- 5 hours ago
Step back in time and experience the magic of Hollywood in the 1930s. This timeless classic takes you on a journey through the golden era of cinema, showcasing the charm, drama, and artistry of vintage Hollywood. Perfect for fans of classic films and film history enthusiasts.
Enjoy the elegance and nostalgia of old Hollywood with this carefully preserved classic movie.
Enjoy the elegance and nostalgia of old Hollywood with this carefully preserved classic movie.
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Short filmTranscript
00:00The
00:30This is a true story of a small-town girl who came to the big city.
00:57Let's start with her speeding along toward her dates with fate, wide-eyed with excitement.
01:06Ah, yes, I remember well this girl, then so naive and innocent, because this girl was me.
01:17Little did I suspect that bright day, the startling adventure just waiting to happen to me in the city ahead.
02:30I was so fascinated and frightened me.
02:39Mr. Hanson?
02:42Yes?
02:44You sent for me?
02:45Oh, yes, I did, Miss Sloan.
02:49I wanted to have a little talk with you.
02:53Very confidential.
02:55You see, for some time now, I've been thinking about you.
02:59Why, what would you be thinking about me?
03:01You'd be surprised.
03:03Oh.
03:04Why, Miss Sloan, you're not afraid of me, are you?
03:07Well, I guess I do have a kind of a reputation that frightens most girls in this town, but tell me, Miss Sloan, do you think I'm a big, bad wolf?
03:17Well, Miss Sloan, as I was saying, I've been thinking about you, and do you know what people in Hollywood do?
03:26I mean, do you know what actually goes on out there?
03:29Well, why?
03:30You don't know, Miss Sloan, because everything you read or hear about the movie city contradicts everything else you read or hear about it.
03:37Like this, for instance, today's paper.
03:40It's here on page one.
03:42There.
03:43It's here on page one.
03:44Hollywood investigator claims belly dancers perform nearly naked in swank strip spot.
03:50For this juicy item, screen star spits in critics' eye, scores bullseye.
03:55Now, these are the news headlines, but listen to what film fan reporter writes in her column.
04:00There.
04:02I've always found screen stars to be innately kind and polite.
04:06Now, I always thought anyone that spit in your eye was downright impolite.
04:10And this, no matter what scandalous tales you hear about our city, the truth is nothing unusual ever happens here.
04:19But take a look at this.
04:22Naked woman on motorcycle outraces police through streets near Hollywood.
04:27A naked dame racing bareback and bare everything else through the streets.
04:31I suppose that's not unusual for Hollywood.
04:34And listen to this sugar broadcast by Prunella Skipper.
04:45The movie actress Donna Sterling is just the sweetest girl I know.
04:52All her troubles have been due to her being just too generous to people, especially men.
04:59She just can't say no to anyone.
05:03Especially men.
05:04The poor, misunderstood child is rushing to the arms of her only true love in Las Vegas.
05:12Just as soon as she gets a divorce from her fifth husband in Reno.
05:17See what I mean?
05:19Here's a city that everybody wants to read about, hear about.
05:22But everything you hear about it is contradictory.
05:24What kind of place actually is Hollywood?
05:27That's what everybody in Greenfield and everywhere else would really like to know.
05:32So give them the answer.
05:33The real lowdown with no punches pulled and I'll bet we'd double the star time circulation.
05:38That's why I've decided to send someone out there to write a series of articles for us.
05:42The facts, you understand.
05:44And whatever that is, good or bad, we're going to print it.
05:49It should be sensational.
05:50Yes, go to Hollywood and find out.
05:56Actually, do yourself everything they do out there.
06:00You know what I mean?
06:02Me?
06:03Why not?
06:04You have all the equipment necessary for the job.
06:08But I wouldn't know how.
06:12I'm confident there'll be plenty of applicants to teach you how.
06:17But I haven't had any experience.
06:19I'll bet you won't say that when you come back.
06:24Well, Mr. Hanson's words had made me curious.
06:28I turned and raced back to the car, anxious to get down to the city below and discover just what might happen there.
06:39Hmm.
06:40If I'd have only known.
06:46Thirty-six hours later, I was typing my first article.
06:50For I felt sure what had already happened to me would surprise readers of the Greenfield Star Times.
06:56I headed it, my first day in the land of make-believe.
