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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30I don't know why you couldn't have done a little effort to get home, for once
00:01:34but with the maids off and Phillips down to the village for the mutton
00:01:37... makes it very difficult
00:01:39mutton?
00:01:39what's he getting mutton for?
00:01:41we're going out to dinner
00:01:42we're having mutton tomorrow
00:01:44well, I don't like mutton
00:01:46I don't know why you say such a silly thing
00:01:48... you eat it a thousand times
00:01:50a thousand times I told you I don't like it
00:01:52nonsense, by your imagination
00:01:54you can eat anything if you put your mind to it
00:01:56I don't eat with my mind I eat with my stomach
00:01:58¿Crees que es muy divertido?
00:02:00No, no.
00:02:02¿Para qué estás buscando?
00:02:04Un montón de rosas para mi cabello.
00:02:06Solo aquí en el día.
00:02:07No, no.
00:02:08No, no.
00:02:09Ahí está.
00:02:14¿Cómo te gusta?
00:02:16No mucho, es demasiado grande.
00:02:18Eso es todo lo que tú sabes.
00:02:19Es muy fashionable.
00:02:21Oh, realmente, díg.
00:02:22Puedes dejar tus cosas.
00:02:24Mira esa cama.
00:02:25Si te ha dicho una vez, te ha dicho...
00:02:27...a vez.
00:02:28Si te intentas.
00:02:29No, no.
00:02:31No, no.
00:02:33No sé lo que te ha pasado.
00:02:34Lo que te ha pasado con todo lo que te digo y lo que te digo.
00:02:37¿Qué te pasa con ti?
00:02:38No te vayas a jugar con el inocente.
00:02:40¡No te vayas a ver!
00:02:41¿Qué te vayas a ver?
00:02:43Tu infaturas para Evelyn.
00:02:47Oh.
00:02:48Pensaba que no te vayas.
00:02:51De verdad que me parezca.
00:02:53No tienes que decirle y la mola.
00:02:54No te vayas a ver.
00:02:55No te vayas a ver.
00:02:56No te vayas a ver.
00:02:57No te vayas a ver.
00:02:58I suppose you're going to deny it.
00:03:03Why don't you answer me?
00:03:07You're in love with her, aren't you?
00:03:10I thought so.
00:03:12Well, what are you going to do about it?
00:03:15I'm not going to do anything about it.
00:03:18I haven't said anything to her, and I don't intend to.
00:03:21I married you, your sister was just a kid.
00:03:24Now she's grown up, and I happen to find myself in love with her.
00:03:27It's just one of those things that can't be helped.
00:03:30I suppose you'd like me to step out of the picture.
00:03:33Well, I'll never do that.
00:03:36I know that.
00:03:37And it's no use you're trying to leave me, because she'd never marry you anyway.
00:03:40She's too loyal.
00:03:42I know that, too.
00:03:43You know, Dick, it's really rather funny.
00:03:46This sudden burst of youthful romance.
00:03:48And in you of all people.
00:03:51I wouldn't tell Evelyn if I were you.
00:03:53I'm afraid she'd laugh at you, too.
00:03:57I wish you hadn't said that.
00:04:00I'm not going to the party.
00:04:03Oh, yes, you are.
00:04:04It's our fifth anniversary.
00:04:05You wouldn't miss it for anything.
00:04:07You'll go, and I'll go, like thousands of others go.
00:04:10And laugh at the rest of them.
00:04:14Who is it?
00:04:15Evelyn.
00:04:16Come in.
00:04:18Are you ready yet?
00:04:20Are we, Catherine?
00:04:22Certainly.
00:04:23Certainly.
00:04:23Certainly.
00:04:27You know, if you two don't hurry, you're going to be late for your silver wedding anniversary.
00:04:30Come on.
00:04:31Come on.
00:04:31Come on.
00:04:45Just a moment, Catherine.
00:04:47I've got something for you.
00:04:48What do you want to know?
00:04:50Come here.
00:04:52Don't be impatient, my dear.
00:04:54All in good time.
00:04:56Pick a good one, Mark.
00:04:57There you are.
00:05:00Oh, what a beautiful rose.
00:05:02Isn't it, darling?
00:05:04Yes, it is.
00:05:05Is this one you developed?
00:05:06Yes, it did turn out well, didn't it?
00:05:08What do you call it?
00:05:09I call it the Jenny Bell.
00:05:10That's suspiciously romantic, Doctor.
00:05:13Just who is Jenny Bell?
00:05:14The subject of the greatest mistake I ever made.
00:05:17That sounds serious, Doctor. Come clean.
00:05:19Don't jump to conclusions.
00:05:20A mistake was mine in not asking a very beautiful young lady to marry me.
00:05:24My darling.
00:05:25Yo era un hombre más joven y recibió mi profesor.
00:05:28Me iba a empezar a enseñar mi profesor en la universidad.
00:05:31Me imagino de la misma edad y en la misma posición como el profesor Holsworth.
00:05:36Como todos los psicólogos con los profesores de profesores.
00:05:40Me sabía todo lo que tenía que saber.
00:05:42Pero no sabía mucho para casar.
00:05:44Y ahora, señoras y señores, para el negocio de la noche.
00:05:49Un beso a las mujeres más felices.
00:05:51El 5º aniversario de Catherine y Richard.
00:05:54¡Gracias!
00:05:56¡Gracias!
00:05:58Gracias, Evelyn.
00:06:00Y, Dick, espero que algún día me encuentre una mujer más buena como tú.
00:06:04¡Gracias, señoras y señores!
00:06:07¡Vamos, señoras y señores!
00:06:09¡No, no, no!
00:06:11¡No, no!
00:06:13¡No, no!
00:06:15¡No, no!
00:06:17¡Nos favorito!
00:06:19¿No es muy bueno que Dr. Hamilton ha hecho esto?
00:06:22¡No!
00:06:24No te agradezco mucho, doctor.
00:06:25No me han sido maravilloso.
00:06:27Siempre he tenido un buen lugar en mi corazón para los que han logrado.
00:06:30¿Hogado?
00:06:31Sí, claro.
00:06:32Como psicólogos, puedo asegurar que un maravilloso es un raro.
00:06:36¿No es bastante cienico?
00:06:38Bueno, quizás es.
00:06:40Pero, ¿sí, maravilloso es un negocio muy complicado?
00:06:43Las personas tienen impulsiones, compulsiones,
00:06:45las que se han detenido a la escape,
00:06:47la escape de la soledad.
00:06:48Ellos buscan la escape en la compañía de alguien.
00:06:51Y no, solo cuando piensan que se han logrado.
00:06:54Se han detenido, se han detenido a sus propias manos.
00:06:56En su parte de lo que decís, doctor,
00:06:57eres un hombre muy agradable.
00:06:59¿Qué le dices de eso, profesor Halsworth?
00:07:01Oh, ahora tienes que tenerlo en la espada, doctor.
00:07:04Pero profesor Halsworth dice
00:07:05que lo que le admires de mí es que,
00:07:07en la pursuit de la ciencia,
00:07:09he aprendido a poner mi corazón en la caja.
00:07:12¿Y tu corazón en la caja, profesor Halsworth?
00:07:14Oh, me da un poco de la ciencia ahora y luego.
00:07:16Eso es muy malo, pero no estoy muy conveniente.
00:07:19No estoy.
00:07:20Me da malo decir, señor,
00:07:21que la ciencia no es la única que los profesores siguen.
00:07:26¿Qué tipo de doctor eres, por lo que?
00:07:29Sé que te llenamos con el cerebro, pero ¿cómo?
00:07:32No, no.
00:07:33No, no.
00:07:33No, no.
00:07:34Es vulgar hammering and sawing of the skull.
00:07:37Ideal with thoughts and dreams which no amount of surgery can handle.
00:07:40You see, sometimes a thought can be like a malignant disease
00:07:44that starts to eat away the willpower.
00:07:46When that happens, it's my business to remove the thought
00:07:48before it can cause destruction.
00:07:51That's a very pretty theory, Doctor,
00:07:52but I don't quite see how you can check a thought out of a man's head.
00:07:57Seems to me that if it's there, it's there,
00:07:59and there's nothing can be done about it.
00:08:00Good old practical dick.
00:08:02Life is so simple for engineers.
00:08:04All problems solved with a slide rule in T-square.
00:08:07Well, what do you eminent psychoanalysts think
00:08:10causes these thoughts, Doctor?
00:08:12Oh, any number of things,
00:08:13but I should say love and its frustration is the worst offender.
00:08:17You see, Dr. Hamilton belongs to the Freudian school of psychology
00:08:20that believes that love rather than money is the root of all evil.
00:08:22Why, it's nothing of the kind.
00:08:25Oh, I beg your pardon, Dr. Hamilton,
00:08:27but love doesn't always cause unhappiness and trouble.
00:08:30It's been a man's inspiration for centuries.
00:08:31Why, it's been the basis of some of the greatest stories ever written.
00:08:35Look at Romeo and Juliet, Antony and Cleopatra,
00:08:38Abelard and Eloise.
00:08:39Yes, but look what happened to them.
00:08:41Dick, that's not fair.
00:08:43You know what I mean.
