- 2 days ago
Igra sudbine 1938 epizoda (19. 10. 2026)
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00:00O.K.S.
00:01O.K.S.
00:05O.K.S.
00:07O.K.S.
00:08O.K.S.
00:09O.K.S.
00:10O.K.S.
00:14O.K.S.
00:14O.K.S.
00:16Hey, Sine, pa...
00:18I was talking to Nadum.
00:21What?
00:21He's talking to Nadum.
00:23I can hear him.
00:23I can hear him.
00:24Oh, I'm sorry.
00:25I finished the conversation.
00:27I was getting a message from you.
00:30What do you say, Nada? How much is left?
00:34She doesn't know that she has a lot of work,
00:41but I don't understand anything.
00:46I don't understand anything.
00:49It's so bad that I don't know what to do.
00:53I'll tell you what to do.
00:55What do you say?
00:56She is in Paris in the 25th century.
01:01In Paris.
01:02In Paris?
01:04That's what I've said.
01:06Tell me, Paris is not in Paris.
01:08In 20th century.
01:10Why do I know, son, geography?
01:13What do you think about this story?
01:14I don't know.
01:15I know only that she is in Paris,
01:17God, and for the pilot.
01:20Listen.
01:22Now I'm going to go to Lenko.
01:25What do you call Lenko?
01:27What do you call Lenko?
01:28Lenko is from there in Baškari, in Mallorca,
01:30and my Nada is on the periphery of Paris.
01:32It's like a hotel in Paris.
01:34It's crazy.
01:35Hold on, son.
01:37That's right.
01:39That's the story of the chefs.
01:42Mother.
01:44It's not only the chef.
01:45They are the same.
01:45They are the same.
01:46It's not human.
01:47And I'll tell you something.
01:50Nada.
01:50It's so good.
01:52It's so good.
01:52It's so good.
01:55It's so good.
01:55I'm not a man.
01:56That's why I'm going to go to Lenko.
01:58Look.
01:59It's so good.
02:00My heart, love your mother.
02:03I'm so proud of you.
02:05You've never been so proud of me.
02:07You've never been so proud of me.
02:09Thank you, mother.
02:11I'm so proud of you.
02:12Thank you, mother.
02:13And I'll tell you to give me this date.
02:16I think you know how much I'm doing.
02:20You're my mother and your husband.
02:21You're my mother and your husband.
02:22You love me too.
02:25You're my mother.
02:26You're my mother.
02:29You're my mother.
02:30You're my mother.
02:31I'm so proud of you.
02:31But I ask you to not be mad.
02:34That's for me.
02:36I'm so proud of you.
02:36Because if someone needs to call Lenko,
02:39I'm up to you.
02:41Alright, mother.
02:42We've been right.
02:44But I'm so proud of you.
02:46You're my mother.
02:46You were so proud of me.
02:46I'm not fair.
02:47What was it?
02:48It was horrible.
02:49It was horrible.
02:50Listen, listen.
02:51I have to go to school.
02:54Let's go.
02:55Let's go.
02:55Let's go.
02:56You're good.
03:03Why did you hurt Marica?
03:20What kind of action?
03:24Well, I had to go to school.
03:27And I left them a blanket.
03:30What did you leave them?
03:32A blanket.
03:34A blanket?
03:35What a blanket?
03:37Wait.
03:38Let's go.
03:39Let's go.
03:39Let's go.
03:40Do you want some money?
03:42No.
03:43Do you want some money?
03:44No.
03:45No.
03:46I know.
03:49Ljudsku butnu kosku.
03:52Let's go.
03:53No.
03:54Let's go.
03:55Let's go.
03:56I left them a yellow stick.
03:59You told me you found me.
04:03If they don't use me, I don't know.
04:09You're right, Djavolic.
04:13You're right, Djavolic.
04:15You're right.
04:15You're right.
04:16You're right.
04:18You're right.
04:19You're right.
04:20You're right.
04:20I just knew that you're going to talk about something.
04:24Tell me.
04:25Why did you have to do that right now?
04:29Why?
04:31I don't know.
