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00:01he's young he's fit he's good-looking easy I suppose he is so what's the catch
00:07I hear you ask well I'll tell you jazz it's a bloody racket but if you can put
00:14up with that he's a keeper I don't care for modern music it's the devil's work
00:20if you ask me how did you say you knew each other I was the bar made at
00:28Geordie's old local weren't like Kitsy and of course the drinking will have to
00:36stop I prefer a little bit of music hall myself you know Max Miller Marie Lloyd
00:45and suppose it makes you fat well I don't worry about that cause a little what
00:51you fancy does you good I love jazz have you heard of Sidney Bechet Sidney bloody
01:03Beckett a friend of mine's band is playing some of his pieces on Jesus Green
01:07tomorrow if you'd like to join me I'm afraid I'm busy tomorrow
01:37you came
01:47how are you I thought that everybody hated me
01:59you're awfully kind but I wouldn't want the village thinking you're taking my side over
02:04back there are no sides mrs. Bell
02:08uh-huh
02:12uh-huh
02:14uh-huh
02:20okay
02:26I don't know where Geordie finds these women they're either drunks or nuns
02:31imagine what they're saying about you
02:37well I think it's wonderful that you're out there it's time you found someone for yourself
02:45listen there's a fair mid summer common this weekend I thought we could go to the new Velasquez exhibition
02:49Sidney
02:50Guy's only away for a couple of days I'm saying at home my father will expect to see me at
02:55some point
02:57bring him along you know how much he likes me
03:02mr. Chambers inspector Keating on the telephone hello mrs. McGuire mrs. Hopkins
03:11I'll be in Cambridge later on we can meet for a coffee maybe some Velasquez but it's not too late
03:19mr. Chambers inspector Keating said it was urgent
03:31my god what's happened the body's a mess I think he jumped
03:39so how can I help
03:43valentine lyle
03:4446
03:49suicide
03:49yeah I think so I was hoping you might know him
03:51he was a fellow at Corpus Christi
03:53it's your old college wasn't it
03:56it must have been after my time
04:00reporters say there's a staircase to the roof
04:02then it's hand in foot if he went any higher
04:04it could have been night climbing
04:06we used to do it as students
04:09maybe he fell
04:12blood's dry must have happened in the middle of the night
04:14so if I fell from there I'd be screaming blue murder
04:17the sheer one of this lot would have heard it sooner than that
04:21he didn't scream
04:33I'm sorry this is my husband
04:37no
04:38get off me
04:39no
04:40just stop this
04:51look I'm sorry he's in no condition to be seen
04:55do you understand
04:57I'm sorry
05:09I'm sorry
05:11we were drinking in the maypole until around 10
05:15and then we said goodbye on Sydney street
05:19the first I heard anything was wrong was when
05:21Maya telephoned the college around 2am
05:24we were looking for him all night
05:25well always told me if he was going to be late
05:28and he didn't say anything about going climbing
05:30no
05:31but it was a clear night
05:35that's when you get the best views
05:39he was always doing it
05:41man
05:42don't let go to your room
05:43it'll be up in a moment
05:46vicar
05:48er
05:49yes
05:49thanks
05:54what
05:55sorry
05:56they're menthol filtered
05:57from London
05:57so you were one of his students
05:59no
05:59I'm a linguist
06:00but I am a corpus
06:02we were friends
06:03Val loved Kit
06:04he's part of the family
06:09please
06:13thank you
06:15what is it
06:17not bad
06:19you were in Burma
06:22valentine too
06:23that's where we met
06:26do you think it's possible valentine could have taken his own life
06:30no
06:31no
06:33he was happy
06:34he was fine in the pub
06:36no
06:37no
06:37no
06:37no
06:37no
06:37anything like that
06:37I know this is a lot to take in
06:39we'll do everything we can to get to the bottom of this for you
06:42do you mind if we go through your things
06:51you never talk about Burma
06:56don't you think it's odd that a block could be so tidy
06:58hmm
07:00there's no dirty underwear no loose ends
07:03like it's already been cleaned up
07:04I don't think she's hiding anything
07:07I don't think she's hiding anything
07:08and Bartlett
07:09he cares about Lyle right
07:11yeah
07:12friends
07:14twenty year age gap
07:16you could say the same thing about us
07:18what twenty years
07:19you wish
07:21anyway you're not my type
07:32maybe he's just neat
07:34maybe he's just neat
07:49the thinner air at altitude dries out your sinuses
07:53can I help in any way
07:58where did you go when you parted ways last night
08:01back to college
08:03I had a drink with Dr. Rob and my Russian tutor
08:06had some rather good vodka
08:09if it was suicide maybe Lyle left the note in his study
08:12we should check
08:13Mr. Chambers
08:16hello Frank
08:18what's the secret?
