are known to be boys and girls,

00:56:38because the forensic experts at that time

00:56:40They didn't have the current advancements,

00:56:42But after a forensic examination,

00:56:45They realize that at a minimum,

00:56:46the bones,

00:56:48and even blonde hair,

00:56:50They have a tendency to pick up blonde children,

00:56:52especially the children,

00:56:53of at least 12 creatures.

00:56:55The news of the discovery of the two girls,

00:56:58It generated great anticipation.

00:57:00Dozens of people crowded together,

00:57:02next to the building entrance.

00:57:04Even the mayor,

00:57:05Mr. Sostres,

00:57:06He decided to go to Ponent Street,

00:57:08to manage personally,

00:57:10the police action.

00:57:12The stormtroopers,

00:57:13They were leading Enriqueta Martí,

00:57:15to the police station,

00:57:17to be questioned.

00:57:19She,

00:57:20smiling,

00:57:21He simply said that the blood,

00:57:23It was the source of life.

00:57:27Blood is life,

00:57:28That's what Enriqueta Martí Ripollés said,

00:57:30in the women's prison,

00:57:31on Amalia Street.

00:57:33She will start the second part,

00:57:35of the amazing story,

00:57:36of this vampire,

00:57:37in quotation marks,

00:57:38which terrified Catalan society,

00:57:39of that year 1912.

00:57:42Blood is life,

00:57:43The truth is that she wasn't the only one who repeated it,

00:57:45because many other women,

00:57:46throughout history,

00:57:48They have also had,

00:57:49a touch of fatal attraction,

00:57:50because of the red element.

00:57:52Undoubtedly the most well-known case,

00:57:54but also undoubtedly,

00:57:56the most shocking,

00:57:56It's that of a countess,

00:57:59who earned the nickname of the Blood Countess.

00:58:02Some say,

00:58:03The legend, or perhaps reality,

00:58:04he assures that,

00:58:05all by herself,

00:58:06It ended the census of young girls,

00:58:09of the entire region where he lived.

00:58:11It had a strange peculiarity,

00:58:13the one about taking baths,

00:58:14in enormous bathtubs,

00:58:17with human blood.

00:58:18It seemed to be one way,

00:58:20to preserve,

00:58:21a certain beauty,

00:58:22and who knows,

00:58:23if you yearn for immortality.

00:58:25Javier García Sánchez,

00:58:27the writer,

00:58:28He did it with great success,

00:58:30This book,

00:58:31She, Dracula,

00:58:33He has done other works,

00:58:33now indispensable,

00:58:34like the others,

00:58:36But he got really involved,

00:58:37in this woman's biography,

00:58:40And I don't know,

00:58:41Xavier,

00:58:41good night,

00:58:42welcome,

00:58:42He's been completely frightened.

00:58:45because this fictionalized vision,

00:58:47It reveals many realities,

00:58:49It offers a lot of specific data,

00:58:51which are truly dreadful,

00:58:52Did Svet Vator finish?

00:58:54and the bloody countess,

00:58:55with the population,

00:58:56practically all women,

00:58:58of his county,

00:58:59from your area?

00:59:00Officially,

00:59:01in a sort of diary,

00:59:02that she was wearing,

00:59:04because they are mentioned,

00:59:06612 names and surnames,

00:59:08Those are the ones that are on record,

00:59:10612 are the official victims,

00:59:13It was possibly liquidated,

00:59:14out of a thousand,

00:59:15thousand and something,

00:59:151200 girls,

00:59:16the greatest serial killer,

00:59:18undoubtedly of history,

00:59:19probably,

00:59:19computed,

00:59:20computed,

00:59:22Don't worry,

00:59:23because we're going to continue,

00:59:23with the story of Enriqueta Martí,

00:59:25Let's get to know each other,

00:59:25What happened to him?

00:59:26what was discovered,

00:59:27How did it end?

00:59:28in the life of the vampire of Barcelona,

00:59:30But I think it is,

00:59:31ideal to compare it,

00:59:32with this other case,

00:59:33which is the great classic,

00:59:35surely,

00:59:36Someone has heard of it,

00:59:37of the female Dracula,

00:59:38She Dracula,

00:59:38Javier García Sánchez titled it,

00:59:40and also,

00:59:41How inviting this story is,

00:59:42Some say,

00:59:42Xavier,

00:59:43that this woman,

00:59:44I was absolutely,

00:59:46feverish,

00:59:46with the ideal of beauty,

00:59:49And I don't know if I've thought about it,

00:59:50but that one day,

00:59:50He slaps her.

00:59:51to one of the maidens,

00:59:53and that tears it,

00:59:54with her long nails,

00:59:55and that the splashing of blood,

00:59:57and perhaps some coincidence,

00:59:58that someone tells him,

00:59:59You look so beautiful today,

01:00:00she relates,

01:00:00red blood cells,

01:00:01with beauty,

01:00:02Was it like that?

01:00:02Wasn't that the case?

