- 21 hours ago
Berlin and the Lady with an Ermine Season 1 Episode 3
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00:28Transcription by CastingWords
00:40Transcription by CastingWords
01:00This here is Spain, corrupt and malignant. Precisely why we need to be prepared.
01:28Catch, Damien.
01:57DecishingWords
01:59to open the gates for us and in the meantime what do you want us to do you and roy
02:07we'll stay and
02:08watch over him i mean he is our guest right first you need to remove the pellets from his face
02:15and
02:15clean him up and then tomorrow maybe we can send our guest home spick and span i'm not a fucking
02:21nurse but i can drive and i can get you in and out in no time for fuck's sake i
02:26can be more used
02:26to you there than here and sorry but i'm better than bruce cameron you're mistaken if you think
02:35this is professional i'm doing this for you to rekindle the embers of your romance you'll see
02:43i can assure you taking care of this vermin will be fun one hand on the trigger the adrenaline
02:50the fear good enough to invigorate any couple
02:59unless of course one of you prefers to be the leader of the pack
03:02hmm
03:42Hey. You okay?
03:47I'm not okay. I'm not okay, Bruce.
03:50Because just a few hours ago, I thought you'd been murdered.
03:54Hey, hey. It's okay. I'm fine.
03:58All thanks to you.
04:00Oh, there you were racing across that field like Ayrton Senna, huh?
04:31I don't know.
04:35A moment of weakness with a guy.
04:38It was an accident. It only happened once, and it didn't mean anything.
04:43What exactly do you mean, Kayla?
04:45A kiss messing around or having sex? I mean, what are you talking about?
04:49Yes.
04:50Yes what, Kayla?
04:51There was physical contact, sexual intercourse, but it only happened once.
04:58Today when that man led you away, when he pulled out that gun and threatened you, I started panicking, completely
05:06paralyzed.
05:07When I understood that I might lose you, my whole being was filled with a strength.
05:13I realized I was capable of doing the impossible, like running over that man.
05:18Bruce, if he'd done anything to you, I swear I would have fucking killed him.
05:26Bruce, you are the force that moves me.
05:32Bruce, you are the force that moves me.
05:44Bruce, you are the force that moves me.
05:45We are approaching the estate entrance.
05:49Get ready. We are moving in.
06:22It's all clear for at least 30 meters.
06:25Kill the lights, Damien.
06:47Electric fence straight ahead.
06:48Six meters.
06:56No thermal signatures. We're good to go.
06:58Okay.
07:15The air vent is situated approximately three kilometers west. Keep going. Straight ahead.
07:26I'm picking up infrared heat signatures.
07:29What direction?
07:30Behind the bushes on the left.
07:33Roll down your window.
07:36I can't see because of the branches.
07:49I see them. Multiple signatures.
07:56They're following us.
07:58Get out of here.
07:59Don't move.
08:06They're just fucking cows, Kayla.
08:13Kill the flashlight.
08:14All right.
08:57You've scarred my face.
08:59You're going to pay for that. You can count on it.
09:01Shut it.
09:02Why don't you save your energy for hunting boar?
09:13Where the fucking girl?
09:14Let go of her instead of the bricks.
09:19Everybody!
09:37Why didn't you shoot?
09:38I'm not going to shoot him for pulling your damn hair.
09:41He attacked me for fuck's sake.
09:44We have to keep him alive.
09:45We have to keep him alive.
09:45That's what Berlin asked us to do.
09:47You know what Berlin would have done?
09:48He would have wasted him.
09:50You think you're a big shot, but you're just his little bitch.
09:53What I am is loyal.
09:54But you have no idea what that word means.
09:58So, you got nothing to say?
10:00That's exactly why you can't work with me.
10:03Because deep down, you're ashamed.
10:06You know what?
10:06You don't even have the courage to look me in the eye.
10:13I warned you.
10:16And I was completely up front with you.
10:18You're telling me I put a gun to your head?
10:20Might as well after all you did.
10:22You crawled on the floor and begged me for another chance.
10:25Or did you forget?
10:32You fucked with my head.
10:34Messed with my brain.
10:38You want to know why you didn't care about anything I said?
