- 2 days ago
Experience the charm and excitement of classic Hollywood in Morning in Hollywood (1946), a delightful musical comedy filled with lively performances, humor, and entertainment. Featuring talented singers, comedians, and special guests, this vintage film captures the spirit of Hollywood's golden age. Enjoy a nostalgic journey packed with music, laughter, and timeless show-business fun that continues to entertain audiences decades later.
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Short filmTranscript
00:00:05The
00:00:58The
00:01:10There have been showers in Florida, so there are extras out.
00:01:14Yes, a new day is starting, and most of us greet it with hope, like these Hollywood extra girls on
00:01:19their way to work.
00:01:20United Art Studio, please.
00:01:23For these stenographers, salesgirls, waitresses, yesterday's beauty contest winners from all over the world.
00:01:31Whoop, he didn't get her phone number.
00:01:34Of course, for some people, yesterday still hasn't ended.
00:01:38These fellows have been rehearsing all night.
00:02:04Here we go.
00:02:22Here we go.
00:02:24Here we go.
00:02:25Here we go.
00:02:30Here we go.
00:02:40Here we go.
00:02:43Here we go.
00:02:52Anything?
00:02:52You mean something out of the ordinary?
00:02:54Well, my hat.
00:02:55I thought it was a hair dryer.
00:02:57Oh, Mr. St. John, you just made me the happiest woman in the world.
00:03:01You couldn't have said anything to please me more.
00:03:32Huh?
00:03:46Bus for Phoenix, Flagstaff, Albuquerque, Kansas City and Chicago.
00:03:51Now leaving.
00:03:53Phoenix, Flagstaff, Albuquerque, Kansas City and Chicago.
00:03:57Board.
00:03:58Miss Larson.
00:04:00Miss Larson.
00:04:05I guess I must have fallen asleep.
00:04:09Did you locate him?
00:04:11San Pedro just phoned.
00:04:12They said they had no record of Seaman First Class James Glennie ever having been there.
00:04:17In his last letter, that's where he said he was going.
00:04:19How long ago was that?
00:04:22About three months ago.
00:04:23A lot can happen in that time.
00:04:26When he stopped writing, I thought...
00:04:28Yes?
00:04:30Nothing.
00:04:32Do you think he might be in San Diego?
00:04:34No, my dear.
00:04:34Let's be practical.
00:04:36You come back here at five o'clock tonight and I'll have a return ticket to Minneapolis for you.
00:04:40Hmm?
00:04:40I'll tell you what I'll do.
00:04:41You go to the lounge and freshen up.
00:04:43And I'll give you a ticket to Tom Brenneman's breakfast in Hollywood.
00:04:46You've still got time.
00:04:47That'll cheer you up a bit.
00:04:49How will I be?
00:04:50You've been awfully kind.
00:04:52Forget it.
00:05:14Now, don't you worry about me, Tippi.
00:05:17I'm going to be all right.
00:05:20I'll only be gone about an hour or so.
00:05:25I'm going to do something this morning that I've wanted to do for a long time.
00:05:35There you are.
00:05:39Now, see?
00:05:41You're a little croupy this morning.
00:05:44Well, now, maybe you'll pull in that pride of yours and let me get a little box of sand in
00:05:49the house at night.
00:05:52Come here.
00:05:55Nobody need to know about it but you and me.
00:05:59Well, have it your own way.
00:06:02Now, darling, stay in the sun this morning.
00:06:05And don't take your sweater off.
00:06:12Goodbye, Tippi.
00:06:21Richard.
00:06:22Huh?
00:06:23Are you awake?
00:06:25No.
00:06:30I'm leaving.
00:06:31Huh?
00:06:33Hey, woman who gets up at daybreak to see a radio show is nuts.
00:06:37Now, Richard.
00:06:39Well, go ahead.
00:06:40If you get a kick out of being goofy, don't let me spoil your fun.
00:06:44Oh, would you rather I go with you to San Diego today, dear?
00:06:47I wouldn't think of subjecting you to it.
00:06:50I'm going strictly on business and there'll be no time for pleasantries.
00:06:53Now, run along to your concert.
00:06:55Radio show.
00:07:00Aren't you going to kiss me goodbye?
00:07:04Well, have a lovely trip, dear.
00:07:08And don't work too hard.
00:07:16I left my purse.
00:07:34It's better to be by yourself.
00:07:37Then you can only turn around.
00:07:45Hello?
00:07:47It's Mr. Wheelwright.
00:07:50No, no, no, Cartwright.
00:07:52I, uh, I'm calling you up at this unearthly hour because we can get an earlier start for Delmar, if
00:07:58you like.
00:07:58Oh, wonderful.
00:08:00Who's coming?
00:08:01The laundry man?
00:08:03It's the gentleman that's taking me swimming into the races today.
00:08:06Will you be quiet?
00:08:08I'll hop down, get a quick shave and a haircut and pick you up at nine o'clock, obi-doki.
00:08:12Oh, sure.
00:08:14Uh, honey.
00:08:16On your way over, would you stop and buy me a little swimsuit?
00:08:20Just any little thing.
00:08:22You pick it out and surprise me, huh?
00:08:24And ask him, can he cash a check?
00:08:28Goodbye, Mr. McIntosh.
00:08:37Good morning, Miss.
00:08:39Good morning, Miss.
00:08:40I wonder, will you spare a kiss?
00:08:58Going into Hollywood, sir?
00:08:59Yes, come on, get in.
00:09:00All right, thank you.
00:09:09Where's your home?
00:09:10Minneapolis, sir.
00:09:11Is that the right time?
00:09:13Yes.
00:09:13Why?
00:09:14I'm trying to catch an early radio show.
00:09:16Breakfast in Hollywood.
00:09:17Ever hear of it?
00:09:18I'm afraid I have.
00:09:19My aunt back in Minneapolis listens every morning.
00:09:22A very intelligent woman.
00:09:24With very good taste, too.
00:09:26Oh, it's good then, huh?
00:09:27Oh, terrific.
00:09:29Sometimes it keeps me awake all night.
00:09:32Say, do you know the fellow who runs it, Tom Brenneman?
00:09:36Well, my mother knows him very well.
00:09:38In fact, she folded his first pair of pants.
00:09:41Well, do you think maybe you could get me a ticket?
00:09:43Oh, I'm sure I could.
00:09:45In fact, by strange coincidence, I have one in my pocket right here.
00:09:49There you are.
00:09:50All right, thank you, sir.
00:09:51But, gee, I don't want to rob you of a good time.
00:09:53Oh, not at all.
00:09:54I have no trouble getting in.
00:09:56It's getting out that bothers me.
00:09:58Getting out are sure sweet words to me.
00:10:00Just got my discharge.
00:10:01Oh, swell.
00:10:02Why aren't you headed for home?
00:10:03Oh, I am.
00:10:04But some important business holds me here.
00:10:06A suit of civilian clothes that won't be ready until this afternoon.
00:10:10I'll bet it isn't a blue serge suit.
00:10:13You can say that again.
00:10:14Ha, ha, ha, ha.
00:10:36Good night to see you, Betty.
00:10:37Hello.
00:10:37How are you?
00:10:50Folks, I'd like to introduce myself.
00:10:52I'm Tom Brenneman.
00:10:53Now you can all applaud.
00:11:08Don't spoil me.
00:11:11How do you like getting up in the middle of the night?
00:11:15What time did you get up?
00:11:17Four o'clock.
00:11:18Sucker.
00:11:23I'd like to know, first of all, how many of you ladies here have never heard Breakfast
00:11:28in Hollywood?
00:11:29I mean, you never listen to it on the air.
00:11:32Is there anybody?
00:11:33Just you?
00:11:34Will you please get out?
00:11:38Seriously, folks, each morning, just before we hit the air, we kind of like to visit a bit
00:11:41with you guests and kind of find out where you're from.
00:11:45You know, kind of break the ice, one of those sort of things.
00:11:48And hello there.
00:11:49Who are you?
00:11:51Mrs. Marie Edgedahl of Cherry Valley, California.
00:11:54Cherry Valley.
00:11:55Mm-hmm.
00:11:56Uh, Mrs. Edgedahl, where is Cherry Valley from here?
00:11:58Up near Beaumont.
00:12:00You mean down near Beaumont?
00:12:01Up.
00:12:04Well, isn't Beaumont down by Banning?
00:12:06Yes, but we're up on the mountain.
00:12:09That's up.
00:12:10Yes.
00:12:13Let's get this right now.
00:12:14Well, when, um, when you go south, do you go up south or down south?
00:12:19We go up south, but we're a little northeast.
00:12:24You're over that-a-way, in other words.
00:12:28No, northeast, and it's up.
00:12:31And we're just 29 miles from Palm Springs.
00:12:34Oh, is that so?
00:12:35Up or down, or south?
00:12:37Oh, we're just to the right of us.
00:12:44Wait now.
00:12:51Listen, Mrs. Edgedahl, did you ever hear of the down in Sleepy Valley?
00:12:56Oh, yes.
00:12:59Well, look, you know of any valley which you have to go up to get to.
00:13:05What?
00:13:06Cherry Valley.
00:13:08I give up.
00:13:15Well, let's go over here and visit a little bit now.
00:13:17Hello there.
00:13:17Who are you?
00:13:19Dorothy Larson.
00:13:20Dorothy Larson.
00:13:21Well, come on, Dorothy.
00:13:22Stand up here and let the lady see you.
00:13:24You, you're pretty.
00:13:25Where are you from?
00:13:26Minneapolis, Minnesota.
00:13:28Minneapolis.
00:13:29Well, the name like Larson, you couldn't be from any other place but Minnesota.
00:13:35No.
00:13:36Tell me, Dorothy, do you hear the program back there occasionally?
