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00:10what's up wolf bag fam it's your boy kid back at it again hope you're doing well kicking it
00:14with harold and albert what adventures are going to be happening on this week's episode ladies and
00:20gentlemen i'm excited but guess what i gotta stay tuned to find out ladies and gentlemen i gotta see
00:24what the hell is going to happen on this week's episode but before you sit down like i am go
00:28get
00:28your snacks ladies and gentlemen because snacks is not included damn you gotta bring your own fancy
00:33a cup of go make a sandwich whatever you need to come kick it with me and hopefully you have
00:37a
00:37laugh alongside me let's get it snacks not included let's freaking go
01:01come up here you i say you i say you come up here i say up here
01:37give you up here man
02:03there you are did you use the lift
02:07i thought you weren't going to stop do come in i've got something in here that might interest you
02:19stand there just a moment would you
02:22what size do you take
02:29just put these on would you i'm not stopping i'm going to work with them
02:34it's the carpet you understand extremely valuable antique person
02:38oh i say so you wouldn't mind just putting these on
02:41thank you so much
02:46not on that sir rather delicate seroton sorry
02:49no no no no not on the wallpaper hand blocked friends
02:55look mate i ain't got all day to fly games here with you look i'll go out in a corridor
02:59you bring out whatever you've got a flock
03:01oh no no no please don't go i'll go and get it sir for you
03:03you won't move will you
03:05no no no i'll stay right here thank you
03:13here we are
03:32yeah hold that
03:42it's all right move around now is it oh yes yes of course
03:44oh i don't want to wear the slippers out it'll be all right well as long as you don't brush
03:48past anything and knock it over i've got a place of my own you know
03:52oh oh i'm so sorry yes of course please forgive me it's just i've collected these pieces
03:56over a number of years and they cost a great deal of money
03:58oh yeah well i can understand that i'm a bit of a collector myself
04:01no no nothing like this of course but i've picked up a few bits in my time
04:05your odds and ends well if you'll follow me it's in here
04:13ah you sure it's me you want i'm a reckon bowman yes yes i know this is what i want
04:20you to take away
04:38what's wrong with that then well there's nothing wrong with it i just want to get rid of it
04:41what do you want that red a bit full oh it's a nice place to find that she looks good
04:44in here
04:44doesn't it yes but i i'm not interested in what it looks like i i don't want it my home
04:48it belonged to my wife oh has she passed away then
04:53unfortunately no
04:56she's just not here anymore and i don't want anything of hers in here either
04:59oh i see you've had a punch-up
05:04i've done it all day on this round people having punch-ups getting rid of each other's gear
05:09it's a right old area for that this is you'd be amazed what i pick up like that
05:13you know birds flogging the old man's clobber just out of spite it is
05:19here she must be potty leaving a place like this
05:22has she had it has she gone off with another bloke then
05:26i don't think there's any concern of yours
05:28oh look don't worry about it mate you're better off on your own i don't bother with them
05:33i mean all the birds i've been out with that with two penn of a cold tea
05:36i'm telling you you're wasting your time
05:39anyway you're all right
05:41a marvellous setup this is
05:43a place like this
05:45well right rumpo then this is
05:48i mean you could have
05:49you must be with a couple above aren't you
05:52you could have any birds you liked up here
05:55i mean it's money in the bank
05:56you know i mean you're home and dry as soon as they put a foot in here
06:01all that stroke you've done on me
06:04you know
06:05take your boots off dear
06:08would you like to come up and see my mid-vases hey dear
06:13i don't wish to discuss my marital problems with you i just want to know if you're interested in the