00:08:44It doesn't matter what happens to people
00:08:46as long as they have something to live for.
00:08:49But they didn't live for it.
00:08:50They died for it.
00:08:51Evelyn, darling,
00:08:52perhaps you better leave the entire subject alone
00:08:54until you're married.
00:08:55Dear, I wish I could express myself better.
00:08:58I think you expressed yourself remarkably well.
00:09:03Good night.
00:09:04It's raining, isn't it?
00:09:05Yes.
00:09:06Can you keep her under here now?
00:09:07Be careful, Kathy.
00:09:08It's slippery.
00:09:09Come on now, hurry.
00:09:10Thank you again for a wonderful evening, Doctor.
00:09:13You're perfectly all right now.
00:09:17Goodbye.
00:09:18Do drive carefully, Dick.
00:09:24I am driving carefully.
00:09:27I think that young Professor Hallsworth
00:09:29is awfully nice, don't you, Dick?
00:09:30Oh, I guess he'll be all right when he grows up.
00:09:32To hear you talk, you'd think he were 180.
00:09:34As a matter of fact, he's just about your own age.
00:09:37After all, he has a good steady job at the college.
00:09:39Now listen here.
00:09:40Don't start marrying me off
00:09:41before I've made up my mind.
00:09:42When I marry, I want to be something solid,
00:09:44like you and Dick.
00:09:46Are your ears burning, Dick?
00:09:48Positively.
00:09:50Oh, by the way, Evelyn,
00:09:51I got a letter from Mother today.
00:09:52I gathered she was lonely
00:09:53and felt it was time you came home.
00:09:55She didn't say so in exactly so many words, mind you, but...
00:09:58But you felt she wanted Evelyn to come home.
00:10:01Yes.
00:10:02That's funny.
00:10:03She didn't write me about it.
00:10:04Oh, she probably knew you were having a good time
00:10:06and didn't want to spoil your fun.
00:10:08I suppose I should go back, much as I hate to.
00:10:11Perhaps I could make plane reservations sometime next week.
00:10:14Look out!
00:10:22Sometimes a thought can be like a millennial disease
00:10:24and start to eat away the willpower.
00:10:26Oh, I suppose you'd like me to step out of the picture.
00:10:30Well, I'll never do that.
00:10:32Never.
00:10:34Never.
00:10:35Never.
00:10:37Never.
00:10:37Love has been man's inspiration for centuries.
00:10:40You know, Dick, it's really rather funny.
00:10:42I hope Evelyn never finds out.
00:10:45She laughs at you, too.
00:10:46Marriage is a very tricky business.
00:10:48He's all right now, Doc.
00:11:05Well, old man, you had quite a jolt, didn't you?
00:11:08How do you feel?
00:11:10Great.
00:11:12It's only a broken leg.
00:11:13We'll have you up and around again in no time.
00:11:18How's Evelyn?
00:11:21She's all right.
00:11:22Just a few scratches.
00:11:26Catherine?
00:11:28She escaped without a mark.
00:11:48Come in, Doctor.
00:11:55Thank you.
00:11:56Well, well, well, how's the patient today?
00:11:58How are you, Doctor?
00:11:59I'm fine, thanks.
00:12:01Doctors can't afford to be sick, you know.
00:12:02Only rich people.
00:12:05Well, now then.
00:12:07Let's see how we're coming along.
00:12:13Feel that?
00:12:15I can't feel a thing.
00:12:16Well, try your way down.
00:12:21Careful, now.
00:12:23Make it easy.
00:12:30That's no use.
00:12:34How's it feel?
00:12:36Well, I...
00:12:37I can't feel anything.
00:12:39It's just like it belonged to somebody else.
00:12:41Well, don't worry, Dick.
00:12:42The x-rays show the fracture to be completely healed.
00:12:45And if you just keep on religiously with those exercises I showed you,
00:12:48you'll be walking again sooner than you think.
00:12:50That's what I keep telling him, Doctor.
00:12:52But for the past five weeks, he's been grumbling around the house like an old bear.
00:12:56Do you give me any idea just how long that'll be?
00:12:59No.
00:12:59Your trouble's mental now, not physical.
00:13:01Well, then, uh, neither you nor any other doctor can tell from that x-ray just when I'll be able to walk again, huh?
00:13:08Unfortunately, we can't photograph the nervous system.
00:13:11Your present condition is entirely neurasthenic.
00:13:14Neuralysphagia, we call it.
00:13:14And that doesn't show on plates.
00:13:16Well, there must be something I can do.
00:13:18Just sitting around the house all day in a wheelchair is enough to drive a man crazy.
00:13:23Well, you might try swimming in warm water.
00:13:25That's worked miracles in similar cases.
00:13:27It relaxes the muscles.
00:13:29Why didn't you say that, Doc?
00:13:30That's a great idea.
00:13:32Say, Kathy, why don't we put this contraption in the car and go up to Mountain Springs for a week?
00:13:35Well, I...
00:13:36That's a splendid idea.
00:13:37So long as you don't overexert yourself.
00:13:39Oh, fat chance.
00:13:41Well, I'll give you a letter to the house physician.
00:13:43Tell him to look out for you.
00:13:44Oh, uh, by the way, what do you hear from Evelyn?
00:13:47Yes, what do we hear from Evelyn, Kathy?
00:13:49Well, as a matter of fact, I got a telegram from her this morning.
00:13:51She says she's very happy and glad to be home.
00:13:53I never could quite understand why she went away so suddenly.
00:13:56I had an idea she was rather smitten with young Professor Holdsworth.
00:13:59I was, uh, hoping...
00:14:01Goodbye.
00:14:04Goodbye, Doctor.
00:14:15Oh, Kathy.
00:14:16Yes?
00:14:21You never said anything about...
00:14:23About what?
00:14:26About our quarrel, about Evelyn.
00:14:29You think I'm a fool?
00:14:30I'd rather die than tell anyone.
00:14:34I'm afraid I've hurt you very much, Kathy.
00:14:36I'm sorry.
00:14:38It's funny how virtuous a man can be when he's helpless.
00:14:40Oh, Phillips.
00:14:50Yes, sir?
00:14:52Car ready?
00:14:54Just putting the last two bags in now.
00:14:56Are you ready, sir?
00:14:58What's the matter with you, Phillips?
00:14:59You seem to be in a bit of a hurry.
00:15:01Cook and I thought we'd rather like to take the morning train...
00:15:03...if it's all the same to you, sir.
00:15:05Oh, sure.
00:15:06By all means, you can go along now if you want to.
00:15:08But, uh, what about you, Mr. Mason?
00:15:11Well, Mr. Mason, I'll manage nicely, thank you.
00:15:13Now, you two run along.
00:15:14I know you're anxious to get started.
00:15:16Thank you, sir.
00:15:17Have a nice vacation.
00:15:19Thank you very much, sir.
00:15:35Oh, get me Orchid 3872.
00:15:38Richard?
00:15:39Richard?
00:15:39Yes?
00:15:40Are you nearly ready?
00:15:41Four-nine-four.
00:15:43Yes, I'll be right with you.
00:15:44Oh, do hurry or we'll never get there.
00:15:47Can't you ever be on time?
00:15:49You were supposed to be ready an hour ago.
00:15:53Oh, say, Preston, I've just been looking at those core samples...
00:15:56...but I'm not satisfied.
00:15:58I suppose you get down there and find you're tying into a fall cleavage.
00:16:02I can't afford to gamble on a job that far away.
00:16:04Now, you'll have to come out the house tonight.
00:16:08Hey, I can take that nine o'clock train.
00:16:11I'm afraid there's no other way out of it.
00:16:13Okay, I'll see you then.
00:16:15Who was that?
00:16:17Preston.
00:16:19Kathy, I'm afraid we'll have to change our plans.
00:16:21I've got to see him tonight.
00:16:22Oh, drat.
00:16:24Well, Kathy, help.
00:16:26Work's work and it's just got to be done.
00:16:27This sort of thing always happens when we're going away.
00:16:31Phillips!
00:16:32Phillips!
00:16:43Are they gone?
00:16:44Yes, I told them to.
00:16:52Wish you'd let me know before.
00:16:54Well, I only found it out myself just this minute.
00:16:58Kathy, I don't want to spoil your fun.
00:17:00Why don't you go ahead and I'll meet you up there.
00:17:02I'll phone Phillips and have him drive me out tomorrow or the day after at the very latest.
00:17:06But I can't drive up there alone.
00:17:08Well, certainly you can.
00:17:09You're an excellent driver.
00:17:16Have you got your key to the safe?
00:17:18No, I'm afraid I left mine in the bedroom.
00:17:20Oh, never mind.
00:17:21Here's mine.
00:17:23You're not going to take all that junk with you, are you?
00:17:29I only want a couple of things.
00:17:31We're not going to the Ritz.
00:17:32This is just a simple mountain resort.
00:17:34I only wanted this cameo.
00:17:36It goes with a suit.
00:17:43You do look nice at that.
00:17:46That's the first compliment you've paid me in a long time.
00:17:48Well, I'm not such a bad guy when you get to know me.
00:17:58Richard.
00:17:59Yes?
00:18:02Never mind.
