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The.Fortune.2026.S01E01

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00:00Let's get started.
00:44I don't think you'll just see that I know this will be ever again.
01:44Anthony? Anthony? It's ready.
01:50Where's your father?
01:53Judging by the smell coming from your bedroom, he's cleaning up the mess from an aftershave explosion.
01:58Leave him alone.
02:00Are you sure he's not having an affair?
02:02Hey, he's just a fine-smelling man.
02:05Well, a fine-looking one for his age.
02:07Oh, yeah.
02:09And what is that?
02:10Never you mind.
02:12What have you got on today?
02:13He's looking for a job.
02:15Er, actually, I've found a job.
02:17And heaven knows I'm miserable now.
02:20What was that?
02:21You need to get yourself a musical education.
02:30He's so sad.
02:31God, there are people eating here.
02:33So, when are you back?
02:35Er, four days.
02:37And usual hotel?
02:39Of course.
02:44You know, actually, I have to get on.
02:48You haven't eaten anything.
02:49I'm sorry, I'm sorry.
02:50I've just lost track of time.
02:52I...
02:52Oh, did you pack your aftershave?
02:55Oh, you are funny.
02:57I know.
03:02What?
03:03Oh, nothing.
03:04I...
03:06I'll, er, see you both soon.
03:19Remember the Evanses are here on Saturday.
03:21Oh, no, no, no, no.
03:51Oh, no, no, no, no, no, no, no.
04:22Darling, you forgot your toothbrush.
04:24Do you want me to send it on?
04:28Reply, no.
04:38Martin, hello again.
04:40I'm starting to think that you're not taking me seriously.
04:56Your usual room, Mr. Worrell, with Riverview.
04:59Three nights.
05:00Yes, that's right, yeah.
05:00Lovely.
05:01We have your credit card details, so no need to do anything else.
05:04Have a great stay.
05:06Thanks very much.
05:34Thanks very much.
09:26I must confess I wasn't expecting that reaction.
09:30I suggest you think about that.
09:32This is a hell of a lot of money.
09:34I can't take a stranger's money without knowing why.
09:37This is life changing for you.
09:43Why do you think my life needs changing?
09:47Is it because I work in a restaurant?
09:51Listen to me.
09:54Are you coming back to help?
09:56Are you coming back to help or what?
10:01Look, are we sure this isn't just a different Amanda Blakefield?
10:05Very.
10:06Very.
10:07Don't waste any time.
10:09Oh, and off the record, if I were you, I would keep this to yourself for now.
10:14People can react very strangely to this kind of news.
10:17To this amount of money.
10:47What's up?
10:49What's up?
10:50What's up?
10:50Sorry, nothing.
10:51Um, what table?
10:52Six.
10:53Six.
10:54Right.
10:55Got it.
10:55Yeah.
10:58Sorry.
10:59Sorry.
10:59Sorry.
10:59Watch out.
11:00Sorry.
11:03What's up with her?
11:05Oh, God knows.
11:06Some suit took her outside.
11:08I wanted to talk to her.
11:09What suit?
11:10I don't know.
11:23I told Benji the only reason he beat me in a race was that I didn't hear the starting
11:27whistle.
11:27Uh-huh.
11:28Well, that's, um...
11:29It's annoying.
11:31Fish fingers and peas okay for tea?
11:33Fish fingers are fine.
11:35But peas will have to discuss.
11:59What?
12:02Hello?
12:03Who is this?
12:07Hello?
12:08Hey, you're left without me.
12:10Well, yeah, to go and pick up Luke. It's upstairs.
12:14Who's on the phone?
12:15No one. They hung up.
12:19I'll get this one.
12:21Just leave it.
12:23Why?
12:23You know, just don't encourage them.
12:31Sandy said someone came to see you at the restaurant.
12:33Some woman in a suit.
12:36Woman in a suit?
12:38Aye. Sandy seemed pretty sure.
12:41Oh, oh, her.
12:43Yeah, she was just a customer.
12:45We couldn't find her purse.
12:47Okay.
12:48Where are you going?