01:00:03It could have been like that,

01:00:05Let's keep in mind,

01:00:05which is a story,

01:00:06which is happening in Hungary,

01:00:08which is like the late Middle Ages,

01:00:10of the Middle Ages in Europe,

01:00:12that is to say,

01:00:12when we are already here,

01:00:13with Copernicus,

01:00:16Galileo,

01:00:16and theological problems,

01:00:18and philosophical,

01:00:21super advanced,

01:00:22still in Hungary,

01:00:23They are going hungry,

01:00:24and believe in devils,

01:00:26No?

01:00:26They believe in witches,

01:00:29she in fact,

01:00:29advice is sought,

01:00:30first with a witch,

01:00:32I tell it in my novel,

01:00:33No?

01:00:33She dies of old age,

01:00:35Ana Darbulia,

01:00:35and then with another,

01:00:36which was even worse,

01:00:37who taught him new techniques,

01:00:39for,

01:00:41in theory,

01:00:41not to age.

01:00:42What did he do with those victims?

01:00:44that you have managed to investigate,

01:00:45Xavier?

01:00:46Is the legend of,

01:00:48Well,

01:00:48open them up,

01:00:49Or I don't know what I would do,

01:00:49to fill large gourds,

01:00:51or large bathtubs,

01:00:52and dive in?

01:00:53Or has it perhaps also been exaggerated?

01:00:55that term?

01:00:56at all.

01:00:56As far as we know,

01:00:57always according to the minutes,

01:00:59of the trials,

01:01:00and the testimonies of the accomplices,

01:01:02the few official accomplices,

01:01:04that he had,

01:01:05the direct accomplices,

01:01:07of the torture processes,

01:01:09and executions,

01:01:10and death,

01:01:11No?

01:01:12It is what it is,

01:01:14it is what it is.

01:01:15The subject of blood,

01:01:16bathing in blood,

01:01:17He came at the end.

01:01:18The topic of drinking blood,

01:01:20He also came at the end.

01:01:21Ah,

01:01:21He also ingested blood,

01:01:22therefore.

01:01:23Yeah,

01:01:23of industrial poultry,

01:01:24Yeah,

01:01:25until it started to make him feel unwell.

01:01:27And he did this because,

01:01:28because of the youth issue,

01:01:30because they believed that blood contained the elements,

01:01:35biological,

01:01:36able,

01:01:37capable of,

01:01:38to allow,

01:01:40but,

01:01:41make her younger,

01:01:42without interrupting the aging process,

01:01:44No?

01:01:44Was that belief your own?

01:01:46No,

01:01:46or acquired through knowledge that comes from?

01:01:48The witches inoculated him with it,

01:01:50the two witches he met.

01:01:51A,

01:01:52introduced her,

01:01:53Ana de Arbulia,

01:01:53His name was,

01:01:54No?,

01:01:54who died of old age,

01:01:55Ana de Arbulia,

01:01:56and scary,

01:01:56Scared because it was her,

01:01:58she,

01:01:58the Sebed Baturi,

01:01:59much more witchy and evil

01:02:00that his witch who had herself brought from the woods,

01:02:03No?

01:02:03We're talking about Balkan forests,

01:02:05of,

01:02:05to scare grandma,

01:02:07truly unsettling forests.

01:02:09To avoid crossing them,

01:02:10with superstitions that still persist today,

01:02:13that is to say,

01:02:14Even today there are no-go zones in the Balkans and such,

01:02:17No?

01:02:17Well, the first witch introduces him a little to the mysteries of blood,

01:02:20in the sense that it is good to rub the skin with blood of,

01:02:26of young, virgin girls who had never known death.

01:02:31That's why he starts by killing all the female fishermen.

01:02:34every young girl,

01:02:35and then it starts selecting.

01:02:36And they had to be young girls who hadn't even fallen in love yet,

01:02:40I won't even tell you,

01:02:41made love with the boyfriend.

01:02:42How curious.

01:02:43They had to be virgins of soul.

01:02:44I mean,

01:02:44as pure as possible in that theory.

01:02:47according to his theory.

01:02:48Then the witch Ana de Arbulia dies,

01:02:50old and scary,

01:02:52eighty-something years old,

01:02:53And she's the worst agency of all.

01:02:56because there were several.

01:02:57And this other one,

01:02:59pushed against the wall,

01:03:01surely fearing for his own life,

01:03:03he advises her that,

01:03:06take the next leap,

01:03:07It's not enough to just smear blood on your skin,

01:03:09of young girls,

01:03:10otherwise one must bathe in blood,

01:03:12remain covered in blood for several hours,

01:03:15and ingest it orally.

01:03:17That's the qualitative leap,

01:03:19already total dementia.

01:03:20Xavier,

01:03:20allow me,

01:03:21at this harrowing moment in this story,

01:03:24Javier titled it,

01:03:25She Dracula,

01:03:26a fascinating story,

01:03:28Let's take a short break,

01:03:30to also make way for science,

01:03:32forensic science,

01:03:33has dealt with cases,

01:03:35He has sometimes diagnosed them,

01:03:36even as hematodixia,

01:03:37need to see human blood,

01:03:39What part of reality,

01:03:40And how much of this supposed illness is fictional?

