- 1 week ago
Step back into the golden era of comedy with Niagara Falls (1941) — a hilarious vintage short film that captures the charm and humor of Old Hollywood. This timeless classic delivers lighthearted entertainment and showcases the unique style of comedy that defined the 1940s.
Enjoy this retro comedy short as part of our collection of classic films preserved for today’s audiences. Perfect for fans of vintage cinema, slapstick humor, and the golden age of Hollywood.
Enjoy this retro comedy short as part of our collection of classic films preserved for today’s audiences. Perfect for fans of vintage cinema, slapstick humor, and the golden age of Hollywood.
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Short filmTranscript
00:00The End
00:30THE END
01:00Hey, hey!
01:24You want to buy some peanuts?
01:26Peanuts? No!
01:28It's a long trip down there. You'll have to get hungry.
01:31Can't you see how I'm trying to commit suicide?
01:34That's a very bad habit to get into.
01:36I'm only going to do it this once.
01:38Must you?
01:39Yes. I'm sick of getting into trouble.
01:41How?
01:42Sticking my nose in other people's business.
01:45Oh, so that's it. Sit down here.
01:47I have a bag of peanuts.
01:49They're in the house.
01:50So what happens?
01:52It's a long story.
01:53Go ahead. I got a lot of peanuts.
01:55I was a young fella. She was a farmer's daughter.
01:59I heard that one before.
02:00Wait.
02:01You don't understand.
02:03For 20 years we planned on getting married.
02:05Then all of a sudden...
02:07That's too bad.
02:09What do you mean, too bad?
02:11I struck oil.
02:12Oh, you mean...
02:13That's right.
02:15A couple of days ago we were married.
02:17Yesterday we were driving up here for our honeymoon.
02:19You and the farmer's daughter?
02:21Me and the most beautiful girl in the world.
02:29Only 15 more miles and we'll be there.
02:32We've waited a long time for this, Emmy.
02:34Oh, but you were worth waiting for, Sam.
02:37So were you, honey.
02:38Okay, break it up.
02:50Oh, sorry, Austin.
02:52You see, we're fresh married.
02:53Not really.
02:55Have you got your driver's license?
02:57Somewhere.
02:58Yeah.
03:00Here it is.
03:02Would you mind driving?
03:03Oh.
03:04Oh.
03:08I'm sorry.
03:26You ought to be.
03:27Well, I thought you were a guy trying to cop something.
03:30I just wanted to borrow your tire pump.
03:32And since when do I look like a guy?
03:34Well, from where I was standing, I couldn't tell.
03:36Does it hurt?
03:37Of course it does.
03:38Maybe I could help.
03:39Never mind, never mind.
03:41Oh.
03:43Excuse me.
03:43Can I help?
03:44No, thanks.
03:45No, thanks.
03:45Everything's all right.
03:47Now, now, children.
03:48That's no way to act.
03:49Why don't you throw that club away, neighbor, and kiss and make up?
03:52Say, that's not a bad idea.
03:54Wait a minute.
03:54Wait a minute.
03:56She's a little bashful, but we'll be all right, buddy.
03:59We understand.
04:06Hey.
04:07Hey.
04:12Hey.
04:16Here.
04:17Here, let me do that.
04:18I'd rather not trouble you.
04:20Oh, it's no trouble at all, baby.
04:21Give me a chance to improve my score.
04:23Your score?
04:24Sure.
04:24So far, it's not so good.
04:25One hit, one error.
04:26Get it?
04:27Yeah, I get it.
04:28Oh.
04:34Oh.
04:43Better?
04:45Yes, thanks.
04:46How far you gotta go?
04:48West Willow.
04:49It's about 40 miles from here.
04:50I live there.
04:5140 miles?
04:52See, that tire's pretty thin.
04:53I better follow you in case something happens to me.
04:54Oh, you need bother.
04:55There's no bother at all.
04:56I gotta go that way.
04:57Niagara Falls.
04:58Niagara Falls?
04:59Where's your wife?
05:03I haven't any wife.
05:04No, and I don't want one.
05:06Oh, you don't?
05:08Well, maybe someday after I've had my fling, but not when I'm young.
05:12No, sir.
05:13I can have too much fun on the prowl.
05:15On the prowl?
05:17Yes.
05:18Take our case, for example.
05:20If you were married, I was married, we'd both be out of circulation.
