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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:01¡Gracias!
00:01:02¡Gracias!
00:01:03¡Victim o'hara!
00:01:05¡Lateste victim of underworld war!
00:01:07This is murder!
00:01:08Just plain murder.
00:01:10Besides, this is the first time
00:01:11in the history of this organization
00:01:12Rod has had to be used.
00:01:15You know, you guys,
00:01:16by pulling this thing,
00:01:17it made little John awful brokenhearted.
00:01:19Oh, boss,
00:01:20you shouldn't take that altitude towards us.
00:01:22The guy was chiseling in on us,
00:01:23me in Philadelphia Powell
00:01:24caught him red-handed.
00:01:26Sure, boss.
00:01:27Everybody thought you'd be glad
00:01:28to have that guy illuminated.
00:01:29No, no, no.
00:01:31El trabajo es de Mollie Madigan.
00:01:32El policía ha cerrado el joint.
00:01:34Ahora, ¿cuáles va a tener un plato de carne y cabezas en New York?
00:01:37Sí, fue difícil de hacer Mollie.
00:01:39¿Use en su estabilidad para ese tipo de trabajo?
00:01:41Sí, muchas personas son muy divertidas.
00:01:43No quieren estar ahí, ¿cuáles son de comerciantes?
00:01:46Además, ¿por qué no hay en el no?
00:01:48¿Por qué no hay un par de compañía?
00:01:50¿Por qué no hay un memo?
00:01:51Llega, ¿por qué, Johnny?
00:01:52El hombre está bien, ¿verdad?
00:01:53No sé si está bien.
00:01:55Así es Mollie Madigan, así es nuestro record.
00:01:57Y así lo digo.
00:01:58¿Qué?
00:01:58¿Por qué me dijo lo que dije?
00:01:59I've been getting fed up on this business
00:02:01and I've been thinking of getting out.
00:02:03This here latest transaction convinces me.
00:02:05Boss, you don't know what you're saying.
00:02:06I know exactly what I'm saying.
00:02:08I'm fed up on this business.
00:02:10I don't see no career in it no more.
00:02:13Besides, I'm too sensitive.
00:02:15Johnny, what are you going to do?
00:02:17Plenty.
00:02:17I got my little bundle.
00:02:18I'm going to retire, see?
00:02:20Now on, I'm going after the two things
00:02:22I've always wanted most.
00:02:23Good taste and refinement.
00:02:25I'm going to get what I was born to have.
00:02:28Class.
00:02:28What kind of conversation is this?
00:02:31The guy's blown his roof off.
00:02:33Got the clowning, Johnny.
00:02:34The guy's in the mood for it.
00:02:35I ain't clowning.
00:02:36I'm on the level.
00:02:36I'm through with the rackets forever.
00:02:38Now on, the business is yours.
00:02:40I'm stepping out.
00:02:41Of course, without little John,
00:02:43you're practically starting from scratch.
00:02:44But you'll get along.
00:02:46You mean that, Johnny?
00:02:46Absolutely.
00:02:48This is a kiss-off.
00:02:51Now you guys are no longer looking at John Sato,
00:02:53both of the rackets.
00:02:55You're now looking at John T. Sato.
00:02:57World sportsman, socialite, and art student.
00:03:00Where are you going, boss?
00:03:02First I'm going to tell Flo.
00:03:03Then tomorrow I'm off to London, Paris, and St. Morris.
00:03:06And with all the class that goes with them there, George.
00:03:09Oh, uh, Willie, you can come and help me pack.
00:03:11So long, guys.
00:03:12I won't be seeing you.
00:03:16He's certainly going a long way to get class.
00:03:19The way he's going after it,
00:03:20he'll probably come back reeking with it.
00:03:22Now don't worry, pal.
00:03:23He'll never come back.
00:03:24Look, Johnny, don't it look elegant?
00:03:39Yeah, it's got class all right.
00:03:42Look, you dumb clock.
00:03:43You've got to paste it on the inside.
00:03:44Sure, it gets scratched on the outside.
00:03:46Anybody's smart enough to know that.
00:03:49Now, Flo, sometimes you've got me guessing
00:03:51whether you're even a network.
00:03:52Okay, Johnny.
00:03:56That's the thanks I get for dropping in to help you pack.
00:03:58Oh, I'm sorry, baby.
00:04:00Look, I didn't mean I should hurt your feelings.
00:04:02You know, I keep forgetting you don't catch out of class
00:04:03fast as I do.
00:04:05Why do you want me to tuck these croquette mallets, boss?
00:04:08See what I'm up against?
00:04:09Not croquette, stupid.
00:04:11Them's polo clubs.
00:04:12Won't they fit in the trunk?
00:04:13Not a chance.
00:04:14Not even if I bend them.
00:04:16I got an idea, Johnny.
00:04:17Pinky Johnson over at the Can-Can Club
00:04:19has got a black bull fiddle case you could borrow.
00:04:21Yeah, no good.
00:04:22Hop over to the Can-Can and ask Pinky
00:04:24if he ain't got a brown one he could let you have.
00:04:25Okay.
00:04:26I want to match my luggage
00:04:27so nobody can say little Johnny ain't in good taste.
00:04:29Ah, you're always in good taste, Johnny.
00:04:33That's what's got me kind of jumpy.
00:04:35I mean, you and me tearing around Rome
00:04:37and all them places
00:04:38and me with the maiden name.
00:04:40I don't get you.
00:04:42I mean us taking this trip.
00:04:44Us?
00:04:45Who said we're taking the trip?
00:04:47Well, ain't we?
00:04:49Now, look, baby,
00:04:49I don't want to hurt your feelings, see,
00:04:51but little Johnny's going to take this trip alone.
00:04:53Oh, but you and me have us...
00:04:53Well, just like you said,
00:04:54it wouldn't be proper now, would it?
00:04:57Besides,
00:04:57I kind of like to get away by myself for a little while.
00:05:00Now, you understand, don't you?
00:05:02Sure.
00:05:02I understand.
00:05:05Ah, Flo.
00:05:07Well, why don't you come right up and say it?
00:05:09Why don't you say you're tired of me
00:05:10and this is the blow-off?
00:05:11Oh, baby,
00:05:12now how can you talk this way?
00:05:14How can you even think this way?
00:05:15Well, it is, ain't it?
00:05:17Flo, when you say that,
00:05:18it's like sticking a knife in me.
00:05:20When you look like you mean,
00:05:21it's like breaking the handle off.
00:05:24Well, I can't help it, Johnny.
00:05:26You and me have been going together
00:05:28for five years now.
00:05:29Of course, I know you've been awful busy, but...
00:05:31Say, has some woman been talking to you?
00:05:33But it seems to me
00:05:34if a fellow loved a girl enough,
00:05:36he could take five minutes off
00:05:37to hop over to the city hall
00:05:38and dig up some judge.
00:05:40Now, stop mentioning judges.
00:05:42I'm superstitious.
00:05:43Okay, Johnny.
00:05:45Forget it.
00:05:46Anyway, we had some good times together.
00:05:49Ah, now, look, baby,
00:05:51I'm still nuts about you.
00:05:53The only reason we ain't married
00:05:54is because we haven't got around to it.
00:05:55Now, when I come back and I'm a gentleman,
00:05:57we're going to have a big wedding,
00:05:58a church wedding.
00:06:00Gee, and I ain't been in a church
00:06:01since the night your brother was bumped off.
00:06:04Ah, yes.
00:06:05Well, kids, you know, you deserve the best.
00:06:07Oh, Johnny.
00:06:08I ain't forgetting you either.
00:06:09You know, I'm going to take care of you before I go.
00:06:11Are you?
00:06:11Bet your life.
00:06:13I always said I was going to do something big for you, didn't I?
00:06:14Yeah.
00:06:15Well, now's the time.
00:06:16Oh, gee, Johnny.
00:06:16You always wanted to be in show business, didn't you?
00:06:18Do I?
00:06:18Well, watch.
00:06:22Get me out of rye at the Crescent Club.
00:06:24I'll show you how you stand with me.
00:06:26The Crescent Club?
00:06:26That's the biggest nightclub in town.
00:06:28Oh, hello, Al.
00:06:30Little John Sato.
00:06:32Oh, fine, pal.
00:06:33How's yourself?
00:06:34Say, listen.
00:06:35You know Flo Adams, don't you?
00:06:37My fiancé.
00:06:39That's right.
00:06:40Well, look.
00:06:40I'm going off to Europe, see?
00:06:42And when I'm gone,
00:06:42I want you to spot her in your nightclub.
00:06:44That's right.
00:06:46You will?
00:06:47Well, that's fine, Al.
00:06:48I appreciate it.
00:06:49Yeah, she'll be over it tomorrow afternoon at 2.
00:06:52Well, that's fine, pal.
00:06:53Thanks, pal.
00:06:54So long, pal.
00:06:56Well, do I get in at the club?
00:06:57You bet your life.
00:06:59Tomorrow afternoon, you start right in as a...
00:07:00As a what?
00:07:01Hatcher girl.
00:07:02Oh, gosh, Johnny!
00:07:06Say how little John takes care of the people he likes, huh?
00:07:09Oh.
00:07:13Oh, Johnny.
00:07:14Good-bye, Johnny.
00:07:17Good-bye, baby.
00:07:19Bye.
00:07:20Bye.
00:07:21Bye.
00:07:22Bye.
00:07:23Bye.
00:07:24Bye.
00:07:25Bye.
00:07:50Bye.
00:07:51Bye.
00:07:51¡Gracias por ver el video!
00:08:21¡Gracias por ver el video!
00:08:51¡Gracias por ver el video!
00:09:21¡Gracias por ver el video!
00:09:23¡Gracias por ver el video!
00:09:25¡Gracias por ver el video!
00:09:27¡Gracias por ver el video!
00:09:29¡Gracias por ver el video!
00:09:31¡Gracias por ver el video!
00:09:33¡Gracias por ver el video!
00:09:35¡Gracias por ver el video!
00:09:37¡Gracias por ver el video!
00:10:09¡Gracias por ver el video!
00:10:11¡Gracias por ver el video!
00:10:13¡Gracias por ver el video!
00:10:15¡Gracias por ver el video!
00:10:17¡Gracias por ver el video!
00:10:19¡Gracias por ver el video!
00:10:21¡Gracias por ver el video!
00:10:23¡Gracias por ver el video!
00:10:25¡Gracias por ver el video!
00:10:27¡Gracias por ver el video!
00:10:29¡Gracias por ver el video!
00:10:31¡Gracias por ver el video!
