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00:00:02Oh, Dr. Schvener, how nice.
00:00:05Monsieur, there is something I must say to you.
00:00:08Oh, please don't say me sure.
00:00:11I'm Dinah to you.
00:00:13Huh, huh, yes.
00:00:14Well, Dinah.
00:00:16I know you're going to scold me for not learning the ending, but I know it now.
00:00:20Listen.
00:00:30Is that right, Dr.?
00:00:32Yes, beautiful.
00:00:34It's beautiful, but, Monsieur, Dinah, I just rapped you.
00:00:39And it was darn sweet of you too.
00:00:41Imagine visiting me, a great man like you.
00:00:45But what I came, like me?
00:00:47You're not only a great conductor
00:00:48But I think you're a terribly nice person
00:00:51All I came here for is
00:00:53You do?
00:00:55Yes
00:00:55And you know something doctor?
00:00:57What?
00:00:57The minute I laid eyes on you
00:00:59I had the most irresistible desire
00:01:02Please I have a wife in Malibu
00:01:04Oh your wife won't mind?
00:01:06I really can't resist it
00:01:08Five little grandchildren
00:01:09Won't you let me do it now?
00:01:12What?
00:01:13This
00:01:19I just had to get that out of my system
00:01:21Now
00:01:22What was it you wanted to talk to me about doctor?
00:01:24Well we just talked
00:01:25Yes
00:01:26We just talked and you are ready
00:01:28We run through your number maybe
00:01:30All right
00:01:30You run along and I'll be right back
00:01:33Anytime you want to
00:01:35Please help yourself
00:01:37All right
00:01:38Goodbye
00:01:42Joe
00:01:43I hate to do a thing like this to a nice fellow like you
00:01:48In all my life I don't see such a face
00:01:51He is repulsive isn't he?
00:01:53But do your best
00:01:53Don't you worry
00:01:55When I finish you're gonna look repulsive just like him
00:02:00Joe the boys are getting impatient
00:02:02How's it coming?
00:02:03Great I'm getting uglier by the minute
00:02:05Angelo
00:02:06Angelo what's cutting?
00:02:07Haven't you finished yet?
00:02:08Most of course
00:02:09Look I am an obligation
00:02:11To carry hair takes just so long
00:02:13Angelo
00:02:14Shut up
00:02:14If you want artistic job
00:02:17You see Angelo
00:02:18If you want speed
00:02:20You see Mr. Henry Kaiser
00:02:23Hey Tommy
00:02:24You know it's one o'clock?
00:02:25Yeah let's get going
00:02:26Hey what I got here
00:02:28Wash a bone or rosa bone?
00:02:29Look at this Angelo
00:02:31You left the sides too far
00:02:32Look at that kisser
00:02:33How could he ever let anyone photograph him from the side?
00:02:36Say if you had a pan like that
00:02:37You wouldn't want to show more than half of it either
00:02:39Oh that's fine Angelo
00:02:41It's perfect
00:02:41Yeah that looks pretty good to me
00:02:43There I'm all finished
00:02:44Oh you made good time too
00:02:46Here you are Joe
00:02:47Thank you Angelo
00:02:48I think you did a great job
00:02:50Thank you
00:02:51Gosh I'm beginning to hate myself already
00:02:53Well
00:02:54Here you are
00:02:55And this is for you
00:02:56What's the matter?