05:23Who knows?
05:24This might turn into a beautiful friendship.
05:27You know, they built statues for the guy who wrote the wedding march.
05:31But the guy who wrote the line,
05:32He who loves and runs away lives to love another day,
05:35had a former for a lot more fun.
05:38I bet you feel the same way about it, don't you?
05:41Oh, no, I don't.
05:42But I'm glad to know how you feel.
05:44Now, you can just take your pump and go.
05:46Hey, wait a minute.
05:47Don't get me wrong.
05:49I just meant I'm not the marrying kind.
05:51There's nothing to get sore about.
05:52You get away from me, you wolf.
05:55Wolf?
05:56Yes, but you picked the wrong little red riding hood this time.
05:59You see, I am the marrying kind.
06:01Oh.
06:02And I'm going to marry while I'm young and have children, oodles of children.
06:05Well, go ahead.
06:06Have a couple of dozen of them.
06:07There'll be no divorce either.
06:09It'll be till death do us part.
06:10Well, I'm not waiting for death, sister.
06:13Goodbye.
06:14Happy marriage.
06:15Kiss the kitties for me.
06:16All 24.
06:17I'll thank you to keep my children out of this.
06:23He who loves and runs away lives to love another day.
06:27So I'm a wolf, huh?
06:29Married young, have oodles of children.
06:32No divorces.
06:33Who cares?
06:33I'll kiss the kitties for me.
06:41I'll kiss the kitties for me.
06:41I'll kiss the kitties for me.
06:45Okay, how much?
07:0510 kitties.
07:05That's 50 bucks.
07:0750 bucks?
07:08That's five dollars a goose.
07:09That's right.
07:19Learning to drive, lady?
07:20Listen to me, hornblower.
07:22I've been driving a car ever since I was 12 years old.
07:25I've never had an accident.
07:26Hey, look out!
07:31Are you hurt?
07:32Of course I'm hurt.
07:33Where?
07:34Never mind.
07:34Go away and leave me alone.
07:36Okay, if that's the way you feel about it.
07:38Oh, so you would leave me in a spot like this.
07:40Well, you just said that...
07:40Don't tell me what I said.
07:42What goes on here?
07:43Oh, he ran me off the road.
07:45I did not.
07:46He did too.
07:46I was coming down the road.
07:47I was just trying to pass her with my...
07:48Shh, one at a time.
07:49I can't hear you both.
07:50Go ahead, miss.
07:51What happened?
07:52Well, he tried to pick me up.
07:54I tried to pick you up.
07:55Why, I wouldn't pick you up if I was starving and you were a ham sandwich with mustard.
08:00Now, take it easy.
08:01You're a little excited.
08:02Look, lads, you better drive her into town and I'll follow along.
08:05What?
08:06Me driving that would-be Casanova?
08:08I'd rather hitchhike.
08:10Well, I guess you can get going.
08:12Well, thank you, officer, very much.
08:14Hitchhiking's against the law, but I'll get you there.
08:16Get on.
08:16Oh, thanks.
08:20Here you are.
08:24Say, isn't it pretty bumpy?
08:26You shouldn't mind a few bumps at your age.
08:27Well, it isn't my age exactly.
08:29Oh, it's-oh, excuse me.
08:31Just a minute.
08:35Ouch.
08:36Something wrong with the seat?
08:37No, officer, never mind.
08:39It's nothing.
08:40Just drive right ahead.
08:41Welcome to Fallsview Hotel.
09:07Potter's the name.
09:09I'm the manager.
09:10Pleased to meet you.
09:10I'm Sam Sawyer.
09:11From Oklahoma?
09:12Yep.
09:13Oh, yes.
09:13Your reservations are all ready for you.
09:15Fine.
09:15I'm sure you'll find everything to your liking.
09:38Looks mighty pretty to me.
09:40How about you, Emmy?
09:41Oh, it's beautiful.
09:42Oh, pardon me.
09:43This is Miss, uh, I mean, Mrs. Sawyer.
09:46My mistake.
09:47I wouldn't exactly call it a mistake.
09:49How do you do?
09:50Oh, well, dear me.
09:53I-I-oh.
09:58I-I-I-I-I...
10:00Would you mind registering, please?
10:02Sure.
10:04Here you are, sir.
10:08Where do I sign?
10:09Oh, right there, please.
10:10Is someone shaking the desk?
