Step into the golden age of comedy with Going Wild, a refurbished classic movie filled with chaotic humor, mistaken identity, and vintage cinematic charm.
This hilarious 1930 comedy follows an ordinary man who unexpectedly becomes trapped in a series of absurd situations after pretending to be a skilled pilot. As confusion grows and panic takes over, the film delivers nonstop laughs through clever visual comedy and classic early-Hollywood storytelling.
Restored for modern viewers, Going Wild remains a delightful experience for fans of retro cinema, black-and-white classics, and timeless comedy adventures.
#GoingWild #ClassicComedy #VintageCinema #OldMovies #1930Movie #ClassicFilm #RetroComedy #RefurbishedMovie #BlackAndWhiteFilm #ClassicHollywood #ComedyMovie #VintageFilm #MovieHistory #SilentEra #RetroCinema #ClassicEntertainment #OldHollywood #HistoricCinema #TimelessComedy #ClassicMovieNight #FilmRestoration #VintageComedy #ClassicCinema #MovieLovers #RetroMovies #GoldenAgeCinema #HistoricFilm #ComedyClassic #OldSchoolComedy #ClassicMovieFans #FilmArchive #VintageEntertainment #ClassicStorytelling #RetroFilm #CinemaHistory #ClassicMovieCollection #HistoricComedy #MovieRestoration #LegendaryCinema #ClassicFilmLovers
This hilarious 1930 comedy follows an ordinary man who unexpectedly becomes trapped in a series of absurd situations after pretending to be a skilled pilot. As confusion grows and panic takes over, the film delivers nonstop laughs through clever visual comedy and classic early-Hollywood storytelling.
Restored for modern viewers, Going Wild remains a delightful experience for fans of retro cinema, black-and-white classics, and timeless comedy adventures.
#GoingWild #ClassicComedy #VintageCinema #OldMovies #1930Movie #ClassicFilm #RetroComedy #RefurbishedMovie #BlackAndWhiteFilm #ClassicHollywood #ComedyMovie #VintageFilm #MovieHistory #SilentEra #RetroCinema #ClassicEntertainment #OldHollywood #HistoricCinema #TimelessComedy #ClassicMovieNight #FilmRestoration #VintageComedy #ClassicCinema #MovieLovers #RetroMovies #GoldenAgeCinema #HistoricFilm #ComedyClassic #OldSchoolComedy #ClassicMovieFans #FilmArchive #VintageEntertainment #ClassicStorytelling #RetroFilm #CinemaHistory #ClassicMovieCollection #HistoricComedy #MovieRestoration #LegendaryCinema #ClassicFilmLovers
Category
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Short filmTranscript
00:00:00.
00:00:39THE END
00:01:15Oh, sir, something terrible has happened. We have a guest.
00:01:21What's that?
00:01:26Hey, who's the head man around here?
00:01:35What do you have, sister?
00:01:37Too early in the morning for me. I thought this was a hotel.
00:01:40Hotel? Two blocks down the street.
00:01:43Hey, wait a minute. It's a hotel.
00:01:48Well, make up your mind. Have you got a room?
00:01:52Have we got a room?
00:01:53Well, sir, we did have one someplace.
00:01:57Oh, wait a minute.
00:02:06How does it look?
00:02:07Not so encouraging, sir.
00:02:11Oh, whee!
00:02:13You're getting hot.
00:02:14You're telling me.
00:02:15There.
00:02:17Oh, yeah.
00:02:19We might let her have that one.
00:02:21How would you like a laundry?
00:02:23Now, just a minute.
00:02:25I'm not the sort of a person you can monkey with.
00:02:28Ah, but I don't want to monkey.
00:02:31I get what I want, and I've handled fresh clerks before.
00:02:35Now, I'm going to tell you just what you're up against.
00:02:39Do you know why I'm here?
00:02:41Now, I did know why you were here.
00:02:43Now, don't tell me.
00:02:44Ah, you're here to get a room.
00:02:46No.
00:02:48Kill a man.
00:02:49I beg your pardon.
00:02:51Unless he does the right thing with my kid sister, Genevieve.
00:02:53Oh, that's the way it is with you.
00:02:56That's the way it is with me.
00:02:58Now, do we play some more?
00:03:02Or do I get what I want?
00:03:04Sister, if I've got what you want, you've got what you want.
00:03:09Now, get that 418, that room there.
00:03:11Get the one with a red carpet.
00:03:13How do you look on a red carpet?
00:03:14Make it green.
00:03:14Make that a green carpet.
00:03:16Hey, boy, now go ahead.
00:03:17Now, get the grip there.
00:03:18Everybody, get the grip, boy.
00:03:30Now, get the grip, boy, now go ahead.
00:03:30Benton handles your plane pretty well, doesn't he, Rima?
00:03:34He's the greatest pilot in America.
00:03:36How about this Robert story that wrote Whatever Goes Up?
00:03:40Never saw him fly.
00:03:41But if he flies anything like he writes, he's a wonder.
00:03:44Yeah.
00:03:44By the way, got a pilot for the race yet, Howard?
00:03:48Why, I've got a couple coming up from San Diego this weekend
00:03:51to talk it over.
00:03:52Want to increase that bed of hours, say, to 10,000?
00:03:57Yes.
00:03:58Not too fast.
00:03:59Not too fast.
00:04:01Why, if I get the right kind of pilot, I'll talk to you.
00:04:04Anytime.
00:04:10Ruth!
00:04:11Oh!
00:04:12Look!
00:04:14What is it?
00:04:16Robert's story arrives at White Beach tomorrow.
00:04:19What?
00:04:19Tomorrow?
00:04:20Robert's story?
00:04:20Say, if you could get Robert's story to pilot the Blue Star, you'd make Mr. Reamer look silly.
00:04:26Oh, uh, that is with all due respect to you, Mr. Reamer.
00:04:31That's all right, Peggy.
00:04:32That's an idea, all right.
00:04:34Idea?
00:04:34It's an inspiration.
00:04:36And say, here's a bigger one.
00:04:37With Robert's story at Palm Inn, everybody at White Beach will leave their hotels flat and flock over to us.
00:04:43Is he really going to stay at the inn?
00:04:45Well, uh, he doesn't know it, but he is.
00:04:49Because he'll be met at the train by two irresistible gals.
00:04:53This don't sound so good for me.
00:04:56Oh, pardon.
00:05:03Say, Benton, this fellow Robert's story arrives tomorrow.
00:05:07Now, suppose Howard should persuade him to fly his plane.
00:05:10If I were you, I wouldn't worry about story.
00:05:12Well, I am.
00:05:13If Howard's plane beats me, it'll prove that my engine is obsolete, and that'll cost me plenty.
00:05:18I'm not afraid of story.
00:05:19I've read his book, and I'm betting he's a fake.
00:05:21Well, that's a thing to find out.
00:05:40What are you reading, Captain?
00:05:46Your receipt, please.
00:05:47Oh, from there, it's very easy.
00:05:50My receipt, please.
00:05:53Where's he from?
00:06:00Your receipt, please.
00:06:11There's your two, and two more.
