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00:00:21Music
00:00:23I'm sure that those who live with a pet will understand perfectly.
00:00:28There are times when their strange behaviors are incomprehensible to us humans.
00:00:34For example, waking up in the middle of the night, going to a completely dark spot in the room and starting to
00:00:39bark.
00:00:40Or suddenly freeze like plaster sculptures, staring.
00:00:43As if they were seeing someone who is really there that we cannot perceive.
00:00:47It seems that since ancient times these animals have had a sixth sense that we have been gradually losing.
00:00:53Tonight on Cuarto Milenio we want to learn about Danco's story, a different story.
00:00:57Some thought it was an urban legend, but it's not.
00:01:00This dog, also accustomed to surveillance operations and quite significant attacks in some of those missions,
00:01:08He refused to go up to certain floors or very specific areas of an abandoned hospital called Manuel Lois in Huelva.
00:01:14From this hospital, or at least from residents of that town in Huelva, we received many complaints of alleged [unspecified issues].
00:01:19anomalous phenomena.
00:01:21He was both protagonist and victim.
00:01:23And this will be just one story, because tonight we have many truly intriguing cases.
00:01:29These are them.
00:01:35In the villages of Trescuncos and Osa de la Vega, no one has been able to forget despite the time that has passed.
00:01:41We have traveled back in time to learn about an event that shook a country and that is still shrouded in mystery.
00:01:47mystery.
00:01:47The Cuenca crime.
00:01:50We will also visit a region where the suicide rate by hanging has far exceeded any national average for decades.
00:01:57A place where, for many, madness and ancestral fears end before the mysterious olive tree of death.
00:02:04According to initial analyses, it had a strange composition.
00:02:07But even stranger was the story that accompanied her until her disappearance.
00:02:12The newspaper headlines announced across the entire page that Marte had laid its first stone in Madrid.
00:02:19And of course, as every week, we will see the best photographs that have reached the Cuarto Milenio studio.
00:02:29In this technological age in which we live, suicide remains a great mystery.
00:02:34Experts still don't know why some people decide to end their lives.
00:02:38In ancient times, some cultures believed that suicide was not good.
00:02:42But it is a way of directly abandoning the miseries of this everyday life.
00:02:46For example, Greek and Roman philosophers believed in the possibility of setting the body aside and separating
00:02:52the soul.
00:02:53The Iberians and Celts also committed mass suicide, as seen in examples such as Saguntum and Numantia.
00:02:58With the arrival of Christianity, suicide began to take on truly dramatic overtones.
00:03:02They were abandoned outside of cemeteries.
00:03:05They were not allowed to be buried in a consecrated place.
00:03:09Moreover, places where, for example, there was a hanged man became places of legend, places of ghosts.
00:03:15It was believed that specters roamed those environments.
00:03:18Hanging has always had a special place in the world of true crime.
00:03:23And the data is precisely what's revealing.
00:03:26According to a survey by the National Institute of Statistics, in Spain there is an average of six suicides per 100,000
00:03:32population.
00:03:33The same thing happens more or less in Europe.
00:03:34However, there is a triangle, in a population located between Jaén and Córdoba, where that average rises to
00:03:4226.5.
00:03:44Almost five times more.
00:03:45Many have spoken of the triangle of the dead, of the olive tree of death.
00:03:49And we wanted to know what is happening, the reality of that place.
00:03:52Why do so many people, entire families, sometimes one after another, decide to hang themselves?
00:03:57In such a brutal and, we might say, almost medieval way.
00:04:00Our reporter Francisco Contreras was there to tell the tale.
00:04:28From my family, well, on my husband's side, there are seven.
00:04:33There have been families here who have...
00:04:37But, for the same reason, because of the husband thing and things like that.
00:04:41My cousin, who was the first, was in '93.
00:04:46And my husband almost got pregnant, because he takes him to the meadows and he was three or four months pregnant.
00:04:52joined.
00:04:54There were just two siblings, a big brother and one other.
00:04:58And was it the first?
00:04:59Yeah.
00:05:00The woman was... she was out of her mind.
00:05:03Suicide and the figure of the suicidal person are still surrounded by unknowns for science.
00:05:11shrouded since ancient times in legends and old superstitions.
00:05:23In Andalusia, specifically in the Cordoba sub-region and the southern mountains of Jaén,
00:05:28in the area where the municipalities of Alcarala Real, Alcaudete, Castillo de Locubín and Frailes are located,
00:05:37For years, there has been the highest number of hangings in all of Spain.
00:05:43In an olive grove one was removed, in the house most have been removed, almost all of them, in their own house.
00:05:50They hang themselves in their own house.
00:05:52In his own house.
00:05:53Most of them at home.
00:05:55That's what we're telling her, because her mother and daughter took it away from her.
00:06:04another grandfather, a broken brother, that's all they've been in the same house.
00:06:09Those who have experienced this here are good people, and they are talking to them and have no problems.
00:06:14a class,
00:06:15They don't have adequate financial resources and that happens, so I don't know what it could be.
00:06:22An anomaly of human behavior that has been repeated since ancient times in these lands
00:06:27and to which many have tried to give an explanation.
00:06:33Among the locals there are different explanations as the cause of the suicides.
00:06:38Water fountains and wells were one of them.
00:06:42They said it was from the water, from a water we have here called Malagüilla.
00:06:46And they say it could be Malagüilla, but we don't believe that, we just don't.
00:06:53We know.
00:06:54And that's what happened here, but it happened in families like that, in that way, but that's it.
00:06:59and maybe they've even drunk less water than we have.
00:07:02In other words, that doesn't mean it's because of the water, because if it were because of the water we wouldn't have met up
00:07:07one alive.
00:07:09Causes that, according to the oldest beliefs, would even originate from unknown forces of nature.
00:07:18People were committing suicide because of some aspect of the walnut trees, but that doesn't hold up either.
00:07:23Well, there were many walnut trees, and the walnut tree was a sturdy tree, and people hanged themselves there.
00:07:28And just as they hanged themselves from an olive tree or a cherry tree, because those trees are abundant here in
00:07:33this territory.
00:07:34Suicide has been both respected and hated by different cultures throughout history.
00:07:39Greeks and Romans accepted it.
00:07:41For the Celts and Iberians it was an act of honor and dignity.
00:07:44Christianity zealously persecuted anyone who dared to take their own life.
00:07:49Not surprisingly, the Catholic Church denied religious services and burial in the cemetery to suicides.
00:07:55who were buried in the so-called Corralillo de los Ahorcados, in the municipal cemeteries.
00:08:02For some scholars, it is significant that in these lands many centuries ago there were certain
00:08:10worship of mysterious gods, such as Hypnos.
00:08:14Hypnos is the son of Nobe or Niobe of the night and twin brother of Thanatos, of death.
00:08:20Their mission was to take us from life to death through a peaceful, painless sleep.
00:08:36And in the shade of the olive trees and in the shadow of the presence of the ancient god Hypnos this occurs
00:08:41This phenomenon is certainly anomalous and surprising.
00:08:44We want to learn more, and we're doing so with forensic psychiatrist José Cabrera. Welcome, good evening.
00:08:49Hello good evening.
00:08:50At first glance, a very curious phenomenon, which does not occur in other parts of Spain and which, we repeat, is five times higher than the
00:08:56Spanish and European average suicide rate.
00:08:59Why? What is your initial diagnosis?
00:09:01The first diagnosis is that it is a very specific rural area, where there is a very ancient culture, which we do not know
00:09:07What is the reason for this?
00:09:09in which everyone has assumed that one way out of this life is suicide.
00:09:12In other words, he is immersed in what people are saying in the report itself.
00:09:17Anyway, we might be able to explain it another way later.
00:09:20For example, the image that our colleague Francisco Contreras referred to in his report,
00:09:24From an olive tree and a hanged man in the middle of nowhere, there are certain symbols there that are quite curious.
00:09:31forensic and psychiatric level, right?
00:09:32Yes, well, what comes to mind, and this has been studied a lot, is when Judas hangs himself, he
00:09:37hangs himself from an olive tree.
00:09:39In a way, the olive tree was the typical tree of the Holy Land, and the olive tree has always had an element
00:09:44holy.
00:09:44Many people have tried to explain this phenomenon, and popular memory, I imagine, resorts to basic elements.
00:09:50It is the water we drink, it is the air we breathe.
00:09:53There are studies, let's say, from this area or others, that indicate that air can modify behaviors, altitude.
00:09:59Let's see, we forensic scientists have all performed autopsies on people who have hanged themselves.
00:10:03And we know, those of us who have done several years of forensic medicine, that when a man commits suicide in the countryside,
00:10:09In the following week or two, more others commit suicide.
00:10:12They are people who were about to make the decision, but they make it when someone from the town of...
00:10:16She has taken it from that side.
00:10:17This is called a suicide epidemic.
00:10:19A suicide epidemic?
00:10:20Yes, that's what it's called; it's called that because it happens systematically.
00:10:23Someone commits suicide in a house, in a town, and in the following week two or three others commit suicide nearby.
00:10:28It's a thing, it's like a contagion, let's say. It's an element of contagion.
00:10:32But I also wanted to say something very interesting, and that is that suicide in Spain is something very old.
00:10:37There are 3,000 people who take their own lives in Spain every year.
00:10:403,000?
00:10:403,000.
00:10:41Of which more than half do not have a psychiatric diagnosis.
00:10:45They are seemingly normal people.
00:10:48One of the witnesses told us that they were normal people, without financial problems, and that suddenly, as if in a
00:10:54A kind of disconnection from reality leads them to make this dramatic decision.
00:10:59Does this always happen? Does it have to be people with problems or people of a certain type, or not?
00:11:03There has been much talk about the cause of suicide, and people watching this will say, no, this...
00:11:08It's not normal for someone to commit suicide.
00:11:09And it's true, it's not normal. Man is the only animal that, as an individual, takes his own life.
00:11:14There is no other case like this in nature because it goes against the species. No species eliminates itself.
00:11:18But in the case of men, yes. Why? Because men are the only ones who have the capacity to
00:11:21freedom.
00:11:21And so, it's not that the person suddenly says, "I'm going to commit suicide." No. It's that this person is
00:11:27muttering about it and one day making the decision.
00:11:30But it's always ancient. There's always something there, preparing for the moment to commit suicide.
00:11:37Is five times more than the rest of Spain or Europe too much? Enough to start thinking about things that
00:11:43Can't we explain?
00:11:43Yes. Five times more suicides in a specific geographic location requires an analysis, first, of the local climate.
00:11:52Because it's known that in places with particular winds there are more suicides. In places with a particular altitude.
00:11:57There are more suicides.
00:11:58And then we have to think about something that is fundamental for a psychiatrist.
00:12:01In certain very specific places, people marry each other a lot.
00:12:06And that's what's called inbreeding. That is, there's little exchange of DNA.
00:12:10And if there is a gene that has something to do with depression, it is transmitted.
00:12:14And then areas are created where there is more depression than in other areas.
00:12:18And that automatically leads to more suicides.
00:12:20Let's try to find an explanation, or at least get closer to one.
00:12:23The doctors in the region, naturally, have been the most, let's say, cautious.
00:12:30They haven't wanted to get carried away, to say that nothing is strange.
00:12:33Because above all, this must be treated with respect.
00:12:35They are people like any other, and the region is also very prosperous.
00:12:37But it is true, it cannot be denied that this happens, that it is there and that the data is absolutely reliable.
00:12:42Let's find out more details.
00:12:44What is happening now.
00:12:45Where have the new studies led?
00:12:51The numbers don't lie.
00:12:53According to the National Institute of Statistics,
00:12:56in the study sample that was analyzed between 1950 and 1999,
00:13:01In this small region, 273 confirmed suicides occurred.
00:13:07Repeated hangings that prompted official action during the past decade.
00:13:13Therefore, in a year, between instruction court number one and instruction court number two,
00:13:17There are probably peak seasons, but I believe they can reach between 40 and 60 cases annually.
00:13:24It depends on the time of year.
00:13:26During the last few years, there have been quite a few research projects carried out
00:13:31to try to resolve the causes that generate this grim behavior.
00:13:37Psychiatrist Antonio Iglesias, along with Dr. Francisco Díaz,
00:13:42They were responsible for the latest field study.
00:13:44The Cuarto Milenio team was able to break the secrecy surrounding this issue
00:13:49and to know firsthand the latest data on the matter.
00:13:54More than 65% of the people who had committed suicide
00:13:57They had never been, or were not at that time, in psychiatric treatment.
00:14:01Which allowed us to think
00:14:04that we could develop some kind of strategy to carry out prevention.
00:14:09Even analysts have not been able to establish a time frame.
00:14:13for this type of self-destructive behavior.
00:14:18The descriptive epidemiological study they carried out
00:14:21He offered no explanation that justified these acts within the region.
00:14:27These are just some hypotheses they are still working on.
00:14:31They try to find some stressful factor, some life stressor
00:14:35that can make a person at a specific moment
00:14:38I came to the conclusion that the way to solve it is by taking my own life.
00:14:43Affective conditions of temporary predominance, learned behaviors.
00:14:48The truth is that thanks to the efforts of these professionals
00:14:51The situation has changed, fortunately.
00:14:59Legend and tradition beat strongly in these Andalusian lands.
00:15:04The neighbors don't like it when people talk about the suicide triangle.
00:15:08or data that does not reflect reality.
00:15:11Let us hope that science, in a future that still seems distant,
00:15:16I managed to explain the enigma and solve it.
00:15:22We must be very careful, and it has always been that way with these issues.
00:15:24where people take their own lives.
00:15:26We have talked about ritual suicides on this program a few times.
00:15:29They will remember the case of the suicides in Terrassa,
00:15:31who threw themselves onto the train tracks in search of contact with another humanity.
00:15:35We've touched on several issues of this kind, but this seems completely different.
00:15:38Furthermore, it seems to have been stuck there for a very long time.
00:15:41because it didn't look bad in any way.
00:15:43The curious thing is that the image of the hanged man on his olive tree, as we said before,
00:15:46It also generates many traditions, many of them malevolent.
00:15:50Since ancient times, the place of the hanged man has been a place where many things happen.
00:15:55At the moment, as we say, doctor, it is an absolutely anomalous case.
00:15:59We even saw references to 50 or 60 cases per year.
