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00:00:00How do you state your full name for the record?
00:00:03Charles Augustus Magnussen.
00:00:06Mr Magnussen, how would you describe your influence over the Prime Minister?
00:00:10The British Prime Minister?
00:00:12Any of the British Prime Ministers you have known?
00:00:15I never had the slightest influence over any of them.
00:00:18Why would I?
00:00:20I notice you've had seven meetings at Downing Street this year.
00:00:25Why?
00:00:27Because I was invited.
00:00:30Can you recall the subjects under discussion?
00:00:32Not without being more indiscreet than I believe is appropriate.
00:00:36Do you think it right that a newspaper proprietor, a private individual, and in fact a foreign national,
00:00:41should have such regular access to our Prime Minister?
00:00:47I don't think it's wrong that a private individual should accept an invitation.
00:00:51However, you have my sincere apologies for being foreign.
00:00:55That's not what I meant.
00:00:57That is not in any way...
00:00:58Mr Magnussen, can you recall an occasion when your remarks could have influenced government policy?
00:01:03Or the Prime Minister's thinking in any way?
00:01:07No.
00:01:08Are you sure?
00:01:20I have an excellent memory.
00:01:22No one in any way.
00:01:37No one in any way.
00:01:38I don't know.
00:01:38It's not aifique to say thirty-five.
00:01:39I it's not a guilty bod.
00:01:40It's not a guilty bod.
00:01:40Very all in any way.
00:01:40Oh, oh, oh.
00:01:40Oh, oh, yeah.
00:01:45I don't know.
00:01:48Dr. Blackwater, oh yeah.
00:01:48I'm glad I'm going to get you.
00:01:49Rodhalman, you're not a guilty special.
00:01:50What happened to him?
00:01:50What happened to me?
00:01:50I was wrong.
00:01:50It's a conflict.
00:01:50It's a conflict.
00:01:51I cried one in a moment.
00:02:00I don't know.
00:02:41May I join you?
00:02:43I don't think it's appropriate.
00:02:45It isn't.
00:02:45Mr. Magnuson, outside the inquiry, we can have no contact, no communication at all.
00:02:51Please don't do that.
00:02:53In 1982, your husband corresponded with Ellen Catherine Driscoll.
00:02:57That was before I knew him.
00:02:59The letters were lively, loving, some would say explicit, and currently in my possession.
00:03:05Would you please move your hand?
00:03:06I long, my darling, to know the touch of your body.
00:03:11I know what was in the letters.
00:03:13She was 15.
00:03:16She looked older.
00:03:18She looked delicious.
00:03:21We have photographs, too.
00:03:23The ones she sent him.
00:03:26Yum, yum.
00:03:27He was unaware of her age.
00:03:29He met her only once before the letters began.
00:03:31When he discovered the truth, he stopped immediately.
00:03:34Those are the facts.
00:03:35The facts are for history books.
00:03:37I work in news.
00:03:38Your hand is sweating.
00:03:39Always, I'm afraid.
00:03:41I have a condition.
00:03:42It's disgusting.
00:03:44I'm used to it.
00:03:46The whole world is wet to my touch.
00:03:49I will call someone.
00:03:50I will have you removed.
00:03:51What is that?
00:03:57Clare de la Lune?
00:03:59A bit young for you, isn't it?
00:04:03You want to hit me now?
00:04:05Could you?
00:04:06Still?
00:04:07Little old lady now.
00:04:08Perhaps you should settle for calling someone.
00:04:14Well, go on.
00:04:17No?
00:04:18Because now there are consequences.
00:04:20I have the letters and therefore I have you.
00:04:22This is blackmail.
00:04:23Of course it is blackmail.
00:04:25This is ownership.
00:04:28You do not own me.
00:04:42Clare de la Lune?
00:04:48It never tastes like it smells, does it?
00:04:56Lady Smallwood's bill is on me.
00:04:58Say to it.
00:04:59Yes, Mr. Magnusson.
00:05:11You all right, Mum?
00:05:13Fine.
00:05:14Yes.
00:05:15Magnusson.
00:05:18No one stands up to him.
00:05:19No one dares.
00:05:20No one even tries.
00:05:22There isn't a man or woman in England capable of stopping that disgusting creature.
00:05:28Mom?
00:05:29Turn the car around.
00:05:31We're going back into town.
00:05:32Turn around.
00:05:35Where are we going, Mom?
00:05:37Baker Street.
00:05:44A lot of injuries then.
00:05:46Violent deaths.
00:05:47Enough for a lifetime.
00:05:49Want to see some more?
00:05:49Oh, God, yes.
00:05:52The game is on.
00:05:59I know it's early.
00:06:01Really, I'm sorry.
00:06:03Is that Kate?
00:06:04Yes, Kate.
00:06:05Want to invite her in?
00:06:07Sorry, yes.
00:06:07Do you want to come in, Kate?
00:06:11Hey.
00:06:12Sorry.
00:06:15There you go.
00:06:15It's Isaac.
00:06:16Your husband.
00:06:17Son.
00:06:18Son, yeah.
00:06:19He's gone missing again.
00:06:20Didn't come home last night.
00:06:22The usual.
00:06:23He's the drugs one, yeah?
00:06:25Yeah.
00:06:26Nicely put, John.
00:06:27But is it Sherlock Holmes you want?
00:06:28Because I've not seen him in ages.
00:06:29About a month.
00:06:30It was Sherlock Holmes.
00:06:31See?
00:06:32That does happen.
00:06:33There's a place they all go to.
00:06:35Him and his friends.
00:06:39They all do whatever they do.
00:06:43Shoot up.
00:06:44Whatever you call it.
00:06:45Where is he?
00:06:46It's a house.
00:06:47It's a dump.
00:06:47I mean, it's practically falling down.
00:06:48No, the address.
00:06:50Where exactly?
00:06:51Seriously?
00:06:52Why not?
00:06:53She's not going to the police.
00:06:54Someone's got to get him.
00:06:54Why you?
00:06:55Big neighbourly.
00:06:56Since when?
00:06:57Since now.
00:06:58Since this exact minute.
00:06:59Why are you being so...
00:07:01What?
00:07:01I don't know.
00:07:02What's the matter with you?
00:07:03There is nothing the matter with me.
00:07:05Imagine I said that without shouting.
00:07:06I'm trying.
00:07:08No, you can't come.
00:07:09You're pregnant.
00:07:10You can't go.
00:07:10I'm pregnant.
00:07:15I'm pregnant.
00:07:20What is that?
00:07:21It's a tyre lever.
00:07:22Why?
00:07:23Because there were loads of smack heads in there and one of them might need help with a tyre.
00:07:26If there's any trouble, just go.
00:07:27I'll be fine.
00:07:28John, John, John, John.
00:07:31Is a tiny bit sex?
00:07:33Yeah, ma'am.
00:07:41What do you want?
00:07:42Excuse me.
00:07:45Oh, no.
00:07:46You can't come in here.
00:07:47I'm looking for a friend.
00:07:49Very specific.
00:07:51Friend.
00:07:51I'm not just browsing.
00:07:53You've got to go.
00:07:54No one's allowed here.
00:07:57Isaac Whitney.
00:07:57You've seen him.
00:08:00I'm asking you if you've seen Isaac Whitney and now you're showing me a knife.
00:08:03Is it a clue?
00:08:05Are you doing a mime?
00:08:06Go.
00:08:07Or I'll cut you.
00:08:09Oh, not from there.
00:08:10Let me help.
00:08:13Now, concentrate.
00:08:16Isaac Whitney.
00:08:17Okay, you ask for it.
00:08:23Right.
00:08:25Are you concentrating yet?
00:08:27You broke my arm.
00:08:28No, I sprained it.
00:08:29It feels squishy.
00:08:31It's supposed to feel squishy.
00:08:32Feel that?
00:08:33Yeah.
00:08:34It's a sprain.
00:08:34I'm a doctor.
00:08:35I know how to sprain people.
00:08:36Now, where is Isaac Whitney?
00:08:38I don't know.
00:08:40Maybe upstairs.
00:08:41There you go.
00:08:42Wasn't that easy.
00:08:44No, it was really sore.
00:08:47Mental you are.
00:08:48Oh, just used to a better class of criminal.
00:08:51Oh, just used to a better class of criminal.
00:09:18The universe will discover the earth.
00:09:19Look at me.
00:09:20Have you gone for me?
00:09:22You think I know a lot of people here?
00:09:24Okay.
00:09:25All right.
00:09:27Oh, hello, John.
00:09:29Didn't expect to see you here.
00:09:33Come for me, too.
00:09:38Hello, Isaac.
00:09:39I mean, she's watching.
00:09:40Can I get in, please?
00:09:41Yes, of course.
00:09:42Get in.
00:09:42Where's John?
00:09:43They're having a fight.
00:09:44Who is?
00:09:45For God's sakes, John, I'm on a case.
00:09:47A month.
00:09:48That's all it took.
00:09:49One.
00:09:49I'm working.