08:20secret sir?
08:21to eternal youth
08:22oh that would be the scotch sir
08:25no if only
08:27Frank Archer head porter this is Inspector Geordie Keating
08:30I take this is about poor Mr. Lyle
08:33would you like to see his room please?
08:35you'll need to speak to the master
08:38he'd be pleased to see you sir
08:42Inspector
08:45Chambers
08:46sir?
08:47Lyle never struck me as the suicidal type
08:50that you can never tell
08:52he was a charming man
08:54gifted professor of English
08:56although sadly as fond of the bar as he was of the bard
09:01you would have got on
09:03he could be immature
09:05irresponsible
09:06I mean this childish penchant for daredevilry
09:09with a family at home
09:10they must feel so abandoned
09:15alright
09:15there's nothing here
09:17think we can move on
09:21and what is your role here anyway?
09:23has the clergy widened its remit?
09:25or are you just sticking your nose in where you shouldn't again?
09:32what did you do?
09:34piss in his port?
09:36something like that
09:37something like that
09:46nowhere near
09:48so he must have come off the turret
09:51exactly
09:51go on then Phil
09:54I'm not going up there
09:55the Portisire specialist cleaners
09:57they'll be here Monday
10:02it's a nice view
10:04it's a nice view
10:04not sure I'd risk my neck for it Dad
10:06I suppose it's tradition
10:08pushing your limits
10:09beating the night
10:11it's stupid really
10:12but it makes sense when you're young
10:15but he was 46
10:17with a wife and child
10:21ever heard of E.M. Forster?
10:23who does he play for?
10:25he wrote
10:26a room with a view
10:35I didn't realise looking out of one's window was a crime
10:39it isn't
10:40but withholding evidence is
10:42I already told you
10:43I didn't see anything
10:45the man who died had a wife and child
10:48they deserve to know the truth
10:51nothing you say has to come back to you
10:53does it?
10:56no
11:00it was late
11:02around midnight
11:05I didn't see any faces
11:06alright
11:10I was working on my dissertation
11:19but I looked out to see two men climbing the chapel
11:24maniacs
11:26but they stopped a while
11:28talking I think
11:30the next time I looked out
11:36he pushed him
11:43he must have been so scared
11:45he must have been so scared
11:56Professor Robin?
11:57Sir Cody?
12:01a fascist and a papist
12:03to what do we owe the pleasure?
12:05C of E actually
12:07please excuse Mr Crompton
12:08he's going through a Marxist phase
12:10it's not a phase
12:12we're investigating the death of your colleague
12:14I hear it was an accident
12:17so everyone seems keen to stress
12:21can you tell me where you were around midnight last night?
12:24I was here with a student of mine
12:26Kit Bartlett
12:28any witnesses?
12:29I'm sure the porters can confirm that
12:32we were going through his dissertation
12:33on the theme of duality in 19th century Russian literature
12:36really is rather fascinating
12:41yes sir
12:42Mr Bartlett returned around half past ten
12:44and went straight to Professor Robin
12:47you sure?
