- 2 days ago
Igra sudbine, Epizoda 1827, Igra sudbine 1828, Igra sudbine 1827, Igra sudbine Epizoda 1828, Igra sudbine Epizoda 1827, Epizoda 1828 Igra sudbine, Epizoda 1827 Igra sudbine
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TVTranscript
00:00.
00:15Why do you sleep?
00:17I can't.
00:19What?
00:21I can't. I can't get all this.
00:24Okay.
00:26It's not so scary.
00:27It's not so scary.
00:28We have to go in the mud because of this.
00:30Why are you talking about it?
00:33All the people, you've got me on the spot.
00:35I didn't have you on the spot.
00:37I'm here with all of you.
00:38I just wanted to show you the truth.
00:41Can't you tell me the truth?
00:44I told you that I wanted to show you the truth.
00:47Don't forget my father.
00:48You've done it.
00:49You've done it.
00:52You've done everything.
00:53You've done everything.
00:54You've done everything.
00:54Exactly.
00:57What did you say?
00:59There.
01:02I want you to solve it a little bit.
01:09I'm looking for it.
01:10I'm looking for it.
01:12You know how.
01:13With this situation, there is only one solution.
01:17What do you think?
01:18Do you believe me?
01:19No.
01:22What?
01:22I just told you.
01:26What did you think?
01:28The only solution, of course.
01:30If you want to stay alive.
01:42the only solution, of course.
01:48There is, there is no problem.
01:51The whole solution will be gone.
01:53The whole situation has given me a terrible solution.
01:56The whole situation is the only solution.
02:00The whole situation of life has given me.
02:01Very good.
02:01We will not know someone.
02:03We will have someone else to remember,
02:05because Relia will not sit with his hands,
02:08he will do something to do,
02:09certainly,
02:10because he cannot control yourself.
02:11Yes, that's right.
02:13Okay, okay.
02:15We will try to make an idiotic scandal.
02:19Okay.
02:20Yes, that's my freedom.
02:24I can only try to do a little more problem.
02:28Really, I think you are in a very difficult situation.
02:32Yes.
02:33And that the next step that you plan to do,
02:36must be delayed.
02:41It must be deadly, Relia.
02:44Some people who were in the police,
02:48I talked to them,
02:49and everything will be done.
02:52Yes, yes.
02:53No?
02:53No.
02:55And what do they say?
02:56I mean, they will be able to stand on their way.
02:59We only have to be patient,
03:01to wait,
03:02to see Relia's face,
03:04and so on.
03:05And?
03:05And what?
03:06Oh, why are you stupid?
03:09A brother's relationship.
03:11A special relationship.
03:13Okay.
03:15And that we don't need to hit our brother's,
03:16our own blood.
03:19Let's see.
03:21Let's see.
03:22Relia and I,
03:23we are not in a bloodline.
03:28It's a good thing against me.
03:30I feel it.
03:31Nothing.
03:32My instinct.
03:33And when did I trust?
03:35No.
03:36It's a good thing.
03:39It's a good thing.
03:39It's a good thing.
03:40It's a good thing.
03:42I can only try what he talked about about life.
03:46It's not important.
03:48No.
03:48You're a good partner.
03:50You're a good person.
03:52But,
03:52if you don't listen to what I say,
03:55you can't be the chief of security.
03:58Think about it a little bit.
04:03Who is it?
04:08Who is it?
04:09Who gives.
04:14What did I tell you?
04:16What did I say?
04:16You don't have to clean up.
04:17You don't have to go.
04:17You want to get the second path.
04:20Keep your hand down the foot.
04:23Keep your hands down the road.
04:25Let me hear you.
04:26Good.
04:27You heard me.
04:47They say that life is written in novels, they say that life is not good for me.
04:57Sometimes you lose, sometimes you lose, and everything is not good for me.
05:11Like in love in the war, there are no rules for you.
05:20You have one life, only one chance to become no one, because the star is everything.
05:30You have one life, only one chance to become no one, because the star is everything.
05:46You have one life, only one chance to become no one, because the star is everything.
06:26You have nothing to wait, Panchi.
06:30How do you do that? How do I do that?