04:32I don't know.
04:34You're right.
04:34Why did you have to do that right after my date with Stel?
04:38What's the difference between your date with Stel?
04:41You're doing my own work.
04:42I'm doing my own work.
04:44I'm doing my own work.
04:44It's very close to you.
04:45Maybe it's going to happen to match those two things.
04:49What do you want to match the red shirt with Stel?
04:52I'm doing my own work, I'm really sure.
04:54Okay.
04:55Maybe you're right.
04:58Maybe you're right.
05:00Maybe you've had to wait a few days.
05:02And I didn't know why you've had to do this right now.
05:07Because I've got inspiration to you.
05:10Did you get inspiration?
05:12Yes.
05:13Maybe you're a little love.
05:16Yes?
05:17Yes.
05:18Maybe you're a little cruel that I'm on a date with your partner.
05:25Well, I can't say that it's all just one thing, but I know that it's all because of the job.
05:30Of course, it's because of the job.
05:33Believe me, I don't care about anything else.
05:54Hello, Ksanče.
05:55Where are you talking to me all night?
05:58I'm in the talafin.
05:59Oh my God, listen.
06:01You look like a dog.
06:03Please, I don't care about me. I'm a financial problem.
06:09I don't understand how do you think I'm working if you don't care about me.
06:13I've already told you that I'm not going to do these things.
06:16Well, it's always going to be at the beginning,
06:18while everyone don't understand that I'm in the end of the day.
06:23Ksenija, I'm not going to do detective tasks.
06:26I'm going to do a woman's job.
06:28I don't know how many times I'm going to tell you.
06:30Ksenče, that's not a science.
06:32I mean, you're going to be a real private detective.
06:36You're going to be my private detective.
06:38I mean, it's just because I have a leg and I can't myself.
06:42It's like a help.
06:43You hear what you're talking about?
06:45I don't know if you're talking about what you're talking about.
06:49You're not going to be my detective, but you're going to be private.
06:51No, you're going to be my detective.
06:53I think I'm going to be my detective.
06:54I think I'm going to be my detective.
06:55I think I'm going to be my detective.
06:59I think I'm going to be my other side and my own life.
07:03You, Ivona, don't understand the hit mind of this situation.
07:08I won't do this with the crime and Jimmy, stories, things, jobs.
07:13Ivona, good, don't do that anymore.
07:15Thanks.
07:16I'm not clear how you can't understand.
07:19To do this interview or work like a private detective
07:23is a good thing for you.
07:26I don't know, Ksenija, I don't understand that.
07:29That's why I'm telling you.
07:31See, it's very simple.
07:33You, when you work like a konobarica,
07:35you go to the table, replace the paper,
07:38and what do you do?
07:39You're listening!
07:40I ask you, I don't have time to do it anymore.
07:44Let's do it!
07:45You know exactly who came, who came out,
07:48who was a good guest, who wasn't a good guest.
07:50You go to all of them.
07:52They tell you parts of their own private life.
07:54You understand, Ivona?
07:56You know why?
07:58Because you are just a konobarica for them.
08:02Who is working there?
08:03And they're waiting for you to tell you something stupid.
08:06They don't need to see you,
08:08they don't need to get to the local.
08:10You, people, are not aware of that
08:12you have your own private life
08:14outside of the local.
08:16You are just a konobarica for them
08:18who is working in a cafe.
08:20Okay.
08:21I told you that I don't want to do it.
08:23You can't believe me
08:25at any moment
08:26that these two jobs are similar.
08:29Okay.
08:31Then tell me
08:32how do you plan to find a job
08:34if the phone is completely excluded?
08:50What?
08:56What?
08:57What?
08:58What's your name?
08:58I have a gift.
08:59What?
09:00A gift.
09:00I have to say.
09:01Here is your gift.
09:01I have to say to your gift.
09:01The gift that lies in the store.
09:02Why is it a gift that lies in your house?
09:03The gift that lies in the store.
09:04The gift that has come back to me.
09:05So you have nothing to be able to do in that spotting?
09:06Let's go.