10:16No, I'm afraid you're a trifle nervous.
10:19Now, settle down, Sam, and don't be nervous.
10:22I ain't nervous, Emmy.
10:23Okay.
10:36Pardon me.
10:37Perhaps you'd better do it.
10:39Do you mind?
10:40Not at all.
10:41You see, we've never stopped at a big hotel before.
10:44I understand.
10:50The bellboys are very busy.
10:58We have 350 guests.
11:00Really?
11:03Let me have the key to the bridal suite.
11:05Bridal suite?
11:06Yes.
11:07I'd better take you up myself.
11:08Oh, don't trouble yourself.
11:09We'll wait.
11:10Oh, it's no trouble.
11:11But we don't want to go up just now.
11:12We'd rather just sit down and relax a minute, wouldn't we, Emmy?
11:15Well, I thought.
11:23Comfy here, ain't it?
11:24Do you think so?
11:25Welcome to Fallsview Hotel.
11:42Uh, will you register, please?
11:43Yes.
11:55This way, please.
12:17Up, please.
12:18The elevators are over here.
12:25I'll have your car here in the morning.
12:45Thank you very much.
12:55The correct time is exactly 7.15.
13:01Welcome to Fallsview Hotel.
13:03I want a room.
13:04Well, the bridal suites are all taken, but I...
13:07Bridal suite?
13:09No, I just want a room.
13:10So do I.
13:11Naturally.
13:13Show this couple to 4.27.
13:15Wait a minute.
13:15I said I wanted a room.
13:17Yes, I understand.
13:18And I'm sure that you'll both like 4.27.
13:21Now, look, get this straight.
13:22I want a room and she wants a room.
13:24That's two rooms.
13:26Well, that's rather unusual.
13:28What's unusual about it?
13:30Oh, no, I'm sure that if you'll take this room and just talk things over...
13:32I don't want to talk.
13:33And I wouldn't listen if he did.
13:35Oh, no, I wouldn't be too hasty.
13:37We all have our little troubles.
13:38Little troubles?
13:39Listen, mister, all I've ever had since I've met this girl is trouble.
13:43Give me that key.
13:44Come on.
13:45Excuse me, please.
13:46Mm-hmm.
13:48Oh, uh, you forgot to register for...
13:50I can write.
13:51Never mind.
13:51I'll take care of it.
13:52Tom Wilson and wife.
13:59Oh, but Sam, I...
14:00I...
14:01Hey, Usher!
14:03But, Sam, it's none of your business.
14:05No use arguing, Emmy.
14:06I just got to do it.
14:07Mr. Potter, we've decided that young couple will be happier in our bridal suite.
14:11Well, I don't understand.
14:12It may be just a thing to bring them together again.
14:15And we can take their room.
14:16Can't we, Emmy?
14:17But I was looking forward...
14:18You see, it's all right with Emmy.
14:20Well, the customer's always right.
14:22Uh, boy, put that unhappy couple in the bridal suite.
14:25Yes, sir.
14:26I hope you won't regret your generosity.
14:28Give and ye shall receive.
14:30That's my motto.
14:32Lovely day, wasn't it?
14:34No!
14:37We're all ready, sir.
14:38Go on ahead.
14:39It's too crowded for me.
14:40Yes, sir.
14:41This way, please.
14:55You're welcome.
15:03Right here, sir.
15:04Oh, thanks.
15:09Well, this is all right.
15:10Here you go.
15:12Thank you, sir.
16:13May I come in?
16:38I guess so.
16:39I just had to look the place over.
16:41You know how it is.
16:43I've been dreaming about these rooms for 20 years.
16:47And I pictured how it might have been.
16:50Sam sitting right there.
16:52Can't you see him?
16:54Well, no, I...
16:55You can't?
16:57Oh, you mean sitting right there.
16:59Mm-hmm.
17:00Oh, yes.
17:02Excuse me, Sam.
17:04Sam and I reserve these rooms for our honeymoon.
17:07Oh, so that's it.
17:09But he thought you needed them more than we did.
17:12Oh, you shouldn't have done that.
17:13I'll get my things together and move right out of here.
17:15Oh, no, no.
17:16Sam wouldn't think of taking them back.
17:18Oh, but really, I don't need all this room.
17:20I...
17:20Oh, it's beautiful.
17:22Do you mind if I look in there?
