Enjoy Killer Diller (1948), a hilarious musical comedy packed with lively performances, unforgettable songs, and timeless humor. This classic film delivers an entertaining mix of music, comedy, and vintage charm that captures the spirit of Hollywood's golden era. Whether you're a fan of classic musicals or nostalgic cinema, this delightful movie is sure to keep you smiling from beginning to end.
If you enjoy classic musical comedies and public domain films, don't forget to like, comment, and subscribe for more timeless movie classics.
#ClassicMovies #MusicalComedy #KillerDiller #ClassicMusical #VintageCinema #PublicDomain #OldMovies #BlackAndWhiteMovies #GoldenAgeHollywood #ComedyClassic
If you enjoy classic musical comedies and public domain films, don't forget to like, comment, and subscribe for more timeless movie classics.
#ClassicMovies #MusicalComedy #KillerDiller #ClassicMusical #VintageCinema #PublicDomain #OldMovies #BlackAndWhiteMovies #GoldenAgeHollywood #ComedyClassic
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Short filmTranscript
00:00:00The End
00:00:40The End
00:01:06The End
00:01:38The End
00:02:01That'll be all
00:02:02Get them out as soon as you can
00:02:03Yes, sir
00:02:04Oh, Butterfly
00:02:05Yes, Mr. Dung-Dung
00:02:07Did you call the agent
00:02:08And tell them
00:02:08They'd need a magician
00:02:09To replace the great voodoo?
00:02:10Yes, sir
00:02:11I told him the great voodoo
00:02:13Did a disappearing act yesterday
00:02:14And didn't show up for rehearsal
00:02:16He's going to send us another magician
00:02:18Fine
00:02:20Oh, and when my fiance shows up
00:02:22Send her right in
00:02:23Yes
00:02:39They're real, honey
00:02:41I should hope so
00:02:42Butterfly told me to go right in
00:02:45So I did
00:02:45I fled
00:02:47Take off your coat
00:03:02Oh, Montemore
00:03:03The oppression
00:03:05You could say that again, honey
00:03:08Excuse me, honey
00:03:10Mr. Dung-Dung
00:03:11That magician the agent sent over here
00:03:14Has his name is
00:03:16Dusty Fletcher
00:03:17Never heard of her
00:03:18Tell him to wait
00:03:19Yes, sir
00:03:22Help me with these, darling
00:03:24Uh-huh
00:03:30There we are
00:03:33For this
00:03:34You deserve a big kiss
00:03:39Well
00:03:39I've been welcome before
00:03:42But never like this
00:03:43I guess I shall return the compliment
00:03:46Come here, baby
00:03:48Why, you, I should break your neck
00:03:50A minute
00:03:53Careful, careful
00:03:54Ah, ah, ah, ah, ah, ah
00:03:57You see, uh
00:03:58Entering the room
00:03:59Without coming through the door
00:04:00That's just a sample of my ability
00:04:02I developed that trick
00:04:04Because I had difficulties
00:04:06In getting someone
00:04:07To open the door
00:04:08Ah, say, ah
00:04:10Your name ain't Richard James, is it?
00:04:12No, it's Montemore
00:04:13But I'm Mr. Dung-Dung to you
00:04:16Oh
00:04:16Okay, boss
00:04:18And I'm not your boss
00:04:19Until I see your act
00:04:21Step right out on the stage
00:04:23I'm all set up for you
00:04:24Come on, honey
00:04:25Let's see what this guy
00:04:26Has up his sleeve
00:04:38What's your name?
00:04:39Butterfly
00:04:40Pretty gal
00:04:42And a pretty name
00:04:45I'll be back
00:04:47Pretty soon
00:04:54Well, you see
00:04:54I had to set up my props, buddy
00:04:56So I wouldn't lose any time
00:04:58Okay, let's go
00:04:59Mm-hmm
00:05:00But, madam
00:05:01Would you mind
00:05:02Assisting me
00:05:03By stepping into this cabinet?
00:05:05She will not
00:05:06You've got your nerve
00:05:08I know I've got my nerve
00:05:10But I ain't got no assistant
00:05:13Oh, Montemore, let me
00:05:14I have always wanted
00:05:16To be a play actor
00:05:24Where is she?
00:05:25She's gone
00:05:28Huh?
00:05:29What's the matter?
00:05:31Something wrong?
00:05:33If you want to lose that gal
00:05:36Everything would be fine
00:05:37Cause they sure is empty now
00:05:45Bring her back
00:05:46Or I've got to do something desperate
00:05:49And so am I
00:05:51I'm going to return these cabin tricks
00:05:54And get my money back
00:05:56Close all the doors
00:05:58Lock up the joint
00:05:59Call the police
00:06:02Quick, police?