12:49To see if our son has agreed that peas are acceptable.
12:52Oh, look.
12:52Uh-oh.
12:57Uh-oh.
13:07Uh-oh.
13:09Uh-oh.
13:12Uh-oh.
13:12Uh-oh.
13:14Uh-oh.
13:36Any thoughts on tea?
13:47What did you ask me?
13:48Tea. What do you want?
13:50Sorry. I don't mind. You choose. I will start.
13:58You okay?
13:59Yeah, I'm fine.
14:09You know, I was, um...
14:12I was just reading this thing about secret millionaires and them leaving their money to complete strangers.
14:20I mean, it is mad. I mean, can you imagine?
14:24Chance would be a fine thing. I wish.
14:26Right. Because that kind of thing doesn't happen, does it?
14:34Um, oh God, Luke lost his race to Benji today and he's really sad.
14:40You know, I'll do that. Would you, um, would you go and talk to him?
14:44He's, um...
14:45Well, you're just better at that kind of thing than I am.
14:47Okay. All yours.
14:49Yes.
14:54What's up, chap?
15:01How many of you are doing this?
15:06It's an hour.
15:06I don't know.
15:09I don't know.
15:09I don't know.
15:10I don't know.
15:10I don't know.
15:12But look, I don't know.
15:17Hi, I'm good.
15:18What's up, chap?
15:19I don't know...
15:32Hello?
15:38Hello?
15:40Who is this?
15:43Look, if this is about the money, I don't want it, okay?
15:46I don't want what you have.
15:49Please.
15:50Just leave me alone.
16:01I don't want it.
16:10I don't want it.
16:11I don't want it.
16:11I don't want it.
16:11I don't want it.
16:11I don't want it.
16:12I don't want it.
16:12I don't want it.
16:12I don't want it.
16:12I don't want it.
16:12I don't want it.
16:12I don't want it.
16:35I don't want it.
16:43I don't want it.
16:49I don't want it.
17:21I don't want it.
17:43I don't want it.
17:45I don't want it.
17:47I don't want it.
17:47I don't want it.
18:08I don't want it.
18:30I don't want it.
18:37I don't want it.
18:47I don't want it.
19:06I don't want it.
19:20I don't want it.
19:45I don't want it.
19:48No good, dear.
19:49Okay.
19:50Best not keep it too long.
19:55Hi, Mum.
20:09I love that tree.
20:11Reminds me of the one at home in the garden.
20:13Do you remember?
20:14The cedar tree?
20:17Did you bring my lunch?
20:19Because I asked for it ages ago.
20:21Mum. Mum, it's me, Amanda.
20:22I know who you are.
20:28You're my daughter.
20:29Yes. Yeah, that's right.
20:32How are you feeling?
20:33Honestly.
20:34Honestly?
20:36Hungry.
20:37They never bring the lunch on time.
20:39You should remember that when they ask you for money.
20:43Can you still pay the bills?
20:45Because if you can't, I can leave and move back in with you.
20:50Mum, Mum, just don't you worry about the bills.
20:53You must be a rich woman.
20:56They must pay you well at that supermarket.
20:58Restaurant, Mum. I work in a restaurant with Jimmy.
21:04Oh, Jimmy.
21:06That good-for-nothing father of yours. Does he still drink?
21:10Jimmy's my husband, Mum.
21:17Your father planted that tree.
21:21He loved you.
21:22He loved both of us.
21:26He left before I could walk. He never knew me.
21:28He still loved you.
21:31Not as much as he loved himself, of course.
21:34Or his friend, Jack Daniels.
21:36Mum, do you, um...
21:40Do you know this...this man?
21:42Oh, yes, of course.
21:44You do?
21:45Sure.
21:46Who is he?
21:49Are you joking?
21:51No.
21:51No, I'm not, Mum.
21:52I need you to tell me.
21:54Wait.
21:56He was on television.
21:58A dancer.
21:59What?
22:00Yeah.
22:01Bruce something.
22:04No, Mum.
22:05This man's name's Martin.
22:07Forsyth.