00:10:33¡Gracias por ver el video!
00:11:03No, no, no, no, no.
00:11:33No, no, no, no, no, no, no, no.
00:12:03Yeah, furniture, books, everything.
00:12:07Still there.
00:12:15Same old private apartment.
00:12:18Just the same.
00:12:19Well, sure looks good.
00:12:24Boy, do you remember some of the parties we held in here?
00:12:26Hey, pal, huh?
00:12:27Yes, sir, Johnny, those were the good old days.
00:12:30Come on in here.
00:12:31I want you to talk to the boys.
00:12:32I want you to take your old seat, too, right up front.
00:12:35Certainly nice to be back with the old molly.
00:12:37Moxie?
00:12:38Yeah?
00:12:38Show the boss to his old seat.
00:12:40Why, it's a pleasure.
00:12:40Thanks, Moxie.
00:12:42Hey, boss.
00:12:43Oh, boy, oh, boy.
00:12:45This is what I've been looking for.
00:12:51The hot seat, huh?
00:12:53Who's the wise guy?
00:12:56Come on, now, speak up.
00:12:57If you don't, I'll break every guy's head in this room.
00:12:59Relax.
00:12:59You ain't scaring nobody.
00:13:01Shane, do you know who you're talking to?
00:13:02Sure, the little Johnny Sardo, and you don't mean a thing.
00:13:05You might as well get this through your nut right now.
00:13:07You walked out on us five years ago and left us flat.
00:13:10You gave me the rackets and made me the boys.
00:13:13You think I'm going to be chump enough to step down now?
00:13:15Oh, so that's it.
00:13:17Well, now I get it.
00:13:18As far as the rackets are concerned, you're true, Johnny.
00:13:21And let me give you a little tip.
00:13:23You can stay around this burg as long as you want to,
00:13:25but it'll be healthier if you leave.
00:13:27Because from now on, I ain't liking you,
00:13:29and I'm liable to not like anything you do, see?
00:13:32Showdown, huh?
00:13:33All right, wise guy.
00:13:36Muggsy, for the Delphi, Frank.
00:13:38How is it going to be?
00:13:38Him or little John?
00:13:42Come on, now, speak up.
00:13:43Who's your boss?
00:13:46What is this?
00:13:48What am I doing, dreaming?
00:13:49No, you ain't dreaming.
00:13:51And the sooner you get it through that puffed-up little head of yours
00:13:54that you're out of the business, the better.
00:13:55Now get out of here.
00:13:56Why?
00:13:58Go on, get him out of here.
00:13:59Throw him out in the street.
00:14:00All right, wise guy.
00:14:01Let go.
00:14:01Oh, I'll get out, but I'm coming back.
00:14:04I'm organizing a new mob,
00:14:06and someday I'm going to blast you guys right off the earth.
00:14:08I'll show you yellow mugs.
00:14:09Don't stand there taking his cuff.
00:14:10Throw him out of here.
00:14:11Come on, get your hands off.
00:14:12Get him out.
00:14:13Get him out.
00:14:21All right, get out of here.
00:16:08¡No, Albert!
00:16:14Ah, Napoleon.
00:16:21Fifi.
00:16:24Johnny.
00:16:26Oh, Johnny.
00:16:29No, no, no, no.
00:16:30Mind the hysterics.
00:16:32Get rid of the audience.
00:16:33You can go now, Albert.
00:16:34Fifi, take Napoleon and Josephine on the terrace...
00:16:35...me and Mr Soutier used to be alone.
00:16:37Oh, Johnny, five years you've been gone, gee, you don't know how I've missed you.
00:16:42Yeah, from the looks of things, as good I come back.
00:16:46What's the idea of all this layout?
00:16:48Well, you always wanted me to have class, didn't you?
00:16:51Yeah, but this joint's so full of it, it leaks.
00:16:54Now, don't tell me you got her selling cigarettes.
00:16:56I ain't a cigarette girl no more.
00:16:58You ain't?
00:16:59When'd you quit the Crescent Club?
00:17:00I didn't quit it.
00:17:01You didn't?
00:17:02I own it.
00:17:03Why are you kidding?
00:17:04No, I ain't. I bought Al Royer out a year ago.
00:17:06But what, hey?
00:17:07Al Falfa, that's what Clarence raises.
00:17:09Clarence?
00:17:10Now, look, one of us is cuckoo.
00:17:12Now, let's start this over again.
00:17:13Who's Clarence?
00:17:14He's a big rancher from out west.
00:17:16He's interested in cows.
00:17:17Oh, yeah?
00:17:19Especially when they wear petticoats, huh?
00:17:21If you're insinuating there's anything between us outside of business, you're mistaken.
00:17:24Besides, I ain't worn a petticoat in years.
00:17:26Well, from now on, this cowboy's out of the picture, see?
00:17:29You can tell him he can pack up his wig by him, go back to the wide open spaces.
00:17:32You're jealous.
00:17:32No, I ain't jealous.
00:17:33I'm just a little suspicious of a guy who looks for pasture land on 42nd Street.
00:17:37Johnny.
00:17:38What?
00:17:39You ain't kissed me yet.
00:17:42No, I don't get around to that.
00:17:44First, I got something important to do.
00:17:46Where's Willie the knife?
00:17:47In Pattonsville.
00:17:48That's a private sanitarium over in Jersey for mental disorders.
00:17:51Say, he's got his nerve going crazy just when I need him.
00:17:54Oh, he ain't really crazy.
00:17:56He's just playing at it to get away from Jack Buck.
00:17:58He quit him a couple of weeks ago.
00:18:00Jack Buck's a bad guy, Johnny.
00:18:02Yeah, I found out about that.
00:18:04But don't worry, he ain't going to be much longer.
00:18:08Oh, hello, operator.
00:18:09Get me the Pattonsville sanitarium.
00:18:12That's right, New Jersey.
00:18:13All right, I'll hold on.
00:18:14There's a rumor Jack Buck don't like you no more, Johnny.
00:18:17Yeah, I know.
00:18:17I confirmed it.
00:18:18That's why I gotta act quick.
00:18:19I don't think you'll get Willie.
00:18:21They're kind of funny about letting you talk to guests.
00:18:23Oh, I'll get him all right.
00:18:23This little John Sato.
00:18:25How long will it take us to drive over to where Willie's at?
00:18:28Forty minutes, the way you drive.
00:18:29Oh, good.
00:18:30I'll tell him it'll be right over to pick him up.
00:18:31Well, maybe he won't want to leave.
00:18:32He told me on a postcard he's in a grand height.
00:18:34I'd have a swell time with his mental disorder.
00:18:37If he told you that on a postcard,
00:18:39maybe they ought to keep him in there.
00:18:40Oh, hello, Pattonsville.
00:18:42Let me talk to Willie Corson.
00:18:44Who am I?
00:18:45His grandfather.
00:18:46Who do you think?
00:18:47Just a moment.
00:18:49The phone, Willie.
00:18:56Your grandfather wants to talk to you.
00:19:05Go on.
00:19:06The phone.
00:19:08Don't keep Grandpa waiting.
00:19:10That's a nice boy.
00:19:12Okay, I'll bite.
00:19:14But sometimes I don't know who's being kept here.
00:19:17You guys or me.
00:19:18Hello.
00:19:20Oh, listen, flathead.
00:19:21This little John Sarto.
00:19:23Boss!
00:19:24Now, look, Willie.
00:19:24I want you to pick up a couple of Roscoes.
00:19:26And if you can grab a torpedo or two.
00:19:27But, boss, you forget where I am.
00:19:30They're awful peculiar up here.
00:19:32And they get kind of hurt if you walk out on a joint.
00:19:34Well, just leave a note and say that you, uh, well,
00:19:37went to the store.
00:19:37That'll take care of everything.
00:19:39Well, of course.
00:19:39I ain't really wacky.
00:19:41I had myself put into the joint.
00:19:43But the kiss-off may not be so easy.
00:19:45Now, listen, screwball.
00:19:46You leave everything to me, see?
00:19:47Now, I'm back in business and I need you.
00:19:48And I ain't got no time for no red tape.
00:19:50I'll be up to get you in a couple of hours.
00:19:51Now, you'll be ready.
00:19:52All right, kid.
00:19:53Put a hat on.
00:19:54We're shoving off.
00:19:54Well, I guess I don't.
00:19:56Don't what?
00:19:57Don't get kissed.
00:19:59Oh, all right.
00:20:00It's broad daylight, but come on.
00:20:02Oh, Johnny.
00:20:06Hey.
00:20:08This cowboy of yours.
00:20:10You sure you ain't been doing no rehearsaling?
00:20:11What do you mean?
00:20:12Well, the way you come at me.
00:20:13I don't know whether you're going to hug me or saddle me.
00:20:19Pardon, madame.
00:20:20Monsieur Fletcher is on the phone.
00:20:22Oh, that's Clarence.
00:20:23Wait a minute.
00:20:25Hello, Clarence.
00:20:26Say, where you're at?
00:20:27I reckon you're going to be powerful mad at me
00:20:29for being so late and phoning you.
00:20:33This morning, I got so lonesome to see a cow
00:20:35that I went over to Jersey to the stockyards.
00:20:38Whenever me and cows get together,
00:20:40time just don't mean nothing.
00:20:42Well, what about the curtain material?
00:20:44Oh, say, I'm having mighty poor luck
00:20:46trying to match this here material for you.
00:20:48It seems like every store in town
00:20:50is just plum out of it.
00:20:52Oh, well, let it go, Clarence.
00:20:53Say, where's your car?
00:20:55I want to borrow it for a friend of mine.
00:20:56Well, you'll do no such thing.
00:20:58Tell him to pack up and get out of town.
00:21:00Wait a minute, Clarence.
00:21:01Don't be a lug.
00:21:02He can drive and you and me can sit in the back seat and talk.
00:21:05Say, who is this mug anyway?
00:21:06Can he be trusted?
00:21:07Oh, sure he can.
00:21:08He's dumb, but nice.
00:21:09You'll feel sorry for him.
00:21:10And he loaned me a lot of money.
00:21:12All right.
00:21:13Tell him to get over here quick and have plenty of gas in his car.
00:21:15Clarence, you get right over here quick and put plenty of gas in your car.
00:21:19You know what?
00:21:20You're going to drive me and my boyfriend out in the country.
00:21:23You bet.
00:21:25That sure is nice of you.
00:21:26Oh, gee, honey, it's nice to have you back.
00:21:38Well, it's the third time you've told me.
00:21:40You don't have to oversell it.
00:21:44What's that whistling I hear?
