- 8 hours ago
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00:14How can you possibly lose a bag filled with four million euros at a party, Damien?
00:18Kayla called me. The Duke's cash had just started to move, and the Duchess kept whispering in my ear and
00:23seducing me with the Virgin Mary.
00:24I got sidetracked.
00:26It's not my problem that you get all befuddled by these careless whispers.
00:29I need you to find the money so I can make good on the plans that I made.
00:32And which plan is that? The one with Alibaba or the one with Willy Wonka's chocolate? Tell me which one
00:37is it?
00:38Call it whatever you want, just find it.
00:40How do you expect me to find it? That party was throbbing. There must have been four or five hundred
00:44people here.
00:45Best news I've heard so far. At least you know that one of those five hundred has the bag.
00:49It's not like the police who have to choose between seven billion people to find us.
00:53You, on the other hand, have few suspects. Now get to work.
01:05Do you have what I think you have in that bag?
01:10Follow me.
01:11Sit down, relax.
01:13Sit down.
01:28Close the door.
01:38I see you enjoy history.
01:41And all that art. Don't move. So you like art? Paintings? Hmm?
01:49Let's just say I'm very... fond of art.
01:54Seems so.
01:59Relax. Don't worry.
02:02Just shut up and listen to me carefully.
02:04If I find out you're lying to me, I will sew your lips together with wire. Understood?
02:09You've become friends with the Duke and with Geneveva to infiltrate the palace.
02:14Yes or no?
02:16Uh, yeah.
02:18Yes? So you can rip them off?
02:22Careful with your answer.
02:28Ah, Jesus, Mary and Joseph. Thank God for that.
02:31First of all, you hang out with the Duchess in the ladies' room.
02:34Then you want to move into the palace?
02:35I thought you were some kind of gigolo.
02:37And I thought that they had brought you in to spice up their sex life.
02:41I was going crazy. I'm so relieved now.
02:44Oh, my beautiful, wonderful thief.
02:47That's a compliment, not a bad thing.
02:49Hold on a minute. You've just violated my private space.
02:53Shh. Hey. Relax, man. Easy. There's no need to get all high and mighty, all right?
02:58We're in the same business. Discretion is my middle name.
03:01And the fact of the matter is, this is perfect timing.
03:04I'm looking to join a gang.
03:10Well, you see, the problem is that I never mix my personal and my professional life.
03:14While I appreciate the idea, I'm afraid you're in no position to negotiate my terms of hire.
03:21Let me get this straight. You just messed up my things.
03:24And now you want to become part of my gang. Is that what you said?
03:28And you insist that the conditions of hire are non-negotiable.
03:32You know what? I'm really not very comfortable with this whole matriarchal and illusion dynamic.
03:36So I'm just going to leave.
03:39And when I come back in, then we can start all over again.
03:56Right now it would seem that you have the upper hand.
04:01You know all about me and I know very little about you.
04:04So you could report me to the police or to the duchess, considering that you're acquainted.
04:15Basically, I'm at your mercy.
04:17How can I have the slightest faith in you?
04:26The thing is, I can't make you.
04:32But I can make you feel it.
04:44I can make you feel it.
04:47I can't make you feel it.
05:00But I can make you feel it.
05:20Damien, look.
05:22We found more info.
05:23What info?
05:25This is the chapel in the Duke's palace.
05:27It's where we lost track of the money.
05:28It was built in 1825.
05:31It's also the family pantry.
05:33The final resting place for five generations.
05:36And fun fact, it also contains the tomb of the Cardinal of Seville.
05:40Octavio Hermosa de Medina in line to become Pope in the 1800s.
05:44Roy, don't I look as if I'm interested in cardinals from the 19th century?
05:47No, obviously.
05:49You guys take a break. I've got other concerns.
05:54Time for my siesta. Can I use your cabin?
05:58Yeah.
06:07I need your help, Roy.
06:08Right now.