00:09:51Sherlock Holmes.
00:09:51You're eating a drug den.
00:09:52How's that going to look?
00:09:53I'm undercover.
00:09:54Oh, you're not.
00:09:55Well, I'm not now.
00:09:57In, both of you, quickly.
00:10:04Please.
00:10:05Can I come?
00:10:06I think I've got a broken arm.
00:10:07No, go away.
00:10:08No, let him.
00:10:08Why?
00:10:09Yeah, just get in.
00:10:09It's a sprain.
00:10:11Anyone else?
00:10:12I mean, we're taking everybody home, are we?
00:10:16All right, Chesa.
00:10:17Chesa?
00:10:18I was undercover.
00:10:19Seriously, Chesa, though.
00:10:20We're not going home.
00:10:21We're going to Bart's.
00:10:22I'm calling Molly.
00:10:23Why?
00:10:23Because Sherlock Holmes needs to pee in a jar.
00:10:37Well, is he clean?
00:10:40Clean.
00:10:49How dare you throw away the beautiful gifts you were born with?
00:10:52And how dare you betray the love of your friends?
00:10:54Say you're sorry.
00:10:55Sorry your engagement's over.
00:10:57I'm fairly grateful for the lack of a ring.
00:10:58Stop it.
00:11:00Just stop it.
00:11:01If you were anywhere near this kind of thing again, you could have called, you could have
00:11:05talked to me.
00:11:06Please do relax.
00:11:06This is all for a case.
00:11:08What kind of case would need you doing this?
00:11:09I might as well ask you why you've started cycling to work.
00:11:12No?
00:11:13We're not playing this game.
00:11:14Quite recently, I'd say you were very determined about it.
00:11:16Not interested.
00:11:17I am.
00:11:18Ow!
00:11:19Sorry you moved, but it is just a sprain.
00:11:21Yeah, somebody hit me.
00:11:23Huh?
00:11:25Yeah, just some guy.
00:11:28And it's probably just an addict.
00:11:29In need of a fix.
00:11:31Yes, I think in a way it was.
00:11:34Is it a shirt?
00:11:35I'm sorry.
00:11:37Well, it's the creases, isn't it?
00:11:41The two creases down the front.
00:11:42It's been recently folded, but it's not new.
00:11:45You must have dressed in a hurry this morning.
00:11:47So all your shirts must be kept like that.
00:11:51But why?
00:11:52Maybe because you cycle to work every morning, shower when you get there, and then dress in
00:11:56the clothes you're brought with you.
00:11:58You keep your shirts folded.
00:12:01Ready to pack.
00:12:03Not bad.
00:12:03And I further deduce, you've only started recently because you've got a bit of chafing.
00:12:10No, he's always walked like that.
00:12:12Remind me, what's your name again?
00:12:13They call me the Wig.
00:12:15No, they don't.
00:12:16Well, they call me Wiggy.
00:12:18Nope.
00:12:21Bill.
00:12:23Bill Wiggins.
00:12:24Nice observational skills.
00:12:25Billy.
00:12:29Finally.
00:12:30Finally what?
00:12:31Good news.
00:12:32Oh, excellent news.
00:12:34The best.
00:12:35There's every chance that my drug habit might hit the newspapers.
00:12:37The game is on.
00:12:39Excuse me.
00:12:40For a second.
00:12:44You've heard of Charles Augustus and Magnuson, of course.
00:12:47Yeah, and some newspapers.
00:12:49Why don't I read?
00:12:50Hang on.
00:12:51Where are there other people?
00:12:52Mary's taking the boys home.
00:12:53I'm taking you.
00:12:54We did discuss it.
00:12:55People were talking other than me.
00:12:57I must have heard the...
00:12:58Oh, I noticed.
00:12:59I had to filter out a lot of witless battle.
00:13:00I got Mrs Hudson on a semi-permanent mute.
00:13:05What is my brother doing here?
00:13:08So I'll just pay then, shall I?
00:13:11He's straight in the knocker.
00:13:12He always corrects it.
00:13:13It's OCD.
00:13:13Doesn't even know he's doing it.
00:13:15Why do you do that?
00:13:16Do what?
00:13:17Nothing.
00:13:20Well then, Sherlock.
00:13:22Back on the source.
00:13:23What are you doing here?
00:13:24I found him.
00:13:25The siren call of old habits.
00:13:27I very like Uncle Rudy.
00:13:29Though in many ways, cross-dressing would have been a wiser path for you.
00:13:32You found him.
00:13:33Of course I bloody found him.
00:13:34Of course he bloody did.
00:13:35Now save me a little time.
00:13:36Where should we be looking?
00:13:37We.
00:13:38Mr Holmes!
00:13:41For God's sake!
00:13:45Anderson!
00:13:46Sorry, Sherlock.
00:13:47It's for your own good.
00:13:49Oh, that's him, isn't it?
00:13:51He said he'd be taller.
00:13:52Some members of your little fan club do be polite.
00:13:55They're entirely trustworthy.
00:13:57And even willing to search through the toxic waste dump that you are pleased to call a flat.
00:14:01You're a celebrity these days, Sherlock.
00:14:03You can't afford a drug habit.
00:14:04I do not have a drug habit.
00:14:07Hey, what happened to my chair?
00:14:08I was blocking my view to the kitchen.
00:14:09Well, it's good to be missed.
00:14:11Yeah, you were gone.
00:14:12I saw an opportunity.
00:14:13You saw the kitchen?
00:14:14What have you found so far?
00:14:15Clearly nothing?
00:14:16There's nothing to find!
00:14:17Your bedroom door is shut.
00:14:19You haven't been home all night.
00:14:20So, why would a man who has never knowingly closed the door without the direct orders of his mother bother
00:14:25to do so on this occasion?
00:14:26Okay, stop to stop!
00:14:28Point made.
00:14:29Jesus, Sherlock.
00:14:30And our parents, of course, in Oklahoma.
00:14:34Won't be the first time that your substance abuse has wreaked havoc with their line dancing.
00:14:41This is not what you think.
00:14:42This is for a case.
00:14:43What case could possibly justify this?
00:14:45Magnuson.
00:14:47Charles Augustus Magnuson.
00:14:53That name you think you may have just heard, you were mistaken.
00:14:57If you ever mention hearing that name in this room, in this context, I guarantee you, on behalf of the
00:15:02British Security Services,
00:15:03the materials will be found on your computer hard drives resulting in your immediate incarceration.
00:15:08Don't reply.
00:15:09Just look frightened and scuttle.
00:15:13I hope I won't have to threaten you as well.
00:15:20Magnuson is not your business.
00:15:22Oh, you mean he's yours?
00:15:23You may consider him under my protection.
00:15:25I consider you under his thumb.
00:15:26If you go against Magnuson, then you will find yourself going against me.
00:15:30Okay, I'll let you know if I notice.
00:15:32Um, what was I going to say?
00:15:34Oh, yeah.
00:15:35Bye-bye.
00:15:40Unwise, brother mine.
00:15:44Brother mine.
00:15:46Don't appall me when I'm high.
00:15:49Mycroft, don't say another word.
00:15:51Just go.
00:15:51He could snap you in two, and right now, I'm slightly worried that he might.
00:15:58Don't speak.
00:15:59Just leave.
00:16:02Oh.
00:16:12Magnuson?
00:16:13What time is it?
00:16:14About eight.
00:16:16I'll meet you in three hours.
00:16:17I need a bath.
00:16:18It's for a case, you sir?
00:16:19Yep.
00:16:20What sort of case?
00:16:21Too big and dangerous for any sane individual to get involved in.
00:16:24You trying to put me off?
00:16:25God, no.
00:16:26I'm trying to recruit you.
00:16:29Stay out of my bedroom.
00:16:31Stay out of my bedroom.
00:16:40Oh, John, hi.
00:16:42How are you?
00:16:43Janine?
00:16:44Sorry.
00:16:45Not dressed.
00:16:46Has everybody gone?
00:16:47I heard you shouting.
00:16:48Yes, they're gone.
00:16:49God, look at the time.
00:16:50I'll be late.
00:16:51Sounded like an argument.
00:16:52Was it Mike?
00:16:53Mike?
00:16:54Mike, yeah.
00:16:55His brother, Mike.
00:16:56They're always fighting.
00:16:57Mycroft.
00:16:58Do people actually call him that?
00:17:00Yeah.
00:17:01Oh, could you be a love and put some coffee on?
00:17:03Sure, all right, yeah.
00:17:04Thanks.
00:17:05Oh, I was married.
00:17:06I was married life.
00:17:07She's fine.
00:17:08We're both fine.
00:17:10Oh, it's over there now.
00:17:12Where's Cheryl?
00:17:13Cheryl.
00:17:15He's just having a bath.
00:17:16I'm sure he'll be out in a minute.
00:17:17Oh, like he ever is.
00:17:19Yeah.
00:17:22Morning.
00:17:23Good morning.
00:17:24Good morning, little boy.
00:17:32So, just a guess, but you've probably got some questions.