00:06:15Well, that cures me.
00:06:17Me, too.
00:06:24I'll see your two, and two.
00:06:31Well, now let me see.
00:06:37I'll stay.
00:06:40There's your two, and I've bumped your two more.
00:06:42It's quite a part.
00:06:44How far are you fellas going?
00:06:46That all depends on you.
00:06:47On me?
00:06:48Mm-hmm.
00:06:49If you've got what I think you've got, we're going to San Diego.
00:06:52But if you've got what you're trying to make me think you've got,
00:06:55we'll be tossed off at the first water tank.
00:06:58I'll see your two, and up you four.
00:07:05Conductor.
00:07:06What?
00:07:07Oh, how do you do, Mr. Conductor?
00:07:09Very happy to know you.
00:07:10Try that for size.
00:07:12My name is Smith, Rollo Smith.
00:07:14And this is Mr. Lane's little boy, Jack.
00:07:16Nice day, isn't it?
00:07:17Or is it?
00:07:18I was just saying to Jack, I wonder if this conductor can be related to the conductors we used to
00:07:22know back on the old B&O.
00:07:24Never mind.
00:07:25Where are your tickets?
00:07:27Tickets.
00:07:28Oh, yes.
00:07:28Tickets.
00:07:30Jack, where are those tickets?
00:07:33Let me see now.
00:07:34Now, don't tell me you left them in your other pants.
00:07:37No tickets, huh?
00:07:38No.
00:07:39Would you consider cash?
00:07:41Have you got any?
00:07:42No, no, but we will have in just a minute.
00:07:45Do you mind running up to the baggage car and back?
00:07:47I'll stay right here.
00:07:49Well, all right.
00:07:50Suit yourself.
00:07:51But I'd love to think of you as being in the baggage car.
00:07:55I hate to do this to you, boys, really.
00:07:57Well, that's all right.
00:07:59Put those other ships in and I'll call you.
00:08:01You call.
00:08:02He calls.
00:08:03Well, there's one born every minute.
00:08:06Put them down.
00:08:08All red.
00:08:10Now about those tickets, conductor.
00:08:12Just a minute.
00:08:14Four little kings.
00:08:16What?
00:08:22Four kings, conductor.
00:08:24Yeah, I saw.
00:08:26What I ought to do is to stop the train right here and throw you lugs off.
00:08:30No.
00:08:30We're really not worth all that trouble.
00:08:32Get your luggage together and get ready to unload at White Beach.
00:08:38Be sure it's your luggage.
00:08:50Come on.
00:08:56Smart boy.
00:08:58Oh, stop squawking.
00:08:59We'll slip into an empty compartment and go right on to San Diego.
00:09:03Not me.
00:09:04Oh, no nerve, huh?
00:09:05Afraid to take a chance.
00:09:07Why don't you try to be big?
00:09:09Do big things.
00:09:11How can I do big things on an empty stomach?
00:09:14Oh, grab the cracker boxes.
00:09:23Just a little bit of heaven fell from out the sky one day.
00:09:28And it nestled and set up was a spot so far away.
00:09:34Sure, the sprinkle that was stardust just...
00:09:45What do you want?
00:09:46What do you want?
00:09:49What do you want?
00:09:51Oh, nothing.
00:09:52Just a couple of eggs and a side of bacon.
00:09:54If you don't get out of here, I'll call the conductor.
00:09:57Go right ahead.
00:09:58He's a pal of ours.
00:10:06What's this?
00:10:07Give me that.
00:10:08Well, well, well.
00:10:09If it ain't old Robert Story himself in the flesh a-peaking at us.
00:10:13Say hello to Uncle Robert, Jack.
00:10:16What?
00:10:17You Robert Story?
00:10:18Say, are you in luck?
00:10:20In luck?
00:10:21Sure.
00:10:22Sure.
00:10:22We're a newspaper reporter.
00:10:24The reporters?
00:10:24Oh, why did they come in here?
00:10:27I came to California for an arrest.
00:10:29To get away from newspapers and reporters and publicity.
00:10:32I don't want anybody to know where I am.
00:10:35There, there, there.
00:10:36Now, don't get excited.
00:10:37Maybe there's a way out of this.
00:10:40I'll agree to anything.
00:10:42If you'll just forget that you've ever seen me.
00:10:45I've got it.
00:10:45I've got it.
00:10:46We'll play a little game.
00:10:47A game?
00:10:48A delightful little game called Hush Money.
00:10:52Oh.
00:10:52You see, it's a lovely game.
00:10:55Lots of fun.
00:10:56Now, you look through your money, and if you see any that appears just the least bit hushy,
00:11:01we get it.
00:11:02You get it?
00:11:03Oh.
00:11:04I see.
00:11:06Ah, ah, ah, hush, hush.
00:11:09Yes, but how do you tell a hushy from the un-hushy?
00:11:13Well, it's all more or less hushy.
00:11:16But, of course, the big ones are the hushiest.
00:11:19Oh, Jack, look at all the hush on that one.
00:11:23That?
00:11:24Hmm.
00:11:25All right.
00:11:26Take it.
00:11:27Oh, you're a beautiful character.
00:11:30Jack, kiss him.
00:11:31White beach, Mr. Story.
00:11:36Don't give him a cent, Mr. Story.
00:11:39Out, lugs.
00:11:41Oh, boys, please.
00:11:43Please don't put anything in the paper about me.
00:11:45How are we going to put anything in the paper?
00:11:47We got fired last week.
00:12:19Not a soul knows you're coming, Uncle Robert.
00:12:22Porter, put my luggage back in my compartment.
00:12:25I'm going on to Sandy.
00:12:42Well, bye-bye, old pal.
00:12:45Thanks for the buggy ride.
00:12:55Porter, is Mr. Story on that car?
00:12:57I don't know, sir.
00:12:58I ain't seen any.
00:12:59Why, his wire said that he'd be on car 2182?
00:13:02Look again and make sure.
00:13:04It's better to be wired to me.
00:13:05It's been reserving the whole floor.
00:13:07It'll be hours before now.
00:13:09Look at that baggage.
00:13:10Oh, look, it's out here.
00:13:12Hey, that's funny.
00:13:21There goes our little playmate.
00:13:27Here he is.
00:13:28Here he is.
00:13:29Here who is?
00:13:31Oh, you can't fool me.
00:13:32You're Robert's story.
00:13:33There are your initials right there.
00:13:35Say, listen, he is...
00:13:37Don't try to fool a smart little girl like her.
00:13:39I was trying to sneak into town without being noticed.
00:13:42Why, the whole beach is here to meet you.
00:13:44Fancy that.
00:13:45Say, you have no idea what a surprise this is, Miss...
00:13:48Freeman.
00:13:49Peggy Freeman.
00:13:50And this is my chum, Miss Ruth Howard of the airplane, Howard.
00:13:54Glad to be among you.
00:13:55And girls, this is my manager, Jack Lane of the Shady Lanes.
00:14:00You take him.
00:14:01Huh?
00:14:01To the car, I mean.
00:14:05I say, you'll certainly have a lovely spot here.