09:10I've cooked a little bit more.
09:12It's like I know you'll be able to get.
09:14Hey, brother.
09:15I've got a lot of money.
09:16Yeah.
09:17You'll be able to get out of it.
09:18Yeah, great.
09:19I wonder if you won't.
09:21That's a good one.
09:22Thank you, brother.
09:23We don't have to do it every day.
09:25That's right.
09:27But, where are you going?
09:29Where are you going?
09:30Where are you going?
09:31I'm going to go.
09:32Good, good.
09:33Bravo, bravo, bravo, bravo.
09:35Nego vidi.
09:38Jesi li ti objavio onaj klip?
09:41Nisem još.
09:43Polako s tim.
09:43Šta polako, Goran?
09:45Polako.
09:45Ma šta polako, majke ti?
09:47Pa što smo ga snimali?
09:48Ako ćemo sada čekamo.
09:50Vidi mi da.
09:50Ni da je to tako.
09:51Ja moram tu prvo da uradim branding.
09:53Razumiješ?
09:56O, očeračeš me ugoro prije vakta sa tim sranim riječima.
10:00Šta ti znači sa to, bleeding?
10:02Branding.
10:03Branding.
10:03To ti je vizualni identitet.
10:05To su ti je animacije.
10:06To ti je von slova.
10:07To je milion stvari.
10:08Ne razumiješ se ti u to.
10:09Nego eto.
10:10Da znaš.
10:11A dobro, dobro.
10:12Jasno mi jasno.
10:13Nego, kako ja mogu da ti pomomljam?
10:15Ti nikako.
10:16Što?
10:17Pa s obzirom da si se posvađao s estetikom odavno, nikako.
10:21Ja se posvađao s estetikom.
10:23Pa labče jedan.
10:25Ti ćeš da mi pričaš.
10:26Ja sam esteta par excellence.
10:29Jesi, jesi.
10:30Slušaj, da ću ti ja da vidiš ti to kad ja završim pa ću ti dat neku primjer.
10:33Slušaj jednu stvar.
10:35Ti i ja se nijesmo dogovorili o ovom poslu oko najbitnije stvari.
10:40A koja je to stvar?
10:42Vidi, ako se bude išlo kako smo ti ja planirali, ako bude tu dosta para, mi se moramo dogovoriti kako
10:47ćemo da podijelimo te pare.
10:50A tako je.
10:51Tako.
10:52A to tebe muči.
10:53To.
10:53Znaš šta?
10:55Kvaran si ko mučak.
11:09Ne znam.
11:11Ne znam.
11:13Zvaću sa babinog broja.
11:16Dobro, to baš vidimo.
11:18Ne, zvaću sa maminog broja.
11:21Eh, to ću dobraći.
11:22Kakva baba Ivona.
11:24Kakva keva.
11:26Evo, razmisli samo na sekundu.
11:31Posludavac te zove nazad.
11:33Baba se javila.
11:35Baba u tom trenutku gleda svoju omiljenu tursku seriju.
11:38I šta se dešava?
11:40Baba popizdi, otara ga utrije lepe, mislim.
11:43Vrlo je prosto i logično.
11:44Ne znaš šta pričaš uopšte.
11:46Dobro, to i jeste istina.
11:48O.
11:50Naravno da je istina.
11:51Zato me puci da je malo zasladi.
11:53Joj, još mi treba tvoje zaslađivanje.
11:55Meni treba da ja zasladim jednu kafu.
11:57Izvini.
11:58Može i jednu kapućinu?
12:00Hvala.
12:01Makar nešto.
12:02Ja drugarice vidim da tebi danas nije dan,
12:04ali ja se neću uvrediti.
12:06Jer smo ti ja najbolje drugarice.
12:08Čak sam ti nešto spremila.
12:15Jedan, dva, tri, četiri, pet.
12:28Šta je to?
12:30Pa to je da platiš svoj telefon, da kupiš sebi nešto malo lepše, da obučaš neku šminku, da se doteraš
12:39već jednom Ivona, a ne tako da izgledaš i mali avans.