00:17:36Yeah, one or two, pretty much.
00:17:38Naturally.
00:17:44You have a girlfriend?
00:17:46Yes, I have.
00:17:48Oh, Magnusson.
00:17:49Magnusson is like a shark, the only way I can describe him.
00:17:52Have you ever been to the shark tank at the London Aquarium?
00:17:54John stood up close to the glass, those floating, flat faces, those dead eyes.
00:17:59That's what he is.
00:18:02I've dealt with murderers, psychopaths, terrorist serial killers.
00:18:07None of them can turn my stomach like Charles Augustus Magnusson.
00:18:12Yes, you have.
00:18:14Sorry, what?
00:18:15You have a girlfriend.
00:18:16What?
00:18:17Yes, yes, I'm going out with Janine.
00:18:18I thought that was fairly obvious.
00:18:20Yes, well, yes.
00:18:22But, I mean, you are in a relationship?
00:18:26Yes, I am.
00:18:27You and Janine?
00:18:28Yes, me and Janine.
00:18:30Care to elaborate?
00:18:32Well, we're in a good place.
00:18:33It's, um, very affirming.
00:18:37You got that from a book?
00:18:37Everyone got that from a book.
00:18:39Okay, you two bad boys.
00:18:42Behave yourselves.
00:18:43You, Cheryl, you're going to have to tell me where you were last night.
00:18:46Working.
00:18:47Working, of course.
00:18:49I'm the only one who really knows what you like, remember?
00:18:52Don't you go letting on.
00:18:54I might just, actually.
00:18:57I haven't told Mary about this.
00:19:00I kind of wanted to surprise her.
00:19:01Yeah, I think you probably will.
00:19:03But we should have you two over for dinner really soon.
00:19:05Yeah.
00:19:05My place, though, not the scuzzed up.
00:19:08Great, yeah.
00:19:10Dinner, yeah.
00:19:11I thought I'd better dash.
00:19:12It was...
00:19:17Have a lovely day.
00:19:18Call me later.
00:19:20I might do.
00:19:21I might call you.
00:19:23Unless I meet someone prettier.
00:19:32Solve me a crime, Sherlock Holmes.
00:19:39You know Magnuson is a newspaper owner, but he is so much more than that.
00:19:42He uses his power and wealth to gain information.
00:19:45The more he acquires, the greater his wealth and power.
00:19:47And I'm not exaggerating when I say that he knows the critical pressure point on every
00:19:51person of notable influence in the whole of the Western world and probably beyond.
00:19:55He is the Napoleon of blackmail.
00:19:58And he...
00:20:04He is Appledore.
00:20:06Dinner.
00:20:07Sorry, what, dinner?
00:20:08Me and Mary coming for dinner with wine and sitting.
00:20:15Seriously?
00:20:16I've just told you that the Western world is run from this house and you want to talk about
00:20:19dinner.
00:20:20Fine.
00:20:20Talk about the house.
00:20:23It is the greatest repository of sensitive and dangerous information anywhere in the world.
00:20:27The Alexandrian library of secrets and scandals and none of it is on a computer.
00:20:32He's smart.
00:20:32Computers can be hacked.
00:20:34It's all on hard copy.
00:20:35Infaults underneath that house.
00:20:36And as long as it is, the personal freedom of anyone you've ever met is a fantasy.
00:20:42Oh, that was the doorbell.
00:20:43Couldn't you hear it?
00:20:44It's in the fridge.
00:20:44It kept ringing.
00:20:45Oh, that's not a fault, Sherlock.
00:20:47Who is it?
00:20:53Mr. Holmes said you can go right up.
00:21:04Go ahead.
00:21:07Sir?
00:21:08Can I have a moment?
00:21:11He's fine.
00:21:14Look, I...
00:21:15Right.
00:21:15I should probably tell you...
00:21:17Okay, I...
00:21:20That...
00:21:22And...
00:21:26Doesn't mean I'm not pleased to see you.
00:21:28I can vouch for this man.
00:21:29He is a doctor.
00:21:30If you know who I am, then you know who he is.
00:21:33Don't you, Mr. Magnusson?
00:21:37I understood we were meeting at your office.
00:21:40This is my office.
00:21:47Well, it is now.
00:21:52Mr. Magnusson, I have been asked to intercede with you by Lady Elizabeth Smallwood on the
00:21:58matter of her husband's letters.
00:22:00Some time ago, you put pressure on her concerning those letters.
00:22:05She would like those letters back.
00:22:10Obviously, the letters no longer have any practical use to you, so with that in mind...
00:22:17Something I said?
00:22:18No, no.
00:22:19I was reading.
00:22:22There's rather a lot.
00:22:27Redbeard.
00:22:30Sorry.
00:22:31Sorry, you were probably talking?
00:22:34I was trying to explain that I've been asked to act on behalf...
00:22:39Bathroom?
00:22:40Along from the kitchen, sir.
00:22:42Okay.
00:22:43I've been asked to negotiate the return of those letters.
00:22:46I'm aware you do not make copies of sensitive documents.
00:22:48Is it like the rest of the flat?
00:22:50Sir?
00:22:51The bathroom?
00:22:52Yes, sir.
00:22:54Maybe not, then.
00:22:55Am I acceptable to you as an intermediary?
00:23:00Lady Elizabeth Smallwood.
00:23:03I like her.
00:23:06Mr. Magnusson, am I acceptable to you as an intermediary?
00:23:11She's English with a spine.
00:23:16Best thing about the English.
00:23:22You're so domesticated.
00:23:24All standing around, apologizing.
00:23:28Keeping your little heads down.
00:23:32You can do what you like here.
00:23:33No one's ever going to stop you.
00:23:36A nation of herbivores.
00:23:39I've interests all over the world, but...
00:23:43Everything starts in England.
00:23:45If it works here...
00:23:48I tried in a real country.
00:23:54The United Kingdom.
00:23:56Petri dish to the Western world.
00:24:00Tell Lady Elizabeth...
00:24:01I might need those letters, so...
00:24:04I'm keeping them.
00:24:07Goodbye.
00:24:11Anyway...
00:24:13They're funny.
00:24:21Jesus.
00:24:22Did you notice the one extraordinary thing he did?
00:24:26There was a moment that kind of stuck in the mind, yeah.
00:24:29Exactly.
00:24:29When he showed us the letters.
00:24:32Okay.
00:24:33So he's brought the letters to London, so no matter what he says, he's ready to make a deal.
00:24:36Now, Magnusson only makes a deal once he's established a person's weaknesses.
00:24:39The pressure point, he calls it.
00:24:41So, clearly he believes I'm a drug addict, and no serious threat.
00:24:46And, of course, because he's in town tonight, the letters will be in his safe, in his London office, while
00:24:50he's out to dinner with the marketing group of Great Britain from 7 to 10.
00:24:52How do you know his schedule?
00:24:53Because I do.
00:24:54Right.
00:24:54I'll see you tonight.
00:24:55I've got some shopping to do.
00:24:56What's tonight?
00:24:57I'll text instructions.
00:24:58Yeah, I'll text you if I'm available.
00:25:00You are okay.
00:25:02Don't bring a gun.
00:25:03Why would I bring a gun?
00:25:04Or a knife, or a tire lever.
00:25:06Probably best not to do any arm spreading, but we'll see how the night goes.
00:25:08You're just assuming I'm coming along?
00:25:10Have you got out of the house, John?
00:25:11You've gone on seven pounds since you got married, and the cycling isn't doing it.
00:25:15It's actually four pounds.
00:25:17Baron, I think seven.
00:25:18See you later.
00:25:43Magnuson's office is on the top floor, just below his private flat.
00:25:47There are 14 layers of security between us and him, two of which aren't even legal in
00:25:51this country.
00:25:52Want to know how we're going to break in?
00:25:53Is that what we're doing?
00:25:54Of course it's what we're doing.
00:25:57Magnuson's private lift.
00:25:58Goes straight to his penthouse and office.
00:26:01Only he uses it, and only his keycard calls the lift.
00:26:04Anyone else even tries.
00:26:05Security is automatically informed.
00:26:08Standard keycard for the building.
00:26:10Nicked it yesterday.
00:26:11Only gets us as far as the canteen.
00:26:13Here you go, then.
00:26:14If I was to use this card on that lift now, what happens?
00:26:18The alarms would go off, and you'd be dragged away by security.
00:26:21Exactly.
00:26:22You'd get taken to a small room somewhere, and your head kicked in.
00:26:25Do you really need so much color?
00:26:27It passes the time.
00:26:29But if I do this, if you press a keycard against your mobile phone for long enough,
00:26:33it corrupts the magnetic strip, the card stops working.
00:26:35It's a common problem.
00:26:37Never put your keycard with your phone.
00:26:38What happens if I use the card now?
00:26:41It's all doesn't work.
00:26:42But it doesn't read as the wrong card now.
00:26:44It registers as corrupted.
00:26:46But if it's corrupted, how do they know it's not Magnussen?