22:08Bruce Forsyth.
22:10You don't get anything for a pair.
22:12Not in this game.
22:17He came to visit me.
22:20Who did?
22:22You know.
22:25No, Mum, I...
22:26I don't.
22:27Who...
22:27Who came?
22:33Who came to see you?
22:38Are you going to sit there all day?
22:40Or are you going to do your job and get me my bloody lunch?
22:43I think that's enough for today.
22:46OK.
22:53Bye, Mum.
22:58He was a good man.
23:01I miss him.
23:03Who?
23:06Mum?
23:13What does that woman want?
23:14She's just helping us out for today.
23:18Tell you what.
23:19Do you want to do your crossword?
23:21Mm.
23:21I'll get your lunch ready.
23:22And I'll get you a pen.
23:23Yeah.
23:47Hi.
23:48Hey.
23:50How's Luke?
23:51He's fine.
23:52He's gaming.
23:53Oh, er...
23:55This came for you.
23:56This is from a company called...
23:58...Furhill Solicitors.
24:02That's...
24:03Probably nothing.
24:04Probably just trying to sell me something, you know?
24:06Solicitors?
24:08What can they sell you?
24:09Jimmy.
24:14Sandy said there's something that she's not allowed to tell me.
24:17What?
24:18I asked her why you're behaving so weirdly and she said that you told her not to say anything.
24:23I don't know why she's said that.
24:26Amanda.
24:27What is going on?
24:30Do I need to be worried?
24:51It's...
24:52It says you've inherited this man's estate.
24:55Is this why you were asking me whether people randomly handed out...
24:59Well, who is he?
25:00I don't know.
25:01Well, you must.
25:02I mean, like we said, people don't just...
25:04No.
25:04They don't, so...
25:06It's just...
25:07It's got to be a mistake.
25:08Gonna get in the shower.
25:38I don't know.
25:38Home, home, home, home, home, home, home...
25:40I don't know.
25:40I don't know.
25:41I don't know.
25:54I don't know.
26:00Shit.
26:00Oh, shit.
26:06Who is this?
26:08Is this you?
26:10Look, I can't talk here.
26:12Just wait for me.
26:15Jimmy?
26:20Why are you doing that?
26:28Jimmy?
26:48Two door reservations.
26:51So many passengers don't have any reservations.
26:54Charmands certainly are courteous, but if not,
26:56I apologise for the rescuing, but I've not applied on this service.
27:06Where's Amanda?
27:07I specifically asked her to help me with this.
27:09Well, I assume she was here.
27:10Do you actually live with her?
27:12I was out late. She was gone by the time I got up.
27:14Yeah, well, she's starting to piss me off.
27:17Oh, and, um, someone keeps calling the restaurant.
27:20One of the girls say that they were asking for you,
27:22but they wouldn't leave a name.
27:24Did they manage to get a hold of you?
27:26Um, yeah. Yeah.
27:29Jimmy?
27:31You're not looking for more work, are you?
27:34What, and leave all this behind?
27:41What, and leave all this behind?
27:56Hey, this is Jimmy.
27:56I'm leaving my house for now.
27:57That's right.
28:00We can go back to sleep.
28:17Hey, this is Jimmy. Leave a message.
28:41Your call has been forwarded to voicemail. Please record your message after the tone.
28:47It's Jimmy. Look, I don't know who you are, I mean really are, but I told you, I'd hear you
28:52out, but you cannot call the CAF.
28:54Alright? Now if you need me, you call me on this number.
29:14Hi.
29:15Where to?
29:17Can you take me to Brackburn, please?
29:19Anywhere specific.
29:20Brackburn House? Do you know it?
29:22Yeah, sure.
29:24Thanks.
29:36Do you know anything about the people who live in the house?
29:39Well, everybody knows the family around here. Are you a reporter?
29:45Well, we've had a few, you know, since he did himself in.
29:48Since he what?
29:50You're not a very good reporter.
29:52I'm, I'm not a, sorry, he, he killed himself.
29:56Yeah, shot himself. In a hotel. Quick, I suppose.