01:03:43We have documents,

01:03:44which are terrifying too,

01:03:46a wonderful report,

01:03:48from a colleague Ángel Briongos,

01:03:50about the blood drinkers of Madrid,

01:03:52who went to the slaughterhouses,

01:03:53almost hidden,

01:03:55as we saw earlier Enriqueta Martí,

01:03:57because they believed that blood,

01:03:58in this hot case,

01:03:59of animals,

01:04:00because it made me younger,

01:04:02and let's say it fought some diseases.

01:04:04What is true,

01:04:05what part is fiction,

01:04:06Why do they need to drink human blood?

01:04:08Let's see,

01:04:09if a person,

01:04:09at a certain point,

01:04:11He has a craving to drink human blood,

01:04:13There are only two options in medicine,

01:04:15traditional medicine.

01:04:16A,

01:04:17who has a serious mental illness,

01:04:19For example,

01:04:19paranoid schizophrenia,

01:04:21can happen.

01:04:22And two,

01:04:23that it be a person,

01:04:24particularly suggestible,

01:04:26vulnerable,

01:04:27strange,

01:04:27let's say,

01:04:28abnormal,

01:04:28that it was believed,

01:04:30that by drinking human blood,

01:04:31because it will take longer to age,

01:04:33and therefore,

01:04:34have that urge.

01:04:35But those are the only two possibilities,

01:04:37Because nobody does this for foolish reasons.

01:04:43Here,

01:04:44the fortress,

01:04:46awesome,

01:04:47in an engraving from that period,

01:04:48where this woman lived,

01:04:49and where she was accused,

01:04:51of deaths,

01:04:53its decline,

01:04:54I think it was also terrifying,

01:04:55as could not be otherwise,

01:04:57dies in a certain way,

01:04:58really,

01:04:59also,

01:05:00worthy of a novel.

01:05:01Yeah,

01:05:02It is the most novelistic thing that has ever happened in his life.

01:05:05Speaking of this fortress,

01:05:06which is an engraving of approximately,

01:05:07what could have been,

01:05:08of this,

01:05:10at the moment,

01:05:10a village called Chaktice,

01:05:11who is in Slovakia,

01:05:13near Bratislava,

01:05:14not far from the capital,

01:05:16is,

01:05:17Although it may not seem so here,

01:05:18in other engravings,

01:05:19It is very similar to,

01:05:21to the Alcázar of Toledo.

01:05:23So,

01:05:23I'd like to take this opportunity to mention that a movie is going to be made based on the novel.

01:05:26Is there going to be a movie about her, Dracula?

01:05:27Yes, yes, yes.

01:05:28Well, thanks for the scoop.

01:05:30Well,

01:05:30This information is recent, isn't it?

01:05:32What is death like?

01:05:33Is it true that she was walled up alive?

01:05:35Yeah,

01:05:35in fact,

01:05:36Well,

01:05:37That's absolutely true,

01:05:38She is being judged,

01:05:39is,

01:05:41walled up in the room,

01:05:42and they leave a gap of a few centimeters below the,

01:05:46of,

01:05:46from a wall,

01:05:48It only has a small hole in the roof,

01:05:51several meters away,

01:05:52because they were very high ceilings,

01:05:53a skylight,

01:05:54through which a little light enters,

01:05:56and,

01:05:57This is in October,

01:05:58sorry,

01:05:58in October,

01:05:59in the month of January of,

01:06:01year,

01:06:031610,

01:06:05and,

01:06:05when they judge her,

01:06:06They are convinced that they will,

01:06:07that he's going to die of cold,

01:06:08from cold and illness,

01:06:10in a matter of months,

01:06:11Keep in mind that the winters in the Carpathians in that area,

01:06:14They can be as low as -30°C,

01:06:1530 below zero.

01:06:15So they don't have firewood.

01:06:16They have nothing,

01:06:17And even if it happens to him once every 15 days,

01:06:18or every 20 meals,

01:06:20because they think he's going to die of an illness,

01:06:22from pneumonia,

01:06:23And the witch lasted four years,

01:06:26which is one of the great mysteries that exists,

01:06:28how an organism could survive in the dark,

01:06:31And in that kind of madness,

01:06:33No?

01:06:33I believe that people,

01:06:34From what I understand,

01:06:35For 100 years he stopped talking about the Bathorys,

01:06:37they did not exist,

01:06:38They were too terrible,

01:06:39as to suggest that Bathory had ever existed,

01:06:41And keep in mind that when she is walled up alive in her castle,

01:06:45in 10 kilometers,

01:06:4610 miles,

01:06:47which is equivalent to a radius of 15 kilometers,

01:06:49There can be no person or animal present,

01:06:52So she's kind of isolated in a no-man's-land,

01:06:55in a nowhere,

01:06:55No?

01:06:56Then the worst punishment,

01:06:57die,

01:06:57to die while still alive,

01:06:58but alive,

01:06:59No?

01:06:59They were simply wrong in thinking he would die very soon.

01:07:02and he put up with them for 4 years,

01:07:04And at the end of the 4 years he asked for a pen.

01:07:06pencil,

01:07:07ink,

01:07:07I mean,

01:07:08quill,

01:07:09and wrote a will and revoked parts of the will,

01:07:11I mean,

01:07:11She was completely lucid,

01:07:134 years after staying.

01:07:15And without regret.

01:07:16In the dark,

01:07:16and without regret,

01:07:17Yeah,

01:07:18because I tell it in my novel,

01:07:18which is also one of the most worrying pieces of data,

01:07:20No?