00:18:05Oh, Kathy.
00:18:06Yes?
00:18:07Be sure and drive slowly.
00:18:09Some of those mountain roads are pretty dangerous.
00:18:11Well, how do you like the results of fertilizer and lumbago?
00:18:30It's lovely.
00:18:31Give me five minutes and I'll cut you enough for a vaseful.
00:18:34Oh, not now, Doctor.
00:18:34I'm on my way to Mountain Springs.
00:18:36Without Richard?
00:18:37Well, something came up at the very last minute.
00:18:39He insisted that I go on alone.
00:18:40I only stopped by to ask you if you'd look in on him and make sure he's all right.
00:18:43I'll be glad to.
00:18:44I'll clean up and go over right away.
00:18:46Oh, there's no need to do that.
00:18:47He'll be working all afternoon.
00:18:49Tonight, too, for that matter.
00:18:50But if you would drop by in the morning.
00:18:52I will, I promise.
00:18:53You see, you and Evelyn are my very favorite people.
00:18:56Thank you, Doctor.
00:18:58At the university, I spend little time in teaching classes.
00:19:00A great deal in giving advice to individuals.
00:19:03Distracted husbands, unhappy wives.
00:19:05Sometimes I almost lose my belief in the existence of a happy marriage.
00:19:09Then I think of yours.
00:19:11We've been very fortunate.
00:19:12More than anyone expected five years ago, my dear.
00:19:16I guess it's quite safe now to tell you that I wouldn't have bet an old umbrella.
00:19:20on your marriage lasting as much as a year.
00:19:23It's really a great tribute to you to prove me so utterly wrong.
00:19:27Have a wonderful time in Mountain Springs, my dear.
00:19:29Don't worry about Richard.
00:19:30I'll look out for him.
00:19:31Thank you.
00:19:32Thank you very much, Doctor.
00:19:33Goodbye.
00:19:34Goodbye.
00:19:50Goodbye.
00:19:51Goodbye.
00:19:52Goodbye.
00:19:53Goodbye.
00:19:54Goodbye.
00:19:55Goodbye.
00:19:56Goodbye.
00:19:57Goodbye.
00:19:58Goodbye.
00:19:59Goodbye.
00:20:00Goodbye.
00:20:01Goodbye.
00:20:02Goodbye.
00:20:03Goodbye.
00:20:04Goodbye.
00:20:05Goodbye.
00:20:06Goodbye.
00:20:07Goodbye.
00:20:08Goodbye.
00:20:09Goodbye.
00:20:10Goodbye.
00:20:11Goodbye.
00:20:12Goodbye.
00:20:13Goodbye.
00:20:14Goodbye.
00:20:15Goodbye.
00:20:16Goodbye.
00:20:17¡Gracias!
00:20:47¡Gracias!
00:20:49¡Gracias!
00:20:58¡Gracias!
00:21:04¡Gracias!
00:21:11¡Gracias!
00:21:13¿Puedes mover tu car?
00:21:19¡Cathlin!
00:21:31¡Richard!
00:21:43¡Richard!
00:21:44¡I was so afraid!
00:21:45¡I thought...
00:21:46...why are you walking, Richard?
00:21:55You're walking without help.
00:21:58How did you get here?
00:22:04Why are you here, Richard?
00:22:09Why are you here?
00:22:10No, Richard, don't.
00:22:22No, Richard, don't.
00:22:26No, Richard, don't.
00:22:31No, Richard, don't.
00:22:34No, Richard.
00:22:39¡Gracias!
00:23:09¡Gracias!
00:23:39¡Gracias!
00:23:41¡Gracias!
00:23:48¡Gracias!
00:23:49¡Gracias!
00:23:52¡Gracias!
00:23:55¡Gracias!
00:24:01No se nos hubiera de casa.
00:24:03¿Eso?
00:24:04¿De la investigación?
00:24:06¡In la investigación!
00:24:09No, no, no, no, no.
00:24:39Hello? Yeah?
00:24:41She hasn't.
00:24:43You sure?
00:24:46Well, uh, have a call me the minute she comes in, will you?
00:24:49Thank you very much.
00:24:53She should have been there by now.
00:24:55Hey, Phillips, do you suppose you can get us some food?
00:24:57Yes, sir. I think there's some nice cold mutton in the icebox.
00:25:01Mutton, but I...
00:25:02Yes, that'll be all right.
00:25:07Let's get to work.
00:25:08This is plate 47.
00:25:11Are you absolutely certain she hasn't arrived yet?
00:25:14Were you the chap I talked to before?
00:25:16Uh-huh.
00:25:17Now, be sure to have her call me the minute she gets in.
00:25:19It's important.
00:25:21Hey, Bob, I'm really getting worried.
00:25:22No, don't get yourself all worked up.
00:25:24She might have had engine trouble or a flat tire or something.
00:25:26If she'd had any difficulty, she certainly would have let me know.
00:25:29Well, she might have had trouble getting to her phone.
00:25:31After all, those mountain roads are...
00:25:32Well, what'd I tell you? There she is now.
00:25:34Hello?
00:25:35Hello, Dick.
00:25:37This is Hamilton.
00:25:38Catherine stopped by on her way up to the Springs.
00:25:40Asked me to look after you.
00:25:41I'm keeping my word.
00:25:42How are you?
00:25:44Well, frankly, doctor, I'm a little worried.
00:25:46She hasn't arrived and it's getting late.
00:25:47I say, that is something to worry about.
00:25:50She came by here shortly before noon.
00:25:52If you don't hear from her soon, Dick, I should inform the highway patrol.
00:25:56Yes, I guess I better do that right away.
00:25:58Well, thanks for calling, doctor.
00:26:01Bob, I don't think I can do any more work tonight.
00:26:04This thing's really getting on my nerves.
00:26:06Aren't we about finished?
00:26:08There's just a design for this.
00:26:10Cabra's anchor.
00:26:12Hello?
00:26:14Oh, get me police headquarters.
00:26:16Where'd you get this idea?
00:26:33Howard recommends the pinnacle pattern for a loose shale.
00:26:36Yes.
00:26:38Yes, that ought to do very well.
00:26:43Hello?
00:26:44Police headquarters?
00:26:46I want to report a missing woman.
00:26:49Yes.
00:26:56Thank you.
00:26:57Now, Dr. Hamilton, you say Mrs. Mason stopped by your house for a moment on her way out of town.
00:27:01How long did she stay?
00:27:03Only for a few minutes.
00:27:04She didn't come into the house.
00:27:05She said that you, Richard, were all alone.
00:27:07She asked me to look in on you.
00:27:08I offered to do so at once, but she said you had work to do.
00:27:11And this morning would be soon enough.
00:27:13Did she seem to be any different than usual?
00:27:14Was she excited or morose or anything like that?
00:27:17No.
00:27:18I would say she was in normally, good spirits.
00:27:20Thank you, doctor.
00:27:22Mr. Mason, you say she was wearing a green cameo ring.
00:27:26That's right.
00:27:27Did she have any other jewelry with her?
00:27:29Yes.
00:27:29She had one of those costume pieces on her coat.
00:27:32And a wedding ring.
00:27:34Engagement ring.
00:27:35And, oh, yes, a heart-shaped gold locket engraved Richard DeCatherine.
00:27:39She kept my picture in it.
00:27:41Remember anything else?
00:27:43Yes, a monogrammed handkerchief in this pocket.
00:27:45White handkerchief?
00:27:46Yes, with a green border.
00:27:48And, uh, let's see.
00:27:49I'm trying to visualize as I last saw her.
00:27:52She was wearing a rose.
00:27:53She looked very smart.
00:27:54I remember I commented on it.
00:27:56You've done excellently, Mr. Mason.
00:27:57If you knew what we usually have to work on.
00:27:59Highway patrol, sir.
00:28:01Oh, come in, Roberts.
00:28:04Find anything?
00:28:05No, sir.
00:28:06No sign of a crack-up or skid marks of any kind.
00:28:09Of course, last night's rain didn't help any.
00:28:10Mr. Mason, are you sure which road Mrs. Mason took to Mountain Springs?
00:28:16Pretty sure.
00:28:17Martinez Canyon.
00:28:18We usually go up that way.
00:28:20Couldn't she have gone by Allison Highway and then cut over to Martinez Canyon?
00:28:23Oh, I hardly think so.
00:28:24It's several miles longer that way.
00:28:26We've combed both roads, all the way to Mountain Springs and back.
00:28:29All right, Roberts, here we go.
00:28:30Thank you.
00:28:31I don't understand this workman.
00:28:33There are only two roads.
00:28:34A woman and a car can't just vanish into thin air.
00:28:37Mr. Mason, I'm going to say something that may offend you.
00:28:41So I hope you'll realize my position.
00:28:43There can be only two explanations of what happened.
00:28:46Either your wife's car skidded and went off into a canyon that we've yet to search.
00:28:50Or she didn't go where she said she was going.
00:28:53Exactly what do you mean?
00:28:54Well, if you'd had a quarrel, say, she might have gotten mad and gone off to visit some friend without telling you.
00:29:00Oh, no, I hardly think there's any chance of that.
00:29:02My wife and I got on very well together.