30:02Oh, sorry, you're not, er, not a friend, are you?
30:06Er, no, no.
30:08Take some balls, that, shooting yourself. We were discussing it in the pub.
30:12Couple of the lads went for drowning at sea, but er, I'd walk in front of a train.
30:18Tough on the driver, but, you know, gets the job done.
30:36Here we go. I can drop you here.
30:39You can't take me up the drive?
30:40No, here's fine. I've got another fare.
30:43Okay.
31:16I've got a lot of fun.
31:17Las Vegas, you know, I've got a lot of fun.
31:25But there's a lot of fun here.
31:25That's right, right?
31:26Ah, you can't even see here.
31:28It's even some searches.
31:28Oh, yeah.
31:28They're so good.
31:28They're so good at all.
31:28The ones that are phy-shy, they're so good at all.
31:30Oh, yeah.
31:35Those who have a friend of the country are busy.
31:35But the one of the people of the country that are poor,
31:35they're so poor.
31:35They're all very beautiful.
31:35They're hungry, although they're so good at all,
31:36Oh, yeah.
31:44Can I help you?
31:48I'm looking for the family of Martin Worrell.
31:51And who might you be?
31:53You know who this is.
31:56She's come to inspect her inheritance.
31:59Oh.
32:00So you're the mysterious Amanda Blokefield.
32:03I'm so sorry for your loss.
32:05We're very upset, as I'm sure you can imagine.
32:07Well, look, I just came to talk to you
32:10because it's as confusing to me as it is to you.
32:12I see. Well, that's actually where you're wrong
32:15because this isn't confusing at all.
32:16In fact, it's very straightforward.
32:18Anthony.
32:19Something happened between you and my dad.
32:21I don't know what, although I have a theory.
32:24And you manipulated him.
32:26No, no, you have to believe me.
32:27I don't know Martin or why I've been named in his will.
32:30Do you think we're idiots?
32:31Helen, I've got a question for you.
32:32Why did you call me and then not speak?
32:33Are you trying to scare me?
32:34Because you don't need to do that.
32:36All you have to do is make this right.
32:39We'll take you to court.
32:40And as things stand,
32:42I suspect our pockets are deeper than yours.
32:45Look, can you just tell me,
32:47did he leave a note, a suicide note?
32:51No, unfortunately not.
32:54Wouldn't that have made life easier?
32:58Look, you know what you have to do.
33:07Don't be afraid.
33:08Don't be afraid.
33:35Are you sure Dad didn't leave a note?
33:37Of course.
33:45Do you want to hear my theory?
33:49Mum?
33:51I can only think somehow she got to him.
33:56Do you think that maybe him and Amanda were having some kind of...
34:04Your father was a good, decent human.
34:06He loved me.
34:10You?
34:11Us, obviously.
34:15Yeah, he killed himself.
34:18People don't just do that. Something must have happened.
34:21Maybe she blackmailed him.
34:22If they were having an affair...
34:25Why would you say that?
34:31Unless he was her...
34:33Her father.
34:34No.
34:34Come on, would that really shock you?
34:36Enough!
34:36I'm just saying...
34:38I can't have you talking about him like this.
34:40I miss him.
34:42I miss him...
34:44So much.
34:46Look, I don't know what she did.
34:49But I do know this.
34:52She won't succeed.
34:53I'll be allowed.
35:14I'll be allowed.
35:27Hello, love. What can I get you?
35:29Just an orange juice, please.
35:31Coming right up.
35:32Do you want ice?
35:35No, thank you.
35:37£2.50, please.
35:38Cash, wow. Almost forgot what they look like.
35:41I work in a restaurant and tips are just about still a thing.
35:45Enjoy.
36:01None of this makes any sense to me.
36:03I need to understand it. I'm sure you can see that.
36:06It's as much of a mystery to me as it is to you.
36:09Laura, you were his lawyer for 20 years.
36:12You must know what this is all about. He never hid anything from you.
36:15I'm sorry. All I can tell you is that he asked me to change his will.