00:21:46That's Clarence making bird calls.
00:21:48He's awful good.
00:21:49You want to see him impersonate a robin?
00:21:55What'll he do, eat a worm?
00:21:57Oh, Johnny, you just don't like him.
00:21:59He's awful nice.
00:22:01You know what?
00:22:02He loaned me $10,000 to buy out the club and never asked for nothing.
00:22:07How'd you meet him?
00:22:08In a way, any respectable lady would meet a perfect gentleman.
00:22:12He passed out in the club one night.
00:22:14What'd you do, hold his head?
00:22:15No, his wallet, but I'd give it back to him the next night.
00:22:19You know, so you have to prove you was dumber than him, huh?
00:22:21Oh, Johnny, you're jealous.
00:22:23You don't have to be.
00:22:24He don't mean a thing.
00:22:25You're the only one who was ever in my life and ever will be.
00:22:30I'm sorry, baby.
00:22:31I think I know how you feel.
00:22:33And I'm going to give you a chance to prove it.
00:22:34How?
00:22:35You love me?
00:22:36Oh, do I?
00:22:38Put that robe around my legs, will you?
00:22:40My ankles are getting cold.
00:22:41Who's the guy driving for him?
00:22:53I don't know.
00:22:55You know that guy with the mugsy?
00:22:56Hey, some guy's been hanging around the Crescent Club.
00:22:59They say Flo is the lull in his life.
00:23:01Oh, yeah?
00:23:03We better check up on him when we get back.
00:23:05You two wait here.
00:23:21I'll only be a few minutes.
00:23:21How do you like Mr. Sarto, Clarence?
00:23:32Oh, I like him fine.
00:23:34Sure makes me feel awful discouraged, though.
00:23:37Why?
00:23:38He's so nice and outspoken.
00:23:40Nothing put on.
00:23:41That's what I like in him.
00:23:42I reckon so do the ladies.
00:23:44Well, they better not.
00:23:45Not while I'm around.
00:23:47Gee, you must be swell.
00:23:49What?
00:23:49For Mr. Sarto.
00:23:50Well, having a wonderful girl like you love with him.
00:23:54Oh, now, Clarence.
00:23:55I mean it.
00:23:56I know how I'd be.
00:23:58Well, you'll meet the right girl someday, Clarence.
00:24:00You just have to feel your way.
00:24:02Well, all I want to do is get Willie out of here.
00:24:04See, I'm his employer.
00:24:06Well, that won't be difficult.
00:24:07This is a private institution.
00:24:09Willie can find himself here voluntarily.
00:24:11He's free to leave.
00:24:13Anytime he feels that he's reacquired his mental faculties.
00:24:17Well, let me talk to him.
00:24:18See, I'll tell him to get him back right away.
00:24:19Where is he?
00:24:20Right down in the hall.
00:24:21I'll show you.
00:24:33Boss!
00:24:34Am I glad to see you.
00:24:35Welcome home.
00:24:36Here.
00:24:37Sit down.
00:24:39Yeah, wait a minute.
00:24:40Take it easy.
00:24:41That's what the other guys told me.
00:24:42It was a foul ball.
00:24:43Oh, not with me, boss.
00:24:44I'm 100% for you.
00:24:45Well, you better be.
00:24:47I got things to tell you.
00:24:49Oh, excuse us, will you, pal.
00:24:50I want to talk to Willie alone.
00:24:51Certainly.
00:24:52I'll be in the office.
00:24:52Thanks.
00:24:53That's a nice chance.
00:24:54Boss, I can't get over.
00:24:56It's your back.
00:24:57Now, button your lip to listen, will you?
00:24:58I got work for you to...
00:25:00Move over, Willie.
00:25:02I got work for you to do, see?
00:25:04Now, here's what I want you to do.
00:25:12Don't say nothing to him, Clarence.
00:25:14They're bad medicine.
00:25:14Shucks, I ain't afraid of a few lunatics.
00:25:19Hello, kid.
00:25:20Good morning.
00:25:22What's your boyfriend doing up here?
00:25:23Got something up a sleeve, huh?
00:25:24Just ignore him, Clarence.
00:25:25He'll go away.
00:25:26Double talk.
00:25:28I reckon you boys better go someplace else and play.
00:25:30That's nice, fellas.
00:25:31Now, come on.
00:25:32Come on.
00:25:33That's a hot one.
00:25:34Where'd your boyfriend go to?
00:25:35It's inside?
00:25:36Don't pay him no attention, Clarence.
00:25:38Just play like they're not here.
00:25:40Now, come on, fellas.
00:25:41Be nice, boys.
00:25:42Now, come on, fellas.
00:25:43Come on.
00:25:43First thing I got to do is round up a new organization.
00:25:46I'm going to pull a mob together
00:25:47that'll run Jack Buck right out of the country.
00:25:48Now you're talking.
00:25:49Who'll we get?
00:25:50I don't know.
00:25:50I've been away for five years.
00:25:52Times have changed.
00:25:53Who do you know that's tough and running around loose?
00:25:55What month is this?
00:25:56June, why?
00:25:58Handsome Harry Edwards will be out.
00:25:59I can grab him in Philly.
00:26:01Now, who else?
00:26:02Torpedo's what I'll need.
00:26:04Turkey Maloney is the guy you want.
00:26:05He just got back from fighting in one of them foreign wars.
00:26:08Is he any good?
00:26:09Is he any good?
00:26:10They was paying him peace work.
00:26:11Okay, now, here's what you do.
00:26:12You take a potter out of this joint tonight.
00:26:15Round up a mob and leave him beside it tonight
00:26:16to the Crest Hotel over on Fulton Street.
00:26:17We'll work out of there.
00:26:18Right.
00:26:18Don't forget to remember this.
00:26:20Don't do anything to Jack Buck or his mob beforehand
00:26:22that'll tip him off.
00:26:23Understand?
00:26:23Right.
00:26:25What's that?
00:26:26Sounds like a mutiny.
00:26:26Nothing to worry about, Mr. Santo.
00:26:47Oh, I'm just bringing in a couple of nuts here
00:26:50that was kind of bothering Florence and me.
00:26:53Look.
00:26:53Look, boss.
00:26:54Where they are.
00:26:55Where's Flo?
00:26:56In the car.
00:26:58She fainted.
00:27:00I'm going out and tell her to move over.
00:27:09What time is it?
00:27:1020 after 11.
00:27:12Maybe something happened to Willie, huh?
00:27:14I don't like this whole setup, boss.
00:27:16We're just conning ourselves
00:27:17if we think we can knock over Jack Buck.
00:27:19What are you talking about?
00:27:21Didn't I take the pushcart peddlers away from him?
00:27:23What about the fruit peddlers in Canarsie?
00:27:24Who had them before Jack Buck?
00:27:26Who's got them now?
00:27:26Me.
00:27:27Yeah, we've done a lot in 10 days, Johnny,
00:27:28but I still said we've got to be careful.
00:27:29Yeah.
00:27:30So far, all we've grabbed off this guy Buck has been peanuts.
00:27:33But this is different.
00:27:34Now, look, you mugs.
00:27:35I'm getting tired of this kind of conversation.
00:27:37If any of you guys are getting nervous
00:27:38and want to drop out of the picture,
00:27:39there's the door.
00:27:40You got us wrong, Johnny.
00:27:42We ain't yeller.
00:27:43We just think you're going a little too far too soon
00:27:45with Jack Buck.
00:27:46Now, shut up, everybody.
00:27:49Open the door here.
00:27:55Come in, gentlemen.
00:27:58Look, Johnny, I don't know nothing.
00:28:00I never did nothing.
00:28:00No!
00:28:01Shut up.
00:28:02I'll do the talking.
00:28:03You answer when you're told to.
00:28:06Put him on a chair.
00:28:12We hear Jack Buck's got a date this afternoon
00:28:14with the Acme Paving Company
00:28:15to sell him some protection.
00:28:17Now, who is he meeting
00:28:18and where is he going to be?
00:28:19Honest, Johnny,
00:28:19we ain't got no date with the Acme.
00:28:21Come on, you're a liar.
00:28:22We know all about it.
00:28:22Now, are you going to get smart and talk
00:28:24or do you need a little working on?
00:28:25I'm telling you the truth, Johnny,
00:28:26I don't know nothing.
00:28:27Even if they have got a date,
00:28:27I don't know about it.
00:28:28Now, this is your last chance.
00:28:29You're going to spill it
00:28:30or do I start a work?
00:28:31You're crazy, Johnny.
00:28:32You can't get away with this.
00:28:32I'll talk, boss.
00:28:41I'll talk.
00:28:42Now, now you're getting smart.
00:28:44Now, who is he going to see
00:28:44and where they're meeting?
00:28:45They're seeing Tom Bailey
00:28:46in his office on 8th Avenue
00:28:47this afternoon at 3 o'clock.
00:28:49The fee is 2 G's a month.
00:28:50Philadelphia, Powell, and Al Muller
00:28:51will be present.
00:28:52Now, that's all I wanted to know.
00:28:54See how easy it was to talk, Muggsy?
00:28:58Give him a cigar, Dobie.
00:28:59No, sir, Mr. Bailey.
00:29:15You haven't got a thing to worry about.
00:29:17From now on, if any of the men get out of line,
00:29:20all you've got to do is reach for a telephone.
00:29:21We'll only bite you once a month for your dues, Mr. Bailey.
00:29:24That's all there is, Todd.
00:29:25Well, naturally, I want to avoid any more trouble.
00:29:28I think you know what...
00:29:30Just got here in time, huh?
00:29:33What do you care?
00:29:34What do you want?
00:29:35Heister!
00:29:36Wait a minute, gentlemen.
00:29:38What's this all about?
00:29:39Now, just a minute, Mr. Bailey.
00:29:40I'm little John Sato.
00:29:42What are these mucks trying to do to you?
00:29:43You're going to be sorry for this, Johnny.
00:29:45These gentlemen represent a protective organization.
00:29:48I was just on the point
00:29:50of taking out a policy with them.
00:29:51Well, you ain't, see?
00:29:53You're taking it out with me.
00:29:55These mucks couldn't protect the nurse in a baby parade.
00:29:57Throw them out.
00:29:58You heard them.
00:29:59Come on.
00:30:01Sit down, Mr. Bailey.
00:30:03Now, you and me will get together on some real protection.
00:30:05I reckon it ain't very important.
00:30:19Florence and the newspapers have been making a lot more of it.
00:30:21I know, but sometimes the littlest items make the biggest funerals.