07:09Like most people who come to Hollywood, my first thought upon arrival was,
07:14Where could I see the movie stars?
07:21The simplest way might be to get one of the movie maps advertised along Sunset Boulevard.
07:26From a quaint old character, I purchased one.
07:29Guaranteed to list the home addresses of 300 movie celebrities.
07:34And so, I set out to see the stars.
07:41You think all these glamour boys and girls live on vast estates?
07:49Ha!
07:56According to my map, most of their homes were on out-of-the-way streets.
08:02And nobody I asked had the slightest idea just where.
08:05The houses listed were hardly the type I had anticipated.
08:16And anyway, even people in Greenfield weren't going to get too excited
08:21By hearing I'd seen the spot where Joe Starr hung his hat.
08:29But I decided, then and there,
08:32Whatever I had to do to thrill my readers,
08:37I would do.
08:43My first adventure, however, happened by accident.
08:51Somehow, I got lost in the Hollywood Hill.
08:55Looking for someone to give me directions,
08:57I saw a strange figure.
08:59I waved.
09:00Whoever, whatever it was,
09:04Disappeared behind a high stone wall.
09:08Curious, I got out of my car.
09:11The place had a foreboding look.
09:15But I was lost.
09:17Anyway, I was seeking strange experiences.
09:20This looked like a place where you would certainly find them.
09:23My woman's curiosity urged me to go on.
09:35My feet kept wanting to turn back.
09:38Somehow, the place was weird.
09:50A perfect setting for ghouls and ghosts and horrible happenings.
09:58And I had a strong premonition that something awful was about to happen to me.
10:12Wherever I looked, I could find no one.
10:14But I could feel hidden eyes fastened on my every movement.
10:20It was a creepy place.
10:31Also, not one for high-heeled shoes.
10:34I tried to act calmly,
10:42But inside, my nerves were whipping up a small-sized panic.
10:51Suddenly, something jumped up in the bushes behind me.
10:54I screamed.
10:55Now, I was frightened.
11:01It seemed I had stumbled into the ruins of an old castle.
11:06A haunted castle.
11:10I ran until I lost my breath.
11:12And then I saw a thing.
11:18Where was the gate?
11:25I was running around wildly, trying to find it.
11:29When I stumbled and fell flat.
11:34I lay there, afraid to look up,
11:37Because I heard the sound of feet closing in on me.
11:41When I did look up,
11:43A fence of legs encircled me.
11:46And the tallest man I had ever seen,
11:54Towered over me.
11:59The man motioned for me to get up.
12:07I saw now that the legs
12:09Belonged to some very pretty girls.
12:11Even the hideous head that had scared me
12:14Was only a mask for a beautiful girl.
12:19A few words made me understand everything.
12:23I had happened onto a studio ranch
12:25Used by photographers and cameramen
12:28Who make the artistic type of photos and films.
12:38These girls were a group of models
12:40Who posed for them.
12:41They had hidden at my approach
12:44Because onlookers were usually a nuisance.
12:54Since they had not been able to scare me away, however,
12:57Everyone went back to work.
12:59There were several groups of professional photographers around.
13:11But, as one of the models pointed out,
13:16Some of the photographers
13:17Used the picture making gag
13:20Just as an excuse to get acquainted with
13:23And ogle girls.
13:24Sometimes they had film in their camera.
13:37Sometimes not.
13:38Later, promising to stay out of camera range,
13:50I wondered about
13:51Looking at different groups at work.
13:54In one secluded spot,
14:02An artist was dobbing at a canvas.
14:04After a while, the artist had an idea.
14:15And his idea,
14:17He should paint less
14:20Of the model's costume
14:22And more
14:23Of the model's.
14:25And then the artist began to get the same idea again.
14:27And then the artist began to get the same idea again.
14:29And then the artist began to get the same idea again.
14:45And then the artist began to get the same idea again.
14:55He should paint.
14:58He should take less of the model's costume and even more of her.
15:28Well, that same idea just kept coming back to the artist.
15:44But at last the model said, wait a minute, just what kind of a painting is this masterpiece
16:00of yours?
16:05And then she saw what she had been posing for.
16:09Well, this artist would either have to improve his art or find a model with less temper.
16:22Between posing scenes, the model sought out hideaway corners in which to sunday.
