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Watch Man on Fire () free Season 1 Episode 7 online in HD on Dailymotion (2026).
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Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's
00:29broken our way. How could that possibly be a point in our favor? Because I know how he
00:34operates. A deal with a dictator only lasts as long as they want it to. Once you become
00:41inconvenient they take you out. Tapping lights will take that option off the table. What do you mean?
00:48Tapping lights to you is a dead man's switch. I couldn't be more supportive of your goals.
00:54What I'm talking about is how you achieve them. You can take control at the barrel of a gun.
00:59But you'll never be able to put that gun away. Or you can have everything you want handed to you
01:05in response to tragedy. I believe the phrase is what's in it for you. Once your control is
01:12permanent and secure you'll be able to aid in regional matters that will ultimately help me
01:16elevate my own position. Tapping tells his partners that not only has he collected and recorded evidence
01:22of their crimes. But that if anything happens to him that that evidence gets automatically released
01:30to the press and law enforcement all around the world. That means they can't take him out without
01:35taking themselves out. But if I eliminate Tapping that triggers his dead man's switch and Carmo and
01:42Sores goes down when whenever he had over them comes out. We can't be sure he made this kind of
01:47agreement.
01:48Tapping was the man on the motorcycle. Poe saw his face that makes him a liability. If he didn't have
01:53anything over them he'd be dead already.
01:55Well that's all well and good but how are you planning to take out Tapping if you can't even go
02:00out for a soda?
02:02I turn myself in.
02:07I see how that gets you killed.
02:09They won't get rid of me until they have Poe. If I get into a room with Tapping I can
02:16take him out.
02:17Even if that were true how are you planning to get out of the room?
02:20You can't go in there just to sacrifice yourself.
02:22That's not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why?
02:29Because I fear I might yell at you and I don't want to wake up the others.
02:40You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me.
02:48It wasn't even supposed to be her building. It was supposed to be the other tower until her dad brought
02:52me in to help.
02:54And with the two of us working together Tapping knew that it was only a matter of time before
02:58we figured out that something was wrong with the operation and that made him nervous and so he blew up
03:03his building.
03:06Everybody around me keeps dying and I keep on making it out and I don't know why.
03:18Listen to me.
03:21You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Bo, she will suffer all over again.
03:41Because she needs you.
03:43Not just to finish this, but your survival comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just need to be strong enough to scare them. I'll take care of
04:23the rest.
04:26But how do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:41Hello, gentlemen.
04:43I know this isn't the voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:12A tunnel?
05:14There's no fucking tunnel.
05:16Like the one you described.
05:18I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Gracie? Come on.
06:04What the fuck are you doing here?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:29Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts,
06:40Gracie had the time to plan almost anything.
06:42Well, then what? We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy,
06:50you've worked out for yourself. You received the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for creatures.
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, but I can have you dragged there.
07:34Okay, let's be quick. Take all these paintings now.
07:38Who's back those chairs?
07:41One, two, three.
07:58Where's the saw?
08:01Where's the saw?
08:05Rico was supposed to grab it.
08:15What happened?
08:18Clo Ulrich.
08:19What?
08:19It's an ultral, yeah?
08:27Ocelia disse.
08:36Thanks.
08:54L. E. S. S. R. 1.
09:22Hey. I thought you might be thirsty.
09:30You getting ready?
09:36Yeah.
09:38You're not scared?
09:40No.
09:43No, I am.
09:46But I remember why I'm doing it.
09:50What is...
09:51What is L. E. S. R. 1?
09:55L. E. S. R. 1?
09:57It's left, straight forward, stereo on the right, first four.
10:03My dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:14Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always...
10:26We're always in the studio.
10:54...
11:22I don't know.
11:25I don't know.
11:55I don't know.
12:01I don't know.
12:03I don't know.
12:33I don't know.
12:38I don't know.
12:48I don't know.
12:50I don't know.
13:09I don't know.
13:18I don't know.
13:33I don't know.
13:57I don't know.
14:05I don't know.
14:08I don't know.
14:10I don't know.
14:11I don't know.
14:12I don't know.
14:17I don't know.
14:22I don't know.
15:02I don't know.
15:04I don't know.
15:04I don't know.
15:04I don't know.