00:06:04Variety Theater
00:06:05Something awful happened
00:06:07Huh?
00:06:08I don't know
00:06:09But as soon as I hang up
00:06:10I'm going to find out
00:06:22Get off, you baby
00:06:26Quick
00:06:27My sweetheart dissipated
00:06:28With a thousand dollar
00:06:29String of pearls
00:06:30That's how they all disappear
00:06:32No, but you don't understand
00:06:33You see, she was hid
00:06:34She got into the cabin
00:06:35And all of a sudden
00:06:36She got out of here
00:06:37And I don't know where she
00:06:38Uh, of course
00:06:40I ain't the least bit worried
00:06:42See, that trick is guaranteed
00:06:44And if it don't work
00:06:46I'll get my money back
00:06:47And you know, honey
00:06:49Money is important
00:06:50You can buy a lot of things
00:06:52With money
00:06:52Yeah, I know
00:06:54Yeah
00:06:55Like a ring
00:06:56A real sparkler
00:07:00Dusty
00:07:01But we just met
00:07:02We're practically strangers
00:07:04That's right
00:07:05That's right
00:07:06Let me see
00:07:07Who do I know
00:07:08Any of it
00:07:09Oh, but so we can get
00:07:11To know each other better
00:07:13Oh, yeah
00:07:16Why, honey
00:07:17How much better?
00:07:21There he is, Sarge
00:07:22Grab him
00:07:22Oh, killer killer, eh?
00:07:25Do what you want with me
00:07:26Put harm not a hair
00:07:28In that girl's head
00:07:29Come on, Sarge
00:07:30Grab him
00:07:35All right, see you later, baby
00:07:36Save that candy for me
00:07:39Love it blue
00:07:40Love it blue
00:07:42Love, love, love
00:07:47The Sarge wants you
00:07:49To reenact that crime
00:07:50Yeah, and you can use
00:07:51One of my men
00:07:52Okay
00:07:55Step in there, she'll out
00:08:14Don't worry about a train
00:08:21Abby Cadava
00:08:24Abby Cadava
00:08:31Well, what do you know?
00:08:38And that's the way Lola disappeared
00:08:42Hey, you
00:08:43Would you mind trying that again?
00:08:46Both of you guys
00:08:47Get in there
00:08:47We gonna get to the bottom of this
00:08:59Abby Cadava
00:09:00Abby Cadava
00:09:02Now, don't worry about a thing now
00:09:03I know they ain't here
00:09:04They ain't the one over there
00:09:06Ha, ha
00:09:09Show you that
00:09:11This chick has got to work
00:09:12Once in a while
00:09:14Ha, ha
00:09:18You see, I got to do it twice
00:09:20Cause there's two of them in there
00:09:21This time
00:09:22Don't get it
00:09:23Abby Cadava
00:09:24Abby Cadava
00:09:31I lose more darn cops that way
00:09:33Suppose you try it with me
00:09:41You see, uh, this could be a secret weapon, you know
00:09:45Or something like, uh, the atomic bomb
00:09:48Come on, open the door
00:09:51All right
00:09:52You asked for it
00:09:58Well, well
00:09:59Where's the sign?
00:10:01I don't know
00:10:02I guess it's over there
00:10:13Well, what do you know?
00:10:15It went
00:10:15One
00:10:17One
00:10:19One
00:10:19Two
00:10:20Two
00:10:21Three
00:10:22Three
00:10:23I'm even
00:10:24I better quit while I'm even
00:10:26Hey, you
00:10:27Take some notes
00:10:28I'm gonna question this guy
00:10:33Now, how tall did you say she was?
00:10:36About the size of Dusty
00:10:38Dusty
00:10:38Where's Dusty?
00:10:41Don't let her get away
00:10:43All right
00:10:43You go that way
00:10:44You go this way
00:10:46You go here
00:10:46And I'll go there
00:10:48Ready
00:10:48Set
00:10:49Go
00:10:51No, no, no
00:10:55Let's try that again, men
00:10:59You know
00:11:00If I'm a hit in this show, honey
00:11:02I'd like to tell you about marriage
00:11:04You mean you wanna marry me?
