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Berlin and the Lady with an Ermine Season 1 Episode 7
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00:01You
00:10Did you actually believe you could make it this far on your own?
00:30I'm the only person in this world who can cross that line and walk in here
00:34Any idea what would happen if this machine wasn't currently scanning my iris?
00:40I suppose that it would be something dramatic
00:47Yes, you're correct
00:51If the machine hadn't confirmed my identity within 10 seconds of setting foot inside the vault
00:57Methane gas would be pushed through these vents and then a spark I Brazil yes
01:02And this entire area would be transformed into a raging ring of fire
01:06Inspired by the divine comedy in the third ring of the seventh circle of the inferno of Dante Alighieri
01:11So unless by chance a Marvel superhero appears immune to fire and equipped with my own eyes well then I
01:18guarantee
01:20That no one
01:21shall ever find
01:23their way to this door
01:25Behold this masterpiece devoid of any handles
01:29Devoid of any locks not even a hydraulic system a mysterious impenetrable work of art
01:36What do you think?
01:43Magnificent
02:04I knew I was right
02:06I knew it
02:07What man?
02:09He's got a huge barbecue
02:10It's a trap big enough to roast an elephant and it's absolutely impossible to get inside
02:15He's a genius. He's a fucking master. He's
02:19Sorry the wine
02:20The wine
02:21You don't stink the sheets
02:22Damien
02:23Damien
02:23Rub it with the sauce
02:25It's okay Damien
02:25It'll come out
02:42The lady will be leaving Krakow at 8.15 a.m. locked in a case on a regular flight
02:47The painting will be protected by a wooden frame and reinforced glass which is standard practice when lending works
02:52Thanks. From Chodoriski. We'll come back to that later. Arrival time?
02:57Arriving at
02:5812.30 Seville Airport
03:00Once landed it will be picked up by a private security company
03:03One that specializes in transporting works of art
03:06Here's what I found
03:07And like all security trucks carrying valuables
03:09It will be armored
03:11The name of the company is Blendizart and they use these types of trucks
03:14As you can see these are fortresses on wheels and that's where our problems begin
03:19No, that's easy
03:20We ambush them on the tarmac, hmm?
03:23We stop them and we blow out the windows
03:26We grab the security guards and in two seconds we open the truck
03:30Not a bad idea, however
03:32There are a few details that you left out
03:34First and foremost, the truck's windows are made of hardened glass
03:37Secondly, contrary to the other security vehicles
03:40These drivers do not have access to the painting that they're carrying
03:43Really?
03:44Nope, in fact there are no keys, these vans only use codes
03:46And to improve security, these are kept secret
03:49And what if we use the Russian tactic of Matryoshka?
03:53Uh-huh, and what is that?
03:55You've never heard of it?
03:56Mm-mm
03:56From the Furious movie
03:58From the Furious movie?
03:59Yeah, we steal the truck and put it inside a bigger truck
04:02Good idea, but to do that we'd need control of the steering wheel
04:05Why do you keep being so picky on the details?
04:07It's a false robbery and it's just to dupe the Duke
04:10No, Candela
04:11The plan has to be perfect and it has to be real
04:14We have to impress this pompous idiot
04:15And the more difficult the plan we create, the more brilliant it appears
04:19Wow
04:21You speak so beautifully, so classy
04:24It's a pity I'm somewhat disappointed we won't be stealing it
04:27And why is that?
04:29Well, I'm a little pissed that our first job as a couple isn't a real job
04:33But our plan is gonna be beautiful, right?
04:36Yeah
04:39And once again, no rest for the wicked I see
04:43You know what?
04:44I'm starving, it's time for some fried eggs at Pepe's place
04:46Okay?
04:47You stay put and chat with the gang
04:48See you later
04:54Yes?