00:29:04Nevertheless, women are sometimes very unpredictable.
00:29:07She might have been nursing some secret sorrow or grudge, which you are unaware.
00:29:13Isn't there some intimate friend or relative of hers we could question?
00:29:16Richard, I hope you won't mind my making the suggestion.
00:29:19But don't you think we should send for Evelyn?
00:29:21I already have.
00:29:25Dick, I believe you're playing on my sympathy.
00:29:28You can do better than that.
00:29:29Oh, I thought I was doing pretty well for a guy who's only been out of his perambulator a couple of days.
00:29:34Of course you are.
00:29:35Dr. Grant will be very pleased.
00:29:37I'm half as pleased as I'll be to see the last of Dr. Grant and this.
00:29:41I've admired you so much this past week.
00:29:44I know what a terrific strain you've been under, and yet you've been wonderful.
00:29:48You've been such a help to me.
00:29:49You've been a great help to me just by being here.
00:29:53Dick, I...
00:29:55I'm going to ask you a question I've wanted to ask for some time.
00:29:59Go ahead, shoot.
00:30:00Did you notice anything unusual about Catherine before she disappeared?
00:30:07What do you mean?
00:30:08Well, before I left, I...
00:30:10I felt there was something worrying her.
00:30:13Something she was trying to hide.
00:30:15Yes, well, now that you mentioned it, I may as well tell you that I felt the same thing.
00:30:20I guess I should have told you before.
00:30:22Perhaps if I had, this wouldn't have happened.
00:30:25She had been acting strangely for some time.
00:30:27She even started imagining things.
00:30:30What sort of things?
00:30:32Well, I don't think there's any reason to go into them.
00:30:34Just the results of an overwrought condition.
00:30:37No, Dick.
00:30:38I think I have a right to know.
00:30:40Well, for one thing,
00:30:44she imagined I'd fallen in love with you.
00:30:49With me?
00:30:50Yes.
00:30:51Where on earth did she get that idea?
00:30:56I don't know.
00:31:01May I come in?
00:31:03Of course, Doc.
00:31:04We've been expecting you.
00:31:05I was just admiring your roses.
00:31:07You better go around by the front door,
00:31:08unless, of course, you want to put a beard on and come down the chimney.
00:31:11I guess I'm too old for that sort of thing.
00:31:13I guess I'm too old for that sort of thing.
00:31:14I'm too old for that sort of thing.
00:31:20Funny things happen inside people's heads, don't they?
00:31:24Dick, please don't say anything about this to anyone.
00:31:27For Catherine's sake.
00:31:29I won't.
00:31:31Good evening, Dr. Hamilton.
00:31:32Good evening, Phillips.
00:31:34I didn't hear you drive up, sir.
00:31:35Oh, I left the car home.
00:31:37It was such a beautiful evening.
00:31:38I thought the walk would do me good.
00:31:39Hello, doctor.
00:31:40How are you?
00:31:41Fine, Dick.
00:31:42It's good to see you up and around again.
00:31:43Hello, Evelyn.
00:31:44Good evening, doctor.
00:31:45I hope I'm not late.
00:31:46Not at all.
00:31:47How about a cocktail?
00:31:48Excellent idea.
00:31:55Yes?
00:31:56Yes, it's Mr. Mason.
00:31:58What?
00:31:59All right, I'll be right over.
00:32:01All right, doctor.
00:32:02I'm afraid we'll have to postpone dinner for a while.
00:32:04It was police headquarters.
00:32:06They found a clue.
00:32:08This may be the end of our waiting.
00:32:12Well, this is what we found on him, Mr. Mason.
00:32:18Do you recognize it?
00:32:20Yes, it's Catherine's or an exact duplicate.
00:32:24What do you say, Miss Tanner?
00:32:30It is Catherine's ring.
00:32:32You're sure?
00:32:33Positive.
00:32:34Hey, you.
00:32:36Take your hat off.
00:32:37Where did you get that ring?
00:32:42Out of the lady's pocketbook.
00:32:44Snatched the pocketbook?
00:32:46No.
00:32:47Just dug in my hand and come out with it.
00:32:49Come on, make it clearer.
00:32:49What happened?
00:32:51Well, we was waiting to cross the street, see?
00:32:54A big crowd, see?
00:32:56Red light was holding us up.
00:32:57This was in downtown traffic?
00:32:59Yeah, that's right.
00:33:00When?
00:33:01A couple of days ago.
00:33:02Go ahead.
00:33:04Well, this lady's standing right next to me, see?
00:33:08I guess the people next to her must have been pushing her some
00:33:10because she changes the pocketbook to the hand right alongside of me.
00:33:14Oh, I unlatched the bag and stick my hand in and come out with the ring.
00:33:19Do you remember what the lady looked like?
00:33:20Sir?
00:33:23Hi.
00:33:25So?
00:33:26Just a minute.
00:33:28Mind if I ask him a question?
00:33:30No, go ahead.
00:33:36Is this lady wearing a hat?
00:33:38Yes, sir.
00:33:39What color was it?
00:33:41Was it green?
00:33:42I think so.
00:33:43Just a plain hat.
00:33:45Nothing on it.
00:33:46Nothing.
00:33:47Yeah, yeah, there was one thing on it.
00:33:51What?
00:33:52A feather.
00:33:53Kind of a big feather.
00:33:55You're lying.
00:33:56You either kidnapped her or killed her.
00:33:58Well, don't just stand there staring at me.
00:34:00Do something.
00:34:00Make him tell where she is.
00:34:02Beat it out of him.
00:34:03Take him out.
00:34:03Come on, let's go.
00:34:12Sorry I blew up.
00:34:17It's the strain of waiting.
00:34:22Not knowing what's happened to her.
00:34:25Come on, I will.
00:34:33I think that man knows a lot more than he's admitting.
00:34:35Well, if he does, you may be sure they'll get it out of him.
00:34:38It's just a matter of time.
00:34:40Meanwhile, Richard, I'd like to offer a suggestion.
00:34:42Go ahead.
00:34:43Just get away from all this for a while.
00:34:44Get out of that house.
00:34:45Too many associations.
00:34:46Too hard on the nerves.
00:34:47My nerves are all right.
00:34:49Are they?
00:34:49How would you expect me to feel?
00:34:51Precisely as you do.
00:34:52And it's time you did something about it.
00:34:53I'm leaving tomorrow for Rainbow Lake to spend my spring vacation.
00:34:57Why not come up there with me?
00:34:58There's phone service at the lodge.
00:35:00Lakes, mountains, and good fishing.
00:35:02It'll do you, Bert.
00:35:02I think you should go, Dick.
00:35:04It's exactly what you need.
00:35:05How about you?
00:35:07You've been under just as much of a strain as I have.
00:35:09Why don't you come along, too?
00:35:10I'd like to, if Dr. Hamilton doesn't mind.
00:35:13Mind?
00:35:13I'd be delighted.
00:35:15Let's consider the matter settled, then.
00:35:17Let's consider the matter settled, then.
00:35:19Good night, Dick.
00:35:46I'm glad you decided to come with me.
00:35:48So am I.
00:35:49I think it'll do us both good.
00:35:52I'm afraid I'm depending a good deal on you.
00:35:54That's all right.
00:35:55I like to be dependent on you.
00:35:58Good night.
00:36:00Good night.
00:36:18Good night.
00:36:42Come in.
00:36:56Yes, sir.
00:37:01¿Has alguien estado en esta habitación?
00:37:03No uno except myself, sir.
00:37:06Someone else has.
00:37:07Someone wearing Mrs. Mason's perfume.
00:37:10¿Can't you smell it?
00:37:12Yes, I think I can, sir.
00:37:14But I don't understand it unless Miss Evelyn...
00:37:16No, it couldn't have been Miss Evelyn.
00:37:19She's been out with me all evening.
00:37:28That'll be all.
00:37:29Can I assist you, sir?
00:37:31No, I'll manage all right.
00:37:33Good night, sir.
00:37:34Good night.
00:37:44Good night.
00:37:51Good night.
00:37:51Good night.
00:37:52Good night.
00:38:12¡Gracias!
00:38:42¡Gracias!
00:39:12¡Gracias!
00:39:14¡Gracias!
00:39:16¡Gracias!
00:39:18¡Gracias!
00:39:38¡Gracias!
00:39:40¡Gracias!
00:39:44I want to talk to Lieutenant Egan.
00:39:46This is Richard Mason.
00:39:56Hello, Egan.
00:39:58This is Mason.
00:40:00Somebody's been in my house tonight.
00:40:02No, nothing has been taken.
00:40:04But something has been added.
00:40:06A wedding ring my wife wore when she went away.
00:40:10You know, Dick, it's like a different world up here.
00:40:18It makes everything that happened back home seem like a bad dream.
00:40:22Yeah, I know.
00:40:24Ship ahoy.
00:40:26Hiya, Doc.
00:40:27Hello.
00:40:28Any luck?
00:40:29Well, if you call this luck.
00:40:31I could use that for bait.
00:40:34I caught one bigger than that, but I didn't like the way he looked at me, so I threw him back.
00:40:38I don't really fish for fish anyway.