10:42Because you're just a fucked up piece of shit.
10:58You find this funny?
11:01Yeah.
11:04Dumb bastard.
11:05You know nothing about women.
11:06It's clear to me she's the alpha dog.
11:08And you're her bitch, a real pussy, just like she said.
11:11Shut up.
11:12You can't handle her, a woman like her.
11:14She needs a real man like me.
11:16You better shut your mouth.
11:19A few months and she despises you.
11:21You got a problem hearing?
11:22I told you to shut your fucking mouth!
11:24So now you've decided to grow a pair of balls?
11:26It's kind of late for that, don't you think?
11:28You're a fucking loser.
11:31She's the one who had the last word.
11:32Huh?
11:33She left you pissing in the wind.
11:35Go on, show me what you've got.
11:37Go on!
11:52We made it.
12:17Let's get to it.
12:34Let's get to it.
12:53Let's get to it.
13:23Let's get to it.
13:24Let's get to it.
13:24Let's get to it.
13:27Let's get to it.
13:52Let's get to it.
13:53Let's get to it.
13:54Let's get to it.
13:55Come on down.
13:56All clear.
13:56Let's get to it.
14:17Let's get to it.
14:27Stop, this isn't the right moment.
14:28Yeah? And so what, you think it was the right moment back there?
14:31You're the one who decides what's right?
14:33Kayla, are we good?
14:34Where'd you do it? In our bed?
14:37No, for God's sake, no.
14:38Did he sleep over?
14:39No, we didn't sleep at all.
14:41Did he make you come?
14:42Bruce, please stop it.
14:45So he did.
14:48Was he better than me?
14:50Huh?
14:52Bruce, Kayla, get yourselves down here now.
15:16This way.
15:17We're about 600 meters from the cellar.
15:23The laser alarms could be anywhere on the property.
15:25The tunnel or the cellar, both are possible.
15:28And how do we find out where they are?
15:29We need to create a high-density atmosphere.
15:31A great way is creating lots of smoke.
15:37Keep going.
15:38Not far now.
15:39We're about to go.
15:41We're about to go.
15:54We're about to go.
15:58We're about to go.
15:58We're about to go.
15:58We're about to go.
15:58We're about to go.
15:59We're about to go.
15:59We're about to go.
16:00We're about to go.
16:01We're about to go.
16:03We're about to go.
16:05We're about to go.
16:07We're about to go.
16:11You know what? You can tell yourself whatever you want.
16:15You can tell yourself that I forced you to be with me.
16:18But it was love, Cameron.
16:30A love that's still real.
16:41Berlin is right.
16:44We're on a boat in the most beautiful city in Spain, but we waste our time fighting.
16:53If I kissed you right now, this whole mess would be over like that.
17:11And afterwards, we'd hold hands.
17:17We'd walk right off this boat.
17:25Then we'd paint this town red, together.
17:29We'd hit the bars in the best parts of Triana.
17:33Loisy, crazy, crowded.
17:40Because of the music, we'd have to move in close.
17:42You always liked it when I'd whisper in your ear.
17:45You enjoyed the way it tickled.
17:50And because you're fearless, you'd start dancing flamenco.
17:59Everyone would stare at you, hypnotized.
18:02Especially me.
18:05I'd do my best to try to clap along, but you already know, I have absolutely no sense of rhythm.
18:11And then we'd end up kissing.
18:21Alone, surrounded by the crowd.
18:26Later, we'd go downtown and do all the touristy things, and we'd pretend to be the first to do all
18:30that stuff.
18:31We'd hit those high-end stores on Main Street, the ones where aristocrats get suited up.
18:35For a while, we'd pretend to be like them.
18:38And we'd look fucking amazing.
18:43Then we'd take a ride through Seville on a horse-drawn carriage, so everyone could see us.
18:49At the end of the day, we'd check into a luxury hotel.
18:55We'd spend the night, but we wouldn't sleep one minute.
18:57We'd be like, oh, no.
19:22Cameron.
19:23Yeah?
19:25Was what happened that night really so bad?
19:29So bad that the rest means nothing to you.
19:32It was you.
19:36It was your fault, Roy.