00:13:39Oh.
00:13:40Do I have to tell?
00:13:42My goodness, we're not that bad, are we?
00:13:44Oh, no, but...
00:13:46Well, my boss may be listening in.
00:13:48Don't worry about it.
00:13:48We're not on the air just yet.
00:13:50Oh, I can't.
00:13:50But you do hear us occasionally, huh?
00:13:52Oh, yes.
00:13:52Back in Minneapolis at this time each morning,
00:13:54I used to have coffee and donuts in Manny's drugstore and,
00:13:58well, I listened then.
00:13:59Uh-huh.
00:14:00And you weren't supposed to be listening.
00:14:01Uh, I wasn't supposed to be having coffee and donuts.
00:14:04No.
00:14:07Oh, well, don't think the last's on me.
00:14:09Oh, why not?
00:14:10Well, I quit my job two weeks ago.
00:14:13Oh, you did?
00:14:14Well, I'm quitting you, too, right now.
00:14:16She's all right.
00:14:40It's all right, Mother.
00:14:41Don't be frightened.
00:14:42We're okay.
00:14:44Call an ambulance.
00:14:45That's right.
00:14:46Don't sit up again.
00:14:48Everything's all right.
00:14:51Who's the driver of this car?
00:14:52I am, officer.
00:14:54But it really wasn't my fault.
00:14:55I was still in second gear.
00:14:56I just turned the corner.
00:14:57Don't get easy, bud, but stick her off.
00:14:58Don't try to get up, lady.
00:14:59That's right, Mother.
00:15:00You just stay here and rest a little.
00:15:02Oh, what do you mean, rest?
00:15:04I just got out of bed an hour ago.
00:15:06You might be hurt.
00:15:08Oh, go away with such foolishness.
00:15:11I'm all right.
00:15:12Are you sure?
00:15:13Why, certainly.
00:15:15I'm not a bit hurt.
00:15:16I'm going to get back to the side.
00:15:18Well, wait a minute.
00:15:18I've got an ambulance coming.
00:15:20Oh, don't tell me that.
00:15:21I haven't time for such foolishness.
00:15:23I've got to go someplace.
00:15:25I think perhaps, officer, the lady says...
00:15:27Will you keep out of this?
00:15:28Where do you want to go, lady?
00:15:29Oh, just down to breakfast at Hollywood.
00:15:31It's only a little ways down the street.
00:15:33And I tell you, I'm all right.
00:15:34But I don't know that, you see.
00:15:35Oh, well, I'll miss it.
00:15:36I've been looking forward to it for weeks.
00:15:38And I'm late now.
00:15:40Really, officer?
00:15:40I think if she feels...
00:15:41Will you be quiet?
00:15:42Listen, I'll go into Mr. Brenneman's and sit down.
00:15:45And then if you want to, you can come and look in on me, if you don't mind.
00:15:49All right, mother, you go ahead.
00:15:50I'll come down to see you just as soon as I get through here.
00:15:54Sorry you've been so much.
00:15:55Oh, excuse me, but when you say as soon as you're through here, does that mean...
00:15:59It certainly does.
00:16:00It means you and I are going to have a nice long chat.
00:16:02Let me see your driver's license.
00:16:03Oh, but officer, this is going to throw me off schedule.
00:16:12Good morning, ladies.
00:16:14Good morning.
00:16:15And good morning to you out there along our network.
00:16:18Good morning from the ladies having breakfast in Hollywood.
00:16:21And say, we have a swell turnout here this morning.
00:16:24Along about this time of our program, we'd like to visit a bit.
00:16:27I think we'll start with maybe you.
00:16:29What is your name?
00:16:30Harriet Dean.
00:16:31Where are you from, Miss Dean?
00:16:32I'm from Miami, Florida.
00:16:34Miami, Florida.
00:16:34Hmm, hot down there, isn't it?
00:16:38And let's see, who are you, please?
00:16:40Your name?
00:16:41Mullins this morning.
00:16:42Oh, this morning?
00:16:43This afternoon, it will be Henderson.
00:16:45Oh.
00:16:45Being divorced?
00:16:46I'm being married.
00:16:49Well, congratulations.
00:16:50I suppose you're the happy groom-to-be?
00:16:53Yes, ma'am.
00:16:54I'm, sir.
00:16:55Tell me, Mr. Henderson, are you being married in Hollywood?
00:16:58We are.
00:16:59Hmm.
00:17:00Uh, what is your business, Mr., uh, Henderson?
00:17:04I'm Miss Mullins' secretary.
00:17:05Hmm.
00:17:06What some folks won't do to keep a secretary, these.
00:17:09Oh, thank you.
00:17:16See one.
00:17:17All right, folks.
00:17:18Now we're going to meet our service boys and girls.
00:17:20And I'll ask you to hold your applause, as I do each day, until we've met them all.
00:17:24We just want to be sure at the home folks have a chance to hear them.
00:17:26You.
00:17:30Oh, excuse me.
00:17:31Is this seat taken?
00:17:32No.
00:17:32No, I came alone, too.
00:17:34Well, that's nice.
00:17:35So did I.
00:17:37I didn't want to embarrass anyone.
00:17:42Why don't you put a clove in your mouth?
00:17:44Then nobody will know you've been drinking.
00:17:48No.
00:17:49No, I mean my hat.
00:17:50Do you think it's silly enough for Mr. Bremerin to pull on?
00:17:56Brennaman.
00:17:59It is kind of crazy in an artistic sort of way.
00:18:03Oh, thank you.
00:18:04Thank you very much.
00:18:06You know, for seven months I've been trying to wear a hat that Mr. Brennan would put on.
00:18:11Well, I bet this is it.
00:18:12Oh, do you think so?
00:18:14Well, I hope so.
00:18:15Lieutenant?
00:18:16Lieutenant Stephen Wayne, Baltimore, Maryland, sir.
00:18:18Mm-hmm.
00:18:19You're there, too, haven't you?
00:18:20Yes, sir, a little bit.
00:18:21Mm-hmm.
00:18:21What are some of those things, Lieutenant?
00:18:22That's the Navy Cross and the Purple Heart.
00:18:24Oh, we only have 30 minutes.
00:18:26We can't go into all that.
00:18:27Well, look, Hugh's here.
00:18:29Do you recognize me?
00:18:30Who are you, anyway?
00:18:31Electrician's made third class.
00:18:32Minneapolis, Minnesota.
00:18:33Well, that'll help a lot.
00:18:35What's your name?
00:18:35No coaching, please.
00:18:37Oh, Ken Smith.
00:18:38Well, wait a minute, Ken.
00:18:39Don't get mad about it now.
00:18:40You hear me?
00:18:41What were you doing out in San Fernando Valley?
00:18:43Trying to find some people from Minneapolis.
00:18:45What for?
00:18:46Just to talk to, I guess.
00:18:48Oh, Ken, you don't have to go out to San Fernando Valley to find people from Minneapolis to talk to.
00:18:52Come on here, son.
00:18:53I'll...
00:18:54Old Cupid Branham.
00:18:55I'll teach you.
00:19:04Come on.
00:19:05Tell us who you are again.
00:19:06I'm Dorothy Larson.
00:19:08Oh, Dorothy, I want you to meet Ken Smith.
00:19:11Come on, Ken.
00:19:12Pull up a chair.
00:19:13Oh, this is going to be swell.
00:19:15Now, you kids get together and talk your heads off with you.
00:19:17Boy, you need somebody to talk to you.
00:19:20Aren't they handsome?
00:19:24Just that I hate to leave here without...
00:19:26Without what?
00:19:28Without finding my fiancé.
00:19:30Oh.
00:19:30I came here to look for him.
00:19:32He's from Minneapolis, too.
00:19:33His name is James Glennon, and he's in the Navy.
00:19:36Jimmy Glennon?
00:19:38Do you know him?
00:19:38Oh, I know him.
00:19:41Why...
00:19:43Yes, go on.
00:19:44What were you going to say?
00:19:46Nothing.
00:19:46I don't think he's the same fellow that you know.
00:19:49Now, I guess we've met them all.
00:19:50I wish everybody in uniform in the restaurant would please stand,
00:19:54because we want to give you a welcome to Breakfast in Hollywood.
00:19:57Come on, you kids.
00:19:58And let him have it.
00:19:59That's good.
00:20:01Look, the more I think of it, I'm not even sure if he came from Minneapolis.
00:20:05But you said this guy was engaged to a girl by the name of...
00:20:08What did you say your name was?
00:20:10Dorothy.
00:20:11There you are.
00:20:12His girl's name was Cora.
00:20:13All right, come on.
00:20:14Come on, come on, Minneapolis.
00:20:15Break it up.
00:20:15The convention is over here now.
00:20:16Okay.
00:20:17And you get back to the table.
00:20:18All right.
00:20:18And before you go, for being such a good sport,
00:20:20here's a couple of $5 bills for you.
00:20:22Oh, gee.
00:20:23Thanks, Mr. Brennan.
00:20:24And if you're in Hollywood tonight, spend it on her, will you?
00:20:26I sure will.
00:20:27And spend it in here.
00:20:29Come on, give him a hand there.
00:20:30Come on.
00:20:36Now then, we're going for a hat.
00:20:39This silly routine every morning.
00:20:42I don't know what you're laughing about.
00:20:47Who are you, please?
00:20:49Mary Calder.
00:20:50Mary Calder.
00:20:50Where are you from, Mary?
00:20:52Kansas.
00:20:52Kansas.
00:20:53Where did you get that silly number?
00:20:54Just a little thing I cooked up myself.
00:20:56You cooked it up yourself.
00:20:57Looks like it boiled over.
00:21:01Look at there.
00:21:02That is a monstrosity down there.
00:21:04Hmm.
00:21:05I simply have to get a closer look at this thing.