00:16:03That's outrageous.
00:16:03You've said something outrageous.
00:16:04Now, the fact that this program is being seen in the area will be positive.
00:16:08because people will wonder, those who are watching it in the village, etc.
00:16:12People will wonder why.
00:16:13Therefore, these minutes that we have spent talking about this topic
00:16:17It is, let's say, prevention.
00:16:20As always, Mr. José Cabrera, thank you very much for your contribution.
00:16:24The olive tree of death, the triangle of the dead,
00:16:26names sometimes derogatory and treatments that have certainly sometimes bordered on the shameful.
00:16:30There's nothing cursed here.
00:16:32What we have is a problem that occurs and that is of interest to human beings.
00:16:35And that's why Cuarto Milenio is interested in it.
00:16:37Why did we decide to take our own lives?
00:16:38Why do people who have no problems suddenly take that step?
00:16:41Furthermore, as José Cabrera said, they have their foot raised and decide that it is the moment.
00:16:46Perhaps one day we will know.
00:16:47Could all this have something to do with the god of hymns and what he did?
00:16:50To take us to the other world in a dream?
00:16:52Who knows?
00:16:53The following protagonist had a kind of strange dream,
00:16:56Alberto San Martín Gómez, a nurse from Madrid,
00:16:59which in the 1950s became the protagonist of an incredible urban legend.
00:17:02What you are going to see, hear, and feel is amazing.
00:17:06and it also shocked an entire country.
00:17:09Today nobody remembers what the space rock was.
00:17:12Alberto San Martín's stone.
00:17:44Look closely at this object.
00:17:47It is a purplish-colored stone about 12 centimeters long
00:17:51and on its surface someone engraved some strange symbols.
00:17:55Signs that were a headache for Madrid society in the 1950s.
00:17:59This outlandish, astonishing story is worthy of legend.
00:18:03or who knows if it's the real mystery,
00:18:06It graced entire front pages like this one of the Alcázar
00:18:09which said Mars lays his first stone in Madrid.
00:18:12How was that possible?
00:18:13We were living in a time of great anticipation regarding space achievements.
00:18:17People believed in Martians, in visits from beings from other worlds.
00:18:20But what happened to the protagonist of this story, Alberto San Martín Gómez?
00:18:24Everything seems to happen on a dark winter night,
00:18:27walking through what were then the suburbs or outskirts of Madrid.
00:18:30And then the impossible, the inexplicable, happened.
00:18:33A strange being, with a gift that they said was from another world.
00:18:42Marte lays its first stone in Madrid.
00:18:45The newspaper El Alcázar opened its edition of February 5, 1955
00:18:49with this extraordinary headline,
00:18:52which was accompanied by statements from a nurse from Madrid,
00:18:56Alberto San Martín Gómez,
00:18:57who claimed to have seen a flying saucer on the La Coruña road.
00:19:01Actually, the events occurred a few months earlier,
00:19:05specifically between 2 and 2:30 in the morning of November 17th.
00:19:11That night, and always according to his testimony,
00:19:13an alien handed him an object
00:19:15which became a kind of talisman
00:19:18for a whole generation of lovers of the unknown.
00:19:22In an initial version, San Martín told reporter Arcadio Vaquero
00:19:26that he had left home in the early hours of the morning
00:19:28to soothe a severe toothache.
00:19:31He headed towards a bridge on the La Coruña road,
00:19:34in the university city, near Velázquez's house.
00:19:37Years later, already in Brazil, where he emigrated,
00:19:41San Martín recounted in his book
00:19:42The ambassador of the stars, a different version of events.
00:19:46So, what he recounted, without changing the date,
00:19:49It was that he had been suffering from a kind of recurring nightmare,
00:19:53in which he had something like dreamlike visions
00:19:57of a kind of city with somewhat strange domes,
00:20:03and that he began to hear during those daydreams
00:20:08like a kind of voice that was calling out to him, to San Martín himself,
00:20:12who called him.
00:20:13Alberto San Martín felt an impulse to leave his house
00:20:16and search for the origin of that strange voice.
00:20:20He walked through open fields and vacant lots.
00:20:21of what was then the outskirts of the capital.
00:20:28But someone appeared on the side of the road.
00:20:42The nurse's encounter with that strange man
00:20:45It happened without any words being spoken.
00:20:53And after a short wait,
00:20:55the nurse had in his hands
00:20:56an object shaped like a small brick.
00:21:05To understand what really happened,
00:21:07It is necessary to travel back in time to Madrid in the 1950s.
00:21:11and learn about the history of the first Spanish society
00:21:14who dedicated himself to the study of what was then known
00:21:16like flying saucers.
00:21:18Its mysterious president was named Fernando Sesma.
00:21:23Cuarto Milenio located one of the last survivors
00:21:26from that period of almost clandestine encounters.
00:21:29Perhaps the first female scholar of ufology in Spain,
00:21:32Gilde Menzel,
00:21:33as well as founder of the Society of Friends of Visitors
00:21:36from Space, Buru,
00:21:37and witness to those amazing meetings
00:21:39which were attended by intellectuals such as Abuelo Vallejo
00:21:42or Alfonso Paso.
00:21:43Once Fernando arrived,
00:21:45at the start of the meeting,
00:21:49He says, look at what happened that night.
00:21:53My wife has woken up
00:21:56And it has woken me up,
00:21:59He told me,
00:22:00Look what I just dreamt,
00:22:03that I was in the university city
00:22:07and then suddenly I saw some luminous discs
00:22:15that looked like mother-of-pearl.
00:22:19and then,
00:22:21He says, one got off near me
00:22:24And out came a man, shining like mother-of-pearl
00:22:29and so he made a move
00:22:34breaking off a piece of the UFO
00:22:36and he gave it to her in her hand
00:22:40and says,
00:22:40With that you have the first stone of the first door.
00:22:44And then she woke up.
00:22:47Fernando Sesma,
00:22:48in later publications,
00:22:50both in newspaper articles and in his books,
00:22:54He always mentioned that his wife's dream
00:22:56It had happened before it came out in the press,
00:23:00in the Alcázar,
00:23:00The story of Alberto San Martín.
00:23:02One way or another,
00:23:03Today it is very difficult to know
00:23:04if it coincided exactly with that same day
00:23:07of November 17, 1954
00:23:09or with another date soon.
00:23:10Oh well,
00:23:11The truth is that Sesma
00:23:12It had that added interest
00:23:14to see if there was any truth to it
00:23:15And what else could be hidden?
00:23:19following the story of the Madrid nurse.
00:23:21Gil de Menzel
00:23:21and other researchers of the time
00:23:24They interpreted the space stone as
00:23:26It was the definitive proof
00:23:27that extraterrestrials existed
00:23:29and that they were not a product of the imagination
00:23:31of some unbalanced people
00:23:33or of mythomaniacs.
00:23:35What they didn't know
00:23:36It's the surprises
00:23:37They had only just begun.
00:23:39around that enigmatic object.
00:23:47Of course, observing this object
00:23:49and this story
00:23:49with the eyes of the rational and the logical,
00:23:52we can only think
00:23:52that someone played a monumental prank
00:23:54to Alberto San Martín.
00:23:56Perhaps someone who knew
00:23:57that individual
00:23:58I was going to go to the press
00:23:59teaching this,
00:24:01causing a series
00:24:02of important reactions
00:24:04in the first groups
00:24:05of researchers
00:24:06that they already thought
00:24:07that UFOs existed.
00:24:09Was there a complex system
00:24:11of sociological study
00:24:12in Franco's Spain?
00:24:13Who knows?
00:24:14Pablo Villarrubia,
00:24:15our colleague,
00:24:15This story has continued.
00:24:16Pablo, good evening.
00:24:17Good evening, yes.
00:24:18There were several analyses, Pablo.
00:24:19Several analyses of this stone
00:24:20which caused a lot of controversy
00:24:22in the press
00:24:23because nobody knew exactly
00:24:24what it was made of.
00:24:25Yes, one of the analyses
00:24:26which is perhaps
00:24:27with more curious results
00:24:28It is the one that was made
00:24:30in the United States,
00:24:31Sorry, in Germany,
00:24:32in Wiesbaden.
00:24:32There, a laboratory,
00:24:34specialists, chemists,
00:24:35They discover that there are
00:24:37large quantities
00:24:37or at least
00:24:38considerable amounts
00:24:39of zirconium,
00:24:40a rare metal,
00:24:41very strange,
00:24:42from the same family
00:24:42titanium
00:24:43on this stone.
00:24:44What's happening
00:24:45And why Alberto San Martín
00:24:46He is a nurse
00:24:46who looks convulsed
00:24:47because of that story,
00:24:49that the dream,
00:24:49that fiction
00:24:50or that reality
00:24:50And is he traveling to Brazil?
00:24:52In addition, Pablo traveled,
00:24:53believe,
00:24:53because I had
00:24:54the conviction
00:24:55that I was going to find
00:24:56new keys
00:24:57to decipher
00:24:58his strange gift
00:24:59from space.
00:25:00Let's get to know
00:25:00the second part
00:25:01of history
00:25:02of the alleged
00:25:03stone of the cosmos.
00:25:04The space stone
00:25:05from the nurse
00:25:06Alberto San Martín
00:25:07it transformed
00:25:08in a short time
00:25:09in a powerful
00:25:09catalyst
00:25:10of concerns
00:25:11and wills
00:25:11among the few
00:25:13scholars
00:25:13of that time.
00:25:14Many people
00:25:15they began to come
00:25:17to Café León,
00:25:18specifically
00:25:19to the basement
00:25:20of the Happy Whale,
00:25:21to listen
00:25:22to Fernando Sesma,
00:25:23to San Martín
00:25:24and other members
00:25:25del Buru,
00:25:26men who looked
00:25:27to have knowledge
00:25:28special.
00:25:31In the basement
00:25:32from Café León
00:25:32they met
00:25:33around
00:25:34to the call
00:25:34Space Stone.
00:25:36The expectation
00:25:37There was so much
00:25:37to know its origin
00:25:38which ended up being
00:25:39subjected to analysis
00:25:40basics
00:25:40By Pedro García
00:25:42Bayón Campomanes,
00:25:43renowned professor
00:25:44of mineralogy
00:25:45of the University
00:25:46from Madrid.
00:25:47Because also
00:25:48the stone,
00:25:49then the teacher
00:25:50I think Campomanes
00:25:51He's the one who analyzed it.
00:25:53and saw that he couldn't
00:25:56to be made
00:25:57as a joke.
00:25:58Besides,
00:25:59when they delivered
00:26:00the stone
00:26:01It was the color
00:26:01of the dawn,
00:26:02As Fernando said,
00:26:04It was violet.
00:26:07And with time
00:26:08It turned black.
00:26:10Already when
00:26:11San Martín
00:26:12He went to Brazil
00:26:13It already looked like chocolate.
00:26:16But if it was cut
00:26:17a bit
00:26:18inside
00:26:18it was still visible
00:26:19the purple one.
00:26:20Well then
00:26:21the analysis
00:26:22that he carried out
00:26:23the doctor
00:26:24Bayón Campomanes
00:26:26He gave analysis
00:26:28chemical
00:26:28resulted
00:26:29well, a composition
00:26:31certainly
00:26:31contradictory.
00:26:32I mean,
00:26:33it seems that
00:26:33as if he were commenting
00:26:35that the stone
00:26:37It lacked salts
00:26:38in principle
00:26:39in its composition
00:26:40but that
00:26:42instead
00:26:43to taste
00:26:44Well, it seems that
00:26:45had a certain
00:26:45salty taste.
00:26:46About strangers
00:26:47nine symbols
00:26:48that appeared
00:26:49engravings in stone
00:26:50Much was said
00:26:51and much was written.
00:26:53The same Sesma
00:26:53I was comparing the proportions
00:26:55of the stone
00:26:56with that of the Great Pyramid
00:26:57of Egypt
00:26:57and with elements
00:26:58Kabbalistic
00:26:59and biblical.
00:27:01Academics
00:27:01like Joaquín Navasquez
00:27:03Museum director
00:27:04Archaeological Museum of Madrid
00:27:05I was comparing the signs
00:27:06with those of the old
00:27:07cultures of the past.
00:27:09For Gil de Menzel
00:27:10the symbols
00:27:11they formed the silhouette
00:27:12of a woman
00:27:13expression of life
00:27:14and fertility.
00:27:16It was also said
00:27:17that the stone
00:27:18It came from Mars
00:27:19or even
00:27:19of Saturn.
00:27:22Before
00:27:23San Martín
00:27:23embarked as an emigrant
00:27:25towards Brazil
00:27:25in 1956
00:27:27Fernando Sesma
00:27:29suspected
00:27:30of its history.
00:27:31Both he
00:27:32like Gil de Menzel
00:27:33They listened in astonishment
00:27:34the confession
00:27:35from the nurse.
00:27:36and then
00:27:37he told
00:27:39what had happened
00:27:41really.
00:27:42Says
00:27:42I came
00:27:43of a fun
00:27:45with my girlfriend
00:27:46and left her
00:27:47in Arguelles
00:27:49and lost
00:27:51knowledge
00:27:52and suddenly
00:27:53awoke
00:27:54and was
00:27:55On Bridge
00:27:56of the city
00:27:58university
00:28:00and had
00:28:01a stone
00:28:02in the hand
00:28:03and not
00:28:03He didn't know
00:28:04how had it come to him
00:28:07and then
00:28:08it was invented
00:28:09that he had
00:28:10given a man
00:28:11And that's it.
00:28:13Even if there had been
00:28:13confessed in private
00:28:15San Martín
00:28:15He continued telling
00:28:16that the stone
00:28:17It was a gift
00:28:18of that kind
00:28:19extraterrestrial.
00:28:20The nurse
00:28:21He died in Sao Paulo
00:28:22Brazil
00:28:23in 1982
00:28:25perhaps
00:28:26without really knowing
00:28:27how that
00:28:28unsettling stone
00:28:29it reached his hands
00:28:30without knowing
00:28:31How far
00:28:32had invented
00:28:33or not its history
00:28:34without suspecting
00:28:35that a dramatic death
00:28:37He was waiting for him
00:28:38on the way back
00:28:38from the corner.