06:09You've got to say yes.
06:10It's a matter of life or death.
06:28Who do you think you are coming to Seville and chasing after me?
06:31Are you a stalker? Psychopath?
06:33There I was, looking out the window, and you're staring back at me.
06:36My boyfriend could have been there.
06:38You had no right to come and intrude on me.
06:40We've only met once. You mean nothing to me.
06:42What do you think this is? Fatal attraction?
06:44I'm sorry about that.
06:45I'm not here to bother you, I swear.
06:47I'm in Seville for business, that's all.
06:49I was walking by the tower, and I remembered our phone call, and I saw the yacht.
06:53And so, I called you.
06:55When I saw you, I went, holy shit, it's a miracle.
06:58But I didn't have time to explain why I...
07:00You're lying. I don't believe you.
07:01What business do you have here, huh?
07:03So what brings you here?
07:06I have an exhibition in this gallery.
07:09I sent you the location in case you wanted to come check it out.
07:11I've been preparing all year.
07:16Wanna see?
07:23Fuck.
07:29Let me show you.
07:32This grandfather was taking six grandchildren to see their grandmother.
07:35She was really sick.
07:37They traveled more than 50 kilometers across the Cambodian jungle on that thing.
07:40She held on until they arrived.
07:42And after she hugged the last child, she died.
07:47This was the first long trip I took after graduation.
07:54This one.
07:54These are three elderly trans women that I met in Indiana.
07:57They're all childhood friends.
07:59They lived together all their lives and wanted to grow old together in the same place.
08:03Every afternoon, they performed a lip-sync battle to Gloria Gaynor.
08:06It was amazing to watch them.
08:07The whole nursing home was cheering them on.
08:13And over here, this one almost killed me.
08:18I was camping on the Svalbard Islands, far north of Norway.
08:22One night, I was asleep in my tent, and I began hearing something.
08:25Strange animal noises.
08:27Something was breathing heavily, scratching at my tent.
08:29My heart was pounding with fear.
08:31I couldn't sleep.
08:31At sunrise, I crawled out.
08:34And there it was.
08:36It had feasted all night on the food I had in my bags.
08:40I packed my stuff.
08:42Still, he wouldn't stop following me.
08:43He was after one thing.
08:45What was it?
08:46He wanted my chorizo.
08:51I see the world's your oyster, Phileas Fogg.
08:56Kayla, I'm very sorry and truly embarrassed about what I did.
08:59You're right.
09:00You have a boyfriend, and he could have been there with you.
09:02Oh, I'm so sorry.
09:19Sam!
09:20This way.
09:21This way.
09:37Yes?
09:38I have something that belongs to you.
09:42And who is this?
09:43If you want to get your money back, then meet me later today.
09:47Come alone.
09:47Do not contact the police.
09:49I asked you a question.
09:51Meet me at 9 p.m. at the Rose Garden in Yada Leonore Park.
09:54I'll be inside the greenhouse.
10:04What would you do if you just stolen a bag containing 4 million euros
10:07in unmarked non-sequential 100-year-old bills?
10:10And you then call the owner of the bag requesting a ransom?
10:13You lost the bag?
10:15Yeah, was that a party?
10:16Please, would you answer the question?
10:17How the fuck would I know, Damien?
10:20But it seems obvious it's blackmail.
10:22Blackmail?
10:23But they already have the money.
10:25How did they get your number?
10:26I don't know.
10:27They want to meet me in a park tonight.
10:29You're not going.
10:30I have to.
10:31Because right now, this is the only real lead we have to finding our 4 million.
10:34But you're right.
10:34I can't go alone.
10:35This could be really dangerous.
10:38Have you seen Roy?
10:48Hey, Damien.
10:49Where are you, Roy?
10:51I'm at a gallery.
10:52What are you doing there?
10:54It's a personal matter.
10:55What do you mean by that?
10:56Well, with the new job, I thought I'd brush up on my art.