00:30:24Just makes me sick way down inside to see you so worried.
00:30:28Oh, if there was just something I could do.
00:30:30Monsieur Sato is on the telephone.
00:30:32Oh, okay, Fifi.
00:30:33Hello, honey.
00:30:38I've just been thinking about you.
00:30:39Where you at?
00:30:40I'm at the hotel.
00:30:41Say, look, baby, I won't be able to see you for dinner tonight.
00:30:44Oh.
00:30:44You got to lay low, huh?
00:30:46Oh, no, it ain't that at all.
00:30:47See, I got a new deal on the fire.
00:30:48It means a lot to me, and I want to close it quick.
00:30:51Now, stop worrying, will you?
00:30:52Well, how can I help it, Johnny?
00:30:54Every time the phone rings or somebody knocks at the door,
00:30:56I get the needles thinking something's happened to you.
00:30:59Oh, listen, baby, we can't go on like this.
00:31:01That's why yesterday afternoon I couldn't sleep a wink.
00:31:03I know how it is, baby, but can't you see I'm doing all this for us, see?
00:31:07When I'm back there up on top again, you and me will be married,
00:31:09see, and we'll have a home life that'll be the talk of the town.
00:31:11Well, I'll tell you what.
00:31:12You call me up later and let me know where you're at, hmm?
00:31:15Okay.
00:31:15Everything all right?
00:31:18Oh, sure, everything's all right.
00:31:20It's a question of money, Florence.
00:31:21I'd be more than happy to help out.
00:31:23Oh, I wouldn't dare offer Johnny money.
00:31:25He'd knock me for a loop.
00:31:27It's terrible, Clarence.
00:31:28Really, it's terrible.
00:31:29You want me to tell you something?
00:31:31You know why he's going through all this.
00:31:32Reckon he's broke.
00:31:33Oh, no, that ain't it.
00:31:34It's on economy.
00:31:36You know what he just said on the phone?
00:31:37What?
00:31:37He just said that when he was on top, we were going to be married.
00:31:42Ain't that grand?
00:31:44Yeah.
00:31:46Sure is.
00:31:47And me, the dumb slug, I ain't doing nothing to help him.
00:31:49Even right now, he's on a spot, and I ain't doing nothing to take him off of.
00:31:52Reckon worrying about him ain't going to help matters, no?
00:31:56What you need is a vacation.
00:31:58A couple of months on my ranch would do you a powerful lot of good.
00:32:01Oh, if there was just something I could do.
00:32:03You'd make a mighty pretty picture coming through the willows in the moonlight.
00:32:08Everything's so peaceful and quiet.
00:32:11Did you ever smell alfalfa?
00:32:14No.
00:32:14Who makes it?
00:32:15It's grass.
00:32:17Sure smells sweet after it's just been cut.
00:32:20Yeah, me smelling alfalfa and him cooped up in a cheap hotel room,
00:32:23fighting to make a comeback for me.
00:32:26I know you like it on the ranch, Florence, with all the horses and the dogs.
00:32:30I got a cute little gentle pinter pony you could have.
00:32:33All the rest of Buck, but he...
00:32:34Buck, you give me an idea.
00:32:37Jack Buck.
00:32:38What about Jack Buck?
00:32:40I'm going right to Jack Buck myself.
00:32:42It's a lot of baloney, him and Johnny being enemies.
00:32:44They got too much on each other.
00:32:51Guess who's outside?
00:32:52Yeah, who?
00:32:53Flo Adams.
00:32:55Anybody with her?
00:32:56No, she's all by herself.
00:32:58Says she's got to see her right away.
00:33:00Oh, she does, huh?
00:33:01All right, let her come in.
00:33:03Okay.
00:33:05Hey, Mike.
00:33:05Yes, sir.
00:33:06Johnny Sardo's girl is here.
00:33:08Watch the front just in case.
00:33:13Hello, kid.
00:33:15Hello, Jack.
00:33:15Come on in.
00:33:16Glad to see you.
00:33:17Sit down.
00:33:18Listen, Jack, before I say a word, you've got to promise me something.
00:33:21Sure, what is it?
00:33:21That you don't say nothing to Johnny about this meeting.
00:33:24He'd be awful sore if he knew I was here.
00:33:25I won't say a word.
00:33:27What's on your mind?
00:33:28Oh, you and Johnny shouldn't be fighting each other.
00:33:30This is all a lot of hooey.
00:33:32That ain't nice, is it?
00:33:33I mean, you and him used to be partners once.
00:33:35You ought to be again.
00:33:36Yeah, but Johnny don't like me no more.
00:33:38Makes me feel bad, too.
00:33:39Oh, it's no good you two being enemies.
00:33:41You've got too much on each other.
00:33:43We have?
00:33:44Sure.
00:33:45For instance, the coppers still want to know who knocked off big Tim O'Hare and Molly Madigan's cafe about five years ago.
00:33:50Little John knows all about that.
00:33:52Yeah, that's right.
00:33:53That's right.
00:33:54I forgot that entirely.
00:33:55Thanks for reminding me.
00:33:56Oh, you and Johnny could sit down and talk over your differences easy, Jack.
00:34:00I wish we could.
00:34:01Makes me feel sick to have Johnny mad at me.
00:34:03Well, then why don't you do it?
00:34:05Why don't just you two get together and chew the rag and I bet you end up shaking hands?
00:34:08I'd like to.
00:34:09But Johnny wouldn't make no date with me alone.
00:34:11Well, it wouldn't hurt to try, would it?
00:34:13Maybe I could arrange it.
00:34:14You could?
00:34:14Sure.
00:34:15Where do you want to meet him?
00:34:16Well, let's see.
00:34:17What about Fat Dutchies?
00:34:19It's, say, ten o'clock tonight.
00:34:22That's a little far out, ain't it?
00:34:25Don't worry, kid.
00:34:26I ain't thinking what you're thinking.
00:34:28I just want to get away from the boys.
00:34:29All the boys.
00:34:30You know what I mean.
00:34:31Sure.
00:34:32But couldn't you make it some lawyer's office here in town?
00:34:34No, that's no good.
00:34:35Right away we start off distrustin' each other.
00:34:38What Johnny and me's got to do is forget the rough stuff.
00:34:40It's like you said.
00:34:41Him and me's got to sit down alone together.
00:34:44Then in five minutes we're pals, just like we used to be.
00:34:46Am I right?
00:34:48Oh, I'd do anything in the world to see it like that.
00:34:51Okay, then.
00:34:53You have Johnny at Fat Dutchess tonight at ten o'clock.
00:34:55I'll be the first guy to stick out my hand.
00:34:58You're on the level.
00:34:59You ain't kidding.
00:35:00You got my word.
00:35:01And no funny business?
00:35:03Johnny's my old-time pal.
00:35:04I wouldn't hurt him for the world.
00:35:06Him and me just had a business misunderstanding, that's all.
00:35:08Oh, thanks, Jack.
00:35:09Oh, and by the way, don't let him know I'm going to be there.
00:35:14I think it'd be better for us two guys just to bump into each other, you know what I mean?
00:35:17Sure, sure.
00:35:18I'll just get him there.
00:35:18You got to do the rest.
00:35:20Okay.
00:35:21Oh, Flo.
00:35:23Yeah?
00:35:24You're a swell dame.
00:35:26Yeah?
00:35:27Johnny's a pretty lucky guy.
00:35:29What you're doing for him makes me think this ain't such a bad world after all.
00:35:32Well, you're not such a bad guy yourself, Jack.
00:35:35So long.
00:35:36So long, kid.
00:35:36Yes, boss?
00:35:43Oh, don't let them two guerrillas go back to Chicago.
00:35:52Don't make any dates for tonight, Clarence.
00:35:54Are we going out?
00:35:55Yeah.
00:35:56I'm taking you someplace with me for protection.
00:35:58I ain't so dumb as somebody thinks.
00:36:06Now, remember, Clarence, park over there and don't come in unless I holler for you.
00:36:19I still don't like the idea you're going in there alone, Florence.
00:36:21Oh, forget it.
00:36:22I've been in this joint before and ain't even been flirted with.
00:36:25Go on.
00:36:38Thanks.
00:36:39Hey, waiter.
00:36:45Yes, lady?
00:36:46Where's your telephone?
00:36:47I'll bring you one.
00:36:49Give me the phone.
00:36:51Here it is.
00:36:51Gee, class, huh?
00:37:00Yeah.
00:37:01Fat Dutchie's seen them do it up in the city.
00:37:02Well, what do you know?
00:37:04Thanks.
00:37:08Long distance.
00:37:09Crescent 9-9-4-9-9.
00:37:11Hello?
00:37:18Hello, Johnny.
00:37:19This is Flo.
00:37:22Don't do that.
00:37:23Can't you see I'm talking to a friend of mine?
00:37:26Don't mind him, Johnny.
00:37:28He just thinks he's funny.
00:37:30Who's getting funny?
00:37:31Where you at?
00:37:32You're going to be awful mad at me, baby.
00:37:35You sound like you're royal.
00:37:37Have you been drinking?
00:37:37I'm as sober as you are, but they won't let me drive the car.
00:37:42Will you come and get me, baby?
00:37:44I'm at Fat Dutchie's.
00:37:45Fat Dutchie's?
00:37:46Well, that's 30 miles from me.
00:37:47If you think I'm coming out there to get you tonight, you're crazy.
00:37:50I don't think you love me anymore.
00:37:53If you did, you'd come and get me before I pass out all over the place.
00:38:01Say, look, if you're trying to get me nervous, you're just drawing a blank.
00:38:03I'm busy.
00:38:03I'm a conference.
00:38:04Get yourself a cab and let me alone, will you?
00:38:06Okay, my friend.
00:38:07If that's the way you feel about it, just forget I ever bothered you.
00:38:11I'll phone Clarence.
00:38:13He'll come and get me, and I'll tell him what I just heard about Jack Buck and the Independent Freight Handlers Association.
00:38:20Goodbye.
00:38:21Wait a minute, Flo.
00:38:22Now, don't hang up.
00:38:23What's that you were saying about Jack Buck and the Freight Handlers Association?
00:38:26Never mind.
00:38:27You're not interested.
00:38:28You're in a big conference.
00:38:30You're awful busy.
00:38:32Oh, stop it, will you?
00:38:34Don't be so playful.
00:38:35Hello, Johnny.
00:38:39Hang up, will you, so as I can call Clarence?
00:38:43No, I don't want you to come.
00:38:45Just forget about me.
00:38:46I'll see you around sometime.
00:38:48Now, look, baby, will you stop that talk?