00:14:08Yes, it's very nice.
00:14:10I've enjoyed it so much just coming.
00:14:12I'm from the breakers, Mr. Story.
00:14:14Right this way, sir, to your car.
00:14:15Breakers?
00:14:16Mr. Story is going to Paul Minns.
00:14:19But he made a reservation at the breakers and for an entire floor.
00:14:22I recall no reservations.
00:14:24Do you, Lane?
00:14:25Please say no.
00:14:26No.
00:14:26But he did.
00:14:27And we've been holding them at a tremendous cost.
00:14:30Well, pay the fellow, Lane, and bid him go.
00:14:32Oh, no, no.
00:14:33You don't have to do that.
00:14:34You don't have to do that, Lane.
00:14:35Just put your purse back in your pocket.
00:14:37No.
00:14:40Well, are you glad?
00:14:59Thank you so much, folks, for a wonderful reception.
00:15:04Oh, Mr. Story.
00:15:05Mr. Story.
00:15:06Yes.
00:15:07I can tell by your book.
00:15:08You just love the fly.
00:15:09Oh, yes.
00:15:10It's bread and water to me.
00:15:12Here we go.
00:15:14Lane, ah, ah.
00:15:15Lane, please.
00:15:17Let my public have its moment, please.
00:15:22Let my public have its moment.
00:15:36Run, let my public have its moment.
00:15:41Hello.
00:15:43Let's go.
00:15:46Let's go.
00:16:07There you are, little girl.
00:16:09Another penny in a hurry, boy.
00:16:11Will you want to grab mine too?
00:16:13Why, certainly, child.
00:16:14Certainly.
00:16:15Hmm.
00:16:17I'm sorry.
00:16:18I'm sorry.
00:16:18I'm sorry.
00:16:20There you are, little girl.
00:16:23Another pen, boy.
00:16:24Quickly.
00:16:25Oh, please write something exciting in mine for the story.
00:16:29Is it really true that you bagged a hundred planes in the wall?
00:16:32Two hundred.
00:16:33Half of them were so small I threw them back in.
00:16:52There you are, little girl.
00:16:56Another pen, boy.
00:16:57Quickly.
00:16:58Please.
00:17:12There you are, little girl.
00:17:15Another pen, boy.
00:17:16Quickly.
00:17:18You're interested in aviation?
00:17:20Oh, yes.
00:17:22Hmm.
00:17:27I never saw him before.
00:17:30Jonah.
00:17:32Hello, Howard.
00:17:33Hello, Rima.
00:17:35Get Story yet?
00:17:37I'll know tonight.
00:17:38Well, even though Story does pilot your plane, I might want to increase that bet.
00:17:44Well, if he does, you can name the amount.
00:17:47I'm sorry.
00:17:48The banquet tickets are all gone.
00:17:49We're just two.
00:17:50Sorry.
00:17:51Sold out.
00:17:52Not another room we'll have.
00:17:54No, no, no, no, no.
00:17:56Not at any price.
00:17:57I'm full.
00:17:58I'll say you are.
00:18:03Oh, Mr. Freeman, I just simply have to have a room.
00:18:07Mr. Story hasn't autographed me yet.
00:18:09Oh.
00:18:11Fred, boy.
00:18:13Put a cart in my office.
00:18:14Yes, sir.
00:18:20There you are, little girl.
00:18:24Another pen, quickly, boy.
00:18:26Hmm.
00:18:26You'll pardon my left hand, won't you?
00:18:28It's been a strain.
00:18:34There you are.
00:18:35That'll be all for the nuns.
00:18:37Mr. Story, you are the sweetest thing.
00:18:42Hmm.
00:18:42I think so, too.
00:18:44Madame.
00:18:46Oh, Mr. Story.
00:18:49Oh, my ladies.
00:18:53Just a moment, please.
00:18:55I'm going to take charge of Mr. Story.
00:18:58Now, you come right along with me into the garden.
00:19:00Why, of course.
00:19:02Ladies.
00:19:03Adios.
00:19:09Aren't women the past?
00:19:10Yes.
00:19:11They are a bit annoying at times.
00:19:13Oh, I imagine they must be.
00:19:14Yes.
00:19:16Are you comfy?
00:19:17Oh, yes, yes.
00:19:18Thank you so much.
00:19:19And now, I want you to rest up for your big speech.
00:19:23My speech?
00:19:24What speech?
00:19:26Why, the speech you're going to make at the banquet we're giving in your honor.
00:19:29Oh, oh, yes, of course.
00:19:31I wonder which one they would prefer to hear.
00:19:33The one about the traveling salesman and the farmer's daughter?
00:19:36Or maybe the one about the farmer coming to the city.
00:19:38Really, uh, Mr. Story, I think they'd rather hear all about your war exploits.
00:19:42Hmm.
00:19:43Any particular war?
00:19:45Oh, yes.
00:19:45Um, tell them some of those things you were telling me.
00:19:48You know about the time you shot down those six planes with one bullet.
00:19:51No, no.
00:19:52Sorry.
00:19:53Only four.
00:19:53I don't believe in lying.
00:19:55Hmm.
00:19:56And of course, everyone will want to know when you intend to make your first flight here
00:20:00at White Beach.
00:20:02My what?
00:20:04I'm afraid my first flight is a long ways off.
00:20:08Yes.
00:20:09A long ways off.
00:20:12Do you think your dad could be tricked into liking me?
00:20:15If you want dad to approve of you, help him win the race.
00:20:18That's the only thing any of us can think of now.
00:20:21It always comes back to that.
00:20:23Well, think how easy that is for you.
00:20:25If you tell Mr. Story to pilot the Blue Star, he'll have to do it, won't he?
00:20:30He might turn me down.
00:20:31He couldn't.
00:20:32You're his manager, don't you see?
00:20:35And that's the only thing that'll put me in solid with your dad.
00:20:38The present, yes.
00:20:40Now, you go find Mr. Story and command him to fly the Blue Star.
00:20:43I know he'll refuse.
00:20:45Well, if he refuses, resign.
00:20:47Understand?
00:20:48Resign.
00:20:49Tell Robert Story, if he knows what's good for him, to come here immediately.
00:20:54Yes, ma'am.
00:20:55And boy, if you know what's good for you, don't come back without him.
00:21:01Paging Mr. Story.
00:21:03Paging Mr. Story.
00:21:06Have you seen Mr. Story?
00:21:08No, I haven't, sir.
00:21:10Paging Mr. Story.
00:21:11Paging Mr. Story.
00:21:13Paging Mr. Story.
00:21:15There.
00:21:16That better?
00:21:17Much better, thank you.
00:21:22Oh, Mr. Story, please don't start that again.
00:21:26Why?
00:21:27Don't you like it?
00:21:28Not in a hammock, but in an airplane.
00:21:31Anything might happen.
00:21:33Well, my dear girl, what can happen in an airplane?
00:21:36You ask what can happen way up in the sky?
00:21:40I was only kidding.
00:21:42Just because I'm shy.
00:21:44Well, please don't mind yours truly.
00:21:47Well, what shall I do?
00:21:48Oh, tell me of your exploits.