00:21:09No, we're talking about you.
00:21:10Don't look over your shoulder.
00:21:11Who are you?
00:21:13Elvira Spriggins.
00:21:14And where are you from, Miss Spriggins?
00:21:16Pomona.
00:21:17Pomona.
00:21:18I should have known.
00:21:19That is the silliest thing I've seen in this place in a long time.
00:21:23Where do you live now?
00:21:25In Hollywood.
00:21:26In Hollywood.
00:21:26That looks like a typical Hollywood model.
00:21:28What is it, Bobby?
00:21:31There.
00:21:33Oh, my goodness.
00:21:35This is even worse.
00:21:37Do you want me to take it off?
00:21:38No, not just right now.
00:21:39Do you like it?
00:21:40Yes, I'll be back.
00:21:41Let's see.
00:21:43Look at this thing.
00:21:44Hello, Tom.
00:21:45Ed, it's awfully nice for you to come over and say hello to us this morning.
00:21:48Well, I'm so glad to be here.
00:21:49Pleasure.
00:21:50And do you know Mrs. Cooper, Gary's mother?
00:21:52No.
00:21:52Hello, Mrs. Cooper.
00:21:54Gee, it's nice to see you.
00:21:55How's Gary?
00:21:56Very well, thank you.
00:21:57That's great.
00:21:58Did you have a nice breakfast?
00:21:59Oh, the loveliest bacon.
00:22:01Oh, fine.
00:22:02And Mrs. LeSert, Joan Cooper's mother.
00:22:05Oh, hello.
00:22:06How are you?
00:22:06How is Joan?
00:22:07Fine.
00:22:08Please give her my regards.
00:22:10I certainly will.
00:22:12And you hear our program, too, do you?
00:22:15Every morning.
00:22:16You enjoy it?
00:22:17Very much.
00:22:18Well, that's nice.
00:22:18Do you think I'm a good master of ceremonies?
00:22:20The best ever.
00:22:21Oh.
00:22:22And you think I'm handsome?
00:22:23Very handsome.
00:22:24And terribly underpaid, wouldn't you say?
00:22:26Yes, very much underpaid.
00:22:28You know you sound just like my mother.
00:22:30I am your mother.
00:22:31And she is, too.
00:22:36Oh, what a lot of ham in that family.
00:22:39Say, speaking of ham, Hedda, I'm inviting you all down for dinner tonight.
00:22:44Why, thank you, Tom.
00:22:44We'd love to.
00:22:45Oh, that'd be swell.
00:22:47Hedda, I know that you're famous for dappy hats, but what is that supposed to represent?
00:22:50Well, when I left home this morning, it was a goldfish boat.
00:22:53Hedda, I simply have to try it on.
00:22:55Do you mind?
00:22:56What do you suppose I wore it for?
00:22:59Miss Cooper, would you please hold the microphone?
00:23:01Just like that.
00:23:03There you are.
00:23:04This is the silliest thing I've ever seen, even for you, Hedda.
00:23:09There you are, kid.
00:23:14Don't you feel bad, dearie.
00:23:16I think yours is much worse than hers.
00:23:19Wait a minute, you smarties.
00:23:21After all, on me, it didn't attract a duck.
00:23:24No, but brother, what an invitation to a woodpecker.
00:23:32Hi, Hedda.
00:23:34Spike Jones and his city slickers.
00:23:36Need I say any more?
00:23:39Well, what did you expect, Tchaikovsky?
00:24:05Take a sprig of parsley, add a rubber bathtub stopper.
00:24:09What do you got?
00:24:10A hat for Hedda Hopper.
00:24:13Mix a batch of concrete in a five and dime corn popper.
00:24:17What do you got?
00:24:18A hat for Hedda Hopper.
00:24:20Take a ripe banana, add a jigger of Cointreau.
00:24:24Roil it over charcoal, that's Miss Hopper's new chapeau.
00:24:28Add a pickle to the side of Grandpa's old silk topper.
00:24:32What do you got?
00:24:33A hat for Hedda Hopper.
00:24:35When the swallows come back, grab the straddle.
00:24:39You can bet your life they'll land right on Miss Hopper's new hat band.
00:24:43Listen to the mockingbird.
00:24:44Listen to the mockingbird.
00:24:46Please have pity on that kid he's slated for Miss Hopper's lid.
00:24:50Listen to the mockingbird.
00:24:52Listen to the mockingboy.
00:24:54Our feathered friend's a real dead pigeon now.
00:24:56First you take a, then you add a, why, a hat for Hedda Hopper.
00:25:05Then you mix it up with a, why, a hat for Hedda Hopper.
00:25:13Scientists are busy with a plan, they're working on it.
00:25:17Mixing up synthetics for Miss Hopper's Easter bonnet.
00:25:20So if you see a Frankenstein, don't faint up for Hedda Hopper.
00:25:24Because what you see is a hat for Hedda Hopper's new hat band.
00:25:32And then the cop discovered that my driver's license had expired.
00:25:35Of course, it's only a formality, my dear, but I shall have to take, well, a slight examination.
00:25:40And I shall be delayed, well, five or ten minutes.
00:25:43All right, let the car ride, but please hurry, you're late already.
00:25:48Goodbye.
00:25:51I wish we could hit on some way to do it.
00:25:54Do what?
00:25:56Let him know Tuesday's my birthday.
00:25:59Well, it is.
00:26:02Now we're going to award our wishing ring.
00:26:05Yes, sir.
00:26:06Let me see here.
00:26:07Who are you?
00:26:08Wanda Ricketts.
00:26:09From where, Miss Ricketts?
00:26:11Denver, Colorado.
00:26:12From Denver.
00:26:13Please draw a number out of the basket.
00:26:14All right.
00:26:16This is the winner.
00:26:1949366.
00:26:2349366 wins the ring.
00:26:24I have it.
00:26:25Here it is.
00:26:26Oh, good.
00:26:27Well, look, it's Minneapolis.
00:26:29Well, come on here, honey.
00:26:30You've won our wishing ring.
00:26:35Come on over here and let the ladies see.
00:26:37See, this is swell.
00:26:39Dorothy Larson, the donut and coffee girl.
00:26:41That's right.
00:26:43Oh, this is grand.
00:26:44Tell me, Dorothy, it must have been swell to come in here and have a first-class breakfast.
00:26:48Well, I was a little late getting a seat, and when they served me, all I got was...
00:26:53Coffee and donuts, yeah.
00:26:55Dorothy, you say you're a secretary, huh?
00:26:56I was.
00:26:58I'll be a housewife soon, I hope.
00:27:00Oh, gee, that's swell.
00:27:01So instead of taking dictation, you'll be giving it, eh?
00:27:05I hope to live on a farm.
00:27:06Why?
00:27:07So I can hatch baby chicks.
00:27:10Well, now, don't laugh.
00:27:11That's a good trick if she can do it.
00:27:15Dorothy, you've won our wishing ring.
00:27:17Here, I want to show it to you.
00:27:18Same time, I want to show it to the lady.
00:27:20There it is.
00:27:20Oh, it's beautiful.
00:27:22All right, now, I want to put it on your finger.
00:27:25You make a wish, and we'll ask everybody here and everybody along our network to wish along with you.
00:27:30Now, what's your wish?
00:27:33I wish that I may find a friend.
00:27:36Well, Dorothy, you've found 300 new friends here this morning.
00:27:40Isn't that right, folks?
00:27:41You bet it is.
00:27:44Thank you, but, well, I mean a certain friend.
00:27:47He's my fiancé, and he's still in the service.
00:27:50Oh, well, gee, we hope you'll find him.
00:27:52And, Dorothy, it's a special treat this morning.
00:27:54We have something here that'll make wishing all the sweeter.
00:27:57Stand up there, Andy.
00:28:00Ladies and gentlemen, Andy Russell.
00:28:08Andy is going to sing a little song dedicated to the winner of our wishing ring.
00:28:12And you keep wishing, honey.
00:28:14Sure.
00:28:14Good.
00:28:14Okay, Andy.
00:28:16If I had a wishing ring
00:28:24I'd never ask for any worldly thing
00:28:32My heart and I agree
00:28:37On what a wish it'd be
00:28:43One miracle would do
00:28:46The miracle that you'd love me
00:28:51You'd be my treasure
00:28:56Way beyond compare
00:29:02For my heart says your name
00:29:07In every place
00:29:11No dream would be denied
00:29:17And I'd be satisfied
00:29:20With all your love could bring
00:29:25With all your love could bring
00:29:27With all your love could bring
00:29:31I had a wishing ring
00:29:37My heart and I agree
00:29:42Beyond what a wish it'd be
00:29:48One miracle would do
00:29:50The miracle that you'd love me
00:29:56You'd be my treasure
00:30:21You'd be my treasure
00:30:24And I'd be satisfied
00:30:26And I'd be satisfied
00:30:27With all your love could bring
00:30:35The miracle that you'd love me
00:30:36I had a wishing ring
00:30:52That's swell
00:30:53Andy, come on over here
00:30:54Just a moment, will you?
00:30:55I would have words with you
00:30:58If you think you're gonna get away
00:31:00With one number, you're crazy
00:31:01What would you like to sing
00:31:02For an encore?
00:31:03Well, uh, how about
00:31:04Magic is the Moonlight, Tom?