00:38:50I said I'd come out and get you.
00:38:51Now, look, don't drink no more, will you, and get them balukas away from you.
00:38:54I'll be right out.
00:38:55Okie dokie.
00:38:56Wait here.
00:39:10Yes, sir.
00:39:15Hey, buddy, are you Miss Adams' chauffeur?
00:39:17Miss Adams, yeah, why?
00:39:19She wanted me to give you this note.
00:39:26May I check your hat, sir?
00:39:30No, hold it.
00:39:31I won't be here long.
00:39:41What's the big idea?
00:39:42Hello, honey, gee.
00:39:43I'm glad you've come.
00:39:43Sit down.
00:39:44What are you kidding me for, telling me you were stooped?
00:39:46Oh, well, I was, honey, but it wore off.
00:39:49Have you been thinking about me lately?
00:39:51You're nuts.
00:39:52What's going on here, anyway?
00:39:53What do you mean, what's going on?
00:39:55Well, what's the idea of coming down here?
00:39:56I don't.
00:39:57You got back like you was making a play for me, will you?
00:39:59We know each other.
00:40:00Well, I was blue this afternoon.
00:40:01I went for a ride.
00:40:03Well, you must have been awful blue to come down this far.
00:40:05Listen, if I gave in to all my worries, I'd be in Omaha.
00:40:10Now, come on.
00:40:11Get your things together, will you?
00:40:12We'll blow out of here.
00:40:13Don't you want a drink first?
00:40:15You ain't never seen me take a drink in your life.
00:40:18But, boy, I don't like the way you're spiraling around.
00:40:20You're hiding something.
00:40:21Oh, honey, I've never seen you so suspicious.
00:40:24Oh, come on.
00:40:25All right, but I'll pardon my nose, and then we'll go.
00:40:31Right, Flo.
00:40:36Hello, Johnny.
00:40:37Glad to see you, pal.
00:40:40Hello, Jack.
00:40:42What's the gag?
00:40:43You're all alone, Johnny.
00:40:45This is a good time for you and me to have a little talk.
00:40:48Take that rod out of my back.
00:40:50I'll listen.
00:40:50Warm in here.
00:40:52How about you and me stepping outside for a few minutes, huh?
00:40:56I'm comfortable here.
00:40:57Yeah, but I'm not.
00:40:59The music upsets me.
00:41:01Makes me nervous.
00:41:02My hands are shaking.
00:41:04You know what I mean?
00:41:05Come on.
00:41:06Hiya, Herman.
00:41:11Hiya, Jack.
00:41:13Hello, Dave.
00:41:13How's the message?
00:41:14Fine, Jack.
00:41:17Lovely people.
00:41:18All right, pal.
00:41:46Let's go.
00:41:47Get in, Johnny.
00:41:58Only one thing I want to know.
00:42:01Sure, Johnny.
00:42:02Speak right up.
00:42:03Why did Flo double-cross me?
00:42:06Oh, now, why don't you get smart?
00:42:08She wanted the other guy.
00:42:10You come back, it was in the way.
00:42:12That makes sense, don't it?
00:42:14Yeah.
00:42:16That makes sense.
00:42:17Thanks.
00:42:17Okay, come on.
00:42:36So this is it, huh?
00:42:37Yeah.
00:42:38Yeah, this is it.
00:42:40Okay, Red, get going.
00:42:41Come on, start walking.
00:42:41See what's on the radio, will you, Mugty?
00:42:51Now, to drop off the sleeve.
00:42:53Stretch legs out.
00:42:54Toes in.
00:42:55Everybody got his little tootsies in?
00:42:57Oh, wait.
00:42:59Hey, uh, listen, buddy.
00:43:01If I get back, you get five grand.
00:43:03You got it on you, darling?
00:43:04Yeah, but I can pick it up in a week.
00:43:06Sorry, sweetheart.
00:43:07We do a strictly cash business.
00:43:10Keep going.
00:43:36Keep going.
00:43:44You got it on you.
00:43:49You got it on you, Gary.
00:43:54¡Gracias!
00:44:24¡Gracias!
00:44:54¡Gracias!
00:45:24¡Gracias!
00:45:26¡Gracias!
00:45:28¡Gracias!
00:45:30¡Gracias!
00:45:32¡Gracias!
00:45:34¡Gracias!
00:45:36¡Gracias!
00:45:38¡Gracias!
00:45:40¡Gracias!
00:45:42¡Gracias!
00:45:44Good night, Brother Superior.
00:45:46Our meeting has lasted a long time.
00:45:48Perhaps tomorrow things will look better.
00:45:50It's what we've been telling ourselves for the past three months.
00:45:53With conditions in the flower market as they are,
00:45:55I don't see how we're going to continue our charities.
00:45:57We must think of some kind of plan.
00:46:01Come in.
00:46:03Brother Superior, will you please come to the infirmary at once?
00:46:05What has happened?
00:46:07About ten minutes ago, I heard a groan outside the wall by my window.
00:46:09It was a man terribly hurt.
00:46:11I carried him in.
00:46:13I think he's dying.
00:46:15Come.
00:46:17I think he's dying.
00:46:19Come.
00:46:21I think he's dying.
00:46:23I think he's dying.
00:46:25That's not my mind.
00:46:27And I'm dead.
00:46:29I think he's dying.
00:46:31I'm dead.
00:46:33But he's missing.
00:46:35So he's dying.
00:46:37Amén.
00:47:07Amén.
00:47:09Amén.
00:47:11Amén.
00:47:13Don't excite yourself, my son.
00:47:14You've been badly hurt.
00:47:16And if I'm not in heaven, where am I?
00:47:19You're alive and in a safe place.
00:47:22Hey, do you know who I am?
00:47:23I'm in heaven.
00:47:25You're a man.
00:47:26You're a man.
00:47:27You're a man.
00:47:28You're a man.
00:47:29You're a man.
00:47:30You're a man.
00:47:31You're a man.
00:47:32You're a man.
00:47:33You're a man.
00:47:34You're a man.
00:47:35You're a man.
00:47:36¿Tú sabes quién soy?
00:47:38No.
00:47:39¿Has visto mi foto en los libros?
00:47:41No vemos en los libros.
00:47:43Y no le preguntamos a quién es si necesitamos ayuda.
00:47:48¿Cuánto tiempo para?
00:47:49Hasta que estén bien y bien.
00:47:52Bueno, no tengo dinero.
00:47:54No tenemos nada.
00:47:56Eso es uno de nosotros, ¿no?
00:47:58Este es el monasterio de los hermanos de los hermanos.
00:48:01Mi hermano Superior.
00:48:03Este es hermano Ren, tu nurse.
00:48:05Si quiere decirle a tus amigos.
00:48:08No tengo amigos.
00:48:09No tengo ahora.
00:48:11Tienes que restar.
00:48:12Voy a llamar a más tarde.
00:48:14Si quieres algo, preguntar a Brother Ren.
00:48:21Brother Ren, ¿no?
00:48:24Estaba una pelea, ¿no?
00:48:26No preguntamos así.
00:48:28¿Qué es lo que somos?
00:48:30Buen o malo, o malo, o malo, o malo, no importa aquí.
00:48:34Bueno, eso es malo por mí.
00:48:36Creo que me gusta este lugar.
00:48:39Espero que sea.
00:48:40No.
00:48:40No.
00:48:41No.
00:48:41No.
00:48:42No.
00:48:42No.
00:48:43No.
00:48:43No.
00:48:44No.
00:48:45No.
00:48:45No.
00:48:46No.
00:48:47No.
00:48:47Se ha pasado 15 años o más que he escuchado este debate.
00:48:51Hemos de las flores y nos da en la ciudad.
00:48:54¡Oh, qué tal!
00:48:57Beto que los chicos están pagando un buen dinero, ¿eh?
00:49:00Lo que estamos aclarando, y lo que hemos dado, es muy poco,
00:49:03es que lo que nos da a los pobres.
00:49:05Es una manera de organizar una organización.
00:49:11Bueno, hermano.
00:49:13¿Y?
00:49:14¿Has el boss contado a mí sobre las páginas?
00:49:17¿No lees a los que nunca lees?
00:49:18El brother superior es lo que siempre lees.
00:49:20¿Cómo de los visitantes?
00:49:22No hay ninguna.
00:49:25Qué lugar, qué lugar.
00:49:28¿Qué es lo que se llama?
00:49:30¿Cómo se puede hacer un hombre con este outfit?
00:49:33Es bastante fácil.
00:49:34Si un hombre quiere ser un novice...
00:49:36¿A qué?
00:49:37Un novice.
00:49:38No tiene que hacer las leyes.
00:49:40No tiene que decirle a las religiones.
00:49:42Es que no tienen que decirle a las leyes.
00:49:43no permiten salir de los muros, y deben de obedecer sus superiores.
00:49:49Sí. ¿Qué pasa con los demás?
00:49:51Como un novio, un hombre debe estar en probación.
00:49:55Eso significa...
00:49:55Sí, sé todo sobre probación.
00:49:58¿Cuándo puedo signar?
00:49:59Tienes que hablar con el superiore.
00:50:02Oh, y por favor, ¿por qué nos interesa tu nombre?
00:50:06Cuando estoy aquí, creo que voy a dejar que te llamar me lucky.
00:50:09Bueno, yo creo que eso no sería aceptable en el orden de floresta.
00:50:15No, no, ¿no?
00:50:17Yo tengo que verlo.
00:50:19¿Esto tiene algo que ver con las flores?
00:50:21Sí.
00:50:22Bueno, I always was a great guy for Orchid.
00:50:24That'll be my new tag, Brother Orchid.
00:50:28That's fine.
00:50:29We'll tell Brother Superior tomorrow.
00:50:31Now, meanwhile, you must try to sleep.
00:50:33Say, uh, look, uh, Brother, could you, uh,
00:50:36slip me, uh, that paper and a pencil?
00:50:38Of course.
00:50:39There you are.
00:50:42And while you're writing, I'll go for a stamp and an envelope.
00:50:46Oh, thanks.
00:50:55Dear Willie,
00:50:59uh, beat it
00:51:00for Kansas City
00:51:03and stay there
00:51:06for when I want to get you.
00:51:12I'm okay
00:51:14and in a
00:51:17swell
00:51:19hideout
00:51:20run by the
00:51:24biggest
00:51:26chumps in the world.
00:51:28there.
00:51:28Thanks.
00:51:29I'm sure you'll be comfortable here.
00:51:31if you want anything, just call me.
00:51:33I'll be nearby hoeing potatoes.