19:38It was you who pushed me off the cliff.
19:41That's why everything blew up.
19:44All you wanted to do was change me.
19:47And save me.
19:51And now I'm even more fucked up.
19:57Don't pretend like none of this ever happened.
19:59Why not?
20:01This was just a big mistake.
20:03I should never have come to Seville.
20:12Cameron.
20:14Tell Berlin I'm done.
20:16I gotta get out of here.
20:17Cameron, for fuck's sake!
20:32No, fuck you!
20:33I won't come down!
20:35No, fuck you!
20:37I won't come down!
20:38No, fuck you!
20:39Oh, my God.
21:10The last stop.
21:44Don't move.
21:48Stay where you are.
22:15A fortress of lasers.
22:17And his art collection is inside.
22:30There doesn't seem to be any security cameras.
22:32Why would you need cameras when you already have all this?
22:36These lasers work like any other ordinary photoelectric cell.
22:40If anything gets in the way of the light at all, it sets off an alarm or, who knows, something
22:44worse.
22:44What's worse than an alarm?
22:46Well, considering the eccentric personality of the Duke, I imagine something tastefully sadistic like a trapdoor and a pit full
22:52of stakes.
22:55Bloodshed?
22:57You're alive.
22:58Bloodshed?
22:59Yeah, yeah.
22:59Dead or alive, we get it.
23:01My question is, how can we get in now that we know he has the best security system in the
23:05world?
23:06Because his sophisticated system is no longer optimal.
23:09Not for a few years now.
23:11Kayla, all yours.
23:12From the information that we gathered, the mechanism was installed in 2000, but it has become obsolete.
23:19A few years ago, they discovered a bug in the programming.
23:21To explain it, I made a short video.
23:23The laser alarm allows for a two-degree variation in oscillation.
23:26We will use the allowance to trick the system.
23:29Yeah, but how do we do that?
23:30We're going to replace one of the lasers with our own.
23:32One with the same power frequency and caliber.
23:35Once we can maneuver our laser into the two-degree gap, then we can cancel the emitter and open away
23:39in.
23:40Hmm. And how are we going to know what power, frequency, and caliber that we need for our own lasers?
23:46We can measure the diameter by using the smoke.
23:49It's easy. All we have to do then is measure the frequency using a spectrometer.
23:58Two millimeters.
24:06And once we've determined the exact caliber of the laser,
24:09then we can superimpose our replacement laser over theirs,
24:12if we respect the two-degree variable, but no human can possibly do that.
24:16This is outside of the realm of what we can handle.
24:19That's why we're going to use a neurosurgical robotic arm.
24:22This will enable us to place our laser at the exact point of the spectrum with absolute precision.
24:49Berlin, scan the room.
25:12We need to move the robotic arm 432 millimeters to match the lasers.
25:17And at an angle of exactly 91.36 degrees.
25:21Set up the new laser.
25:30We're ready.
25:39Okay.
26:00We're ready.
26:11You need to speed things up.
26:12C-3PO could move faster than these two.
26:14I need to make sure that all the measurements are exact.
26:17It's a very precise maneuver.
26:19It takes time.
26:19Okay. Whatever. Do it.
26:21I have to admit, this bastard knows what he's doing.
26:26Wine barrels made of oak.
26:27The floor covered in sand.
26:29And nobody would go to this much bother if it wasn't for something quite exceptional.
26:48And now for the moment of truth.
26:50It's time for us to block the laser alarm system.
27:15It looks like our trick worked.
27:19Your girl's amazing.
27:25We did it. Our very own little door.
27:44It's time for us to block the laser alarm system.
27:45It's time for us to block the laser alarm system.
27:46It's time for us to block the laser alarm system.
27:47It's time for us to block the laser alarm system.
27:47It's time for us to block the laser alarm system.
27:47It's time for us to block the laser alarm system.
27:48It's time for us to block the laser alarm system.
27:50It's time for us to block the laser alarm system.
27:52It's time for us to block the laser alarm system.
28:05I don't know.
28:44I don't know.
28:57Come on, come on.
29:01The number you have reached is unavailable or out of range.
29:04Please leave a message after the tone.