00:26:50Were they restringing him off?
00:26:52Probably not.
00:26:53So what do they do?
00:26:53What do they have to do?
00:26:55Check if it's him or not.
00:26:57There's a camera at eye height to the right of the door.
00:27:04A live picture of the card user is relayed directly to Magnussen's personal stuff in his office.
00:27:09The only people trusted to make a positive ID.
00:27:11At this hour, almost certainly his PA.
00:27:15So, how does it help us?
00:27:18Human error.
00:27:19I've been shopping.
00:27:23Here we go then.
00:27:26You realise you don't exactly look like Magnussen?
00:27:28Which in this case is a considerable advantage.
00:27:39Sherlock, you're a complete loom.
00:27:41What are you doing?
00:27:42Hang on.
00:27:42Was that...
00:27:43Hi, Jeanine.
00:27:44Go on, let me in.
00:27:46I can't.
00:27:47You know I can't.
00:27:48Don't be silly.
00:27:49Don't make me do it out here.
00:27:51No.
00:27:52In front of everyone.
00:27:54Do what?
00:27:55In front of everyone.
00:28:10See, as long as there's people, there's always a weak spot.
00:28:12That was Jeanine?
00:28:13There's always always Jeanine.
00:28:14She's Magnussen's PA at this whole point.
00:28:16Did you just get engaged to break into an office?
00:28:18Yeah.
00:28:19A stroke of luck meeting her at your wedding.
00:28:20You could take some of the credit.
00:28:22She's just...
00:28:23Look, she loves you.
00:28:24Yes, like I said.
00:28:26Human error.
00:28:29What are you going to do?
00:28:30Well, I'll actually marry her, obviously.
00:28:32There's only so far you can go.
00:28:34So what will you tell her?
00:28:36Well, I'll tell her that our entire relationship was a ruse to break into her boss's office.
00:28:39I imagine she'll want to stop seeing me at that point, but you're the expert on women.
00:28:51So, where does she go?
00:28:52It's a bit rude.
00:28:53I just proposed to her.
00:28:55Sherlock?
00:28:56Did she faint?
00:28:58Did you really do that?
00:29:00It's a blow to the head.
00:29:01She's breathing.
00:29:03Jeanine.
00:29:05Another in here.
00:29:07Security.
00:29:09Does he need help?
00:29:14Ex-con.
00:29:15White supremacist by the tattoo, so who cares?
00:29:17Stick with Jeanine.
00:29:20Jeanine.
00:29:21Can you hear me?
00:29:31They must still be here.
00:29:33So is Magnus.
00:29:34He's still warm.
00:29:35He should be at dinner, but he's still in the building.
00:29:37Upstairs. We should call the police during our own burglary. You're really not a natural with this, are you?
00:29:43No age.
00:29:47Perfume, not Janine's.
00:29:50Clendid Leloun.
00:29:51What do I know?
00:29:53Mary, where's it?
00:29:54Oh, not Mary. Somebody else.
00:29:58Sherlock!
00:30:07What do you ask him?
00:30:09She, your lovely husband, I've read it honourable.
00:30:13Sir English, what do you say to him?
00:30:16No, no, no.
00:30:19You're doing this to protect him from the truth.
00:30:22What is this to protect him from the police?
00:30:24Additionally, if you're going to commit murder you might consider changing your perfume.
00:30:28Lady Smallwood.
00:30:31Sorry.
00:30:32Who?
00:30:37That's not Lady Smallwood, Mr. Hunt.
00:30:52Is John with you?
00:30:54Yes, sir.
00:30:55Is John here?
00:30:58She's John's death.
00:31:01So, what do you do now?
00:31:04Kill us both?
00:31:05Mary, whatever he's got on you, let me help.
00:31:10Oh, Sherlock, if you take one more step I swear I will kill you.
00:31:13No, Mrs. Watson.
00:31:15You won't.
00:31:23I'm sorry, Sherlock.
00:31:26I truly am.
00:31:28Mary.
00:31:30Mary.
00:31:36It's not like it is in the movies.
00:31:38There's not a great big spurt of blood and you go flying backwards.
00:31:43The impact isn't spread over a wide area.
00:31:45It's tightly focused so there's little or no energy transfer.
00:31:48You stay still.
00:31:49And the bullet pushes through.
00:31:51And the bullet pushes through.
00:31:51You're almost certainly going to die.
00:31:52So we need to focus.
00:31:56I said focus.
00:32:00It's all well and clever having a mind palace, but you have only three seconds of consciousness
00:32:03left to use it.
00:32:04So come on, what's going to kill you?
00:32:07Blood loss.
00:32:08Exactly.
00:32:09So?
00:32:09It's all about one thing now.
00:32:11Forwards or backwards.
00:32:12We need to decide which way you're going to fall.
00:32:15One hole or two?
00:32:16Three.
00:32:17Is the bullet still inside you?
00:32:19Or is there an exit wound?
00:32:20It'll depend on the gun.
00:32:22That one, I think.
00:32:24Or that one.
00:32:26Oh, for God's sake, Sherlock, it doesn't matter about the gun.
00:32:29Don't be stupid.
00:32:30You always were so stupid.
00:32:33Such a disappointment.
00:32:35I'm not stupid.
00:32:36You're a very stupid little boy.
00:32:39Mummy and daddy are very cross.
00:32:41Because it doesn't matter about the gun.
00:32:44Why not?
00:32:45You saw the whole room when you entered it?
00:32:47What was directly behind you when you were murdered?
00:32:50I won't be murdered yet.
00:32:51Balance of probability, little brother.
00:32:56If the bullet had passed through you, what would you have heard?
00:33:00The mirror shattered.
00:33:01You didn't, therefore.
00:33:03The bullet's still inside me.
00:33:06So we need to take him down backwards.
00:33:08I agree.
00:33:09Sherlock, you need to fall on your back.
00:33:10Right now the bullet is the cork in a bottle.
00:33:12The bullet itself is blocking most of the blood flow.
00:33:15But any pressure or impact on the entrance wound could dislodge it.
00:33:18Plus, on your back, gravity's working for us.
00:33:22Fall now.
00:33:37What is that?
00:33:38What's happening?
00:33:42You're going into shock.
00:33:43It's the next thing that's going to kill you.
00:33:44What do I do?
00:33:44Don't go into shock, obviously.
00:33:47Must be something in this ridiculous memory palace of yours that can calm you down.
00:33:52Find it.
00:33:55The east wind is coming, Sherlock.
00:33:57It's coming to get you.
00:33:59It's coming to get you.
00:34:04Find the tight end.
00:34:08Hello, Redbeard.
00:34:09Here, boy.
00:34:10Come on.
00:34:11Come to me.
00:34:12It's okay.
00:34:13It's all right.
00:34:14Come on.
00:34:15It's me.
00:34:15Come on.
00:34:17Look at me.
00:34:17Clever, boy.
00:34:20Redbeard.
00:34:21They're putting me down, too, now.
00:34:24It's no fun, is it?
00:34:34Without the shock, you're going to feel the pain.
00:34:37There's a hole ripped through you.
00:34:39Massive internal bleeding.
00:34:41You have to control the pain.
00:34:46Control!
00:34:48Control!
00:34:48Control!
00:34:51You...
00:34:54You never felt pain, did you?
00:34:57Why did you never feel pain?
00:35:00You always feel it, Sherlock.
00:35:08You don't have to do it.
00:35:10Fear it.
00:35:18Pain.
00:35:20Heartbreak.
00:35:23Loss.
00:35:28It's all good.
00:35:31It's all good.
00:35:33Sherlock.
00:35:34Sherlock.
00:35:35Can you hear me?
00:35:36What happened?
00:35:37Hey, you got your shots.
00:35:38Jesus.
00:35:40Sherlock.
00:35:41Oh, my.
00:35:42Who shot him?
00:35:43Emergency.
00:35:44Which service do you require?
00:35:46It's raining.
00:35:47It's pouring.
00:35:51Sherlock.
00:35:53It's pouring.
00:35:56My mouth is unquieting.
00:36:01Sherlock.
00:36:03Sherlock.
00:36:06We're losing you.
00:36:07Sherlock.
00:36:10Come on, Sherlock.
00:36:12Just die, why can't you?
00:36:15Well, I'll push.
00:36:17Move your butt.
00:36:26You're gonna love being dead, Sherlock.
00:36:28No one ever bothers you.
00:36:32Mrs. Hudson will cry.
00:36:35And mommy and daddy will cry.
00:36:37And the woman will cry.
00:36:39And John will cry buckets and buckets.
00:36:41It's him that I worry about the most.
00:36:43That wife.
00:36:44You're letting him down, Sherlock.
00:36:47John Watson is definitely in danger.
00:37:03Oh, you're not getting better, are you?
00:37:05Was it something I said, Pawn?
00:37:06Oh.
00:37:07Mmmmm.
00:37:09You.
00:37:10Really?
00:37:12Hmmmm?
00:37:13...
00:37:29Aber лучies!
00:37:32...