00:51:34Oh, potatoes?
00:51:35Say, don't you never get tired?
00:51:36You know, you've been sitting up with me three or four nights in a row now.
00:51:40That was because you needed me, but like all the brothers, I still have my regular work to do.
00:51:44You're a funny geek.
00:51:46Now, so is the rest of this mob around.
00:51:48You know, I don't get you birds at all.
00:51:49Our lives hold no mystery.
00:51:49We've merely learned that in doing things for others, it is we ourselves who reap the richest reward.
00:51:55Reward, huh?
00:51:56Reward, huh?
00:51:57I figured it was a take somewhere.
00:51:58Hey, uh, slip me the info.
00:51:59Uh, how does a do actually get in here?
00:52:00No, there's no material gain.
00:52:01The reward I mentioned,
00:52:02the reward I mentioned, is my regular work to do.
00:52:04My regular work to do.
00:52:05You're a funny geek.
00:52:06Now, so is the rest of this mob around.
00:52:08You know, I don't get you birds at all.
00:52:09Our lives hold no mystery.
00:52:10We've merely learned that in doing things for others,
00:52:12it is we ourselves who reap the richest reward.
00:52:15Reward, huh?
00:52:16I figured it was a take somewhere.
00:52:19Hey, uh, slip me the info.
00:52:20How does a do actually get in here?
00:52:22No, there's no material gain.
00:52:24The reward I mentioned is the happiness that comes to the heart
00:52:27when a man knows he has been of service to another human.
00:52:31Huh?
00:52:34I don't know whether you got something there or not.
00:52:37You make it sound right.
00:52:39Yeah, but the rules in the world I've been living in ain't like that.
00:52:42Well, perhaps you learned the new rules,
00:52:45and the old ones are so much better.
00:52:49But there, you've talked enough.
00:52:51You mustn't waste your strength.
00:52:52If you need me, just call.
00:52:57Are you feeling better now?
00:52:59Yeah.
00:53:01Oh, hello.
00:53:02Hello, Brother Speria.
00:53:03Uh, grab yourself a chair somewhere, Willie.
00:53:05I want to talk to you.
00:53:06In just a few moments,
00:53:07Brother Williams cut his foot with a rake.
00:53:09I must see him right away.
00:53:10Ah, sure.
00:53:11But I'll hurry back.
00:53:12We should have a little chat.
00:53:13You're almost well enough to leave for the outside world.
00:53:15Hey, uh, wait a minute.
00:53:16Didn't Brother Ed tell you I was thinking of signing up with your lead?
00:53:20Brother Ed did mention that you were thinking about becoming a novice.
00:53:23Well, sure.
00:53:24I give him all the dope.
00:53:25I thought I'd be all set by now.
00:53:26You are.
00:53:27I wanted to make certain that your decision came from your heart.
00:53:32From the heart?
00:53:33Say, now, listen, Brother Speria.
00:53:34You know, I've been giving this joint a double O,
00:53:36and I've met a lot of the inmates personally.
00:53:38You're all okay guys.
00:53:40So just you write your own ticket and I'll sign.
00:53:43Okay, Brother Orchid.
00:53:44Okay, Brother Orchid.
00:53:46Splendid, Brother Orchid.
00:53:49Yes, I always was one of it wearing uniform.
00:54:05Are your sandals comfortable?
00:54:07Oh, pretty nefty.
00:54:08Say, this is the first time I've seen shoes that are air-conditioned.
00:54:12You're a hat, Brother Orchid.
00:54:14Oh, thanks.
00:54:15Genuine Kansas, Padawan, huh?
00:54:22It ain't much, but I'll fix it up.
00:54:25I'll put a feather in it.
00:54:27Well, thanks, pal.
00:54:28Be seeing you.
00:54:37Well, well done.
00:54:39I have a surprise for the brothers.
00:54:41What is it, Brother Speria?
00:54:42The roses brought two dollars more than we anticipated.
00:54:45So as a reward, I've decided to take the money and give you all a treat.
00:54:48A treat?
00:54:49What's it gonna be?
00:54:50On Thursday for lunch, we shall have watermelon.
00:54:53Watermelon marvellous.
00:54:55Watermelon?
00:54:56Why, we haven't had watermelon for over two years.
00:54:59No, it'll be quite a delicacy for us.
00:55:02Yeah, what are you doing?
00:55:03Shaving your head, Brother Orchid.
00:55:04Oh, you don't.
00:55:05Well, do you have to?
00:55:07No, it's quite optional.
00:55:10Well, nothing, don't you see?
00:55:11I've got my looks to think about.
00:55:13Oh, come in, Joseph.
00:55:14Got a vibrator in the joint?
00:55:15A what?
00:55:16Oh, skip it.
00:55:17I know you ain't.
00:55:18Brother McEwan will cut your hair in just a moment.
00:55:19Thank you, Brother Superior.
00:55:20By the way, you ought not to go barefooted.
00:55:21Your mother tells me you're just recovering from a cold.
00:55:22I haven't any shoes, Brother Superior.
00:55:23I was going to get them this week, but Father was laid off.
00:55:24Have you nourished shoes at all, Joseph?
00:55:26Here, Joseph, here are two dollars.
00:55:27You run into town and get yourself a pair of shoes.
00:55:28Brother McEwan will cut your hair as soon as you get back.
00:55:29Gee, thanks.
00:55:30Come, my boy.
00:55:31Say, what about the watermelon?
00:55:32Watermelon?
00:55:33I never cared for it.
00:55:34Me, it always distresses me.
00:55:35Hmm?
00:55:36You're not?
00:55:37It always distresses me.
00:55:38Hmm?
00:55:39It always distresses me.
00:55:40Hmm?
00:55:41What about the watermelon?
00:55:42Would you think about it?
00:55:43Let me ask you, sir.
00:55:44Come on, Mr. McEwan.
00:55:45I'll tell you.
00:55:46You're not.
00:55:47You're not.
00:55:48I'm not.
00:55:49You're not.
00:55:50I'm not.
00:55:51I'm not.
00:55:52I'm not.
00:55:53I'm not.
00:55:54I'm not.
00:55:55I'm not.
00:55:56I'm not.
00:55:57I get it.
00:56:04Nice mugs.
00:56:23How am I doing, pal?
00:56:25It's a miracle, Brother Orchid.
00:56:27No one else has ever been able to get as much milk from Hildegard as you.
00:56:31Well, just a certain touch I got, that's all.
00:56:34No, it must be more than that, Brother Orchid. It must be.
00:56:37Why?
00:56:38Because you have been with us such a short time.
00:56:40Yet, whatever you attempt, you do so much better than we who have been here for years.
00:56:45Oh, well, you boys don't want to get discouraged.
00:56:47You know, I always was just a little bit better than the other guy.
00:56:50The only reason I ain't conceded about it is because I found it out when I was young.
00:56:53That still doesn't explain this milking of yours.
00:56:56I milked Hildegard for years.
00:56:58And do as I might, she never yielded more than 12 quarts a day.
00:57:02Yet, from the first time you milked her, she gave 16.
00:57:07Oh, well, it just sums up to one thing, pal.
00:57:09I put a little more into my work and get a little more out.
00:57:12We bear wonderful news, Brother Orchid.
00:57:15Congratulations.
00:57:16Yeah, what about?
00:57:17Thanks to you, for the month just ended, Hildegard has yielded a total of 492 quarts.
00:57:22It's beyond belief.
00:57:23Brother Superior asked us to tell you of your reward.
00:57:26Beginning tomorrow, you're to be given your own xenia bed to cultivate all by yourself.
00:57:31Xenia bed, huh? That good?
00:57:35Xenia's earn us most of our money in the flower market this time of the year, Brother Orchid.
00:57:41You will have a grave responsibility.
00:57:43And I might add, that is the highest award our brotherhood can bestow upon a novice.
00:57:48No kidding, huh?
00:57:50I want to say, I sure appreciate that.
00:57:53With your permission, Brother Orchid, we'll go at once and spread the good tidings to all the brothers.
00:57:58Yeah, go ahead, pals. I want to be alone, you know.
00:58:01Getting this sauna makes me feel a little dizzy.
00:58:12You know, these guys are so swell to me, Hildegard, I just ain't got the heart.
00:58:20Beginning right now, I'm only going to spike at two quarts instead of three.
00:58:28It's not so much that they're the best xenias we've ever grown, but it's the thought that Brother Orchid has raised them all by himself.
00:58:40It's remarkable to think of him when he arrived and then to realize that after three months he's developed into one of our best workers.
00:58:47Yes, he is a changed man, and his work reflects the change, too.
00:58:51Look, look, aren't they beautiful?
00:58:54Congratulations, Brother Orchid. These are lovely, very lovely.
00:58:57Yeah, thanks, Brother Superior.
00:58:59I was just telling Brother Superior how hard you've worked to raise them.
00:59:02Yeah, I'm kind of tucking out, and I don't mind it.
00:59:05They're very beautiful, but you mustn't work too hard.
00:59:08Well, I can't help it. You know, them zenniars are just like my babies.
00:59:11Would you believe it? Sometimes in the middle of the night I even catch myself wanting to get up and give them a drink of water.
00:59:16We're very proud of you, Brother Orchid. You're setting us all a splendid example.
00:59:20Well, thank you, Warden. I mean, Brother Superior.
00:59:24Guess I am giving you guys something to shoot at, huh?
00:59:26This being Wednesday, tonight after supper, I will deliver one of my informal talks.
00:59:31You shall be the subject.
00:59:33Yeah? Well, say, that's swell.
00:59:37Say, I'm glad you tipped me off. You know, I ain't taking a bow so long I'm afraid my back will creak.
00:59:42Continue with your work, Brother Orchid.
00:59:44Yeah, thanks.
00:59:50fate.
01:00:12OK'Kid, hop to it if you got a couple of more sobre 그런 ceux, who can knock off this on the day.
01:00:15Brother Orkin, my father says I should ask you when you're going to pay me the 50 cents for last month.
01:00:21Oh.
01:00:22Well, tell your old man not to worry, will you?
01:00:24Maybe tomorrow I'll slip you an I.O.U.
01:00:25That'll do you as much good as my check.
01:00:27Now hop to it, will you?
01:00:45As is customary, tonight I had planned one of my informal talks.
01:01:11My subject was to have been a brother who has been with us just a few months.
01:01:15Unfortunately, just before supper an incident took place,
01:01:19which makes it impossible for me to deliver the talk I had previously planned.
01:01:23What I'm about to say pains me very deeply.
01:01:26We have worked together in harmony for a long, long time.