16:30And even all over tan was particularly desirable for color shots, they told me.
16:38I made notes of what I saw.
16:52But the startling beauty of one flame-haired model had me fumbling for adjectives.
16:57Enumerable young peacocks roamed all over the ranch.
17:12And this girl threw breadcrumbs to them.
17:28But the peacocks refused to come near enough for her to pet them.
17:33As one photographer exclaimed, silly birds.
17:41This model, I learned later, was Linnell, top favorite among the lens men who do covers for magazines.
17:58Her fiery golden hair, falling down over her cream-white body, resulted in the most sensational color shots.
18:11Rays of the sun were beaming down now, and when I saw one of the girls doing a scene for a movie, well, I had spent a very interesting afternoon watching the production of artistic photos and films.
18:36The gorgeous girl type of pictures that feature and star and immortalized glamour, winging their way out from the cinema city to thrill and delight the whole world.
18:51As I was leaving, the tall photographer handed me his card.
19:03He said he could use me as a model.
19:06But I was still a little afraid of him.
19:09The third day I was in Hollywood, I received an envelope marked very personal.
19:16The letter inside invited me to some very special entertainment, to a show you could see only in Paris, or at this French Follies Theatre.
19:25To ensure admittance, I took the letter and two dollars, and found on arrival, the show had already started.
19:32I was already starved.
20:02De caballeros y de sombreros, when she goes dancing by, and she goes, she loyed like tequila,
20:15then it's me la, ay, ay, ay, ay, ay, ay, she can bamba, she can bamba, she can bamba,
20:22she can bamba, she can bamba, she can bamba, she can bamba, she can bamba, she can sing chiquita
20:26y un buñol, dulcita, señorica, maraca pro caraca, me invita margarita, tambonita, muñequita, saca, pus maraca, vino amo, pa caraca.
20:39She pro caraca?
20:41Sí.
20:43I think.
20:56After the opening production number, there followed a number of alleged comics and comedy acts,
21:08most of which were about as funny as a contagious disease.
21:20And then, several dancers.
21:23This was dancing.
21:44But there was one number quite different.
21:53The End
21:54The End
21:55The End
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21:57THE END
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25:58THE END
26:01THE END
26:02THE END
26:03song. My Adventures in Hollywood by Darla Sloan. All right, Darla, I'll read what you wrote and did.
26:17After seeing the girls at the French show toss aside all their garments, I convinced myself I
26:23might be able to take off a few. So I made a date and went over to pose for the photographer I had
26:30met at the ranch. He explained that here at his studio, he made all types of photos. He showed me
26:40photos of what he called girls in costume. They looked to me more like girls out of costume.
26:49Then tall Tom wondered how my legs would photograph.
26:53My way of showing them proved unsatisfactory. Higher, he said, I want to see your legs,
27:02not just your feet.
27:10To change into a costume, he sent me behind a small screen.
27:14While I was changing, I kept thinking back to the day at the ranch, when I had looked up and
27:25first seen this tall Tom towering over me.
27:32I began to wonder just what he had in mind now. I had heard stories about photographers.
27:39There was something sinister about this fellow.
27:51We, too, were here in his studio, alone.
27:55I peeked out again. His back was toward me, and then he turned and saw me.
28:15He started coming toward me. He came nearer, nearer, nearer.
28:22Oh. And then he said, here, wear these stockings.
28:34My behavior must have been strange to him as his actions were to me.
28:42The outfit for the first photos actually wasn't too brief.
28:45But for some reason, I felt as if I were trying to hide behind three postage stamps.
29:02Tall Tom finally pulled out a pair of dark glasses and assured me that wearing them,
29:07he was practically blind.
29:09After getting me into a pose, he wanted me to smile.
29:27I looked about as pleasant as if I were making a date with a dentist.
29:30Finally, he promoted a fair expression by having me say, cheese.
29:43Maybe this is how they started calling this kind of photography, cheesecake.
29:47When he said he wanted an Indian pose, I had one idea.
30:02But his was entirely different.
30:09Well, if Minnehaha ever posed this way,
30:12it must have been when she was loaded with fire water.
30:22But even after he snapped it,
30:24Tall Tom still called this an Indian pose.
30:27And the photographer and two male customers
30:29all had asked me for a date.