00:02:57Five cents of tips
00:02:58So long Angelo
00:02:59Come on everybody
00:03:00Let's go
00:03:01We've got to hurry now
00:03:02Come on
00:03:07Gentlemen
00:03:08Final rehearsal
00:03:09And for Dinah Shore
00:03:11Play like you never played before
00:03:13Play good
00:03:27The early birdie used to say
00:03:31Gotta work
00:03:33Gotta work
00:03:34Better go to work
00:03:36And the day was a busy thing
00:03:40But now without you
00:03:44You
00:03:47That birdie sings another tune
00:03:51Stay asleep
00:03:53Stay asleep
00:03:55Better stay asleep
00:03:57All morning
00:03:59All morning
00:04:00Night
00:04:02And noon
00:04:07The dreamer
00:04:09The dreamer
00:04:10The dreamer
00:04:11I reckon that's my name
00:04:13Since you're gone away
00:04:17But how am I gonna see you
00:04:20But how am I gonna see you
00:04:20Lest I dream
00:04:21All day
00:04:25Of a long and miserable day
00:04:29They call me the dreamer
00:04:33They tell me it's a shame
00:04:35How lazy I seem
00:05:07But how am I gonna hold you
00:05:08And true
00:05:09And true
00:05:10Kiss from you
00:05:14The dreamer
00:05:16The dreamer
00:05:17I reckon that's my name
00:05:20Why change it
00:05:22What for
00:05:23I wanna stay a dreamer
00:05:27Till your home
00:05:29Is small
00:05:31So I stroll among
00:05:53Among the trees
00:05:56Like I didn't have a chore
00:05:59To do
00:06:00And I let the summer breeze
00:06:06Come and kiss me
00:06:08Like a real and true
00:06:12Kiss from you
00:06:17The dreamer
00:06:19The dreamer
00:06:20I reckon that's my name
00:06:23What change it
00:06:25What for
00:06:26I wanna stay a dreamer
00:06:30Till your home
00:06:32Once more
00:06:35Till your home
00:06:38And waken me up
00:06:41Once more
00:06:47Till your home
00:06:51And waken me up
00:06:55Once more
00:07:08Finchley
00:07:08Finchley, I don't wanna press you
00:07:09But are you still pressing my coat?
00:07:10I'm on the trousers now, boss
00:07:11Well, then shake a leg
00:07:14You get it?
00:07:15Trousers, shake a leg
00:07:19Olaf
00:07:21Please, boss
00:07:21Please, boss
00:07:22Doctor, kill me
00:07:23I can't help myself
00:07:24Every word that comes out of my mouth
00:07:26Is a scream
00:07:32Come in
00:07:35What's going on now?
00:07:36You're in the wrong room, boys
00:07:38Gene Autry's two doors down
00:07:39We come bring he big greeting
00:07:41How?
00:07:42Look it, boys
00:07:42I'm on the war path myself
00:07:43Will you please get out?
00:07:44How?
00:07:45The same way you came in
00:07:46That's how
00:07:47We come take you in
00:07:48Indian Brotherhood
00:07:49Make you honorary chief
00:07:51Boys, that honorary gag's been done so often
00:07:54Miss Corny
00:07:54You know what, B-Chief?
00:07:56We tell White Squaw from Life Magazine
00:07:58Go away
00:07:59Wait a minute
00:07:59You mean there's a lady here from Life Magazine?
00:08:02Huh
00:08:02Where, outside?
00:08:04Huh
00:08:04Gonna take him picture?
00:08:06Put him in magazine?
00:08:07Huh
00:08:07Say, I'll bet I'll look good at that, huh?
00:08:09Uh-uh
00:08:10That's fine, I'll do it
00:08:11Good
00:08:12You put him on war boner
00:08:13Oh, come here, Finchley, Olaf
00:08:15Look, I'm a warrior
00:08:16Woo-hoo-hoo-hoo
00:08:17I'll bet this'll keep my wig warm
00:08:19Ha-ha-ha-ha-ha-ha-ha-ha-ha
00:08:21Let's see the mirror
00:08:21See how I look
00:08:23Say, I'll bet it not
00:08:24I can pass as an Indian
00:08:25That is, with reservations
00:08:26Ha-ha-ha-ha-ha-ha-ha
00:08:28What's the matter, you're tired of your jobs?