17:24Why, no.
17:25Go right ahead.
17:26Make yourself at home.
17:31Oh, it's wonderful.
17:32Why did I have to give it up?
17:38Soft.
17:44Mm-hmm.
17:44Mm-hmm.
17:46Mm-hmm.
17:47Oh, Sam, isn't it lovely?
17:51Mm-hmm.
17:52Oh, what did you say, Sam?
17:58Mm-hmm.
17:59Do you really want me to sit in your lap?
18:02Mm-hmm.
18:03Well, if you insist.
18:05Mm-hmm.
18:08Oh, Sam, you're wonderful.
18:12Oh, stop, Sam.
18:14Stop.
18:15You know I'm ticklish.
18:16Coochie, coochie, cooch.
18:18Oh, stop tickling me, Sam.
18:21Oh, just think, Sam.
18:24After 20 long years, alone at last.
18:29I beg your pardon, lady.
18:30Oh, dear.
18:31We're not alone.
18:33And you're not dressed.
18:35What?
18:35Oh, I'm sorry.
18:37Oh, that's better.
18:40Hey.
18:41Oh, dear.
18:42I'm sorry, Hal.
18:43No clothes.
18:46Well, what are you doing here?
18:50What am I doing here?
18:51What are you doing here?
18:52This is my room.
18:53I beg your pardon.
18:54This happens to be my room.
18:55We'll see about that.
18:56You bet we will.
19:00Hello?
19:01Give me the manager.
19:02Give me my name, Lachey.
19:03All right.
19:03Give me my coat.
19:05Whose room is this?
19:06Mine or his?
19:07Yes.
19:07Whose room is this?
19:08Hers or mine?
19:09You don't have to yell in my ear.
19:10I'm yelling in the manager's ear.
19:12Please, please.
19:13One at a time.
19:14What kind of a manager are you?
19:16Yes, what kind of a hotel is this?
19:18I wanted a room.
19:19I wanted another room.
19:20Yes, that makes two rooms, remember?
19:21Listen, you amity cubit.
19:23When I want anyone to wear my lover,
19:24I'm trying very hard to be a person.
19:25You're not going to my camera for this,
19:26so I'm just a little bit too far.
19:28When I come to a hotel,
19:30everything you're saying,
19:30I don't expect the finest credit of this man.
19:34Oh, Mr. Sawyer,
19:35I'm afraid we've made a terrible mistake.
19:37The young couple?
19:38Oh.
19:39Shut that.
19:40Just let me handle this, Mr. Potter.
19:42But you see...
19:43Please, I've been settling other people's affairs
19:45all my life.
19:46Haven't I, Emmy?
19:47Yes, but I wouldn't if I were here.
19:49See?
19:50Just dismiss it from your mind.
19:52I ain't never made a mistake yet.
19:54Come, Emmy.
19:56Sam!
19:57Yes, Emmy?
20:00Where did you come from?
20:01Harlem, sir.
20:03Oh, my mistake.
20:04Yes, sir.
20:06We'll see who gets thrown out.
20:07I'm not in.
20:29But...
20:30Don't they ever sweep around here?
20:33What do you mean by hanging up the phone in my ear?
20:35Oh, it wasn't me, madam.
20:37It must have been Mr. Potter, the manager.
20:39Well, then I want to speak to him.
20:40Yes, where is he?
20:41Well, Mr. Potter seems to have disappeared.
20:43Won't I do?
20:44Why should I punch you in the nose?
20:46Just one question.
20:47Is that my room or not?
20:49Your room?
20:51Oh, yes, of course.
20:52All right, then throw him out.
20:54Just as you say.
20:55You'll throw who out?
20:56Oh.
20:58I just came on duty.
20:59I'm a little confused.
21:00Well, she isn't out of that room.
21:02By the time I've finished eating, you'll get what I've been saving for Potter.
21:05Oh, thank you, sir.
21:09Oh.
21:10Oh.
21:11Oh, Mr. Potter.
21:13What was he saving for you, sir?
21:15The punch in the nose.
21:16Oh.
21:23All alone.
21:25Pardon me.
21:26This way, please.
21:27It didn't work, Sam.
21:32Maybe we could take our bridal suite back again.
21:35Oh, Emmy, you can't be an Indian giver.
21:37Besides, we've got to give him.
21:44Yes, sir.
21:46He's her husband.