00:21:50Oh, please don't ask me to.
00:21:52But telling me will give me such a thrill.
00:21:56Well, all right.
00:21:57I don't want to, but I will.
00:21:59Oh, good.
00:22:00I've been an aviator in wars you've never heard of.
00:22:05And I've come out on top.
00:22:07My hero.
00:22:09My deeds of daring bravery, I never speak a word of.
00:22:13Cause I hate talking shop.
00:22:15My hero.
00:22:18But once I flew from France to Paris, mid the shot and shell.
00:22:22Though I was sick, I shot the hull and 60 airships fell.
00:22:26Just imagine what I would have done had I been feeling well.
00:22:31My hero mine.
00:22:34Now, I have one desire.
00:22:36That's to go up there with you.
00:22:38Yeah, but suppose we catch on fire.
00:22:40Then what would you do?
00:22:41Now, I trust you completely.
00:22:44Yeah, but suppose there's rain and hail.
00:22:46One who's brave as you are is sure not to fail.
00:22:50Some few questions, though, I want made clear.
00:22:52Well, all right.
00:22:54Ask me any question you want, my dear.
00:22:57Now, suppose your rear transmission jams up your differential.
00:23:03I'd shoot the dog on sight.
00:23:05My hero.
00:23:07Now, if you lost your ignition and severed its potential.
00:23:12I'd stay up there all night.
00:23:14My hero.
00:23:16Tell me, does your propeller rattle?
00:23:18Is your nose alignment true?
00:23:20Please.
00:23:20Are all your joints well tested?
00:23:23Is your commutator new?
00:23:24Are you troubled with compression?
00:23:27No, I'm fine, thanks.
00:23:28How are you?
00:23:31My hero mine.
00:23:35Payton, Mr. Story.
00:23:37Payton, Mr. Story.
00:23:40Payton, Mr. Story.
00:23:41Oh, boy.
00:23:42Boy.
00:23:43Here you are.
00:23:45What is it?
00:23:46The lady in the lobby wished to see us, sir.
00:23:48Oh, a lady, huh?
00:23:49Oh, it's probably just another one of those thrill chasers.
00:23:52Yes.
00:23:53Kindly inform the lady that I don't meet ladies in lobbies.
00:23:56She says if you know what's good for her, you better...
00:23:58Hush, hush.
00:24:00You'll pardon me.
00:24:01I'll be back in just three or four jiffies.
00:24:03Oh, now, look.
00:24:04I've been trying to get you alone all evening, and just when I...
00:24:08Ah, that's all right.
00:24:09I'll be right back.
00:24:11It's probably just an old hammock made of mine, bearing gifts and good cheer.
00:24:16Auf Wiedersehen, Frau Lin.
00:24:19Lead on, boy.
00:24:29Oh, hello there, my boy.
00:24:31Say, listen, unconscious.
00:24:32If you know what's good for you...
00:24:34Wait a minute.
00:24:34Are you the young lady who sent for me?
00:24:36No.
00:24:37Then pardon me.
00:24:37I have an engagement.
00:24:41You've got an engagement with me to get out of this town, and quick.
00:24:44You make the most nonsensical suggestions.
00:24:47I'm serious.
00:24:48I don't mind telling you I'm in love.
00:24:50Well, what do you think it's going to get you telling me?
00:24:53Well, I'm not going to let her find out we're fakes.
00:24:55Say, speak for yourself, John.
00:24:57When it comes to love, I'm no fake.
00:25:00Do you realize there's a big air race here Saturday?
00:25:02Sure.
00:25:03I'm staying over for it.
00:25:05Oh, yeah?
00:25:06Mm-hmm.
00:25:06Do you realize they expect you to fly one of the planes?
00:25:08Well, what of it?
00:25:09I've never been in one.
00:25:11So how can I fly one?
00:25:13They'll find you out.
00:25:14Oh, no.
00:25:15Oh, no.
00:25:15They'll never find me out.
00:25:17I'm too good a liar.
00:25:19Say, the ladies say...
00:25:20Yes, yes, yes, yes.
00:25:21Lead on, my boy.
00:25:22Lead on.
00:25:24Do big things, Lane.
00:25:26Big things.
00:25:35Ah.
00:25:37Senorita.
00:25:38Do you know who I am?
00:25:40No.
00:25:41Do you know who I am?
00:25:42Yes.
00:25:43What?
00:25:44You are Robert Story and I'm Mae Bunch.
00:25:47It isn't my fault we haven't met.
00:25:49I missed you in New York by about five minutes.
00:25:52Good, good.
00:25:53I think I know some of the Bunch family.
00:25:55Yeah.
00:25:55As the grapes and the bananas.
00:25:57Oh, quite often the Bunch family and I have been together.
00:25:59Yes, you know one of my family too well.
00:26:01What do you enjoy?
00:26:02What do you intend to do about Genevieve?
00:26:04Genevieve?
00:26:05Well, I'll put $10 on her nose.
00:26:07What race is she in?
00:26:08Now, don't hand me that.
00:26:10I'm talking about my kid sister and you know it.
00:26:15Now, you write Genevieve a check for $10,000 and we'll forget it.
00:26:19But if you don't...
00:26:21Ah, there, old boy.
00:26:23Story, old boy.
00:26:24The banquet's all ready.
00:26:25I've been looking all over for you.
00:26:27Oh, yeah.
00:26:28The banquet?
00:26:28Oh, yes, the banquet.
00:26:30Well, I must join my banqueteers.
00:26:32You will pardon us.
00:26:35Oh, no, you don't.
00:26:37Now, don't worry about that little matter.
00:26:39I'll fix that up.
00:26:40When?
00:26:41Oh, soon.
00:26:42My first free moment.
00:26:45Well, if you don't, it will be your last free moment.
00:26:51Let us be up and doing.
00:27:00I wouldn't play around with that baby much.
00:27:03I don't intend to.
00:27:05She came down here to kill a man.
00:27:09You have the most uneven floors.
00:27:14Oh, Lane.
00:27:15I think we're going to take that little trip we were talking about.
00:27:18What?
00:27:19I say I...
00:27:20Hey, Story.
00:27:20Have a good time?
00:27:22It wasn't dull.
00:27:24An old hammock maid?
00:27:26No, no.
00:27:27Her sister.
00:27:28There.
00:27:44Ladies and gentlemen, from the rock-bound coast of Maine to the sunny shores of California...
00:27:52Oh, what of it.
00:27:55At 168 pounds, I have Mr. Robert Story.
00:28:02Come on, boy.
00:28:10Bye.
00:28:20Ladies and gentlemen, this is the biggest moment of my career.
00:28:24I wonder if you would like to hear the story of how a pair of pajamas saved my life when
00:28:29I was attached to the 94th Squadron at Chateau Theory.
00:28:36So many people have asked me how it came that Eddie Rickenbacker got one more plane in the war than
00:28:41I.
00:28:42Me.
00:28:43Than me.
00:28:45I.
00:28:47You know, Eddie?
00:28:49Eddie got 98 planes and I got 97.
00:28:52That's why he got more publicity in the war than I.