00:08:30Oh-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha
00:08:31-ha-ha-ha-ha
00:08:31Well, let's go
00:08:32Now, remember, Joe
00:08:33The men you want to see are Farnsworth and Shlenner
00:08:35And they're both burned at canter
00:08:36For messing up their show
00:08:37So handle them with kid gloves
00:08:38He handled them, he says
00:08:39I don't even know what they look like
00:08:40Joe, you can't miss
00:08:42Shlenner looks like a beer barrel
00:08:43And Farnsworth's got a face like a moose
00:08:45A moose?
00:08:46Here's his clothes
00:08:53Sí, espero que no se haya caído en el badminton game.
00:08:58¿Qué está haciendo ahora?
00:09:00Quizás se va a tomar una pieza de pie.
00:09:02Pice de peat.
00:09:04Pice de peat.
00:09:05Pipe de peat.
00:09:06Bueno, si se hace, espero que hay un mickey en el tobacco.
00:09:10¿Ya está bien, Joe?
00:09:12Sí, es un beer barrel que se encuentra en el fondo de la moose.
00:09:16¡Duck!
00:09:17Aquí está.
00:09:18¿Cómo se puede hacer, Mr. Cannon?
00:09:19¿Puedo ir a un par de aquí, por favor?
00:09:20¿A un poco más o menos, Cheek?
00:09:21No, no, no, no, no, no.
00:09:21Thank you.
00:09:22Look right into the camera, please.
00:09:24You know, wearing this suit reminds me of a gag.
00:09:26I want to sit down on the radio.
00:09:27Don't move your head, please.
00:09:28An Indian comes up to me and says,
00:09:29you know, it's pretty tough for us Indians here in America.
00:09:31And I said, look, but if you don't like it here,
00:09:33why don't you go back where you came from?
00:09:34Laugh.
00:09:35Knock them silly.
00:09:36How's this?
00:09:37Just about perfect.
00:09:39Still.
00:09:40Okay, let's have it.
00:09:44Hurry up, boys.
00:09:45Come on.
00:09:48Look, look, look, look.
00:09:49The arcade snatching came.
00:09:51Mine, mine, mine, mine, mine.
00:09:53We should maybe call the police.
00:09:55No.
00:09:57No.
00:10:00Get going, Joe, and good luck.
00:10:01Don't you think we ought to give him one more little tap just to make sure?
00:10:04Oh, he'll be fine.
00:10:05See you later, Mr. Cantor.
00:10:07Okay.
00:10:07Your glasses, Joe.
00:10:08Oh, I'm such a dope.
00:10:10Keep thinking, Joe.
00:10:17Why did you hit me, Ida?
00:10:22Shee!
00:10:23What a celebration!
00:10:26You don't think they will be too easy on him?
00:10:28Easy?
00:10:29On Cantor?
00:10:29No.
00:10:30Those Indians?
00:10:31Look what they did to General Custer.
00:10:33And he was a very nice fella.
00:10:36I wonder.
00:10:36I didn't know him.
00:10:46Hello.
00:10:51Oh, pardon me.
00:10:53I've had enough of you, you wolf.
00:10:58And now, a toast.
00:10:59Toast.
00:11:00I give you the American Indians, and I add my admiration.
00:11:04And I give the Indians a decanter, and I add my wife's relatives.
00:11:09Skol.
00:11:12Come, come.
00:11:13Get to work.
00:11:14My, when I think of what that owl face could have done to our finale.
00:11:17His finale would have been our ending.
00:11:21Imagine, Slater, a few moments ago, that egotistical screwball was making our lives miserable.
00:11:25Yes.
00:11:26In where is he now?
00:11:27Who cares where he is, as long as he isn't here?
00:11:28Hello.
00:11:29How are you?
00:11:29How did you do?
00:11:29I tell you, we are the luckiest people in the whole world.
00:11:36Why, Eddie.
00:11:38What's the matter?
00:11:39What's wrong?
00:11:40You look fine.
00:11:41Why not?
00:11:41I am fine.