29:08Damien, I don't know if you'll get this, but the creep got away.
29:14I was up on deck, so he must still be on the boat.
29:19I'm taking the yacht out so he can't escape.
29:25Damien, if he manages to contact the Duke, you're finished.
29:39Damien, lift your leg very carefully through that space.
30:03Watch out, your shoelace!
30:13Take off your boots.
30:16Okay, let's do that.
30:31Now I feel like one of those idiots who's been told to remove his shoes at the airport.
30:35One day I made the mistake of flying with a commercial airline.
30:38They actually forced me to put on these plastic blue bags on my feet to go through security.
30:43Since then, I only traveled by boat.
30:48So, Kayla, if you don't mind.
30:59Ready for the big reveal?
31:01It's now or never.
31:29Ready for the big reveal?
31:32Oh, nice.
31:33Oh, нет.
32:09The Storm on the Sea of Galilee by Rembrandt, and it's the original.
32:16It was stolen in Boston from the Isabella Stewart Gardner Art Museum 23 years ago.
32:44It was stolen twice from the Kaleel Museum in Cairo.
32:50View from Auvers-sur-Royce.
32:58C'est ça.
33:03Woman with a fan.
33:06Amadeo Madigliani.
33:08This one was stolen from the Museum of Modern Art in Paris.
33:18The Nativity.
33:23By Caravaggio.
33:26In all of art history, this is the most valuable work that has ever been stolen.
33:35And he keeps them here, in a basement, like some old Bordeaux.
33:50What's up with him?
33:52Do you think he's having a breakdown?
33:54It's what's called Stendhal's Syndrome.
33:57What?
34:03Stendhal's Syndrome.
34:04A state of euphoria with palpitations and hallucinations caused when a person's exposed to beauty.
34:10Okay, all right.
34:11But can you do that later?
34:12Because we kind of got to get out of here.
34:14We cut the canvas and leave the frames, right?
34:17What do you think you're doing, you shithead-no-good moron?
34:27Are you expecting us to carry all these paintings out of here?
34:30No, of course not.
34:32Damien.
34:35But all of these frames stay here.
34:45What exactly do you mean by all of these frames stay here?
34:48Damien, we're not talking about a few million euros in unmarked bills or some diamond necklace.
34:54What you see here are the most famous stolen works of art in the history of mankind.
35:00The most mysterious, the most sought-after works of art in the world.
35:04But that piece of shit.
35:08That idolater.
35:10That narcissist has decided to sequester them.
35:14The world is filled with millions of paintings.
35:17If they can't see these, they'll see other ones.
35:20Damien, please come here.
35:25Do you realize how often I have visited the Uffizi Gallery in Florence to see the birth of Venus?
35:32Every time that I feel depressed or feel afraid about the future of mankind.
35:38And do you know why I return again and again?
35:44Because simply by contemplating this masterpiece, I find my inner peace again.
35:51What defines great art, Bruce?
36:01Art is the highest spiritual expression of humanity.
36:08Each one of these masterpieces was created to help reconcile human nature with beauty.
36:14And to ease the world's pain.
36:17But this duke is so pompous.
36:20Treating these paintings like they're porn.
36:23Flaunting his booty.
36:25Drinking his wine.
36:26Making a call on his landline to avoid the jammers.
36:28Ordering room service like some cheap motel.
36:31It's disgusting.
36:33So what should we do?
36:35Give me five minutes.
36:38I need time to think.
36:39What are you talking about?
36:41Does this look like the place to think?
36:42He could be watching us right now.
36:44Well, there aren't any cameras down here, so...
36:47Well, he might have motion sensors or sonar alarms.
36:50What if he already knows we're here?
36:54What if he already knows we're here?
36:56What if he already knows we're here?
37:26What if he already knows we're here?
37:56I don't know.
38:26I don't know.
39:04I don't know.
39:27I don't know.
39:39Now look at my scars, kid.
39:42I've got a few questions for you.
39:44Look at me!
39:47Tell me.
39:50Do you like dogs?
39:54You don't have to think about it, yes or no.
39:57Yes or no.
39:59Yes!
40:00Yes!