01:07:21To think about,

01:07:22How is it possible that the human condition is made possible by this?

01:07:25He was asked periodically,

01:07:26through the grille door,

01:07:28if he repented,

01:07:30at least,

01:07:30since his body was going to die,

01:07:32if his soul could receive some kind of forgiveness,

01:07:35And she said no,

01:07:36that absolutely I would do it again.

01:07:38This is something that distinguishes her from Enriqueta the Barcelonan,

01:07:40which says,

01:07:41If there is a female criminal there,

01:07:45that is to say,

01:07:45in a time of hardship,

01:07:46This woman,

01:07:47Enriqueta,

01:07:48because he saw a way to,

01:07:49first through sex,

01:07:51of pleasure,

01:07:52to feed the bourgeoisie,

01:07:54something that has always existed,

01:07:55No?

01:07:55The case of Seve Batoria is much more brutal,

01:07:58in the sense that,

01:07:59It is the pleasure of causing harm for the sake of causing harm.

01:08:02to kill for the sake of killing,

01:08:04to torture for the sake of torture.

01:08:05Javier García Sánchez,

01:08:06author of Yadrácula,

01:08:07Thank you so much for this spooky visit,

01:08:09a character to keep an eye on,

01:08:11a character now destined for the gallery of horrors,

01:08:13and,

01:08:14Of course,

01:08:15with many light and shadows,

01:08:16which I hope they discover in your work,

01:08:17Thank you so much for your visit,

01:08:19Xavier.

01:08:20And we now,

01:08:21If you agree,

01:08:22Let's pick up the story again,

01:08:23where we had left her.

01:08:24Now aware,

01:08:25of what some female vampires have done,

01:08:27throughout history,

01:08:28like the Blood Countess,

01:08:29Let's go with our closest case.

01:08:31What happened to Enriqueta?

01:08:33How were the end of his days?

01:08:34How did the story of the Barcelona vampire end?

01:08:38Enriqueta Martí was transferred

01:08:40to the now-defunct prison on Amalia Street.

01:08:42The case,

01:08:43already a real social scandal,

01:08:45Judge Fernando de Prat was appointed,

01:08:47and the first interrogations,

01:08:49They revealed a diabolical reality.

01:08:52Enriqueta,

01:08:54whom many already labeled a vampire,

01:08:56He had a dark past.

01:08:58But she has been working in domestic service for five years,

01:09:00until 1920,

01:09:03seeing, according to her,

01:09:04that her masters were even more vicious than she was,

01:09:07Those are words taken from her,

01:09:09She works as a prostitute.

01:09:11And at a certain point,

01:09:12when he sees that there is economic hardship,

01:09:14He does something worse.

01:09:16The exact moment is unknown,

01:09:17But we do know that she's a prostitute

01:09:19He goes on to open a brothel for pedophiles

01:09:23on Minerva Street in Barcelona,

01:09:25where for a time,

01:09:26which is not known exactly,

01:09:29prostitution that is practiced

01:09:31It is made by children who have

01:09:33between 5 and 15 years old, boys and girls.

01:09:35At the same time as the interrogations were taking place,

01:09:38law enforcement

01:09:40They were tracking any related leads

01:09:42with the grease extractors.

01:09:44Inspections of several homes

01:09:47They revealed shocking data.

01:09:49In that house, where she used to go, in that tower,

01:09:52They performed all kinds of rituals there.

01:09:55of blood sublimation,

01:09:56as if with potions, they boiled it,

01:09:58and they gave it to the people to drink

01:10:00who had venereal diseases.

01:10:02Apart from this,

01:10:04She, of course,

01:10:05They also sold butter,

01:10:07and all kinds of organic materials.

01:10:10Wrapped in her black robes,

01:10:12He kidnapped children in the Prado square

01:10:14and surrounding area.

01:10:16During the day he would observe and choose his victims.

01:10:19At night,

01:10:20She dressed in the finest silks

01:10:22and led a double life

01:10:23to go unnoticed and hidden

01:10:26above suspicion in the neighborhood.

01:10:27She was a woman who by day

01:10:29He disguised himself as a poor man.

01:10:31With these children he kidnapped,

01:10:33who kidnapped,

01:10:35He went to the poorest parts of the city,

01:10:39to the places where they gave food,

01:10:40assistance and such,

01:10:42with them,

01:10:43because of what she did

01:10:43It was an inspection.

01:10:44of how this world of children worked.

01:10:47Which children were most neglected?

01:10:50which children could be taken in or not.

01:10:52And on the other hand, at night,

01:10:53the neighbors said

01:10:55that she went out like a marchioness.

01:10:56She dressed in gauze.

01:10:58and with silks and headdresses.

01:11:00And then I went to high school.

01:11:01And at the high school,

01:11:02So, I would contact the coachmen,

01:11:05I saw rich people

01:11:06And that's where I put them in contact

01:11:08the two worlds.

01:11:09This world is hungry for children

01:11:11and the world of the rich

01:11:12who wanted the children.

01:11:14The data that gradually emerged

01:11:17They shocked the judicial authorities.