00:11:42But you bested us like we were intimate strangers.
00:11:45Yes.
00:11:45Didn't you know us?
00:11:46Know you?
00:11:47Well, of course I know you.
00:11:49Well, of course.
00:11:50You are the beer barrel, and you are the moose.
00:11:52A moose?
00:11:53I'm a Rotarian.
00:11:54Who's a moose?
00:11:54You are the moose, and I'm a barrel of beer.
00:11:57Remember?
00:11:59Oh, a moose.
00:12:01Oh, yes.
00:12:02Yes.
00:12:03Listen, I know you fellas have been unhappy with my ideas, so let's forget them, all of them,
00:12:07huh?
00:12:07What?
00:12:08You mean you don't want the avocados coming out of the gopher holes?
00:12:11Avocados?
00:12:12No.
00:12:13No avocados.
00:12:13And no lady potatoes splashing in the tartars?
00:12:16No, no, no, no.
00:12:17Oh, lady potatoes.
00:12:18No, no, no, no.
00:12:19We'll forget them.
00:12:20Go back to your original staging.
00:12:21Well, well, well.
00:12:23All I want is to have my protege they sing tonight.
00:12:25You remember?
00:12:25Tommy Randolph?
00:12:26Randolph?
00:12:27The boy what you...
00:12:28Out from the door twice, the boy?
00:12:30Yes.
00:12:31He's my dearest friend.
00:12:32Your dearest friend?
00:12:33Why, yes.
00:12:34Will you do it, please?
00:12:36Shlena?
00:12:36No.
00:12:37I tell you.
00:12:38You promise not to butt in again, and it's a deal.
00:12:40I promise.
00:12:41Tommy's waiting outside.
00:12:42I'll go and get him.
00:12:44I'll go and get him.
00:12:44He's right outside.
00:12:47Shlena, you're right.
00:12:48That blow on the head has caused loss of memory.
00:12:50That man has amnesia.
00:12:52On him it's becoming.
00:12:54Well, anyway, our troubles are over.
00:12:56Yes, they are over.
00:12:57Unless he remembers what he forgot.
00:12:59Oh, well, in that case, look.
00:13:01If he does, we'll keep this handy, huh?
00:13:04Now, now, now.
00:13:06Come.
00:13:08Miss Hattie McDaniel and Mr. Willie Best on stage, everybody, for the ice-cool Katie number.
00:13:38Private Jones is camping on the doorstep of Miss Katie Brown.
00:13:42She must be the very, very coldest preacher out in this town.
00:13:49He's been there for seven days and nights.
00:13:51And now he's leaving soon.
00:13:54And still she won't, still she won't, still she won't say.
00:13:57I do.
00:13:59Ice-cold Katie, won't you marry the soldier.
00:14:02Ice-cold Katie, won't you do it today.
00:14:05Ice-cold Katie, won't you marry the soldier.
00:14:08Soon he'll march away.
00:14:10Yeah!
00:14:11Ice-cold Katie, he's a-dying to hold ya.
00:14:13Keep that date he came higher and far.
00:14:16Ice-cold Katie, won't you marry the soldier.
00:14:19Soon he's off to war.
00:14:22Yeah, I am outside ringin', ringin', ringin' on your bell.
00:14:27Ringin' so long he's gonna be A-double-U-O-L.
00:14:32No!
00:14:33Ice-cold Katie, won't you do what I told ya.
00:14:35Ice-cold Katie, you're the top of the town.
00:14:38Ice-cold Katie, please marry the soldier.
00:14:41Melt, melt, melt on down.
00:14:44Ice-cold Katie Brown.
00:14:46Here comes the justice.
00:14:48God bless the justice.
00:14:49Here comes the justice now.
00:15:02I was here at seven.
00:15:04I was here at ten.
00:15:07I was here at eleven.
00:15:10And I positively won't be back again.
00:15:12I don't blame you.
