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06:55Bees. Bees don't fly at night.
07:08Hello?
07:12Thought we were expected.
07:16Hello?
07:33Hello?
07:36Hello?
07:47Shh.
07:54We won't hurt you.
07:57You won't hurt him.
07:59Shh.
08:01Stay. Stay.
08:03Be calm. Be calm.
08:08Remember many kindnesses.
08:11Good dog. Good dog.
08:22Who's that?
08:23Dr. Zubrovnik.
08:25Yes?
08:26I believe we're expected.
08:28Oh, yes, of course.
08:30I'm so sorry.
08:32Mr.
08:33Followed in hand.
08:34Madam Domi.
08:35Yes.
08:36Mr. Kaliar.
08:37Yes.
08:38Did you have a difficult trip from Vienna?
08:39No, it was quite lovely until just now when we ran into your dog.
08:44What dog?
08:45A big dog. It looks as if it might be part wolf.
08:49Bull butt?
08:51Where did he go?
08:52He ran out the door.
08:54It was open when we arrived.
08:56Well, when my husband died, the dog went wild and he hasn't been seen in the house since.
09:02Let me show you to your rooms.
09:04Oh, thank you.
09:05You must be so tired after the long trip.
09:10I'm so pleased you could come.
09:17Have you had something to eat?
09:18Yes, we stopped on the way.
09:20Yes, thank you.
09:20Oh, Mr. Pollyack.
09:21These are the psychic research people.
09:24Ah.
09:25Sigmund Pollyack.
09:26My assistant, Mr. Kroger.
09:28How do you do?
09:29How do you do?
09:30Well, in hand.
09:32Arianna Domi.
09:34Marnie Kaliar.
09:36The skeptics.
09:37You should be glad that they're here, Mr. Pollyack.
09:40They can only help to document what you've already proved.
09:42We'd much prefer finding real evidence of the supernatural than not finding it.
09:46Oh, yes.
09:47Of course.
09:48Will you excuse me?
09:51Come this way.
09:57Gentlemen, this is your room.
10:01Oh, I hope you don't mind.
10:03I left two cases of equipment in the hallway downstairs.
10:06Of course not.
10:07We've heard a great deal about your interest in the spirit world.
10:10We look forward to a demonstration.
10:12Perhaps you care to join us in an hour or so.
10:14You and Mr. Pollyack?
10:15Yes.
10:17And my husband.
10:36Looks like it's trying to rain.
10:37Yes.
10:45So, cameras with alarms and clocks that record the exact time they're tripped?
10:51Yes.
10:52And electric eyes that trip the cameras.
10:54And a heat sensor that will record any movement of ghostly material.
11:03Is everything almost ready?
11:05Almost.
11:06Good.
11:15This casket has been locked since my husband put a message in it just after we were married.
11:21He said that if anything should happen to him, he'd try to come back to me.
11:27Tonight is the anniversary of his death.
11:29Not another soul knows what is in this box but me.
11:34That's like the message Houdini left with Dunninger.
11:36I think we have greater possibilities.
11:39Kurt and I were a little closer than Houdini and Dunninger.
11:43Please, sit down, everyone.
12:10Now, join hands.
12:15Your left foot should be touching the foot of the person sitting beside you.
12:22My control is named Dulois.
12:25He was an Alsatian pugilist who was killed in the boxing ring.
12:30I will try to reach him.
12:36Dulois.
12:38Dulois.
12:39We are here.
12:41Dulois.
12:42We are sixth tonight.
12:53Dulois.
12:55We are waiting.
12:58We are waiting.
13:13I feel that you are coming closer, approaching from beyond.
13:21Come into me, Durwa.
13:24Come into this place through me.
13:34Durwa, I feel that you are near.
13:38Why is it so difficult for you to come?
13:52There is doubt.
13:59Yes, there is doubt, Durwa, but it will go away.
14:04We are grateful, Durwa, grateful that you have come to us so quickly.
14:21The promise made will be fulfilled, but there are those among you who do not believe.
14:36Don't, please come back, Durwa.
14:39They mean you no harm.
14:41Durwa, don't leave us.
14:44Eyes closed.
14:45Everyone, no one move.
14:56I am with you.
15:01There is a message for Martha.
15:05Your work must go quickly to its conclusion.
15:10When you are finished, Kurt will come to you himself.