00:37:32Oh, no, no, no, no.
00:37:38Oh, no, no, no, no, no, no.
00:38:08Oh, no, no, no, no, no, no, no.
00:38:19Oh, no, no, no, no, no, no, no.
00:38:51Look at me and tell me you're not going to tell him.
00:39:04I'm buying a cottage.
00:39:06I made a lot of money out of you, mister.
00:39:08Nothing hits the spot like revenge or profits.
00:39:10You didn't give those stories of Magnuson, did you?
00:39:13God, no.
00:39:13One of his rivals, he was spitting.
00:39:16Hmm?
00:39:17Shadow Combs, you are a backstabbing, heartless, manipulative bastard.
00:39:22Usually turns out they're a grasping opportunistic, publicity-hungry tabloid or...
00:39:27So we're good then?
00:39:28Yeah, of course.
00:39:30Where's the cottage?
00:39:31Sussex Downs.
00:39:32Yeah, yeah.
00:39:33It's gorgeous.
00:39:34There's beehives, but I'm getting rid of those.
00:39:37Oh, it hurts, does it?
00:39:39Probably want to restart your morphine.
00:39:41I might have fiddled up the taps.
00:39:43How much more revenge are you going to need?
00:39:44Just the occasional top up.
00:39:46A dream come true for you, this place.
00:39:48It actually attached the drugs to you.
00:39:50Not good for working.
00:39:52You won't be working for a while, Cheryl.
00:39:54You lied to me.
00:39:56You lied and lied.
00:39:58Exploited the fact of our connection.
00:40:01When?
00:40:01Hmm?
00:40:03Just once would have been nice.
00:40:05No.
00:40:07I was waiting until we got married.
00:40:09That was never going to happen.
00:40:14Got to go.
00:40:17I'm not supposed to keep you talking.
00:40:19And also, I have an interview with The One Show and I haven't made it up yet.
00:40:25Just one thing.
00:40:27You shouldn't have lied to me.
00:40:29I know what kind of man you are.
00:40:32But we could have been friends.
00:40:35I'll give your love to John and Mary.
00:40:46I'll give your love to John and Mary.
00:41:01I'll give your love to John and Mary.
00:41:02Mary Watson.
00:41:05Who are you?
00:41:11Mary Watson.
00:41:14Who are you?
00:41:37Oh, Jesus.
00:41:41So where would he go?
00:41:42Oh, Christ knows.
00:41:44Try finding Sherlock in London.
00:41:48He's got three known boatholes.
00:41:50Farland Hill, Camden Lock and Dagmar Court.
00:41:53Five known boatholes.
00:41:54There's the blind greenhouse in Kew Gardens and the leaning tomb in Hampstead Cemetery.
00:41:59Just a spare bedroom.
00:42:00Well, my bedroom.
00:42:02We agreed he needs the space.
00:42:06Behind the clock face of Big Ben.
00:42:09I think he was probably choking.
00:42:10No, I don't think so.
00:42:12Leinster Gardens.
00:42:13It's his number one bolt hole.
00:42:14Top, top secret.
00:42:16He only knows about it because he stalked him one night.
00:42:18Followed.
00:42:18Followed.
00:42:19Yeah.
00:42:20He knew who shot him.
00:42:22The bullet wound was here, so he was facing whoever it was.
00:42:25So why not tell us?
00:42:26Because he's tracking them down himself.
00:42:28Or protecting them?
00:42:29Protecting the shooter.
00:42:30Why?
00:42:31Protecting someone then.
00:42:32But why would he care?
00:42:33He's Sherlock.
00:42:33Who would he bother protecting?
00:42:36Call me if you hear anything.
00:42:38Don't hold out on me, John.
00:42:39Call me, okay?
00:42:40Yeah.
00:42:40Yeah, right.
00:42:41Good night then.
00:42:43Bye then.
00:42:46John, I need a cuppa.
00:42:48Mrs. Hudson, why does Sherlock think that I'll be moving back in here?
00:42:52Oh yes, he's put your chair back again, hasn't he?
00:42:54That's nice.
00:42:55Looks much better.
00:42:59John, what's wrong?
00:43:01Tell me.
00:43:02John, that's your phone, isn't it?
00:43:06It's Sherlock, John.
00:43:08Sherlock.
00:43:09John, you have to answer it.
00:43:16It's barely changed, lad.
00:43:17No.
00:43:17Oh, come on, lad.
00:43:18Don't be like all the rest.
00:43:23Rule one of looking for Sherlock Holmes, he finds you.
00:43:27You're working for Sherlock now.
00:43:29Keeps me off the streets, isn't it?
00:43:32Well...
00:43:32No.
00:43:37Where are you?
00:43:38Can't you see me?
00:43:39Well, what am I looking for?
00:43:42The lie.
00:43:42The lie of Leinster Gardens, hidden in plain sight.
00:43:47Hardly anyone notices.
00:43:48People live here for years and never see it.
00:43:49But if you are what I think you are, it'll take you less than a minute.
00:43:52The houses, Mary.
00:43:55Look at the houses.
00:43:56How did you know I'd come here?
00:43:58I knew you'd talk to the people no one else would bother with.
00:44:02I thought I was being clever.
00:44:03You're always clever, Mary.
00:44:05I was relying on that.
00:44:06I planted the information for you to find.
00:44:09Oh.
00:44:10Thirty seconds.
00:44:12What am I looking at?
00:44:13No doorknobs.
00:44:14No letterbox.
00:44:15Painted windows.
00:44:17Twenty-three and twenty-four Leinster Gardens.
00:44:20The empty houses.
00:44:22They were demolished years ago to make way for the London Underground.
00:44:26A vent for the old steam trains.
00:44:29Only the very front section of the house remains.
00:44:31It's just a facade.
00:44:33Remind you of anyone, Mary.
00:44:35A facade.
00:44:38Sorry.
00:44:39I never could resist a touch of drama.
00:44:43Do come in.
00:44:45It's a little crapped.
00:44:46Do you own this place?
00:44:47I wanted in a card game with the Clarence House Cannibal.
00:44:51Nearly cost me my kidneys.
00:44:52But fortunately I had a streaked flush.
00:44:56Quite a gambler, that woman.
00:45:02What do you want, Sherlock?
00:45:04Mary Morstan was stillborn in October 1972.
00:45:09Her gravestone is in Chiswick Cemetery, where five years ago you acquired her name and date of birth and thereafter
00:45:15her identity.
00:45:17That's why you don't have friends from before that date.
00:45:20You need to work on your half of the church, Mary.
00:45:23Looking a bit thin.
00:45:25Orphan's Lot.
00:45:26Friend, that's all I have.
00:45:27It's an old enough technique known to the kinds of people who could recognize a skip code on sight.
00:45:33First of all, it was just a Bible thing, you know, spam, but it's not.
00:45:35It's a skip code.
00:45:37I have extraordinarily retentive memories.
00:45:39How can you not remember which room? You remember everything.
00:45:42You have to delete something!
00:45:43207!
00:45:45You were very slow.
00:45:46How good a shot are you?
00:45:50How badly do you want to find out?
00:45:52If I die here, my body will be found in a building with your face projected on the front of
00:45:57it.
00:45:57Even Scotland Yard could get somewhere with that.
00:46:00I want to know how good you are.
00:46:03Go on, show me. The doctor's wife must be a little bit bored by now.
00:46:20I see.
00:46:26Dummy.
00:46:27I suppose that was a fairly obvious trick.
00:46:36And yet, over a distance of six feet, you failed to make a kill shot.
00:46:45Enough to hospitalize me, not enough to kill me.
00:46:49That wasn't a myth.
00:46:51That was surgery.
00:46:56I'll take the case.
00:46:58What case?
00:46:58Yours.
00:47:01Why didn't you come to me in the first place?
00:47:03Because John can't ever know that I lied to him.
00:47:06It would break him and I would lose him forever, and Sherlock, I will never let that happen.
00:47:13Please, understand, there is nothing in this world that I would not do to stop that happening.
00:47:20Sorry.
00:47:23Not that obvious a trick.
00:47:39Not talk.
00:47:40And sort it out.
00:47:41But do it quickly.
00:47:57Oh, dear God, it's only two o'clock.
00:47:59It's been Christmas Day for at least a week now.
00:48:02How can it only be two o'clock?
00:48:03I'm in agony.
00:48:05Mike, is this your laptop?
00:48:07Upon which depends the security of the free world, yes, and you've got potatoes on it.
00:48:11Well, you shouldn't leave it lying around if it's so important.
00:48:13Why are we doing this? We never do this.
00:48:15We are here because Sherlock is home from hospital, and we are all very happy.
00:48:20Am I happy too? I haven't checked.
00:48:22Behave, Mike.
00:48:23Mycroft is the name you gave me, if you could possibly struggle all the way to the end.
00:48:26Mrs. Holmes.
00:48:28Oh, thank you, dear.
00:48:30Not absolutely sure why you're here.
00:48:32I invited him.