15:06I don't know.
15:07I don't know.
15:39I don't know.
15:50I don't know.
15:51I don't know.
15:52I don't know.
16:01I don't know.
16:20I don't know.
16:21I don't know.
16:30I don't know.
16:31How about he's leaving?
16:35He's leaving.
16:39He's leaving.
16:39This is bullshit, you know?
16:41You know, you can't just keep me here like a prisoner.
16:45Davi, give me a shot here.
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit,
17:24you don't seem to be any better at figuring out his next move than the rest of us.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39You wanna get out of this room, come talk to him and get some actionable information
17:42because if we don't figure out what Chrissy's up to, I have a strong feeling he's going to show us.
17:47And I don't think we're gonna like it.
17:50Bora.
18:11What's going on?
18:15I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it'd make me feel better, but...
18:37It's like all the memories that have been poisoned.
18:51It's like all the memories that have been poisoned.
18:59I don't know.
19:15I don't know.
19:18Where was this?
19:21It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:31Yeah.
19:33It's supposed to be a Christmas card.
19:39My dad thought we only needed a camera and a tripod.
19:43My brother is out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54Then we started...
19:56We started arguing and...
20:01My mom took the camera and just...
20:04She just gave it to a stranger.
20:06Mm-hmm.
20:09That's all I did.
20:15At the end, when he gave the camera back...
20:19He said we were a beautiful family.
20:39That's not poison.
20:40Mm-hmm.
20:49Everything you care about...
20:51It's all still in there.
20:56That doesn't mean that...
20:57You won't have pain.
21:01But you don't have to go through that alone.
21:03Mm-hmm.
21:04Yeah.
21:07It's gonna be there.
21:24I will.
21:29Really?
21:31Yeah, it's mine.
21:37Okay.
21:38Okay.
21:52What now?
21:58He's bouncing a signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but...
22:04Nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:28Well.
22:37Well?
22:41His name is Vico from a local favela. He hasn't said much and I haven't let the locals ask him.
22:47What are we waiting for? I just...
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53Tapping and I will interrogate him personally.
22:55I want him cutting to pieces until the answers start to flow.
22:59I will not tolerate one man operating with impunity, making a mockery of...
23:03I'm sorry, sir.
23:04Don't interrupt me.
23:06I'm sorry, but I'm in a connection here that I think you'll want to help.
23:10It's John Creasy.
23:28Mr. Creasy.
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you for
23:34too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatna.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity.
24:07That the Redburns and all the other families in that building didn't have.
24:11The opportunity to say goodbye to the people that you love.
24:15Because I am coming to see you, Mr. President.
24:20I am coming to see you, Mr. President.
24:20And by then, it will be too late.
24:35I just called to make sure that you have the opportunity that the Ray Burns and all those other families
24:40in the building didn't have the opportunity to say goodbye to the people that you love, because I am coming
24:47to see you, Mr. President, and by then it will be too late.
24:52I want an honest assessment. Is this man actually capable of making a bid at an assassination?
25:00Absolutely. But I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you. He just kills you. Something's not right.
25:16I want this dealt with once and for all. We didn't come this far to let one man screw it
25:22all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:33Sir, we will get this handled. I can assure you.
25:50Sir, sit down here.
25:53What the fuck?
25:55I can't pay any money.
26:00Can I pay?
26:02Can I ask you?
26:05Can I ask you?
26:06What was in the pocket?
26:09There was only a key to a bank account.
26:13I'm sure.
26:14I opened the pocket and took the key from there.
26:18I'm wondering how they'll pay with this shit.
26:22They were hoping to find money in the pocket.
26:26And now they're hoping to find money in this pocket.
26:31It wasn't money, it was something they wanted to sell.
26:36I didn't understand.
26:38I don't know, but I heard them talking about a recording.
26:43Or a Vita.
26:45Yeah.
26:47From the crazy guy talking to the President.
26:49President Carmo?
26:51Was it President Carmo?
26:53Yes, it was President Carmo.
26:54Who was the crazy guy?
26:55Ferraz.
26:58Ferraz.
26:59Look at me.
27:01Are you sure it's a recording of the President Carmo with Ferraz?
27:05I have.
27:06Okay, wait a minute.