00:31:05Oh, that'd be swell
00:31:06Especially in view of the fact
00:31:08You rehearsed it all morning
00:31:14Magic is the Moonlight
00:31:18On this lover's night
00:31:22As I see the Moonlight
00:31:27Shining in your eyes
00:31:30Can't resist their power
00:31:34In this moonlight hour
00:31:39Love began to flower
00:31:43Yes, this is paradise
00:31:47Living in the splendor
00:31:51Of your kiss so tender
00:31:55Makes my heart surrender
00:31:59To your love divine
00:32:04Magic is the Moonlight
00:32:08Much more than any dream night
00:32:12Magic is the Moonlight
00:32:16For it made you mine
00:32:22Muñequita linda
00:32:24De cabellos de oro
00:32:28De dientes de perlas
00:32:32Y labios de rubé
00:32:35Dime si me quieres
00:32:39Es como yo te adoro
00:32:43Si de mí te acuerdas
00:32:47Como yo de ti
00:32:50Y a veces escucho
00:32:55Un eco divino
00:32:58Y envuelto en la brisa
00:33:03Para ser de ti
00:33:06Yo te quiero mucho
00:33:12Mucho, mucho, mucho, mucho
00:33:17Tanto como entonces
00:33:20Y siempre hasta morir
00:33:25Yo te quiero mucho
00:33:30Mucho, mucho, mucho
00:33:36Oh, that was grand, Andy
00:33:40Thank you, Dan
00:33:41Thank you
00:33:42Just a pleasure
00:33:45Now, as we do each morning
00:33:47We'd like to award our orchid
00:33:49To our eldest guest
00:33:50And I want a bid
00:33:51How old?
00:33:52Seventy-one
00:33:54Seventy-one
00:33:55Oh, you're just a youngster
00:33:57Seventy-nine
00:33:58Seventy-nine
00:33:59Over here
00:34:01Eighty-two
00:34:03Eighty-two
00:34:04Over there
00:34:05Eighty-two
00:34:06Is that the winner?
00:34:08Eighty-two
00:34:09And so it is
00:34:11The little lady over here
00:34:12Well, isn't this nice
00:34:13Hello there
00:34:14How are you?
00:34:16Eighty-three
00:34:16Eighty-three
00:34:17Eighty-three
00:34:19A female baritone
00:34:23Did you say that, sir?
00:34:24I'm eighty-three
00:34:25Years old
00:34:26Well, this is a ladies program, sir
00:34:29You'd look pretty silly
00:34:30Walking down Hollywood Boulevard
00:34:31With an orchid in your lapel
00:34:35Yes, I made a mistake
00:34:36My daughter-in-law says
00:34:37I'm only seventy-eight
00:34:38Hmm
00:34:39How'd you make a mistake like that?
00:34:41I've been married twice
00:34:42Oh
00:34:46Well, here's a little
00:34:47Consolation prize for you
00:34:48Have a cigar
00:34:52Now then
00:34:53We'll go over here
00:34:54And see the little lady
00:34:55Who is eighty-two
00:34:56Hello there
00:34:57Hello
00:34:58Well
00:34:58And who are you?
00:35:00I'm Anna Reed
00:35:01From Hollywood, California
00:35:03And I'm pleased to meet you
00:35:04Well, I'm pleased to meet you, too
00:35:06Tell me now
00:35:07You say you're eighty-two
00:35:08I am
00:35:09I'm eighty-two
00:35:10Going on eighty-three
00:35:11Well
00:35:12Come on out here
00:35:13And meet the ladies
00:35:14Gee, this is wonderful
00:35:15Here she is
00:35:17She's Anna Reed
00:35:18She's from Hollywood
00:35:20And she is eighty-two
00:35:28Now then, tell me
00:35:30Is it Miss or Mrs. Reed?
00:35:32Mrs. of course
00:35:33Oh, I love that
00:35:35Of course
00:35:35Why'd you say that?
00:35:36Well, because I was married
00:35:41Tell me
00:35:42Do you have any children?
00:35:44Yes, one son
00:35:45Grandchildren?
00:35:46One
00:35:46Great-grandchildren?
00:35:48One
00:35:48Annie, you're in a rut
00:35:53Tell me
00:35:53You don't mind
00:35:54My calling you Annie
00:35:55Do you, honey?
00:35:55Oh, no
00:35:56I like it, Tommy
00:35:59You're a very active woman
00:36:01For eighty-two
00:36:01Oh, sometimes
00:36:02I feel that I'm
00:36:04Not very active
00:36:05But I've got my own teeth
00:36:08I have mine, too
00:36:10On the lower side
00:36:13Do you and Mr. Reed
00:36:14Live in Hollywood?
00:36:15Oh, no
00:36:16Mr. Reed
00:36:17Passed on
00:36:17About twenty-six years ago
00:36:20I live alone
00:36:21With my little dog
00:36:22Tippi
00:36:22Well
00:36:23Gee, you smell nice
00:36:24No, no
00:36:25I didn't mean it
00:36:25To sound quite like that
00:36:27I mean that perfume
00:36:28You have on it
00:36:28Is lovely
00:36:29What is it?
00:36:30It's Muguette
00:36:31Lily of the Valley
00:36:33In French
00:36:33Oh
00:36:34My favorite
00:36:35Is that your favorite?
00:36:36No, but where were you born?
00:36:38Well, originally
00:36:39In Claremont, New Hampshire
00:36:40You were born originally
00:36:42Oh, that's terrible
00:36:45And where did you meet
00:36:46Mr. Reed?
00:36:47In Newport, New Hampshire
00:36:48And where did you go to live
00:36:49After you were married?
00:36:50In Claremont, Newport
00:36:52Then you lived in both places
00:36:53How was that?
00:36:55Well, I'd live a month or two
00:36:57In Claremont
00:36:57And then I'd live
00:36:59Two or three months
00:37:00In Newport
00:37:00Why, though?
00:37:03Well, my husband
00:37:04Used to be on the fire department
00:37:06So he had to live in Newport
00:37:08At odd times
00:37:09For the calls
00:37:10No, I understand
00:37:12Claremont was my home
00:37:13And Newport
00:37:14Was where my husband lived
00:37:16Well, that's a little
00:37:16Inconvenient, isn't it?
00:37:20Huh?
00:37:20It was inconvenient
00:37:21When a call had come through
00:37:23At two or three o'clock
00:37:24In the morning
00:37:24Yes, I imagine so
00:37:28Oh, Annie
00:37:32Now, from Newport
00:37:34To convenient
00:37:34I mean from
00:37:35Yes, I guess it would be
00:37:36Right
00:37:36Then your husband
00:37:38Was in Newport
00:37:39Most of the time
00:37:40Only for fire
00:37:41Oh, only for fire
00:37:42And at other odd times
00:37:43While he was in Claremont
00:37:44But where did he sleep?
00:37:46At the firehouse
00:37:47Oh
00:37:49Where was your son born?
00:37:51In Newport or Claremont?
00:37:53White Pigeon, Minnesota
00:38:03That's great
00:38:04You know, Annie
00:38:06You could have saved us both
00:38:07A lot of trouble
00:38:08You mean if I stayed back
00:38:10In Claremont?
00:38:11No
00:38:11No, if you'd have burned
00:38:12The firehouse down in Newport
00:38:21Well, now, honey
00:38:22Look what we have for you
00:38:24There it is
00:38:25The orchard
00:38:28Oh, it's awful pretty
00:38:30Yes
00:38:30And it's for you
00:38:32Oh, thank you
00:38:34You're welcome
00:38:35You've heard the program, have you?
00:38:37Oh, yes
00:38:37I listen to it every morning
00:38:39Well
00:38:40Is that your first orchid?
00:38:41It most certainly is
00:38:44And I want what goes with it
00:38:55Say, listen, dear
00:39:01When I was taking my driver's test
00:39:02I ran over a traffic button
00:39:04And had a blowout
00:39:04How about your meeting me
00:39:05In my office at 12.30?
00:39:07Fine
00:39:07That's only four hours away
00:39:10And where are you having this tire next?
00:39:13New Guinea?
00:39:16Oh, all right
00:39:17But you be there at 12.30 in here
00:39:21Now we're about to award our famous beauty kit
00:39:25And we'll ask one of our guests to draw a number here
00:39:27Who are you, please?
00:39:29Florence Promise
00:39:30From where, Miss Promise?
00:39:31I'm from Philadelphia
00:39:32From Philadelphia
00:39:32What are you chewing?
00:39:33Gum
00:39:34Oh, you have to spit it out
00:39:35You can't chew gum in the ready
00:39:36That's it
00:39:38Will you draw a number out of the basket, please?
00:39:41Hope it's mine
00:39:41I hope so, too
00:39:44Well, here it is
00:39:504-9-4-0-7
00:39:534-9-4-0-7
00:39:57Here it is
00:39:59Over here it is
00:40:01Nice
00:40:02You lucky person
00:40:03Come on out here now
00:40:05Isn't it nice?
00:40:10Now tell us
00:40:11Who are you?
00:40:13I can't
00:40:14Can't remember my name
00:40:15Oh, no
00:40:16I don't want to
00:40:17Oh, Mr. Richard
00:40:19I mean, Mrs.
00:40:21Mrs. Richard Cartwright
00:40:23Well, now, congratulations
00:40:24Thank you
00:40:26Where do you live, Mrs. Cartwright?
00:40:28I live in Ohio
00:40:29Columbus, Ohio
00:40:30I mean, I live in Hollywood
00:40:32I can't seem to remember anything
00:40:35No, just a little nervous
00:40:37Now, don't be afraid of this microphone
00:40:39No
00:40:39You've won our beauty kit
00:40:40I know
00:40:41Beverly, won't you show it to Mrs. Cartwright?
00:40:43Same time, show it to the ladies here
00:40:51Isn't that a dandy?
00:40:52Oh, it's very nice
00:40:53Well, you don't seem very excited about it, Mrs. Cartwright
00:40:56Oh, but I am
00:40:57It's just that I don't go in very much for a cosmetic
00:41:00Oh, well, you will now
00:41:01There's enough goop in there to keep you beautiful for a year
00:41:07I'm afraid my husband wouldn't care for that
00:41:09You see, he likes the plain, natural, home-type girl
00:41:13Well, in this day and age, he's a novelty
00:41:16Excuse me
00:41:20I figured it'd do that
00:41:21Do what?