15:174, 7, back 19.
15:24Death, not life, is the overture to eternity.
15:40No one else knew I was the only one.
15:45I will try to work harder.
15:48I will try.
15:49I will try.
15:51Oh, Kurt.
15:54Kurt.
16:00Are you all right?
16:02Yes.
16:05No one else could have known the combination.
16:08All the message.
16:09I was the only one who knew.
16:124, 7, back 19.
16:19Open the box quickly, please.
17:09Death, not life, is the overture to eternity.
17:13Kurt.
17:20Thank you, Mr. Polak.
17:24And thank you, dear, dear Kurt.
17:27There is life after death.
17:43Back in the desert.
17:59Were you impressed by what you witnessed?
18:03Very.
18:05and you mr collier very impressed good i was greatly moved it seems to me there is no doubt
18:13there is a spirit in this house martha i'll see you to your room
18:24good night good night
18:39what about that box the box couldn't have been tampered with the rust on the hinges was real
18:46you saw the paper yellow with age and the seals on the envelope had not been touched
18:52ariana he was good but wasn't his voice a little obvious perhaps perhaps oh come on level with us
19:01ariana that was nonsense perhaps
19:09i'll try to concentrate kurt wants your work to go well and to be completed
19:48could he be angry with me possibly everything isn't supernatural it was vibration from the
19:54thunderstorm the whole house should barney maybe mr project is right you claim to be objective
20:01mr hand you know you don't really believe that now why do you say that i am a medium i
20:07feel it
20:09you are not oriented to be a believer
20:28roland why'd you let her think polyak is right well we mustn't let her feel we suspect polyak if we're
20:33going to expose her well are you sure you can what do you mean well there's no need to lie
20:40about it
20:41i told him the truth there is a spirit a ghost if you prefer in this house
20:50i thought you were just being tactful
20:53i'm never tactful about the supernatural
20:56well there's something you should know you see madame zobrovnik wants to believe that the spirit
21:01here is kind and loving but the spirit here isn't kind and loving unfortunately it's quite malevolent
21:11you see spirits don't usually move about they generally remain near the place where the death
21:19occurred and that's where you'll find the truth not here
21:22and zobrovnik was burned to death in his laboratory
21:27so
21:38so
21:38so
22:00kill a light
22:00well use the burn
22:06you want us to hold hands or something
22:08no no no i want you to sit quiet and try to help me
22:28my control is a young girl of 16 francis who died in 1900
22:41francis
22:44francis
22:45francis
22:45francis
22:46can you hear me
22:49this is ariana
22:53i am far from home
22:57but i know that you can hear me
23:05francis
23:06francis
23:08please
23:13hear me
23:15and talk to me
23:20we are anxious
23:23we are so anxious
23:25to talk to you.
23:31Francis!
23:41Ariana!
23:44I hear you.
23:51Francis.
23:54Francis.
23:56There was a fire here a year ago
23:58and a man was burned.
24:03Yes!
24:12Francis.
24:17Francis, can you hear me?
24:21Francis.
24:23Francis, please come back
24:24and talk to us.
24:25You were here a moment ago.
24:31I am here.
24:38Let's go!
24:43Where is death?
24:45And agony and torment close to you.
24:51I don't like to talk about it.
24:55It has an unclenchable power.
24:59It hates!
25:01It hates!
25:03It hates!
25:04It cannot be controlled.
25:06And it will kill!
25:20Oh, that was the spirit of the fire.
25:24Oh, that was the spirit of the fire, but it's not the one we expected.
25:25It's another spirit.
25:28It's another spirit.
25:30Oh, that's the spirit of the fire.
25:45Oh, that's the spirit of the fire.
25:55That was the spirit of the fire.
25:56That was the spirit of Kurt Zubrovnik.
25:58That's it.
26:01Kurt Zubrovnik is alive.
26:02I don't know how I know.
26:04My subconscious knows, and that's how it tells me.
26:07You mean you came to the conclusion that Kurt is alive on the basis of her seance?
26:11No, Barney.
26:12No, that's not it.
26:13I don't know how she came to that conclusion, but it's logical.
26:16Now, look.
26:18The combination of the lock, the contents of the letter.
26:22Now, look.
26:22We both know that box was not tampered with.
26:24Neither was a letter.