04:55I couldn't call you earlier
04:56But you'll never believe what happened
04:59We just left the port
05:00Escorted by the Coast Guard
05:07As the yacht was about to leave, cars pulled up carrying diplomats and VIPs
05:13I think they were there to pay their respects to the dignitaries on board
05:19You know what's going on?
05:21If the Nigerian bags of rice contain anything illegal, then no one will check them
05:24Exactly
05:24A list of passengers containing diplomats is the perfect way to avoid any customs searches
05:29Have you found out where they're hiding the bags of rice?
05:31No, I've looked everywhere and I couldn't find anything
05:34Nothing at all
05:35There must be some kind of hidden hold or a secret compartment on the boat
05:39The goods are definitely here somewhere
05:42I measured the height of the two levels
05:45The height of the cargo hold and the engine room
05:48If my calculations are correct, there's a 65 centimeter discrepancy
05:52You know what that means?
05:53It means that in between both levels, there's a hidden space
05:56And I'm gonna find it
05:58I'm guessing that it's a utility tunnel for cables
06:00For electricity, air conditioning, that kind of stuff
06:03Yeah, but they could also use that room to smuggle cargo
06:05There's only one way to find out
06:07You had better not be thinking about drilling a hole in the cabin floor, okay?
06:11And why not?
06:12Why not?
06:14That's your problem, Cameron
06:17You do the opposite of what's suggested
06:20When you're told to go somewhere, you don't go
06:22When you're told to stay at home, you run away
06:24And when you cheat on your partner, you humiliate him and blame him for what you did
06:29You're your own worst enemy
06:30Yeah, well, that's your opinion
06:32Well, I hope then that you'll understand that I'm right
06:34And you'll realize it before it's too late
06:36You intend to drill a hole in your cabin in the middle of the ocean with no means to escape
06:41You're assuming that I'm gonna get caught
06:43What happens if I succeed?
06:45You'll do as I say, you hear me?
06:47That's an order
06:48Fine
06:49Fine
06:54Fine
06:56Fine
06:58Fine
07:01Fine
07:02Fine
07:06Fine
07:07Fine
07:09Fine
07:10Fine
07:11Fine
07:12Fine
07:14Fine
07:14Fine
07:15Fine
07:15Fine
07:16Fine
07:16Fine
07:29Oh, my God.
07:56I love swans.
08:09I can't stop smiling since I saw you in your white shirt.
08:16Dinner is at 8, on your boat.
08:19This is my first date since I was 15 years old.
08:24Just thinking about it gives me the chills.
08:27I'm so excited.
08:29I'll escape from my babysitter.
08:33Please don't think me a duck.
08:35Like you, I have the soul of a swan.
08:38The danger is exciting.
08:42Yes, yes.
08:43One moment, please.
08:43Damien, it's Roy.
08:48Out.
08:51Get out of here!
08:52Okay, I'm going.
09:03Can I help you, handsome?
09:04I noticed your books.
09:06What books?
09:08The books about the lines in your hands, fortune-telling and reading poems.
09:11Ah, reading poems.
09:12It's a family thing.
09:14My gran, she read poems.
09:16So did my mother.
09:17And now I do, too.
09:22No.
09:23No, no, no, no.
09:23I only do readings for strangers.
09:25No, no, wait.
09:26No, no, no, no.
09:26Come on.
09:28Do it as a personal favor.
09:30I could do with a glimpse into my future at this point in my life, if you don't mind.
09:35Go on, please.
09:45There's no need to be nervous.
09:48So this one here is your line of destiny, and this fork is not very common.
09:54Only people blessed with luck possess it.
09:57Yours is very pronounced.
10:00Look, here it is.
10:01Yeah, yeah.
10:04And romance?
10:05Oh, you want to know?
10:08Your heartline is complicated and all tangled up.
10:11And what does that mean?
10:12It means lots of affairs, numerous, and passionate.
10:19It's the line of a man who enjoys life.
10:22But here things get much more interesting.
10:25Now the line is more intense, much richer.