06:33I don't have it in the circumstances, I don't have that program. How do I do that?
06:38I don't know what to do, I would help you, but I don't have to do that.
06:43I don't know why I can't do that. I can't do that. I can't do that.
06:47I would help you.
06:49No, that doesn't come to mind. I'm going to go there and I'm not mad at you.
06:55I don't know, only if I'm going to ask you something.
07:00What's that, Papu?
07:02Mm-hmm.
07:07Just look at me, give me a call, give me a card on the table, let's go.
07:10Okay, maybe Alex can come to him with him.
07:17No, no, don't worry. Alex is only working, he is working, he has to work.
07:24His job is the most important and he is running away.
07:29It's like nothing except the job is not in the world.
07:32That's what he does, Alex.
07:34Well, you say it's nice, you put him in the situation,
07:38but he tries to talk a little bit about it.
07:42He's loving it.
07:44He's loving it.
07:45He's loving it, right?
07:46He's loving it.
07:47He's loving it.
07:49You tell him how the thing is, how the situation is,
07:53everything that you tell me.
07:54He's loving it.
07:55He's loving it.
07:56He's loving it.
07:57He's loving it.
07:59I would have talked to him with a black devil,
08:02so I know he can help me.
08:06The girls are all that, you know.
08:08They understand it on a different way, we can't understand it.
08:11Maybe he's loving it.
08:12He's loving it.
08:14He's loving it.
08:15He's loving it.
08:17You don't want to lose anything.
08:19You won't lose anything.
08:20Good.
08:23Good.
08:25Let me take your hands.
08:27No, I can't.
08:30Any good?
08:33Let me know.
08:48There is a moment in your life when you realize what is the most important thing.
08:53Yes, that is.
08:55Yes.
08:57And when you realize who is there when you go.
09:00Yes.
09:01Yes, exactly.
09:02You know what people say?
09:05The most important thing is to celebrate.
09:08Yes.
09:09Let's go with us.
09:10Yes.
09:11The most important thing is to get away from you.
09:13You don't think too much.
09:15Only to get away from you.
09:19You know what to do here.
09:21Do you want tea?
09:23No.
09:25It's just that you are here.
09:27Is it cool?
09:28I think I can keep it.
09:31Yes.
09:33Yes, it's a big stress.
09:33The body is different.
09:35It's different.
09:35The stress is just something I understand.
09:37But now is the main thing.
09:38You leave it and then you're just going to go.
09:41That's right.
09:43Yes.
09:44Yes.
09:44And I would like to get there a little bit, but I'd love to get away from you.
09:51Yes.
09:51Because I thought I'd love to get away from you.
09:54and I have to go.
09:58Where are you going?
10:00I have to go home, I have any obligations,
10:02so I'm going to call you later.
10:05When will you?
10:06When I'm going to call you later,
10:08I'll call you later,
10:10but I have a million obligations,
10:12so I'm really going to go.
10:14Okay.
10:17Bye.
10:24Senko, what are you, Senko?
10:25Are you okay?
10:28Senko?
10:31Are you okay?
10:50I'm going to call you later,
10:53and I'll call you later.
10:54I'm going to call you later,
10:55Okay.
10:57What's this?
10:59Open the eyes.
11:00I've always wanted to call you later,
11:02and you're getting back to me later.
11:02Depremio, Ostapko.
11:05And you know that it doesn't matter for you,
11:07as for the workers in the company.
11:10You're out of all these rules.
11:11You know that you're a good man.
11:13You're not going to do a lot of memory.
11:17Okay.
11:20You've already found a good man.
11:23I want to see him like this,
11:26and I'm talking to him.
11:29Yes, he's a man
11:31who is seen in your family.
11:43You're fine.
11:44It's all fine.
11:45What's wrong?
11:46You're right now.
11:47It's all fine.
11:48You're free to go.
11:49You don't come in.
11:50You don't want to go.
11:51How do I go?
11:52You're sick.
11:52You're sick.
11:53You're sick.
11:56I really don't want anyone to get hurt.
11:59You're sick.
12:12It hurts me, my stomach hurts.
12:14Oh, my stomach hurts.
12:16If it hurts me...