00:40:40I just like it as an excuse for doing nothing.
00:40:42Same time in the morning, Doctor.
00:40:44Same time, Bill.
00:40:46So you two should come out where there really are fish.
00:40:48Hey, you did all right.
00:40:50Now I know what we're going to have for dinner.
00:40:52You have a good day, Doctor.
00:40:53Fine, look.
00:40:58Now, Evelyn, go this way.
00:40:59The boatman says it's shorter.
00:41:01Must be a little dull for you, my dear, to be up here with two old fogies like Dick and me.
00:41:06Speak for yourself, Doctor.
00:41:07I'm neither old nor a fogie.
00:41:08Whatever that is.
00:41:09Nevertheless, I thought that Evelyn needed the companionship of someone her own age.
00:41:14So when we get back to the hotel, I'm hoping she'll find a very agreeable surprise.
00:41:18Oh, Professor Halsworth?
00:41:20Really, Doctor, you shouldn't have done that.
00:41:23What'll he think?
00:41:24Put your mind at ease, my dear.
00:41:26Professor Halsworth is under the impression that I wish to consult him in regard to our work for the next semester.
00:41:32You're quite a matchmaker, Doctor. Why don't you let the girl make up her own mind?
00:41:36Don't worry, Dick. I will.
00:41:38Well, there you are. I tried to play Cupid and that's all the thanks I get.
00:41:44What's that?
00:41:46Oh, that woodpile?
00:41:47Yes.
00:41:48That's for the outdoor bonfires.
00:42:06They make a nice-looking couple, don't they?
00:42:08What?
00:42:09I say they make a nice-looking couple, don't they?
00:42:12Yes, I suppose they do. I hadn't really thought about it.
00:42:15Young Halsworth has a very brilliant career ahead of him if he watches his step.
00:42:19And I think Evelyn is the girl to see that he does just that.
00:42:22A long-distance call for you, sir.
00:42:24Oh, I'll be right there.
00:42:25It's probably Egan. Maybe he's got something out of that hobo.
00:42:29Yes, I've been waiting for him to crack.
00:42:39What would you say to a walk on the terrace?
00:42:41I'd rather do that, if you're sure you don't mind.
00:42:43Oh, come along.
00:42:48One moment, please. You can take it in the second booth.
00:42:50Hello?
00:42:57Hello?
00:42:59Hello?
00:43:02Hello?
00:43:03Hello?
00:43:06What's the matter with the call, operator?
00:43:07Well, I don't know, sir.
00:43:08Hello?
00:43:10Hello?
00:43:11The lights seem to be disconnected now.
00:43:13Marty didn't even answer.
00:43:15Give me the city, Maine, 2-0-2-0.
00:43:20Yes, sir.
00:43:25Maine, 2-0-2-0.
00:43:29One moment, please.
00:43:37Hello? Police headquarters?
00:43:39The Homicide Bureau.
00:43:40Homicide Workman speaking.
00:43:41Just a minute.
00:43:42Hey, Egan.
00:43:43Egan?
00:43:44Yeah?
00:43:45Richard Mason for you.
00:43:46Egan speaking.
00:43:47Hello, Mr. Mason.
00:43:48Hello?
00:43:49Oh, I didn't call you.
00:43:50We've got nothing to report right now.
00:43:51Well, I'll let you know if anything happens.
00:43:53Okay, I'm sorry I'd have bothered you.
00:43:54Goodbye.
00:43:55What do you call give his name?
00:43:56It was a lady, sir.
00:43:57A lady?
00:43:58Yes, sir.
00:43:59Did the lady give her name?
00:44:00No.
00:44:01No.
00:44:02No.
00:44:03No.
00:44:04No.
00:44:05No.
00:44:06No.
00:44:07No.
00:44:08No.
00:44:09No.
00:44:10No.
00:44:11No.
00:44:12No.
00:44:13No.
00:44:14No.
00:44:15No.
00:44:16No.
00:44:17No.
00:44:18No.
00:44:19No.
00:44:20No.
00:44:21No.
00:44:22No.
00:44:23No.
00:44:24No.
00:44:25No.
00:44:26No, I thought that...
00:44:27No, I'm sure she didn't give her name, sir.
00:44:29Just what did she say?
00:44:31Well, if you'll excuse me, sir, I've read about you and your wife in the papers.
00:44:35Mm-hmm.
00:44:36This lady said I'd like to speak to Mr. Mason.
00:44:38And I said, who's calling, please?
00:44:39And I thought she said, Mrs. Mason.
00:44:42But she probably just repeated Mr. Mason.
00:44:44The connection wasn't a clear one.
00:44:47Is there any way to have the call traced?
00:44:49I'm afraid not, sir.
00:44:50I'm certain I heard her incorrectly.
00:44:52Yes, I...
00:44:54I guess it must have been a mistake.
00:45:02Rainbow Lodge.
00:45:03One moment, please.
00:45:11One news, Dick.
00:45:12I don't know.
00:45:13By the time I got there, the phone was disconnected.
00:45:14Well, if it's important, they'll call back.
00:45:16I guess so.
00:45:17Doctor, you're a pretty smart man.
00:45:19You've had a lot of experience along these lines.
00:45:22What do you think about that hobo?
00:45:24Think he's told us all he knows?
00:45:26Yes, I think he was telling the truth.
00:45:28He's just a common or garden variety of pick bucket.
00:45:32You see, Dick, it takes a man of violent mind to commit a major crime like robbery or killing.
00:45:38Then you believe all killers are one particular pattern, eh?
00:45:42All those who commit premeditated murder, they're all egotists to the point of egomania.
00:45:47That's a pretty broad statement.
00:45:48But based on an obvious premise, I'm afraid.
00:45:50Only a supreme egotist who would hold his desires above the life of another person could feel capable of achieving a perfect crime.
00:45:57Ah, that's open to argument, Doctor.
00:46:00Since there have been unsolved murders, there could have been perfect crimes.
00:46:04The laws of chance are overwhelmingly against it.
00:46:07So are the laws of human nature.
00:46:09You see, a murderer's whole safety depends upon a complication of lies.
00:46:12That he had no motive, no accidents, that his alibi is perfect, even if he feels no remorse.
00:46:17Think of the strain he endures in knowing that one error would be his undoing.
00:46:21That if he is forgetful enough to contradict one of his statements.
00:46:26If his act of innocence is unconvincing in any detail.
00:46:29If he so much as talks in his sleep.
00:46:36I wonder what's become of Evelyn.
00:46:41No, that's probably the same moon they have back home.
00:46:43Looks better here somehow.
00:46:45It is beautiful.
00:46:46Evelyn, ever since you've come back, there's been something I've been wanting to ask.
00:46:50It's been on my mind ever since you went away.
00:46:53Like I didn't realize how much I wanted you to be here.
00:46:55Until you did go away, if you know what I mean.
00:46:57Yes, Norman. I believe I know what you mean.
00:47:00I've been thinking.
00:47:01Although I'm pretty well set with my teaching at college.
00:47:04I have no background.
00:47:06No home life, if you know what I mean.
00:47:09Oh, I know this is all very sudden, but...
00:47:11No, Norman.
00:47:13I've had the feeling that you've liked me for quite some time, but I...
00:47:16Don't you like me?
00:47:17Yes.
00:47:18Yes.
00:47:19Yes, I do.
00:47:20What's the matter?
00:47:21Is there some other man?
00:47:23No, of course not.
00:47:24Who would there be?
00:47:25I don't know, but...
00:47:26They say you like me and you...
00:47:28Norman, please don't ask me to give you an answer right now.
00:47:31I... I'm so confused.
00:47:33I'd like to give you a reason, but I can't.
00:47:35I can't explain it.
00:47:37Aren't you cold out here?
00:47:39Maybe I'd better get you a wrap.
00:47:41I'm all right, Dick.
00:47:42Nevertheless, I think you should have a wrap.
00:47:43I'll get it.
00:47:44He seems to be very fond of you.
00:47:45Yes.
00:47:46In fact, you just asked me to marry him.
00:47:47Oh.
00:47:48What did you say?
00:47:49I told him I couldn't make up my mind just now.
00:47:50Why did you say that?
00:47:52Because it's true.
00:47:53Why is it true?
00:47:54Why couldn't you make up your mind?
00:47:55I don't know, Dick.
00:47:56I just couldn't give him an answer, that's all.
00:47:57I'll tell you why.
00:47:58Why?
00:47:59Why?
00:48:00Why?
00:48:01Why?
00:48:02Why?
00:48:03Why?
00:48:04Why?
00:48:05Why?
00:48:06Why?
00:48:07Why?
00:48:08Why?
00:48:09Why?
00:48:10Why?
00:48:11Why?
00:48:12Why?
00:48:13Why?
00:48:14Why?
00:48:15Why?
00:48:16Why?
00:48:17Why?
00:48:18Why?
00:48:19Why?
00:48:20Why?
00:48:21Why?
00:48:22Because you feel about me just as I feel about you.
00:48:24That's not true.
00:48:25It is true.
00:48:26It's always been true.
00:48:28How do you feel about me?
00:48:30What do you mean, Dick?
00:48:31Here's your wrap, Evelyn.