10:58With all the shit that's going down, you decided to brush up on your art history?
11:02Photography?
11:03Don't you fuck with me, Roy.
11:04You got that?
11:05Get your ass over here.
11:06Okay.
11:20Fuck this.
11:30Hi.
11:31Hey.
11:32Hold on.
11:34May I help you?
11:35Yeah.
11:36I'm a friend of Kayla's.
11:37I'd like to speak with her.
11:38Do you mind?
11:39Sure.
11:40No problem.
11:41One moment, please.
11:43Kayla?
11:44There's a friend of yours to see you.
11:46Okay.
11:51Before you say anything, Roy, I want you to know that I came here firmly believing I loved
11:54Bruce and wanted to leave Claudio.
11:56But I happened to be wrong, and I was unfair to him.
11:59Because the truth is, he's here for an exhibition.
12:01He's not visiting Seville to stalk me.
12:03In fact, it's almost the opposite.
12:05He has an amazing inner life.
12:07He's sensitive, intelligent, creative.
12:09And when I first saw him, I felt an attraction towards him that I couldn't understand.
12:13And now I understand why.
12:14I guess it's because he's intelligent that you fucked his brains out.
12:19When Cameron hooked up with someone else, you forgave her.
12:23But you're judging me now?
12:27You don't have to worry about your friend.
12:29Because right now, I think I should leave Bruce.
12:32Just perfect.
12:33You came here to break up with Claudio, and instead you'll leave Bruce.
12:35Bruce, you're a real piece of work.
12:40You should leave.
12:41I'll find my own way back.
12:42Fine.
12:44Fine.
12:44Fine.
12:56Fine.
12:59Fine.
13:02Fine.
13:02Fine.
13:03Fine.
13:04Fine.
13:06Fine.
13:07Fine.
13:08Fine.
13:09Fine.
13:10Fine.
13:11Fine.
13:12Fine.
13:20Genoveva?
13:23Shall we sit down?
13:26There's a guy. You see him?
13:28Yeah, I see him.
13:35For you?
13:37Proof that I have what you're looking for.
13:40Go ahead. It's yours.
13:44What are you trying to do?
13:45In order to get your money back, you're going to have to earn it.
13:49By following my orders.
13:53Is this a kind of indecent proposal?
13:56Like in the movie with Robert Redford?
13:59Well, with a few obvious differences.
14:02I thought it was part of your seduction strategy.
14:05I mean, who in their right mind would forget 4 million euros at a party?
14:09I thought to myself, he left this bag behind because he wanted to see me again.
14:14A typical tactic.
14:15So I call him and I set up the customary clandestine meeting.
14:18Suitably mysterious.
14:20And the proposal? Does it change at all?
14:22The exact same proposal.
14:27What's wrong?
14:28I don't interest you.
14:29Of course.
14:30Very much so.
14:32It's not about...
14:33It's not about you attempting to bribe me with your own money.
14:37And it's not...
14:38That I don't find you pretty.
14:42And to be honest, I don't think this has ever happened to me before.
14:46That I turned down a woman as beautiful as you.
14:50It's just because it's a question of principle.
14:54I will never betray the man that I work for.
14:57I had the feeling that you were a man of ethics.
15:00It's enchanting.
15:02But the fact of the matter is that you still need to get your money back.
15:06And I have some really great proposals for that.
15:08For 500,000.
15:09Want to know the first one?
15:12She's threatening him with a gun.
15:13Let's go.
15:14Go ahead.
15:29So the Duke, he gives you all that money.
15:31Then his wife, she steals it back.
15:33Then later she calls you up and you get blackmailed?
15:35I got a really bad feeling about this.
15:37Well, I kind of wanted the action.
15:38We charged in like Pancho Villa.
15:40We thought she was going to kill Damien.
15:42We need to find Berlin.
15:43We get on the boat and forget the fucking lady with an...
15:46That's enough, Bruce.