12:17See, I'm going to tell you all my obligations
12:22and I'm going to pay attention to you,
12:23and I'm going to pay attention to you.
12:26I'm going to pay attention to you.
12:48What does this mean?
12:50You can't do this just like that.
12:53Let's go, slowly.
12:55What slowly? Why did you hurt me?
12:58You have so many options that you can take.
13:00You know I'm going to be on the road.
13:04If you say that.
13:07Moroncino!
13:08I'm going to clean the toilet, you know?
13:11I'm going to pay attention to people.
13:13You're going to pay attention to me.
13:15You're going to pay attention to me like you.
13:18I don't know why I'm going to pay attention to you.
13:21I think I know.
13:22You don't have a clue.
13:24You don't know anything.
13:26Take this away.
13:27You're going to see how you're going.
13:38Bye man.
13:40Let's go.
13:41I'll stay here.
13:42No, don't worry.
13:57Mirom, it's important to be one of the best to tell you.
14:02Okay. We don't know who he is and what he is in order.
14:06No.
14:10If you don't know anything about that,
14:13it's important to test and know all the possible information.
14:17Do you understand?
14:18We can't do enough to make a decision.
14:20Okay.
14:22It doesn't mean that you are the only one of your children's eyes,
14:26the state of your brother.
14:28It was short and short.
14:31Are these information from our colleagues?
14:35Yes.
14:36Yes.
14:39It doesn't mean that a person came to the client to buy a woman with her.
14:44Yes.
14:48How do you think you will?
14:52Me.
14:55Go.
14:55No.
15:26Hello?
15:28Come on, friend.
15:32What do you mean?
15:35We didn't hear anything.
15:37What do you mean?
15:54I'm not kidding.
15:55I'm kidding. If I'm not saying anything, I'm not saying anything.
15:58I'm saying anything. It's a classic thing.
16:01It's always a classic thing. It's a classic thing.
16:03We really need to get a little bit of a mess.
16:05We haven't seen it since the evening of Slenko.
16:07Call Uroše, he certainly knows where he is.
16:10I'm calling him Uroše. I'm calling him. I'm not saying anything.
16:14I'm really going to start worrying if I'm not saying anything.
16:17Let's go. I'm saying anything.
16:19Good morning. How are you?
16:21Good morning. How are you?
16:22Good morning. How are you?
16:22Good. Is Aleksa maybe here?
16:25I'm assuming that you don't have a request, but I don't have.
16:28But I'd really want to talk to them.
16:30I'm just going to check if the director of Slopoda.
16:36Hey, hello, girls.
16:38Oh, come down.
16:39Let's go.
16:40I'm coming.
16:42Do you want me to talk about it?
16:43Is it a hit or something?
16:45Well...
16:46Let's go to my kancelaria.
16:51Wait.
16:52Hey, sit down.
16:56Let's go.
16:57No, let's go to Niko.
16:58Yes?
16:59Yes.
17:09I'm sorry, I'm sorry, I'm going to fall down. But I had to go.
17:12No, Zezza, you know that you've always come here.
17:14See, if you've come here because of the bridge,
17:17you've got some problems that I've already seen before.
17:20No, I haven't come here because of that.
17:21What I'm talking about, that story is over, so don't worry.
17:25You've found a new solution, I'm sure.
17:27Great idea.
17:28And see, if I can help you, I'm here.
17:32I found something for now, but it's not important.
17:36I came here because of Gorana.
17:38Because of Gorana?
17:40In fact, because of Pancete.
17:43Did you come here because of Gorana or Pancete?
17:46It's a bit complicated.
17:49Do you know that Goran was with Senko?
17:53I know, I don't know the details.
17:55I'm hard to put on things.
17:57I'm hard to put on things as possible.
17:59I'm hard to put on things as possible.
17:59But now, because we live together and we are together.
18:02We are still in the same way.
18:03I feel that it's necessary to help them.
18:05I know, I'm right.
18:06I understand that I'm sorry.
18:07If I felt wrong, my life was so complicated in the last time.
18:12I'm trying to avoid more complications.
18:15But that's not always possible.
18:18So if I can help, I'm here.