27:15Let's join the whole team now.
27:17And send them to the BCI Bank.
27:18Cofre 4488.
27:20Let's go.
27:23Let him do this.sein.
27:36Let's
27:36go. Come here.
27:40let him. Let him go.
27:41the Ext介 cr votation. ready to resume.
27:42Oh
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voice that you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening,
29:12to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now you might be feeling a slight burning sensation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 230 minutes, you will be dead.
29:34It's toxic!
29:35Let's go now!
29:42Oh!
29:43Oh!
29:54Melo, come in.
29:56Yeah.
29:57Chrissy.
29:58Go ahead.
30:00Our success targets are incoming.
30:03Copy that.
30:19You know your part?
30:21Yeah. I go in, I make sure they see me,
30:24and draw security so we can get to have him.
30:27I have a girl.
30:33Everyone in place?
30:35Yeah.
30:36You and I are set.
30:48Hey, I'll be okay.
30:59Creasy, check in.
31:03All right. We set. We set. We set.
31:12We set. We set. We set. We set. We set.
31:32We set. It's bad.
31:34Yeah, we set.
31:34We're here.
32:21What are you doing here?
32:22Please.
32:23Someone found me, but they're not here yet.
32:26All right.
32:27Just walk away.
32:27We'll find something else.
32:28Just give me a second, okay?
32:33Poe, get up.
32:34Get up.
32:37No.
32:38I can do this.
33:11Fuck you.
33:25What's your location for?
33:27What's your location for?
33:43Poe.
33:44That's your location, Poe.
33:47Poe!
33:48That's your location, Poe.
33:48Just down, manita!
33:49De izquierda.
33:51Vamos!
33:53Poe, you can hear me on my way?
33:58Stand down, Krissy.
33:59I've got her.
33:59Security's been drawn off.
34:00You have the green light for Tapp and Velo.
34:02We're headed to the staircase.
34:04Okay, c-caralho.
34:22Porra, Vico!
34:26Como você saiu?
34:27Eu sou foda, porra, desci pra isso.
34:31Nós estamos indo para o ponto de metade.
34:33Descubra! Descubra!
34:35Ei, se Poe está aqui...
34:37O insulto é creio.
34:40Isso é um f***ing sham.
34:44O momento não está acontecendo.
34:50All right, lock it down.
34:51Get on the radio, lock it down.
35:02Vai!
35:11Tchau!
35:13Tchau!
35:15Tchau, tchau!
35:22Let's go.
36:04Let's go.
36:25Let's go.
36:38Headed out now.
36:43Let's go.
36:47Let's go.
36:49Let's go.
36:50Let's go.
37:11Let's go.
37:12Let's go.
37:19Stop fucking shooting!
37:34Get out of the way!
37:35Let's go.
37:35Let's go.
37:41Let's go.
37:43Let's go.
37:45Let's go.
37:56Let's go.
37:57Let's go.
37:59Let's go.
38:00Let's go.
38:01Let's go.
38:03Let's go.
38:15Let's go.
38:20Let's go.
38:31Let's go.
38:33Let's go.
38:34Let's go.
38:47Are you okay?
38:48Yeah.
38:59Let's go.
39:02Let's go.
39:04Let's go.
39:16Let's go.
39:16Let's go.
39:23Let's go.
39:24Let's go.
39:27Let's go.
39:28Let's go.
39:40Let's go.
39:43Let's go.
39:43Let's go.
39:46Hold on.
39:47Hold on.
39:48This is not fire.
40:14I gotta give it to you.
40:15That tape?
40:17That tape was some expired shit.
40:20You know, that's the crazy I used to know.
40:21You know?
40:23One who I had high hopes for.
40:25Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with you?
40:41Yeah.
40:42I think you should be.
41:17I think you should be.
41:18I think you should be.
41:18I think you should be.
41:20I know it.
41:22You've gotta hurry up with me.
41:25Lisa!
41:27You've gotta hurry up with me!
41:34I don't want to die.
41:37Get back up!
41:38Piss out!
41:39No!
41:40No!
41:40No!
41:41No, no!
41:41I can't.
41:41Get back up!
41:41Piss out!
41:41No!
41:43No! Please!
41:44Creepy!
41:48Creepy!