00:11:06Now, stop putting words in my mouth
00:11:08I said I wanna talk to you about it
00:11:11That's all
00:11:12Well, if you wanna talk about it
00:11:14Now's the time
00:11:15Cause the place is padlocked
00:11:16And unless Lola's promised
00:11:18The dumb don't won't let the show go on
00:11:20Your show must go on
00:11:27There he is, grab it
00:11:33Let's try that again, men
00:11:34Not for me, you don't
00:11:36Such a big boy
00:11:37As playing on the floor
00:11:40Quick, he got away
00:11:43After him, men
00:11:47Tell everybody to get ready
00:11:48The show must go on
00:11:51That's just what Dusty said
00:11:53Open the box office
00:11:54The show must go on
00:11:56Yes, sir
00:11:56Yes, Mr. Dom-Dom
00:12:09There he goes
00:12:26Dusty, the show's going on
00:12:29Honey, I owe it all to you
00:12:32Does that mean we're gonna get married?
00:12:34I said I owe it to you
00:13:06I guess I'll hide down in this basement
00:13:09Until it's time for me to go on
00:13:15Hey, you went down there
00:13:16How do you know?
00:13:17Yes, how do you know?
00:13:18Yeah, how do you know?
00:13:19Cause I've seen this picture before
00:13:20Come on, let's go
00:13:36I'll hide over there
00:13:49Lynn, let's try that again
00:14:06Gus, the curtain's going up in a half an hour
00:14:07Okay, boss
00:14:08Okay, boss
00:14:37...
00:14:41...
00:14:43...
00:14:47...
00:14:57The End
00:15:17We'd like to play a little number that features our two tenor men, Ray Abrams and Shirley Green.
00:15:23The number, Gator Serenade.
00:15:36The End
00:16:04The End
00:16:13The End
00:16:24The End
00:16:38The End
00:16:45The End
00:16:54The End
00:17:05The End
00:17:19The End
00:17:28The End
00:17:40The End
00:17:48The End
00:17:58The End
00:18:04The End
00:18:04The End
00:18:05The End
00:18:08The End
00:18:10The End
00:18:10The End
00:18:14The End
00:18:15The End
00:18:15The End
00:18:16The End
00:18:17The End
00:18:23The End
00:18:25The End
00:18:25The End
00:18:25The End
00:18:34The End
00:18:35The End
00:20:27And now, ladies and gentlemen, we'd like to introduce a very clever song stylist, Beverly White.
00:20:46Marriage was a beautiful thing.
00:20:52Yes, back in grandma's day.
00:20:57But you men are so much different now.
00:21:05That's why you hear me say...
00:21:19I don't want to get married, cause when you're single you have so much fun.
00:21:30I don't want to get married, cause two don't live as happily as one.
00:21:39Now, I might want to stay out late sometimes to wait next day.
00:21:45And I don't want to be worried about what my husband's gonna say.
00:21:50That's why I don't want to get married, cause when you're single you have so much fun.
00:21:59Oh, I don't want to get married, cause when you're single you have so much fun.
00:22:10I don't want to get married, cause two don't live as happily as one.
00:22:22Marriage license don't live as well.
00:22:24Marriage license don't cost much.
00:22:25Marriage license don't cost much, that's beyond a doubt.
00:22:27But it's that jive that jumps off afterwards.
00:22:30That's what I'm talking about.
00:22:32That's why I don't want to get married, cause when you're single you have so much fun.
00:22:43Oh, I don't want to get married, cause when you're single you have so much fun.
00:22:55I don't want to get married, cause you don't live as happily as one.
00:23:04Now, if you happen to meet a guy and see he ain't your kind,
00:23:10well, if there ain't no strength attached all you gotta do is just change your mind.
00:23:14Oh, I don't want to get married, cause when you're single you have so much fun.
00:23:25Oh, I don't want to get married, cause when you're single you have so much fun.
00:23:37I don't want to get married, cause two don't live as happily as one.
00:23:45I went down to see my sister, she's got kids one, two, and three.
00:23:51Well, that jive's alright for sister, but that dress ain't made for me.
00:23:56Oh, I don't want to get married, cause when you're single you have so much fun.
00:24:13Ask me, I know.
00:24:22You know, I used to sit and wonder why I could never get along with my man.
00:24:32You see, that's the kind of jive I'm talking about, everybody meddling in my business.
00:24:37That's why I decided to change my plans.
00:24:41Mm-hmm, and you know, I ain't having no more trouble now.
00:24:47Everything is just as cool as it can be.
00:24:51But honey, that wasn't until I had to tell every living...
00:24:59I was almost gone.
00:25:01To please stop worrying about me.
00:25:11Cause, if I feel like playing the jukebox, wearing flat heels and barbie socks, that ain't nobody's business what I
00:25:21do.
00:25:23And if I go overboard for some fine honey, and let him use my money, that ain't nobody's business what
00:25:31I do.