10:27This, this is a grand romance.
10:31And illusion love, I'd say.
10:32Your true love.
10:33A beautiful, wonderful woman.
10:35A bit of a thief.
10:37And a part-time pyromaniac.
10:39Yours will be a beautiful love story.
10:44What else?
10:48What is it?
10:50I just read the future.
10:53I don't change it.
10:54But it's very positive.
10:57Can you tell me when this is going to happen?
10:59Why do you want to know that?
11:01Let's just say that I'm dying to experience it.
11:10Tell me everything.
11:20I've got some good news and some bad news.
11:23Maybe you start with the bad.
11:26The bad news is...
11:29that you're going to be seriously ill.
11:37And the good news?
11:42The good news is you won't die from it.
11:55Working overtime?
11:58It's okay.
11:59Have your chat with the gang.
12:00I'm going to go help my father.
12:06Yes?
12:06We're all here.
12:07You're on speaker.
12:08Can you talk?
12:09Go ahead.
12:11Down below in the crib,
12:12there's a titanium vault shaped like an igloo.
12:15Behind the vault door is a corridor
12:16that explodes like a ring of fire
12:18if the Duke's iris isn't scanned.
12:20The vault contains deposits of methane gas.
12:22It's highly inflammable.
12:23Very exotic.
12:24And you discovered this macabre megalomaniac fantasy
12:26with the geo radar?
12:27No, I witnessed all of it with my own eyes.
12:29Last night I was walking around the palace
12:31and I ran into the Duke
12:32who was having trouble sleeping too.
12:34We had a few drinks
12:35and then he took me to see the stables.
12:37To the stables?
12:39Late at night?
12:41And what are you insinuating, Roy?
12:42Nothing.
12:43No.
12:44It's just that you kicked me out of your room
12:46and you were on all fours
12:47and there seemed to be someone in your bed.
12:49So when you say you were down in the stables,
12:51I, well, I made an association.
12:53Yeah, and what's with the bodyguard?
12:55Because I think there's something weird going on.
12:57Maybe the Duke would like to take him riding.
12:59We were talking, not riding.
13:01It was a fraternal night of male bonding,
13:03of camaraderie.
13:05We embrace a horse.
13:07It's a meditation technique,
13:08good for reducing stress.
13:10We talked about life, about death.
13:12We sang a Mexican folk song.
13:14Lovely.
13:15And what happened after?
13:16He took me down to the crypt
13:17and showed me around.
13:18As we suspected,
13:19the first door opens with an alphanumeric code.
13:21But as soon as you enter the hallway,
13:24if the system cannot identify the Duke's iris,
13:28death by fire.
13:31It's a masterpiece of security.
13:33It's impenetrable.
13:34The guy is a genius.
13:36There's no way we can rob that vault.
13:38Of course we are going to rob this vault.
13:40There is always a means and a way.
13:41Oh yeah?
13:42Which way?
13:43Tell me,
13:43remove the Duke's eyeballs
13:44so we can scan them?
13:46Well,
13:46we don't have to remove anyone's eyeballs.
13:49We just have to get more info.
13:51Find other ways to get inside,
13:52that's all.
13:53Exactly.
13:54Kayla,
13:54are you thinking what I'm thinking?
13:55Oxygen levels?
13:56It's worth exploring.
13:58With the data we have,
13:59we can calculate the volume of oxygen
14:00in the corridor
14:01and the time of combustion.
14:03It's possible.
14:03Interesting.
14:04Now maybe you can explain it to us?
14:07In simple terms?
14:08Once the fire uses all the oxygen in the vault,
14:10there will be nothing left
14:11and it'll burn out.
14:13That way we can move on to the next phase.
14:15Which means opening the igloo door, right?
14:17With no oxygen to breathe?
14:19All we need are oxygen tanks
14:20and a couple of fireproof suits
14:22to survive the fire.
14:23For God's sake,
14:24fireproof suits can only withstand the heat
14:25for a certain time.