18:21I thought you could help us.
18:27I don't know if you know that Senka is difficult with Goran.
18:30She was actually.
18:32She lost her baby after stress.
18:35They were in that fame when the bomb was hit.
18:40And what was happening now, I don't know.
18:42Okay.
18:44How can I tell you exactly?
19:00Did you see such a woman?
19:02Such a appearance.
19:04It was truly a positive energy.
19:07Did you see how it was gracious? How it was gone from me?
19:12How it was nice. There was something other than it was nice.
19:16Beautiful.
19:17Beautiful.
19:21What did you see?
19:23What did you see? Where did you come from?
19:24Somewhere.
19:25Then you let me go.
19:26You can't.
19:27Unfortunately.
19:28The director has a website.
19:31What website?
19:33One woman.
19:34What's the name of the woman.
19:37What's the name of the woman?
19:40What's the name of the woman?
19:55The woman.
20:02What's the name of the woman.
20:18Panceta would like to stop with Goran.
20:20So Panceta should be my help, instead of you?
20:23Yes, but it was my idea. Do you know how Panceta is?
20:27I know. I know how Panceta is and I don't really like Senku,
20:32but I don't see how I can help.
20:36Panci is convinced that Senka had a hard time,
20:40that she was never too hard and that she had a hard time.
20:45Why would Senka do so?
20:47I don't know. But you know how Panceta is.
20:50All the time she talks about how she turns around a little bit,
20:52how is this, how is this, how is this, how is this.
20:54I don't know how Panceta is.
20:56I know how Panceta is when you stand on the Jules,
20:58there is no better words.
21:00Now the biggest problem is that she is convinced
21:04that Senka is going to kill her against her.
21:07And she can't stop there.
21:09Wait, are you trying to talk with Goran?
21:11No.
21:12No.
21:13I don't even know how to do it directly.
21:16I'm not sure how Goran said that.
21:20Then I thought you could talk with him a little bit more.
21:24If you tell him a couple of things,
21:26that he may change the direction of looking at everything,
21:29I don't know.
21:30Panceta, if you talk to him,
21:31you know how he is.
21:32I'm afraid that there is still more chaos.
21:35There is no need to explain.
21:36I will talk with Goran,
21:39but you have to know that the decision is still on him.
21:42For sure.
21:44No.
21:45No.
21:48No.
21:48No.
21:57No.
21:58Why are you thinking about it?
22:00If you thought that this could happen in an unjustly,
22:03this situation, you would be devastated.
22:12I love you.
22:13What's up?
22:14Nada?
22:17Where did you go?
22:21I was private.
22:26Hey, Gabriela, this is Nada, my sister.
22:31Gabriela, Alexina wife, I'm happy.
22:34Nada, I'm happy.
22:35I just wanted my daughter to get married a little bit.
22:39Yes.
22:41Yes, the children are really good.
22:43Great.
22:45You're welcome.
22:47No, I'm not.
22:49You're married?
22:51My husband died.
22:54I'm sorry, I'm sorry.
22:58The children seem to be very alive.
23:02I'm happy.
23:04I'm happy.
23:05I didn't expect it to be like that.
23:07Super.
23:09I'm just going to check it out.
23:11I'm happy.
23:12I'm happy.
23:13I'm happy.
23:22What's up?
23:24What's up?
23:26What's up?
23:30I'm happy.
23:33What's up?
23:34That's what I'm saying.
23:34What's up to you?
23:36What are you doing?
23:38Yes.
23:41She looks like a sister.
23:46She looks like a sister.
23:47She looks like a sister.
23:49She's like a sister.
23:50She's like a sister.
23:50She's like a sister.
23:53Yes.
23:56It's really weird.
23:58I don't know.
24:00I don't know anything.
24:03Do you think?
24:05Do you think?
24:06I think...
24:08...mira to...
24:10...to be in the house.
24:12...to be married.
24:14...to be married.
24:15Yes.
24:21That's weird.
24:23Yes, that's weird.
24:25I don't know why.
24:28I don't know why.
24:28You don't know anything.
24:31If he's going to make it on...
24:32...to be married.
24:34I don't know anything.
24:35I don't know anything.