00:48:35How about our all walking down to the campfire by the lake?
00:48:38Now, count me out.
00:48:41What's the matter with him?
00:48:43I don't know.
00:48:44I have to find out.
00:48:46Will you excuse me, please, Norman?
00:48:48Sure.
00:48:49That's right.
00:48:50Mr.
00:49:08Dick?
00:49:09Dick?
00:49:11¿Dick?
00:49:17¿Dick?
00:49:28Quiero hablar con vosotros.
00:49:31Ok, por favor. ¿Qué es?
00:49:34¿Qué te dijiste cuando dijiste,
00:49:36que se siente igual a vosotros como me?
00:49:38Pues bien, me lo sabes.
00:49:41Te amo.
00:49:44No debería haber dicho eso, ¿Dick?
00:49:47¿Por qué no debería haber dicho eso?
00:49:49¿Por qué no debería haber dicho eso?
00:49:51He perdido a mi mismo o a alguien.
00:49:54¿Catherine le dijo?
00:49:56Sí, sí.
00:50:04¿Dónde le daba que me amaba?
00:50:06No, pero no debería sentirme.
00:50:09No, pero no debería sentirme.
00:50:11Sí, sí.
00:50:13Me sentí, también.
00:50:14Me sentí muy emocionado a veces.
00:50:16La situación fue imposible.
00:50:18Eso es realmente por qué me quedé.
00:50:20¿Y ahora?
00:50:22Es todavía imposible, ¿Dick?
00:50:25¿Por qué?
00:50:26¿Por qué es imposible?
00:50:27¿Por qué?
00:50:28¿Por qué?
00:50:29Porque no sé qué ha pasado.
00:50:30No sé si es muerto o muerto o muerto.
00:50:31No estoy hablando de ella.
00:50:32No estoy hablando de ella.
00:50:33No estoy hablando de ella.
00:50:34¿Cómo se siente de ella?
00:50:35Pero no debería ser, ¿Dick?
00:50:36Siempre estaría entre nosotros.
00:50:37¿Y tú me amabas?
00:50:38No, no me amabas.
00:50:40No, no me amabas.
00:50:41Pero no te amo.
00:50:42No, no te amo.
00:50:43¿Por qué te volví?
00:50:44¿Qué me refiero?
00:50:45¿Por qué me refiero?
00:50:46¿Por qué te volví cuando cuando tocas un estado de fuera?
00:50:48Sí, porque me preocupaba.
00:50:49I quería estar aquí para poder hacer nada.
00:50:50¿Por qué me quería estar aquí para ver conmigo?
00:50:52Sí, pero yo...
00:50:53Isas de estar solo y no estoy ajaré conmigo.
00:50:54Pero, ¿por qué me sentí, Dick?
00:50:56¿Por qué se volví en la noche?
00:50:57¿Por qué ahora tú me referías?
00:50:58Me quería decir lo que te decía.
00:50:59No sé lo que decía lo que me dije.
00:51:00Sí, claro.
00:51:01No sé si era lo que era.
00:51:03Si debas de iarar,
00:51:04No, no, no, no, no, no, no, no, no.
00:51:34Better dry your eyes.
00:51:52It's Catherine's.
00:52:04That's what I meant when I said she'd always be there between us.
00:52:14Are you sure this is the identical handkerchief that she wore when she went away?
00:52:20Of course I'm sure, otherwise I wouldn't have brought it to you.
00:52:23I even asked her maid at the house.
00:52:25She says she distinctly remembers putting it in the pocket of my wife's suit.
00:52:28In fact, it was made for the suit. There's no other like it.
00:52:31Mr. Mason, I've come across a lot of screwy things in this business.
00:52:35But this beats them all.
00:52:37Now look, Egan. The ring, the key and the handkerchief can mean one of two things.
00:52:42Either she was murdered and her body had been found, or she was kidnapped.
00:52:49If it's ransom they want, I'll pay it.
00:52:51Have you received any anonymous letters?
00:52:53Not so far. I expect that to start any minute.
00:52:57What about that tramp you caught? What have you done with him?
00:53:00We're still holding him on a pickpocket charge.
00:53:03I'd like to get my hands on him for five minutes. I'd make him talk.
00:53:06Sorry, Mr. Mason, but that's absolutely against regulations.
00:53:09Regulations?
00:53:11I imagine it's also against the regulations for you to sit on your finely upholstered, plush-bottomed, swivel-back chair,
00:53:17taking the taxpayers' money without delivering the goods.
00:53:20I warn you, Egan, unless I get some decisive action out of this office, I'm going to hire my own detective.
00:53:30Good morning, Mr. Mason.
00:53:35How are you, Miss Crowley?
00:53:36Can you tell Mr. Harris I'd like to see him?
00:53:38Yes, sir.
00:53:43Welcome back, Mr. Mason.
00:53:44He didn't expect you so soon.
00:53:48Oh, yes. Well, I just happened to be in town for a few hours,
00:53:51and thought I'd drop in and see if everything's all right.
00:53:54Any news?
00:53:55No, sir.
00:53:56Mr. Claiborne and I opened the business mail as you directed.
00:53:58We've attended to everything.
00:54:00Those seem to be personal.
00:54:01We were going to forward them to you, but...
00:54:03That's all right.
00:54:06Yes, I knew Freston was going to run into trouble.
00:54:09Were you able to send him the part?
00:54:10Yes, sir. They went out on yesterday's clipper.
00:54:14Mr. Mason, several, all of us, have been wondering whether you've had any news of Mrs. Mason.
00:54:21No, not yet.
00:54:22We're very sorry, sir.
00:54:23If there's anything at all we can do.
00:54:25Thanks.
00:54:27Yes, sir.
00:54:28Yes, sir.
00:54:55Good job, Buck.
00:54:56Thank you.
00:54:57Good job, my friend.
00:54:58Go, Mr. Spencer.
00:55:13This place is done.
00:55:14Thank you.
00:55:15Good to see you!
00:55:16Take care.
00:55:17Come, let me go.
00:55:19¡Gracias!
00:55:49¡Gracias!
00:55:51¡Gracias!
00:55:53¡Gracias!
00:55:55¡Gracias!
00:56:19¡Gracias!
00:56:21¡Gracias!
00:56:31¿Es tu ticket?
00:56:33¿Quieres que te regalas?
00:56:35¡Gracias!
00:56:37¡Gracias!
00:56:39¡Gracias!
00:56:41¡Gracias!
00:56:43¡Gracias!
00:56:45¡Gracias!
00:56:47¡Gracias!
00:56:49¡Gracias!
00:56:53¡Gracias!
00:56:55¡Gracias!
00:57:07¿Quién lo que pagó?
00:57:09¿No?
00:57:10¿Quién lo que pagó?
00:57:15¡Gracias!
00:57:17¡Gracias!
00:57:19¡Gracias!
00:57:21¡Gracias!
00:57:22¡Gracias!
00:57:23¡Gracias!
00:57:24¡Gracias!
00:57:30¿Cuándo fue?
00:57:31¿Cuándo fue?
00:57:32¡Nos días!
00:57:33¡Nos días antes de la mañana!
00:57:35¿Recuerdas de ella?
00:57:36¿Qué era?
00:57:37Sí, me acuerdo.
00:57:38¡Gracias!
00:57:39¡Gracias!
00:57:40¡Gracias!
00:57:41¡Gracias!
00:57:42¡Gracias!
00:57:43¡Gracias!
00:57:45¡Gracias!
00:57:46¡Gracias!
00:57:47¡Gracias!
00:57:48¡Gracias!
00:57:49¡Gracias!
00:57:50¡Señor!
00:57:52¡Oh, este es el día antes de la mañana!
00:57:53¡Se va a comer!
00:57:54¡Es lo que me haré!
00:57:56¡Es lo que se 손 a comer!
00:57:57¡No hay nada!
00:58:03¡Venos días después de que te lo vas a comer!
00:58:05¿Qué pasa?
00:58:06¡Cáles, la ley de la ley, la ley, la ley...
00:58:07¡Aher de la ley de la ley!
00:58:09¡A ver si me da la ley!
00:58:11No hay que verlo.
00:58:13Debo duplicar la señal o no te daré una carta de la señora que le puso.
00:58:16Mi esposa, Richard Mason.
00:58:18Tengo todas las identidades en mi cuenta.
00:58:20No, señor.
00:58:21No, si te daré una carta a mi.
00:58:23Si no se muere por 90 días,
00:58:25se muere por el precio.
00:58:2990 días.
00:58:32Gracias.
00:58:41Hey. Hey. Hey, sweetheart. Remember me?
00:58:59Yeah. How much do I owe you?
00:59:01$1.75.
00:59:03$1.75. Well, drive me to police headquarters.
00:59:11Are you sure the book was signed, Mrs. Richard Mason?
00:59:17I'm positive.
00:59:18It doesn't seem possible.
00:59:19It didn't seem possible that her wedding ring would turn up in my safe, but it did.
00:59:23What's the address?
00:59:2317 Bay Street.
00:59:2517 Bay Street.
00:59:41Thank you very much, sir.
00:59:51Yes, gentlemen?
00:59:52We want to see the gold locket, Mrs. Mason pawned.