41:50Creepy!
41:51Creepy!
41:53Creepy!
41:55Creepy!
42:32Creepy!
42:33charisma!
42:40Get out of here!
42:59This is for my brother.
43:15Get out of here!
43:17Come on!
43:17What's that?
43:21Not to me! Not to me!
43:46Get out of here.
44:10Shed her mouth.
44:41Shed her mouth.
45:08Shed her mouth.
45:35Let's go.
45:38Go left.
45:40Go left.
45:47Creasy.
45:48Just go.
45:48Be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Go on, Paul.
45:51No.
45:52Shit.
45:58No.
46:06Mom.
46:39Stop right there.
46:40Don't move.
46:45You shoot her, you're dead.
46:46One second.
46:50Yes, I know.
46:51No.
46:53Given that you've killed Teppin, I'm not seeing a lot to look forward to.
47:01So, drop your fucking gun or the last thing you see will be another dead Rayburn.
47:09Drop it!
47:25Good boy.
47:29Now, stand up.
47:32I'll give you the honor of going first.
47:37STAND UP!
47:51STAND UP!
48:11Yes!
48:13Ah!
48:13Get down there.
48:15Ugh!
48:18Ow!
48:19Ah!
48:28Oh, my God.
49:09Oh, my God.
49:11Oh, my God.
49:13Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17You're okay.
49:18No, just stay with me.
49:19It's okay.
49:19Oh, my God.
49:23Oh, my God.
49:26Oh, my God.
49:30Oh, my God.
49:30You did good.
49:33Christy.
49:34Oh, my God.
49:50Oh, my God.
50:03Oh, my God.
50:06And a small group of Brazilian citizens in a high risk effort to expose the conspiracy...
50:10Yeah, I don't believe it.
50:12Hey, man, who I achei?
50:13What's up?
50:14What's up?
50:15What's up?
50:16What's up?
50:17I was talking to Marina that I couldn't see you in the newspaper.
50:21My neighbor's helping to destroy the government.
50:23What crazy is this?
50:24You think it's crazy?
50:25I imagine it.
50:27What's up with you?
50:29Oh, we're not going to any place.
50:32So you think things will improve with the Carmo?
50:35I don't think so.
50:36I'm worried.
50:38I'm worried.
50:38But if everyone's worried, the things will improve, right?
50:42Great shit.
50:45I'm afraid.
50:47I'm not going to be a fan of the Carmo.
50:49Ivan said you need to work on your English before anything else.
50:56You don't say shit about English.
50:58And the guy is f***ing for it.
51:01If you were to learn Russian, that would work too.
51:21The last time I saw my family, I wasn't at my best.
51:28And sometimes it feels like that regret is going to swallow me whole.
51:35Because of what happened to them, I have nothing to bury.
51:41No ashes to spread.
51:44But I've come around to the idea that because they raised me the way they did, my family ultimately
51:53left me with all that I could have asked for.
51:58You don't always realize what you have until somebody tries to take it away.
52:08And you don't always realize what you need until you're facing something too big to tackle alone.
52:20What my family has given me is the strength to go on.
52:27And what I've learned from my friends is that I never have to do so alone.
52:52I never have to do so alone.
52:55I never have to do so alone.
52:57I never have to do so alone.
53:02Hey.
53:03Hey.
53:05You know if you want, you can just stay here, have lunch with everybody else.
53:14No.
53:16No, I wouldn't go.
53:18If I could use some time away from grandma's house.
53:20Yeah?
53:21Yeah.
53:28Give me a minute.
53:31OK.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs,
53:41and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do,
53:46and a fair amount of egg on my face at one of our guys.
53:49That was the reason you had to do it.
53:51OK.
53:52Well, I accept your apology.
53:56Not an apology, John.
53:58It's an invitation.
54:00I've got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys for that?
54:06I do, but they're actually long-lis, in fact.
54:09No one else has had a first-hand experience with these guys.
54:13And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is,
54:21if that's something you're ready to revisit.
54:27Send me what you got.
54:28And we're back.
54:36Bye.
54:43Bye.
54:44Bye.
54:47Bye.
54:48Bye.
54:48Bye.
54:49Bye.
54:51Bye.
54:53Bye.
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