12:48I can still remember Mr Chambers coming back at all hours
12:52did Lyle have any disputes or enemies you knew of?
12:55no sir
12:56Mr Lyle was very popular
12:59I'd like to have another look in his room
13:08even though it's been cleaned up
13:09there's got to be something out of place
13:14like a fire in the middle of a hot spell
13:16no sir
13:33what do you think they are?
13:35something someone didn't want us to see
13:41hey!
13:43who's that?
13:44she was at the crime scene
13:45at the chapel
13:47excuse me
13:49I'm a police officer
13:52don't walk away from me
14:01split up, we lose each other
14:03meet back at the station
14:13we're not going to get into the house
14:20we're going to get into the garage
14:23we have to say
14:23we'll go to the station
14:28not going to get into the station
14:29never met
14:30end
14:31you never met
14:32no sir
14:33can you see
14:35no sir
14:41the new spots
15:10Who are you?
15:16Leave us alone, old boy.
15:18You're out of your depth.
15:33I'm sure he won't mind if he waits.
15:35Margaret Ward, by the way.
15:37I'm sorry.
15:39Amanda Kendall.
15:40Hopkins.
15:41Nay, Kendall.
15:42Pleasure.
15:45Come in, why don't you?
15:47How did you catch her?
15:50Mrs Hopkins?
15:51Sorry, Geordie.
15:52Sydney filled me in on the case.
15:54Did he now?
15:55No, I lost it.
15:58How's your husband?
16:00Oh, a guy's fine.
16:01He's working in Edinburgh for a few days.
16:05While the cat's away, eh?
16:07The mouse will visit her father.
16:10Indeed.
16:12I hear you're playing Cupid.
16:14Trying, yeah.
16:15He's a hard target and I'm running out of arrows, so you can think of anyone.
16:22I'll take you out.
16:24I'm free tomorrow night.
16:30Um, well, that's very charitable of you, but we can't get a babysitter.
16:36He doesn't need a chaperone, does he, Mrs Hopkins?
16:40No, of course not.
16:42Excellent.
16:43I'll book the same place he's been taking you.
16:46See you then.
16:50Inspector Keating, may I have a word with you?
16:53In private?
16:55The fact is, sometimes people need protecting from themselves,
17:00which is why I must ask you to stop investigating this case.
17:13Lyle was in intelligence.
17:16He was closing in on the identity of a man known only as the Tsar,
17:21a high-ranking mole based in the university.
17:24He's been passing our secrets to the Soviets for years.
17:28We believe that's why they had Lyle killed.
17:32I can't tell you anymore without compromising our operation,
17:36but that's why you need to disentangle yourself
17:40without arousing further suspicion.
17:43Not least in chambers.
17:46He's not a man to be trusted.
17:49Sidney is one of the most trustworthy people I know.
17:52Well, if that's what you believe, then you'll want to keep him alive.
17:56This is a dangerous business.
17:59This is a murder investigation for the Cambridgeshire Constabulary.
18:04I've read your military record, Inspector.
18:06You've suffered enough in the line of duty.
18:10And, of course, you wouldn't want Esme, Ivy, Dora or David to grow up without a father.
18:19How do you know their names?
18:20We know everything.
18:23And so could the Soviets.
18:33What was that about?
18:35Ah, you know, keeping things discreet.
18:38Reputation of the college.
18:39Well, I know what this is.
18:42What?
18:52We shouldn't be in here.
18:54Nobody visits half these rooms.
18:57I used to nap in here.
18:58Oh, yeah.
19:00You know this could be nothing.
19:019-3-5-M-E-S.
19:10Strange choice for an English tutor.
19:20Professor Ravan.
19:33Rory Crompton.
19:38This is Lyle's handwriting.
19:41The Tsar.
19:43Lyle was some sort of British spy.
19:50These are here for a reason.
19:52So?
19:53Someone make it to reference them.
19:55So we need to put them back exactly where we found them.