15:48Your personal situation is clouding your judgment.
15:52With Berlin gone, I'm in charge.
15:54I decide what we do or don't do.
15:57Get some sleep.
15:58I'll take care of this.
15:59The plan doesn't change.
16:05Damien's right.
16:06I'm not okay.
16:10Kayla hooked up with a guy.
16:13When you think about it, it's no big deal, right?
16:15I mean, fuck, man.
16:16This happens all the time.
16:17Shit.
16:19I've been a dick.
16:20I mean, way worse than Kayla.
16:21Did I ever tell you about the twins?
16:23No.
16:24We were on the way to Canterbury.
16:25I hooked up with the twins when I was dating Sheila.
16:28So you see, Kayla, she's not really done anything wrong.
16:31She told me she had sexual intercourse.
16:33Who cares?
16:33It's not a big deal.
16:35And she said they only did it once.
16:36Like, chill out.
16:37Well, right now, she's actually making out with him.
16:40What?
16:41Earlier today, she asked me to take her to a place downtown.
16:45Turns out she was meeting up with the guy.
16:48I'm sorry, bro.
16:51Come with me.
16:52I have an idea.
17:01Take this.
17:03We've got a job to do.
17:29We were just talking with the Duke and Duchess about doing some business together.
17:32More business.
17:33Or the same business you guys were talking about in the bathroom.
17:37Where were you?
17:41I'm sorry.
17:42I didn't mean to wake you.
17:45I went on an evening stroll.
17:48How are things with your collection?
17:50Wonderful.
17:53I'm going to get a glass of water.
18:11Your grace.
18:12Is something wrong?
18:14Samuel, at the party, did my wife spend time in the bathroom at all?
18:17Yes, I accompanied her.
18:20And by any chance, did anything happen that I should know about?
18:26Was there anyone else inside, for example?
18:31The bathroom was empty.
18:32I verified.
18:35Then how do you explain that the woman...
18:40Candela appeared to be suggesting that my wife had been alone in the bathroom with another man?
18:48Candela's a friend of her grace, sir, from church.
18:51This could be a female conspiracy.
18:54And why were you not with her on her walk tonight?
18:57She asked me not to accompany her tonight.
19:00That's it.
19:02That's what?
19:02She's pretending she has a lover, suggesting that something may have happened in the bathroom.
19:08Or coming back home this evening with a flower in her hair, smiling like the Mona Lisa.
19:18Punishment, that's it for sure.
19:20Why would she want to punish you?
19:22To get my attention, of course.
19:25Because I left her alone on her birthday.
19:27And she hasn't worn the necklace I gave her.
19:36She wants much more from me.
19:39But she'll never ask me directly, because she is so...
19:43She's so wonderfully proud.
19:45And that's why she puts on this little show of hers.
19:50Thank you, Samuel.
20:18I'm not going to buy any more pieces of art.
20:21This will be the last one.
20:22I know that I've locked myself away in my art and my neurosis.
20:29It's time now for you to show me your world.
20:32We could go back to Italy.
20:34You've often said you wanted to return.
20:38Imagine the scene.
20:40You.
20:42And me.
20:44The wind blowing in our faces.
20:47La bella vita.
21:12Yes?
21:13Would you mind stepping out for a moment, please?
21:24What's going on?
21:25I know where to find the money.
21:28It's with Genevieve.
21:29We're meeting up later to get it back.
21:31Hey.
21:33What's with all this whispering and cloak and dagger nonsense?
21:37Whatever you have to say to him, you can say it to my face.
21:42Come on.
21:47Please.
21:55She went through my stuff.
21:57There's no need to worry.
21:58I'm with you now.
22:00So, aren't you going to tell him?
22:05I'm feeling to see.
22:07He's a bit of a drama queen, isn't he?
22:08Just a little.
22:08All right.
22:10Come here.
22:10Sit down.
22:12Relax.