21:47Oh, thank you, sir.
21:53Don't you think you'd better eat something before it gets cold?
21:57Hi, neighbor.
22:00Hi.
22:04But aren't you going to sit with the lady?
22:06Huh?
22:07Say, what is this?
22:07A hotel or a lonely hearts club?
22:10But I understood that...
22:10That's the point you don't understand.
22:12Thank you very much.
22:13I can take care of my own affairs.
22:15Well, it's just as much my affair as it is yours.
22:17Oh, now, look, lady.
22:18Are we going to start this all over again?
22:20I hope not.
22:23How do you like that guy?
22:25Somebody ought to fuck him in a kiffer.
22:26With a bat?
22:28Yeah.
22:29Can I have a menu, please?
22:35That guy boinds me up.
22:37Well, stop talking and do something.
22:39Go over and fuck the big fat.
22:40I think you got an idea.
22:47I don't like your attitude.
22:50What is this?
22:51They don't treat dames that way where I come from.
22:53Well, just where do you come from?
22:55Brooklyn.
22:55And no cracks.
22:56Please, please.
22:57Take it easy, Pop.
22:58This guy's asking for a poke in the nose.
22:59Well, all right.
23:00Let's poke noses.
23:01Hey, give me a hand.
23:18Sam.
23:20Feel better, Sam?
23:22I'm all right, Amy.
23:22Just a little dizzy.
23:24Now, now, children.
23:26This is no way to act.
23:27Let's go back and talk it over.
23:28You'll never get me back in that room.
23:31Now, Sonny.
23:31Why don't you mind your own business?
23:35Didn't you like the bridal suite?
23:37No!
23:42All right, you two.
23:44Hey.
23:45Hey, wait a minute, buddy.
23:46Quiet.
23:47You lovebirds will do better in a smaller nest.
23:49You're switching rooms with us.
23:50You don't know what you're doing.
23:51Oh, yes, I do.
23:53But we're not.
23:54Quiet.
23:55The guy's batty.
23:56Come on, get moving.
23:57Yes, sir.
23:58Right around the corner, down the hall.
24:00Yes, sir.
24:01No back talk now.
24:02I'll learn you.
24:04Be right back, Amy.
24:06Hurry there.
24:07I should have known you, Mom, to go from my hotel.
24:15He's crazy, all right.
24:40Now, why don't you kiss and make up?
24:42Kiss?
24:43Come on.
24:49That's better.
24:50I knew all you two needed was a little persuading.
24:52See you in the morning.
24:57Hello.
24:58Hello.
24:59Hello, manager.
25:00Hello.
25:04Good night.
25:06Good night.
25:06Good night.
25:06Good night.
25:13Good night.
25:14Good night.
25:15Good night.
25:15Good night.
25:16Good night.
25:17Good night.
25:18Good night.
25:19Good night.
25:20Good night.
25:21Good night.
25:22Good night.
25:23Good night.
25:24Good night.
25:25Good night.
25:26Good night.
25:27Good night.
25:28Good night.
25:29Good night.
25:30Good night.
25:31Good night.
25:32Good night.
25:33Good night.
25:34Good night.
25:35Good night.
25:36Good night.
25:37Good night.
25:38Good night.
25:39Good night.
25:40Good night.
25:41Oh, I'm sorry. Go right ahead.
25:45Why does she mind her own business?
25:50Emmy!
25:51Yes, dear?
25:59It worked, Emmy. They're closer than two peas in a pod.
26:02Nothing will ever split them up now.
26:04Oh, Sam, you're wonderful.
26:06Emmy.
26:07Oh.
26:11Sam, Sam, Sam.
26:28Oh, you're hiding.
26:29I hope.
26:31Sam?
26:33Well.
26:41Thanks, pal.
26:42Don't mention it.
26:43Oh.
26:44I was just going out to take a look at the falls.
26:47The view is much better from the inside.
26:49Oh, it is.
26:51Thank you very much.
26:53Don't tell me Daniel Boone is here again.
26:56Yep.
26:56I'm going to stay right outside the door until you two make up.
26:59There's only one way to get rid of that guy.
27:05That's to make him think we're in love.
27:07Now, if...
27:08Oh, no, you don't.
27:09Oh, now, look, lady, I don't like this any more than you do.
27:12Well, you stay away from me.
27:13It's our only chance.
27:15Well, all right, but you keep your distance.