20:02There's always been rumours about this kind of thing, but after Burgess and McLean...
20:06Oh, keep your voice down.
20:08Why?
20:09You've got visitors.
20:18May I help you, gentlemen?
20:20I was on the chapel roof with Mr. Lyle last night.
20:25I know how he died.
20:36I ran into him on King's parade.
20:38He asked me if I wanted to go climbing.
20:41And I said no at first.
20:43Valentine was always trying to recruit students to his high cheeks.
20:46I told him it was irresponsible.
20:48But he had this hip flask.
20:50He sat on the backs, drinking, and he talked me around.
20:54And you climbed King's Chapel?
20:57Just like that?
20:59We'd done it before.
21:00I just followed.
21:01And what about the lip?
21:04Each turret, it has a lip.
21:07How did you get over it?
21:10It was hard going, but we just pulled ourselves up.
21:21And then what?
21:22When we got to the top, I don't know what happened.
21:25He was looking out over the edge and he must have slipped.
21:28I tried to grab him, but I was too late.
21:31The sound when he hit the ground was...
21:37And why didn't you contact the police sooner?
21:40I was scared.
21:41And we'd think that you'd pushed him.
21:42I didn't.
21:43Well, surely with your beliefs, killing an establishment figure like Lyle
21:46could be seen as a revolutionary act.
21:49Mr. Crompton's beliefs barely stand the rigors of essay writing.
21:53Let alone murder.
21:55What exactly are you doing here, Professor?
21:59All right, that's enough.
22:06You're letting them off the hook.
22:07I asked the questions here, not you.
22:09So why aren't you asking them?
22:14If they're Russian spies,
22:17then we can't let them know we're onto them.
22:19They must already know we're close.
22:21They wouldn't have offered up a lie like that.
22:22We don't know it's a lie.
22:25From a distance, in the dark,
22:26it could have looked like he pushed him.
22:28Come on, Geordie. There is no way Crompton climbed the chapel like that.
22:31How do you know?
22:33Because I've done it.
22:35Without rope, two men need to work together.
22:37The first man stands on the second man's shoulders to get over the lip,
22:40and then pulls the other up.
22:42They are trying to cover for someone.
22:45Robin himself?
22:46The woman who we followed?
22:48Whoever this czar is in the files?
22:50All right.
22:53But if that's the case, we can't just go blundering in.
22:56So what do we do?
22:57You need to leave it to me.
23:08We all experience doubt from time to time.
23:12Doubt in ourselves.
23:15In God.
23:17In justice.
23:19But we must have faith.
23:23In ourselves.
23:25Each other.
23:27God.
23:28And...
23:33And in institutions like the courts and the state to get things right.
23:47See you soon.
23:48Good singing.
23:49Sydney!
23:50Let me.
23:58Thank you, Harding.
24:00Maybe you should think about going to another church.
24:02There aren't any steps at Hardwick.
24:04It's all right.
24:05Leonard and I are happy to help you in and out.
24:07Then we'll go to Hardwick.
24:14I am sorry, Mr Chambers.
24:18Could you take me home now, please?
24:20Of course.
24:32What time is your chuffer coming?
24:35It's chauffeur, Mrs M.
24:37I told him to take his time.
24:39Father's hosting rotary drinks this evening.
24:45Are you not wearing a tie?
24:47I've been in a dog collar all day.
24:48Do you not think he needs a tie, Mr Finch?
24:51I have no idea what women want.
24:54You look...
24:57Perfect.
25:00I'm not sure if I'm even going to go.
25:02Oh, yes you are.
25:03You saw what happened this morning with the Redmonds.
25:06The village need me.
25:07They'll always need you.
25:08Which is why you need a wife.
25:10Help you shoulder the burden.
25:11Mrs McGuire's right.
25:13Not that you need to marry Margaret.
25:16I hear you're thinking of offering Phyllis Bell private communion.