26:26So Kurt is alive.
26:28They're getting the information from him.
26:30They're even torturing, possibly.
26:33If Kurt is alive, what was that?
26:37That was the spirit of the man who really died.
26:40It's quite possible that they could have burned someone else.
26:44Wow.
26:45They knew of Kurt's interest in spiritualism through Poliak.
26:50So they faked his death in order to get control of Martha's research.
26:55Now what we have to do is find Kurt.
26:58When I put the luggage in the storeroom,
27:01I saw a trunk in there that belongs to Poliak.
27:03Let's get a look at it.
27:05Now, wait a minute.
27:08What about Martha?
27:09Suppose she's not on the up and up.
27:10Suppose she's faking this whole thing to defect.
27:12That's too elaborate.
27:14She wouldn't get all out of trouble.
27:16Now, let's take a look at the trunk.
27:16Maybe there's a clue as to where Kurt's hidden.
27:19All right.
27:20Here we are.
27:21Now, you leave me alone in here.
27:23You try your way, and I'll try mine.
27:25How are we?
27:57That's it.
28:10You got it.
28:12That wasn't me.
28:18It's folded.
28:22Get the window.
28:27Can we get out the window?
28:29No, it's too high to jump.
28:47It's too high to jump.
29:12Oh!
29:22How did you get in here, madame?
29:27the door was open
29:30are you in the habit of
29:32entering every open door
29:35well isn't this where the fire started
29:39why does that concern you
29:42oh I'm interested in the circumstances of the death
30:01I think the magnet's gonna work
30:08I almost had it
30:18good boy
30:25get the drunk
30:31well we were only discussing the supernatural
30:34now why should that upset you
30:36I should prefer not to continue this discussion
30:45broker
30:49I want a word with you
30:50and I with you
31:02how are you boys doing
31:05did you find anything
31:08not what were you looking for
31:10what about you
31:11well yes I had a vision of Kurt Zubrovnik
31:14of streets
31:15a small community not far from here
31:16and the butchering of lambs and cattle
31:21the town we drove through
31:23maybe
31:25well it's as good a guess as any
31:48gentlemen
31:49good evening Mr. Polia
31:52good evening Mr. Polia
31:59somebody stripped this camera by hand
32:01my apologies
32:02I accidentally moved
32:04the lever
32:05it's all right
32:07let's see if you caught anything
32:22that looks like the way out
32:38come on
32:39come on
32:58trying to find Kurt Zubrovnik was a good idea
33:00ten minutes ago
33:05Kurt Zubrovnik is dead
33:10well what's that blare in the corner
33:14it's a bee
33:25there's no point in going on
33:26he's dead
33:26they'll move the body immediately
33:29how do you know this
33:30how did he die
33:31I can't tell you that
33:33all I know is what I know
33:35what I feel
33:39are you sure about what you feel
33:41all I know is what I feel
33:42not what I think
33:48hello
33:52yes this is he
33:59yes
34:10Kroger
34:28Kroger
34:30what happened
34:31I think Kurt's dead
34:38now if Poliak's source of information is gone
34:41and he loses control over Martha
34:44he could make a sudden move
34:47you're right
35:02I'm so sorry but we have to leave tomorrow
35:05forgive me for bringing you such a great distance for so brief a visit
35:09you're leaving where are you going
35:11I must complete my work
35:14away from this place
35:16Dr Zubrovnik will be able to concentrate
35:22I'm afraid you'll have to prepare to leave as well
35:45she knows with Poliak we're finished
35:57fire
35:58the door is locked
36:15Kroger
36:17what is it
36:26Kroger
36:42Kroger
36:43he's dead
36:47Kroger
36:48Kroger
36:49Kroger
36:49Kroger
36:57Kroger
37:12Kroger
37:13Our only chance is to have another seance before they get away.
37:17Barney, how long will it take you to rig that projector in the living room?
37:19I've already got my spots picked out.
37:2120 to 25 minutes at the most.
37:23Good.
37:24Ariana, I want you to get to Martha and get her to agree to another seance tonight in half an
37:28hour.
37:29Now, at this seance, I want you to go into a trance.
37:31Have the ghost of Kurt Subrovnik accuse Polyak of being a murderer and having held him prisoner.
37:36Oh, Roland, I can't.
37:39I'm sorry.
37:40You've got to.