01:01:30But now, for the first time in more than 20 years,
01:01:36I find I must publicly reprimand a member of this order.
01:01:40Brother Orkin.
01:01:43Huh?
01:01:44Just before this meal, Joseph's father came to see me.
01:01:47He tells me that his son has been working in your zinnia patch,
01:01:51and that you now refuse to pay him.
01:01:53Is that true?
01:01:54Why, thou little muzzler.
01:01:56Brother Orkin, you are not answering the question.
01:01:58Has Joseph been doing your work?
01:02:00Well, no, not exactly.
01:02:02I did have the kid toss a pail or two of fertilizer every now and then,
01:02:06but I couldn't help it. I'm allergic to it.
01:02:08There are times, Brother Orkin, when we appreciate your earthy witticisms.
01:02:12This is not such a time.
01:02:15I'm sorry.
01:02:17The fact remains that you promised Joseph money, and you had no money with which to pay him.
01:02:23Yeah, yeah, that's right.
01:02:25We have two rules here, my friend.
01:02:27One, we do not hire others to do our work.
01:02:30Two, we do not make promises we cannot fulfill.
01:02:34You have hurt and shamed every man in this room.
01:02:37Because being brothers, we must all share your disgrace.
01:02:43That is all. Good night.
01:02:47Yeah, wait a minute now. I got something to say, too.
01:02:52You're all making me feel like I was a heel, and I don't like it.
01:02:56You know, not so long ago, I was out in the world looking for class and society.
01:03:00And if anybody told me then I'd get myself upset over a zinniage,
01:03:03yeah, I'd have thought they was nuts.
01:03:05Now, whether you believe it or not, I worked hard over them flowers,
01:03:08and I did all the work myself.
01:03:10I dug up that patch, I raked it, planted the seeds, watered them, pulled out the weeds.
01:03:15And when the flowers started to grow,
01:03:17yeah, I got a kick like I never had before.
01:03:21But you can't change a guy overnight.
01:03:25You know, I'm such a mug as I was taught to look for angles.
01:03:28Take things easier, and you live a little longer.
01:03:32So, a couple of weeks ago, I asked this kid to work for me.
01:03:36Well, I thought I was being awful smart.
01:03:41I guess...
01:03:43I guess it wasn't so smart.
01:03:45You may all retire.
01:03:50You may all retire.
01:04:15And you are making a chance for me.
01:04:16If you're hung up with me, you're not doing more that.
01:04:18You might not sleep.
01:04:19When the heart speaks, brother Orchid,
01:04:20other hearts must respond.
01:04:21We're going to forget everything that happened.
01:04:25Are we?
01:04:26Tomorrow morning, this will be a closed incident.
01:04:29By the way, how much did you say you owe the boy?
01:04:30esto sería un incidental.
01:04:34¿Cuánto te dice que te dio el niño?
01:04:3750 centímetros.
01:04:39El mundo sigue.
01:04:4220 años atrás, por exactamente el mismo trabajo,
01:04:44solo pagué un cuarto.
01:05:00¡Suscríbete al canal!
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01:07:08Esperamos, porque voy a ir ahora.
01:07:10No, no. No tengo tiempo.
01:07:12Algo a ir a la vez, y os vamos a...
01:07:14¿Pas, brother Orkid?
01:07:28Le dios, Manny.
01:07:38¡Oh, no! Stand there, O'G Christianity. Where's your boss?
01:07:40Madame is at the beauty salon.
01:07:42Whom shall I say Ñ Call?
01:07:43You don't have to say somebody called. I'm waiting.
01:07:45Thank you very much.
01:07:46Go on up, beat it.
01:08:08¡Suscríbete al canal!
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01:09:46¡Suscríbete al canal!
01:09:48¡Suscríbete al canal!
01:09:50¡Suscríbete al canal!
01:09:52¡Suscríbete al canal!
01:09:54¡Suscríbete al canal!
01:09:56¡Suscríbete al canal!
01:09:58¡Suscríbete al canal!
01:10:00¡Suscríbete al canal!
01:10:02¡Suscríbete al canal!
01:10:04¡Suscríbete al canal!
01:10:06¡Suscríbete al canal!
01:10:08¡Suscríbete al canal!
01:10:10¡Suscríbete al canal!
01:10:12¡Suscríbete al canal!
01:10:14¡Suscríbete al canal!
01:10:16¡Suscríbete al canal!
01:10:18¡Oh!
01:10:20¡Oh, wait a minute, Johnny!
01:10:22¡When everybody said you was rubbed out, I went to pieces!
01:10:24¡Honest right to pieces!
01:10:26¡Clarence was swelled, I mean, really swell!
01:10:28¡And later, when he asked me to marry him, I said, OK!
01:10:32¡But I never said I loved him!
01:10:34¡I never said that to nobody but you!
01:10:37¡Now, look, will you call the whole thing off with Clarence?
01:10:40¡Of course, I don't know how he'll feel about it!
01:10:42¡He's got some friends here from Montana for the wedding!
01:10:44¡But I got a hunch he'll understand!
01:10:47OK, then, listen.
01:10:49Slip Clarence the news and I'll be back in a couple of hours.
01:10:51We'll get married tonight and we'll shove off to Kansas City
01:10:53where I already got Willie the knife planted.
01:10:55I'll get back in the harness and take over that territory.
01:10:57You with me?
01:10:58Oh, where am I?
01:10:59All right, now. Finish packing. Willie, I'll be right back.
01:11:01Johnny, wait a minute.
01:11:03What is it now?
01:11:04That outfit you got on.
01:11:06What did you do, join a convent?
01:11:08Certainly not.
01:11:10Well, then why are you wearing a wrapper?
01:11:12Yeah.
01:11:15Oh.
01:11:17Hope I didn't keep you waiting along, Brother Superior.
01:11:19No, that's all right.
01:11:25I'm sorry I skipped away like that,
01:11:27but something happened that I have to take care of right away.
01:11:30No apologies are necessary, Brother Ockett.
01:11:33Yeah, look, I've got to get something off my chest
01:11:37and I only hope you won't be sore.
01:11:39Well, first of all, I've got to tell you,
01:11:41the last six months of my life were the happiest I've ever known.
01:11:44I'm very glad and I hope you'll continue to be happy with us.
01:11:47Well, that's what I'm trying to tell you.
01:11:50I won't be able to stay with you.
01:11:56What's this?
01:11:57Haven't you sold the flowers yet?
01:11:59What happened?
01:12:00That's why I'm so despondent.
01:12:02Our market has gone.
01:12:03They won't handle our flowers anymore.
01:12:05What?
01:12:06Who won't?
01:12:08The wholesalers.
01:12:09As I understand it, we don't belong to the Protective Association.
01:12:13Protective?
01:12:14Did I hear you say Protective Association?
01:12:18Yes.
01:12:19I learned in the city today that not a flower can be sold
01:12:23unless it's grown in their own nurseries.
01:12:25I don't know what we're going to do, Brother Ockett.
01:12:27I really don't.
01:12:28Well, what Protective Association is this?
01:12:30I don't know.
01:12:31It's all so confusing to me.
01:12:33They did mention the name of some man wanted by the police.
01:12:36Buck?
01:12:37Jack Buck?
01:12:38Yes.
01:12:39Yes, that's it.
01:12:40How did you know?
01:12:41Well, they've come to me in a dream.
01:12:43Look, Brother Spearie, will you move over to the curb for a minute?
01:12:48Please.
01:12:49Well?
01:12:56Brother Spearie, I'm going to blab a little, then I'm going to blow.
01:12:58Now, don't say nothing.
01:12:59Just let me talk.
01:13:00First of all, stop worrying about them flowers.
01:13:02You bring them back to the market tomorrow morning,
01:13:04you'll find that nobody ain't going to bother you never no more.
01:13:06You got my word for that.
01:13:07I accept your word, my son.
01:13:08Now, please, Brother Spearie, just let me finish.
01:13:10I, uh, I can't explain just why.
01:13:14It wouldn't do any good if I did.
01:13:16But I got to quit the monastery.
01:13:18My son.
01:13:19Now, wait.
01:13:20You know, like I said before, I ain't never been so happy.
01:13:23I never met people like you.
01:13:25People who think of the other guy and forget about themselves.
01:13:29And I've been living in a new world and it's been awful swell.
01:13:32But you know, sometimes with a mug like me, your new world and my old world just don't mix up proper.
01:13:38And I wish I could stay on forever, but I can't.
01:13:42So all I can say is so long and thanks.
01:13:44Look, I'll send you back these robes as soon as I get some new clothes.
01:13:48Well, thanks for everything.
01:13:50But, my brother, brother.
01:13:52Close your sleepy eyes, my little buckaroo.
01:13:58While the light of western skies is shining down on you.
01:14:04Don't you know it's time for another day.
01:14:08Where's the boss?
01:14:09In the library with Monsieur Fletcher.
01:14:11So grow to sleep, my little buckaroo.
01:14:26Johnny.
01:14:27I'd have been here sooner, only I had a little trouble from opening the suit from my next friend.
01:14:30Now, am I butting in?
01:14:31That's all right, Mr. Sarto. We were just talking about you.
01:14:34What we got to say, I reckon we can say to your face.
01:14:37You told him?
01:14:39Look, Johnny, why don't you let me and him alone just a few more minutes?
01:14:42Florence has told me everything, Mr. Sarto.
01:14:44And I come to realize you must have a powerful wrong impression of me.
01:14:48Yeah?
01:14:51How's that?
01:14:52I always believed you thought I was a pretty good fellow.
01:14:55Now I realize you also thought I was awful dumb.
01:14:58Now, wait a minute, Clarence.
01:15:00Johnny didn't never say no such thing.
01:15:02Certainly I didn't.
01:15:03I never said anything about you.
01:15:05Never even thought anything about you.
01:15:07You prove that, Mr. Sarto, when you walk in here at the last minute and expect me to call off my marriage.
01:15:11Oh, so that's it, huh?
01:15:12So you think I'm cutting you out?
01:15:14Well, let me tell you something.
01:15:15Flo's been my girl for years.
01:15:16We've always been going to get married, only it wasn't at the cards till now.
01:15:19You was the one who come along and butted in.
01:15:21Am I right?
01:15:23Is that right, Florence?
01:15:24Is that the way you feel?
01:15:28I've always loved Johnny Clarence.
01:15:30I've got to call it the way I see it.
01:15:36I'm sorry I kicked up my heels the way I did, Mr. Sarto.
01:15:39I was just proud enough to believe I could make Florence happy.