01:11:20She prepared ointments and magic potions

01:11:22that supposedly healed immediately

01:11:24diseases such as tuberculosis or consumption.

01:11:28And among its clients,

01:11:29people from the highest echelons of the city of Barcelona.

01:11:32Once Enriqueta Martí

01:11:35He can no longer deny all his murders,

01:11:38because the physical tests have already been done,

01:11:41We know how it works.

01:11:43I would take them,

01:11:44first he would kill them,

01:11:45then with the skinning knife,

01:11:47with Skinner,

01:11:48that has been found,

01:11:49It is known that he had several,

01:11:49But the largest one has been found,

01:11:51Purén Street,

01:11:52I cut them,

01:11:53He would first remove the butter,

01:11:55that few could have

01:11:57because they were children who suffered a lot of hunger,

01:11:59He then draws the blood,

01:12:01which he kept in large pots of blood

01:12:03which were also found,

01:12:05and also the bone marrow.

01:12:07With all that said,

01:12:08and thanks to a kind of grimoire

01:12:10that I had,

01:12:11Like I said,

01:12:12which would be in the middle of the field

01:12:13between a false healing

01:12:16and witchcraft,

01:12:17That's what she did in the potions.

01:12:19But we also know,

01:12:20because she herself acknowledges it,

01:12:22than in times when he could not convince

01:12:23no boy or girl

01:12:25to take it home,

01:12:26I had only had sex a few times,

01:12:27But he had used fat and blood.

01:12:29of cats and dogs.

01:12:31That's in the most critical times

01:12:32where he couldn't take children.

01:12:35After being sentenced to life imprisonment

01:12:37and imprisoned,

01:12:39Enriqueta Martí attempted to take her own life

01:12:42on different occasions.

01:12:43When she arrives at the women's prison,

01:12:46People are afraid,

01:12:47The police fear that at any moment

01:12:50commit suicide,

01:12:51And in fact, he tries twice.

01:12:53one with a wooden spoon,

01:12:55like an American movie,

01:12:56a knife is made

01:12:57and tries to cut his wrists.

01:12:59It is cured,

01:13:00in the same prison medicine cabinet,

01:13:01and shortly afterwards he repeats it again

01:13:04biting herself with her teeth

01:13:05the veins of the wrist

01:13:08to bleed to death.

01:13:10That leads us to believe,

01:13:11or people are led to believe the police

01:13:13that what he is attempting is suicide.

01:13:15to avoid naming who is behind it.

01:13:17Or that at a given moment

01:13:19I changed my mind and gave it to him.

01:13:21Then you take,

01:13:22What does the police do?

01:13:23or the prison authorities?

01:13:25They capture three of the prisoners,

01:13:26three of the convicts,

01:13:27with more charisma and more respected

01:13:29or the most feared aspects of prison,

01:13:31and they put them in the cell

01:13:32together with Enriqueta,

01:13:33They are cells for four people,

01:13:35and they place them in the shape of a cross.

01:13:37So anyone

01:13:39of those three women,

01:13:40of those three leaders,

01:13:41feared by all the other inmates,

01:13:43They are watching her night and day,

01:13:44and no one can attack her,

01:13:46none of the colleagues,

01:13:47and she cannot harm herself.

01:13:50And he is even forbidden

01:13:51cover it up.

01:13:52sleep with your head covered.

01:13:53Every time he covers his head,

01:13:55one of those cellmates

01:13:57He pulls back the sheet.

01:13:58to prevent him from biting his veins again

01:14:00and die from blood loss.

01:14:01But its dramatic end

01:14:03It remains shrouded in mystery

01:14:05and of hypotheses.

01:14:06The prison authority itself

01:14:10He was watching to make sure nothing happened to him

01:14:12because they knew

01:14:13that there were people involved there.

01:14:16At a certain moment

01:14:18that they couldn't control it,

01:14:19women,

01:14:21paid for by someone,

01:14:22they rush towards her

01:14:24and they kill her.

01:14:26Today,

01:14:27almost a century has passed,

01:14:29Nobody wants to remember

01:14:30the name Enriqueta Martí

01:14:32in the Raval neighborhood.

01:14:34His only memory

01:14:35The blind kept it.

01:14:36Those who in their little songs

01:14:38and for decades

01:14:39the crimes were sung about

01:14:41of this vampire.

01:14:43Real Crimes

01:14:44that they filled with darkness

01:14:46the nights of an entire generation.

01:14:54Unfortunately,

01:14:55names and terms

01:14:56as dark as

01:14:57fat extractor,

01:14:58uncle butter maker

01:14:59or even the boogeyman

01:15:01They are not typical of stories,

01:15:03These are not fantasies,

01:15:04They are not nightmares

01:15:05that have flooded

01:15:06the nights of thousands of people,

01:15:08no no,

01:15:08Not at all.

01:15:09They are names,

01:15:09surnames

01:15:10and real-life stories.

01:15:12For example,

01:15:13fat extractor,

01:15:14the one that gives rise to that term

01:15:15is this individual,

01:15:17Díaz de Garallo,

01:15:17the fat-snatcher of Vitoria,

01:15:18Right, Carmen Porter?