30:34Well, after reading this,
30:36I'd say that when you went back to Greenfield,
30:38all the women will hate you,
30:40but all the men will want to date you.
30:47I wonder what Mr. Hanson,
30:49he's our editor,
30:50I wonder what he'll think of me.
30:55I wonder what you think of Mr. Hanson.
30:58He's the type of man that makes you not know what to think.
31:01He's handsome, but not too.
31:04There's something about the way he says things to you.
31:07And the way he looks at you,
31:10it makes you feel so funny.
31:14Did you ever feel as if you'd swallowed an electric vibrator?
31:18Hmm.
31:20Oh, no.
31:21But I wouldn't mind to meet this Mr. Hanson.
31:24As the slang saying goes,
31:26he must be quite charged.
31:29Well, yes.
31:30I guess you could say that.
31:34Hmm.
31:35Hmm.
31:37Hey, who's the lassie with a cute chansy?
31:42Use this in a four-column spread over a Dollar Sloan's article.
31:45Here.
31:47Yeah.
31:48So that's how Dollar Sloan looks.
31:52No wonder so many interesting things happen for her to write about.
31:54Yes, I guess she's getting plenty of experience.
31:58I read all of her articles.
32:00You know, here in Greenfield,
32:01you've got to get your excitement secondhand.
32:04Believe me, boss,
32:06if what she writes
32:07actually happens,
32:09in Hollywood, she's good.
32:11She was good here, too.
32:15I wonder what she'll do next.
32:19I wonder.
32:21Well, Mr. Hanson might have been surprised to know
32:24I was thinking of answering a lonely heart ad.
32:27Not the one who wanted a perfect mate.
32:32And I couldn't help the handsome man
32:34who needed a wealthy wife.
32:36But Mr. Sophisticate,
32:39who wanted to show some girl a wonderful evening.
32:44He might be just the escort
32:46to show me around some unusual night spots.
32:49Somehow, his voice was not quite what I expected.
33:01But he was eager.
33:05One thing I never learned to do.
33:07Smoke.
33:08For this date, though,
33:10I wanted to appear worldly wise.
33:14But as usual,
33:15one drag and I felt as if I were drowning.
33:18Oh, well,
33:19I would just have to act
33:21as if I'd been around.
33:23The bell buzzed.
33:24I primped myself.
33:27Went to the door.
33:29Opened it.
33:32And there was Mr. Sophisticate.
33:48With a snoot full of water,
33:49I asked this character
33:50if he wanted me to take his hat.
33:52So...
33:57It seems in his hat,
34:03he brought his own lunch.
34:09Oh, this boy was a card.
34:11I bet he'd have been the life of a party
34:16somewhere back in the gay 90s.
34:19And that's where he should have been.
34:22He was full of tricks.
34:26And he punctuated each one
34:28with a jab in the ribs.
34:29Did I know he made big money?
34:36He showed me.
34:38Big money.
34:40Rib jab.
34:45I made the mistake
34:46of being coaxed
34:47to look at his lapel flower.
34:49But I was ready
34:50for his next rib jab.
34:52This literally
34:57had him rolling
34:58on the floor.
35:04Next,
35:05had I ever seen
35:06the three stooges?
35:07You know,
35:08one butted the other
35:08with his head.
35:09The second kicked
35:10the first in the pants.
35:13Foolishly,
35:13I asked what the third did.
35:17Mr. Sophisticate
35:18showed me.
35:22By now,
35:28I figured out
35:29a little game myself.
35:32It started out
35:33sort of simple-like.
35:35Maybe that's why
35:36my newfound pal
35:37immediately took to it.
35:39But as my game progressed,
35:53it became a little
35:54more complicated.
36:00Old rib jabber
36:01told me he had never
36:02tried this blind man's
36:04waltz before.
36:05But it was nothing
36:07but fun.
36:09I told him
36:10I knew he'd get
36:11a kick out of it.
36:16And he was
36:17Mr. Sophisticate?
36:23I crossed Mr. Sophisticate
36:25definitely off my list.
36:26But another ad
36:30caught my eye.
36:32Well,
36:34I wonder how
36:35it would be
36:35to have a date
36:36with a
36:36Hollywood actor.
36:43The next evening,
36:44though,
36:44when the buzzer
36:45sounded,
36:46I had almost
36:47decided not
36:48to answer it.