25:23You have more spies than the KGB, Mrs M.
25:27I'll go.
25:31It's the victims the church should be helping.
25:34Mrs Bell is a victim.
25:36As is Gary.
25:37Just like the Redmonds.
25:39Sydney.
25:44This is a copy of Val's will.
25:46I was hoping you might help me with the funeral.
25:48He wanted to be cremated.
25:50Of course.
25:51And I was wondering if you knew.
25:53What was happening with the police investigation?
25:56We understand Rory Crompton was up there.
25:59That he's saying it was an accident.
26:01It doesn't make sense.
26:03Val never mentioned the boy.
26:04Why climb with him?
26:08I'm sure Inspector Keating is doing everything in his power to ascertain the truth.
26:12Is he accepting Crompton's story or not?
26:15Maya needs to know.
26:20He brought Tala and me here.
26:22Just last week.
26:25He said it was...
26:27How did he...
26:29Quintessential England.
26:30In my religion there is a place.
26:32A perfect place.
26:34Like your heaven.
26:36Nirvana.
26:37Nirvana.
26:41We had that here.
26:46Why would you throw it away?
27:02So how come the other dates didn't work out?
27:08I don't know.
27:11Just incompatible I suppose.
27:12You don't think you overwhelmed them with charm and conversation?
27:18I'm sorry.
27:19It's alright.
27:21I suppose I did launch myself at you.
27:23No, it's not that.
27:28Do you think Geordie's alright?
27:30What do you mean?
27:32This case.
27:33It feels like he's been hanging back.
27:36You know what he's like normally.
27:38Full steam ahead.
27:40I'm just worried about him.
27:43Have you tried asking him?
27:45Of course.
27:46I mean really asking.
27:48I've got brothers.
27:49I know you boys would rather play cards and joke about your privates and have a proper conversation.
27:55Backgammon.
27:56And I prefer to keep my privates private.
27:58Pity.
28:04You know Inspector Keating better than I do.
28:06So if you think there's something wrong with him then there probably is.
28:13Well go on then.
28:16We're not getting anywhere with this on your mind so you might as well go and see him.
28:19What about you?
28:21Just leave the wine.
28:30Cathy said you were working late.
28:32Guess to be in here.
28:34Margaret stand you up then.
28:36You can't blame her.
28:37You dodged a bullet there I reckon.
28:39Backgammon.
28:48Any news on the Lyle case?
28:50Not yet.
28:58Are you alright?
29:00Of course I am.
29:01Slapping my Lyle.
29:02She was hysterical.
29:04After letting Phil force Gary to drink that water.
29:06Oh that again.
29:07Ducking this case?
29:08I am not ducking anything.
29:10What are you doing then?
29:12I had a visit from Maya.
29:14She needs to know what's going on.
29:17Her husband didn't even tell her he was a spy.
29:19What are we supposed to do?
29:21Our jobs.
29:23I'm a clergyman.
29:24I'm supposed to give her comfort and you are a policeman.
29:30Jordi.
29:30Montgomery told me to leave the case alone.
29:35He knows Lyle was a spy.
29:37He said the authorities were looking into it.
29:39Why didn't you tell me?
29:40He asked me not to.
29:41For your own safety.
29:42No, no, no.
29:43My safety's got nothing to do with it.
29:44It is personal for him.
29:45He's got a point.
29:46They are spies.
29:47Soviets.
29:49Reds under the bed.
29:52This is bigger than us.
30:04Fine.
30:06Let's do our jobs.
30:09Where are we going?
30:10Back to the scene of the crime.
30:23I don't know what else we're going to see at night.
30:25Nothing from down here.
30:29Jordi!
30:54That's far enough.
30:55It's dark.
30:56You've been drinking.
30:57Just like Lyle.
30:58Look what happened to him.
31:04Jordi!
31:10How'd you go in there?
31:20Give me your shoulder.
31:29Ready?
31:31One.
31:32Two.