14:26Sometimes only seconds.
14:28Any miscalculation would be fatal.
14:29We'll be extra conservative.
14:31And how do we get past the titanium door?
14:33In a space with no oxygen?
14:35How will we ignite the thermal lands, huh?
14:36What do we do then?
14:37We'll work it out.
14:38Now what the fuck is your problem?
14:39Damien!
14:42You don't want to do this anymore?
14:43No, no, of course I want to do it.
14:45I'm just calculating all the risks.
14:47Do not start lying to me now, Damien.
14:50You're acting like a nervous teenager
14:51who's trying to lose his virginity
14:53with the Duchess.
14:53Exchanging messages all day,
14:55meeting up in secret,
14:56while at the same time
14:56becoming best friends with her husband.
14:59I know you.
15:01You're beginning to feel empathy.
15:04It's quite possible
15:04that you're even considering
15:05that this heist
15:06would be a betrayal,
15:07yes or no.
15:09What is it you say?
15:10Hmm?
15:12All robberies require
15:13surgical precision.
15:15So do you think
15:16you're still acting
15:16like a professional?
15:18I suppose not.
15:19Whatever we have to do, brother,
15:21we'll find the solution
15:22with science.
15:23Like we've always done.
15:32Could I have the check, please?
15:37I'll take care of that.
15:49Camille.
15:50Good to see you.
15:54I'm glad you haven't
15:55forgotten my name.
15:57And I haven't
15:58forgotten yours either.
16:00I have a surprise
16:01for you at my hotel.
16:02Come with me, please.
16:03No.
16:04No, right now
16:05is not a good time.
16:06Why don't we just
16:06sit down here?
16:08This is not an invitation.
16:13It's an order.
16:16Shall we?
16:18I've calculated
16:19the volume of oxygen
16:21that can be contained
16:21in the vault corridor.
16:23It's 76.68 cubic meters.
16:26If we take into account
16:27that the estimated
16:27flow rate of methane gas
16:29through the nozzles
16:29is 0.2 cubic meters
16:31per second,
16:32then theoretically
16:33the fire should not last
16:34more than 45 seconds
16:35before all the oxygen
16:36in the corridor
16:37is consumed.
16:38That's how long
16:38the suits last
16:39before catching fire?
16:40That's right.
16:40At the moment of ignition
16:41and for a few tenths
16:42of a second after,
16:43the temperature will reach
16:441,963 degrees Celsius.
16:47After that,
16:48it stabilizes
16:48between 400 and 600 degrees.
16:50Certain materials
16:51can resist that kind
16:52of temperature.
16:53Fibers like Nomex
16:54or like aluminum suits
16:56worn by firefighters.
16:57And how exactly
16:58do we know
16:59this shit will work?
17:00We can run a test.
17:01How?
17:02We can use a flamethrower.
17:04You think this is a fucking
17:05escape room, Roy?
17:06So after the demolition game
17:08set ourselves on fire?
17:09I just want the adrenaline rush.
17:12I'm not afraid.
17:13We need someone
17:14that's level-headed, Roy.
17:15Not a kamikaze.
17:16It's Bruce.
17:17I'm sorry?
17:18He's volunteering
17:19and you're asking me.
17:20Mm-hmm.
17:22Newsflash,
17:22I'm not going in there.
17:23I'm telling you
17:23that it's technically feasible.
17:25Inside it's gonna be
17:26600 degrees, Damien.
17:27I like my beer cold.
17:28It's not a discussion.
17:30You're both going.
17:31Now get out of here
17:32and find out
17:33where you can get those suits.
17:34I've got my own stuff to do.
17:52Here we are.
17:55You look as beautiful
17:56as ever, Camille.
17:58Although there's
17:59something different.
18:00Maybe it's the gun.
18:01You think I've changed?
18:03Really?
18:08Maybe.