24:37I don't know anything.
24:39I'll ask you.
24:40I'll ask you.
24:41I'll ask you.
24:43I'll ask you.
24:45Mama.
24:46I just pray for you.
24:48If he brings Alexi...
24:50...he'll have more problems than what we have now.
24:53I don't care.
24:54I pray for you.
25:01I know.
25:02...
25:03...
25:04...
25:04...
25:04...
25:04...
25:05...
25:06...
25:08I have to admit them.
25:15I want you.
25:20Good morning, Alex. Alex is husband of my home sister. I was with him because of some of our private
25:27things.
25:28They are actually mine, but they don't blame you for any other way.
25:34Good morning, girls. See you all.
25:36Good morning.
25:37Good morning, Alex.
25:42That's right, Alex.
25:50What did you want to ask?
25:53Well, nothing important.
25:56And because of something important, she came to you in the hospital?
26:00Yes, that's right.
26:02I want to know what is important, but I won't go here until you don't do it.
26:06Okay, if you're interested, she came to you because of something related to Gorana.
26:10It's not important.
26:11Yes, it's not important. And I'm sure I don't need to know anything about it, right?
26:14Okay, Gabriela. If you're interested to listen to the Panchettian and Goran problems,
26:20I will be happy to tell you everything.
26:25Okay, I don't care about it.
26:26I don't want you to listen to it.
26:27That's what I thought.
26:30I just wanted you to tell me some time.
26:34I don't care about it.
26:35You're afraid of me.
26:35You say something to me.
26:36Good morning.
26:37Well, what are you afraid of?
26:37Why?
26:40Well, you never said about your family behind me.
26:43I didn't know you are so close to me.
26:47I didn't know you did.
26:49I didn't know you did.
26:50I didn't know you did.
26:53I did not know you did.
26:55I didn't know you did.
26:57to talk about this topic.
27:01Okay, I understand.
27:05But then you won't be able to hear what I have to tell you.
27:22Okay, when can you do that?
27:23Okay, let me call you later.
27:28Hello.
27:32Okay.
27:34Okay, okay.
27:36What do you want to do with your Blavodži?
27:40You have caught Relju Topić without a burden.
27:44You have to leave him now.
27:48It's not necessary.
27:50It's not necessary.
27:52You are not normal.
27:54We found the weapon in the hotel room.
27:57What is the weapon?
27:58No.
27:59No.
28:07No.
28:08No.
28:15No.
28:18No.
28:20No.
28:21No problem.
28:23You could have been able to pull his head out of his arms.
28:28No.
28:30No.
28:31No.
28:33No.
28:34No.
28:35No.
28:35No.
28:37No.
28:52No.
28:54No.
29:03No.
29:04No.
29:05No.
29:07No.
29:14No.
29:18No.
29:40No.
29:41No.
29:42No.
29:50No.
29:51No.
29:52No.
29:55No.
29:56No.
29:58No.
29:59No.
30:05No.
30:07No.
30:07No.
30:08No.
30:09No.
30:09No.
30:10No.
30:11No.
30:11No.
30:11No.
30:13No.
30:14No.
30:14No.
30:20No.
30:20No.
30:21No.
30:21No.
30:46I have to do that.
30:51I don't know what to do.
31:19What?
31:22That the police looks funny because of you.
31:27Okay, it wouldn't be an answer to you.
31:30It wouldn't be an answer to you.
31:33It wouldn't be an answer to you.
31:34No!
31:37Get out of here.
31:40I don't know what I said to you.
31:59What is this? How it looks good.
32:04This is amazing.
32:06You're amazing.
32:07You're amazing.
32:08You're amazing.
32:16We're so proud to be a brand.
32:35I love you.
32:36Okay, good.
32:37I've learned how to put this logo on the center.
32:41You see?
32:42It's in the center.
32:43You know that I'm allergic to the imperfections.
32:47You have to be like a piece.
32:49I have a symmetry.
32:51I'm going to be like a piece of paper.
32:52Okay, I'm going to be like a piece of paper.
32:54I mean, really, this is all just a piece of paper.
32:58A piece of paper.
32:59And what inside us, we have to get someone to call us again.