00:41:25Split the wheelbaron, that's all
00:41:28Boy, was that, uh, is that serious?
00:41:30Well, we ain't got none in stock
00:41:31We'll have to send out for one
00:41:33Thank you very much
00:41:34You're very welcome
00:41:35Thank you, Mr. Barnerman
00:41:36Thank you for asking
00:41:37Goodbye
00:41:38All right, ladies, let's move on, please
00:41:40Let's make a little room here
00:41:44What in the world happened here, Bobby?
00:41:46L.A. Defend it
00:41:47Well, ladies, please
00:41:48Let's move on, please
00:41:49Take one here, please
00:41:52Why, Annie, you rascal
00:41:53I'm surprised at you
00:41:56I'll be all right in a minute
00:41:59There's my pocketbook
00:42:00Oh, don't worry, honey, it's right here
00:42:01Oh, thank you
00:42:02Here you are
00:42:03She was hit by a car about Nora Gauton
00:42:05Oh, she claimed she wasn't hurt
00:42:07So I let her come on in here
00:42:08Do you have any pain?
00:42:10Not much
00:42:11I called an ambulance, too
00:42:12Oh, no ambulance
00:42:15Don't let them take me to the hospital, please
00:42:17Well, they just want to see if there's anything wrong with you
00:42:19I'm, I'm all right
00:42:22Thank you
00:42:24Honest, I am
00:42:25All I need is a good cup of tea in my own house
00:42:29Hope there's nothing wrong with you
00:42:30They'll take you right home
00:42:31Oh, no, they're liable to keep me there
00:42:34And then what's become of Tippi, my little dog
00:42:39He's old and alone
00:42:41He's got to have someone take care of him
00:42:43I'd be glad to take care of him today
00:42:45I have nothing else to do
00:42:47There you are
00:42:49That's awful nice of you
00:42:52You'd take him for a little walk, maybe?
00:42:55Why, sure
00:42:56No, you have nothing to worry about
00:42:58Well, you're sure that they'll bring me home
00:43:02If they find there isn't too much wrong with me
00:43:04I guarantee it
00:43:06And by golly, just to make sure I'll go with you
00:43:08How's that?
00:43:10Oh, you've been so nice to me
00:43:14I, I just hate to put you out
00:43:21Besides
00:43:22You're going to be awful mad at me
00:43:26Look what I did to my pretty flower
00:43:38All right, folks, break it up
00:43:39Move on, please
00:43:46Oh, there you are
00:43:48May I speak to you for a minute?
00:43:49Well, sure
00:43:53You were teasing me this morning, weren't you?
00:43:55About what?
00:43:56About not knowing Jimmy Glennon
00:43:57Oh
00:43:58Of course you know him
00:43:59Because he sent me this picture several months ago
00:44:01Thought you looked familiar
00:44:03Then I remembered this
00:44:05Yeah, sure I know, Jim
00:44:07Maybe you can tell me where to find him
00:44:09I wish I could
00:44:10But I don't know where he is
00:44:12Honest, I don't
00:44:13I'm sorry
00:44:15Would you mind if I asked you a favor?
00:44:18Not a bit
00:44:19Jimmy means an awful lot to me
00:44:21And I was wondering if
00:44:23I'd be ever so grateful
00:44:24If you just talked to me a few minutes about him
00:44:26It'd be a pleasure
00:44:28Tell me how he looked
00:44:29And some of the things he said
00:44:30And some of the things he did
00:44:32Say, listen
00:44:33I have to take Mrs. Reed's little dog for a walk
00:44:35Would you like to go along?
00:44:37You wouldn't mind?
00:44:38Mind?
00:44:39Well, it might be a slight inconvenience
00:44:42But, uh
00:44:42I think I can manage to stand up under the strain
00:44:55Well, this is an unexpected pleasure
00:44:57I, uh
00:44:57I was just going to write you a letter this afternoon
00:45:00Are you kidding?
00:45:02You told me to meet you here
00:45:03Uh, this is Myrtle, my roommate
00:45:05How do you do?
00:45:07Unbrewed
00:45:07Why, Gloria
00:45:08Why didn't you tell me he was so good looking?
00:45:12Uh, Miss Hammer
00:45:13Suppose you run along to lunch here?
00:45:15I'd be glad to
00:45:18Honey
00:45:18Yes?
00:45:19Listen, I
00:45:20Uh
00:45:23Honey
00:45:24Myrtle's broken
00:45:25So we thought it would be nice
00:45:27If you won some money for her at the races today too, huh?
00:45:30Really?
00:45:30Well, I mean, say, after all
00:45:32Uh, Mr. Cartwright
00:45:33Did anyone ever tell you that you look like Gable?
00:45:37Oh, really?
00:45:37You think so?
00:45:38I haven't got his shoulders at all
00:45:40Look, are we going to the races today or not?
00:45:42It's twenty minutes to one
00:45:44You bet we are
00:45:44On our way we'll stop at the barbershop and then we're off
00:45:47Nothing can stop us now
00:45:49I've been
00:45:49Hard right?
00:45:51Yeah?
00:45:52I have to come to the police station
00:45:53That old lady you hit this morning has hurt worse than we thought
00:45:55There's a bench warrant for you
00:45:59Did you ever go to the crystal ballroom in Minneapolis?
00:46:01Oh, sure, every Saturday night
00:46:03We went on Friday
00:46:04I guess maybe that's why I never saw you there
00:46:06Yeah, that's just like me
00:46:07I never get to meet a good-looking girl
00:46:09Until it's too late
00:46:12How about Doc's for hamburgers?
00:46:14Yeah, but we were more on the chop suey side
00:46:17That was a little expensive for Jimmy
00:46:19It's one thing I never had to worry much about, though
00:46:21With me, it was always here today and gone tomorrow
00:46:24Don't you ever worry about your future?
00:46:26No, I got a crabby old knuckle who does that
00:46:28Not much sense in both of us, were you?
00:46:30You're lucky
00:46:31I didn't have anybody to worry about me
00:46:34That is, until I met Jimmy
00:46:36He worries about me all the time
00:46:38Look, uh
00:46:39Oh, in nice little ways, I mean
00:46:41Like not letting me sit and dress
00:46:43Or telling the fellas to watch their language when I'm around
00:46:46Doesn't that make you a pain in the neck to the other guys?
00:46:49Of course not
00:46:50Well, they get a kick out of the way that
00:46:53I never thought of it like that
00:46:57Those are very pretty flowers
00:46:58Yes
00:46:59Aren't they beautiful?
00:47:01Mm
00:47:01They remind me of the ones down on the island
00:47:03Because they're so different
00:47:04Oh
00:47:05Ha ha ha
00:47:38Oh, Ken, that's terrible.
00:47:42You want to look scared to death.
00:47:43Well, let's take another one and smile this time.
00:47:46Okay.
00:47:46You know, the trouble is, we're posing like two other people.
00:47:51Maybe, could we...
00:47:54Huh?
00:47:55What?
00:47:56You know, sort of act like we know each other a little bit better.
00:48:00Oh, all right.
00:48:04How's this?
00:48:04As well.
00:48:07Go ahead.
00:48:08Huh?
00:48:09Put the quarter in.
00:48:11Oh.
00:48:13Let's do it again.
00:48:15That pose is great.
00:48:16You smiling?
00:48:18Uh-huh.
00:48:18Go ahead.
00:48:19Okay.
00:48:30Ken, that wasn't fair.
00:48:32I'm sorry.
00:48:33I couldn't help it.
00:48:34Honest, I couldn't.
00:48:37I'm sorry.
00:48:38I'm sorry you misunderstood my friend with that.
00:48:40I didn't, Don.
00:48:40It's just that you're so darn sweet.
00:48:42What?
00:48:43I say you're so darn sweet and I'm so darn lonesome.
00:48:46Well, that isn't very flattering to me either.
00:48:48No, no.
00:48:48What I mean is that we're both sort of in the same boat.
00:48:52What we need is somebody to help us over a hurdle, see?
00:48:54No, I don't see.
00:48:56There's something that you ought to know.
00:48:58I'm going to tell you, but you're not going to like it.
00:49:00I don't want to hear anything more.
00:49:01But as far as you're concerned, I'm terribly disappointed.
00:49:05Don't bother taking me back to the bus.
00:49:08But, Dara.
00:49:10Please, I don't want you to think I'm just making a play for you.
00:49:13I meant that kiss from the bottom of my heart.
00:49:15Do you realize what you're saying?
00:49:16I sure do.
00:49:17Then you're a fine friend of Jimmy.
00:49:19I'm a better friend of yours.
00:49:20That's why I want to tell you something.
00:49:22What are you driving at?
00:49:23Just this.
00:49:24You may be in love with Jimmy, but you're not engaged to him.
00:49:26Why do you say that?
00:49:28Because he's married to somebody else.
00:49:31Married?
00:49:33I didn't want to tell you before because, well, it was none of my business and I knew it would
00:49:36hurt you.
00:49:38I don't believe you.
00:49:39You're making it up.
00:49:41If it is true, why didn't Jimmy tell me?
00:49:44Why didn't he write me?
00:49:45He was waiting to get up enough nerve.
00:49:47He met a girl in Spokane.
00:49:49He hadn't seen you for over a year.
00:49:51Just went hook, line, and sinker for this other girl and married her the week I shipped out.
00:49:55Somebody had to tell you sometime.
00:49:57You thought for your own convenience you'd tell me now.
00:50:00I just didn't want you to go on eating your heart out for somebody else.
00:50:02Well, you were on hand.