00:48:32I'm his protégé, Mrs. Holmes.
00:48:35When he dies, I get all his stuff and his job.
00:48:38No.
00:48:38Well, I help out a bit.
00:48:40Closer.
00:48:42He does get murdered or something.
00:48:43Probably stop talking, though.
00:48:45Okay.
00:48:45Lovely when you bring your friends round.
00:48:47Stop it, you.
00:48:49Somebody's put a bullet in my boy, and if I ever find out who, I shall turn absolutely monstrous.
00:48:54Ah, this was for Mary.
00:48:56I'll be back in a minute.
00:49:01Ah, Mary.
00:49:03There you are.
00:49:04Cup of tea.
00:49:05Now, if father starts making little humming noises, just give him a little poke.
00:49:09That usually does it.
00:49:10Did you write this?
00:49:11Oh, that silly old thing.
00:49:13You mustn't read that.
00:49:14Mathematics has seemed terribly fatuous now.
00:49:17Now, no humming you.
00:49:21Complete flake, my wife, but happens to be a genius.
00:49:24She was a mathematician.
00:49:26Gave it all up for children.
00:49:27I could never bear to argue with her.
00:49:30I'm something of a moron myself.
00:49:33But she's unbelievably hot.
00:49:37Oh, my God.
00:49:39You're the same one, aren't you?
00:49:41Aren't you?
00:49:45Oh.
00:49:47Sorry.
00:49:48I just...
00:49:50Oh.
00:49:51Do you two need a moment, if you don't mind?
00:49:54Of course not.
00:49:55I'll go and see if I can help with something or another.
00:50:08Those two...
00:50:09Are they all right?
00:50:10Well, you know, they've had their rugs and downs.
00:50:17Baker Street.
00:50:18Now.
00:50:29John.
00:50:32Mary.
00:50:35Oh, Sherlock.
00:50:36Oh, good gracious.
00:50:37You look terrible.
00:50:38Get me some morphine from your kitchen.
00:50:39I've run out.
00:50:40I don't have any morphine.
00:50:41What exactly is the point of you?
00:50:43What is going on?
00:50:45Bloody good question.
00:50:46The Watsons are about to have a domestic, and fairly quickly, I hope, because we've got work to do.
00:50:50I have a better question.
00:50:50Is everyone I've ever met a psychopath?
00:50:56Yes.
00:50:57Good that we've settled that.
00:50:59Are we...
00:50:59Shut up!
00:51:00And stay shut up.
00:51:02Because this is not funny.
00:51:04Not this time.
00:51:05I didn't say it was funny.
00:51:06You.
00:51:08What have I ever done?
00:51:10Hm?
00:51:11My whole life, to deserve you.
00:51:14Everything.
00:51:15Sherlock, I've told you.
00:51:17Shut up.
00:51:18I mean it.
00:51:19Seriously.
00:51:19Everything, everything you've ever done is what you did.
00:51:22Sherlock, one more word.
00:51:23You will not need morphine.
00:51:24You were a doctor who went to war.
00:51:26You were a man who couldn't stay in the suburbs for more than a month without storming a crack den,
00:51:30beating up a junkie.
00:51:31Your best friend is a sociopath who solves crimes as an alternative to getting high.
00:51:35That's me, by the way.
00:51:36Hello.
00:51:37Even the landlady used to run a drug cartel.
00:51:38It was my husband's cartel.
00:51:40I was just typing.
00:51:41And exotic dancing.
00:51:43Sherlock Holmes, if you've been YouTube...
00:51:45John, you are addicted to a certain lifestyle.
00:51:48You're abnormally attracted to dangerous situations and people.
00:51:52So, is it truly such a surprise that the woman you've fallen in love with conforms to that pattern?
00:51:58But she wasn't supposed to be like that.
00:52:04Why is she like that?
00:52:08Because you chose her.
00:52:15Why is everything always my fault?
00:52:19Oh, neighbours.
00:52:21John, listen, be calm and answer me.
00:52:24What is she?
00:52:25My lying wife?
00:52:26No, what is she?
00:52:28The woman who's carrying my child who has lied to me since the day I met her?
00:52:31No.
00:52:32Not in this flat.
00:52:33Not in this room.
00:52:34Not in this room.
00:52:34Right here.
00:52:35Right now.
00:52:36What is she?
00:52:40Okay.
00:52:45Your way.
00:52:48Always your way.
00:52:56Sit.
00:52:57Why?
00:52:58Because that's where they sit.
00:53:01The people who come in here with their stories.
00:53:04The clients.
00:53:04That's all you are now, Mary.
00:53:06You're a client.
00:53:08This is where you sit and talk.
00:53:09And this is where we sit and listen.
00:53:11And we decide if we want you or not.
00:53:15The people who come in here.
00:53:41So, are you okay?
00:53:43Oh.
00:53:44Are we doing conversation today?
00:53:46It really is Christmas.
00:53:51Now.
00:53:53Seriously.
00:53:54Months of silence.
00:53:56And we're going to do this.
00:53:57Now.
00:54:05H-E-R-A.
00:54:06What's that?
00:54:10My initials.
00:54:14Everything about who I was is on there.
00:54:17If you love me, don't read it in front of me.
00:54:19Why?
00:54:21Because you won't love me when you've finished.
00:54:24And I don't want to see that happen.
00:54:34How much do you know already?
00:54:35By your skill set, you are or were an intelligence agent.
00:54:39Your accent is currently English, but I suspect you are not.
00:54:42You're on the run from something.
00:54:43You've used your skills to disappear.
00:54:45Magnuson knows your secret, which is why you were going to kill him.
00:54:47And I assume you befriended Janine in order to get close to him.
00:54:51You can talk.
00:54:52Look.
00:54:53Look at you two.
00:54:54You should have got married.
00:54:56The stuff Magnuson has on me, I would go to prison for the rest of my life.
00:54:58So you were just going to kill him?
00:55:00People like Magnuson should be killed.
00:55:01That's why there are people like me.
00:55:03Perfect.
00:55:03Tell us why you were an assassin.
00:55:05How could I not see that?
00:55:07You did see that.
00:55:10And you married me.
00:55:13Because he's right.
00:55:17It's what you like.
00:55:22So, Mary, any documents that Magnuson has concerning yourself you want extracted and returned?
00:55:31Why would you help me?
00:55:33Because you saved my life.
00:55:35Sorry, what?
00:55:36When I happened on you, Magnuson.
00:55:41You had a problem.
00:55:43More specifically, you had a witness.
00:55:48What do you do now?
00:55:52Kill both of us.
00:55:56The solution, of course, was simple.
00:55:58Kill us both and leave.
00:56:10How ever sentiment got the better of you.
00:56:15One precisely calculated shot to incapacitate me.
00:56:18In the hope that it would bide you more time to negotiate my silence.
00:56:22Of course, you couldn't shoot Magnuson.
00:56:24On the night that both of us broke into the building, your own husband would become a suspect.
00:56:28Like so.
00:56:33You calculated that Magnuson would use the fact of your involvement rather than sharing the information with the police.
00:56:40As is his Emma.
00:56:45And then you left the way you came.
00:56:49Have I missed anything?
00:56:50How did she save your life?
00:56:52She phoned the ambulance.
00:56:53I phoned the ambulance.
00:56:54She phoned first.
00:56:59Emergency.
00:57:00Which service do you require?
00:57:01You can find me for another five minutes left to you. I would have died.
00:57:03The average arrival time for a London ambulance is...
00:57:07Did somebody call an ambulance?
00:57:08Eight minutes.
00:57:09Did you bring any morphine? I asked on the phone.
00:57:11We were told there was a shooting.
00:57:12There was.
00:57:13Last week.
00:57:14But I believe I'm bleeding internally.
00:57:16My pulse is very erratic.
00:57:17You may need to restart.
00:57:17My heart's on the way of you.
00:57:19John.
00:57:21John.
00:57:23John.
00:57:24Magnuson isn't on the mattress now.
00:57:26You can trust Mary.
00:57:27She saved my life.
00:57:29She shot you.
00:57:31Mixed messages.
00:57:32I can't do that.
00:57:33Shut up.
00:57:34Shut up.
00:57:35Take it.
00:57:36You got it?
00:57:49So have you read it?
00:57:55Would you come here a moment?
00:57:56No.
00:57:57Tell me.
00:57:57Have you?
00:57:58Just come here.
00:58:03No, I'm fine.
00:58:09I've thought long enough about what I want to say to you.
00:58:14These are prepared words, Mary.
00:58:16I've chosen these words with care.
00:58:17Okay.
00:58:21The problems of your past are your business.
00:58:26The problems of your future are my privilege.
00:58:31It's all I have to say.
00:58:32It's all I need to know.
00:58:41No, I didn't read it.
00:58:46You don't even know my name.
00:58:48I'm sorry.
00:58:49No, I'm sorry.
00:58:50It's all I need to know.
00:58:51I can't.
00:58:51No, I can't.
00:58:52No.
00:58:53Oh, my God, yes.