00:28:46Calcium, silicon,
00:28:48magnesium,
00:28:48silver,
00:28:49corundum,
00:28:50silica
00:28:51This is one
00:28:52from the analyses
00:28:52carried out
00:28:53to the mysterious
00:28:54stone
00:28:54by Alberto San Martín
00:28:55Come.
00:28:56Of course
00:28:57that science
00:28:57has shown
00:28:58that there are no inhabitants
00:28:59at least with that
00:29:00anthropomorphic appearance
00:29:01humanoid
00:29:01on Mars
00:29:02not even on Saturn
00:29:03nor in the solar system.
00:29:04Therefore,
00:29:05Who was hiding?
00:29:05What was behind this gigantic prank?
00:29:07Was it a joke?
00:29:08Did he really intend something?
00:29:09We are talking about turbulent times.
00:29:11Perhaps the most shocking
00:29:12is to know
00:29:12what happened to him
00:29:13to Alberto San Martín.
00:29:14First he goes to Brazil
00:29:15for a very specific reason.
00:29:16I went on an expedition.
00:29:17I believed that the origin
00:29:18of beings
00:29:19who gave him this stone
00:29:20if it was them
00:29:21They were there.
00:29:23He believed
00:29:23when he arrives in Brazil
00:29:24a little while later
00:29:26barely knowing the country
00:29:27He organized an expedition
00:29:29organized an expedition
00:29:30to Mato Grosso
00:29:30Mato Grosso
00:29:31the jungle heart
00:29:32from Brazil
00:29:33where I believed
00:29:34firmly
00:29:35that he was going to find himself there
00:29:36an extraterrestrial base.
00:29:37Where have they been lost?
00:29:38also extremely important
00:29:39explorers
00:29:40throughout the centuries
00:29:40in Mato Grosso.
00:29:41Like Colonel Fawcett
00:29:42in 1925
00:29:43exploring those lands
00:29:45It was already being talked about
00:29:45of lost cities
00:29:46It was also discussed
00:29:47of UFO sightings
00:29:48long before
00:29:49that San Martín
00:29:50I will comment on this
00:29:50In a place
00:29:51quite enigmatic.
00:29:52And he was a nurse
00:29:53it's getting back on its feet
00:29:54a river one month
00:29:55in that area.
00:29:56The Green River
00:29:56in that region
00:29:57just next
00:29:58where Fawcett had disappeared
00:30:00And there it was
00:30:01he let's say
00:30:01I believed
00:30:02firmly find
00:30:03those vestiges.
00:30:04He saw nothing
00:30:05however
00:30:06a short time later
00:30:07Yes, that's what he saw.
00:30:08photographed
00:30:08according to him
00:30:09an object
00:30:10unidentified
00:30:11in São Paulo
00:30:12on the periphery
00:30:13of the city
00:30:14He took several photos
00:30:15that were published
00:30:16in his first book
00:30:18The ambassador of the stars
00:30:19there in Brazil
00:30:20San Martín had
00:30:22as happened to him
00:30:23to many of these people
00:30:24fantasy product
00:30:25or not
00:30:26he believed he was being watched
00:30:27very closely
00:30:28his death
00:30:29It remains a mystery
00:30:30the truth is that
00:30:31San Martín died
00:30:33December 82
00:30:34He was going to make a purchase
00:30:36with his wife
00:30:37Raisin
00:30:38with which
00:30:38I was able to interview myself
00:30:39and she was telling her
00:30:41who was returning
00:30:42then to his house
00:30:42when he suffered
00:30:43let's say
00:30:44intense pain
00:30:45I had a pain
00:30:45from the stomach rumbling
00:30:46He grabbed the car
00:30:48he was driving
00:30:49He hit himself
00:30:50against a post
00:30:52He collapsed
00:30:52about the steering wheel
00:30:53They took her to the hospital
00:30:54and died
00:30:56after a few days
00:30:57of a brain aneurysm
00:30:58it is believed
00:30:59Biller
00:31:00I believed
00:31:01which possibly
00:31:02they had cut him off
00:31:02the brakes
00:31:03the cables
00:31:03of the brakes
00:31:04of the car
00:31:05or some problem
00:31:06in the car
00:31:07they had altered it
00:31:08and that this would have caused
00:31:10likely
00:31:11or accelerated
00:31:11death
00:31:12of San Martín
00:31:13And so this story ends
00:31:15the story
00:31:16from the space stone
00:31:17of this object
00:31:17especially
00:31:18the important thing
00:31:19He had a seizure
00:31:19to a society
00:31:20that met
00:31:21around her
00:31:22There were people there.
00:31:23as
00:31:23apart from commissioners
00:31:24police
00:31:25or personal
00:31:25from the American embassy
00:31:26the great
00:31:27Buero Vallejo
00:31:28Alfonso Paso
00:31:29figures who felt
00:31:30hypnotized too
00:31:31for this object
00:31:32that disappeared
00:31:33what did not disappear
00:31:34It is this man's faith
00:31:35in its discovery
00:31:36we could end
00:31:37with his only words
00:31:38regarding the meaning
00:31:39according to the one who had it
00:31:40from this space stone
00:31:41definitely
00:31:42also because San Martín
00:31:44He philosophized about that stone
00:31:45throughout his life
00:31:46And his wife told me
00:31:47that he died
00:31:48believing it wholeheartedly
00:31:50that stone
00:31:50it came from space
00:31:51and he commented
00:31:52in his book
00:31:53one of his books
00:31:53I said that the stone
00:31:54constitutes
00:31:55a message
00:31:55of civilizations
00:31:56from other worlds
00:31:57these messages
00:31:58they are being delivered
00:31:59for thousands of years
00:32:01including
00:32:02origin
00:32:03to the alphabets
00:32:04known today
00:32:05the day they harmonize
00:32:06all these symbols
00:32:08it will be possible to clarify
00:32:09definitely
00:32:10the big message
00:32:11that more than once
00:32:12It has not been sent
00:32:13from space
00:32:14and so
00:32:15at least for the time being
00:32:16The story ends
00:32:17by Alberto San Martín Cómez
00:32:18and its enigmatic
00:32:19space stone
00:32:20that one that according to the press
00:32:21from the 1950s
00:32:22Mars put
00:32:23about Madrid
00:32:24no more, no less
00:32:24Pablo, as always.
00:32:25a pleasure
00:32:25thanks a lot
00:32:26thanks to you
00:32:27And now we're leaving.
00:32:28with other topics
00:32:28or with other images
00:32:30There are images of the stone
00:32:31There certainly isn't one
00:32:32of that strange individual
00:32:34that granted it
00:32:34to the nurse
00:32:36It would certainly be
00:32:36a very interesting photo
00:32:37almost as much
00:32:38like the ones they send
00:32:39every week
00:32:40the friends
00:32:40from Fourth Millennium
00:33:00This week's photos
00:33:01They open with a face
00:33:03a strange face
00:33:04and madness
00:33:04Carmen Porter
00:33:05good night
00:33:05Good evening Iker
00:33:06a face that sent us
00:33:08Antonio Muñoz
00:33:08Savior
00:33:09He told us it was taken
00:33:10nothing more and nothing less
00:33:11that in Toronto
00:33:12at the CN Tower
00:33:15of this town
00:33:16apparently Iker
00:33:17Well, look
00:33:18They are becoming a family
00:33:19a photograph
00:33:20He says they're on top
00:33:21and suddenly
00:33:22They captured this image
00:33:23a smile
00:33:24a broad smile
00:33:25and looking up at the sky
00:33:26What would that be?
00:33:27well
00:33:28now Guillermo León
00:33:28as usual
00:33:29has been diving
00:33:30in the files
00:33:31internet
00:33:32and apparently
00:33:33well in that tower
00:33:34There is no sign
00:33:36advertising
00:33:36on its exterior
00:33:37but in its vicinity
00:33:40there is a species
00:33:40glass-enclosed walkway
00:33:42that saves the passage
00:33:43on a railway corridor
00:33:44And that's where we've found it
00:33:46Iker
00:33:46that sign
00:33:47which refers
00:33:48to the tower
00:33:49is looking
00:33:49towards the tower
00:33:50that's why
00:33:50Here we see that character
00:33:52advertising
00:33:53looking up at the sky
00:33:54and the following image
00:33:56Carmen is taking us there.
00:33:56to the depths
00:33:58we're going to the depths
00:34:00of the Oceanographic
00:34:01from Valencia
00:34:02there two years ago
00:34:03Olga Rodríguez
00:34:04captured this curious image
00:34:06in Iker
00:34:06were
00:34:07in this immense
00:34:08and a beautiful aquarium
00:34:09watching the animals
00:34:10watching the fish
00:34:11and while taking one of the shots
00:34:14They obtained a photograph
00:34:15that they say
00:34:16which is unsettling
00:34:17because they say they see
00:34:18to a person
00:34:19the truth
00:34:19after analyzing it
00:34:21we have arrived
00:34:22at the conclusion
00:34:22that without a doubt
00:34:23we met
00:34:23with some element
00:34:25decorative
00:34:25from the aquarium
00:34:26It looks like some kind
00:34:27diver
00:34:28with a suit
00:34:29white
00:34:30on the side
00:34:30precisely from the stay
00:34:31where they are located
00:34:32because also
00:34:32You see people
00:34:33behind
00:34:34that he is witnessing
00:34:35the water show
00:34:37Well, what a show it was!
00:34:39in the year 1910
00:34:40These were the events
00:34:42occurred
00:34:42in Cuenca
00:34:44in two towns
00:34:44specifically
00:34:45of his province
00:34:45a black show
00:34:47and macabre
00:34:47worthy of the paintings
00:34:48Goya's black women
00:34:49a man had died
00:34:51or at least
00:34:51had disappeared
00:34:52And they said that his ghost
00:34:53wandered
00:34:55alerting
00:34:55to many inhabitants
00:34:56from Osa de la Vega
00:34:57and Three Reeds
00:34:58the story of José María Grimaldos
00:34:59the CEPA
00:35:00and the crime in Cuenca
00:35:01It's something that still
00:35:02it overwhelms us
00:35:03Time has passed
00:35:04But the mystery
00:35:05I assure you
00:35:05that is still there
00:35:06Let's get to know him here
00:35:07on Fourth Millennium
00:35:34Subscribe to the channel!
00:35:47I confess that for me
00:35:49at least
00:35:49It is one
00:35:50of the greatest mysteries
00:35:52of planet Earth
00:35:53in a few places
00:35:54one feels overwhelmed
00:35:55by the call
00:35:56of the inexplicable
00:35:56like in Nazca
00:35:57south of Peru
00:35:58Let me explain
00:35:59if one takes a small plane
00:36:00and rises a few meters
00:36:02tall
00:36:04will begin to see
00:36:04that the desert
00:36:05one of the driest
00:36:06of the world
00:36:06it begins to take shape
00:36:07and how to express
00:36:09a different life
00:36:10what's that?
00:36:11Are these signs?
00:36:12Are these signs?
00:36:13of beings from space
00:36:14What was said?
00:36:15Or are they a series of brands?
00:36:17left behind by the inhabitants
00:36:18of that desert
00:36:19two thousand years ago
00:36:19for the gods
00:36:20who came from outside?
00:36:22the truth and the truth
00:36:23is that one can find oneself
00:36:23with images like this
00:36:25This is the astronaut
00:36:26in an area
00:36:27prohibited
00:36:28usually
00:36:29for tourism
00:36:30and that I had the opportunity
00:36:31that I had to visit
00:36:31in 1998
00:36:32aboard that small plane
00:36:34Cessna
00:36:35And thanks to the commander
00:36:37Luis Prieto
00:36:37he could observe
00:36:38that figure
00:36:39so high
00:36:40like a house
00:36:4014 floors
00:36:41that has
00:36:42a kind of helmet
00:36:43round eyes
00:36:45mittens
00:36:45big boots
00:36:46And the question is
00:36:48What the devil
00:36:48I was doing this there
00:36:49two thousand years ago?
00:36:50and above all
00:36:51because those people
00:36:52south of Nazca
00:36:53with a technique
00:36:53still inexplicable
00:36:55It existed for centuries
00:36:56generating figures
00:36:57that they never got to see
00:36:58unless they flew
00:36:59clear
00:36:59the Nazca Desert
00:37:01has hundreds
00:37:01of these figures
00:37:02some measure
00:37:03more than 300 meters
00:37:04There are animals
00:37:05There are birds
00:37:06There are monkeys
00:37:07There are snakes
00:37:07There are fish
00:37:08but also
00:37:09There are strange beings
00:37:09so much so
00:37:10that one of these areas
00:37:11It was called
00:37:12Astronaut Hill
00:37:14all the figures
00:37:14that appeared there
00:37:15permeating the desert
00:37:16They were the same beings
00:37:18this type of beings
00:37:19Now the news
00:37:20return to Nazca
00:37:21It seems there are areas
00:37:22that still haven't been visited
00:37:24areas that when they are
00:37:25overflights
00:37:25from the sky
00:37:27they begin to give
00:37:28new surprises
00:37:29We discussed it in detail.
00:37:30in our news
00:37:53straight lines
00:37:55that leave
00:37:55from some point
00:37:56concrete
00:37:56and they go to another one
00:37:57We don't know either
00:37:58why were they made
00:37:59nor for whom
00:37:59There were theories
00:38:00even that they spoke
00:38:01of tracks
00:38:03for the cars
00:38:03of the gods
00:38:04rather fanciful theories
00:38:06but among them
00:38:07in those grids
00:38:08figures appear
00:38:09new and surprising
00:38:10figures
00:38:10Carmen
00:38:11new ones they have found
00:38:12a group
00:38:13of researchers
00:38:14from the Japanese university
00:38:16from Yamagata
00:38:16apparently Iker
00:38:17among those new lines
00:38:19almost 100 cataloged
00:38:20so far
00:38:21have been found
00:38:22animals
00:38:22also those strange beings
00:38:24that we have been able to see
00:38:25formerly as the astronaut
00:38:26or even the characteristics
00:38:28lines they called tracks
00:38:29landing
00:38:30for alleged ships
00:38:31extraterrestrials
00:38:32Masato Sakai
00:38:33He is the team manager
00:38:34and has assured
00:38:35that the geoglyphs
00:38:36were located
00:38:37thanks to some photographs
00:38:38captured by satellite
00:38:40Experts believe
00:38:41that this discovery
00:38:42will expand knowledge
00:38:43about the Nazca people
00:38:44and it could also increase
00:38:45the listed territory
00:38:46as a world heritage site
00:38:47by UNESCO
00:38:48that until today
00:38:49Iker understands
00:38:50nothing more and nothing less
00:38:50that 450 square kilometers
00:38:52of all that Peruvian desert
00:38:54Incidentally, in that desert
00:38:56There are many more things
00:38:57There is a dark place
00:38:59where there are any
00:38:59in the middle of those lines
00:39:00practically
00:39:01which is called Chauchilla
00:39:02I was able to visit him
00:39:03and wow
00:39:04I got quite a fright.