12:46Ksenija, već sam ti rekla da neću da se bavim tim stvarima.
12:50Ivona, to je zato što ja imam jednu molbu, razumeš.
12:56Dobro, kako mogu?
12:59Pa vidi, to je, to je sitnica. To nije ništa strašno.
13:03Znači, treba samo da eto tako pozoveš tog kumarca i da ugovoriš tako neki sastanak sa njim i da vidiš
13:11da on meni može da pomogne ili ne.
13:13Ne znam, Ksenija...
13:19Ivona, para na paru ide. Nemoj sad da se snebi vršta.
13:24Ali ja sam tebi već rekla da ja nisam deo takvih priča.
13:27Pa nisi ti deo tih priča, ti meni samo pomažeš, Ivona, zato što ja ne mogu jer imam ovu glupavu
13:35nanogicu na nozi.
13:36Inače bi ja išla, razumeš, uopšte to nije sad, ja bi to uradila.
13:40Da.
13:40Ti meni pomažeš sad.
13:42Da.
13:45A dobro bi mi došla ta para.
13:47Veruj mi, Ivona, posle ovoga. Ima da te krene, sve u šestnast, mi ste tu. Nema prič.
13:53Hajde.
13:58Ruka, ruci.
13:59Ksenija, molite.
14:07Hajde.
14:12Moja najbolja drugarica.
14:16Eh, hvala.
14:23Tako, kako ti je baba?
14:26Gleda Torske serije.
14:28Kao i uvek.
14:41Što sam na tom ućak? Što sam paran mid?
14:43Vidi, vrate, je li svud u svijetu običaj da se ljudi prije posla dogovore oko para?
14:50Tačno.
14:50Eto.
14:51Ali u svijetu, Gorene.
14:52U svijetu.
14:54Koji si bi ti svjetski čovjek, majke ti?
14:56Dalje od Berana mrdno nijesi.
14:58Ljudi, moji ljudi.
15:00Tačno što vam vidi jes ne trebao da popijemo nul lozu prvo pa bismo se sve dogovorili i odnoga.
15:03Dobro, dobro, dobro, ajde polako.
15:05Maxi.
15:06Polako, ajde.
15:07Ajde da čujem.
15:08Šta si ti to smislio, a?
15:10Ja, ništa, vrate, da podijelimo pare fifty-fifty.
15:13Pa molim.
15:14E, šta je?
15:15Fifty-fifty.
15:16Pa šta je, znaš engleski sad, jeli?
15:18Ma ma pušti ti sad engleski, ja da ne moš to tako.
15:21Nego kako mi idem?
15:22A ma šta, fifty-fifty, kukala ti Adka.
15:24Pa ja sam po cijel dam pred kamere.
15:26Ja se pojavim pred ljudima.
15:29Ništa to, pola-pola.
15:30Dobro, ti si ispred kamere.
15:31Ali neko legendu iza kamere.
15:33Cijeniš li ti moj rad?
15:35Ja te čoviče snimam.
15:36Ja to nalickam sve.
15:38Ja sve to uokvirim, Ido.
15:40Razumiješ li ti to?
15:40Ja na kraju dam svakog tvog videa, dam final touch.
15:44Razumiješ?
15:44A ma džaba, ti tačiraš to ako mena nema ispred kamere.
15:49Nego, znaš šta?
15:50Uzmi ti lija po kameru pa snimaj samog sebe po cijel dan.
15:53Uživaj!
15:53Ido, moraš da cijeniš moj rad.
15:55Moje zalaganje moraš da cijeniš mi, Ido.
15:58Valjda to trpi ovaj naš Enterprise.
16:00Opet ovaj.
16:02Ubi me s tim latinskim riječima.
16:04Nemoj mi to.
16:05Nemoj me izbudivati.
16:06Šta ti to sa znaš?
16:07To je poslovni projekat integracija.
16:10A poslovni projekat?
16:11E.
16:12Znaš šta?
16:13E?
16:14Ajde, ovako će molija.
16:15Slušaj ti mene.
16:18Najviše što možeš od mene da dobiješ.