18:18There's been quite a few
18:19changes in my life.
18:21My ex-husband
18:22was a loved child
18:24ended up incarcerated.
18:26And there's my rather
18:27elusive lover
18:28who stood me up
18:29in Singapore.
18:34Why didn't you come?
18:35I found myself trapped
18:37in the coffee triangle
18:38of Columbia
18:38when a volcano
18:40suddenly erupted
18:41and all flights
18:43were canceled.
18:45What are you doing?
18:48Relax.
18:49All the roads
18:49in the country
18:50were blocked.
18:51Travel was shut down
18:53for several days
18:53and it was impossible
18:54to leave.
18:56And so,
18:57in desperation,
18:58I phoned the Blue Moon
18:59in Singapore.
19:00And then I had this
19:02brilliant idea
19:02while I was speaking
19:03with Ralph, the waiter.
19:04He agreed to help me.
19:06To help you how?
19:08I bought a ticket
19:09to Argentina
19:09and I asked him
19:10to print it out.
19:11Put it in a red envelope
19:12with your name
19:13and with my phone number
19:14on it.
19:15He was to hand it to you
19:16when you arrived
19:17at the Blue Moon.
19:20I imagined it would be romantic
19:22to meet up
19:22on another continent
19:23because of a volcano erupting.
19:25After all,
19:26our relationship
19:27was kind of volcanic.
19:30I never got that envelope.
19:32I definitely didn't pick up
19:34on his intentions.
19:35I shouldn't have been
19:35so generous
19:36with my tip to Ralph
19:37and probably should have
19:39only paid him after.
19:40When the time for our date
19:41came and you didn't turn up,
19:43I called again.
19:44Blue Moon,
19:45I'm sorry Ralph
19:46didn't show up for his shift.
19:48Can't help you right now.
19:50I insisted
19:50and called him back.
19:53But I have to admit
19:54at that point
19:54I was irritated
19:55and wasn't my usual
19:56pleasant self.
19:57Stop calling!
19:58I never heard back
19:59from Ralph again
20:00and I never heard
20:00about the 20,000
20:01I gave him
20:02or the red envelope
20:03or you, naturally.
20:13We spent the same night
20:15waiting for each other.
20:17on two different continents.
20:21But now we're both here.
20:24Together.
20:26An erupting volcano
20:28couldn't even keep us apart.
20:45Are you really going to make me
20:46steal the kiss from you
20:47at gunpoint?
20:59No matter how much
21:00you point that gun at me
21:01you'll never get that kiss
21:02Camille
21:03because we've missed
21:04our moment.
21:07I'm in love
21:08with another person now.
21:10I know that.
21:13I know.
21:14I know
21:15because I've seen her.
21:16That bubbly Andalusian.
21:18So spirited.
21:20Right?
21:22But I also had another person
21:24in my life
21:24when we met.
21:25And all the same
21:26I let you into that taxi.
21:28I let you accompany me
21:29to that concert.
21:30I gave you the opportunity
21:32to come into my life
21:33and change my world.
21:35Now you owe me
21:36that same opportunity.
21:38And that's why
21:39I came looking for you.
21:44Don't move.
21:49Damien's really on edge
21:50these days.
21:51Just like us, I guess.
21:53What do you mean
21:54by just like us?
21:56Didn't you get
21:57what Berlin was saying?
21:58Damien's in a love triangle
21:59with the Duke and Duchess.
22:01Kayla, can I have your phone?
22:03Sure.
22:04Can you unlock it?
22:08Time to call that guy.
22:10What guy?
22:11No, no, no, no.
22:12Please don't.
22:12Kayla, let's handle this
22:13like grown-ups.
22:15We're not teenagers anymore.
22:17Do you still have him
22:18saved under...
22:19Mommy?
22:21Yeah.
22:28Hey there, Kayla.
22:29No, it's me, Bruce.
22:31Her boyfriend.