00:25:45If my man goes to his union meeting, and I feel like doing some cheating, that ain't nobody's business what
00:25:54I do.
00:26:02And if you happen to see me out kind of late, well, I'm doing the same thing you're doing, getting
00:26:12my business straight, and that ain't what I do.
00:26:17Now, if I look like I'm 50, and he's just 23, don't you lose no sleep honey, cause he must
00:26:26be sending me.
00:26:28If I feel like going out and having some fun with some young cat that looks like he might be
00:26:34my son, that ain't nobody's business what I do.
00:26:40Now, here's one thing, you know it's true, there ain't nothing more invigorating than to surround yourself with you.
00:26:48And it ain't nobody's business what I do.
00:26:50So honey, I done made up my mind to get me something young and raise him to my hand.
00:26:55When I get through with him, he'll really understand.
00:26:58And it ain't nobody's business what I do.
00:27:02Oh, what I do.
00:27:05I'm telling you.
00:27:08It ain't nobody's business what I do.
00:27:18Now you know what to tell your nosy neighbor.
00:27:21Come.
00:27:38Comes now those two tons of melody and mirth, Patterson and Jackson.
00:27:48I believe, I believe, I believe in pushing wells.
00:27:52Hey, I also believe in a lot of things, things the days tell.
00:27:57I believe, I believe, that belief over brings.
00:28:01Lots, lots, lots, sure, lots of happiness.
00:28:03I believe those things.
00:28:04Hey, when it's Christmas, I believe in Santa Claus.
00:28:08Say what you believe.
00:28:10I still drop.
00:28:11I believe the cost.
00:28:12I believe, I believe, I believe that dream's them too.
00:28:16Hey, you wish for a dream by wishing wells.
00:28:18Don't tell me shall you break the smell.
00:28:21Oh, sound I hear.
00:28:22Cause that's what we believe.
00:28:28Cause that's what we believe.
00:28:32How you believe.
00:28:47No one to talk to all by myself
00:28:50No one to talk to I'm happy on the shelf
00:28:53More saving all my love
00:28:57Don't stay out late, no place to go
00:29:00Just sit for me and my radio
00:29:03Oh, saving all my love
00:29:08Like that corner in a corner
00:29:10Ain't going nowhere, what do I care?
00:29:14All those things you weren't waiting for
00:29:16Mmm, building me
00:29:18I'm preserving, you're the one I love
00:29:21Through it flirting, you better bring it up
00:29:24Oh, saving all my love
00:29:30And, wonderful one
00:29:33Your life, the breath of spring
00:29:36That comes when weather's gone
00:29:40And, beautiful one
00:29:43Oh, baby bear
00:29:45So tonight, winter's dark
00:29:49Hey, you're lovely to behold
00:29:53Heaven to and for
00:29:56No one could compare
00:29:58And I'm going to bust a million
00:30:00Hey
00:30:02Hey
00:30:05Yeah
00:30:27And now we'd like to impersonate the four ink spots
00:30:30Of course, there's only two of us
00:30:32But we weigh as much as they do
00:30:43That's the way the ink spots usually start off
00:30:45You put a nickel in the jukebox
00:30:47And it goes
00:30:49When you hear that
00:30:53Your nickel's gone
00:30:56If I didn't care
00:31:03More than words can say
00:31:09If I didn't care
00:31:16Would I feel this way
00:31:19Hmm
00:31:21Hmm
00:31:22And would I be sure
00:31:26That this is love
00:31:29Beyond the company
00:31:34Would all this be true
00:31:38I didn't care
00:31:52Why honey child
00:31:54If I didn't care
00:31:57Why would I go on being your square
00:32:00Knowing that you ain't treat me fair
00:32:03Honey child
00:32:04Now honey child
00:32:06You've got to change your style
00:32:11Cause honey child
00:32:13You're driving me wild
00:32:16Now tell me
00:32:17Whom's this isn't love
00:32:19Then tell me
00:32:21What can it be
00:32:23Why it's worrying the heck out of me
00:32:26Honey child
00:32:29Now tell me
00:32:30Tell me
00:32:31Tell me
00:32:32What is it that makes my head go round and round
00:32:35Until I reach my quota
00:32:36Uh
00:32:37Wine scotch
00:32:38Scotch
00:32:39Scotch and soda
00:32:40And if I didn't care
00:32:46Would it be the same
00:32:53Would my every
00:32:54Be aimed to argue
00:33:00With just your name
00:33:03Ah sweet essence
00:33:04Of meatballs and spaghetti
00:33:08Sure
00:33:10If this is love
00:33:14Beyond the company
00:33:15Ah shoot the salami to me mommy
00:33:21Who would all this be true
00:33:28If I didn't care
00:33:32If I didn't care
00:33:33If I didn't care
00:33:40The
00:34:19And now we bring you that dynamic personality, Jackie Mabley.