37:40The only way to break a man like this is to have him trap himself.
37:43You mustn't ask me to do this.
37:45You know what I told Briggs?
37:47I don't like being dishonest about the supernatural.
37:52Barney, we're on our own.
37:54We better get started.
37:55Ariana, can you at least stall Martha for half an hour while we're in the living room?
37:58Oh, don't be angry with me.
38:00All right, I'll try to arrange another seance.
38:03But the rest is up to you.
38:11Yes, who is it?
38:12It's Ariana.
38:15I know how tired you must be, but I'd like to talk to you.
38:19Come in.
38:21What is it?
38:22Well, madame, I was hoping to persuade you to put your trip off for a couple of days.
38:27We've been so impressed by what's happened here.
38:29We'd really like to document it.
38:31I think...
38:38We cannot delay our departure just for psychic research.
38:43But I feel her husband's presence very close to me.
38:46You feel?
38:47Yes, like you.
38:49I'm a medium, and I feel I can reach him.
38:52A medium?
38:53Could you?
38:54It would be wonderful if he could come to me through someone else as well.
38:57There will be no one else.
38:59Well, then perhaps madame Subrovnik and I alone could...
39:02No.
39:03You mustn't deny him to me.
39:04He may have something important to say to me.
39:06Please bring him to me, either of you.
39:11Very well.
39:13But we must do it immediately.
39:15I'll change at once.
39:23Okay, try it.
39:31Perfect.
39:46We're going to have another seance.
39:48Oh, really wonderful.
39:50Yes.
40:17It always happens when there's a storm.
40:19Well, let's wait, then.
40:21Yeah, let's wait.
40:21No, no, there isn't time.
40:23Sit down.
40:27Please sit down.
40:41Duluwa, these are moments of anxiety.
40:46Marta Subrovnik feels, and some others of us feel,
40:51that the spirit of her husband is near,
40:55urgently demanding audience.
41:00Duluwa, is Kurt disturbed?
41:06Is he near you?
41:16Yes, he is near me.
41:21He is impatient.
41:23There are still strangers with you.
41:29They annoy him.
41:31His wife must finish her work.
41:36When she arrives, Kurt will come to her himself.
41:44He is proud of her and of her work,
41:49but he does not want to speak to her again
41:53until she has arrived at her destination.
41:57Martha, Martha, Martha, I will speak to you.
42:06Martha, Martha, it is I.
42:12It is Kurt.
42:15It is I.
42:17What is this interference?
42:19Breaking the laws of infinity to come to you.
42:23Martha, this is trickery.
42:26Martha, Martha, Martha.
42:28No, I'm sure it's Kurt's voice.
42:31I know it.
42:33Martha, Martha.
42:36I am with you.
42:38I do love you.
42:41How can this be Kurt's voice coming from this woman?
42:44She does not have a control.
42:46Do not be afraid.
42:49I thought you were angry with me.
42:51I am not angry with you.
42:53It is another man who was angry.
43:02Martha, what you are hearing is fake.
43:06I don't understand.
43:08What man is angry?
43:10It is a simple man who was murdered.
43:17He was a beekeeper.
43:20It was he, the beekeeper, who was angry.
43:24I don't understand it.
43:25The damper's open.
43:28Mr. Carter.
43:30What's happening?
44:07Mr. Carter.
44:28Mr. Poliak!
44:30From the boat, I can't imagine it's stuck.
44:34Does that be easy?
44:35Mr. Poliak!
44:43Mr. Poliak!
45:04Oh, thank you.
45:06Yes.
45:09We wish you'd change your mind.
45:11I don't think I will.
45:12I want to stay here, where Kurt is.
45:14And I'll work well now that I know the truth.
45:18We need you, and we'll miss you.
45:20Thank you, Mr. Hand.
45:22I'll start sending the reports again.
45:24Good.
45:25Goodbye.
45:27Goodbye, Mr. Collier.
45:29Goodbye.
45:30Goodbye, and thank you.
45:31Goodbye.
45:55Ariana?
45:58How'd you know about that beekeeper?
46:00I saw bees.
46:02It was a hunch.
46:04Ariana, I'll never doubt you yet.
46:07Out loud.
46:08And you, Rollin?
46:11Well, I don't know.
46:14You don't know.
46:18Then I gave my greatest performance.
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