22:32You didn't steal her phone
22:33to spy on her, did you?
22:34No, no, no, no, no.
22:35She's right beside me.
22:38Go ahead, say hi.
22:40Hi, Claudio.
22:41Kayla, are you all right?
22:42Yeah, I'm fine.
22:44Everybody's chill, Claudio.
22:45We wanted to ask you something,
22:46see if you wanted
22:47to come to dinner.
22:48What do you think, man?
22:49Wyatt.
22:50Is this some kind of plan
22:51to beat me up
22:52or something like that?
22:53No, no, no, no, no.
22:54On the contrary.
22:55How about we get some
22:56margaritas and tacos,
22:57we catch up and have some fun,
22:59we let loose,
22:59see what happens.
23:00We'll text you the location,
23:01Claudio.
23:02See you tomorrow.
23:03I am genuinely curious
23:04to see how this whole
23:05thruple thing will pan out.
23:07Ha, ha.
23:08Come on.
23:43Genifeva, I'm sorry.
23:44I didn't recognize you.
23:46The blonde hair suits you
23:47really well.
23:49It's a wig that I used
23:50to throw up Samuel.
23:51I went in the front door
23:52to Zara's.
23:53I put on the wig
23:54and I left the other way
23:55like a double agent.
23:58The adrenaline.
24:00Oh, I'm sorry.
24:01Please, come in, please.
24:12How wonderful living on a boat.
24:15I guess.
24:21You have no idea
24:22how happy I was
24:23when you put on
24:24that white shirt.
24:27Well, to be honest,
24:28I didn't have much
24:29of a choice, really.
24:30You had the upper hand.
24:31I mean,
24:32an obligatory dress code.
24:35Are you saying
24:36that you're here
24:36because I made you?
24:38No, no, no, no.
24:41This is the price
24:42we agreed on for the date.
24:43$500,000.
24:46In photocopies.
24:48You're more devious
24:49than I am.
24:51However,
24:53there's something
24:53I just don't get.
24:54If you already have
24:55all the cash
24:56and it appears
24:57that I've forced you
24:58to meet me here,
25:00then why this amazing meal
25:02with candles
25:03and flowers?
25:05What are you doing?
25:06Huh?
25:08What are you doing?
25:09Do you find it amusing
25:10that I have to disguise myself
25:12in the changing room?
25:13No, that's not it at all.
25:14That's not it?
25:14So what is it?
25:15Why have you gone this far?
25:16For the thrill
25:17of being with a married woman?
25:18No, I'm not toying with you.
25:20I've fallen in love with you.
25:21During the day,
25:22I avoid you
25:23and at night,
25:23I fantasize about you.
25:25And yesterday,
25:25I even kept all your post-its.
25:31I'm living in torment.
25:32I dream about you constantly.
25:38The other night,
25:39I dreamt of you.
25:41We were on a boat together,
25:43just like this one.
25:45Would you like to know
25:46what happened?
25:49No, no.
25:51Because nothing can happen.
25:53Nothing at all.
26:02The first time I rejected you
26:04because I work for your husband.
26:06Now I have two more reasons.
26:08And the first reason is because,
26:10because the Duke and I
26:11over the past few days
26:12have started to become friends.
26:14I'm sure you can appreciate
26:15why your husband's a good man.
26:17And the second reason?
26:19My marriage ended
26:21because of infidelity.
26:24I know how it can destroy
26:26people's lives.
26:28And I told myself
26:31I'd never do that to anyone.
26:34The things you talk about.
26:37Infidelity and
26:38betrayal.
26:41All these terrible things
26:42that overshadow
26:43a moment that could be
26:45truly beautiful for us.
26:50then again,
26:53I suppose it's not cheating
26:56if I touch your hand.
27:01I suppose you're right.
27:04And I suppose
27:07it's not a sin
27:09if I caress your arm.
27:12I suppose not, no.