00:59:54Gold locket?
00:59:55I think there must be some mistake, mister.
00:59:58I have no gold lockets.
01:00:00Nobody buys them anymore.
01:00:01The few I had left, I sold just for the gold.
01:00:04Oh, don't give me that.
01:00:05It was right here in this tray, half an hour ago.
01:00:06You must have seen it in some other pawn shop, sir.
01:00:08No, it was right here in this pawn shop.
01:00:10Let's see that locket.
01:00:13Honestly, gentlemen, I haven't had any gold lockets in here for more than a year.
01:00:17Where's your partner?
01:00:18I have no partner.
01:00:19All right, your clerk, your helper, the big fella.
01:00:22He's making a mistake, Mr. Detective.
01:00:24I have no partner or help of any kind.
01:00:27This is my shop.
01:00:28I run it myself.
01:00:29You sure this is the right place?
01:00:30I'm absolutely positive.
01:00:31I remember those clocks, the guitar, the whole place.
01:00:33It was right here in this case, number 22787.
01:00:36Have you got the ticket?
01:00:37Yes.
01:00:38No.
01:00:39No, he kept it, the big fella.
01:00:41Believe me, Mr. Detective.
01:00:43Hand me that ledger.
01:00:44Yes, sir.
01:00:44Anything you say.
01:00:45Shorty, you're right there in the book in her own handwriting.
01:00:47See, 22787.
01:00:5922787.
01:01:00Ah, 22.
01:01:04You'll switch books.
01:01:05You've hidden the locket.
01:01:06Where is it?
01:01:06Hey, get a hold of yourself.
01:01:08It won't do any good.
01:01:09Come on, let's get out of here.
01:01:10Of course, it's possible you might be mistaken about the pawn shop.
01:01:19They're all similar.
01:01:20I tell you why I'm not mistaken.
01:01:21It was that pawn shop at that address, 17th Bay Street.
01:01:24I walked into the shop.
01:01:25I gave the ticket to the man behind the counter.
01:01:27He handed me the locket.
01:01:28I kept it and held it in my hands.
01:01:30I saw my wife's signature in the book alongside the number.
01:01:32The same number that was on the pawn ticket.
01:01:3422787.
01:01:36We only had the ticket.
01:01:37I told you he kept it, the big fella.
01:01:39There's no reason to get excited, Mr.
01:01:40No reason.
01:01:41How would you feel if all this had happened to you?
01:01:43Well, I guess I'd feel as if I'd gone soft in the head.
01:01:48Now, look here, workman.
01:01:50We've had a half a dozen clues and nobody seems to be able to do anything about them.
01:01:54I warned Egan that unless something was done and quickly,
01:01:56I'd have to take matters into my own hands.
01:01:58And that's exactly what I'm going to do.
01:02:05Well, Professor, what do you think?
01:02:18Are they written by the same person?
01:02:20Apparently, yes.
01:02:22But it's possible that certain similarities that appear now
01:02:25may be the result of certain family characteristics
01:02:28that sometimes appear in the writing of brothers and sisters.
01:02:31Are such cases common?
01:02:35No, but you do run across them now and then.
01:02:39But for a positively accurate comparison,
01:02:42I shall have to enlarge both specimens,
01:02:44analyze the individual letters,
01:02:46and study the basic angles and group couples.
01:02:50Well, I'm sorry to put you to all that trouble, Professor.
01:02:53Oh, not at all.
01:02:54I'm only too delighted to do anything I can for a friend of Dr. Hamilton's.
01:02:58And he'll enjoy every minute of it.
01:03:00Give Professor Behrens a comparison microscope
01:03:02and he's as happy as a little boy playing Sherlock Holmes.
01:03:05Oh, well, I only hope I can be of some help to you.
01:03:08Thank you.
01:03:13Oh, Richard, are you going to leave Evelyn up at the lodge?
01:03:17Yes, I don't see any need in dragging her down here for all this.
01:03:21Good. As long as she's with Professor Hallsworth,
01:03:23you can be sure she's in good hands.
01:03:28Well, Mr. Mason, I didn't hear you come in.
01:03:46Well, that's all right, Phillips.
01:03:47I thought you were still up at Rainbow Lodge.
01:03:49Well, I had some unexpected business here in town.
01:03:53Say, uh, Ms. Mason used to keep her stationary here in this desk.
01:03:57Yes, sir.
01:03:58Whatever became of it, do you know?
01:03:59Ms. Evelyn took it, sir.
01:04:01Oh, Ms. Evelyn.
01:04:04Yes, sir, when she went up to the lodge.
01:04:06Sisters have a way of borrowing each other's things, sir.
01:04:09I should know. My wife has two of them.
01:04:12And that reminds me, sir.
01:04:13Do you remember the night we smelled the perfume?
01:04:17I found that Ms. Evelyn had a bottle, sir, just like her sisters.
01:04:22Oh, good night, Phillips.
01:04:23Shall I turn your bed down, sir?
01:04:27No, I'm driving back to the lodge.
01:04:29Oh, good night.
01:04:42¡Suscríbete al canal!
01:05:12¡Suscríbete al canal!
01:05:42¡Suscríbete al canal!
01:06:42¡Suscríbete al canal!
01:06:44¡Suscríbete al canal!
01:06:46¡Suscríbete al canal!
01:06:48¡Suscríbete al canal!
01:06:50¡Suscríbete al canal!
01:06:52¡Suscríbete al canal!
01:06:54¡Suscríbete al canal!
01:06:56¡Suscríbete al canal!
01:06:58¡Suscríbete al canal!
01:07:00¡Suscríbete al canal!
01:07:02Sí, voy a conducir a la estaciona.
01:07:04Voy a enviar a la chica.
01:07:06No debería haber hecho eso, Dick.
01:07:09¿Por qué?
01:07:10Voy a conducir a la chica, mientras que estoy aquí.
01:07:12Pero tienes que estar cansado.
01:07:14Es muy difícil, especialmente en la noche.
01:07:16Me gusta conducir a la noche.
01:07:18Vamos, vamos a ir.
01:07:32Voy a llevarlo.
01:07:34Sí.
01:07:36Voy a llevarlo.
01:07:38Gracias.
01:07:39Cuidado.
01:07:40Cuidado, Dick.
01:07:41Las montañas son tan peligrosas.
01:07:45Me has escuchado eso antes.
01:07:53Mr. Mason, Mr. Mason.
01:07:55¿Quieres el teléfono?
01:07:58¿Quieres el teléfono?
01:08:00Espera.
01:08:19¿Hola?
01:08:20Hola, Dick.
01:08:21I tried to get you at home.
01:08:23Phyllis told me you had gone to the lodge.
01:08:25I changed my plans.
01:08:27What's the verdict?
01:08:28What did Behrens find out?
01:08:30It's the same handwriting, Richard.
01:08:32It's Catherine's writing.
01:08:34It couldn't be.
01:08:35There's no doubt about it.
01:08:37Professor Behrens says he'd stake his reputation on it.
01:08:42What does that mean?
01:08:43I don't know.
01:08:44I think it means that Catherine is still alive.
01:08:50Dick.
01:08:51Dick.
01:08:52Are you still there, Dick?
01:08:55Are you still there, Dick?
01:08:57Are you still there, Dick?
01:08:58Well...
01:08:59Thanks for calling.
01:09:01Thanks for calling.
01:09:19Holdswaite.
01:09:21Holdswaite.
01:09:22Hello, Mr. Mason.
01:09:26Sorry, I didn't see you.
01:09:28I don't know whether I'm coming or going.
01:09:31Did you ever tell a girl that you loved her and been given your walking papers?
01:09:35I don't know.
01:09:36I guess so.
01:09:37I can't remember.
01:09:38Probably not.
01:09:39From what I've seen of you, you'd be good with me.
01:09:42What did Evelyn say to you?
01:09:43She was very nice.
01:09:46She wanted me to be her friend.
01:09:49Evelyn's the only girl I'll never have for a friend.
01:09:53It's amazing how much I love her.
01:09:55I love her so much that it's unbelievable that she doesn't love me.
01:09:59I think I know what you mean.
01:10:01I said goodbye to her.
01:10:03Going back tomorrow.
01:10:05I wouldn't do that.
01:10:07If I were you, I'd have another try.
01:10:08I think you'll find she's changed her mind.
01:10:11Where is she?
01:10:13Outside, in my car.
01:10:16Oh, Holdsworth.
01:10:17Yes?
01:10:19You're a nice fella.
01:10:20It goes both ways, Mr. Mason.
01:10:22Good luck.
01:10:23Thanks.
01:10:36I'm sure you'll appreciate the splendid construction of this, sir.
01:10:39It's twice as strong as the average wardrobe case, but only a fraction of the weight.
01:10:43Yes, I'll take it.
01:10:44Now, how about a smaller one?
01:10:45Yes, sir.
01:10:46I believe I have an excellent one in that same match set.
01:10:48It doesn't have to match.
01:10:49Anything will do.
01:10:50But I'm sure you'll like this one, sir, if I can only lay my hands on it.
01:10:52I saw it here.
01:10:54Here it is.
01:10:55Right here.
01:10:56Yes, that'll do.