00:28:55Me.
00:28:57Than me.
00:28:58I and Eddie came into the ninth inning just before the armistice, neck and neck.
00:29:03So you can imagine my embarrassment when early one morning the enemy planes flew over our lines and I overslept.
00:29:10I had spent the night before at the home of a nearby farmer who had a beautiful daughter, Suzette.
00:29:15And I was very tired.
00:29:17There were two enemy planes flying around up there.
00:29:20Eddie, of course, being our second best ace, popped in his plane and took off.
00:29:25He got one of them all right.
00:29:27The other one banged a big hole through Eddie's wing and Eddie had to come down.
00:29:30My orderly came running for me.
00:29:32I threw a coat on over my pajamas, leaped in my plane and was off.
00:29:37Those pajamas, ladies and gentlemen, came from Paris.
00:29:41Beautiful they were, too.
00:29:43I can see them now.
00:29:45Big bright yellow sunflowers all over them.
00:29:48I could read by those pajamas.
00:29:51But this other fellow and I.
00:29:52Me?
00:29:54Me and him start popping away at one another.
00:29:56When all of a sudden my plane, the Nancy Lee, burst into flames.
00:29:59It was pretty ticklish business up there, 20,000 feet in a burning plane.
00:30:03But I was equal to it.
00:30:04I drove my plane alongside of his.
00:30:06Threw off my coat, crawled out of the wing of my plane and prepared to leap.
00:30:11To leap to his plane.
00:30:13Ah, you can imagine, ladies and gentlemen, what I was thinking of.
00:30:17Your neck?
00:30:19My mother.
00:30:21Then the big moment came.
00:30:23I leaped.
00:30:24Just as our planes came close together, my hands touched the other plane.
00:30:28I held on, up, over the side, into the plane.
00:30:31A big burly fellow confronts me.
00:30:33I struggle with him.
00:30:34I grab him by the throat.
00:30:35Like this.
00:30:37I grab him.
00:30:37I struggle.
00:30:38I struggle.
00:30:39And I push him back and back and back.
00:30:42And then slowly, with one brutal shove, I topple him out.
00:30:49It was war, ladies.
00:30:51A man's war.
00:30:53By this time, the plane is in a nosedive.
00:30:57I grab the wheel, straighten her out, and landed behind our own lines.
00:31:01Then what do you think happened?
00:31:03You wrote to your mother.
00:31:05There I was in an enemy plane.
00:31:07So naturally, my own men didn't recognize me.
00:31:10They opened fire.
00:31:11I stood up and waved with bullets, dodging bullets left and right.
00:31:15I stood up and waved.
00:31:16But in those pajamas, not a soul knew who I was.
00:31:21Word.
00:31:22Not a soul knew who I were.
00:31:25Just at that moment, Suzette dashed up with the morning milk.
00:31:28She took one look at those pajamas.
00:31:30It's Maggie's story, she screamed.
00:31:34And two days later, I got word that Eddie had bagged another plane.
00:31:39And that, ladies and gentlemen, is a story of how a pair of pajamas saved the life of a hero.
00:31:51Mr. Story, will you pardon an interruption?
00:31:55Not at all.
00:31:55Not at all, sir.
00:31:57I was attached to the 94th Squadron at Chateau Thierry.
00:32:00What's that?
00:32:01And I don't seem to recall you.
00:32:04You don't, huh?
00:32:05Well, suppose we make it mutual, sir.
00:32:07I don't seem to recall you.
00:32:10That's strange, isn't it?
00:32:12Well, there were a lot of mechanics and roustabouts attached to our squadron that I made it a point not
00:32:16to know.
00:32:17The social line was finally drawn in the old 94th.
00:32:21I hope you don't force me to denounce you as an imposter, Story.
00:32:24Oh, don't be an old copycat.
00:32:26I've already denounced you as an imposter.
00:32:28I think this is a terrible thing for Mr. Benton to do.
00:32:31So do I.
00:32:32Mr. Benton, you may leave the table.
00:32:36Tut-tut.
00:32:36We may as well have this out right now.
00:32:39Just a moment, please.
00:32:40As Mr. Story's manager, I naturally resent this slur.
00:32:44I should think you would.
00:32:45And as such an argument is far beneath Mr. Story's dignity,
00:32:48I'm taking the entire matter in my own hands.
00:32:51With your permission, Mr. Story.
00:32:52Leave it to him.
00:32:54As you will, Lane.
00:32:55Your insinuations, sir, are quite petty to say the least.
00:32:58Mr. Story is a man who does big things in a big way.
00:33:02You mean says big things in a big way.
00:33:06There's only one way for two great aviators like yourself and Mr. Story to settle this.
00:33:10And that is in the air.
00:33:16Therefore, as Mr. Story's manager, I beg to announce that he will pilot the Blue Star in the race on
00:33:21Saturday as your opponent.
00:33:28You beg to do what?
00:33:30I'm sorry to trouble you with such a small thing, Mr. Story.
00:33:33I should think you would be.
00:33:35I'm sure that this flight will silence forever.
00:33:38Will definitely end this controversy.
00:33:40Yeah, I know it will.
00:33:42Satisfactory to you, Mr. Benton?
00:33:45Quite.
00:33:50You're a darling.
00:33:53I'm proud of you, boy.
00:33:56Oh, it's wonderful.
00:33:57Wonderful.
00:33:58Haven't you anything to say?
00:34:00Yes.
00:34:01Remind me to write to my mother.
00:34:41It's nice to speak.
00:34:45Woo!
00:34:46Woo!
00:34:48Woo!
00:34:48Woo hm!
00:34:49Woo!
00:34:53Woo!
00:35:14Everything's great, wonderful, marvelous, magnificent.
00:35:17You're crazy.
00:35:18Get the other half back there, quick.
00:35:21The other half of what?
00:35:22The other half of me.
00:35:25Oh, look at that.
00:35:28Oh, help yourself a little.
00:35:29Oh.
00:35:31Oh.
00:35:31Jack.
00:35:32Jack.
00:35:34Oh.
00:35:35Well, there's nothing the matter with you.
00:35:37You're in fine shape.
00:35:38Yeah.
00:35:39Look at my shape.
00:35:40I'm all warped, bent, broke.
00:35:43Oh, I'm too happy to worry about that.
00:35:45I got everything straightened out tonight.
00:35:48Yeah, well, then straighten me out.
00:35:51Look out.
00:35:52Oh.
00:35:53Oh.
00:35:53Oh.
00:35:54Oh.
00:35:55Oh.
00:35:56Oh.
00:35:57How's that?
00:35:58Much better.
00:35:59She loves me.
00:36:01Who loves you?
00:36:02Ruth.
00:36:03Oh, yeah?
00:36:04Well, I love you, too.
00:36:06I'm mad about you.
00:36:08Kiss me.
00:36:11Listen.
00:36:12All we've got to do is to win that race.
00:36:15Oh, that's all we've got to do, huh?
00:36:17That's all.
00:36:17Well, that's enough.
00:36:19I'm through.
00:36:20No.
00:36:21Oh, no, you're not.