22:15So, maybe now you can tell us why Genevieve has all of our money.
22:19Apparently she wants to blackmail me.
22:22Sexually.
22:23That's surprising from Genevieve.
22:25That's a side of her I didn't know about.
22:27I thought she loved her husband.
22:29Go figure.
22:29Maybe she's falling for someone else.
22:32So, what's the problem?
22:34You don't want to let yourself be seduced, is that it?
22:38Absolutely not.
22:40And it's not because I'm modest.
22:42I've got my principles, okay?
22:44I'm not going to compromise our heist with sex.
22:46And I'm not going to have sex because someone pays me.
22:49Are you crazy?
22:49Inside here in big neon lights?
22:51No.
22:52No.
22:52No.
22:52Way to go, man.
22:54I agree with you.
22:55Don't give in.
22:55Very well, then.
22:57If we're having moral quans about how to recuperate our four million euros,
23:01then we'll have to resort to crime.
23:05Who took the red sledgehammer?
23:07I'll worry about that later.
23:12The crowbar we'll have to do for now, then.
23:43The crowbar we'll have to do for now.
23:44This is what my brother dreams about.
23:46Photocopying bills?
23:47Something like that.
23:49Well, at least now we have our four million in photocopies.
23:53But we still don't know where she's hidden the money to make the switch.
23:56She's decided to use the money to extract sexual favors from you, so it must be hidden close by.
24:01It's not buried anywhere on the property nor in the house.
24:04There must be at least twelve servants just to maintain the bedrooms perfectly clean.
24:08So it's neither inside nor outside the palace.
24:10It begs the question, where is it?
24:15In a garage?
24:16She has a black Maserati that no one's allowed to touch.
24:20Absolutely no one can.
24:22Isn't she good?
24:23Yeah, very good.
24:25You'd better pray the money's in the trunk.
24:26And if it's not there, you'll be going through her drawers.
24:57What are we doing here?
25:05Demolishing our past lives.
25:07Let's go.
25:11What's going on?
25:13We just had an epiphany.
25:15Tonight, when we smashed the glass in the greenhouse, for a moment I saw myself in slow motion.
25:20I was floating.
25:22And all that adrenaline and dopamine just broke me up from a nightmare.
25:27Your turn.
25:36What was the nightmare?
25:37It's called falling in love.
25:40And it's a hell of a nightmare, but it feels so fucking good that you don't even notice that shit.
25:47And you know why?
25:49Because we all fucking believe that falling in love is winning the goddamn lottery.
25:56But it's just a lie.
26:00Because it's not the real you.
26:03The real me was the guy who went skydiving with my friends who waited until the last moment before pulling
26:09the cord.
26:10I stole fast cars.
26:11I'd ride them in illegal races at airports doing 200 kilometers an hour.
26:14And you know what?
26:15When I fell in love with Cameron, I got scared.
26:20Scared of what?
26:21Scared something might happen.
26:22To me or to her, you know.
26:24Or even worse.
26:26Let she leave.
26:29So you end up spending your time at the beauty salon as she does her nails.
26:34Like a fucking moron.
26:37Because you think that's what happiness is.
26:40But you're wrong.
26:41It's not happiness.
26:42It's just narcolepsy.
26:46That's for the wasted nights spent watching television instead of living my own damn life.
26:52And this one's for my friends that I never see.
26:56And this one's for that ridiculous fucking face I made watching you try on boots before eating at some fucking
27:01Asian Electron.
27:05You've got to be crazy to be in a relationship.
27:08But it wasn't a relationship.
27:09It was just a stupid joke.
27:19What are you going to do after the heist?
27:22I'm going to Cantabria.
27:25And I'm going to go bareback riding.
27:28I swear to God, I love it.
27:30Totally free riding across the plains.
27:32Why the fuck would you be naked?
27:50Oysters.
27:51I'm in.
27:52I've infiltrated one of the Duke's yachts.