00:39:06There were still mummies there.
00:39:07from before time
00:39:08of Jesus of Nazareth
00:39:09with her long hair
00:39:10their white skulls
00:39:11his almost sharp teeth
00:39:13in time for the air
00:39:14I'll modify them
00:39:15entire families
00:39:17in their homes
00:39:17the Chauchilla cemetery
00:39:19a place of death
00:39:20and terrifying
00:39:21of death and terror
00:39:22Voodoo also speaks
00:39:23a voodoo that is followed
00:39:24practicing Carmen
00:39:25in Haiti
00:39:25The truth is, yes.
00:39:26in the small village
00:39:28Haitian from Ixu Benad
00:39:29Iker has become
00:39:30during these days
00:39:31at the epicenter
00:39:32of nothing more and nothing less
00:39:33that voodoo rituals
00:39:35for more than 150 years
00:39:37hundreds of people
00:39:38They meet at this place
00:39:39to intervene
00:39:40in the ceremonies
00:39:41initiation into voodoo
00:39:42after invoking during
00:39:43several hours
00:39:44to the spirits
00:39:44men and women
00:39:45that go completely
00:39:47dressed in white
00:39:47They head to the venue
00:39:48spiritual
00:39:49where to the rhythm
00:39:50of the drums
00:39:50the dances begin
00:39:52frantic
00:39:52for three days
00:39:53they remain performing
00:39:54these rituals
00:39:55that complete
00:39:55with the sacrifice
00:39:56of different animals
00:39:57as an offering
00:39:58to the spirits
00:39:59and with a bathroom
00:39:59of purification
00:40:00And that's because Iker
00:40:01voodoo
00:40:02today
00:40:02in Haiti
00:40:03It is religion
00:40:04more massive
00:40:05that is practiced
00:40:06now let's go
00:40:06with a little surprise
00:40:07before our
00:40:08next topic
00:40:09And it has arrived
00:40:10a curious video
00:40:11at least
00:40:11to our newsroom
00:40:12Well, it was just a few hours ago
00:40:13practically
00:40:14the truth
00:40:15Yes
00:40:15through a letter
00:40:17to Aurora
00:40:17and Yaro
00:40:18from Bilbao
00:40:19he sent us
00:40:19this curious
00:40:21shooting
00:40:22in which one sees
00:40:22to her daughter
00:40:23He tells us his name is
00:40:24Arguiñe
00:40:25and that are
00:40:26in the town
00:40:27from Ezcaray
00:40:28apparently the girl
00:40:29as we have seen
00:40:30is approaching
00:40:31to that shop window
00:40:32and suddenly
00:40:32Look at what comes out of it
00:40:34a stranger
00:40:35but it comes out of the shop window
00:40:37from outside
00:40:37Yeah
00:40:38and also
00:40:38It's something
00:40:39that the girl
00:40:39you can see
00:40:40or may feel
00:40:40because as we see
00:40:41he backs away
00:40:42He gets scared
00:40:43and that we are
00:40:44investigating the video
00:40:45Because the truth is
00:40:46It's extremely
00:40:47strange
00:40:48according to our technicians
00:40:50assembly
00:40:50those who perform
00:40:51the reports
00:40:53of fourth millennium
00:40:54It can be done
00:40:55a setup
00:40:56in which a crystal
00:40:57something will come out
00:40:58a species emerges
00:40:59to be transparent
00:41:00in this case
00:41:01It's very strange.
00:41:02because the girl
00:41:03Or she's a very good actress
00:41:04or really
00:41:05He got scared
00:41:06and in this case
00:41:07It seems to be true
00:41:07who has been frightened
00:41:08also Aurora
00:41:09send us all your data
00:41:10send us your phone number
00:41:11that we put
00:41:12in contact with her
00:41:13because there is no trap
00:41:14nor cardboard
00:41:15We have to keep going
00:41:16investigating
00:41:16in these images
00:41:17because really
00:41:18They are very curious
00:41:19and can
00:41:20that it is
00:41:21of a reflection
00:41:22but a reflection
00:41:23that's scary
00:41:23to a girl
00:41:24Well, she's grown up now.
00:41:25We had to ask
00:41:26why were they filming
00:41:28then
00:41:29and in that place
00:41:29It would be the first investigation
00:41:31important
00:41:31but of course
00:41:32You're absolutely right
00:41:33the girl reacts
00:41:34in a way
00:41:35absolutely natural
00:41:36We will investigate this video.
00:41:37like all the ones they send us
00:41:39throughout these weeks
00:41:40He assured them, by the way.
00:41:43that there is a very dark history
00:41:44a sad chronicle
00:41:46but mysterious
00:41:47and also exciting
00:41:48from the point of view
00:41:49from the investigation
00:41:49I meant
00:41:51to those laments
00:41:51to the history of the strain
00:41:52José María Grimaldos
00:41:54It disappeared about 80 years ago.
00:41:56in a town in Cuenca
00:41:57halfway
00:41:58between Osa de la Vega
00:41:59and Three Reeds
00:42:00two small towns
00:42:01that they have not been able to forget
00:42:02despite the time that has passed
00:42:04in this story
00:42:05What are we going to tell you?
00:42:05There is torture.
00:42:06There are innocent people
00:42:07There are failures of the justice system
00:42:09that do not correspond
00:42:10with the truth
00:42:11And there are stories.
00:42:12of daydreams
00:42:12of the dead who return
00:42:14and above all
00:42:15lots of surprises
00:42:18in the province of Cuenca
00:42:20two innocent men
00:42:21They were brutally tortured
00:42:23until they recognized
00:42:24a crime
00:42:25that never existed
00:42:26and they paid a very high price for him
00:42:33the one that would be
00:42:34the judicial error
00:42:35more serious
00:42:36of the history of Spain
00:42:37begins to take shape
00:42:38August 21
00:42:40of 1910
00:42:41in the small town
00:42:42from Cuenca
00:42:43from Osa de la Vega
00:42:44that day
00:42:45José María Grimaldos
00:42:47a pastor
00:42:4828 years old
00:42:49native of Tres Juncos
00:42:50gives notice
00:42:51that he is leaving
00:42:52to the cell
00:42:53within the municipal district
00:42:55from El Pedernoso
00:42:56to take the baths
00:42:57in its medicinal waters
00:42:59Grimaldos
00:43:00the one they call the strain
00:43:02not only because of his short stature
00:43:03one meter and 49 centimeters
00:43:05but also
00:43:06for being something
00:43:07short of understanding
00:43:08He's carrying 25 pesetas on him
00:43:10that has obtained
00:43:11of the sale
00:43:12of some sheep
00:43:13The days go by
00:43:14and the pastor
00:43:15does not return
00:43:16his family
00:43:17she is convinced
00:43:18that he has been murdered
00:43:19to rob him
00:43:20in the vicinity
00:43:21from El Palomar
00:43:22of the Virgin of La Vega
00:43:23did not exist
00:43:24not a single piece of evidence
00:43:25they had simply said
00:43:27that the last people
00:43:29that they had seen
00:43:30to the strain
00:43:31to José María Grimaldos
00:43:34had been
00:43:34the two convicted
00:43:35And that was enough.
00:43:36so that it would open
00:43:38a process
00:43:39the suspicions
00:43:40fall on two colleagues
00:43:41work
00:43:42of Grimaldos
00:43:43the guard
00:43:44Gregorio Valero
00:43:44whom they nickname
00:43:45the Varela
00:43:46and the foreman
00:43:47of the cattle
00:43:47León Sánchez Gascón
00:43:49the one they call
00:43:50pastor
00:43:51both deny
00:43:52to have caused him
00:43:53some evil
00:43:53to El Cepa
00:43:54They say it isn't
00:43:55the first time
00:43:56who is leaving
00:43:56without saying goodbye
00:43:57and they appear confident
00:43:58that it takes
00:43:59or early
00:44:00will appear
00:44:00the judge
00:44:02that instructs
00:44:02the case
00:44:02Mr. Antonio Rodríguez
00:44:04decides to file
00:44:05the cause
00:44:05by not appreciating
00:44:06reasonable indications
00:44:07of crime
00:44:09but on January 13
00:44:10of 1913
00:44:11A new judge arrives
00:44:13to Belmonte
00:44:13Don Emilio
00:44:15by Isasa
00:44:15and Echenique
00:44:16that proposes
00:44:17as a personal challenge
00:44:18to do justice
00:44:19in the crime
00:44:20of the Bear
00:44:21as already
00:44:22he baptized him
00:44:22the popular voice
00:44:24April 2nd
00:44:25It opens again
00:44:26the summary
00:44:26and a few days later
00:44:27Gregory and Leo
00:44:28are arrested
00:44:30the relatives of this
00:44:31by José María
00:44:32that's what it was called
00:44:33They told him to leave.
00:44:35because it's a scandal
00:44:36and even
00:44:38coming one
00:44:39then
00:44:40he was secretary
00:44:40of the city council
00:44:41from Terjunco
00:44:41both in the VAL
00:44:44He came and told her
00:44:45to a woman
00:44:45to his wife
00:44:46I don't know what
00:44:47if they don't study me
00:44:48because he's crazy
00:44:48He said that Cepa
00:44:50I had studied it
00:44:51on the train
00:44:51are wildly
00:44:53tortured
00:44:54to the limit
00:44:54of their forces
00:44:55They grind them up
00:44:56the body beaten
00:44:57they introduce them
00:44:59splinters under the nails
00:45:00even reaching
00:45:01to tear them off
00:45:02from the roots
00:45:02are hanged
00:45:04for hours
00:45:04of their genitals
00:45:05They only eat cod
00:45:07without desalination
00:45:07and they deny them water
00:45:08tired of shouting
00:45:10their innocence
00:45:11They finally surrender
00:45:12in his despair
00:45:14they accuse
00:45:15of the crime
00:45:16each other
00:45:17in prison
00:45:18from Belmonte
00:45:19Sacramento Sanchez
00:45:20of the Ash
00:45:20one of the officials
00:45:22try to avoid
00:45:23that the punishments
00:45:24end life
00:45:25of the prisoners
00:45:26were
00:45:26dusted
00:45:28extremely thin
00:45:29and the back
00:45:31above all
00:45:31They had it
00:45:32raw flesh
00:45:33and from there
00:45:35my father
00:45:35He already took charge
00:45:37of them
00:45:37and said
00:45:38Nobody enters here
00:45:39to mistreat them
00:45:41nor to ask him
00:45:42because
00:45:43while I
00:45:44be in this prison
00:45:45these gentlemen
00:45:46They will be respected
00:45:48the judge
00:45:49meanwhile
00:45:50pressures the woman
00:45:52of Gregory
00:45:52Dolores Varón
00:45:53known as
00:45:54the female
00:45:55that out of fear
00:45:56to have her taken away
00:45:57of his children
00:45:57admits that he heard
00:45:59to Gregory
00:45:59and to say to León
00:46:00that they had buried
00:46:01to Elzepa
00:46:02in the cemetery
00:46:03from Osa
00:46:04willing to do anything
00:46:06thing to stop
00:46:06their suffering
00:46:07Gregory and Leo
00:46:09participate in a
00:46:10reconstruction
00:46:11of the facts
00:46:11which fails
00:46:12since it could not be found
00:46:13the body
00:46:14of the victim
00:46:14in the cemetery
00:46:15they say
00:46:16They say so
00:46:17there in the villages
00:46:17that this boy
00:46:18that Grimaldos
00:46:19visited his mother
00:46:21on some occasion
00:46:22when everyone
00:46:23I thought he was dead
00:46:24and the same mother
00:46:25They called him
00:46:26go away go away
00:46:27of the town
00:46:27and then to the neighbors
00:46:28They called him
00:46:29has appeared to me
00:46:30my son
00:46:31and he told me
00:46:31in dreams
00:46:33that was hidden
00:46:34that was
00:46:36hidden
00:46:37in
00:46:37well there
00:46:38through the countryside
00:46:39they ended up again
00:46:40They were getting up again
00:46:42tombs
00:46:42because it said
00:46:43once upon a time there was
00:46:44in a place
00:46:45others in another
00:46:45then they force them
00:46:47to accept
00:46:47a new version
00:46:48after killing Grimaldos
00:46:50They dismembered him
00:46:52They burned his body
00:46:54they pounded thoroughly
00:46:56your bones
00:46:56and they threw him into the river
00:46:58in the hearing
00:47:00provincial of Cuenca
00:47:01They both declare
00:47:02guilty
00:47:03of the murder
00:47:03from CEPA
00:47:04to avoid
00:47:05the death penalty
00:47:06May 25th
00:47:08of 1918
00:47:09are condemned
00:47:11at 18 years old
00:47:12prison
00:47:12both
00:47:13breathe
00:47:14relieved
00:47:15the beatings
00:47:16have finished
00:47:17But one question
00:47:18it keeps haunting them
00:47:19the head
00:47:20where is
00:47:21CEPA?
00:47:27And where was I?
00:47:28CEPA?
00:47:29Where were they resting?
00:47:30his mortal remains?