01:15:20Indeed,

01:15:20Iker,

01:15:21This is Juan Díaz de Garallo,

01:15:22one of the killers

01:15:23in the most important series

01:15:24of our country.

01:15:26Confessed,

01:15:27said he had murdered

01:15:28to ten women,

01:15:29although it is believed

01:15:30which were many more.

01:15:32I always had

01:15:32the same modus operandi,

01:15:34captured

01:15:35to those women

01:15:36which were normally

01:15:37of low social class

01:15:39or also teenagers

01:15:40to which

01:15:40deceived,

01:15:42He led me to lonely places,

01:15:43there he drowned them

01:15:44with their own hands,

01:15:45once dead,

01:15:46He raped them

01:15:47and then I would open them

01:15:48on channel

01:15:49and pulled out his guts

01:15:50and their butters.

01:15:51From the first crime

01:15:52that this man commits

01:15:53He is starting to become known

01:15:54like the fat snatcher

01:15:56And it's a girl,

01:15:57Look,

01:15:57the one who, without knowing him

01:15:58You're welcome.

01:16:00says,

01:16:00That's the fat-sucker.

01:16:02As a result

01:16:02The police begin to investigate

01:16:04because they didn't have

01:16:04not a single clue

01:16:05and they find him

01:16:06that eventually collapses

01:16:07and confesses.

01:16:08They end up dying

01:16:09in Garrotevil,

01:16:10Iker.

01:16:11Garrotevil,

01:16:12driven by the most celebrated

01:16:13executioner of the time,

01:16:14Gregorio Mayoral,

01:16:15who came from Burgos

01:16:16and he activated it

01:16:18despite the fact that several scientists

01:16:19a committee

01:16:20he asked that he not be executed

01:16:21because of his bestiality,

01:16:23its primitivism,

01:16:24something like that

01:16:25to a modern Neanderthal

01:16:27the chronicles said

01:16:28of that time,

01:16:28could be studied.

01:16:29They ignored him

01:16:30and Garrayo Day

01:16:31He ended up on the gallows.

01:16:34He ended up there too.

01:16:35the character

01:16:36of the following story.

01:16:37Uncle Butter

01:16:38It's almost a motto

01:16:39in Malaga

01:16:40and many people

01:16:41of today

01:16:42They believe it's a myth.

01:16:42No,

01:16:43indeed

01:16:44There was a network of people

01:16:45who gave children's blood

01:16:47to other individuals

01:16:48that they believed

01:16:49that with her

01:16:49They could be cured.

01:16:51Gómez Tobar

01:16:52is one of the examples

01:16:53with that baby face,

01:16:55that person

01:16:55which seems

01:16:56who has never broken a plate

01:16:57and yet

01:16:58executed

01:16:59and ordered

01:16:59a horrendous crime,

01:17:01that of a boy

01:17:01in the Martinete area

01:17:02who was beheaded

01:17:03and whose warm blood

01:17:06was delivered

01:17:06to a person.

01:17:08Before that

01:17:09There were others

01:17:09that seeing

01:17:10the horrible mechanics

01:17:12that he was taking

01:17:12that crime

01:17:13they even decided

01:17:14throw yourself onto the tracks.

01:17:15The great journalist

01:17:16José Manuel Frías

01:17:17researcher from Malaga

01:17:18It reflected that

01:17:19in one of his books

01:17:20a story

01:17:21written in blood

01:17:21and it reflected us

01:17:23also scenes

01:17:23how are you

01:17:24the decapitated head

01:17:25Tellez

01:17:26one of the

01:17:27who tormented themselves

01:17:29believing himself to be

01:17:30practically

01:17:32protagonists

01:17:32of the worst crime

01:17:33that he has met

01:17:33Andalusia.

01:17:34That hot blood

01:17:35that we were talking about

01:17:36It had a recipient

01:17:38Rafael González Braile

01:17:39a bullfighter

01:17:41important at the time

01:17:42that I expected

01:17:43in a horse-drawn carriage

01:17:44in an old carriage

01:17:45and that took

01:17:46the blood practically

01:17:47still boiling

01:17:48of that infant.

01:17:50They believed that this way

01:17:50His illness was cured.

01:17:52And that happened

01:17:52in the middle of the 20th century.

01:17:55And that's it.

01:17:55this journey

01:17:56through the Gallery of Horrors

01:17:57with another character

01:17:58which gave rise

01:17:59to a true myth

01:18:00the Boogeyman

01:18:01Carmen

01:18:02He had first and last names too.

01:18:03The Boogeyman

01:18:03or the Sacamantecas of Gador

01:18:05who was also known

01:18:06Thus, this character

01:18:07to Francisco Leona

01:18:08He practiced as a healer

01:18:10and barber

01:18:12and even he reaches

01:18:13one fine day

01:18:13a man

01:18:14a peasant

01:18:15Francisco Ortega

01:18:16whom they nicknamed

01:18:17the Moor

01:18:18has complained

01:18:19of tuberculosis.

01:18:20He says that's the only way

01:18:21to end that disease

01:18:23is sacrificing

01:18:24to a child

01:18:24that they have to kidnap him

01:18:26that he has to drink

01:18:27his blood still warm

01:18:28and that with the butters

01:18:30that they should take out

01:18:30of his body

01:18:31They have to do

01:18:32poultices

01:18:32so that it heals

01:18:33of that terrible disease

01:18:34tuberculosis.