00:15:13Is the ring already?
00:15:15Ask him.
00:15:16Did the bride get sense?
00:15:18No.
00:15:18Is the groom feeling steady after all the matrimonial suspense?
00:15:23Is the king and daddy?
00:15:26Is the choir in tune?
00:15:28Weird.
00:15:29Is the fear handy?
00:15:32The private may be leavin' mighty soon.
00:15:35King, king, king, king, king.
00:15:37Won't you step outside?
00:15:40Everything is ready for the bride.
00:15:48Ice-cold Katie, won't you marry the soldier?
00:15:51Ice-cold Katie, won't you do it today?
00:15:54Ice-cold Katie, won't you marry that soldier?
00:15:56Soon he'll march away.
00:15:59Ice-cold Katie, he's just time to hold you.
00:16:02Ice-cold Katie, how he troubles and grows.
00:16:05Ice-cold Katie, won't you marry the soldier?
00:16:08Harry, George, don't you know you ain't got no, got no, got no time to spare?
00:16:15Don't you know we're all sailin', sailin', sailin' over there?
00:16:21Ice-cold Katie, won't you do what I told you?
00:16:24Ice-cold Katie, ain't a moment to lose.
00:16:26Ice-cold Katie, won't you marry the soldier?
00:16:29Ice-cold Katie, won't you marry the soldier?
00:16:52¡Suscríbete al canal!
00:17:34¡Suscríbete al canal!
00:17:44¡Suscríbete al canal!
00:17:45¡Suscríbete al canal!
00:18:13¡Suscríbete al canal!
00:18:14¡Suscríbete al canal!
00:18:16¡Suscríbete al canal!
00:18:43¡Suscríbete al canal!
00:18:49¡Suscríbete al canal!
00:19:00¡Suscríbete al canal!
00:19:10¡Suscríbete al canal!
00:19:13¡Suscríbete al canal!
00:19:39¡Suscríbete al canal!
00:19:42¡Suscríbete al canal!
00:20:04¡Suscríbete al canal!
00:20:10¡Suscríbete al canal!
00:20:12¡Suscríbete al canal!
00:20:27¡Suscríbete al canal!
00:20:52¡Suscríbete al canal!
00:20:54¡Suscríbete al canal!
00:20:55¡Suscríbete al canal!
00:21:07¡Suscríbete al canal!
00:21:25¡Suscríbete al canal!
00:21:37¡Suscríbete al canal!
00:21:49¡Suscríbete al canal!
00:21:55¡Suscríbete al canal!
00:21:56¡Suscríbete al canal!
00:21:58¡Suscríbete al canal!
00:21:59¡Suscríbete al canal!
00:22:00¡Suscríbete al canal!
00:22:01¡Suscríbete al canal!
00:22:01¡Suscríbete al canal!
00:22:01¡Suscríbete al canal!
00:22:02¡Suscríbete al canal!
00:22:02¡Suscríbete al canal!
00:22:04¡Suscríbete al canal!
00:22:06¡Suscríbete al canal!
00:22:07¡Suscríbete al canal!
00:22:16Great reception, Dr. Schlener.
00:22:18Not sure, Lizzie.
00:22:20Intelligent people.
00:22:22Voice.
00:22:23Voice.
00:22:49Indians.
00:22:52Indians.
00:23:19Hey, have you got a union card?
00:23:21Yeah.
00:23:24There he is.
00:23:41Hello, Hamilton.
00:23:42What's up?
00:23:43I told the head nurse I might need a few of you guards.
00:23:45Violet Kiss, eh, Hamilton?
00:23:47Paraccipital pressure on the lower brain.
00:23:48You know how they get.
00:23:49Who's the patient?
00:23:51Seems to be a secret his family wants it kept quiet.
00:23:53He's a big Hollywood star or something.
00:23:56Dr. Kirby wants him calmed down before the operation.
00:23:59Oh, guy's gone haywire, huh?