00:34:25But between you and me, folks, she'd rather be called Just Plain Mom.
00:34:34Thank you, children. Thank you, darling.
00:34:37I know you children are all relaxed back there, sitting back there.
00:34:41Look at it, boss. You think you're going to hear some jokes, don't you?
00:34:45Well, Mom don't know none.
00:34:49Mom don't know no jokes, but I can tell you some facts.
00:34:55Don't believe in them fairy tales in the first place.
00:34:58So don't look for none, because that Mother Hubbard going to the cupboard after dog bones and things like that,
00:35:05that never happened.
00:35:07Mother Hubbard had her gin in the cupboard in one of them squares.
00:35:10You know how your friends can come in, them chiselers that drink here?
00:35:14So she used to tell them she's going to the cupboard to get a dog a bull.
00:35:18She's going to get her a nip.
00:35:21Mother Hubbard was plenty of, and you believe that.
00:35:25Another thing... Wait a minute, honey.
00:35:27You'll have to laugh a little louder. Mom can't hear you up there.
00:35:32That's it. Thank you very much.
00:35:34See, I can't hear very good Mom tell you how that happened.
00:35:39When they sent me, they sent for me to come down to Washington.
00:35:43They had some business they wanted me to tend to down there.
00:35:47They sent for me and sent me an airplane ticket.
00:35:52Now, I ain't scared of an airplane.
00:35:54I'm no square, but as you young children say, it just never moved me, you know, to ride in no
00:36:02airplane.
00:36:03Sure enough, no sooner than I got in the plane, they strapped me down.
00:36:11The plane ain't got up no ways hardly for something with glue up in my head like that.
00:36:15I ain't heard nothing since.
00:36:18Both ears stopped up.
00:36:20Oh, I was so sick.
00:36:24I said, honey, the students come to...
00:36:26I said, honey, my ears is all stopped up.
00:36:30She said, here's some chewing gum.
00:36:32I chewed that.
00:36:33That ain't unstopped them.
00:36:36I got right limp.
00:36:38I said, do something for me, honey.
00:36:41I'm dying.
00:36:43She said, drop your jaws.
00:36:49And I misunderstood her.
00:36:54They grounded me in Baltimore.
00:36:57Yeah, they took me off.
00:36:59But outside of an airplane, Luther, play that piano for them and tell them that number where it tells you
00:37:09about something else that mom don't have played.
00:37:12Go on, Luther.
00:37:13Play it for them.
00:37:21Now, I guess everyone has their aggravations, especially in certain situations.
00:37:28Now, remember, I don't know what you children's might be, but here's one thing that kind of aggravates me.
00:37:36For instance, a company happened to drop in.
00:37:42Especially if they've been drinking too much gin, I say, now listen.
00:37:46Listen, if you're my friend, don't sit on my bed.
00:37:52Oh, now, don't get me wrong.
00:37:54It's not that I think that your clothes ain't clean.
00:37:58And you know, Mama, I ain't never been mean.
00:38:01But there's a chair.
00:38:03Sit there.
00:38:05Uh, don't sit on my bed.
00:38:09I always was taught that chairs was made to sit in and beds was made to sleep.
00:38:17You're liable to get my blanket out of line.
00:38:20Rumple up my sheet.
00:38:23Oh, it's not that I think that it looks so hot.
00:38:28But it's mine and it's all I got.
00:38:31In fact, I don't care if it ain't nothing but an army cart.
00:38:34Uh, don't, don't sit on my bed.
00:38:39Mattress start to get all lumpy.
00:38:43Springs won't bounce no more.
00:38:48Sides will start sagging.
00:38:51Slacks fall on the floor and you know that's a drag.
00:38:55Then you go home feeling all happy and everything and leaving me with an aching head.
00:39:02Listen, Ben, if you're my friend, uh, don't sit on my bed.
00:39:07In other words, don't crouch on the couch, son.
00:39:11I don't like it.
00:39:17Folks, have you ever heard of a potpourri of dance steps?
00:39:21Well, here it is with the Clark Brothers.
00:39:36I don't like it.
00:40:08We'll see you next time.
00:40:08We'll see you next time.
00:40:15The End
00:40:46The End
00:41:15The End
00:41:45The End
00:41:54The End
00:42:03The End
00:42:13The End
00:42:22The End
00:42:34The End
00:42:44The End
00:42:56The End
00:43:04The End
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01:05:40I ain't told you.
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