01:18:35This is how they use

01:18:36to a mentally deficient person

01:18:37of the town

01:18:38this kidnaps

01:18:39to a child

01:18:4010 years old

01:18:41to Bernardo González Parra

01:18:42to which

01:18:43indeed

01:18:44They take him there

01:18:45the farmhouse

01:18:45Saint Patrick

01:18:46They do it there.

01:18:47an incision

01:18:48quite large

01:18:49more than 4 centimeters

01:18:51in one of her armpits

01:18:53as a result of the fact that it is falling

01:18:55the blood

01:18:55They're picking it up

01:18:56in a glass

01:18:57they keep mixing it

01:18:57with sugar

01:18:58and that concoction

01:18:59They're giving it to him.

01:19:00to drink

01:19:00to the afflicted

01:19:02to the farmer

01:19:02afflicted

01:19:03of tuberculosis

01:19:04once

01:19:05the child

01:19:06he's half bled out

01:19:07still alive

01:19:09They decide to open their bodies

01:19:10remove the butter

01:19:11and still

01:19:11These are hot

01:19:12put them on the body

01:19:14by Francisco Ortega

01:19:15a horrible crime

01:19:17Iker

01:19:17that ends

01:19:17with all those involved

01:19:19murdered at Garrotevil

01:19:20except Francisco Leona

01:19:21who dies first

01:19:22that it has been executed

01:19:24a crime that shocked

01:19:25throughout Andalusia

01:19:26And some say

01:19:27that still

01:19:27the old stones

01:19:28from the farmhouse

01:19:29Saint Patrick

01:19:30They continue collecting

01:19:31the lamentations

01:19:31of that child

01:19:32Bernardo González Parra

01:19:34Of course it's a legend

01:19:35but it shows

01:19:36of how people

01:19:36stigmatized

01:19:37a place

01:19:38that he no longer liked

01:19:39a place

01:19:39where it occurred

01:19:40an infamous crime

01:19:41for which they paid

01:19:42those evildoers

01:19:44photographs

01:19:45we have seen

01:19:45of them

01:19:46of those faces

01:19:46which of course

01:19:47They surpass any fiction

01:19:48any character

01:19:49that we have seen

01:19:49in the stories

01:19:50now let's go

01:19:50with other photographs

01:19:51and also

01:19:52with many surprises

01:20:12I'm sure you remember

01:20:14the image

01:20:14of the three girls

01:20:16ghostly

01:20:17ethereal

01:20:17spectral

01:20:18Call it whatever you want

01:20:19that mysteriously

01:20:20appeared

01:20:21in a digital shot

01:20:22of a family

01:20:23from the province of Ávila

01:20:24that had been carried out

01:20:25inside the small

01:20:26cemetery of his town

01:20:28the impact

01:20:28that this story had

01:20:29through the screens

01:20:30of fourth millennium

01:20:31It's been phenomenal

01:20:32we have received

01:20:33a lot of help

01:20:34analysis

01:20:34complementary

01:20:35to those we already had

01:20:36and which we presented here

01:20:37with light and teguigraphs

01:20:39for and against

01:20:39It was a setup.

01:20:40Very well done

01:20:41and it was a setup

01:20:42Well

01:20:42now we have

01:20:43an interesting surprise

01:20:44But first

01:20:45I want you to remember

01:20:46to the author

01:20:46of these photographs

01:20:47to the person

01:20:48that have carried them out

01:20:49for good

01:20:49and for the worse

01:20:50Nacho García

01:20:51He explained it to us like this:

01:20:52him with his camera

01:20:53how he had photographed

01:20:55one night

01:20:55certain sector

01:20:56of that little

01:20:57cemetery

01:20:57and had appeared

01:20:58something

01:20:59we remember it

01:21:02I did it here

01:21:03as about

01:21:03of about 20 photos

01:21:06There was a full one

01:21:07It looked quite

01:21:08but in the photo

01:21:09once seen

01:21:10through the viewfinder

01:21:11from the camera

01:21:11It wasn't visible either.

01:21:12big deal

01:21:15I'm watching

01:21:16the computer

01:21:16and I didn't see either

01:21:17dear

01:21:17initially

01:21:18nothing

01:21:21I sent them

01:21:21to my aunt

01:21:22that she was

01:21:23the one that really

01:21:23saw

01:21:25the thing in question

01:21:26the image

01:21:27that strange

01:21:28that appears

01:21:28that is unknown

01:21:29exactly

01:21:30what is

01:21:31Where do you think

01:21:32that appears

01:21:33more or less

01:21:34attached to the wall?

01:21:35I don't think so

01:21:35that are a little

01:21:36closer

01:21:36right behind

01:21:37of that cross

01:21:38I believe that being

01:21:38a couple of meters

01:21:39of the wall

01:21:40maybe

01:21:42attached to the wall

01:21:43It seems not.

01:21:44He's gone now.