16:22To ti je 30%.
16:27Budi srećan.
16:28I to samo zato što si mi posinak.
16:30Tačka.
16:31Slušaj, očuše.
16:32E.
16:33Ja ti kažem ja jednu stvar.
16:34Ajde.
16:34Toliki je posao da ja radim za tebe za 30%.
16:37E.
16:37Trika nema.
16:39Nećeš.
16:40Ne.
16:4130% nećeš.
16:42Ne.
16:43Neću.
16:44Ja se odrah i ti mi 30% daješ.
16:46Bježi.
16:48Dobro, urad.
16:50Dobro.
16:51Dobro.
16:52E onda ništa?
16:53Nikome ništa.
16:54Kako ništa?
16:55Ništa.
16:55Kako ništa?
16:56Oliš sav ovaj trud u vodu da bacim zbog tebe.
16:58Ja da ne bi ovali.
17:01Stani malo, stani malo.
17:02Evo ide pančeta.
17:03Zaboravila je ključ.
17:04Ide spjace.
17:05Da zučno nije se zuča.
17:06Šta?
17:06Da zučne?
17:07Neka se ništa dogovorila ni jesno.
17:08Šta?
17:08Pažiš.
17:09Ajde uđi slobodno.
17:11Nisam zaključio.
17:22Ta vi komšije stvarno niste normalni.
17:37Tam po hrač Šta bhada.
17:50Yek.
17:52Aaaaaaaaaaaaa.
17:55Esha.
17:56Eaaah.
17:58O dobro jutro.
18:00What's up?
18:02What's up tomorrow? It's already afternoon.
18:05Oh, I can't sleep yet.
18:10I'm going to break my brain a little.
18:14I'll leave when the boss calls.
18:17And today, the boss is not.
18:22What's it smell like?
18:24It smells like coffee.
18:26That's what I bought yesterday.
18:31What's up with me?
18:33Your?
18:35Nothing.
18:36I don't feel the smell.
18:38I just threw it out.
18:43Oh, you smell something really good.
18:48Oh, that's fancy.
18:51Is it good?
18:54Okay, okay.
18:56I don't know if it's fancy,
18:59but you take it like this,
19:01you open it,
19:02and it's like the aroma of the coffee.
19:05You understand?
19:05I understand.
19:06I understand.
19:07It's aroma.
19:09You need to open it and open it up.
19:12Yes, you need to open it up.
19:14You need to open it up.
19:15You need to open it up.
19:17You need to open it up.
19:18Yes, it looks like it is.
19:28Have I done some of them?
19:31I don't know what to do.
19:35What do you care about?
19:47What's that, my friend?
19:50First, we say good day, how are you?
19:53Then we say good, good, and so on.
19:58I've never met you.
20:01Come on, come on, come on, come on, come on, come on, come on, come on, come on, come on,
20:06come on.
20:07We have a cup of coffee.
20:08What's that, my friend?
20:10I'm sitting here and sit and drink coffee.
20:13What?
20:13We're not able to eat it.
20:15There's a lot of blood.
20:18What do you think, come on?
20:21We're going to get out of the way, right?
20:23What?
20:24We're not going to eat it, right?
20:27Come on, come on, come on, come on, come on.
20:29Do you know about the thing called aspirator?
20:33I'm very pleased to say that she would use it not only for you, but for the whole kitchen.
20:38See, that's not our department.
20:41Do you understand?
20:41I don't understand.
20:42What's the matter about the kitchen and the things that you're going to do with our dear pancetta, my mother,
20:47and my husband, this eminent gentleman.
20:49That's right.
20:50You certainly think of a woman who is very rude.
20:56You see, I don't know anything about it.
20:59But I know that no one can be able to suffer your zulum and your gastronomic experiments.
21:07Good morning.
21:08Good morning.
21:18Good morning.
21:19Good morning.
21:20I'm feeling like I heard a little crash when I came in.
21:25First of all, I'm not... I can't do that for you.
21:30I'm a professor of bibliothecarship in Penzi,
21:33Mr. Prof. Dr. Dositej Mšpadir.