27:17Don't worry.
27:18I will.
27:20Darling, we've been awfully silly, haven't we?
27:23Yes, and it took that sweet, lovely stranger to open our eyes.
27:28I'll never leave you again, dear.
27:30Not even wild horses could drive me away.
27:33I must have been crazy to think I could ever live even a day without my sweet mansy-wansy.
27:41Kiss me again, sweetheart.
27:44This is wonderful, isn't it, darling?
27:47No, you have to do better than that.
27:49Why don't you two get together?
27:53Uh-uh, more like this.
28:05Hey, take it easy.
28:07You take it easy.
28:10There, that's more like it.
28:12Good night.
28:13Good night.
28:14Well, that's not so bad.
28:16Let's try it again.
28:17Get away from me!
28:18Just as I thought.
28:19Now, you two get back together again.
28:23You might as well stay together permanently, because I'm going to be right out here, all night.
28:31All night?
28:32Well, that's what the man said.
28:43Howdy.
28:43Howdy.
28:44You looking for something?
28:45Yes, yes.
28:46Which way are the elevators?
28:49Back there.
28:51Oh, thank you.
28:52Is that you, dear?
29:12Yes, honey.
29:12Oh, honey.
29:14I can't get it, except for the truck.
29:24Sorry I run out like I did, but those kids needed more managing.
29:27Everything all right now?
29:28I got them tucked in for the night.
29:30Oh.
29:39Stay awake.
29:44He's getting up again.
29:48What do we do?
29:49Oh, same thing.
29:50Same thing?
29:51Sure.
29:55Well, let's put on a real good act this time, and maybe he'll go away.
29:58Well, you bet.
29:59Because in my book of rules, two people locked in the same room together all night still have to get married here.
30:05What?
30:06What's the matter?
30:07Oh, and a second thought this won't do us any good.
30:11I've got to get out of here.
30:13Good luck.
30:14Wait, don't jump.
30:17I'm not going to jump.
30:22Get back there.
30:24Oh, why don't you leave me alone?
30:26We're going to give you more trouble, huh?
30:32I'll be right back, Emmy.
30:33Oh, but Sam, I...
30:35You again?
30:45Yep.
30:45Get back there.
30:47Get going.
30:47Why don't you leave me alone, mister.
30:49Why don't you leave me alone, mister?
30:54You give up hard, but I give up harder.
30:59You're making an awful mistake.
31:01Oh, no, I ain't.
31:02Yes, you are.
31:04We're not married.
31:06Huh.
31:06Expect me to believe that?
31:08You must think I'm crazy.
31:10Oh, no.
31:11Oh, not much.
31:12Well, then, stop arguing and stay put.
31:15Get in there.
31:16Back again, huh?
31:23Yeah, back again.
31:24Well, why didn't you tell him...
31:25Did you ever try to talk to a crazy man with a gun that's loaded?
31:28What a spot.
31:29A crazy man on the outside and you on the inside.
31:32All I need now is to have it start raining.
32:02I don't know.
32:04I don't know.
32:05I don't know.
32:06I don't know.
32:07I don't know.
32:08I don't know.
32:09I don't know.
32:10I don't know.
32:11I don't know.
32:12I don't know.
32:13I don't know.
32:14I don't know.
32:15I don't know.
32:16I don't know.
32:17I don't know.
32:18I don't know.
32:19I don't know.
32:20I don't know.
32:21I don't know.
32:22I don't know.
32:23I don't know.
32:24I don't know.
32:25I don't know.
32:26I don't know.
32:27I don't know.
32:28I don't know.
32:29I don't know.
32:30I don't know.
32:31Sweetums, Sweetums, yes, Snokems, love me, uh-huh, do you love me, uh-huh,
33:01are you cold, honey, uh-huh,
33:31honey, huh, do you mind if I ask you something very personal, uh-uh, have you ever had any trouble with your feet, uh-uh, did you used to do a lot of walking, uh-uh, honey, yes, dear, were you born with feet like that,
34:01what's the matter with my feet, don't you think they're kind of bit for a little girl like you, well, why, well, I was just,
34:12howdy, folks, howdy, just passing through, good night, night, good night, hey,
34:31are you back, Sam, yes, Sammy, and this time for good,
34:40Sam, oh, stop, oh, you didn't shave,
34:55Sam, oh stop, oh you didn't shave, but I love you just the same.