27:16Then
27:18it can't be
27:21a sin
27:23to smell the perfume
27:25on your neck.
27:31I suppose not.
27:36I suppose then
27:37it won't be a sin
27:38if we
27:39both begin dancing
27:41cheek to cheek.
27:42I suppose not.
28:05my love
28:08has come along
28:13My lonely days are over
28:22And life is like a song
28:30Oh, yeah, yeah, at last
28:49I have a proposition for you
28:51Let's go somewhere, let's run away
28:54We can wait until all this is finished
28:56And I promise you that once this job is completed
28:59And once you leave your husband
29:01We can go anywhere in the world that you want
29:04We can live anywhere
29:07We can dance anywhere
29:13Thank you for your generous offer
29:22I'll let you know my decision
29:24At last
29:25I'll let you know my story
29:28Well, you can find me
29:42Thank you for your inquiry
29:56What's going on, Camille? Tell me.
29:58Just café au lait.
30:02Don't you remember?
30:04This is how it all began.
30:06Sitting at the bar in that café.
30:08The smell of fresh croissant.
30:11Nice and hot.
30:34The taste of pears on your lips.
30:46Is it coming back to you now?
30:55You heard me perform at the club the previous night.
30:59You heard me singing.
31:00L'amour n'est pas pour moi.
31:08Tu sais, toujours, c'est pas net.
31:13Ça te dit tout, ça s'approche.
31:16Ça ne sait montrer comme un trait.
31:19Trait de velours, ça me blesse.
31:23Mon malade, ça s'est l'un des dieux.
31:44These panties, I took them off when we were at the restaurant.
31:50They're yours now.
32:03You can't possibly have forgotten what we were.
32:07What we had, what we could be.
32:09It's not over.
32:13Everything that we had together is very much alive.
32:17It's still there, somewhere in your memories.
32:30I'm so sorry.
32:58I was just talking about you.
33:02You need to shut up.
33:06What's your name?
33:07Camille.
33:09Pleased to meet you.
33:10Candela.
33:13This is the woman I fell in love with in Paris.
33:16Before you and I met.
33:18Why start something with me if everything was so good in Paris with her?
33:21Because I was no longer with her.
33:25Oh.
33:25It's true.
33:26When I first met you, we were no longer together.
33:28In fact, we hadn't been together for over two months since I'd missed her at the blue moon in Singapore.
33:33I never heard from him again.
33:36Love stories come to an end when people break up.
33:39When they separate.
33:41In this case, however, neither of us broke up.
33:45Kimmy, our relationship was a game of telephone, of missed opportunities on different continents that ultimately failed.
33:57I'm crazy about you.
33:59I've never loved anyone like this.
34:04But I don't belong with you and you don't belong with me.
34:08And this has nothing to do with her.
34:10I'm sure she's wonderful.
34:11It's because our lives are too different.
34:12Because I've never had a date at the blue moon in Singapore.
34:15I don't even know what that is and I don't care.
34:17But you do.
34:18You care about things that are shiny and elegant and sophisticated.
34:24And me, I care about seeing my family.
34:28Sharing a moment with friends.
34:30Stuffing my face.
34:31Eating fried eggs with my fingers.
34:33Helping my dad pick watermelons on Fridays.
34:36I find beauty in small things.
34:37You see, my life is simple and I love my life because it's the only one I've got.
34:42But you've had 50 lives and in each of these lives you have champagne on ice.
34:54Out of these 50 lives, I choose this one to spend with you.
35:02This is the life that I want.
35:06Isn't it amazing what we've gone through?
35:12You know what else?
35:14Our love would have lasted forever.
35:18But we can't be together.
35:19Why not?
35:22Because our love has an expiration date.
35:24And I prefer to leave right now.
35:27And if you have any respect for what we had,
35:29don't you ever come looking for me.
35:35So long.
35:37Ciao, Camille.
35:46Ciao, Camille.
35:50Ciao, Camille.