36:52But I knew
36:53he was completely
36:54different from
36:55Mr. Sophisticate.
36:56The moment
36:57he stepped
36:57inside the door
36:58and said,
37:01I am
37:02Sir Reginald
37:03Reginald.
37:05Uh,
37:05Mr.
37:06Sir Reginald,
37:08uh,
37:09won't you
37:10sit down?
37:10You may
37:11call me
37:12by my
37:12first name.
37:26Sir Reginald,
37:38Sir Reginald,
37:40uh,
37:41your advertisement
37:42states that you're
37:43in the theatrical
37:43profession.
37:44Sir,
37:45yes.
37:46I'm a thespian,
37:47an actor,
37:48you understand,
37:49from the theater,
37:50good cinema theater.
37:53Ah,
37:54you should have
37:54seen me in Shakespeare.
37:59To be,
38:00or not to be,
38:03that is the question.
38:05Whether it is
38:06nobler in the mind
38:08who...
38:08But now you're
38:08in pictures.
38:09Dad,
38:10yes.
38:11All day I've been
38:12performing in some
38:13shallow drama.
38:15Oh,
38:15uh,
38:15Western.
38:17Uh,
38:17what part did you play?
38:19The line was,
38:20uh,
38:20they went that-a-way.
38:22It's five different
38:23characters
38:23in five different
38:25make-ups.
38:25I said,
38:26oh,
38:26they went that way!
38:29I think that
38:30they went that way.
38:33Oh,
38:33I don't find it,
38:34though,
38:34but,
38:35uh,
38:35I think they went
38:36that way.
38:39I don't know,
38:40but,
38:41uh,
38:41they went
38:42that way,
38:43I think.
38:47The ordinary voice
38:48is losing
38:48its resonance.
38:50Uh,
38:51you,
38:52uh,
38:52don't happen to have
38:53something to drink,
38:54have you?
38:54Would you like
38:55a drink of water?
38:57My dear,
38:57I want a drink,
38:58not bathed.
39:02A previous tenant
39:03had generously
39:04left behind
39:05two bottles of wine
39:06in the refrigerator.
39:07I proudly brought forth
39:09one for Sir Reginald.
39:10He looked
39:11at the label,
39:13muttered something
39:13about domestic.
39:19Maybe it was
39:20because the wine
39:21wasn't imported.
39:22Anyway,
39:23that boy had a way
39:24of drinking
39:25without tasting.
39:30Well,
39:30I got one,
39:31too.
39:32but I soon found,
39:42no matter how
39:43I did it,
39:44I couldn't empty
39:45glasses as fast
39:46as my noble friend.
39:51Sir Reginald
39:52finished the first
39:53bottle in a breeze.
39:54The second bottle
39:58about finished
39:59Sir Reginald.
40:05And worst of all,
40:07old demon rum
40:08began to bring forth
40:09in Ye Olde Thespian
40:11all the different
40:12characters he had ever
40:13played.
40:14And then Chico
40:18falls to the floor
40:19and he disappears
40:21for a second
40:22and then I come up
40:23into my amazing scene.
40:25Dr. Bang!
40:28Oh, my dear,
40:30if you could see me now.
40:32I played everything,
40:37even animals.
40:46Perhaps you saw me
40:48as the Avenger
40:50through the sun's fury.
40:53Oh, what a scene.
40:56The sort of thing
40:57the audiences love.
40:59I beat the heroine
41:02for two reals.
41:04What a romantic scene.
41:12I really beat her,
41:14you understand,
41:16for two full reals.
41:21How did those lines go?
41:24Die.
41:25But last,
41:26me proud beauty.
41:28Die, the Avengers.
41:29Come uncovered,
41:32your treachery.
41:34With a hundred lashes
41:36of the whip,
41:38I'll wipe out
41:39your disgrace.
41:45Die, yes.
41:46She ran from me,
41:48but I was after her.
41:52And now,
41:53in punishment
41:54for your perfidiousness.
41:55Die, you foxy wench.
42:07This what makes me duty
42:09more exciting.
42:16Die, Cinderella.
42:18Die, you foxy wench.
42:19Peter, but fool, fool,
42:23reals.
42:24Stop twisting and turning
42:26and ruining the scene.
42:29Peter, fool, fool,
42:31reals.
42:33Until I was completely done in.