35:14Oh dear, it's you, are you hurt?
35:36No, I'm alright Amy.
35:38Oh Sam, oh you better get to bed.
35:42I thought you were a cat.
35:44A cat?
35:45Yes, it got right up there in my...
35:49I can't understand how anybody can be so stubborn.
35:52Don't you think it's about time to forget about them and think about us?
35:55Nope, I can be just as stubborn as they can.
35:57Oh, but Sam, oh dear, I...
36:01I'll out-sit him if it takes all night.
36:04Fine, he's not kidding, so you might just as well relax.
36:07Good night, Amy.
36:08Oh, good night.
36:12Oh, scared.
36:14Oh.
36:15Oh, it's no use.
36:17The guy's got insomnia.
36:19Sam, he's asleep.
36:20Now's your chance.
36:21Now's your chance.
36:22Oh, you're on the other side.
36:23Oh, he's gone.
36:24I'm here.
36:25Oh, no, I'm sorry.
36:26Oh, no, I'm here.
36:27Oh, no, no, no, no.
36:28No, no, no, no, no, no, no.
36:29No, no, no, no, no, no, no, no, no, no.
36:32No, no, no, no, no, no.
36:33Oh, it's no use.
36:34That guy's got insomnia.
36:35What an insomnia.
36:45Say, he's asleep. Now's your chance.
36:58By the way, what's your name?
37:00Margie Blake. What's yours?
37:02Tom Wilson.
37:05Well, I'll be seeing you. So long.
37:09Bye.
37:19Oh, good morning, sir.
37:21Good morning.
37:22I guess it seems a little odd to hear.
37:24I understand. Just a lover's quarrel.
37:26Perhaps I can help.
37:28Oh, no.
37:30Maybe you can.
37:32Right this way, please.
37:35There you are, sir.
37:36Thanks, buddy.
37:37Anybody home?
37:38Oh, hello. Did you forget something?
37:40Yes, you.
37:41See who I've got here with me?
37:42This is Dr. John Foster and Mr. Clark, the witness.
37:45Witness?
37:46Sure.
37:47Oh, I forgot to tell you.
37:48I've decided to marry you.
37:49Well, of all the nerve, you've decided to marry me.
37:53I like that.
37:54Well, what's the matter with it?
37:56Nothing.
37:57Except I hardly know you.
37:58I've never even told you I liked you.
38:00And you haven't even proposed.
38:01You mean I've got to marry you and propose to you, too?
38:04Well, it is customary.
38:05Oh, that kind of makes it tougher.
38:07I've never done this before.
38:09Do I have to do it, doctor?
38:11Mm-hmm.
38:12Okay.
38:13Here goes.
38:14Darling.
38:15Darling.
38:16Look.
38:17How would you like to file your income tax with mine?
38:19And have a little exemption running around the house?
38:23I mean, if you haven't got anything better to do today, how would you like to change your name to mine?
38:29Oh.
38:30Oh.
38:31What do you say we just get married, huh?
38:32No.
38:33And no girl would after that proposal.
38:34I guess it was pretty bad.
38:35Well, it was terrible.
38:36Can't blame fellow for trying.
38:38Well, so long.
38:39So long.
38:40Sorry I bothered you, doctor.
38:43Hey, I guess you're right at that.
38:44No reason to go away mad, is there?
38:45No reason to go away mad, is there?
38:47No reason to go away mad, is there?
38:49No reason to go away mad, is there?
38:52No reason to go away mad, isn't there?
38:53No reason to go away mad, you?
38:55No reason to go away mad, no reason to go away mad.
38:58There's no reason to go away mad, is there?
39:00The doctor says to show that there isn't any hard feelings,
39:02we ought to kiss each other goodbye.
39:05If that's what the doctor ordered, I...
39:07Oh, yeah, yeah, that's what the doctor ordered.
39:24Do you, Thomas Wilson, take this woman to be your awfully wedded wife?
39:27Morning, officer.
39:28Good morning. Will you tell Miss Blake her car is here?
39:30Well, there's no Miss Blake registered.
39:31There's no Miss Anybody registered.
39:33They're all Missises.
39:34She's here. Checked in last night.
39:35Oh, that must be a mistake.
39:36No, there's no mistake. I brought her here myself.
39:38Blonde hair, blue eyes about five foot four,
39:41and a red sport coat with the...