37:11Things might get messy.
37:12How many?
37:13There's going to be at least eight of them.
37:15Four in each vehicle.
37:17The suits will be in the back.
37:18We have to be quick.
37:20The sooner you get out of there, the better for everyone.
37:22Got it?
37:22Yeah.
37:22We'll go to the meeting.
37:29Once you've got the suits, let me know.
37:31I've got to go somewhere.
37:35I'll stay here.
37:36I have to find a way to open that damn igloo before it's too late.
37:42This one's a smash and grab, okay?
37:44Make it quick and smooth.
38:06Go, go, go, go!
38:08There's no one inside!
38:15Pull!
38:15Pull!
38:17Pull!
38:27Pull!
38:29Pull!
38:30Pull!
38:35Pull!
38:37Pull!
38:40Pull!
38:42I'll be right back!
38:43Come on!
38:43Hmm!
38:44Let's go!
38:45Let's go!
38:45Look!
38:51I don't know.
39:25I don't know.
39:51What do you want?
39:52I told you to stay away.
39:54Is this how you show your respect for me?
39:55No, stay where you are.
39:57She's asking you to leave.
40:05Please, hear me out, and after that, if you still want me to leave, I'll leave.
40:09Hey, help me get something in the trailer.
40:16Leave, asshole.
40:18We know you were with that French woman.
40:27Yesterday, nothing happened with Camille.
40:31What really happened was that you saw an opportunity to escape and run away from me.
40:38I'm tired.
40:39I don't want to talk anymore.
40:40Candela, if for one moment you believed that I was cheating on you, you would have sprayed gasoline all over
40:44me and set me on fire.
40:51You just panicked and ran away.
40:54And you hang on to a champagne bottle as an excuse to say that we're different, but you're just afraid
40:59of falling in love.
41:01Afraid of loving me too much.
41:09And you know what?
41:10What?
41:11I've got some good news for you.
41:13I love you just as much.
41:17Maybe even more.
41:21It's my destiny, right?
41:25You told me so yourself.
41:27But this bit here, the bit you're worried about, who knows, maybe you just made a mistake.
41:35You said we're too different.
41:37Let me say, let me say it loud and clear so everyone can hear me.
41:46For me, this is an honor.
41:49A true honor to come down to this field to pick watermelons or anything else with your family.
42:11You better leave right now, mister, or you'll be out of here feet first.
42:19I'm going to count to three.
42:23One.
42:24Dad, give me a moment.
42:28Two.
42:37I'm not leaving.
42:39But there's no way I'm going to let this conversation turn into a bloody tragedy.
42:45Simon, put down the guns.
42:53My name's not Simon.
42:59My name is Andres Stefaniosa.
43:02Usually, I live in Madrid, in the area of Barrio de las Letras, above a small cafe, the Buenos Aires.
43:07When I was young, I was married, and I have a son called Rafael, and I'm a professional thief.
43:12And the only thing that's been going through my head since you left is, how can I demonstrate how crazy
43:19I am about you?
43:22Nothing is going to stop me from being with you.
43:26And I want you to understand, no matter what happens to me, you can trust me.
43:32The only way I've found to express this, the only way I've found to convince you is...
43:39With this...
43:41If you don't mind, Candela, please look inside my pocket.
44:02I know that this might be unexpected, but you need to decide yes or no.
44:17Yes, of course.
44:45As a result.
45:01You bring it toвар.
45:02If you look inside your pocket.
45:03As a result, the only way I do.
45:03I might have perfect you, but you're going far away from being with you.
45:03It's super epic.
45:03Wait, look.
45:04And we can tough you, you be 타 for good board.
45:04Okay, I don't know that's good.
45:04I don't know that you're going to be aangelbreed guy or Für Costa and Con travels with me…
45:07But my name is thatí•˜ì£ ï¿½ì „ensonis.
45:07For one of my family to help me…
45:14Let your unlock my pocket.
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