00:58:54No, I can't.
00:58:55No, I can't.
00:58:58No, I can't.
00:59:10I can't.
00:59:17Oh, my God, yes.
00:59:19I'm glad you've given up on the Magnuson business.
00:59:21Are you?
00:59:22You're still curious, though.
00:59:23He's hardly your usual kind of puzzle.
00:59:25Why do you hate him?
00:59:27Because he attacks people who are different and preys on their secrets.
00:59:30Why don't you?
00:59:31He never causes too much damage to anyone important.
00:59:33He's far too intelligent for that.
00:59:35He's a businessman, that's all.
00:59:37And occasionally useful to us.
00:59:39A necessary evil, not a dragon for you to slay.
00:59:43A dragon slayer.
00:59:45Is that what you think of me?
00:59:46No.
00:59:47It's what you think of yourself.
00:59:49Are you too smoking?
00:59:51No.
00:59:51Use the microphone.
00:59:57I have, by the way, a job offer I should like you to decline.
01:00:01I decline your kind offer?
01:00:03I shall pass on your regrets.
01:00:04What was it?
01:00:05MI6.
01:00:06They want to place you back into Eastern Europe.
01:00:08An undercover assignment that would prove fatal to you in, I think, about six months.
01:00:14Then why don't you want me to take it?
01:00:16It's tempting.
01:00:18But on balance, you have more utility closer to home.
01:00:21Utility?
01:00:21How do I have utility?
01:00:24Here be dragons.
01:00:28This isn't agreeing with me.
01:00:29I'm going in.
01:00:30You need low tar.
01:00:33You'll smoke like a beginner.
01:00:38Also, your loss would break my heart.
01:00:42What the hell am I supposed to say to that?
01:00:47Merry Christmas?
01:00:48You hate Christmas.
01:00:49Yes.
01:00:51Perhaps there was something in the punch.
01:00:53Clearly.
01:00:54Go and have some more.
01:00:58So you realise that Sherlock got us out here to see his mum and dad for a reason?
01:01:01He's lovely mum and dad.
01:01:02Fine example of married life.
01:01:03I get that.
01:01:05That is the thing with Sherlock.
01:01:06It's always the unexpected.
01:01:08Oi.
01:01:09Oi.
01:01:10Hello.
01:01:11Mary.
01:01:11Jesus Christ.
01:01:12Mary.
01:01:13Sit down.
01:01:14Mary, can you hear me?
01:01:17Don't drink Mary's tea.
01:01:21Oh, all the punch.
01:01:27Sherlock.
01:01:29Did you just drug my pregnant wife?
01:01:31Don't worry.
01:01:32Wiggins is an excellent chemist.
01:01:34I calculated your wife's dose myself.
01:01:36Mine affect the little one.
01:01:37I'll keep an eye on her.
01:01:38You'll monitor their recovery.
01:01:39It's more or less his day job.
01:01:40What the hell have you done?
01:01:43Deal with the devil.
01:01:52Shouldn't you be in the hospital?
01:01:53I am in the hospital.
01:01:55This is the canteen.
01:01:57Is it?
01:01:57In my opinion, yes.
01:01:59Have a seat.
01:02:02I've been thinking about you.
01:02:05I've been thinking about you.
01:02:07Really?
01:02:12I want to see Appledore.
01:02:15Where you keep all the secrets, all the files, everything you've got on everyone.
01:02:20I want you to invite me.
01:02:24What makes you think I'd be so careless?
01:02:27Oh, I think you're a lot more careless than you let on.
01:02:34Am I?
01:02:39It's the dead-eye stare that gives it away.
01:02:43Except it's not dead-eyed, is it?
01:02:51You're reading.
01:02:55Portable Appledore.
01:02:58How does it work?
01:03:00Built-in flash drive?
01:03:034G wireless?
01:03:18It's just ordinary spectacles.
01:03:21Yes.
01:03:23They are.
01:03:33You underestimate me, Mr. Holmes.
01:03:45Impress me, then.
01:03:46Show me Appletore.
01:03:49Everything's available for a price.
01:03:51You're making me an offer.
01:03:52A Christmas present.
01:03:55Then what are you giving me for Christmas, Mr. Holmes?
01:03:58My brother.
01:04:04Jesus.
01:04:09Sherlock.
01:04:10Please tell me you haven't just gone out of your mind.
01:04:12I'd rather keep you guessing.
01:04:15Ah, there's our lift.
01:04:24Coming?
01:04:25Where?
01:04:26Want your wife to be safe?
01:04:27Yeah, of course I do.
01:04:28Good, because this is going to be incredibly dangerous.
01:04:30One false movement would have betrayed the security of the United Kingdom and be imprisoned for high treason.
01:04:33Magnuson is quite simply the most dangerous man we've ever encountered, and the odds are comprehensively stacked against us.
01:04:39But it's Christmas.
01:04:40I feel the same.
01:04:41Oh, you mean it's actually Christmas?
01:04:43Did you bring your gun as I suggested?
01:04:44Why would I bring my gun to your parents' house for Christmas dinner?
01:04:46Is it in your coat?
01:04:47Yes.
01:04:47Off we go, then.
01:04:48Where are we going?
01:04:49Appledore.
01:04:50Yes.
01:05:05There's our product.
01:05:06You're doing it.
01:05:11You're doing it.
01:05:11I don't know.
01:05:42I would offer you a drink, but it's very rare and expensive.
01:05:51Oh, it was you.
01:05:53Yes, of course.
01:05:55Very hard to find a pressure point on you, Mr. Holmes.
01:05:58Drugsting I never believed for a moment.
01:06:01Anyway, you wouldn't care for what's exposed to me.
01:06:05Well, look how you care about John Watson.
01:06:09Your damsel in distress.
01:06:13You put me in a fire for leverage.
01:06:17Oh, I've never let you burn, Dr. Watson.
01:06:20I have people standing by.
01:06:22I'm not a murderer.
01:06:25Unlike your wife.
01:06:31Let me explain how leverage works, Dr. Watson.
01:06:37For those who understand these things, Mycroft Holmes is the most powerful man in the country.
01:06:43Well, apart from me.
01:06:46Mycroft's pressure point is his junkie detective brother, Sherlock.
01:06:51Sherlock's pressure point is his best friend, John Watson.
01:06:53John Watson's pressure point is his wife.
01:06:56I own John Watson's wife.
01:06:57I own Mycroft.
01:07:00He's what I'm getting for Christmas.
01:07:03It's an exchange, not a gift.
01:07:09Forgive me, but I already seem to have it.
01:07:14It's password protected.
01:07:19In return for the password, you will give me any material in your possession pertaining to the woman I know
01:07:24as Mary Watson.
01:07:25Oh, she's bad, that one.
01:07:27So many dead people.
01:07:29You should see what I've seen.
01:07:31I don't need to see it.
01:07:32You might enjoy it, though.
01:07:34I enjoy it.
01:07:37Then why don't you show us?
01:07:39Show you Appledore.
01:07:40The secret vaults.
01:07:42Is that what you want?
01:07:44I want everything you've got on Mary.
01:07:55You know, I honestly expected something good.
01:08:00I think you'll find the contents of that laptop...
01:08:02Include the GPS locator.
01:08:04By now, your brother will have noticed the theft.
01:08:07Security services will be converging on this house.
01:08:10Having arrived, they'll find top-secret information in my hands.
01:08:14And have every justification to search my vaults.
01:08:17They will discover further information of this kind, and I'll be imprisoned.
01:08:21You will be exonerated.
01:08:24Restored to your smelly little apartment to solve crimes with Mr. and Mrs. Psychopath.
01:08:30Mycroft has been looking for this opportunity for a long time.
01:08:35He'll be a very, very proud big brother.
01:08:39The fact that you know it's going to happen isn't going to stop it.
01:08:42Then, why am I smiling?
01:08:45Ask me.
01:08:47Why are you smiling?
01:08:50Because Sherlock Holmes has made one enormous mistake.
01:08:54Which would destroy the lives of everyone he loves.
01:08:58And everything he holds dear.
01:09:03Let me show you the Appledore vaults.
01:09:18The entrance to my vaults.
01:09:21This is where I keep you all.
01:09:35Okay, so where are the vaults then?
01:09:38Vaults?
01:09:39What vaults?
01:09:40There are no vaults beneath this building.
01:09:44They're all in here.
01:09:47The Appledore vaults are my mind palace.
01:09:52You know about mine palaces, don't you, Sherlock?
01:09:55How to store information so you never forget it.
01:09:58Why picturing it?
01:09:59I just sit here.
01:10:01I close my eyes.
01:10:03And down I go to my vaults.
01:10:09I can go anywhere inside my vault.
01:10:13My memories.
01:10:20I look at the fires of Mrs. Watson.
01:10:34This is one of my favourites.
01:10:37Oh, it's so exciting.
01:10:41All those wet jobs for the CIA.
01:10:44Ooh.
01:10:45She's gone a bit freelance now.
01:10:48Bad girl.