00:36:23Oh, yes, I am.
00:36:25You got me into a fine mess.
00:36:27I got you into a mess.
00:36:29Sure.
00:36:29Whose pajamas won the war?
00:36:31Who brought down 97 planes?
00:36:33Why, if I hadn't made all your lies good, they'd run you out of town.
00:36:35Oh, yeah?
00:36:36Well, I can run out of town without their help.
00:36:39Huh.
00:36:39Watch me.
00:36:47Say, don't you think you can leave me flat?
00:36:55Say, what's the idea?
00:36:57Give me that key.
00:36:58Not so fast.
00:36:59Anybody can learn how to fly.
00:37:01Why, there's nothing to it.
00:37:02Look at the millions of birds that fly every day.
00:37:05The little birds can do it.
00:37:06Why can't you?
00:37:07Give me that key.
00:37:09Listen.
00:37:09I've got everything fixed.
00:37:10There's a mechanic coming over in the morning who's going to show you how to take off.
00:37:14I found out about that.
00:37:16Good.
00:37:16Then that's all you need to know.
00:37:18This mechanic is going to bring a pilot over from Glendale who's going to ride in the plane with you,
00:37:21as a passenger.
00:37:22A weight handicap to Benton.
00:37:24That'll give you a chance to tell more lies, see?
00:37:26Yes, I see.
00:37:28Now, give me that key.
00:37:30The minute the plane's off the ground, the pilot will take it over.
00:37:33See?
00:37:34It's perfectly safe.
00:37:35And besides, you'll have a parachute.
00:37:38Don't mention parachutes.
00:37:41Guys.
00:37:44I'm scared to death of those darn things.
00:37:49You act like a baby.
00:37:51You don't want Peggy to know you're a coward, do you?
00:37:53Oh, I don't care.
00:37:54Why, of course you care.
00:37:55You're crazy about her and she's crazy about you.
00:37:58Well, I can't do her any good dead, can I?
00:38:01Sure you can.
00:38:02How?
00:38:03The insurance.
00:38:05Insurance?
00:38:06What insurance?
00:38:08Well, it's all fixed.
00:38:09We're taking off some insurance.
00:38:10The doctors are going to examine you in the morning.
00:38:12Well, nobody is going to examine me.
00:38:15The rules of the race require an examination.
00:38:16I'm just killing two birds with one stone.
00:38:19Well, I can't speak for the other bird, but you can count me out.
00:38:26I don't think you appreciate how good I am to you.
00:38:29Well, I fixed it so that Peggy's going to get half the insurance money.
00:38:33Oh, yeah?
00:38:34Well, who's going to get the other half?
00:38:36Well, I've got to get something out of this.
00:38:44Oh.
00:39:16Well, I've got my dad.
00:39:20I'm like it!
00:39:23No, I'm so sorry, all right?
00:39:26You know, my dad's picking up a gold, and I'm like how fast it is.
00:39:26It's just a good idea.
00:39:26It's not a good idea.
00:39:28It's asking the moon.
00:39:30Yes.
00:39:31Yes, and I don't need any help, thank you.
00:39:46It looks as though you're going to have help.
00:39:49I don't think his mind is on the moon.
00:39:51Oh, is that so?
00:39:55Ooh, Mr. Story, come on down.
00:40:00That's what I was doing.
00:40:10If that boy's scared, I'll take a bet he's trying to sneak out on us.
00:40:14Say, you wouldn't say that to Mr. Story's face.
00:40:17That's right.
00:40:18Let's hear you say it to my face.
00:40:19I said that you were...
00:40:21Never mind.
00:40:21I said that you were scared to death,
00:40:23that you were trying to sneak out of town.
00:40:26Ridiculous.
00:40:26Why, you don't think I'd be leaving town without my luggage, do you?
00:40:31Oh, Robert.
00:40:32Oh, are you hurt?
00:40:35Lane is always clowning.
00:40:37Cut it out now, Lane.
00:40:39I'm afraid Howard will have to get another pilot.
00:40:42Good night.
00:40:46Isn't it funny what jealousy will lead a man to say?
00:40:49There isn't any truth in what he said, is there?
00:40:52Mademoiselle.
00:40:57Promise me that you'll fly to win Saturday.
00:41:00All right, I'll fly to win, but don't be disappointed if you're disappointed.
00:41:06But you are confident now, aren't you?
00:41:08Mm-hmm.
00:41:09So confident that I'm going to take along a passenger just to make Benton look silly.
00:41:14Really?
00:41:14Then I'll be the passenger.
00:41:17What?
00:41:17I'll make my first flight with you.
00:41:21No, no.
00:41:22I don't think you'll do.
00:41:24You're afraid I haven't the nerve?
00:41:25No, no, it isn't that.
00:41:27You haven't the, uh...
00:41:29You haven't the, uh...
00:41:30The, uh...
00:41:31Peggy, what's going on down there?
00:41:35Nothing much, yet.
00:41:36You better come in.
00:41:38It's safer in here.
00:41:39I can take care of myself all right.
00:41:42Oh, I mean Peggy.
00:41:43Then I'll see you tomorrow?
00:41:47Tomorrow?
00:41:48Yes, that's...
00:41:49That's all right.
00:41:50But not Sunday.
00:41:53Well...
00:41:54Good night.
00:41:59Good night.
00:42:13Good night.
00:42:13Good night.
00:42:36Oh, folks, listen everybody. Mr. Story is on his way up in the elevator now. He'll be right here
00:42:58Everything's all right, Mr. Story. Step right this way
00:43:14We'll be ready in a moment, Mr. Story. No rush. Oh, how do you feel, Mr. Story? Weak but willing.
00:43:22He feels great
00:43:25Right this way, Mr. Story. Yes, sir
00:43:29This is a simple little test of sight and hearing. You won't have any trouble passing it. You think not,
00:43:35huh?
00:43:35Are there any traces of insanity in your family, Mr. Story? Insanity in our family?
00:43:41No, I guess not. Just to prove it. My Uncle George, who thought he was Napoleon, tried to hang himself
00:43:46one day in the barn.
00:43:48Father, who had the silly idea that he was Santa Claus, rushed out to save him.
00:43:52He says to Uncle George, he says, I won't save you, but if I can find another rope, I'll get
00:43:55up there with you.
00:43:56So Mother handed him the rope, while Aunt Harriet stood on her head in the corner and laughed herself to
00:44:01death.
00:44:03But there's no trace of insanity in our family.
00:44:06Uh-huh.
00:44:08Oh, just put down playful relatives.
00:44:11All ready for that little eye and ear test.
00:44:13Miss Baker, will you please manipulate the card?
00:44:16Yes, Doctor.
00:44:19Can you read that?
00:44:22No.
00:44:25That.
00:44:28I'll bet it's something easy like spatula.
00:44:31It's very easy.
00:44:33Can you read it now?
00:44:38Not yet, but it's an eight-letter word beginning with X.
00:44:45It's a B, you fool.
00:44:47I know it's a B, but I'm no fool.
00:44:50Do you hear this watch?
00:44:53What watch?
00:44:54Can you read it now?