27:54It's called Rose of the Oceans.
27:55And how did you manage to get inside?
27:57I waited on the pier.
27:59At the marina.
28:02I picked out one of the girls from the crew.
28:04Christina.
28:06Hey, sorry.
28:07I became her friend.
28:08I'm looking for a boat that might be hiring.
28:10Can you help me?
28:10Sorry, I'm afraid the one I'm honest for.
28:12Asked her for some advice and we hung out.
28:15She was tired and wanted to get some rest.
28:17But I changed her mind with a few margaritas.
28:19Two more, please.
28:27How did you get rid of her?
28:30Two small bottles of laxatives.
28:34I also took the opportunity to sabotage her phone.
28:38There wasn't much time.
28:40The yacht was leaving the next morning.
28:42Hello.
28:43Hey.
28:43I'm a friend of Christina's.
28:45She's really sick.
28:46We're sailing to Sardinia and to the Greek islands.
28:48We'll be making a first port of call on the border of Morocco and Algeria for fuel.
28:53All our passengers are multi-millionaires.
28:55Cameron, you really have to keep a low profile.
28:57Your mission is to find out if they're transporting anything illegal
29:00so we can use it against the Duke if something major goes wrong here in Spill.
29:03Okay.
29:04How many phones did you bring?
29:06Three.
29:07As a precaution, it would be a good idea not to have our names on your phone.
29:11The Duke already knows our code names.
29:13So, what?
29:14You want me to put a code name on the code names?
29:16Is that it?
29:17Exactly.
29:18And, um, one last thing.
29:20Be careful out there.
29:21I can't do it.
29:23I can't do it.
29:28I can't do it.
29:36I can't do it.
29:40I can't do it.
29:49It's not.
29:50Okay.
29:55I'm glad to see you.
29:56Everything okay?
29:57Absolutely.
29:58Well, then follow me.
30:16This entire room is for you.
30:18For you to create.
30:19For you to work your magic.
30:21This place happens to be my favorite part of the palace.
30:24It's my home, my sanctuary.
30:26This is where I allow myself to nourish my inner child.
30:32For example, please let me show you.
30:35Where can it be?
30:36Where did I leave it?
30:37Yes.
30:39A very rare first edition of Jose de Esproncena.
30:43The moon's rays illuminate the ocean waves.
30:46As the wind it bellows and unfolds.
30:49And the waves smash momentously.
30:51Yet all that remains is azure.
30:57And it's signed by the author.
31:00Please, young lady, read.
31:01Read.
31:02And pass it along, okay?
31:04Do all of you like to dance?
31:18Da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da.
31:26Hey!
31:29Let's be honest.
31:31We always remember the first person, the first artist that made us dance, right?
31:35And in my case, it was...
31:40Elvis!
31:42Look at this!
31:45This is the original suit that he wore at the concert, the legendary concert in Hawaii,
31:51at the Honolulu International Center Arena in 1973.
31:55And that, up there, the solar system!
32:05There are only eight planets, but you have ten, right?
32:08Ah, yes, my dear friend.
32:09These two planets I invented, Tulum and Santalos.
32:14Young man, it's because of the number ten.
32:16It's a sacred number.
32:17Isn't this fantastic?
32:19Oh, my God, I nearly forgot this.
32:21You are going to love it.
32:27Behold my ice chest.
32:30You see, creativity must be nourished, but not by passion alone.
32:34Ha!
32:34So why not feast your eyes on some magnificent wild crab from Alaska,
32:39or some handmade Swiss chocolate,
32:41and, of course, black beluga caviar.
32:46Mmm.
32:47And to help you concentrate...
32:53Palo Santo incense.
32:58So, I will leave you to it, then.
33:00Hmm?
33:06Genoveva, shall we?
33:08Enjoy your stay.
33:10My friends?
33:13Let those creative juices flow seditiously.
33:31Unbelievable.
33:32You all have nothing to say about what we just witnessed?