00:50:05That's the real reason you told me, wasn't it?
00:50:07I just told you.
00:50:08At first I didn't think it was any of my business, but...
00:50:10Oh, no.
00:50:11Don't try to explain.
00:50:13Don't try to explain anything.
00:50:17I smuddle them.
00:50:19I don't know what to do.
00:50:21Dorothy, don't run out on me.
00:50:26I got the dog on my hand.
00:50:40I don't know.
00:50:41For a smart guy, you're a first-class ump chick.
00:50:44Now, now, baby, I...
00:50:45You had posted bail and kept your mouth shut.
00:50:47We'd have been out of here an hour ago.
00:50:49Oh, girls, ease up a little bit, will you?
00:50:50After all, when I started talking to that pleasant gentleman in the gray suit
00:50:53and told him what I thought of the police,
00:50:55how did I know he was a chief of detective?
00:50:57Oh, at the rate we're going to Del Mar, I'll never make any money.
00:50:59Now, now, let's not lose our temper.
00:51:01Well, for pity's sakes, let's get going.
00:51:03In less than nothing flat, sweetheart.
00:51:05First we go to the barbers, and then we'll really hit the open road.
00:51:09Now, here's the car.
00:51:10Get your beautiful self in there.
00:51:11There you are.
00:51:13There you in.
00:51:15Fine.
00:51:18Make that track if it's the last thing I...
00:52:05Good afternoon, ma'am.
00:52:06Good afternoon.
00:52:09But won't you come in?
00:52:09Mrs. Reed will want to thank you for being so kind.
00:52:12Some other time, please, ma'am.
00:52:13Right now, there's something important I have to do before 5 o'clock.
00:52:15Very well.
00:52:16Goodbye.
00:52:16So long.
00:52:23Breakfast in Hollywood.
00:52:24Oh, I'm sorry.
00:52:25His line is busy.
00:52:26You're welcome.
00:52:28Oh, Miss Fields.
00:52:29Yes?
00:52:29This gentleman's waiting to see you.
00:52:31Excuse me.
00:52:31My name is Ken Smith.
00:52:32Is Mr. Brenneman in?
00:52:33Do you have an appointment, Mr. Smith?
00:52:35No, I don't, but...
00:52:36Oh, then I'm afraid he can't see you today.
00:52:41This is very important, Miss.
00:52:43I'm awfully sorry.
00:52:44Mr. Brenneman is a very busy man.
00:52:46Could you come in tomorrow?
00:52:47That won't do me any good.
00:52:49I'm in trouble, and tomorrow will be too late.
00:52:50Well, what sort of trouble?
00:52:52Girl trouble.
00:52:53Look, Miss, you don't want to see two people who really need each other.
00:52:56Both end up with a kick in the heart, do you?
00:52:58Wait a minute.
00:52:59Wait a minute.
00:53:05Yes?
00:53:05Excuse me, Mr. Brenneman.
00:53:07There's a young sailor out here.
00:53:08A Mr. Kenneth Smith.
00:53:09Tell him to come in, please.
00:53:10All right.
00:53:12You may go in.
00:53:13First door to the right.
00:53:19Hello, Ken.
00:53:20What's on your mind?
00:53:20Hello, Mr. Brenneman.
00:53:21Oh, boy, you sure got me into something.
00:53:23Now you've got to help me out.
00:53:24I got you into something.
00:53:25What?
00:53:25You introduced me to Dorothy, that girl from Minneapolis.
00:53:28She won the wishing ring this morning, remember?
00:53:29What happened?
00:53:30Her fiancé show up?
00:53:31No, sir, and he isn't going to.
00:53:34Yes?
00:53:34I have a call on number three for you.
00:53:36All right.
00:53:36Hold it, and I'll take it in just a moment.
00:53:38The fellow she was engaged to married somebody else and didn't tell her.
00:53:41I suppose you rectified that error.
00:53:42Well, how did you know?
00:53:43I can tell with that sick look on your face.
00:53:46Oh.
00:53:46Well, when I told her, she got me all wrong.
00:53:48She broke out crying and ran away.
00:53:50Well, what am I supposed to do about it?
00:53:51She's going back to Minneapolis tonight.
00:53:53Her bus leaves in 25 minutes.
00:53:54Will you get down and talk to her?
00:53:55Will you explain to her?
00:53:56Explain what?
00:53:57Can't you see what she means to me?
00:53:59If she gets on that bus tonight, look, there's only 20 minutes left.
00:54:03Mr. Brenneman?
00:54:04Yes?
00:54:05That party's still waiting on the phone.
00:54:06They say it's urgent.
00:54:08Okay, I'll take it right now.
00:54:09This isn't just a crush.
00:54:10I'm goofy about it.
00:54:12This morning when I met you, I had nothing to gamble for.
00:54:14Now I've got everything.
00:54:15You're not going to let me blow it without getting a fair shake for it, are you?
00:54:18You're the gabbiest guy I've ever met.
00:54:20I'll tell you what you do.
00:54:21You go to the bus, Dee Paul.
00:54:23Hold her till I get there.
00:54:24Okay.
00:54:25And I'll be over just as soon as I answer this phone call.
00:54:29Oh, gee, Mr. Brenneman, you're the top.
00:54:30Oh, there you go.
00:54:31Gab, gab, gab.
00:54:32Now go on, beat it.
00:54:33I'll be over in a few minutes.
00:54:34And look, don't try to be persuasive.
00:54:36Be yourself.
00:54:37Okay.
00:54:37So long.
00:54:38That telephone call?
00:54:39You can take it here, sir.
00:54:40Thanks.
00:54:42Hello?
00:54:43Mr. Brenneman, this is Mrs. Reed's nurse.
00:54:46I'm a little worried.
00:54:47Mrs. Reed has had a peculiar spell, and I've called the doctor.
00:54:51I wonder if you could come over for a few minutes.
00:54:53Oh, you bet I will.
00:54:55I won't be going long.
00:54:56All right.
00:55:07Won't you just look at me a minute?
00:55:09I can hear you without looking at you.
00:55:11Honest, Dorothy, I didn't tell you about Jimmy just because I was...
00:55:14I've already told you it's unimportant anyway.
00:55:17Now, what more can I say?
00:55:20Well, you could tell me you're not angry with me.
00:55:23Well, can't you see I don't want to talk to you?
00:55:28Oh, excuse me.
00:55:34Say, do you know Tom Brenneman?
00:55:36What does he look like?
00:55:37Well, he's, uh...
00:55:39Oh, skip it.
00:55:40Sorry.
00:55:41Uh-huh.
00:55:46Phoenix, Flagstaff, Albuquerque, Kansas City, Chicago.
00:55:50Annie, you're a bad girl.
00:56:00You're not trying, and you know it.
00:56:03Oh, I'll be all right.
00:56:06Well, you don't sound very convincing.
00:56:07You're not putting up a fight at all.
00:56:10I've been fighting for 82 years.
00:56:14I could give you a good spanking for talking like that.
00:56:17To win a battle, you've got to have something to fight for.
00:56:24You see, Tiffy's the only one that needs me, and...
00:56:29He's lived his life, too.
00:56:31Oh, you're talking through your hat.
00:56:33We all have work to do.
00:56:34We have people who need us.
00:56:36Oh, that's a lot of nonsense.
00:56:42You're right.
00:56:42It is a lot of nonsense.
00:56:44I guess you and I both are fed up with this good neighbor stuff.
00:56:48That's right.
00:56:50I gully, Annie, I wish I could be more like you.
00:56:52Then maybe I'd have some sense, too.
00:56:56Well, you face fact.
00:56:57Your work is done.
00:56:58Then why stick your nose into somebody else's business?
00:57:03Well, have a good night, honey.
00:57:06I think I will.
00:57:08I feel sleepy now.
00:57:10I'll go back to the office.
00:57:12Let somebody else help me.
00:57:16Good night.
00:57:19Help who?
00:57:20Oh, I was just thinking out loud.
00:57:23Good night.
00:57:24Wait a minute.
00:57:26Yeah?
00:57:27Who's in trouble?
00:57:29Oh, I don't want to bother you with it.
00:57:30You're tired.
00:57:32Now, you come back here and tell me.
00:57:34I want to know who's in trouble.
00:57:37Well, you remember the young sailor and the girl from Minneapolis with the program this morning?
00:57:41I most certainly do.
00:57:43And a mighty cute pair they were, too.
00:57:45Well, the boy got a crush on the girl and they had a quarrel.
00:57:48And she's going back to Minneapolis tonight.
00:57:50Oh, what a pity.
00:57:52Yes, he's been over at the office moving around.
00:57:55Wants me to help him.
00:57:57You'd think it was the end of the world.
00:57:59Well, to two young people in love, a quarrel is the end of the world.
00:58:04Well, let's forget about it.
00:58:06I've got to go back to the office.
00:58:08Now, if you want anything...
00:58:09Wait.
00:58:10I got an idea.
00:58:12Yeah.
00:58:13You go and get those two young people and bring them here.
00:58:18And I'll bet you I can get them together again.
00:58:21Well, I wouldn't think of it.
00:58:22You're a sick woman.
00:58:23Now, if you say that again, I'm going to get right up and go get them myself.
00:58:27Are you sure you want to be bothered?
00:58:29Just a moment ago, you said...
00:58:31Oh, that was just a lot of talk.
00:58:33Now, please do me the favor and go get them and bring them here.
00:58:38All right.
00:58:39But you're forcing me.
00:58:45San Francisco, Sacramento, Salt Lake City, Cheyenne, Omaha, Minneapolis, or...
00:58:54Look, if I write you a letter in care of Doc's Hamburger Joint, will you answer me no?
00:58:59Gosh, not even a postcard?
00:59:01No.
00:59:02All right, sailor.