33:03You're so beautiful.
33:05You're so beautiful.
33:07You're so beautiful.
33:08You're so beautiful.
33:10You're so beautiful.
33:12You're so beautiful.
33:14Yes.
33:15You're so beautiful.
33:17Really?
33:18You're so beautiful.
33:19Yes.
33:20I didn't see you at the end so I don't know what to do with you.
33:24Ah.
33:26Okay.
33:27Can I ask you something?
33:29Ask me.
33:31What do you have to know?
33:34What do you think?
33:34What?
33:35Dr. Bokka.
33:35Dr. Bokka.
33:47Dr. Bokka.
33:52You're so beautiful.
33:55Dr. Bokka.
33:55I'm taking your job.
33:56I'm taking your job.
33:57I'm taking your job.
34:00Do you have any treatment?
34:03No, I don't have any treatment.
34:06Do you have any treatment?
34:08Yes, I don't have any treatment.
34:11I don't have any treatment.
34:12The best would be to do you with a complete documentation.
34:15The doctor will do the assessment,
34:17and we will see it.
34:18I will see you in the experience with the patient.
34:24How is the potential treatment?
34:29Do you worry first meaning?
34:31In the settings,
34:31there is a problem with a craving period.
34:31If the medication is important
34:35and you can settle into control
34:39anday eu bunları to be prepared.
34:42The reason is before it is important to meet the results.
34:45Is it going to take pregled?
34:48In the next week...
34:51There is nothing against getting whatever time.
34:53Do not make the recommendation for the first term.
34:56at 17.30.
34:58Yes, I can write it. Thank you.
35:05Did you talk about it?
35:08What is your question?
35:12The question is...
35:15I think you should have something
35:17too much from me.
35:43I hope that it's a little bit slow.
35:45More than a little bit.
35:46Tell us.
35:47The role is in trouble.
35:49I don't know anything to do with you,
35:52but it became a problem.
35:54It's like that.
35:55So I think you should have...
35:56That's right. We said that we will use Nebojšu in the special situations,
36:01and I'm calling him for every sit-in.
36:03Okay, don't worry about him.
36:06I'm afraid that someone will have something to do.
36:10Don't worry, nothing will happen.
36:13It's just a question of the moment when someone will throw Nebojšu in the police.
36:17Maybe they will throw him more.
36:18That's right.
36:19That's right.
36:20How is that?
36:21What's wrong?
36:25Why is Caka?
36:27Well, it's not all right.
36:29How do you say it?
36:33Pona, it's right in my own skin, you understand?
36:37It's just some problems, problems, problems.
36:39I don't know where are those problems.
36:41But they're not so big problems.
36:43It's not the end of the world, Ksenija.
36:46It's not the end of the world.
36:57I don't know where they are.
36:59I'm sorry.
37:00Again, I'm sorry.
37:01Okay, let's go.
37:02Everything you experienced with Alex Tom, it's an effect.
37:05But this moment that's happening, it's not normal.
37:07Thank you very much.
37:20Listen.
37:23Don't stop.
37:24No, it's not the truth that I didn't hear.
37:26Everything is clear.
37:27They aren't good news, right?
37:29What happened?
37:41You came here in the world clinic where you paid money.
37:42Do you know something weird?
37:43I don't know what it is.
37:44Wait.
37:45You went to the medical clinic and you gave money.
37:48Did you not get any specific answers there?
37:51I don't know.
37:52Let's go.
38:03What was that?
38:05Why did you have been so silly?
38:06Senija, don't let me ask you to behave like a witch. Don't let me do that!
38:13I'm a witch.
38:24Okay, okay, but how did you get to those changes?
38:29The best thing is to do what you will say.
38:32And that nothing will happen.
38:33What do you think?
38:35Or I?
38:36I.
38:37Here we go.
38:56Do you have some nice news with me?
39:00I am.
39:14What do you think?
39:22What do you think?
39:25What do you think?
39:45What do you think?
39:47What do you think?
39:48I am.
39:49I love you, I love you.
39:52I love you, I love you, I love you, I love you.
39:59Thank you very much to me I love you.
40:00We want to 밝η L loser.
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