00:47:31people
00:47:32she was determined
00:47:33in saying
00:47:33who cried out for justice
00:47:34from the sugarcane fields
00:47:35that was approaching
00:47:36even
00:47:37to some homes
00:47:38that his body
00:47:38It looked fragmented
00:47:39just as
00:47:40They mistreated him
00:47:41until death
00:47:42those two
00:47:42furious killers
00:47:43two people
00:47:44that they were going to fulfill
00:47:45then
00:47:4618 years in prison
00:47:47according to the ruling
00:47:48We are accompanied by
00:47:49to talk
00:47:49of this story
00:47:50dramatic
00:47:50and gruesome
00:47:51our colleague
00:47:53a teacher
00:47:53in the matter
00:47:54of journalism
00:47:54of events
00:47:55and the crime chronicles
00:47:55Paco Pérez Avellán
00:47:56welcome
00:47:57hello good evening
00:47:58author of your latest book
00:47:59Little killers
00:48:00Highly recommended
00:48:01in B editions
00:48:01because he speaks
00:48:03of topics
00:48:03that have part
00:48:04what to see
00:48:05monstrosities
00:48:05that occurred
00:48:06and that are not fiction
00:48:08people
00:48:08Paco
00:48:09I saw the strain
00:48:10in the case
00:48:11that we are talking
00:48:12which is also unknown
00:48:13because indeed
00:48:14This country is a little ignorant
00:48:15what history is
00:48:16of the crimes
00:48:17and therefore
00:48:17He cannot learn from them
00:48:19here it became
00:48:20in a true legend
00:48:21It began with a disappearance
00:48:22which is how they begin
00:48:23so many mysteries
00:48:24of the criminal world
00:48:25and it was taken for granted
00:48:26that the strain was dead
00:48:27so
00:48:27People also started
00:48:28even
00:48:29to believe that he was
00:48:30buried
00:48:30dismembered
00:48:31near his house
00:48:32I heard in the ages
00:48:34how it moved
00:48:35the wind
00:48:36and wanted to hear
00:48:36the voice of the strain
00:48:37It's more
00:48:38some thought
00:48:39that they had seen it
00:48:40those who traveled a little
00:48:41Let us remember that it was a Spain
00:48:42heavy traffic
00:48:44that is to say
00:48:44where the transports
00:48:45in the end
00:48:46were greatly diminished
00:48:47people kept saying
00:48:48if it weren't
00:48:49because I am convinced
00:48:50that he is dead
00:48:50I saw the strain yesterday.
00:48:51I ran into him
00:48:52It was exactly the same.
00:48:54equal
00:48:54Well
00:48:55all of this really
00:48:56It's a mystery
00:48:57and the obsession
00:48:57of an entire town
00:48:58arrived
00:48:58therefore
00:48:59Paco
00:48:59to spread fear
00:49:00in those populations
00:49:01two isolated populations
00:49:031910
00:49:03Province of Cuenca
00:49:05Osa de la Vega
00:49:06and Three Reeds
00:49:06absolutely
00:49:07Let's remember that this
00:49:08We know him well today
00:49:09thanks to the research
00:49:11inter alia
00:49:11by Juan Antonio Porto
00:49:12the university professor
00:49:13Complutense
00:49:14screenwriting and film
00:49:15and later
00:49:16this great movie
00:49:17by Pilar Miró
00:49:17which caused a reaction
00:49:19like a rash
00:49:20throughout Spanish society
00:49:22because it's of that kind
00:49:23of societies
00:49:23who refuse to learn
00:49:25of its history
00:49:25to get to know her thoroughly
00:49:26in such a way
00:49:27that people were horrified
00:49:28in fact
00:49:29The film was banned
00:49:31and the persecuted author
00:49:32It was once again
00:49:33to kill the messenger
00:49:34the crime of Cuenca
00:49:36the drama that became
00:49:37in legend
00:49:38That's how it read
00:49:38the movie poster
00:49:40of this movie
00:49:41by Pilar Miró
00:49:41that in the year 80
00:49:42It was censored
00:49:43the first of democracy
00:49:44so spectacular
00:49:46so terrifying
00:49:47That's what they were saying
00:49:48The story is so strange.
00:49:49of the strain
00:49:49and its disappearance
00:49:50our colleague
00:49:51Paco Pérez Caballero
00:49:52has produced this report
00:49:53and above all
00:49:54and more importantly
00:49:55has traveled again
00:49:56Three Reeds
00:49:56Joisa de la Vega
00:49:57Welcome Paco
00:49:58good night
00:49:58and it is not forgotten
00:50:00this story
00:50:00despite the time
00:50:01elapsed
00:50:02It's impressive.
00:50:03watch people talk
00:50:0480 years old
00:50:05who is talking to you
00:50:06that their grandparents
00:50:07They told them
00:50:07the tremendous story
00:50:08of the Cuenca crime
00:50:09of that mystery
00:50:10that they remember perfectly
00:50:11from those days
00:50:13in which they were looking
00:50:13the strain
00:50:14that to people
00:50:15who saw it
00:50:15through the fields
00:50:16having heard
00:50:17those laments
00:50:18that when the reeds move
00:50:20because it seemed
00:50:21who were coming
00:50:22and that seemed
00:50:22a voice of the stock
00:50:24who cried out for justice
00:50:25They remember perfectly
00:50:26And it's one of the things
00:50:27that has called us the most
00:50:28attention
00:50:28while doing the report
00:50:29We have compiled documents
00:50:30and that we have compiled
00:50:32that sentence
00:50:33in which it is condemned
00:50:34two people
00:50:35which we will see later
00:50:36who are innocent
00:50:36Sentence number 15
00:50:38in which it is condemned
00:50:40to 18 years in prison
00:50:41to Gregory
00:50:42and to León
00:50:43as murderers
00:50:44of the strain
00:50:44The body had not been found
00:50:46The strain had not appeared
00:50:48however
00:50:48There were two criminals
00:50:50and we also have
00:50:50a part
00:50:51from one of the
00:50:53Civil Guards
00:50:53accused
00:50:54in this story
00:50:55of having
00:50:57savagely tortured
00:50:58until they confessed
00:50:59these two
00:50:59poor innocents
00:51:00to León and Gregorio
00:51:01and we see that
00:51:02They were not civil guards
00:51:04especially
00:51:06violent
00:51:06nor vice versa
00:51:07They were very considerate
00:51:08They had no faults
00:51:10in his credit
00:51:10and everyone
00:51:11I thought it was a great deal
00:51:12well, criminalists
00:51:13had solved
00:51:14several crimes
00:51:15important figures of the time
00:51:16and it couldn't be expected
00:51:18so that they had
00:51:18this behavior
00:51:19It must also be said
00:51:20as we have discussed
00:51:21with José Luis Cerbero
00:51:22a forensic expert
00:51:23has clarified for us
00:51:24that even though
00:51:25there is a tendency to point
00:51:26to the Civil Guard
00:51:26who were the ones who did
00:51:27physical torture
00:51:29the one really responsible
00:51:30It was the judge
00:51:31that I wanted to know
00:51:32the truth
00:51:33or his truth
00:51:34of the Cuenca crime
00:51:35at any cost
00:51:35Paco
00:51:36the truth is that
00:51:37it gives the impression
00:51:38that there are things
00:51:40that never end
00:51:40to know it completely
00:51:41those people said
00:51:42that they had seen the strain
00:51:43that they had seen him physically
00:51:44but nobody finished
00:51:46to solve
00:51:46the enigma
00:51:47Several surveys are conducted
00:51:49is obliged
00:51:50to these
00:51:52convicted
00:51:52to end
00:51:53in areas
00:51:54where supposedly
00:51:55he was buried
00:51:56and he wasn't there
00:51:56absolutely nothing
00:51:57Well, desperation.
00:51:58it was such
00:51:58because these men
00:51:59They subdued them
00:52:00among other things
00:52:01on a diet
00:52:01of salted cod
00:52:03and absolute lack
00:52:04water
00:52:05For example
00:52:05They were so desperate
00:52:06that one of them
00:52:07a kind of life began
00:52:08and what I really wanted
00:52:09It was to reach a stream
00:52:10and drink some water
00:52:12that is to say
00:52:12They were treated in such a way
00:52:14with such a third degree
00:52:15in the maximum application
00:52:17that these men
00:52:18They even confessed
00:52:19a fact
00:52:19that they had not brought
00:52:20even to rebuild
00:52:21the search for the body
00:52:23and with their own hands
00:52:24They were scratching at the ground
00:52:25trying to find
00:52:27a body that did not exist
00:52:28This is the grade
00:52:29of despair
00:52:29which can be taken
00:52:30some people
00:52:31when certainly
00:52:32You don't trust the evidence
00:52:33rational indications
00:52:34but simply
00:52:35you want to bring your truth
00:52:36to the truth
00:52:37that we can recognize
00:52:39in history
00:52:39the most curious thing
00:52:40of this story
00:52:40or a curious part as well
00:52:42of this complex story
00:52:44like an old puzzle
00:52:45It's about dreams
00:52:46the visions
00:52:47daydreams
00:52:48many people
00:52:49protagonists
00:52:49from both families
00:52:50both of the accused
00:52:51as well as from CEPA itself
00:52:52They said that in dreams
00:52:53the deceased was speaking to them
00:52:55or I told them
00:52:56where was
00:52:56Paco Pérez Caballero
00:52:57has achieved
00:52:58in an exceptional job
00:53:00to speak again
00:53:00with relatives
00:53:02of those people
00:53:02that they also cannot forget
00:53:03no no
00:53:04It's one of the things
00:53:05that needs to be made clear
00:53:06the crime of Cuenca
00:53:07in that area
00:53:08It has not been forgotten
00:53:09not only has it not been forgotten
00:53:10is perfectly known
00:53:11It's something that impresses.
00:53:11because you talk to older people
00:53:13of advanced age
00:53:14who did not live
00:53:15logically
00:53:16the crime
00:53:17that we are talking
00:53:17of 1910
00:53:18in their flesh
00:53:19but they do remember it
00:53:20from their grandparents
00:53:20or even
00:53:21from more distant relatives
00:53:23and that they remember
00:53:24this mysterious story
00:53:25and they remember
00:53:26fundamentally
00:53:27of those dark spots
00:53:28that never arrived
00:53:29to solve
00:53:30as really
00:53:31What happened to him?
00:53:33to CEPA
00:53:33because
00:53:34a person disappeared
00:53:35It left no trace.
00:53:37however
00:53:38There were indeed some traces
00:53:39because those traces
00:53:40They were not investigated
00:53:41Why these two people
00:53:42innocent
00:53:42They went to jail
00:53:43after so much time
00:53:44Should we really believe
00:53:46that the CEPA
00:53:47I was lost
00:53:48and that nobody could find him
00:53:49Or is there something more behind it?
00:53:51Let's try to find out.
00:53:52Paco
00:53:52in the second part
00:53:53of this report
00:53:54after the commercial
00:53:55before that
00:53:56Paco Pérez Avellano
00:53:57important
00:53:58I have read you many times
00:53:59to speak of marked peoples
00:54:00Then you can tell us.
00:54:01What is that?
00:54:02towns that have not been able to
00:54:04detach
00:54:04of that stigma
00:54:05the stigma
00:54:06in this case
00:54:06of the Cuenca crime
00:54:08in a few minutes
00:54:08We solve the story
00:54:09from CEPA
00:54:10that spectrum
00:54:10that being from another world
00:54:11that appeared
00:54:12crying out for justice
00:54:13the CEPA
00:54:25the CEPA
00:54:30the CEPA
00:54:31the CEPA
00:54:32the CEPA
00:54:52in a few minutes
00:54:54We want to tell you
00:54:55Danco's story
00:54:55a dog that was
00:54:57protagonist
00:54:57of events
00:54:58absolutely inexplicable
00:54:59in an environment
00:55:00truly disturbing
00:55:02the abandoned hospital
00:55:03Manuel Lois
00:55:04from Huelva
00:55:04a story
00:55:05who became
00:55:05in urban legend
00:55:06but we wanted
00:55:07to know the root
00:55:08That's the sense in this.
00:55:09that some animals have
00:55:10and that seem to detect something
00:55:12those of us who have animals
00:55:13company
00:55:13We know that's true.
00:55:14that sometimes see things
00:55:16that we cannot see
00:55:17Danco's story
00:55:18It's going to be well worth it
00:55:19But first
00:55:19we had left
00:55:20on the threshold
00:55:21Never a truer word spoken
00:55:22the explanation
00:55:23about the mysterious
00:55:23Cuenca crime
00:55:24the drama
00:55:25who became
00:55:25in legend
00:55:26the CEPA
00:55:27José María Grimaldos
00:55:28disappeared one day
00:55:29August 1910
00:55:30between Osa de la Vega
00:55:31and Three Reeds
00:55:32her body
00:55:33It's nowhere
00:55:34two men
00:55:34have been tortured
00:55:35and they paid for it
00:55:36but
00:55:37Where is the CEPA?
00:55:39That's the big question
00:55:42February 20th
00:55:43of 1924
00:55:45after benefiting
00:55:46of two pardons
00:55:47Gregory and Leo
00:55:48are released
00:55:50in addition to torture
00:55:52the disappearance
00:55:53from CEPA
00:55:53It has cost them
00:55:5412 years in prison
00:55:56They never were
00:55:57as before
00:55:58They were sorrowful people
00:56:00and had withdrawn
00:56:01even the word
00:56:02They were close friends
00:56:03they had been
00:56:04together for life
00:56:05working
00:56:06and they withdrew their words
00:56:08because one thought
00:56:09who had been the other
00:56:10the one who actually
00:56:11had murdered CEPA
00:56:13and the other
00:56:13to the other
00:56:14And then, of course.
00:56:15which
00:56:16They were already doubting
00:56:18even from themselves
00:56:18They know that their lives
00:56:20They will never return
00:56:21to be like before
00:56:22their neighbors
00:56:23They don't want deals
00:56:24with killers
00:56:26Gregorio waits
00:56:27until nightfall
00:56:28to return to Osa de la Vega
00:56:29and the entrance of León
00:56:31at his family's house
00:56:32in Villa Escusa de Aro
00:56:33It provokes a profound silence.
00:56:36as you know
00:56:36who consider us criminals
00:56:38well to my children
00:56:40nor anyone
00:56:40They don't want to give us jobs
00:56:42and we're getting through it
00:56:43economically
00:56:44very badly
00:56:45very badly
00:56:45and then
00:56:46from that point on
00:56:47My father tells him
00:56:48Well, look
00:56:48Let them come tomorrow
00:56:49your children
00:56:50to work from home
00:56:51And then I, as a kid
00:56:52I asked him
00:56:53to Brother Leo
00:56:54It's true that they nailed him.