00:44:56What's in it for me?
00:44:58Hear that?
00:45:00Did someone speak?
00:45:06You hear that?
00:45:07Yep.
00:45:09It's an Ingersoll.
00:45:18Echinococis ametocarpus, under the conjunctiva, slightly traumatic.
00:45:23There, you see?
00:45:24I can't fly.
00:45:26Why, that's nothing.
00:45:27That comes from starchy foods.
00:45:28Well, that's why I can't fly.
00:45:30Why, you don't know what starchy is.
00:45:32Oh, yes, I do.
00:45:33Tell me three things containing starch.
00:45:35Oh, I know, all right.
00:45:37All right, name me three containing starch.
00:45:40A collar and two cuffs.
00:45:43Right this way, Mr. Storey, please.
00:45:47You're gonna fall down on us, are you?
00:45:49Ah, cherish the thought, my dear fellow.
00:45:52Cherish the thought.
00:45:53You know that I can't see two feet in front of me.
00:45:58Now sit here, Mr. Storey.
00:46:00We want to test your heart.
00:46:02Oh, no you don't.
00:46:03Not my heart.
00:46:04It isn't working today.
00:46:05Not working?
00:46:07No.
00:46:07Say, sometimes, for weeks and weeks, my heart don't beat a stroke.
00:46:11Hmm.
00:46:11Well, I'll look into that.
00:46:13Please sit down.
00:46:14Well, all right, but be careful.
00:46:15My heart is easily broken.
00:46:17Hmm.
00:46:18Doctor, will you get the heartometer, please?
00:46:20Yes, just a moment, Doctor.
00:46:22First, I'll take a look at your tonsils.
00:46:24I see.
00:46:24Just to start off.
00:46:25Yes.
00:46:27Uh, open your mouth, please.
00:46:30Uh, just your mouth, Mr. Storey.
00:46:33That's better.
00:46:35Uh, this won't hurt you.
00:46:38Now say, ah.
00:46:40Ah.
00:46:42Once more, please.
00:46:43A little more flamboyantly.
00:46:47Ah.
00:46:47Ah.
00:46:50What tonsils?
00:46:52Have you ever been advised to have your tonsils out?
00:46:55Well, no.
00:46:56You have to look for a size to take out one.
00:46:59Exactly.
00:46:59And you take cold easily?
00:47:01Well, no.
00:47:03I don't have my lungs either.
00:47:04I thought so.
00:47:06Hmm.
00:47:06Uh, let me look.
00:47:07A little wider now.
00:47:10Oh.
00:47:12Lungs congested.
00:47:14And Mr. Storey.
00:47:16Ah.
00:47:17Fallen archers.
00:47:19Fallen archers, Mr. Storey.
00:47:21Yeah, come on, Arthur?
00:47:22Yes.
00:47:22Oh.
00:47:23Oh.
00:47:24Beg pardon.
00:47:25Everything's ready, Doctor.
00:47:27All right.
00:47:28Uh, uh, ground it there, Doctor, please.
00:47:33Uh, what did I do with that spoon?
00:47:36I swallowed it.
00:47:38Well, never mind.
00:47:39We'll get another one later.
00:47:42Get a knife and fork, too.
00:47:51Now, Mr. Storey, this is a simple little device
00:47:54that permits us to listen to your heartbeats
00:47:57through this amplifier here.
00:48:00I'll bet you a dollar I haven't even got a heart.
00:48:04Look out, huh, Doctor?
00:48:05Uh, hey.
00:48:06Now, turn it on, please.
00:48:17A little fast.
00:48:20Hmm.
00:48:22And a little irregular.
00:48:30What's that noise?
00:48:31What's that noise?
00:48:32What's that noise?
00:48:33Robby Hart.
00:48:33Uh, don't get excited, Mr. Storey.
00:48:37This is the worst case of hyperstatic thrombosis
00:48:40I've seen in 20 years.
00:48:44What does that mean?
00:48:45That means that I'm sick, huh?
00:48:47Oh, no.
00:49:01He has a leaky heart.
00:49:03He's a very sick man.
00:49:05Shut it off, Doctor.
00:49:06Now, that's what I told you, you see?
00:49:08All right, Mr. Storey.
00:49:11We'll attend to it.
00:49:12Come right along.
00:49:13Right over here.
00:49:13Right in, Mr. Storey.
00:49:15All right in.
00:49:16Now, Mr. Storey, we're going to give you
00:49:18the new stereoscopic gamma ray test.
00:49:21This will enable us to see right through you.
00:49:24How's the voltage, boys?
00:49:25It's pretty well up.
00:49:264,000 amps.
00:49:27That's right.
00:49:27Take it five.
00:49:29Is there a doctor in the crowd?
00:49:34Are you naturally nervous?
00:49:37Naturally not.
00:49:38This will tell.
00:49:40Hang on to yourself.
00:49:44Doctor, turn it on, please.
00:50:08How does it look?
00:50:10Not very good, Mr. Storey.
00:50:13That's fine.
00:50:15I see an extraneous object in there.
00:50:19Extraneous?
00:50:21Maybe that's that harmonica I lost last summer.
00:50:29You're shaking on purpose.
00:50:31If you don't like the way I shake,
00:50:33get in here and try it yourself.
00:50:37Get me out of here.
00:50:38I'm being barbecued.
00:50:40Doctor, turn it on, please.
00:50:43Right this way, Mr. Storey.
00:50:45What?
00:50:45More?
00:50:47Step right up, Mr. Storey.
00:50:48There's hardly a chance of getting hurt.
00:50:50Yes, you ought to like this one.
00:50:55We'll put the belt on, Mr. Storey,
00:50:56so you won't go out on your head.
00:51:00You'll find my will under the barn.
00:51:03Go on.
00:51:05Show him what you've got in you, Robert.
00:51:07I showed him what I've got in me over there.
00:51:09All ready, Mr. Storey.
00:51:11Remember, when the chair stops spinning,
00:51:13you should not be dizzy.
00:51:16I won't be.
00:51:17I'll be dead.
00:51:18Now, young lady, if you'll step back, please.
00:51:22All ready, go.
00:51:33Hey!
00:51:35Stop it!
00:51:37Come on, I don't know!
00:51:39Stop it!
00:51:40That's enough!
00:51:44Hey!
00:51:45Hey!
00:51:46Stop it!
00:51:47Stop it!
00:51:48You're breaking my neck!
00:51:49Hey, stop it!
00:51:50Come on.
00:51:50Come on.
00:51:51Come on.
00:51:58Let's go back like that.
00:52:00I took this night's lamp.
00:52:02Very fine little touch.
00:52:03Oh, Robert!
00:52:04They're there, you poor boy.
00:52:14Oh, you'll be all right.
00:52:16Don't pretend you're dizzy, dizzy.
00:52:51Oh, you're right!
00:52:51Pardon me.
00:52:52Oh, think nothing of it.
00:52:54I'm a little dizzy myself.
00:52:56Where am I?
00:52:57Here you are.
00:52:58Where?
00:52:59Right here.
00:53:00Robert! Robert!