06:18piano
06:19sorry no offence
06:21yes
06:22well
06:25well
06:26it's a big one isn't it
06:28how much do you want for it
06:29i don't want anything for it i'm concerned with the money i just want to get rid of it
06:32what for nothing
06:33i just want you to take it away
06:35i see
06:36well of course it's not as simple as all that isn't it i mean uh
06:39it's a big job that is
06:41i mean that'll take two men to shift there
06:43and you're on the top floor here aren't you
06:45i mean you ring that woods and lotterbies they'll charge you 50 nickel a shift now
06:48i'm giving you this for nothing it's worth money this piano
06:51they're expensive to buy i grant you
06:54but you try selling one mate
06:57that's a different story altogether
06:58you tried selling a piano lately
07:00ha ha
07:01no call for them they don't want to know
07:03no
07:04pianos is dying out
07:05definitely dying out
07:06definitely
07:08it's all telly now
07:10they don't have the old sing song around the piano nowadays
07:12telly
07:18i'll take it off your hands
07:19but i don't know when i'm going to get rid of it
07:21well i'll give you five pounds to take it away
07:23ten
07:23don't be so ridiculous i can get somebody else
07:25what
07:26five pounds it's a deal
07:28very astute
07:31oh by the way
07:34did she leave any clobber behind
07:36what
07:36you know clothes shoes acts dresses all that
07:39you see you might as well have a good clear out now
07:41and get rid of the lot
07:42flog them all
07:43give them a wife
07:44no
07:44no just the piano
07:46oh
07:47right
07:48well i'll shoot off and get my oppo then
07:50your oppo
07:50oh yes of course
07:51you'll want somebody to help you
07:52yes of course do do there
08:01you won't be long will you
08:02no it sounds just round the corner
08:04hey you won't tell anybody else why i'm gone will you
08:06right
08:06see you later then
08:10oh
08:10well by the way
08:11we did save five pounds didn't we
08:14well yes after you've moved it
08:15oh
08:16right
08:17cheerio there
08:18goodnight
08:27oh
08:27thank
08:46we bugging or what was that little wire thingy
08:49are we bugging
08:52come on
08:53come on
08:53come on
08:54come on
08:54come on
08:54how it worked all day
08:57sure i feel you've got too loud
08:59inside you
08:59look that guest never got anywhere near your trenches
09:02yes it did
09:03that was a war that was not like the one you were doing
09:06oh but it's the dark star of it again
09:07look we came up here to shift the piano
09:09what's wrong with you
09:10we had it all tapped one flight you had the lift to the floor below
09:13what's the matter with you
09:14well i ain't used to stairs
09:16wasn't nothing to lift up to the top floor
09:19well don't ask me
09:20i didn't design a place
09:23i expect they had their reasons
09:26you all right now
09:27lot you care you never have done
09:29i shouldn't be doing heavy work like this
09:31well you haven't done nothing yet you've walked up a couple of stairs
09:34well don't you aren't i
09:36heavy work
09:37i shouldn't be doing it
09:39it's too much for an old man
09:40well i'm not doing it on my own
09:41now make up your mind
09:42are you going to help me out aren't you
09:43if you ain't
09:45let's go home
09:46if you are
09:47shut up
09:48oh we'll have a look at it and see
09:49this is it is it
09:50yeah now look
09:51you behave yourself
09:51what do you mean by that
09:52you know what i mean
09:53keep your mouth shut
09:54let me do all the talking
09:56i haven't said anything yet
09:57good
09:57keep it like that
09:59wipe your nose
10:01there mate
10:05oh there you are come in
10:08this is my assistant
10:09hello
10:11how do you do
10:12just the two of you
10:13us that's all
10:14me and my dad
10:15but do you think you'll be able to manage
10:17i mean it's rather heavy you know
10:19this gentleman looks a little old
10:21to be shifting heavy things like that
10:22well i won't let him move nothing have you be all right
10:25i'll take most of the stride
10:26but it's about time you retired old man
10:29you're joking he retired years ago
10:31he hadn't lost the army
10:33excuse me that's the telephone