00:56:55splinters in the nails
00:56:56and then he would lift
00:56:57the hand
00:56:58and said
00:56:58Oh my son
00:56:59He says, "Look at those shoelaces."
00:57:00I have
00:57:01where they put me
00:57:02the stakes
00:57:02two years later
00:57:03in the parish
00:57:05from Tres Juncos
00:57:05is received
00:57:06a mysterious letter
00:57:07the remittance
00:57:09the priest of Mira
00:57:09a mountain town
00:57:11located at the end
00:57:12more eastern
00:57:13of the province
00:57:13from Cuenca
00:57:14that requests
00:57:15the birth certificate
00:57:16by José María Grimaldos
00:57:18in Strain
00:57:18because this
00:57:19wants to get married
00:57:21the parish priest
00:57:22from Tres Juncos
00:57:23tries to hide
00:57:24the letter
00:57:24to avoid
00:57:25the scandal
00:57:26despite their efforts
00:57:28soon spreads
00:57:29the rumor
00:57:29that the dead
00:57:31He is alive
00:57:32so many years already
00:57:33without leaving
00:57:33and they went to the mill
00:57:35here to a mountain
00:57:36that they call
00:57:36the molar
00:57:37and appeared
00:57:39over there
00:57:40they believed that
00:57:41appeared
00:57:42that came
00:57:43out of this world
00:57:43and it was in
00:57:45chicha and meat
00:57:45It was the same Cepa
00:57:47when the woman
00:57:48of Gregory
00:57:49the female
00:57:49finds out
00:57:50of the news
00:57:51Run and tell her
00:57:53to her husband
00:57:53he tells her
00:57:54Gregory
00:57:56that has appeared
00:57:57the strain
00:57:57Varela is looking at her
00:57:59and with a trembling voice
00:58:00only gets it right
00:58:01to say
00:58:02can be female
00:58:03could be
00:58:04the tears
00:58:06jump out at their eyes
00:58:07when he understands
00:58:08that if Grimaldos
00:58:09He is alive
00:58:09so innocent
00:58:10like him
00:58:11He is your friend Leon
00:58:12the strain
00:58:13after his
00:58:14unexpected resurrection
00:58:16states that he was
00:58:17taking the baths
00:58:18in the cell
00:58:19until the day
00:58:20August 27
00:58:21of 1910
00:58:22after
00:58:23according to his words
00:58:24He had a feeling
00:58:26and left
00:58:26staying to live
00:58:28in sight
00:58:29swears that during
00:58:3016 years old
00:58:31who was missing
00:58:32never heard of
00:58:34of the two men
00:58:35that they were fulfilling
00:58:36conviction
00:58:36for his murder
00:58:47July 10
00:58:49of 1926
00:58:50the supreme court
00:58:52annuls the sentence
00:58:53against Gregorio Valero
00:58:54and León Sánchez
00:58:55ordering
00:58:56that are issued
00:58:57testimonies
00:58:58to exercise
00:58:59the actions
00:58:59against whom
00:59:00proceed
00:59:01because of the mistreatment
00:59:02that they were subjected to
00:59:03the condemned
00:59:04to tear them away
00:59:05the confession
00:59:06of guilt
00:59:07Some say
00:59:08that Judge Isasa
00:59:09he committed suicide
00:59:10at his home in Seville
00:59:11one week later
00:59:13although in the newspapers
00:59:14it was published
00:59:15who died
00:59:15of angina
00:59:16chest
00:59:17the parish priest
00:59:18from Tres Juncos
00:59:18He took his own life
00:59:19throwing
00:59:20to a jar
00:59:21of wine
00:59:21and one of the guards
00:59:22civilians
00:59:23who had tortured
00:59:24to the prisoners
00:59:24he tried to shoot himself
00:59:26in the head
00:59:27although without success
00:59:28when they give it to him
00:59:30the car
00:59:31of indictment
00:59:32and they demand
00:59:32the court order
00:59:34and they demand
00:59:35a bond
00:59:362,000 pesetas
00:59:37in 1932
00:59:39he was then
00:59:41intended
00:59:42in a pole of Toledo
00:59:43which is called
00:59:43the Montalbán polo shirt
00:59:44And yes, he tried.
00:59:46commit suicide
00:59:46I mean
00:59:47an attempt was made
00:59:47to commit suicide
00:59:48with the rifle
00:59:49with the carabiner
00:59:50but when he came
00:59:51the bullet
00:59:52when I noticed
00:59:52that came out
00:59:53because it removed
00:59:54the head
00:59:55and then it shot out
00:59:57with the gun
00:59:57and he got
00:59:58a small scratch
01:00:00that took him
01:00:00to the hospital
01:00:01And that was the end of it.
01:00:02the story
01:00:02of the Cuenca crime
01:00:03the crime of Cuenca
01:00:05It was not a crime
01:00:06But there were two victims.
01:00:08of justice
01:00:09and it didn't happen
01:00:10in the capital
01:00:11but in Osa de la Vega
01:00:13across the Castilian plains
01:00:15It still seems
01:00:16a voice is heard
01:00:17that in the style of a couplet
01:00:18blind man recites
01:00:19parents who have children
01:00:21children you have relatives
01:00:23relatives you have cousins
01:00:26and cousins
01:00:27and cousins
01:00:28that you have a mother-in-law
01:00:30Look at this crime
01:00:32uglier
01:00:32in the province
01:00:33from Cuenca
01:00:34committed
01:00:36two thieves
01:00:37that
01:00:38at eight thirty
01:00:41Look at this crime
01:00:42uglier
01:00:43in the province
01:00:44from Cuenca
01:00:44that's what they were glossing over
01:00:46the blind
01:00:46in its specifications
01:00:48of string
01:00:48as chroniclers
01:00:50from old times
01:00:51they were counting
01:00:52panel by panel
01:00:52the very strange
01:00:53event
01:00:54of the spectrum
01:00:54which then was
01:00:55flesh and blood
01:00:56The strain was alive
01:00:57and two innocents
01:00:59had paid
01:01:00in the most brutal way
01:01:01because of his strange
01:01:02I suspect
01:01:03one day he decided to leave
01:01:04and 10 kilometers away
01:01:05just
01:01:06nobody knew
01:01:07of its existence
01:01:08Paco Pérez Avellán
01:01:09This proves
01:01:10what you were saying earlier
01:01:11a Spain
01:01:12brutally isolated
01:01:1310, 15, 20 kilometers
01:01:15It was another world
01:01:1518 years old
01:01:16and nobody knew
01:01:17that the strain was alive
01:01:17Of course, Iker.
01:01:18but there are also
01:01:19some suspicions
01:01:19that have not been
01:01:21recently
01:01:22still clarified
01:01:23so far
01:01:23that the strain
01:01:24could at some point
01:01:25really know
01:01:26what was happening
01:01:27and their participation
01:01:28in that unjust sentence
01:01:29against two men
01:01:30in such a way
01:01:31that from the moment
01:01:32which he thinks
01:01:33which has something to do with
01:01:34fears it may be
01:01:35punished for it
01:01:36and although it is
01:01:37in the idea
01:01:38Let's assume we've talked.
01:01:39a moment ago
01:01:39that the songs
01:01:40of the blind
01:01:41They took you to all the points
01:01:42it was slow
01:01:43but communication
01:01:44was possible
01:01:45and therefore
01:01:46he was able to find out
01:01:47that due to its disappearance
01:01:49Two men were mourning
01:01:50and paying for so much time
01:01:52in jail
01:01:52so perhaps he chose
01:01:54for keeping quiet
01:01:54in fact
01:01:55There are many suspicions
01:01:56that this man
01:01:57made visits
01:01:58to his people
01:01:58It was said that it was
01:02:00a spectrum
01:02:01It was even said
01:02:02Well
01:02:02And what if it's a ghost?
01:02:03Why did you throw it in?
01:02:04What to eat?
01:02:05So there was
01:02:06some suspicions
01:02:07that were growing
01:02:08throughout the environment
01:02:09from Osa de la Vega
01:02:09from Tres Juncos
01:02:10in knowledge
01:02:11of the town
01:02:12and that never
01:02:12It has just been finalized
01:02:13so far
01:02:14in which it is revealed
01:02:15that the strain is alive
01:02:16appears in mortal flesh
01:02:18and it all begins
01:02:19to become clear
01:02:20Pilar Miró's film
01:02:21that was done
01:02:22about an obsession
01:02:22Professor Porto's
01:02:23that I mentioned earlier
01:02:25and that in the end
01:02:25It was a major turning point.
01:02:27It's a little
01:02:27the lesson that needs to be learned
01:02:28of these things
01:02:29The crime is there
01:02:30so that we
01:02:31Let's draw conclusions.
01:02:32Well, there was a reaction.
01:02:33on the contrary
01:02:33That has never happened before.
01:02:35but of the marked peoples
01:02:36which we also say
01:02:37the people of Cuenca
01:02:38He got very angry
01:02:39contrary to knowing
01:02:40that that can happen
01:02:41naturally
01:02:41in any town
01:02:42anywhere
01:02:43of Spanish geography
01:02:44They took it
01:02:45as a personal affront
01:02:46Light was needed
01:02:47and the stenographer
01:02:48learn from this crime
01:02:49horrible and ugly
01:02:50from the province of Cuenca
01:02:51but that certainly indicates
01:02:53that must be respected
01:02:54the integrity of the human being
01:02:55the presumption of innocence
01:02:57first of all
01:02:58and of course
01:02:58condemning someone
01:02:59with evidence
01:03:00if there is no corpse
01:03:01as in this case
01:03:02very unlikely
01:03:03or it has to be replaced
01:03:04based on other evidence
01:03:05of great solidity
01:03:06or it cannot be carried
01:03:07to the people
01:03:07to torture
01:03:08and to jail
01:03:09Imagine the figure
01:03:11of the strain
01:03:11cutting
01:03:12in the La Mancha countryside
01:03:12in the middle of the night
01:03:13going to some houses
01:03:15for a reason
01:03:15perhaps a secret
01:03:16then many people
01:03:18indeed
01:03:18had seen the dead man
01:03:19one of the things
01:03:21that impresses the most
01:03:21of this report
01:03:22It's the end
01:03:23when people
01:03:24first
01:03:24that priest
01:03:25in the parish priest of Mira
01:03:26He sees that there is a letter
01:03:28of the strain
01:03:29and tries to hide it
01:03:30trying
01:03:31cover up the scandal
01:03:32that was coming
01:03:32but Paco Pérez Caballero
01:03:34what happened next
01:03:35many people
01:03:36saw that the strain
01:03:37He was alive
01:03:37and the guilty parties
01:03:39of those tortures
01:03:39those who did
01:03:41that those two people
01:03:42innocent
01:03:43They will go through hell.
01:03:44What happened to them?
01:03:45really?
01:03:45Has it been thoroughly investigated?
01:03:46has been investigated
01:03:47And it seems there are
01:03:48part of legend
01:03:49It is said that the judge
01:03:50Emilio Isasa
01:03:51He took his own life
01:03:52although the newspapers
01:03:54of the time
01:03:54They do not corroborate it
01:03:55because they say that
01:03:56He really died
01:03:57of angina pectoris
01:03:58But it's true
01:03:59that all the protagonists
01:04:00they ended up in a bad way
01:04:01all those who had
01:04:02what to do with that story
01:04:02They ended badly
01:04:03both the torturers
01:04:04one of them
01:04:04attempted suicide
01:04:05like the judge
01:04:06which was the great
01:04:08driver
01:04:08the great brain
01:04:10of this whole plot
01:04:11to try to solve
01:04:11the crime
01:04:12that had not happened
01:04:13and also
01:04:14of course
01:04:15we need to put
01:04:16the point of attention
01:04:17about the victims
01:04:17I think that
01:04:18Iker
01:04:19we put ourselves in their shoes
01:04:20of these people
01:04:20of these two people
01:04:22Imagine you have
01:04:22to convince
01:04:23to your family
01:04:24more direct
01:04:25to your children
01:04:27to your wife
01:04:28that you are innocent
01:04:30doubts about your friend
01:04:30there comes a time
01:04:31who doubts yourself
01:04:32They come to think
01:04:33if really
01:04:34had committed the crime
01:04:35They start searching
01:04:35the corpse
01:04:36as if it really existed
01:04:38judge
01:04:38priest
01:04:39members of the Civil Guard
01:04:40that tried to put an end
01:04:41to their lives
01:04:42at least according to what he says
01:04:43the data
01:04:43or some part of the legend
01:04:45tormented
01:04:45in light of what they had caused
01:04:47the movie
01:04:48the crime of Cuenca
01:04:49was
01:04:50I repeat
01:04:50the first
01:04:51banned in democracy
01:04:52with a racket
01:04:53that we cannot imagine
01:04:55around the year 80
01:04:56but
01:04:57What became of them?
01:04:58of the two protagonists
01:04:59of the two tortured
01:05:00and that they paid
01:05:0112 years in prison
01:05:02It is important to say
01:05:03that then
01:05:03in the end
01:05:04There was an attempt
01:05:05repair
01:05:05They finished their guard duties
01:05:07of forest ranger
01:05:08in the west park
01:05:09from Madrid
01:05:10those who put
01:05:11among other things
01:05:12fines
01:05:12to the boys
01:05:14that they were already going there
01:05:14to hold intimate gatherings
01:05:17to kiss
01:05:17or whatever
01:05:18the truth
01:05:18It's that these people
01:05:20They were never able to recover
01:05:21from this position
01:05:22of justice
01:05:23above all
01:05:24of the second judge
01:05:24because we must not forget
01:05:25that there was a first judge
01:05:26who filed the cases
01:05:27he saw no reason
01:05:28to continue
01:05:29There was a disappearance
01:05:30inexplicable
01:05:31and simply
01:05:31That's where it all ended.
01:05:32But a second judge came.
01:05:34a judge
01:05:34of these that we could call
01:05:35which I wanted to highlight
01:05:37earn merit
01:05:38for the future
01:05:39in the end
01:05:39a career
01:05:40meteoric and brilliant
01:05:42and that without data
01:05:43without evidence
01:05:44without further ado
01:05:45than brute force
01:05:46carried out
01:05:47an investigation
01:05:48that ended
01:05:49indeed
01:05:49running people over
01:05:51and of course
01:05:52subjugating the whole world
01:05:53to this enormous nightmare
01:05:55But the worst part
01:05:56That's when this movie was made.