31:34Three.
31:34Lyle.
31:34I mean this guy's dead.
31:37Ha!
31:48Hold this.近
31:53four meters down. Harley.
32:01It's back.
32:05Donnie! Use your feet! I can't hold you!
32:33Are you sure you were right?
32:35Beat the knight, you said. Push your limits.
32:40Geordie!
32:41You were right. There's nowhere Crompton climbed this like he said.
32:45So who did?
32:51You've really got to know the person you do this with.
32:55Really trust them.
32:55Kit Bartlett.
33:05Kit Bartlett.
33:19Frank?
33:22Frank!
33:27Police! Open up!
33:34We're here to speak to Kit Bartlett.
33:35Do you have a warrant?
33:40Why would he shelter a murder suspect?
33:43What if he's the Russian mole? Bizarre.
33:46Montgomery?
33:47That's why he tried to shut the case down. I only had his word.
33:49No, I've known him for years.
33:51You trust him?
33:58Is there no way to check?
34:00Oh, telephone the MOD. Ask for a list of Russian spies in Cambridge.
34:03So what do we do now?
34:06We need to tie him to Bartlett.
34:07How?
34:08You don't do anything.
34:10What are you talking about?
34:11It's too dangerous.
34:12He's the master of a Cambridge college.
34:15Working with who else, isn't he?
34:17Bartlett.
34:18Robin.
34:19Crompton.
34:20The woman.
34:21No. If they wanted to hurt us, they'd have done so already.
34:24She had a gun.
34:30That's why I lost her.
34:34Are you alright?
34:35Oh, if you ask me that one more time.
34:37You've already been shot once, Geordie.
34:39It's part of my job.
34:40Not yours.
34:43So you just need to let me do it.
34:47Please.
34:49I'm asking you as a friend.
34:53You go home.
35:03So how was your dinner with Margaret?
35:06I left early.
35:07Really?
35:08On her advice.
35:13She's, er, nice.
35:16Well, that's wonderful.
35:20That's Lyle's will.
35:21He wrote it a month ago.
35:23It's almost as if he knew he was in danger.
35:25He felt threatened somehow.
35:28Look, he even named Bartlett as executor.
35:30He must really have trusted him.
35:32So did I.
35:33I thought he was really upset that he cared for Lyle and his family.
35:37It'd be like me killing Geordie.
35:43And...
35:44Why would you do that?
35:45Well, I wouldn't. I'm just saying...
35:47No, but it might help to work out why.
35:48If you were him.
35:50What you'd have to want.
35:51Or believe.
35:55You went to the same college.
35:57You're friends with an older man.
35:59Put yourself inside his head.
36:03What would it take...
36:05For you to kill Geordie?
36:07Nothing.
36:14Unless...
36:15What?
36:18He asked me to.
36:31You?
36:44Oh.
37:07Hey, stop!
37:08Sydney, it's all right, Jimmy.
37:12Is there a coroner's report for Valentine's Love?
37:15I really shouldn't.
37:21It only came through this morning.
37:25Is everything all right?
37:28Where's Geordie?
37:28He's just telephoned for assistance at the Rivercan Boat Club.
37:31You can come in my patrol car, if you don't tell Ben.
37:33No, no, no, no, cars.
37:34There are no men in the form.
37:36Please, Phil, let me go alone.
37:37Geordie will understand.
37:38This one's my fault.
37:39No, no, no, no, no.
37:39No, no, no, no, no.
38:08I don't know.
38:17Kit Bartlett, I'm arresting you for the murder of Valentine Lyle.
38:21You're going to destroy everything.
38:24Johnny!
38:31What do you think you're doing?
38:32Kit's one of us.
38:33You killed Lyle, Sid.
38:35Lyle was in on it.
38:37What?
38:38It's all right.
38:39We're all on the same side, aren't we?
38:41Are we?
38:44Lyle was ill.
38:46Lung cancer.