01:10:57She's so wicked.
01:10:59I can really see why you like her.
01:11:06You see?
01:11:08So there are no documents?
01:11:10You don't actually have anything here?
01:11:12Well, sometimes I send out for something if I really need it,
01:11:15but mostly I just remember it all.
01:11:17I don't understand.
01:11:18You should have that on a t-shirt.
01:11:20You just remember it all?
01:11:21It's all about knowledge.
01:11:22Everything is.
01:11:24Knowing is owning.
01:11:25But if you just know it, then you don't have proof.
01:11:27Proof?
01:11:28What would I need proof for?
01:11:30I'm in news, you moron.
01:11:31I don't have to prove it.
01:11:33I just have to print it.
01:11:34Speaking of news,
01:11:36you'll both be heavily featured tomorrow,
01:11:39trying to search state secrets to me.
01:11:44Let's go outside.
01:11:46They'll be here shortly.
01:11:48Can't wait to see you arrested.
01:11:51Sherlock, do we have a plan?
01:11:55Sherlock.
01:11:57Sherlock.
01:12:07They're taking their time, aren't they?
01:12:10I still don't understand.
01:12:11And there's the back of the t-shirt.
01:12:13You just know things.
01:12:15How does that work?
01:12:16I just love your little soldier face.
01:12:19I'd like to punch it.
01:12:20Bring it over here a minute.
01:12:22Come on.
01:12:23For Mary.
01:12:24Bring me your face.
01:12:31Lean forward a bit and stick your face out.
01:12:36Please.
01:12:38Now, can I flick it?
01:12:43Can I flick your face?
01:12:53I just love doing this.
01:12:55I could do it all day.
01:12:57It works like this, John.
01:12:59I know who Mary hurt and killed.
01:13:03I know where to find people who hate her.
01:13:07I know where they live.
01:13:09I know their phone numbers.
01:13:13All in my mind palace.
01:13:15All of it.
01:13:17I could phone them right now
01:13:19and tear your whole life down.
01:13:22And I will.
01:13:24Unless
01:13:25you let me flick your face.
01:13:34This is what I do to people.
01:13:36This is what I do to whole countries.
01:13:39just because
01:13:41I know.
01:13:43Can I do you all right now?
01:13:45See if you can keep it open.
01:13:48Come on.
01:13:49For Mary.
01:13:50Keep it open.
01:13:51Sherlock.
01:13:52Let him.
01:13:52I'm sorry.
01:13:53Just
01:13:54let him.
01:13:56Come on.
01:13:57I open.
01:14:02It's difficult, isn't it?
01:14:04Janine managed it once.
01:14:07She makes the funniest noises.
01:14:17Sherlock Holmes and John Watson
01:14:19stand away from that man.
01:14:21Here we go, Mr. Holmes.
01:14:23To clarify,
01:14:24Appledore's boats
01:14:25only exist in your mind.
01:14:27Nowhere else.
01:14:28Just there.
01:14:29They're not real.
01:14:30They never have been.
01:14:32Sherlock Holmes and John Watson
01:14:33step away.
01:14:35It's fine.
01:14:37They're harmless.
01:14:38I'm not asking.
01:14:40Sherlock, what do we do?
01:14:41Nothing.
01:14:42There's nothing to be done.
01:14:44Oh, I'm not a villain.
01:14:45I have no evil plan.
01:14:47I'm a businessman
01:14:49acquiring assets.
01:14:50You happen to be one of them.
01:14:52Sorry.
01:14:52No chance for you
01:14:53to be a hero this time,
01:14:55Mr. Holmes.
01:14:56Sherlock Holmes,
01:14:57let John Watson
01:14:58stand away from that man.
01:14:59Do it now.
01:15:01I'll do your research.
01:15:03I'm not a hero.
01:15:05I'm a high-functioning sociopath.
01:15:08Merry Christmas.
01:15:12Get away from me, John.
01:15:13Stay well back.
01:15:14Christ, Sherlock.
01:15:16Don't fire.
01:15:17Do not fire on Sherlock Holmes.
01:15:19Do not fire.
01:15:22Oh, Christ, Sherlock.
01:15:26Give my love to Mary.
01:15:30Tell her she's safe now.
01:15:32I'll do my best.
01:15:37Hear the leader.
01:15:39Hallelujah.
01:15:40Open the door.
01:15:44Don't fire, those you're afraid.
01:15:46Oh, Sherlock.
01:15:49Don't fire up with somemann.
01:15:49Don't fire up with some 여러�ty Hertz.
01:15:50Don't fire up with some alors,
01:15:52I'll do your best.
01:15:52And work.
01:15:59Leave her as a hero of God.
01:16:01No matter who tells me about it,
01:16:01liken you a Idaho card.
01:16:02I'll do your best.
01:16:02What have you done?
01:16:12As my colleague is fond of remarking, this country sometimes needs a blunt instrument.
01:16:18Equally, it sometimes needs a dagger, a scalpel wielded with precision and without remorse.
01:16:26There will always come a time when we need Sherlock Holmes.
01:16:31If this is some expression of familial sentiment...
01:16:34Don't be absurd. I am not given to outbursts of brotherly compassion.
01:16:40You know what happened to the other one.
01:16:43In any event, there is no prison in which we could incarcerate Sherlock without causing a riot on a daily
01:16:48basis.
01:16:50The alternative, however, would require your approval.
01:16:55Hardly merciful, Mr. Holmes.
01:16:56Regrettably, Lady Smallwood.
01:16:58My brother is a murderer.
01:17:13You will look after him for me, won't you?
01:17:16Don't worry. I'll keep him in trouble.
01:17:19That's my girl.
01:17:25Since this is likely to be the last conversation I'll have with John Watson, would you mind if we took
01:17:29a moment?
01:17:38So here we are.
01:17:42William Sherlock Scott Holmes.
01:17:44Sorry?
01:17:44That's the whole of it.
01:17:45If you're looking for baby names.
01:17:48No, we've had a scam. We're pretty sure it's a girl.
01:17:51Oh.
01:17:52Okay.
01:17:57Yeah.
01:17:59Yeah, actually I can't think of a single thing to say.
01:18:01No, neither can I.
01:18:04The game is over.
01:18:05The game is never over, John.
01:18:08But there may be some new players now.
01:18:10That's okay.
01:18:11The east wind takes us all in the end.
01:18:12What's that?
01:18:14It's a story my brother told me when we were kids.
01:18:17The east wind, this terrifying force that lays waste all in its path,
01:18:21seeks out the unworthy and plucks them from the earth.
01:18:25That was generally me.
01:18:26Nice.
01:18:26He was a rubbish big brother.
01:18:29So what about you then?
01:18:32Where are you actually going now?
01:18:34Oh, some undercover worker needs to know.
01:18:36For how long?
01:18:37Six months.
01:18:38My brother estimates.
01:18:40He's never wrong.
01:18:43And then what?
01:18:47Who knows?
01:18:53John, there's something...
01:18:56I should say her.
01:18:58I've meant to say, always in there, never have.
01:19:00Since it's unlikely we'll ever meet again,
01:19:02I might as well say it now.
01:19:07Sherlock is actually a girl's name.
01:19:13It's not...
01:19:14It's worth a try.
01:19:15We're not naming our daughter after you.
01:19:17I think it could work.
01:19:24To the very best of times, John.
01:20:08It's not
01:20:10You missed it!
01:20:16Oi! Stop it on the telly!
01:20:17Stop it on the telly, mate!
01:20:22Who's that?
01:20:23Did you miss me?
01:20:24Did you miss me?
01:20:25Did you miss me?
01:20:25Did you miss me?
01:20:27Did you miss me?
01:20:28How is this possible?
01:20:29We don't know.
01:20:30It's on every screen in the country.
01:20:32Every screen simultaneously.
01:20:33Has the Prime Minister been told?
01:20:37And Mycroft?
01:20:38But that's not possible.
01:20:39That is simply not possible.
01:20:43What's happened?
01:20:44Sir?
01:20:46It's your brother.
01:20:49Mycroft.
01:20:50Hello, little brother.
01:20:51How's the exile going?
01:20:53I've only been gone four minutes.
01:20:54Well, I certainly hope you've learnt your lesson.
01:20:56As it turns out, you're needed.
01:20:59For God's sake, make up your mind.
01:21:01He needs me this time.
01:21:03Did you miss me?
01:21:04Did you miss me?
01:21:05Did you miss me?
01:21:06Did you miss me?
01:21:06Did you miss me?
01:21:07Did you miss me?
01:21:08Did you miss me?
01:21:09Did you miss me?
01:21:10England.
01:21:11But he's dead.
01:21:12I mean, you told me he was dead, Moriarty.
01:21:13Absolutely.
01:21:14Blew his own brains out.
01:21:15So how can he be back?
01:21:17Well, if he is, he'd better wrap up war.
01:21:22There's an east wind coming.
01:21:24I might be back.
01:21:24Well.
01:21:24There's an east wind coming.
01:21:26Here's an east windã‚·