21:37We know.
21:38Mother, Mr. Prof. Dr. Smeta,
21:40you're going to say that you're going to eat a chicken.
21:43What do you mean?
21:46Now you're going to eat a chicken
21:52and you're going to eat a chicken.
21:53You're going to eat this table
21:55and you're going to try my chicken.
21:58Then you're going to judge whether she's a chicken or not.
22:15I'm a man, I like to be informed.
22:18I like to know what's happening in the world.
22:24The world around you, the world of these four walls,
22:28the couch, the body, the refrigerator,
22:30it's your world.
22:33What's going on with Matija?
22:40What's going on with Matija?
22:42What's going on with Matija is our thing.
22:45It's the same as Matija and I,
22:47it's our thing again.
22:48and there's nothing to do with this.
22:52It's not anything to do with this.
22:55It's also a big business.
23:01Listen,
23:02Listen, listen.
23:08You could go there to the car, you know?
23:12Yes?
23:13And to see that I wasn't there.
23:19Wait, how do I go there to the car?
23:22To see if you are there when you go?
23:25I don't understand.
23:27I'm a little blind, sorry.
23:33What do you hear?
23:35Eh?
23:40Do you hear this?
23:43What?
23:45What now?
23:47I don't hear anything.
23:50First of all, it's called silence.
23:56And now I'm going to remind you to be in silence,
23:59and it seems to me to be in silence.
24:02I'm in silence.
24:03Oh, nice.
24:06But there's culture here.
24:10I'm not here because of culture.
24:14Do you have any plans for us today?
24:18You won't go there.
24:29What?
24:36What?
24:37What?
24:38What?
24:40What?
24:40What?
25:06The police,
25:09Also,
25:10That's how they call it, or what they call it already.
25:15And why don't you say first thanks to the one who has called you on a warm spot?
25:21That's right.
25:22And not to call us the police and bring them to the house every time.
25:26Just slowly, it seems to me that I understand him.
25:31This is a bad thing. Panci, I've worked very hard on the road, understand?
25:34Do you understand? These rich people, all the more money, have all the more aversions towards my gluten.
25:43We understand, I'm not a rich man nor a rich man.
25:47That doesn't mean that I have no right for my own right.
25:53Just to tell you, my body is my temple.
25:58Let's go.
26:01Kofi, I have a request.
26:04Come on tomorrow, with us in the evening,
26:08bring your food together with me,
26:10and I will try to enjoy your sophisticated taste.
26:15Is it possible?
26:17What do you think?
26:20It's okay, it's possible.
26:22It's okay.
26:22Now I remember,
26:25that the morning opera,
26:27that I planned to go out,
26:29was rejected.
26:30I'm happy.
26:31It's like the opera,
26:32you know,
26:32she got sick,
26:33and she was rejected.
26:34So, I'll be able to do it tomorrow.
26:37It's okay.
26:38Then, we'll see you tomorrow morning.
26:40Bye.
26:41Bye.
26:42Bye.
26:43Bye.
26:44Bye.
26:44Bye.
26:45Bye.
26:47Bye.
26:50Okay.
26:56Is this possible
26:58to stop calling me this dog
27:01please
27:01to their bedtime trainyoraan?
27:03Is it really possible?
27:09Yes.
27:10What are you doing?
27:11Mr. Rads?
27:12I can't speak anyway.
27:12Are you just aware of nationality?
27:14Finally, Pancetta, that someone will change me.
27:19What do you mean by me?
27:21That someone else will be nervous, Pancetta, not only me.
27:25Sorry.
27:31Let's go.
27:32What?
27:33What?
27:34That's why I would have known you.
27:36You're young, you're young.
27:37You're young, you're young.
27:38You're young.
27:38You're young.
27:39You're young.
27:39You're young.
27:39I can't even remember if I wanted to drink...
27:42So I can drink a cup.
27:43I drink a cup.
27:44I can't drink a cup, I can't drink a cup...
27:46Oh, what are you saying?
27:49Here you go.
27:53Now let's go.