00:24:01I know these schizophrenics.
00:24:03Hallucinations.
00:24:04Keep imagining they're wild people.
00:24:06Right, Freddy.
00:24:07Last week they say he thought he was a headhunter.
00:24:09Then he was an Australian bushman.
00:24:11And just yesterday he was a Wild West cowboy.
00:24:13Yippee.
00:24:16Get the police freak.
00:24:18Don't let them catch me.
00:24:19They're after me.
00:24:20Oh, what I've been through.
00:24:23Well, look who's here.
00:24:26You're safe now.
00:24:27We'll help you.
00:24:28Won't we, boys?
00:24:30Sure.
00:24:31Positively, Eddie.
00:24:32Well, what do you know?
00:24:33Our patient is Eddie Cantor.
00:24:35I always thought he was a little wacky.
00:24:37There, there, my poor man.
00:24:38Have you been running?
00:24:39Yes, they've been chasing me and chasing me and chasing me.
00:24:42Well, sit down.
00:24:44Who's been chasing you, Mr. Cantor?
00:24:46The Indians.
00:24:46Three of them.
00:24:47They're right outside.
00:24:48You see, boys, the Indians are chasing them.
00:24:50Not only the Indians, but dogs.
00:24:51Fifty of them all licking my feet.
00:24:53Fifty dogs all licking your feet?
00:24:55Yeah, but I fooled them.
00:24:56You know how?
00:24:56No.
00:24:57Well, I got off the seesaw and I left them there with the maple syrup.
00:25:01He left the dogs with the maple syrup.
00:25:04Clever, wasn't he?
00:25:05Don't you think so?
00:25:06Yes.
00:25:07Oh, very clever.
00:25:08Now, let's take off all our clothes and relax.
00:25:11Now, wait a minute.
00:25:11What are you doing to me?
00:25:13I didn't come here for this purpose.
00:25:14I'll see my lawyer about this.
00:25:16You can't get away with it.
00:25:17You can't.
00:25:18Just.
00:25:19Now, there we are.
00:25:21Now, don't we feel better?
00:25:23Well, Big Chief, let's all go into the teepee and have a nice, quiet powwow.
00:25:27Now, wait a minute.
00:25:28Teepee?
00:25:28Powwow?
00:25:29Are you guys crazy?
00:25:30Now, be a good little Indian.
00:25:32India?
00:25:32I'm no Indian.
00:25:33I'm Eddie Cantor.
00:25:34You know, Cantor with the five daughters?
00:25:36Sure.
00:25:36We know you.
00:25:37Great white father.
00:25:38No.
00:25:39Now, wait a minute.
00:25:39Where are you taking me?
00:25:40You can't do that to me.
00:25:41Where are you going?
00:25:42What are you doing to me?
00:25:44Buck.
00:25:45Back up.
00:25:45Get back.
00:25:46I don't want to get back.
00:25:47I don't want to get back.
00:25:53Now, ladies and gentlemen, Dinah Shaw.
00:26:06I wish you were coming home now instead of just going away.
00:26:10I'll miss you so much.
00:26:13But until we win the war, I guess it's a uniform first and love second.
00:26:17Yes, darling.
00:26:19All I can say is what so many other girls are saying today.
00:26:22I'll be waiting.
00:26:24And I'll be dreaming of the light in your eyes.
00:26:28And happy in the thought that when you do come back, we'll all be living in a better world.
00:26:33Not this mixed up world of 1861.
00:26:44How sweet you are.
00:26:48How sweet you are.
00:26:51How sweet you are.
00:27:35¡Suscríbete al canal!
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00:39:50¡Suscríbete al canal!
00:40:13¡Suscríbete al canal!