01:05:57explodes in the middle
01:05:59of democracy
01:05:59and is vilified
01:06:01They are trying to eliminate her
01:06:03that it is not seen
01:06:04that it is not displayed
01:06:04as really
01:06:06a country
01:06:06who doesn't want to learn
01:06:07of its history
01:06:08that he doesn't want to acknowledge
01:06:09that happened
01:06:10and that something so tremendous
01:06:12may have something to do with
01:06:13in a society
01:06:14that has advanced
01:06:15and that today is democratic
01:06:16Paco Pérez Avellán
01:06:17Paco Pérez Caballero
01:06:18Thank you both so much
01:06:19It has been a pleasure
01:06:20Great job!
01:06:22the nightmare
01:06:23who became
01:06:23in legend
01:06:24the crime of Cuenca
01:06:25a story
01:06:26that in the end
01:06:27It also shows us
01:06:27that people
01:06:28many witnesses
01:06:29They weren't lying
01:06:29were they really seeing
01:06:31to a revived dead person
01:06:32to a spectrum
01:06:33that was approaching
01:06:34to their home
01:06:35and the truth
01:06:36is that everything
01:06:37I had an explanation.
01:06:38much more rational
01:06:39as almost always
01:06:39It usually happens
01:06:40a story
01:06:41that left a mark
01:06:421910
01:06:43But as he told us
01:06:44our colleague
01:06:44Paco Pérez Caballero
01:06:45over there
01:06:46in Osa de la Vega
01:06:47and in Tres Juncos
01:06:48It is still remembered
01:06:50this image
01:06:50this chronicle
01:06:51of an event
01:06:52that never
01:06:53It had to happen
01:07:12and now
01:07:13we take
01:07:14our belongings
01:07:14research
01:07:15and we left
01:07:16heading
01:07:17to another place
01:07:17mysterious
01:07:18distinct
01:07:20in recent weeks
01:07:21we have spoken
01:07:22several times
01:07:22of hospitals
01:07:23abandoned
01:07:24and for many
01:07:24delighted
01:07:25in Spanish geography
01:07:26several are distributed
01:07:27And there are quite a few of them.
01:07:29the testimonies
01:07:29that speak
01:07:30that have happened
01:07:30authentic nights
01:07:31terrifying
01:07:31within them
01:07:33perhaps they remember
01:07:34these images
01:07:34They are from the Hispanic
01:07:35in Guadarrama
01:07:36very close to Madrid
01:07:37appears to be
01:07:38that all people
01:07:38from the mountains
01:07:39there was practically
01:07:41witnessed
01:07:41that things were happening
01:07:42anomalous
01:07:43inside
01:07:44We were there
01:07:45and we collected
01:07:46really
01:07:46the remains
01:07:47of ceremonies
01:07:48that allegedly
01:07:49They could be satanic
01:07:50It was also discussed
01:07:51of strange luminaries
01:07:52and above all
01:07:53of a constant
01:07:53in all these buildings
01:07:54shouting
01:07:55screams
01:07:56many times
01:07:57of woman
01:07:57for many people
01:07:58It gives the impression
01:07:59that the pain
01:07:59that concentrates
01:08:00in a hospital
01:08:01abandoned
01:08:01It's still there
01:08:02He doesn't leave
01:08:03and as a result
01:08:04of this broadcast
01:08:05of this broadcast
01:08:06about the Hispanic
01:08:06from Guadarrama
01:08:07we started receiving
01:08:08in fourth millennium
01:08:09an endless stream of messages
01:08:10many of them
01:08:11curiously
01:08:11They were pointing to a place
01:08:13as if really
01:08:14something happened
01:08:14and we wanted to find out
01:08:16That's why we sent it there
01:08:17to our colleague
01:08:18Gerardo Pelaez
01:08:19Good evening Gerardo
01:08:19Hi Iker
01:08:20good night
01:08:20What site is it
01:08:21in southern Spain?
01:08:22Manuel Lois
01:08:22abandoned hospital
01:08:24in Huelva
01:08:24and it seems that
01:08:25the mystery
01:08:26throughout that area
01:08:27the epicenter
01:08:28He has it
01:08:28in that hospital
01:08:29which is located
01:08:29in the center
01:08:30of the city
01:08:30in the center of Huelva
01:08:32surely
01:08:32Don't be so mysterious
01:08:33like the Hispanic
01:08:34from Guadarrama
01:08:35above all
01:08:36because it is
01:08:36much more modern
01:08:37in image
01:08:39in appearance
01:08:39Wasn't that the aspect?
01:08:40so gruesome
01:08:41which gave, for example
01:08:41there are the walls
01:08:42abandoned by the Hispanic community?
01:08:43indeed
01:08:44It is also located
01:08:45downtown
01:08:46It's quite different.
01:08:47what happens
01:08:47There are so many stories
01:08:49many testimonies
01:08:50above all
01:08:51We went to record
01:08:53two in particular
01:08:53and a lot of them appeared
01:08:54of stories
01:08:55which were terrifying
01:08:56about things
01:08:56that had happened
01:08:57behind the walls
01:08:58by Manuel Lois
01:08:59We'll keep that information in mind.
01:09:00with that name
01:09:00Manuel Lois
01:09:01dozens of testimonies
01:09:03But we wanted to know
01:09:04what was the truth
01:09:05And what about the legend?
01:09:07many people
01:09:08for years
01:09:08They talk about history
01:09:09of some dogs
01:09:10or of a dog
01:09:11who was the protagonist
01:09:12in the recruitment
01:09:13let's say
01:09:13of strange phenomena
01:09:15It's the story of Danco
01:09:16Gerardo
01:09:17Danco's story
01:09:17until recently
01:09:18This dog was
01:09:19unidentified
01:09:20It had no name
01:09:21I had no race
01:09:22nobody knew
01:09:23where was he from
01:09:24which site was he watching
01:09:25well then
01:09:26as a result of the information
01:09:27that we issue
01:09:28regarding the Hispanic
01:09:29a television viewer
01:09:31of fourth millennium
01:09:33he got in touch
01:09:34with the program
01:09:34and gave us
01:09:35the dog's name
01:09:36He was the one who did it
01:09:37the guard with the dog
01:09:38and the event
01:09:39It was terrifying.
01:09:40we wanted to remember
01:09:42the story
01:09:42of that dog Danco
01:09:43which is not a legend
01:09:44It's reality
01:09:45and that suffered
01:09:46the unspeakable
01:09:47in that marked place
01:09:48Manuel Lois
01:09:49in Huelva
01:09:52Danco
01:09:52German Shepherd
01:09:54trained
01:09:54for surveillance
01:09:55with years of experience
01:09:57and according to the guards
01:09:58who were patrolling with him
01:10:00without fear of anything
01:10:01nor anyone
01:10:02until it crossed
01:10:03in his life
01:10:04an abandoned hospital
01:10:05from Huelva
01:10:06Manuel Lois
01:10:14used as a general hospital
01:10:16for years
01:10:17It was closed
01:10:18at the end of '93
01:10:19the state in which
01:10:20the security guards
01:10:22They found it
01:10:22It was deplorable
01:10:23machines and apparatus
01:10:25doctors in perfect
01:10:26abandoned state
01:10:27traces of blood
01:10:29in the operating rooms
01:10:30fetuses and placentas
01:10:31bottled
01:10:32and a leg
01:10:33of a corpse
01:10:34forgotten in the mortuary
01:10:35They were drawing a scenario
01:10:37sordid
01:10:38who joined
01:10:39to the stories
01:10:39about strange noises
01:10:40and appearances
01:10:41that were beginning
01:10:42to extend
01:10:43around the city
01:10:44what they saw
01:10:46the dog
01:10:46and their guards
01:10:47in the long
01:10:48and agonizing
01:10:48surveillance days
01:10:50in the hospital
01:10:50Manuel Lois
01:10:51has become
01:10:53over time
01:10:53in urban legend
01:10:58from a certain time
01:11:01the two
01:11:01or three in the morning
01:11:02the advisor began
01:11:03to work on its own
01:11:06and the dog
01:11:07was approaching
01:11:09Let's see who it was
01:11:11or what was it
01:11:13and of course
01:11:13I couldn't see anything
01:11:14but the dog
01:11:15I would see something
01:11:15and the dog
01:11:17he started running
01:11:18everywhere
01:11:18throughout the hospital
01:11:19and it was already getting lost
01:11:20the dog's trail
01:11:21who or whom
01:11:22I saw Danco
01:11:23when they opened
01:11:24the doors
01:11:24of the elevator
01:11:25why was he leaving
01:11:26fleeing in a frenzy
01:11:28Why did he refuse?
01:11:29to go up to the fourth floor
01:11:30and above all
01:11:31what caused him
01:11:33so much fear
01:11:34precisely
01:11:35at that point
01:11:36I saw something strange
01:11:38or sensed something strange
01:11:39and I didn't want to go in
01:11:39in those plants
01:11:41I can tell you
01:11:41that in those plants
01:11:42the third and the fourth
01:11:43is where they have occurred
01:11:44more deaths
01:11:45here in this hospital
01:11:46and logically
01:11:47There could have been something
01:11:48some impregnation
01:11:50that the animal
01:11:52I had a feeling it
01:11:52the dog's wails
01:11:54they roamed the cold
01:11:55and punished corridors
01:11:56of the building
01:11:57while the stunned
01:11:59security guards
01:11:59They were trying to find
01:12:00an explanation
01:12:01to the behavior
01:12:02of yesteryear
01:12:03fierce animal
01:12:03This didn't take long
01:12:05to arrive
01:12:06a watchman
01:12:07I remember perfectly
01:12:09a scream
01:12:10of woman
01:12:10emerged from nothing
01:12:11a human scream
01:12:12boom
01:12:13with a bang
01:12:14on the walls
01:12:14from the hospital
01:12:15one morning
01:12:16that I went to the restroom
01:12:18and I went with the dog
01:12:19I put it inside
01:12:20because I was scared
01:12:22and while on duty
01:12:23I heard a scream
01:12:26hallucinatory
01:12:26The dog looked at me
01:12:27stuck his tail in
01:12:29between the legs
01:12:29and ran away
01:12:30as time went on
01:12:32time
01:12:32surveillance
01:12:33del lois
01:12:34it was beginning to happen
01:12:35unbearable
01:12:35for guards
01:12:36and dog
01:12:37they were facing off
01:12:38to something
01:12:39that they were not thieves
01:12:40nor hooligans
01:12:41It was something
01:12:42that really
01:12:44it provoked them
01:12:44panic
01:12:45something unknown
01:12:47that was born
01:12:48in the entrails
01:12:49from the hospital
01:12:49and that did not leave
01:12:51to torment them
01:12:51I was with my partner
01:12:52Mario
01:12:53And we were here
01:12:55what the entrance is
01:12:55on the table
01:12:56And I saw what it is
01:12:57at the end of the corridor
01:12:58a shadow
01:12:59I mean Mario
01:13:00Someone has passed by there
01:13:01We ran away
01:13:05We didn't see anything.
01:13:06We couldn't find anyone
01:13:07the story
01:13:08of the German Shepherd
01:13:09It spread like wildfire
01:13:10It even became widespread
01:13:12to other places
01:13:13abandoned
01:13:14from all over Spain
01:13:15but the origin
01:13:16from the rumor
01:13:16on this occasion
01:13:18It was authentic.
01:13:19I was at the switchboard
01:13:21that is there
01:13:21in that window
01:13:22eating a sandwich
01:13:23at 4 pm
01:13:24and I heard heels
01:13:26I peeked out
01:13:27I didn't see anything
01:13:28I went back in
01:13:32I heard heels again
01:13:33I went out again
01:13:35I went back in
01:13:36and the third time
01:13:37I heard the heels
01:13:38I grabbed
01:13:38I left the sandwich
01:13:40and I came out here
01:13:41with the dog
01:13:41Come on, I didn't stay there anymore
01:13:43The animal left this world
01:13:45just a few months ago
01:13:46having seen things
01:13:48than most humans
01:13:50we cannot imagine
01:13:52the famous urban legend
01:13:54of the dog
01:13:54and the abandoned hospital
01:13:56It finally has protagonists
01:13:59Thank you
01:13:59and the hospital
01:14:01Manuel Lois
01:14:11This is an interactive program
01:14:13that moves
01:14:13that's where the mystery happens
01:14:14to check it
01:14:15so
01:14:16We are still open
01:14:17to send us
01:14:18your suggestions
01:14:19around places
01:14:20marked
01:14:20of this type
01:14:21But it's at the Manuel Lois
01:14:22There was also
01:14:23More stories by Gerardo
01:14:24many more stories
01:14:25we collected
01:14:25the testimony
01:14:26Pilar and Mario
01:14:28and we sincerely thought
01:14:30that we weren't going to collect
01:14:31more information
01:14:32more such gruesome stories
01:14:34But there's no doubt about it.
01:14:35many more emerged
01:14:36For example
01:14:36one of the colleagues
01:14:38who filmed these images
01:14:39a camera
01:14:39he told us
01:14:41that a friend of hers
01:14:42also a person
01:14:43who does not tend to believe
01:14:44paranormal things
01:14:46that it hadn't happened to him
01:14:47nothing strange
01:14:48in his life
01:14:48since it's open
01:14:50Manuel Lois
01:14:50He came with his father
01:14:52to see a relative
01:14:53who had had a child
01:14:54that she had given birth
01:14:55up the stairs
01:14:56They found a lady
01:14:57and they stopped to talk to her
01:14:59because he asked them something
01:15:00the lady
01:15:00when they stopped talking to her
01:15:02This girl turned around
01:15:03He turned to his father
01:15:04The father was completely white.
01:15:06and he said
01:15:06what's the matter?
01:15:07says that this person
01:15:08that we just greeted
01:15:09She's your aunt
01:15:10who died here two years ago
01:15:11in Manuel Lois
01:15:13There is another very curious story
01:15:14also
01:15:15from another researcher
01:15:16which was on another occasion
01:15:16also rising
01:15:17in the area
01:15:18where the children were
01:15:19cancer patients
01:15:20There was like a kind
01:15:21playground
01:15:22so that the children
01:15:23well, logically
01:15:25the waves will pass
01:15:26in a more enjoyable way
01:15:28This man
01:15:29when he went upstairs
01:15:30it was found
01:15:31something creaks
01:15:33advanced
01:15:34He also had a flashlight.