42:39Very exhausting scene
42:41on me.
42:42You understand?
42:43You understand?
42:44I finally went to a nightclub
42:54with a gentleman
42:55who advertised himself
42:56as safe and sound.
42:59Well, anyway,
43:00he was safe.
43:00His hearing wasn't so good,
43:06but when they introduced
43:08the exotic dancer,
43:09Naomi,
43:10you could see Pop's eyesight
43:12was still sharp.
43:13I finally went to a nightclub.
43:15Thank you for listening.
43:22After Miss Naomi's artistic effort,
43:50I noticed a couple near our table.
43:52Having a difference of opinion about a subject most popular in Hollywood, legs.
44:04They moved away and I forgot them.
44:08Another act was being introduced on the stage.
44:15When Pops found the next act was not an exotic dancer, he lost all interest in the show.
44:22Well, with my escort falling asleep in my face, maybe this was the time to be nonchalant and light up a cigarette.
44:33But if a lady couldn't act nonchalant she could at least always go powder her nose.
44:45Approaching the nose powdering department, I saw the couple which had been arguing near our table.
44:57One of them asked me for a cigarette.
45:08I might as well give them away, I couldn't enjoy them myself.
45:20The fellow explained the two of them were arguing about whether his friend, Janay, had better than average legs.
45:34To decide the argument, he wanted me to match legs.
45:45By now, I had gotten used to the gag, let's see your legs, or higher, I want to see your legs, not your feet.
45:55Anyway, the fellow voted mine better.
45:59Janay assured him he'd lost his eyesight, and I thought I had lost mine when I saw what Janay used for an ashtray.
46:07And then Janay explained what I should have known from the start.
46:11He was an impersonator, working in the show.
46:16No wonder I choked on my cigarette this time.
46:29You know something? He made a better looking woman than I did.
46:36Here's today's edition, Chief. Hot off the press.
46:40You'll find Ms. Sloan's article on the fourth page.
46:44Oh yes, there it is. We're running her picture heading the article now, just like you ordered.
46:49She certainly is a delectable looking dish.
46:53Out there in the wild and woolly west, she must be having a wonderful time.
46:57Yes, but I'm not so sure that she should be out there all by herself.
47:02From what she writes, I don't think she's ever all by herself.
47:06I mean nobody from here went with her, is out there to watch her, watch over her.
47:11I'm beginning to wonder if I should have sent her out there all along.
47:16In fact, why should I have sent her out, period?
47:22Pierre Martine was a nervous little man who had a wholesale lingerie house.
47:27He brought buyers here to view his showings of new styles.
47:32Modeling for him, I thought I might find some rare experiences.
47:37I did.
47:44It was nothing unusual for the excitable Pierre to stick two cigarettes in the customer's mouth
47:52and light both of them.
47:58One reason for Pierre's fluster was that we girls in the dressing room were never ready to start the shows on time.
48:04The men are here waking, girls!
48:10Say, isn't it funny the buyers are always men?
48:15Oh, it's not so strange the stores send men buyers here.
48:19After all, the kind of lingerie men go for.
48:23That's the kind women should buy.
48:25Girls, let's go with the first number.
48:36How long will you be?
48:37Five or four minutes.
48:38Oh, no.
48:40I wonder what makes people excitable all the time.
48:43Probably working around all this lingerie.
48:45Make way for the body is beautiful.
48:52You should have been parading around out there five minutes ago.
48:56You mean for something so wonderful they can't wait five minutes?
49:01The way she's always claiming what a shape she has.
49:04You'd think she had my body.
49:07You'd better hurry, Jean.
49:08You follow me.
49:10I've always found that easy.
49:12Dreamer.
49:13Well, girl, here I go.
49:18No matter how impatient the buyers had become,
49:21the sight of Francine, displaying Pierre's creations, always had a soothing effect on him.
49:37This girl was good.
49:42Oh, girl.
49:45No matter what, she was not, she was me.
49:48I am never thinking but her.
49:50She used to love her even in beingugo.
49:53I'm dead.
49:54Baby, of course, she drinks him a deep night.
49:56Once they're dancing, one more time.
49:58You are such a sort of creature of percent.
50:00Really good morning, Michael.
50:03Please join me in the nhưjum fat.
50:05You're such a sort.
50:07And I'm dying now.