39:43Big buttons?
39:44That's right.
39:45Oh, you mean Mrs. Wilson.
39:47No, I mean Miss Blake.
39:49You mean she isn't married?
39:50No, she isn't married.
39:52Sure?
39:53Certainly, I'm sure.
39:54Not married.
39:56Front.
39:58Front, boys.
39:59Boys, go up to the fourth floor bridal suite
40:01and throw those impostors out.
40:03Yes, sir.
40:04Yes, right away.
40:05Oh, this is...
40:10I hope you'll always be very happy.
40:12Oh, thank you, sir.
40:14I must be in the bedroom.
40:15Oh.
40:16Well, who are you?
40:17Boy, there must be some mistake.
40:18There is, and you made it.
40:19But what do you want?
40:20Is something burning?
40:21Yeah, the manager.
40:22Here, let me down.
40:23Oh, please, please be calm.
40:24Be calm?
40:25I thought this was a respectable hotel.
40:26It is, madam.
40:27I assure you.
40:28Well, gee whiz, what's my mother going to say
40:29when she hears about this?
40:30Let me down.
40:31Let me down.
40:32Turn me loose.
40:33Wait, wait, wait.
40:34Put me down.
40:35This is the Sawyers.
40:36You're darn right it's the Sawyers.
40:37What does this mean?
40:38Where did you get these people?
40:39In the fourth floor bridal suite.
40:40But I thought you gave up the bridal suite.
40:41We did.
40:42But we took it back again.
40:43Then that young couple must have left the hotel
40:44sometime during the night.
40:45See?
40:46There's nothing to be upset about after.
40:47Oh, dear.
40:48Oh, dear.
40:49Oh, dear.
40:50Now just relax everybody.
40:51Congratulations, Mr. Sawyer.
40:52You saved the reputation of the Falls view hotel.
40:53Reputation?
40:54Those people weren't married.
40:55Not married?
40:56Sam, they weren't married.
40:57Come on, Annie.
40:58Well, aren't you going to tell him?
40:59Don't you realize?
41:00I realized that he was a young girl,
41:01man?
41:02I'm not married.
41:03But I don't know how to get these people.
41:04They were married.
41:05Oh, dear.
41:06He was married.
41:07He was married back.
41:08Oh, dear, you shouldn't know.
41:09But you were married.
41:10I didn't get these people.
41:11In the fourth floor bridal suite.
41:13But I thought you gave up the bridal suite.
41:14You did.
41:15But we took it back again.
41:16Then that young couple must have left the hotel sometime
41:18Don't you realize?
41:19I realize you stuck your big nose in once too often.
41:21Shh, shh.
41:22Two wrongs don't make a right.
41:23Emily, please.
41:24You've got to tell him.
41:25It's the only honorable thing to do.
41:26Tell me what?
41:27Well, you see, I...
41:28Never mind.
41:29I'll tell him.
41:30Now, Mr. Potter, when I took back our bridal suite,
41:32I put that young couple in our room.
41:34You...
41:35Then they're still in the hotel?
41:36That's right.
41:37Mr. Sawyer, your meddling has aided and abetted
41:39in the ruination of this hotel.
41:41Oh, Sam, you ought to be ashamed of yourself.
41:44There they are now.
41:46Boys, boys.
41:47Young man, you've deceived me.
41:49I what?
41:50Throw them out.
41:51Hey, what's the matter?
41:52What's the matter?
41:53Stop!
41:54Throw them out.
41:55Hey!
41:56Hey, what's the idea?
42:02And stay out.
42:05Hot-headed little fella, ain't he?
42:06I don't get it.
42:07I think I do.
42:09Yeah, I think I do, too.
42:12Excuse me.
42:13Well, that's how it happened.
42:15It's a bad habit sticking your nose in other people's business.
42:18But that's the way I am.
42:20And I guess nothing will ever cure me.
42:22Oh, I wouldn't say that.
42:24I'm going to start minding my own business before it's too late.
42:31Too late!
42:32Oh, you too late!
42:33Have you seen a good hit?
42:34Take care.
42:35Have you seen a good hit?
42:36Have you seen a good hit?
42:37Ah!
42:38No!
42:39No!
42:40No!
42:41Not long yet!
42:42No!
42:43No!
42:44No!
42:45No!
42:46No!
42:47No!
42:49¶¶
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