36:19All you can tell me. I'm interested in what you can't.
36:24Fiona, I have told you everything that I know. If I knew anything else...
36:29What do you make of the girl?
36:30What do you make of the girl?
36:31Make of her?
36:32Do you think... Do you suppose she had something to do with Martin's decision?
36:38It's possible?
36:39You must have a theory. We both know he wasn't the best behaved man in the past.
36:44I've told you everything I know.
36:45Well, know this too. If you're holding anything back from me, I will find out.
36:52Would you still like me to proceed with the challenge to his will?
36:57What do you advise?
36:59It won't be easy. Or cheap. But it is, of course, entirely up to you.
37:15There you go, Alan. Enjoy, mate.
37:22Excuse me.
37:23Same again.
37:25No. Can I just ask a question?
37:27Oh, Thursday's quiz night.
37:30It's a joke. I just meant...
37:32Um, did you know Martin Worrell?
37:36A little. Why?
37:39Well, I'm just an old friend.
37:42Is that right?
37:43Yeah.
37:44Not a reporter, then?
37:46No.
37:47He's a good man. Self-made. You know, the best kind.
37:51But I assume you already know that.
37:54Um, well, I mean, the family must be devastated.
37:59Yeah, we all are.
38:01Makes no sense.
38:03No sense at all.
38:06Yes, mate. What can I get you?
38:08Yeah, pint?
38:30You have reached Firhill solicitors. Please press 1 for reception or leave a message after the tone.
38:40Dad, can we play the dinosaur game?
38:42Um, yes, mate. Just give me a minute, yeah?
38:44I hate giving you a minute. You have very long minutes.
38:49Go on, go on. I'm your way.
38:57Hello. Yeah, I'm trying to get a hold of Laura Mistry.
39:00I'm calling on behalf of Amanda Blakefield. I believe she's trying to get a hold of her. I'm her husband.
39:05I'm afraid she's there for the day.
39:07Oh, um...
39:08Right, uh...
39:09Yeah. Well, can you just, um, can you just tell her that Amanda's been very busy and she wanted me
39:16to, um, follow up with a few questions about the letter?
39:31Is that a minute?
39:33Um, just hold on.
39:44Come on, come on.
39:57Taxi for Amanda.
40:05Train station, please.
40:12Give me a message.
40:14Dad, help me!
40:14We need to speak.
40:16Please, call me back.
40:18Get in!
40:21I'll be the lost Raptor.
40:22Who do you want to be?
40:24Oh.
40:26Hello?
40:27Yeah.
40:31Yeah.
40:36Yeah, but why should I even believe this?
40:38I mean, it makes no sense.
40:40No, I didn't say that.
40:42I need more time, is all.
40:46You know, you could be anyone.
40:48I mean, this whole thing is...
40:49Hello?
40:51Hello?
40:52Hello?
40:54Oh, oh, oh.
41:02Hello?
41:02Oh, oh.
41:03Oh, oh.
41:09Oh, no.
41:29I don't know.
41:51Dad, come on. I've beat you twice. You're rubbish. I'm the best.
41:56You've got to go faster.
42:11Dad, come on.
42:14Where are you? I'm Miles ahead.
42:27Sorry, um, which way are you going?
42:32Excuse me?
42:42Um, look, I think you're, um, you're going the wrong way.
42:47Sorry, can you hear me?
42:50Oh, my God.
42:52Oh.
42:54Can you, can you turn around, please?
42:58What are you, what are you doing?
43:01Please.
43:04Please, please, just stop the car.
43:06Please, please.
43:11What are you doing? Who are you?
43:26Has Mum left us?
43:29Don't be silly.
43:31We need to make sure his legacy remains intact.
43:33Do you understand me?
43:34Loud and clear.
43:35I had another visitor.
43:37He mentioned Martin too.
43:39We need to stay calm.
43:43Well, go on then.
43:45What about her mother?
43:46She's not going to be a problem.
43:49We need to meet.
43:50I know you got my messages.
43:51Please.
43:55You don't know who I am.
44:21Bye.
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