01:15:42Now I'm just humble enough to realize you're the man to do it.
01:15:46And to wish you both all the good luck in the world.
01:15:49Oh, shake.
01:15:52You're okay.
01:15:54You've got class too.
01:15:56Can you imagine what I could have done with them in the organization, huh?
01:16:00Hey, wait a minute.
01:16:01What, Johnny?
01:16:02Yeah, I got an idea.
01:16:04Look, those guys outside, are they your pals?
01:16:07My closest.
01:16:08They come in town to see my wedding.
01:16:10I don't know what they're going to do now.
01:16:12Well, look, if they're here looking for excitement, I can dish them out plenty.
01:16:15Come on, I want a knockdown to them.
01:16:16You wait here a minute.
01:16:21Boys, I want you to shake hands as Mr. Sarto.
01:16:24Tex Pearson, Curly Matthews.
01:16:26Howdy.
01:16:27This here Coyote's Buffalo Burns.
01:16:28Howdy-do.
01:16:29Yeah, glad to know you.
01:16:30Mr. Sarto's a good friend of mine.
01:16:32Him and Florence are...
01:16:33Yeah, let me do the talk, will you?
01:16:34I want a proposition of these mugs.
01:16:35Proposition?
01:16:36Yeah.
01:16:37Look, it's like this, see?
01:16:38I just come from a monastery.
01:16:39Oh, I'm only in there on a rain check and I want to take a powder, see?
01:16:42But I can't.
01:16:43Because they're in trouble.
01:16:44I don't want to leave them that way, understand?
01:16:46What particular brand of trouble, Mr. Sarto?
01:16:48Well, it's like this, see?
01:16:49These guys at the monastery raise and sell flowers.
01:16:51The dough they make, which you could put in your eye, they give away to the poor.
01:16:54That's mighty handsome.
01:16:56Mighty.
01:16:57Well, I just found out that some mugs here in town are going to make it tough for them.
01:17:00They ain't going to let them sell their flowers anymore unless they shell out a rake-off.
01:17:04Maybe not even then.
01:17:05Why don't the fellas in the monastery do something about it?
01:17:08Well, they can't, see?
01:17:09They're quiet, peaceful little guys that wouldn't hurt a bug.
01:17:12They can't fight.
01:17:13And they ain't got the dough to pull strings, understand?
01:17:16Too bad we ain't got these tough hombres to haul them.
01:17:18We ain't sure know what to do with them in a minute.
01:17:20Yeah, we wouldn't even bother the sheriff about them.
01:17:22We'd just ride them out of town on the rails.
01:17:24See, we don't waste much time with the bad men, Mr. Sarto.
01:17:26Takes almost half a day to bring a man into court.
01:17:29That's a powerful waste of time.
01:17:31Powerful.
01:17:33Well, cheer up then.
01:17:35Gonna give you guys a chance to settle this in your own way.
01:17:38You mean we can run those tough boys out of town?
01:17:41You hit it right on the button, pal.
01:17:43Look, I know where they're hiding out and I'm going right down there to break them up.
01:17:45Are you guys with me?
01:17:47Johnny!
01:17:52I'm in a rush, honey. I got a little something to tend to.
01:17:54I know. I heard you talking inside.
01:17:56You're headed for trouble, Johnny, and I'm scared.
01:17:58What kind of malarkey is this all of a sudden?
01:18:00It ain't no malarkey.
01:18:01It's just that I don't want nothing to spoil what's maybe coming true after all these years.
01:18:05That's why I'm scared, Johnny.
01:18:07Because I'm awful stuck on you.
01:18:09Now, baby, when you speak like that, you're knocking that Johnny Sarto's heart with a sledgehammer.
01:18:14Now, don't you worry. I'll be back before you know it and then we'll be off.
01:18:16Now, how does that make you feel?
01:18:17I'll tell you better when we're on the train tonight.
01:18:20Here's the elevator, Mr. Sarto.
01:18:22Johnny, wait a minute. I want you to carry this with you.
01:18:25What is it?
01:18:26It's a rabbit's foot, a lucky charm.
01:18:28My uncle wore it for 32 years.
01:18:30It's good luck, huh? Where'd you get it?
01:18:32From my mother.
01:18:33With her own hands, she took it off my uncle after they hung him.
01:18:36Come on, Mr. Sarto. Time's a-wasting.
01:18:53Who is it?
01:18:54Mr. Clarence Fletcher.
01:18:57Clarence Fletcher? Anybody know him?
01:18:59Not me.
01:19:02We're close for the night. Come back in the morning.
01:19:04I've got an important message. I reckon you'd like to have it tonight.
01:19:09What do you say?
01:19:10Let him in. What have we got to be afraid of?
01:19:18Howdy.
01:19:19Well, well, well. Look who's here.
01:19:22Remember him? Pat the Booth Sanitarium.
01:19:24Why, certainly, certainly I remember him.
01:19:27You fellas look kind of familiar at that.
01:19:29Sure we do.
01:19:30Come right in, Mr. Fletcher.
01:19:33Boy, are we glad to see you.
01:19:36Yeah.
01:19:37Remember what you did us the last time?
01:19:38Yippee!
01:19:39Yippee!
01:19:40Yippee!
01:19:42Yippee!
01:19:43Yippee!
01:19:44Yippee!
01:19:46¡Suscríbete al canal!
01:20:08¡Suscríbete al canal!
01:20:15Ok, Buck, come on out.
01:20:16Get him up.
01:20:17You know just where I was hiding, didn't you?
01:20:19Well, you made a mistake.
01:20:20Not as big a mistake as you're liable to make.
01:20:22Well, lucky last time, but you ain't gonna be now.
01:20:38Let's go.
01:20:54¡Gracias!
01:21:24¡Gracias!
01:21:32¡Right in there, boys!
01:21:37¡All right, bring it up, pal!
01:21:40¡Come on, call me!
01:21:41¡Te lo off! ¡Dude, pal! ¡Break it up!
01:21:42¡All right, bring it up, pal!
01:21:43¡Wait a minute!
01:21:44¡Mr. Sarto!
01:21:46¡He went in there!
01:21:49¡You said someone came in here!
01:21:51¡Mr. Sarto did!
01:21:52¡He was after Jack Puck!
01:21:53¡Are you sure?
01:21:53I saw him.
01:21:55He came right through.
01:21:56Hey, wait, look.
01:22:03That's the one, Jack Buck.
01:22:05Come in and get him.
01:22:09Are you all right, Mr. Santo?
01:22:12Yeah, I'm all right.
01:22:14You and me have got to go and talk to Flo.
01:22:23I don't think I'd better go up there, Mr. Santo.
01:22:30After all, there isn't very much that I can say to Florence anymore.
01:22:33Now, wait a minute, Clarence.
01:22:35You know, coming up here in the cab, I've been thinking a lot.
01:22:39You're the guy that's going up to see Flo.
01:22:40I'm breathing a lot.
01:22:42Well, sure.
01:22:44Now, look, pal.
01:22:46You turn out to be a real guy in my book, so I'm going to let down my hair.
01:22:53I ain't been on the level with Flo.
01:23:02Never.
01:23:03What are you saying, Mr. Santo?
01:23:04Oh, she's a good dame and all that.
01:23:07With all the real love I got for her, you could stick in your eye.
01:23:09I don't get you at all.
01:23:11I'm on the level.
01:23:12You know, all this talk about me wanting to marry her is a lot of canal water.
01:23:16Man alive!
01:23:19You know, to such a guy like me,
01:23:21love is like a scratch on the back.
01:23:23Sometimes feels good.
01:23:25But a guy can't go along all his life with an itch.
01:23:30Florence is going to take this awful hard.
01:23:32No, she ain't.
01:23:34Because you're going to be the guy to tell her.
01:23:37You know, between us,
01:23:38I was going to take her to Kansas City,
01:23:40get a couple of grand out of her, and then ditch her.
01:23:42That'd be a pretty cheap thing to do, wouldn't it?
01:23:44Yeah, sure.
01:23:46That's why I changed my mind.
01:23:49I'm going to hop a freight and go away by myself.
01:23:51I got a friend there, I'll do all right.
01:23:53It's a question of money, maybe I can help her out.
01:23:57You sure could, pal.
01:23:59You could let me have a couple of C's.
01:24:01Sure, you bet.
01:24:03How much is a couple of C's?
01:24:05Two hundred...
01:24:07Three hundred dollars.
01:24:10Yeah.
01:24:10Thanks, pal.
01:24:12Now go on up and do your stuff.
01:24:14Ah, I've been thinking it might be easier on her
01:24:16if you sent some little message.
01:24:18Something nice about her I could say you said.
01:24:20What are you trying to do?
01:24:21Coax me to be a hypocrite?
01:24:24Now go on up there quick before I change my mind
01:24:25to still clip her for a couple of grand.
01:24:32Twelfth floor.
01:24:33Look, Mom, got any kids?
01:24:55No.
01:24:56I ain't got nothing.
01:25:01Well, you got something now.
01:25:02Brothers, there is good cause to be thankful this morning.
01:25:23I have just received the good news
01:25:25that there is no longer a protective association
01:25:27and that we may again sell our flowers in the city.
01:25:30How this was accomplished, I cannot tell you.
01:25:34All I know is that Brother Orchid gave me his word
01:25:37it would be done, and it was done.
01:25:41As you know, Brother Orchid is no longer among us.
01:25:44He has chosen the outside world.
01:25:47And none of us is wise enough to say that
01:25:49we are right and he is wrong.
01:25:51All we can do in our humble way
01:25:53is to wish him the utmost in health
01:25:55and the happiness
01:25:56and throughout our...
01:26:00Brother Orchid,
01:26:06have you changed your mind?
01:26:08Yeah.
01:26:11Brother Superior,
01:26:13all my life I'm such a guy
01:26:14who's looking for class.
01:26:16I once went halfway around the world
01:26:18trying to find him
01:26:19because I thought the class came in dough
01:26:20and nice clothes and society.
01:26:24Well, I was wrong.
01:26:25I should travel a long way
01:26:27to find out one thing.
01:26:32This.
01:26:34This is the real class.
01:26:36Oh, she's a girl here.
01:26:52Oh, she's a man.
01:26:53Oh, she's done.
01:26:54I used to go for class.
01:26:56Oh!
01:26:57Oh, she's got a fins and aھی.
01:26:58Oh!
01:26:58Oh!
01:26:59Oh!
01:27:00This.
01:27:01And I used to come for saç.
01:27:01Gracias por ver el video.
01:27:31Gracias por ver el video.
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