33:39This pathetic, ridiculous, narcissistic, horrid little man
33:42reciting romantic poetry.
33:44Good Lord!
33:45What now?
33:57It's all clear.
33:58No microphones and no cameras.
34:00I'm going to continue.
34:01So he's affectatious, supercilious, and pompous,
34:03and he wanders around dressed up as fucking Elvis?
34:07Okay, time to set up our equipment.
34:09We need to do a sweep of the palace and check their security.
34:26These cameras seem to have motion sensors.
34:29They only record when there's movement.
34:31That would indicate that there is no one watching the cameras.
34:34Exactly.
34:35It works as a closed circuit.
34:36Nobody checks them unless there's an incident.
34:39How many cameras are there?
34:4524.
34:46If you can hack all the cameras, we can have a complete view of the palace.
34:54Can you take control of the sensors?
34:56Yeah, which means we're able to control when they begin to record.
35:02Careful.
35:03The Duke is headed in your direction.
35:04Don't move, okay?
35:14It's your right.
35:15Did you see you're looking at the cameras?
35:16I don't think so.
35:19Ribera's my favorite.
35:21Even more than Caravaggio, in fact.
35:24Interesting.
35:31So you appreciate Ribera?
35:36He's amazing.
35:38He's...
35:41Terrifying.
35:42Do you know what Lord Byron said about him?
35:45He said that Ribera...
35:48had dipped his paintbrush in the blood of the saints.
35:52He's quite extraordinary.
35:55Are you as passionate about Baroque?
35:57Of course.
35:59I prefer the 16th century, like El Greco.
36:02I prefer the 16th century, like El Greco.
36:09I'm so happy to see that you've all come prepared.
36:12I mean, I'm...
36:13I'm getting emotional.
36:15I'm moved by...
36:16your sensitivity, your love of art.
36:21I'm beginning to understand just how good you truly are.
36:24I'm impressed.
36:28Kayla, I have to go to the garage for a minute.
36:30If you see someone heading my way, you let me know, okay?
36:39I guess I'm better off not knowing what he's up to.
36:42Yeah, much better.
36:47Berlin, Samuel is walking towards the gallery.
36:50He'll be right beside you in 10 seconds.
37:03Careful, there's a cleaning lady.
37:11You can go, now.
37:13The parking area is to your left.
37:43Next time you go to a party, leave it at home.
37:45What happens when she finds the photocopies?
37:47It's highly unlikely that a millionaire will be examining 100 euro bills under a light bulb,
37:51but if she does, she'll realize that she's been checkmated.
37:56I need some fresh air.
38:10Yesterday, when you held me in your arms, it aroused me.
38:13I can't deny that I was terrified.
38:16But it was also the most exciting moment of the last 20 years of my life.
38:20I know you have a thousand good reasons to reject me,
38:23but I'm prepared to trust your instinct,
38:25because last night, your instinct told you to hold me,
38:28and I want to be with the man who holds me like that.
38:31It's your turn now to take the next step.
38:33If you wish to see me again, put on a white shirt.
38:39It's time to head down to the chapel.
38:40Kayla, search it for cameras.
38:45No cameras in the chapel.
38:48The Duke is a very religious man.
38:49Religious men need privacy to speak with their God.
38:52They also need privacy, because that's where he hides all his dirty money,
38:55and he doesn't want prying eyes.
38:56I'll go with Bruce.
38:59We'll take the micro-cameras to scan inside the chapel.
39:02No microphones?
39:03Not necessary.
39:04Try not to attract attention.
39:15We're good to go.
39:16The cameras are working.
39:19Why on earth did she not take any of the microphones?
39:21We have personal issues to discuss.
39:23Relationships aren't simple.
39:25The micro-cameras are enough for the moment.
39:27Let's keep an eye on them and see what happens.
39:29I've got something to tell you.
39:32Do you mind if I talk first?
39:41I've been thinking about stuff.