01:15:35and in a stay
01:15:36where the playground was
01:15:37focused
01:15:37and there was a swing
01:15:39moving completely alone
01:15:40without having
01:15:41no gust of wind
01:15:42without any windows open
01:15:44and so
01:15:45That's what we always say
01:15:47Of course
01:15:47finding something like that
01:15:48when you go to investigate
01:15:49some strange phenomenon
01:15:51impact
01:15:52I believe that in a way
01:15:53sudden
01:15:54dozens of testimonies
01:15:55of that type
01:15:55which Gerardo has collected
01:15:56and that we are, as I say, in this
01:15:57open to follow
01:15:58analyzing
01:15:59to meet
01:15:59the mystery
01:16:00or reality
01:16:01the solution
01:16:02sometimes
01:16:02much more pragmatic
01:16:03and much more logical
01:16:04But they told us
01:16:05which was a place
01:16:06different in Manuel Lois
01:16:07And we've been there.
01:16:08checking which part
01:16:09of the legend
01:16:09at least part
01:16:10It has the appearance of being real
01:16:12Gerardo
01:16:12thanks a lot
01:16:13Thanks to you, Iker
01:16:13Carmen
01:16:14It seems that history
01:16:15of the dogs
01:16:16and the mystery
01:16:16It certainly is not
01:16:18something good
01:16:19casual
01:16:19not at all
01:16:20I would like them to see
01:16:21this image
01:16:21It's a report
01:16:22a report like this
01:16:24which I show you here as well
01:16:26Ministry of Defense
01:16:27Air Force
01:16:29Operations Division
01:16:30Airspace Service
01:16:31These are official documents
01:16:32of the air operations command
01:16:34in the year 62
01:16:35The investigation began
01:16:36of alleged anomalous events
01:16:38that had to do
01:16:38with the army
01:16:39all cases
01:16:40were declassified
01:16:41minus one
01:16:42the so-called
01:16:43Talavera file
01:16:44you can read
01:16:45that appears
01:16:45humanoid apparition
01:16:46file missing
01:16:47the only one who got lost
01:16:48It's a story
01:16:49in which I have left myself
01:16:51several years of my life
01:16:51investigating
01:16:52of the appearance
01:16:53of the mysterious being
01:16:54in the middle of the night
01:16:55within the perimeter
01:16:56from an air base
01:16:56in Talavera la Real
01:16:57and about three soldiers
01:16:59They fire machine guns
01:17:01in that figure
01:17:01in the same place
01:17:02where precisely
01:17:03since ancient times
01:17:04There was talk of the appearance
01:17:05from a Portuguese woman
01:17:06next to the road
01:17:06of a Portuguese woman who was run over
01:17:08a mixture of legend
01:17:09and of reality
01:17:09which ended up in official reports
01:17:11of the Spanish army
01:17:12well then
01:17:13apart from soldiers
01:17:14Carmen
01:17:14There was a protagonist
01:17:16there's her photo
01:17:17Here it is
01:17:17a German Shepherd
01:17:18called Lion
01:17:19which also
01:17:20He was very well trained
01:17:21and that he had intervened
01:17:23in the capture
01:17:24del lute
01:17:25and the night
01:17:26in which they occur
01:17:27all the facts
01:17:27in 1976
01:17:28at the air base
01:17:30from Talavera
01:17:31it is assembled
01:17:32a jumble
01:17:33tremendous
01:17:34they get there
01:17:35and this brave dog
01:17:36It's the first one
01:17:36into going
01:17:37behind some bushes
01:17:38to see
01:17:39What is that noise?
01:17:40where does it come from
01:17:41a noise
01:17:42that must have affected him
01:17:43a lot
01:17:43to the ears
01:17:44more sensitive
01:17:44of the animals
01:17:45because
01:17:46we must understand
01:17:47that these animals
01:17:48especially the dogs
01:17:49both the sense of smell
01:17:50like the ear
01:17:50have
01:17:52highly specialized
01:17:53and above all
01:17:54if they are trained
01:17:55for that
01:17:55This dog
01:17:57after going in
01:17:58in those bushes
01:17:59It has a characteristic
01:18:00which also
01:18:01in the manual
01:18:01It happens too
01:18:02with one of the dogs
01:18:03of the watchman
01:18:04And that's because the dog
01:18:05He comes out touching his ears
01:18:06as if something
01:18:07would have hurt him
01:18:08as if something
01:18:08it would have affected him
01:18:10to the ears
01:18:10as if an ultrasound
01:18:11or sound from below
01:18:12of our human frequency
01:18:13it bothered them especially
01:18:14indeed
01:18:15And that dog Iker
01:18:16never returns
01:18:17to be the same
01:18:18just like Danco
01:18:18just like Danco
01:18:19There's another story
01:18:20I know you'll like it
01:18:22different
01:18:22but that demonstrate
01:18:23although this is a separate program
01:18:25that the animals
01:18:26They have a sixth sense
01:18:27Do you remember?
01:18:28of the scene
01:18:29that told
01:18:29Pablo Bellarrubia
01:18:30a few weeks ago
01:18:31about Mozart's death
01:18:32the great genius
01:18:33in his car
01:18:34in a coffin
01:18:35and only
01:18:36his dog behind
01:18:37howling
01:18:37something like that
01:18:38It happens in Córdoba
01:18:39They called him
01:18:40the dog of the burials
01:18:41in Fernán Núñez
01:18:43in Córdoba
01:18:43in this town
01:18:44is where it is located
01:18:44the statue
01:18:45And this dog
01:18:45It has a commemorative statue.
01:18:46in the town
01:18:47It has a commemorative statue.
01:18:48And this dog Iker
01:18:49accompanied
01:18:50to all the deceased
01:18:51from the church
01:18:52until burial
01:18:53But that's not all.
01:18:53even people
01:18:54I even came to fear him
01:18:56because?
01:18:57because when
01:18:58some sick person
01:18:59he was at home
01:19:00he would stay for hours
01:19:01waiting for death
01:19:03at the door of the house
01:19:04of that person
01:19:05which indeed
01:19:06hours later
01:19:07Iker died
01:19:08around this dog
01:19:10There is a lot of mystery
01:19:11no one even knows
01:19:11how he gets to the town
01:19:12everything around him
01:19:13It's very mysterious.
01:19:14and above all
01:19:15the sixth sense
01:19:16that he possessed
01:19:17to smell
01:19:18in a certain way
01:19:19as it approached
01:19:20the scythe
01:19:21when he came
01:19:22death
01:19:22to look for someone
01:19:23of the neighbors
01:19:24and not just from the neighbors
01:19:25because people from the town
01:19:26who lived in Barcelona
01:19:27in Córdoba
01:19:28in other locations
01:19:29and died
01:19:30in those towns
01:19:32He was waiting
01:19:33to the hearse
01:19:34I will pass by that road
01:19:36upon entering the town
01:19:37Moor
01:19:38I was already waiting
01:19:39to the hearse
01:19:39to take it
01:19:40to the cemetery
01:19:41to accompany you
01:19:42always the same route
01:19:43from the church
01:19:44to the cemetery
01:19:45even
01:19:46when in the village
01:19:47on the same day
01:19:48were produced
01:19:48two or three deaths
01:19:50He knew perfectly well
01:19:52in what order
01:19:52They were going to be buried
01:19:54of the church
01:19:55to the cemetery
01:19:55from the cemetery
01:19:56I was going to look for him
01:19:57to the house
01:19:57to the next
01:19:58to be buried
01:19:59and so on
01:20:01surprising or not
01:20:02in a town in Córdoba
01:20:04There is a statue
01:20:05dedicated
01:20:05to a dog
01:20:06of the burials
01:20:08Of course
01:20:08I felt something
01:20:09that animal
01:20:09It must also be said
01:20:10Iker
01:20:10as much as
01:20:11in a certain way
01:20:12helped people
01:20:13because everyone
01:20:14I loved him
01:20:15They fed him
01:20:16They even took care of him
01:20:17died
01:20:18well, into hands
01:20:19of some undesirables
01:20:20Because who does this?
01:20:21with animals
01:20:22It has no other name
01:20:23has shoveled
01:20:24in 1983
01:20:26They gave him such a beating
01:20:27to Iker
01:20:27that poor dog
01:20:29died
01:20:29next to a fountain
01:20:30where later
01:20:31They buried him
01:20:32But the thing is
01:20:32The phenomena continued
01:20:34once dead
01:20:34They buried him
01:20:35right next
01:20:36of a wall
01:20:36that had been there
01:20:37built over years
01:20:39and two weeks later
01:20:40of being there
01:20:40buried Moor
01:20:41the wall
01:20:41fell on top of
01:20:42from his tomb
01:20:43It's the story
01:20:44of a Moorish dog
01:20:44Of course
01:20:45a singular character
01:20:46that I remembered
01:20:47in Fernán Núñez
01:20:48Cordova
01:20:49Let's leave now
01:20:50towards another aspect
01:20:51which surely
01:20:52also of interest
01:20:52to the dogs
01:20:53those who can see
01:20:54things that we
01:20:54not even
01:20:55we perceive
01:20:56the photographs
01:20:57of the strange
01:20:57of the mysterious
01:20:58of the enigmatic
01:20:59the photographs
01:21:00of fourth millennium
01:21:20tonight
01:21:21we have referred
01:21:22to the strange story
01:21:22by Alberto San Martín
01:21:23that he thought he had found
01:21:24with one crew member
01:21:25of a flying saucer
01:21:26no more, no less
01:21:27And it seems unbelievable.
01:21:28but these flying saucers
01:21:30supposedly from outer space
01:21:31They keep appearing
01:21:32in digital photographs
01:21:34Carmen
01:21:34digital photographs
01:21:35that on this occasion
01:21:36Paula Salguero sent it to us
01:21:38He told us that his friends
01:21:39last January
01:21:40They were strolling along a beach
01:21:42and that they captured
01:21:42This curious image
01:21:43in which one sees
01:21:44a flying object
01:21:44unidentified
01:21:45They asked us
01:21:46if it was such
01:21:47And of course
01:21:48we have discovered
01:21:48yes
01:21:49which indeed
01:21:49It was a flying object
01:21:51but very identified
01:21:52because it's a setup
01:21:54It's a setup, too.
01:21:55in which we have been told we have tried
01:21:56deceive by erasing
01:21:57ESIF information
01:21:59that which remains
01:22:00just when
01:22:01we take a shot
01:22:03with a digital camera
01:22:04besides
01:22:05they don't know
01:22:05that we have eaten
01:22:06a lot of the head
01:22:07Iker
01:22:07because the comparison
01:22:09It's with the UFO
01:22:10that we already took out
01:22:11in fourth millennium
01:22:12the one that was recorded
01:22:13in Mexico
01:22:13in 1997
01:22:14which of course
01:22:15It was also a fraud
01:22:16the most curious thing
01:22:17of this story
01:22:18It's that same UFO
01:22:19he was the protagonist
01:22:20in Mexico
01:22:21good
01:22:21but also
01:22:22the photograph
01:22:22that a few months ago
01:22:23It was opening
01:22:24news
01:22:25on many national networks
01:22:26obtained by a girl
01:22:27a teenager
01:22:28in Castellón
01:22:29So they haven't had
01:22:30originality
01:22:30not even to copy
01:22:31the flying saucer model
01:22:32however
01:22:33I think the course
01:22:34of things
01:22:34This varies with this photograph.
01:22:35ancient
01:22:36which they usually are
01:22:37more interesting
01:22:38a photograph
01:22:38that he sent us
01:22:39Pascual Parrilla
01:22:40from Navas
01:22:41of San Juan
01:22:41a small village
01:22:42from Jaén
01:22:43says he picked her up
01:22:44at the town hall
01:22:45of this town
01:22:46and that he called
01:22:47powerfully
01:22:47attention
01:22:48And we see
01:22:49like the face
01:22:51of a woman
01:22:51appears precisely
01:22:52on the left side
01:22:53of this photograph
01:22:55from our screens
01:22:56It looks like it's a reception
01:22:57where apparently
01:22:58It was Christmas
01:22:59They're showing a series
01:23:00gifts
01:23:01to the children of the village
01:23:02just as it was done
01:23:03in many locations
01:23:04during the Franco era
01:23:05and suddenly
01:23:06That image appears
01:23:08of a woman
01:23:08What could it be?
01:23:09Well, we're still here.
01:23:11investigating it
01:23:11because we don't have it
01:23:12very light
01:23:13It looks like there's a fabric
01:23:15behind
01:23:15or at least
01:23:16That's the impression.
01:23:16that gives us
01:23:17that face
01:23:18It's something painted
01:23:19on that fabric
01:23:19could be
01:23:20or a doll
01:23:21something that I
01:23:21I don't think so
01:23:22big
01:23:23as we see little figures
01:23:24below
01:23:24It could be a doll
01:23:26largest of its time
01:23:26But it doesn't seem that way to me.
01:23:27Let that be it
01:23:28We will continue investigating
01:23:29in this curious
01:23:30Iker effigy
01:23:31and let's see if anyone
01:23:32from that town
01:23:33It can even recognize
01:23:34there, some of her neighbors
01:23:36For example
01:23:36Well, what if you
01:23:37They are encouraged to continue
01:23:38adding old documents
01:23:39that sometimes have
01:23:40these kinds of surprises
01:23:40They already know
01:23:41two directions
01:23:41two ways of contact
01:23:43via email
01:23:44on Cuarto Milenio
01:23:45at4.com
01:23:46And of course
01:23:47our post office box
01:23:4818189
01:23:50with the postal code
01:23:5228080
01:23:53from Madrid
01:23:53and thanking them
01:23:54especially
01:23:55fidelity
01:23:56that they are having
01:23:57with our program
01:23:58with its program
01:23:59we already
01:24:00We started the turbines
01:24:01we are heading
01:24:02to new, unknown points
01:24:03from space
01:24:04with the promise
01:24:05to return with new enigmas
01:24:06new mysteries
01:24:07They already know
01:24:08are
01:24:08fourth millennium
01:24:37Subscribe to the channel!
01:24:49Thanks for watching the video.
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