00:59:03Will you get in or out, please?
00:59:04I'll see you soon.
00:59:13Sorry, buddy.
00:59:14No loading on the platform.
00:59:49Oh, brother, is this a happy day?
00:59:51Jim Jam won the first race in Del Mar.
01:00:01Oh, Ken, just a moment, please.
01:00:03I'm awfully sorry I'm late, but I really have a good excuse.
01:00:05Yeah, sure, it's okay.
01:00:06Don't tell me what happened.
01:00:07Look, let's just forget about it.
01:00:08No, no, don't be that way, Ken.
01:00:09I want to know, really.
01:00:10Look, Mr. Brenneman, I know you're a good guy, but it's too late for talk.
01:00:13Now she's gone.
01:00:14I'll see you around sometime.
01:00:15But...
01:00:15Mr. Brenneman, what a lovely coincidence.
01:00:18You'll have to excuse me.
01:00:19You know, I just bought a new hat, and the lady said it looked just like a pendulum.
01:00:22Well, that's nice, yes.
01:00:23Mr. Brenneman, would you go across the street, Mr. Brenneman, and take a look?
01:00:26I want to see if it'll make you laugh.
01:00:28Not now, please.
01:00:29Bring it down to the restaurant tonight.
01:00:30I'll have more time.
01:00:31Tonight?
01:00:31Yes.
01:00:32And the name is Brenneman.
01:00:33Bye.
01:00:36Brenneman.
01:00:36Brenneman.
01:00:38Brenneman.
01:00:38Brumeman.
01:00:39Well, hide me, lady.
01:00:42Brenneman.
01:00:51L-A-R-S-E-N.
01:00:52Larson.
01:00:54She's on the Salt Lake bus that left Hollywood at 5 o'clock.
01:00:58Oh, thank you, Sergeant.
01:01:00You're doing the mayor of Encino a big favor.
01:01:02Bye.
01:01:05Do you know of any other place where a sailor who's lost his girl might go?
01:01:09No.
01:01:10Unless maybe a cocktail bar.
01:01:12Oh, sure he would.
01:01:14What's the matter with us?
01:01:15Let's start phoning him right now.
01:01:16There's only 900 of them in and around Hollywood.
01:01:19Well, try it anyway.
01:01:20Tell him it's for breakfast in Hollywood.
01:01:21And tell him we'll give a reward to anybody who brings Ken to the phone.
01:01:25How much?
01:01:26Well, two tickets to the radio show, of course.
01:01:28What do you expect, a half interest in the joint?
01:01:37I can't do it.
01:01:46I can hardly wait till my husband sees me.
01:01:49Why not surprise him?
01:01:50Telephone and have him meet you someplace for dinner.
01:01:53I can't do it.
01:01:54I can't sit down to town.
01:01:55Oh, but my dear, with that beautiful hair, do surely you are going somewhere for now?
01:02:27I'm afraid not.
01:02:30I can't do it again.
01:03:00Ah, you're right about that time, Herman.
01:03:02Well, right now, those two little sweet patooties are sitting out front.
01:03:05So sorry, they do anything for me.
01:03:07But my laundry...
01:03:09Don't guns, you can't write.
01:03:10You sure know how to handle them.
01:03:12He certainly got those two eating out of his hands.
01:03:14Well, if I say it's a gift, I was just naturally born with it.
01:03:17Excuse me, Mr. Cartwright, but the ladies sitting outside in your car say that if you don't come out in
01:03:22two minutes,
01:03:22they're going to come in and wipe up the floor with you.
01:03:26You better forget the shampoo, Herman, and let me get out of here.
01:03:29No need carrying the punishment to the point of cruelty.
01:03:36What can I do for you, please?
01:03:41Well, good evening.
01:03:43If you and your girlfriend think it's going to be one, you're optimistic.
01:03:51You guys, that was my wife.
01:03:53Hey!
01:04:32What's wrong, officer?
01:04:33We've got a passenger by the name of Larson, a young lady going to Minneapolis.
01:04:37Is there a Miss Larson on board?
01:04:42My name is Larson.
01:04:43Miss Dorothy Larson.
01:04:44That's right.
01:04:45Why?
01:04:46Is something the matter?
01:04:47Do you know Tom Brenneman?
01:04:48Yes.
01:04:49I was at his radio broadcast this morning.
01:04:52Okay, lady, I'm sorry, but you'll have to come back to Hollywood with us.
01:04:55What for?
01:04:56Step outside and I'll tell you.
01:05:15What's happened?
01:05:17Mr. Brenneman claims you stole one from him.
01:05:19Come on.
01:05:49I'll tell you why.
01:05:50I'll tell you who's from.
01:05:50The night falls silently, the night falls silently, on forest dreams, lovers wonder
01:06:13What will be, they wonder, what will be, the bright stars gleaming
01:06:26And less they should lose their way, less they should lose their way
01:06:34The glowworm's noisy, like their tidy lover's gay
01:06:43Their tidy lover's gay, and twinkle brightly
01:06:57Here and there and everywhere, through mostly there and hello
01:07:05Hello
01:07:07Hello
01:07:08Hello
01:07:10Hello there, gal
01:07:12What do you say, boy?
01:07:13Floating, flying through the air, they call us to follow
01:07:22Ah!
01:07:30Ah!
01:07:32Ah!
01:07:33Ah!
01:07:34Ah!
01:07:37Ah!
01:07:42Ah!
01:07:45Ah!
01:07:45Ah!
01:07:45Love sweet voices crawling yonder
01:07:48Call four, you know what?
01:07:54Shine, little clover and glimmer
01:07:57Shine, little clover and glimmer
01:08:01Light the path yellow
01:08:04Ah, boy
01:08:11Hey, shut up
01:08:14And lead us on
01:08:19To run
01:08:40And lead us on
01:08:46To light
01:09:10That was Mr. Brenneman who just phoned. I'm afraid the news isn't so good. What's wrong?
01:09:16Mr. Brenneman missed the bus
01:09:18The girl left and the boy has disappeared
01:09:21Oh, no
01:09:22Mr. Brenneman's had the girl arrested and she's being brought back to Hollywood by subterfuge
01:09:26Did you say arrested?
01:09:28Yes
01:09:29Oh, it's bad
01:09:31That's what it is
01:09:48You're looking for God
01:09:51No
01:09:53No
01:09:53No
01:09:54No
01:10:02No
01:10:03No
01:10:03No
01:10:08Is that you, young man?
01:10:10Oh, excuse me, ma'am.
01:10:11I tried to come in quietly so I wouldn't disturb you.
01:10:13I just brought Tippi a bone.
01:10:14Oh, thanks.
01:10:16My, don't you look nice?
01:10:19I hardly recognized you in your new suit.
01:10:22Thank you, ma'am.
01:10:23Your young lady friend will be mighty proud of you.
01:10:26Oh, well, that's all off.
01:10:27She's going back to Minneapolis.
01:10:29That's not the way I hear it.
01:10:30Oh, but I saw her leave on the bus myself.
01:10:32I was with her until she...
01:10:33Maybe so.
01:10:34But they're bringing her back to Hollywood under subterfuge.
01:10:39When you say they, do you mean the police?
01:10:42Uh-huh.
01:10:43Two of them.
01:10:44Big cops.
01:10:45They took her off the...
01:10:47They yanked her off the bus under very extenuating circumstances.
01:10:52But why?
01:10:53What's she done?
01:10:54Something to Mr. Brenneman.
01:10:56What?
01:10:56I don't know.
01:10:57There'll be an awful secret about it.
01:10:59Well, they are, are they?
01:11:00Well, that means they're trying to pin something on her.
01:11:02The very thing I said to myself when I heard it.
01:11:06Oh, you can bet your life if I had my strength, I'd be right down there with bells on.
01:11:11But where are they taking her?
01:11:12I don't know exactly.
01:11:14But I'd go to Mr. Brenneman and find out.
01:11:17I will.
01:11:17And don't you worry, Mrs. Reed.
01:11:19I'll find her.
01:11:42Well, excuse me, but have you by any chance seen the lady in here with the name of Cartwright?
01:11:46What do you think this is, the Bureau of Missing Persons?
01:11:48Well, I don't know.
01:11:49What is she looking like?
01:11:49She's the most beautiful woman in the world.
01:11:52Why don't you try Tom Brenneman's?
01:11:53They all wind up there sooner or later.
01:11:55You think so?
01:11:55Yes.
01:11:57I never thought you cared.
01:12:05It's better to be by yourself.
01:12:11It is better to be by yourself.
01:12:17Love is made by two, don't include a third.
01:12:21Cause you lose your chicken and you'll get the bird.
01:12:25So it's better to be by yourself.
01:12:31Never trust a gal who puts on a sweet dialogue.
01:12:37Never trust a pal.
01:12:41Cause remember that man's best friend is his dog.
01:12:44So it's better to be by yourself.
01:12:50It is better to be on the shelf.
01:12:57Be just like a hermit living in a cave.
01:13:01You don't get much loving, but the dough you save makes it better to be by yourself.
01:13:14You don't get much loving, but the dough you save makes it better to be by yourself.
01:13:46Well, the story that's told about a man is mate.
01:13:49When his chains run out, she say, I'll see you gate.
01:13:52Now he works all day and come home at night.
01:13:56Instead, a little bitty pet and all she wants to do is fight.
01:13:59So it's better to be by yourself, boy.
01:14:03It's better to be by yourself, oh man.
01:14:06It's better to be by yourself, boy.
01:14:23I want to use the item tomorrow as column king.
01:14:26Will you check on it and let me know right away?
01:14:29Okay.
01:14:41Oh, excuse me, but could you by any chance direct me to someone who could perhaps help me?
01:14:46Oh, what about?
01:14:47Well, as a matter of fact, I'm looking for my wife.