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00:40:54I simply can't compel it to
00:40:57With no marines to tell it to
00:41:02I'm either their first breath of spring
00:41:06Or else I'm their last little fling
00:41:11I either get a fossil
00:41:13Or an adolescent pup
00:41:15I either have to hold him off
00:41:19Or have to hold him up
00:41:23The battle is on
00:41:26But the fortress will hold
00:41:30They're either too young or too old
00:42:11I'll never, never fail you when you are in Australia
00:42:16Or out in the Aleutians
00:42:19Or off among the Russians
00:42:22And flying over Egypt
00:42:25Your heart will never be gypped
00:42:28And when you get to India
00:42:32I'll still be what I've been dear
00:42:37I've looked the field over
00:42:40And lo and behold
00:43:08Oh, that looks fine
00:43:09Now turn around a little
00:43:11You know, Pat, I'm kind of glad I gave up my radio career for the theater
00:43:14Why, sure
00:43:15Your public has a right to see you, too
00:43:16Yeah
00:43:17In 20 minutes I'll be out on that stage
00:43:19First I'll knock them dead with my song
00:43:21Then Alexis Smith goes into her dance
00:43:23Oh, Alexis Smith
00:43:24Wasn't she swelling, gentlemen, Jim?
00:43:25Yeah
00:43:26There she sat at the ringside
00:43:27Watching Corbett fight
00:43:29He throws a quick left jab
00:43:30Then follows with a sharp right cross
00:43:32Dullies away
00:43:33And then comes in for another looping left
00:43:35Oh, oh, Joe
00:43:37Joe, Joe
00:43:38Come on, Alex
00:43:39Sorry, Joe
00:43:40Fine thing
00:43:41I come in here for encouragement
00:43:42What do I get?
00:43:43Suck in the jaw
00:43:45My ears are ringing
00:43:46It's the telephone
00:43:47Telephone
00:43:49Hello
00:43:50Yeah, he's here
00:43:52Joe, it's for you
00:43:53They said, Joe
00:43:54I better put on my glasses
00:43:58Hello
00:43:59Yes, Charlie
00:44:00That's the Indian, isn't it?
00:44:01Yes
00:44:01Yes, Charlie
00:44:02I see
00:44:03Okay
00:44:04Thank you for calling
00:44:05What did he say?
00:44:06Nothing
00:44:06Cantor escaped
00:44:07And they just lost him
00:44:09Cantor escaped
00:44:09Cantor escaped
00:44:10Cantor escaped
00:44:11How?
00:44:12When?
00:44:12You see?
00:44:12I told you what would happen
00:44:13Let's get out of here
00:44:14Oh, wait a minute, Joe
00:44:15If you go, you go alone
00:44:16We're staying, aren't we, Tommy?
00:44:18Certainly
00:44:18What's the sense of getting panicky?
00:44:20If you get panicky, you have to have sense
00:44:23Joe
00:44:24Joe
00:44:27Ladies and gentlemen
00:44:29Leaving the field of lighter entertainment for just a few moments
00:44:32We now present a more serious interlude
00:44:34It is with genuine pride we bring you three of the screen's foremost dramatic stars
00:44:39Miss Olivia de Havilland
00:44:41Miss Ida Lupino
00:44:42And Mr. George Tobias
00:44:58Miss Ida Lupino
00:45:00Miss Ida Lupino
00:45:23Since you've gone away
00:45:28Hey, wait
00:45:29Guess I'm just a lazy
00:45:31Till Uta Ritzy
00:45:33Tell Uta Ritzy
00:45:34Till Uta Ritzy
00:45:35Till Uta Ritzy
00:45:35Till Uta Ritzy
00:45:35Tell Uta Ritzy
00:45:36Fri Don't Doe
00:45:37When my dreamboat
00:45:39He dreams of genie with a light brown hair
00:45:44Ain't it a shame, oh
00:45:46Ain't it a shame, oh
00:45:47Ain't it a shame, oh
00:45:49Ain't it a shame
00:46:02¡Gracias!
00:46:48¡Gracias!
00:46:54¡Gracias!