00:53:03Robert!
00:53:04Oh, are you all right?
00:53:06Toppy, I floated down like a feather, didn't I tell you?
00:53:09Hey, listen, everybody, I got a great joke.
00:53:12Reaver's a sucker.
00:53:13I just made a little bet with him.
00:53:15Bat, what did you use for money?
00:53:17Oh, this, this is good.
00:53:19I bet our interest in the hotel against 25,000
00:53:22that Snorri would win the race.
00:53:25What? You did what?
00:53:27Isn't that soft?
00:53:28Well, Ricky, oh, no, no, you didn't.
00:53:31Why, it's all the way on in this world.
00:53:32Sure, but we can't lose.
00:53:34But Mr. Snorri isn't gonna fly the blue star.
00:53:37The doctor says he isn't in good enough physical condition.
00:53:39Wait a minute.
00:53:40You mean to say that your all is at stake?
00:53:43Everything.
00:53:44Your all in all?
00:53:45Our all in all in all.
00:53:48I defy the doctors.
00:53:50No one will ever say that a story
00:53:51would let a girl lose her all in all in all in all.
00:53:56I fly Saturday.
00:53:58Prepare the parachute.
00:54:01Oh, you're adorable.
00:54:04I'm absolutely scow-roo-y.
00:54:17Now then, you remember all I told you about taking off.
00:54:22Understand?
00:54:25Yes.
00:54:26And the minute you're off the ground,
00:54:28just tap Ferguson on the shoulder,
00:54:30and he'll take over the plane.
00:54:32Then I pull this.
00:54:33No.
00:54:34You don't need that with Ferguson.
00:54:36No.
00:54:36I count six and pull this.
00:54:39They're waiting for you.
00:54:40Ready to start.
00:54:42Already?
00:54:44So soon?
00:54:45Yeah.
00:54:46What's the matter?
00:54:47There.
00:54:48He's always a little bit nervous just before a flight.
00:54:51Oh, damn.
00:54:52I got something to fix up those old nerves.
00:54:54Come on.
00:54:57Come on.
00:55:02Come on.
00:55:04Hey, open the door.
00:55:05What's the idea?
00:55:07Open the door.
00:55:08This is Ferguson, the planet of the Blue Star.
00:55:11Come here.
00:55:12Come here.
00:55:15Come here.
00:55:16Let's go.
00:55:27Come here.
00:55:28Well, well, well.
00:55:29What's holding us up, men?
00:55:30Can't be waiting around here all day.
00:55:32Really?
00:55:33No, no, no, no, no.
00:55:34This is flying time, old boy.
00:55:35Now wait a minute, boys.
00:55:36I have to go up.
00:55:38Wonderful what a little tomato juice will do.
00:55:40What would he do behind a gallon?
00:55:43I'd drink it, boys.
00:55:44Hurry up.
00:55:45Mr. Benton's leg.
00:55:46Benton?
00:55:46Benton?
00:55:46Where is that guy?
00:55:47Let me at him.
00:55:48Let me at him.
00:55:49Take it easy.
00:55:49Don't hold.
00:55:50Wait a minute.
00:55:50Don't hold me.
00:55:51Bring on your Benton.
00:55:53Bring on your balloons.
00:55:54Give me altitude.
00:55:56Altitude.
00:56:08All right, old boy.
00:56:09Now, Rima.
00:56:11Yes?
00:56:11Are the conditions understood?
00:56:13Yes.
00:56:14The one that stays in the air the longer wins.
00:56:16And I know, Mr. Story.
00:56:18Oh, here comes Story now.
00:56:21Good luck to you, friend.
00:56:22Hope you run a close second.
00:56:24I see you've got your parachute with you.
00:56:26Don't worry about me.
00:56:27Worry about yourself.
00:56:28And don't get in my way, I'm telling you.
00:56:30Don't get in my way, or I'll slam you through a cloud.
00:56:34Come on, Mr. Story.
00:56:35Well, all right.
00:56:36Don't worry about anything, Mr. Howard.
00:56:38Everything is going to be all right.
00:56:39I know it will.
00:56:47In you go, boy.
00:56:48Wait a minute.
00:56:49Wait a minute.
00:56:49Don't rush me.
00:56:51Nip me, boy.
00:56:52Nip me.
00:56:52It's all gone.
00:56:53What?
00:56:54Come on.
00:56:54Go on.
00:56:55Get in.
00:56:55Hey, can I count on him?
00:56:57Sure.
00:56:57Just tap him on the shoulder.
00:56:59Okay.
00:57:03Attaboy.
00:57:05Contact!
00:57:07Okay!
00:57:08Wait a minute.
00:57:09Wait a minute.
00:57:09What's that noise?
00:57:11Sounds like a hurricane.
00:57:12Oh, it's coming to Priscilla.
00:57:13That's all right.
00:57:14Hey, where are you getting?
00:57:16Where are you going?
00:57:18I don't like it sounded cold.
00:57:20There's a catch of his...
00:57:23I'm rescue!
00:57:24I'm rescue!
00:57:25I'm rescue!
00:57:25I'm rescue!
00:57:25Mark!
00:57:26Robert's story gave me this check,
00:57:27and it's no good!
00:57:28I suspected it wouldn't be!
00:57:55One, two, three...
00:57:59One, two...
00:58:09Hey!
00:58:11Two, three...
00:58:13Two, three!
00:58:16One!
00:58:16One, two...
00:58:17Two, five.
00:58:18Two, three...
00:58:19That leads to ownership let's see.
00:58:21And a four key in this race...
00:58:28Oh, my God.
00:59:18Oh, my God.
00:59:41What's he trying to do?
00:59:42Look at him.
00:59:43Didn't I tell you Ferguson was a smart fella?
00:59:46Say, look at here.
00:59:47Ferguson!
00:59:48What?
00:59:48Say, what's coming off here?
00:59:50Who locked me in the closet inside the hangar?
00:59:52Locked you?
00:59:53Then who's in the plane?
00:59:55I know who it is.
00:59:56It's Peggy.
00:59:57Peggy?
00:59:58She always wanted to go off.
00:59:59She picked a fine time for it.
01:00:01Smart boy.
01:00:02Say, this will give Peggy the biggest kick.
01:00:05Isn't it great?
01:00:06It'll give Peggy the biggest kick there is.
01:00:33Oh, my God.
01:00:36Let's go.
01:01:15THE END
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01:03:46Let's go!
01:04:09There's a storm coming up!
01:04:11A few minutes more and we're on fire!
01:04:20Come on!
01:04:22Come on!
01:04:23Come on!
01:04:24Come on!
01:04:25Come on!
01:04:25Come on!
01:04:26Come on!
01:04:26Come on!
01:04:40Come on, man!
01:04:42Come on!
01:04:44Come on!
01:04:52Come on!
01:05:27I don't care how big a liar you are or what you are. I just know that any man who
01:05:33do what you did for me deserves a nice girl. Do you want me?
01:05:38I'm just crazy about you, Peggy, but I can't take advantage of you like that.
01:05:44Well, yes or no.
01:05:47All right. Peggy, I'm yours.
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