01:21:47we promised them

01:21:48investigate to the very end

01:21:50consequences

01:21:50not to abandon history

01:21:51like we never do

01:21:52with none of the cases

01:21:53that reach this far

01:21:54and we use

01:21:55a search network

01:21:56very broad

01:21:56to try to locate

01:21:57the last piece

01:21:58the possible image

01:21:59that would explain all that

01:22:01And we found it.

01:22:02fortunately

01:22:02Unfortunately

01:22:03Carmen

01:22:03We have found her

01:22:04thanks to a viewer

01:22:05of fourth millennium

01:22:06which sent us

01:22:07an old postcard

01:22:08since she is

01:22:09amateur

01:22:09to collect them

01:22:11we must say

01:22:12that this program

01:22:12has made contact

01:22:13with the author

01:22:14of those photographs

01:22:15with Nacho García

01:22:16and at all times

01:22:17has refused

01:22:18come here

01:22:18to defend oneself

01:22:19given that

01:22:20as you verified

01:22:21This is a setup.

01:22:23It is a photograph

01:22:25ancient

01:22:25taken from a page

01:22:27New Zealand

01:22:27in which you can see

01:22:29perfectly

01:22:29to the three girls

01:22:30of which

01:22:31not even

01:22:31have varied

01:22:32the size

01:22:33to stick it directly

01:22:34in the photo

01:22:35of its cemetery

01:22:36It must also be said

01:22:37that we left out

01:22:38of this whole story

01:22:39of fraud

01:22:40to aunt

01:22:40to the spokesperson

01:22:41of the family

01:22:42García Peña

01:22:43who was here

01:22:44giving us their vision

01:22:45of the facts

01:22:46Isabel García Peña

01:22:47that he knew nothing

01:22:48of this whole crude setup

01:22:49Well

01:22:50I don't know if it's crude.

01:22:51because of course

01:22:51many reports

01:22:52They claimed it was

01:22:53an exceptional production

01:22:54what is demonstrated

01:22:55the thing is

01:22:55They've taken their time

01:22:56in doing it

01:22:57That needs to be said.

01:22:58besides

01:22:58They must have done it

01:22:59according to experts

01:23:00experts

01:23:00that we had here

01:23:02with a certain degree of malice aforethought

01:23:04so that some program

01:23:05television

01:23:05or some program

01:23:06radio

01:23:07echoed it

01:23:08Well, that's how we all learn.

01:23:10but of course

01:23:10It was us

01:23:11those who have taken out

01:23:12those of us who have taken out

01:23:13that image

01:23:14that photograph

01:23:15which demonstrates

01:23:16somehow

01:23:17that this can happen

01:23:18and that today

01:23:19digital technology

01:23:20it reaches limits

01:23:20unexpected

01:23:22now then

01:23:22everyone will stay in their place

01:23:23we promised to resolve

01:23:25the mystery

01:23:25We promised to come

01:23:26to all sources

01:23:27and we haven't stopped

01:23:28And that's what we always do.

01:23:29with all cases

01:23:30However, there are others.

01:23:31Carmen

01:23:31that they left a trail

01:23:32still a mystery

01:23:33No?

01:23:33if there are some

01:23:34which are simple misunderstandings

01:23:35such as the case

01:23:36by Dario of Barcelona

01:23:37that he sent us

01:23:38This curious image

01:23:39taken at the Sagrada Familia

01:23:41from Barcelona

01:23:42I was taking a photograph

01:23:43one of the statues

01:23:44what's on that facade

01:23:46and suddenly

01:23:46when inserting the photographs

01:23:48on the computer

01:23:49realized

01:23:49that there was a face

01:23:51in one of them

01:23:52apparently

01:23:53we appreciate in the torso

01:23:54of that figure

01:23:55of the facade

01:23:56a curious face

01:23:57which probably

01:23:58has formed

01:23:59due to the effect of humidity

01:24:00since they are denoted

01:24:01like two little channels

01:24:02for which surely

01:24:03Let the water flow

01:24:04and thus it has been delimited

01:24:05face formation

01:24:06It's quite curious.

01:24:08Iker

01:24:08because you can see the eyes

01:24:09the nose

01:24:09even as if it were wearing

01:24:11a long beard

01:24:11Well

01:24:12if you have teleplasty

01:24:13What would the experts say?

01:24:14and wise

01:24:15in appearance

01:24:16of this type

01:24:17even if they are optical effects

01:24:18They are very interesting.

01:24:19to analyze them

01:24:20step by step

01:24:21You already know there are two directions

01:24:22already fundamental

01:24:23two ways of contact

01:24:24via email

01:24:25on Cuarto Milenio

01:24:26at4.com

01:24:27and our post office box

01:24:29the 18,189

01:24:30with the postal code

01:24:3228080 Madrid

01:24:34and we

01:24:35We're taking off again

01:24:35with our entire ship

01:24:36full of dreams

01:24:37full of searching

01:24:38full of adventure

01:24:39that

01:24:40to the capture

01:24:40of new stories

01:24:42of new mysteries

01:24:43of authentic new

01:24:43X-Files

01:24:44to investigate them

01:24:46with you

01:24:46They already know

01:24:47are

01:24:47fourth millennium

01:24:48and

01:24:54and

01:24:55and

01:25:23Thank you!

01:25:42Thank you!

Cuarto milenio - 1x20 - Arqueología psíquica - HD 720

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