00:47:20¡Gracias!
00:47:50¡Gracias!
00:48:21¡Gracias!
00:48:22¡Gracias!
00:48:23¡Gracias!
00:48:24Just a minute.
00:48:24What's the trouble, doctor?
00:48:26I have a slight bronchial irritation.
00:48:28Do you see spots before your eyes?
00:48:30Do you have trouble breathing?
00:48:31In, not out.
00:48:32Just a count up to ten, please.
00:48:34One, two, three, four...
00:48:35That's enough. I'll tell you what you do, doctor.
00:48:36Before you go to bed at night, drop some butter in a glass of hot milk,
00:48:39and you'll be feeling all right.
00:48:40Well, thank you very much. How much do I owe you?
00:48:41That'll be five dollars.
00:48:43Hey, what is this?
00:48:45Now breathe deeply and count to ten.
00:48:49One, two...
00:48:50I wouldn't give you a cent more.
00:48:52Dr. Kirby, what's going on here?
00:48:54I'm about to do a prefrontal section on Eddie Cantor.
00:48:56Oh, but this is the patient, doctor.
00:48:58Oh, we made a mistake here.
00:48:59Mr. Cantor!
00:49:00Mr. Cantor!
00:49:01Mr. Cantor!
00:49:02Mr. Cantor, please.
00:49:02Have a cigar, fellas. My wife just had another boy.
00:49:05Oh, Mr. Cantor, wake up! Wake up!
00:49:07We're not going to operate.
00:49:09Oh, go on, doc. Cut yourself a slice of ham.
00:49:11Wake up! Wake up!
00:49:13He said something about having to get to the theater.
00:49:14The theater! That's in the theater! Get me the police!
00:49:17Where's the phone?
00:49:18In the hall, Mr. Cantor!
00:49:18I've got to get to that theater!
00:49:21Good luck, buddy.
00:49:23How do you do?
00:49:29Tommy! Pat!
00:49:30I know I shouldn't have stayed here.
00:49:32Joe, please. I'm on in a minute.
00:49:33Cantor isn't here, is he?
00:49:34No, but Farnsworth is my pal now.
00:49:36He just stopped me and said,
00:49:37Eddie, Lena and I have misjudged you.
00:49:38You've been very nice, and we want you to sing the star's number.
00:49:41Look, what am I going to do?
00:49:42Well, if they want you to sing, sing.
00:49:43Sing it, she says.
00:49:45What happens if Cantor comes in and finds me singing his song?
00:49:51Thank you, thank you.
00:49:52And now, by way of a surprise,
00:49:54we present Eddie Cantor's protege, Tommy Randolph,
00:49:57who serenades one of our lovely Latin neighbors.
00:50:00And then, as a thrilling climax, a dance
00:50:03by that brilliant and exciting star,
00:50:06Alexis Smith.
00:50:08Thank you.
00:50:12Thank you.
00:50:36The lady came from South America, and she was lovely to see.
00:50:42When she arrived in North America, they introduced her to me.
00:50:50And so I showed her the town, and I was such a gallant guide.
00:50:55And when the moon had gone down, I sighed.
00:51:06Good night, good neighbor.
00:51:29Good night, good neighbor.
00:51:35We're back at your door, and now we keep.
00:51:39Still on the beach.
00:51:41Go down in Brazil, you'd frown at this.
00:51:47You'll soon learn our way.
00:51:52I know
00:51:56You're dreaming of a homeland
00:51:59So very dear
00:52:02But oh
00:52:08You'll find another homeland
00:52:11Right over here
00:52:14Right over here
00:52:16In my arms
00:52:20Good night
00:52:22Good neighbor
00:52:24Though I have no soft guitar to play
00:52:31Come close to my heart
00:52:34And hear it say
00:52:37Good neighbor
00:52:41Good night
00:52:50Good night
00:52:51Good night
00:53:06Good night
00:53:11Good night
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