01:10:57Yes, sir.
01:10:58I knew you'd like it.
01:10:59You know, I always think it's much better to have luggage that matches.
01:11:03Anything wrong, sir?
01:11:09You know what?
01:11:30Hey, junior!
01:11:30Hey!
01:11:31Hey, te.
01:11:32¡No, no, no!
01:12:02¡No, no, no!
01:12:32I just want to see the lady who lives here.
01:12:34You got the wrong flat.
01:12:36No one lives in there.
01:12:38It's for rent.
01:12:40Are you the manager of this building?
01:12:42No, I'm the owner.
01:12:44Oh, well then.
01:12:46May I see this flat?
01:12:50Why, yes.
01:12:52You'll find it a real nice flat, mister.
01:12:54I just had it all done over with new wallpaper.
01:12:58And the floor's all redone.
01:13:00It's a nice light flat,
01:13:04and real handy to the markets and the shopping center.
01:13:08It's a nice light flat,
01:13:20and real handy to the markets and the shopping center.
01:13:22This is a studio if you paint.
01:13:38That's practically a new stove I got there.
01:13:43Put it in for the last tenants.
01:13:45Double drain board sink and plenty of cupboard space.
01:13:49That's a closet.
01:13:51Where's that door lead to?
01:13:52The fire escape.
01:13:54Is it always kept locked?
01:13:56Yes.
01:13:57Where's the key?
01:13:58I have it.
01:13:59I never leave keys in locks.
01:14:01There's a trick some people have of pushing them out,
01:14:04and then fishing them through the crack under the door.
01:14:13Where is she?
01:14:14Who?
01:14:15The woman who just came in here.
01:14:17There's no woman came in here.
01:14:19I saw my wife come in here just now.
01:14:21Unless you tell me where she is, I'll call the police.
01:14:23Please, mister, this is a respectable apartment.
01:14:25She's supposed to be dead, you understand?
01:14:27She's supposed to be murdered.
01:14:28Murdered?
01:14:29Yes, murdered.
01:14:30You know what that means?
01:14:31Yes, sir.
01:14:32You don't like that, do you?
01:14:33No, sir.
01:14:34Yes, sir.
01:14:35No, sir.
01:14:36Yes, sir.
01:14:37Cats come back sometimes, but women don't.
01:14:38You put cats in a bag and throw them in the river,
01:14:39but sometimes they get out and they come back.
01:14:41No, sir.
01:14:42Even if they do come back, you're not supposed to harbor them.
01:14:44It's against the law.
01:14:45It's against the housing law.
01:14:46Yes, sir.
01:14:47Especially a person who's been murdered.
01:14:49Murdered?
01:14:50Help!
01:14:55The doctor will be with you in a few moments, Mr. Mace.
01:15:10Oh, thank you.
01:15:11Oh, thank you.
01:15:34Well, Richard, I didn't expect you back so soon.
01:15:38You busy?
01:15:40No, no.
01:15:41I'm not expecting my first patient for half an hour.
01:15:43What can I do for you?
01:15:45Well, I hardly know how to begin.
01:15:47Just a moment, Richard.
01:15:48Are you about to consult me professionally or as a friend?
01:15:51Both, I guess.
01:15:53I'm sorry, but that's impossible.
01:15:55You see, the proper application of pure science
01:15:58admits of no such human frailtes as friendship.
01:16:00One cannot continue to treat human suffering efficiently.
01:16:03One must also be forced to share it.
01:16:06All right, then, consider this visit any way you please,
01:16:08but I need help.
01:16:10Really, Richard, that's an unusual admission coming from you.
01:16:13You have always seemed so efficient, so self-reliant.
01:16:16So shall we say clever.
01:16:18What do you mean by that?
01:16:20Just making a simple statement of fact.
01:16:23If you're beginning to doubt yourself,
01:16:25it must be something of a very serious nature.
01:16:27Doctor, I don't believe in ghosts, and I don't believe in the supernatural.
01:16:41I don't believe that people live on in life after they've left it.
01:16:44But I saw Catherine today, or someone who looked like her.
01:16:46Where?
01:16:47Downtown. She passed me in the street.
01:16:49I followed her, but I couldn't catch her on account of this leg.
01:16:51She disappeared into an empty house.
01:16:53How do you know it wasn't, Catherine?
01:16:56Oh, but it couldn't be.
01:16:57Why couldn't it?
01:16:59Well, if it was, why didn't she stop when I called her?
01:17:02Why didn't she speak to me?
01:17:05She may be a victim of amnesia.
01:17:07I thought of that possibility for some time.
01:17:09I've been hoping she might be picked up and identified,
01:17:12some card or letter in her purse, perhaps,
01:17:14whereby she could be returned to us.
01:17:16Then if that was true,
01:17:17she couldn't have left the key in the ring at the house.
01:17:19In her sleepwalking state, she may have returned them.
01:17:21A subconscious desire to renounce her marriage, perhaps.
01:17:24Yeah, but the phone call.
01:17:26Could have been a mistake on the part of the operator.
01:17:28What about the handkerchief?
01:17:29Accident. Laundry often gets mixed.
01:17:32The pawn ticket. The locket.
01:17:34She'd need money, Richard. It would be a natural thing to do.
01:17:37Doctor, these things may seem natural to you,
01:17:39but they seem unnatural to me.
01:17:41You sit there complacently droning on,
01:17:43trying to give me logical explanations.
01:17:45Trying to make me think I'm crazy.
01:17:48I'm not trying to make you think you're crazy, Richard.
01:17:51Then what are you doing?
01:17:56I'm just trying to understand you.
01:18:03There's something else troubling you, Richard.
01:18:06Something you ought to tell me.
01:18:08I haven't anything to say I haven't already said.
01:18:11Then why don't you accept my explanations?
01:18:13Why do you go on torturing yourself with these doubts?
01:18:16I don't know what you mean by doubts.
01:18:18What is that a doubt?
01:18:19I don't know. That's what I'm asking.
01:18:23What are you getting at?
01:18:25Nothing, apparently.
01:18:27But I want to recall to you, Richard, something I said at the party.
01:18:31Evelyn asked me exactly what I did as a doctor.
01:18:34I replied that sometimes a thought could be like a malignant disease,
01:18:37that it was my business to remove these thoughts before they could cause destruction.
01:18:42You have refused to give me your confidence.
01:18:44Therefore, I am helpless.
01:18:46Nobody can help you now, Richard, except yourself.
01:18:49Whatever is troubling you must be faced by you.
01:18:51Whatever doubts may haunt you can be laid to rest by you and you alone.
01:18:59Then...
01:19:00You can't help me.
01:19:04No, I'm afraid I can't.
01:19:13Doctor...
01:19:15You've had a lot of experience with mental cases, assuming that I am a mental case.
01:19:20Have you run across anything like this before?
01:19:22Only once.
01:19:24Many years ago, when I was a student in Vienna.
01:19:27What was that?
01:19:28The man who murdered his wife.
01:19:40Oh, Richard.
01:19:42You've forgotten your hat.
01:19:52You've forgotten her.
01:19:53You've forgotten her.
01:19:54You've forgotten her.
01:19:55You've forgotten her, Mr.
01:20:08Oh!
01:20:09I'm sorry.
01:20:11Oh, Richard.
01:20:14The man who murdered his wife.
01:20:16Oh!
01:20:17¡Gracias!
01:20:47¡Gracias!
01:21:17¡Gracias!
01:21:47¡Gracias!
01:22:17¡Gracias!
01:22:47¡Gracias!
01:23:17¡Gracias!
01:23:21She's not there, Dick.
01:23:25Come on out, Mason.
01:23:29I'll try to get away. It's no use.
01:23:34Better go.
01:23:47Where's Katherine?
01:23:53Where is she?
01:23:55We took her body away the day after you killed her.
01:23:57I saw her today.
01:23:59That was a police woman impersonating your wife.
01:24:03And she really was dead all the time.
01:24:05Yes.
01:24:11What are you doing here?
01:24:13What have you got to do with all this?
01:24:15One slip you made. A rose.
01:24:17You said Katherine was wearing it the last time you saw her.
01:24:19She was.
01:24:21It was pinned to her coat.
01:24:23I gave her that rose when she stopped at my house.
01:24:25A rose you couldn't have seen when you were supposed to be helpless sitting at home.
01:24:31Come on.
01:24:33Then I haven't been imagining things all these weeks.
01:24:37You staged them.
01:24:39Yes, Dick. The police had no evidence that would convince any jury.
01:24:41We had to drive you back here.
01:24:43We had help, of course.
01:24:44The handwriting expert. The hobo.
01:24:46The man in the pawn shop. But most of all, your conscience.
01:24:50Evelyn.
01:24:51Was she helping you?
01:24:52No, she knew nothing about it.
01:24:54I hope she didn't.
01:24:58Well, it's all over.
01:25:01It's the end, Doctor.
01:25:03Long, some Overall.
01:25:04Until last of you.
01:25:05It was lindo.
01:25:09Second changed the saying.
01:25:11In the case of aceite, he met using the lockdowns at home.
01:25:15It was no staircase above them.
01:25:17Gracias por ver el video.
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