50:07You're just a sweet one.
50:09You're such a sort of dove.
50:10Jean may or may not have been joking about being able to follow Francine in anything.
50:20But her appearance in the sweetheart lingerie set certainly sustained interest in the show.
50:40As the girls modeled, the buyers discussed figures, both kinds.
50:56Wanda had an original way of modeling.
51:01She just went into a dance routine, upon which the buyers' eyes would usually spin around like pinwheels.
51:10A short-length nightie was my first contribution to the showing.
51:31After saying goodnight, I blew off the candle and this closed the first half of our little show.
51:49I wonder if most of the buyers come in to buy or just to look.
51:51Why, dearie, don't tell me you're the type of candle.
51:58I wonder if most of the buyers come in to buy or just to look.
52:05Why, dearie, don't tell me you're the type of mind's men looking at you.
52:12Why, the two days that you've been here, you must have had a dozen men ask for your phone number.
52:17Or maybe the shrinking violet routine is what gets them.
52:21Yes, I'll have to try.
52:23I'll have to convince men that I'm so very, very nice.
52:26I've got news for you.
52:27You're not that good an actress.
52:33The curtains opened up on Wanda for the second half of our little offering.
52:40Beautiful and black, wafting fragrance about.
52:47She could dance, too.
52:50She could dance, too.
52:53And she could dance, too.
52:56She could dance, too.
52:59She could dance, too.
53:02She could dance, too.
53:07She could dance, too.
53:27Wanda would finish by looking at the customers like this.
53:30And they always wanted this number.
53:33And hers.
53:36Francine was our number one stocking sales girl.
53:46Yes, when Francine modeled hosiery, the buyers quickly saw two good reasons why they should buy them.
54:01An original creation by Pierre was his bridal night lingerie.
54:13I felt flattered that he chose me to model it.
54:25Just wearing an outfit like this could give a girl ideas such as weddings and honeymoons and Mr. Hanson.
54:37Strange this should make me think of him.
54:51Think of him.
54:52Or was it?
54:55Just 1, 2, 3, 3, 2, 3, 2, 1?
54:57The price.
54:58He happened.
55:00Judith had been with Pierre longer than any other model, and she broke all the rules.
55:30I saw her giving her telephone number to one of the buyers.
55:43This girl was jealous of me, and I wondered if we'd have trouble, and I didn't have to
55:49wait long to find out.
55:51Gordon.
55:52Say, I always wear that outfit.
55:56Well, Pierre has my name on it, so evidently you're not wearing it today.
56:01Today, too.
56:02You may need Pierre's new pet, but I'm wearing that outfit.
56:06That's silly.
56:07I already have it on.
56:09That's easily changed.
56:11Ah!
56:12Ah!
56:13Ah!
56:14Ah!
56:15Ah!
56:16Ah!
56:17Ah!
56:18Ah!
56:19Ah!
56:21Ah!
56:22Ah!
56:23Ah!
56:24Ah!
56:25Ah!
56:26Ah!
56:27Ah!
56:28Ah!
56:29Ah!
56:30Ah!
56:31Ah!
56:32Ah!
56:33Ah!
56:34Ah!
56:35Ah!
56:36Ah!
56:37Ah!
56:38Ah!
56:39Don't, girl!
56:40Be at him a minute!
56:41Don't!
56:42Don't!
56:43Don't!
56:44Please!
56:45There will be barging in.
56:46Please, put this up.
56:47Here!
56:48What's going on here?
56:49Your pet's model!
56:51I'm going to remodel her.
56:52Are you crazy?
56:53Well, who started this?
56:54this she started the whole thing I didn't start it but I'm going to finish it give me room
57:24Mr. Hanson what are you doing here well I was worried about you and I came to Hollywood and I went to your apartment and they said you were working here
57:51well I'm not exactly dressed to to give you a formal reception still afraid of the big bad wolf huh
57:57listen after what I've seen and done out here you just think you're a wolf watch me
58:03you oh wow you certainly have learned a few things in Hollywood
58:14and that's only the beginning of what I've learned out here
58:19yes Hollywood is no doubt just about like any other city of similar size I understand that now
58:35but here in Hollywood the film capital everything seems more glamorous more exciting more wonderful
58:44and if you don't believe me come on out and let me show you
58:50you
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