39:44About all that time I spent in clubs, hooking up with women.
39:47All those long nights.
39:49Those faces I remember and names I forgot.
39:53And I thought I was doing all that stuff to feel alive, to feel something.
39:57But now I know I did all that so I could end up with you.
40:02Kayla.
40:05You're the best thing in my life.
40:19They're on their way down.
40:28They're about to enter the chapel.
40:41The place is empty.
40:42They're all clear.
40:43Let's do a 360 sweep.
40:50It's much smaller than I expected.
40:53Strange there are no doors.
40:55There has to be some kind of access to a tunnel or a crypt.
40:57Listen, Kayla.
40:59You don't have to renounce anything.
41:01Go meet people.
41:02Sleep with them if you want.
41:04And that guy that you met?
41:05If you want to call him, go see him.
41:07Embrace that new chapter.
41:08I'm in no rush and I definitely don't have any demands.
41:11I don't have any because I know you're the one for me.
41:13And I want you to experience everything until you realize that I'm the one for you.
41:20I didn't realize that you were such a beautiful person.
41:22You're soulful.
41:24I knew that you were a good man, but this is from another planet.
41:33The picture's gone blurry.
41:36What is that?
41:37What?
41:37What?
41:37Those are tears.
41:39Roy, go down.
41:40Why do you want me to go down?
41:41If everyone's in the chapel, then the...
41:43Don't contradict me.
41:45Then take the radio frequency detector.
41:47We have to find the entrance to where he hides his cache.
41:51There are so many people who spend their lives in the hope of finding one special person, and I found
41:55two.
41:56You might call it unfair.
41:57I found two supermen, not one.
42:02And I don't know what to do about it because I didn't want to leave either of you.
42:14We've been given orders to find the electric switch that opens that cave with the cache.
42:22Excuse me.
42:52I don't know what to do.
42:57I picked up a signal.
43:31The floor of the crypt opens with a mechanism just like in the Spielberg movies, you know, Indiana Jones.
43:35It's a masterpiece.
43:37Can anyone see what's below?
43:39Anything?
43:40We can't see much from here, sir.
43:43Roy, give your earpiece to Kayla and take a quick look below.
43:45Understood.
43:47Going down.
43:50I'll go with you.
43:53It's a bad idea to let them go down there without someone covering them.
43:56Oh, my God.
44:26I'll go with you.
44:44Step back and pull the lever again.
44:46Zoom in on the courtyard.
44:50Someone's heading for the chapel.
44:52He'll be there in five seconds.
45:11What are you doing here?
45:18I'm praying.
45:19It helps me find peace of mind.
45:45Those flowers are beautiful.
45:51Every day I bring fresh flowers for Don Fernando.
45:55He was the Duke's father.
45:57A good man.
45:59He was like a father for me.
46:03He is buried here.
46:12My mother passed away not long ago.
46:14She died from kidney disease.
46:18When I find a place to pray, it seems like I can talk to her.
46:25When I pray, it also helps me find peace.
46:28I have something that I cherish dearly that might help with your grief.
46:35It's so beautiful.
46:38It's the secret heart of Jesus.
46:46May we pray together?
46:47Of course.
46:59Take it.
47:05You can wear this scapular for protection for the rest of your life, you poor gal.
47:13Because you're going to need God to protect you.
47:16You wander through life with that innocent smile.
47:19But I will never forget the bitch who crippled me, you whore.
47:27And I always get revenge on those who've wronged me.
47:32I'm going to put you in a wheelchair.
47:42In the name of the Father, and of the Son, and of the Holy Spirit.
47:46We have to go down.
47:47No, no.
47:48Wait a second.
47:50Now I want you to leave this place right away.
47:59I don't want to see you in here ever again.
48:01You or anyone else.
48:04Get out!
48:18And now we're going to leave this place.
48:19Look, I'm going to be here now.
48:20And now we're going to sit here.
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