38:50He knew he was going to die, so the Secret Service decided to use it.
38:54For what?
38:55To get Bartlett in with the Russians.
38:57They must have known Lyle was a British spy.
39:00What better way for Kit to prove his loyalty to Russia than killing Lyle in public?
39:05It was Lyle who cleaned up his home.
39:08His room.
39:10He left the files for the British agents to access.
39:13That's why he didn't scream, because he wanted to die.
39:19That's right, isn't it?
39:22Very impressive, Mr. Chambers.
39:24It's a shame to think what you might have been.
39:27And Rory Crompton?
39:29That was the Soviets.
39:31They put him up when they thought you were closing in on Bartlett.
39:35You very nearly complicated everything.
39:37Why didn't you just tell me?
39:39You couldn't be trusted.
39:41And this is your idea of the greater good, is it?
39:44It was Lyle's idea, actually.
39:46It's how he wanted to go.
39:49At the hand of a friend, looking over the backs, fooling the enemy.
40:02It's rather poetic, don't you think?
40:05All I see is a man who lied to his wife, and deprived his family of the time he had
40:09left.
40:10And if you tell her the truth, you'll be putting them in as much danger as Bartlett.
40:15They're coming, sir.
40:16Any minute now, Bartlett will meet with the Tsar.
40:18That's what Lyle's death earned us, and why I couldn't let you ruin it.
40:48Come, Ryder.
40:57The porter?
40:59Get out.
41:00All this time, get out!
41:04Do as he says.
41:15You sly old dog.
41:18All that grief because you were topping Montgomery's daughter.
41:22We were seeing each other for a couple of years.
41:24He was angry because I broke up with her.
41:26And why did you do that?
41:28Now, let me guess.
41:30She wasn't your type?
41:33Maybe my type doesn't exist.
41:35Or is already married.
41:39Come on.
41:42Let's go and give Lyle's wife some peace.
41:46It turns out the student, Rory Crompton, was the one that slipped, and your husband tried to catch him, and
41:52that's how he fell.
41:53Well, Crompton was too ashamed to admit it at first.
41:59I know it doesn't make things easier, but...
42:03Valentine died a hero.
42:24Forgive us for the lies we tell, to protect other people, and those we tell to protect ourselves.
42:35We are weak, and the lies give us comfort.
42:52But only the truth can set us free.
43:05Amen.
43:09I was at the back of the queue on Sunday.
43:11There was none left.
43:16Amen.
43:29Margaret.
43:34I'm sorry for walking out on you at dinner.
43:38I was hoping you'd let me make it up to you.
43:47You're buying.
43:52We should go out to Sir Fawesome.
43:54Guy would love to meet her.
43:55I'm sure he'll be very relieved.
43:59Is there no pie for Amanda?
44:01I thought she'd be gone by now.
44:03Mrs McGuire.
44:05It's quite all right.
44:05I probably should be getting back.
44:07Mrs Hopkins.
44:12Guy.
44:13I thought I'd travel home with you.
44:16I took the train to your father's house, but the chauffeur told me he was picking you up from here.
44:22He's outside, Mel.
44:24Yes.
44:38It's been lovely seeing you.
44:40Yes, you too.
44:41And good luck with you-know-who.
44:43Thanks.
44:52Sidney, could I have a word?
44:54Of course.
44:55Of course.
45:09Stay away from my wife.
45:20How can I assist you, gentlemen?
45:22I thought we were reliably informed you'd been murdered.
45:24And yet, here I sit.
45:26I did!
45:26I killed him!
45:28An afternoon away from the prying eyes of Granchester.
45:31We should make it a regular occurrence.
45:32And you're a saint, Sidney Chambers.
45:34So what's her name?
45:35The girl who has your heart.
45:36Stay a well-clear, batt.
45:38I'm master.
45:53Stay a well-clear, Amanda.
45:54Stay a well-clear, Amanda.
45:54Stay a well-clear with me.