40:01Bark for me, kid.
40:04Bark, you fuck!
40:05Bark!
40:06Bark!
40:07Bark!
40:08Bark!
40:09Bark!
40:09Bark!
40:11Bark!
40:12Good little doggy.
40:13Bark!
40:17Bark!
40:28You're five minutes are up.
40:30That's enough.
40:34Put that painting back down, Damien.
40:37Why should I?
40:38Are you gonna shoot me or what?
40:40Fuck you, Andres.
40:42You made us choose between your plan and mine.
40:44Because you thought my plan of Marbella was a stupid idea.
40:47You convinced him and humiliated me.
40:49And now that we've made it behind these lasers,
40:51you decided we're not robbing him.
40:53We're gonna rob this bastard.
40:55Rob him of everything on these walls.
40:57This money?
40:59It's money now.
41:00And I'll hang it up on the wall behind me at the office.
41:03Stop right there.
41:10You're right.
41:15And I've just had an epiphany.
41:19Everything is clear.
41:22All of this art, these paintings,
41:24they will all be part of the biggest, grandest,
41:26and most poetic robbery in history.
41:29And we're gonna do it together.
41:31That's the best part.
41:33I just need you to trust me, Damien, one more time.
41:47Kayla,
41:48is it possible to hide the number of this landline
41:51if I make a call?
41:52Yeah, I can do it.
42:07You asked me to dress up in your matador's jacket.
42:11I've been waiting for over 40 minutes.
42:14My darling,
42:15I was busy saying goodbye to our guests.
42:17Yeah.
42:40My jacket fits you like you were born to wear it.
42:45Maybe so, but I'm hoping this isn't my only surprise.
42:49because
42:51it's my birthday.
42:53No, no.
42:55This is
42:57just a whim of mine.
43:00Your gift is over there.
43:23There is nothing quite like the childhood fantasies
43:26that surround our birthdays.
43:29I love connecting with my inner child.
43:42I love connecting with my inner child.
43:59You may only break two pinatas.
44:01So choose well,
44:03my love.
44:05Hmm.
44:33Yes?
44:34Good evening, Duke. It's Berlin.
44:39First, I must apologize for calling you so late.
44:42However, we have some very urgent issues to discuss, you and I.
44:45Right now? Can't it wait?
44:47I'm afraid not.
44:48It would be better for everyone if we meet tonight.
44:52You see, all my team are beside me and want to see you.
44:55We're not very far away.
44:57In fact, we're on your property, in your gallery, to be precise.
45:00You're in my gallery?
45:01Yes, we'll be waiting.
45:03I'm on my way.
45:11Are you leaving right now?
45:14I am your wife.
45:17Alvaro.
45:20There are times I feel you prefer your paintings over our love.
45:24I'll be back, my love.
45:27Keep the jacket. You look ravishing.
45:35I don't know.
45:43Ah!
45:56Ah!
46:16Let me go, asshole.
46:18I'm putting you in with the runt of the litter.
46:21I'm afraid her time has come.
46:23Let me out, you son of a bitch!
46:25Let me out!
46:27Give me your finger.
46:29Giff, come on!
46:31Shit!
46:34Easy.
46:36Well done.
46:39You've both been nice bitches.
46:42Time to end your suffering.
46:45No!
46:46No, please don't!
46:47Please let me out!
46:49No!
46:49No!
46:50No!
46:52Please no!
46:54No!
46:55No!
46:55No!
46:55You've got to go back!
47:25Corre, corre, caballito, que a mi casa estoy llegando.
47:33Corre, corre, caballito, que la cual te está esperando.
47:40Y si haces caso siempre a la vida, la frena de arte hay pocos trabajos.
47:48Y si nos quieres a la cuesta rica, encogeremos la puesta abajo.
47:55Y si nos quieres a la cuesta arriba, encogeremos la puesta abajo.
48:04Corre, corre, caballito, que a mi casa estoy llegando.
48:12Corre, corre, caballito, que el camino se está acabando.
48:41Corre, corre, caballito, que el camino se está acabando.
49:01Amen.
49:25Amen.
50:04Amen.
50:34Amen.
50:59Amen.
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