01:14:50It's quite a long story.
01:14:51Well, this sounds like a good story.
01:14:53You couldn't have chosen a better person.
01:14:55What's her name?
01:14:55Cartwright, but she probably isn't using it now.
01:14:58Well, what does she look like?
01:15:00Oh, she's out of this world.
01:15:01She's gorgeous.
01:15:02This I must see.
01:15:03Come on, I'll help you track her down.
01:15:05Excuse me, it's because of this and that that I'm looking for her now.
01:15:28You're a head of hopper, aren't you?
01:15:30Well, I was when I left home this morning.
01:15:32You know, I'm one of your most ardent fans.
01:15:36You mean you were?
01:15:37What?
01:15:38Oh, look what I've done to your hat.
01:15:40Oh, that's perfectly all right.
01:15:42It wasn't silly enough anyway.
01:15:44Oh, it couldn't have come to a happier end.
01:15:48Well, of course I'll replace it.
01:15:49Oh, no, but Miss Hopper, you don't...
01:15:51Oh, I ruined yours and I insist upon giving you mine.
01:15:55A head of hopper hat?
01:15:56Oh, well, you've been so swell about it.
01:15:58I wonder if that will be silly enough.
01:16:00Do you think so?
01:16:01On you, it looks good.
01:16:04Miss Hopper.
01:16:14Oh, Frances.
01:16:16Oh, there you are, darling.
01:16:22I beg your pardon?
01:16:24Oh, come now.
01:16:24Let's not be ridiculous.
01:16:26Why, I've been worried sick about you.
01:16:27Oh, please don't bother me, Sadan.
01:16:29I'm just about to leave.
01:16:30Well, after all, my dear, fun is fun, but this is becoming ludicrous.
01:16:33Your cab is here, ma'am.
01:16:34Oh, thank you.
01:16:35As your husband, may I be so nosy to inquire where you're going?
01:16:39Oh, I don't know.
01:16:40The Macombos.
01:16:41Maybe Seros.
01:16:43I don't know yet.
01:16:44Well, may I accompany you?
01:16:46Oh, I'm afraid not.
01:16:47You are hardly dressed for the occasion.
01:16:50Pass on.
01:16:54Don't crack, but she had me tell the cab company she wanted to go to 26 Canyon Drive.
01:16:58I have 26 Canyon Drive.
01:17:00Why, that's our home.
01:17:19First door to the right.
01:17:25Is this her, Tom?
01:17:26This is the girl, all right.
01:17:27How can you have me arrested when I haven't done anything?
01:17:28Now, wait a minute.
01:17:29Take it easy.
01:17:30Officer, do you mind if I have a few words with her?
01:17:32You wait right here.
01:17:33No, Tom.
01:17:38What is this all about?
01:17:40You know I didn't steal that ring.
01:17:42You gave it to me.
01:17:43No, but you did steal something else.
01:17:45The heart of a swell kid.
01:17:47Ken Smith.
01:17:49Is this your idea of humor?
01:17:51Bringing me all the way back here just to tell me that?
01:17:54I'm not trying to be funny.
01:17:55This is serious.
01:17:56Serious for both you kids.
01:17:58I don't see why you had to know anything about it.
01:18:01Well, inasmuch as I started this thing, I thought I'd help to bring it to a happy ending.
01:18:10I'm sure you meant well, Mr. Brenneman, but...
01:18:14Well, really, there isn't anything that can be done.
01:18:17And, after all, he knew I was engaged to somebody else.
01:18:21He knew the fellow you were engaged to married somebody else.
01:18:24That's what Ken knew.
01:18:28Oh, I don't know.
01:18:32Oh, let's be sensible about this thing, Dorothy.
01:18:35You're in love with Ken, and I know it.
01:18:37What makes you think so?
01:18:39Those tears.
01:18:48Here, honey, have one on me.
01:19:00Oh, gee, honey, the only reason I had you brought back.
01:19:02I want you kids to have the chance you're both entitled to.
01:19:08Where's Miss Larson?
01:19:09Inside with Mr. Brenneman.
01:19:10Why?
01:19:11What's the idea of arresting her?
01:19:12What did she do?
01:19:13Why?
01:19:13Are you a friend of hers?
01:19:14I sure am, and I'd like to know what this is all about.
01:19:16Hey, come here.
01:19:18Oh, you big phony.
01:19:19I'll show you.
01:19:20I'm here, you.
01:19:21Ken.
01:19:21Ken, stop it.
01:19:22He's only trying to help.
01:19:23What do you mean?
01:19:24It's all right, officer.
01:19:25Anything can happen in here.
01:19:26Usually does, too.
01:19:27I was told he had you arrested.
01:19:29He just had me brought back because you asked him to.
01:19:31Shall I take him outside?
01:19:32No, let him stay.
01:19:33The excitement's all over.
01:19:34This thing will settle down to a good old-fashioned family fight.
01:19:37Then you won't need me.
01:19:39No.
01:19:39Thank you very much, officer.
01:19:40You've done the mayor of Encino a great turn tonight.
01:19:42Not at all, your honor.
01:19:43Good night.
01:19:47I only asked him to talk to you.
01:19:49You wouldn't listen to me.
01:19:51Because I'm not interested in anything you're trying to say.
01:19:54Can't you get that through your head?
01:20:03Gee, I'm sorry, Mr. Brenneman, but gosh, now what do I do?
01:20:07The only thing a gentleman can do.
01:20:09Leave her alone?
01:20:10No.
01:20:11Give her a chance to change her mind.
01:20:12But she just walked out.
01:20:13Only to be followed.
01:20:15How do you figure that?
01:20:18Holy mackerel, am I dumb.
01:20:25Gee, I like to feel like that just one more day before I die.
01:20:54Dorothy.
01:20:56Yes?
01:20:57You forgot your pocketbook.
01:21:00Oh, so I did. Thanks.
01:21:02You're welcome.
01:21:04Could I talk to you a minute?
01:21:07Well, I...
01:21:07I wonder, could I do it while we're dancing?
01:21:55I wonder, could I do it while we're dancing?
01:21:59I wonder, could I do it while we're dancing?
01:22:29I'm old, I'm old, my love.
01:22:36Would you deny this heart that I have placed before you?
01:22:44I can't find another word with meaning so clear.
01:22:49My lips try to whisper sweeter things in your ear.
01:22:53But somehow or other, nothing sounds quite so dear as this soft-dressing word I know.
01:23:01Oh, amor, amor, mi amor.
01:23:09Nació de ti, nació de mí, de la esperanza.
01:23:18Amor, amor, mi amor.
01:23:26Nació de Dios para los los, nació del amor.
01:23:48If I had a wishing ring, I'd never ask for any worldly thing.
01:24:01No dream would be denied.
01:24:07And I'd be satisfied with all your love could bring.
01:24:17I'd be satisfied with all your love could bring.
01:24:23I'd be satisfied with all your love could bring.
01:24:35I'd be satisfied with all your love could bring.
01:24:35You know, I've been thinking.
01:24:38Yes?
01:24:39You're probably going to laugh.
01:24:42About what?
01:24:43About me.
01:24:44I figure, Joe, my age ought to start to think a little bit about serious things.
01:24:50Such as?
01:24:52Oh, you know, about the future and a lot of things.
01:24:57Like, uh, settling down and maybe someday having a home of your own.
01:25:04That sounds wonderful, Ken.
01:25:07You know what?
01:25:08You know what?
01:25:08I really need to make my post-war plan complete, don't you?
01:25:11No.
01:25:12What?
01:25:13You.
01:25:18Well, how about it?
01:25:21Bend your head over.
01:25:22I want to whisper something.
01:25:25You know, we've only known each other about 14 hours.
01:25:30You'll have to give me a little time to think it over.
01:25:33Okay.
01:25:35How long?
01:25:37Oh.
01:25:39Three or four minutes.
01:25:44Well, they kissed and I hope we'll live happily ever after.
01:25:48Oh, Mrs. Reed will be so happy to hear it.
01:25:50She's asleep now.
01:25:53Thank you for calling.
01:25:54Good night.
01:26:04Good night, Pop.
01:26:05Good night, Pop.
01:26:06Good night, girls.
01:26:06Good night.
01:26:08Gee, Pop, what a day.
01:26:10Well, you through for the night, Tom?
01:26:12Yeah, all through.
01:26:12Oh, say, Tom, I've been warned to tell you this.
01:26:15You know, me and Ma sure like your radio program.
01:26:19Oh, thanks, Pop.
01:26:20Look at that time.
01:26:21And me up at 5 a.m. in the morning.
01:26:23Yeah, some of them more gags and crazy hats and foolishness.
01:26:26Yes, and problems and heartaches and headaches and whatnot.
01:26:30Pop, by golly, that's what makes the world go round, eh?
01:26:32That's right.
01:26:33And me with it.
01:26:35Good night, Pop.
01:26:36Good night, Tom.
01:26:37You old scallywag, you.
01:26:41Mr. Gremmerman.
01:26:42Oh, no, not you.
01:26:44I just wanted to tell you that Miss Hopper sat on my penguin hat.
01:26:47Oh, that's too bad you weren't wearing it at the time.
01:26:49Oh, yes, but she gave me this one.
01:26:51Would you mind trying it on so I could tell my friends that you wore it?
01:26:58Oh, thank you, Mr. Gremmerman.
01:27:00You're welcome.
01:27:01Oh, you do kiss the ladies whose hats you try on, don't you?
01:27:06Oh, why not?
01:27:07Everything else has happened to me today.
01:27:10Thank you, Mr. Gremmerman.
01:27:12Oh, the name is Gremmerman, honey.
01:27:14Good night.
01:27:16Good night.
01:27:17Good night.
01:27:17Good night.
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