10:35i know it's urgent
10:35look you'll know where everything is
10:37don't you
10:38if you want anything just ask
10:39right
10:40right where is it
10:42i'm back here
10:43take your boots off
10:44what are
10:45the carpet
10:48and i'll sit on that
10:51i'll take you out and off your wall
10:54that's kind of blocked
11:11what size slippers do you take
11:19what's he got all them slippers for
11:21what's he got all them
11:22is he all right
11:25they're for people who are
11:26yeah
11:28i've read about blokes like him
11:30he's kinky
11:31shut up
11:33he's kinky
11:34he collects them
11:36i ain't kinky
11:37we collect things and we ain't kinky are we
11:39he looks a bit dodgy to me
11:42you want to watch him
11:45what's he wearing a dressing gown at this time of the day for
11:49that's the way they go on those people
11:51when they live a different sort of life to us
11:53yeah you're too trusting you are
11:55there's some funny people knocking about
11:57you've done it half of it
11:59hee
12:00we had some right ones in the army
12:02oh
12:03there was one officer
12:04i had this off the medical orderly
12:06he was wound in action see
12:09and when they took his uniform off
12:11guess what he was wearing underneath
12:13uh oh
12:16football shorts
12:22what's wrong with that then
12:23well a normal bloke don't go around wearing football shorts when he ain't playing football does he
12:27perhaps he didn't have time to change
12:29perhaps he was blinding
12:30if he was a sudden attack by the jury he wouldn't have time to change
12:32look there's always an explanation for
12:34you always see the rotten side of everything
12:38murky that's what you are
12:40murky
12:41ah
12:43he was kinky
12:46i wouldn't like to see what you got on underneath
12:48it's bad enough on top
12:50what size slippers do you take
12:52i don't know i never worn slippers
12:53what size boots do you take then
12:55between an eight and a ten
12:56what do you mean between an eight and a ten
12:59you mean a nine
13:00no
13:00between an eight and a ten
13:02depends on the weather
13:03eight when it's cold
13:04ten when it's hot
13:05you see when it's hot
13:06my feet burn up
13:08and i
13:11he ain't going to tell me these ain't kinky
13:15they are a perfectly normal pair of turkish casuals
13:21that's what you say
13:28hey these may be alright with a turk but he ain't a turk why he's wearing them
13:33yeah
13:33i fought against the turkish and gallipoli
13:36i've never seen him wearing anything like this
13:39but he's not fighting them
13:41yeah
13:43he's kinky
13:46you want to keep an eye on him
13:50how's he got anything else in there?
13:52no he ain't
13:53you jump for me
14:04full of eastern promise
14:10no no no
14:11no no
14:12they're super
14:12you look very nice
14:13you look like a snake charmer
14:15here come on where's your park
14:16give it the children
14:17Yeah, be your age!
14:20Yeah, you plate-overground pudding!
14:23Wise are you, 37!
14:25Damn right, if that's the mood you're in.
14:28Come on, for face sake, let's get a jump.
14:32Let's get out of here.
14:39This is nice, isn't it?
14:41Very tasteful.
14:44We should do our parts out like this.
14:46Now, put the house down.
14:48He's got some good stuff here.
14:49Put the house down and all.
14:51Oh, look lovely in my bedroom, that would.
14:53If he comes in and catches you...
14:59What are you doing now?
15:00He's got his cheque book here.
15:02Come out of there!
15:03Now, shut up a minute, this is interesting.
15:05£94.10 Mrs. Bennet.
15:07Is that his wife?
15:11£400.00 Ballard's Gallery.
15:13£50.00 cash.
15:14That's himself, that is.
15:15Tax Fiddle, I bet you.
15:17£23.002.00 North...
15:19Come on, sir.
15:20You nosy old.
15:22This is what you do to my stuff when I'm out, isn't it?
15:25Sure is interesting.
15:27He's got some letters in there.
15:28Let's have a quick shifty through.
15:30No.
15:30Oh, go on.
15:31You want to know who you're dealing with?
15:33It might be from one of his kinky friends.
15:36You'll be kinky if he catches you, mate.
15:38Now, come on.
15:39Let's get started.
15:45This is it.
15:47What do you reckon?
15:48I ain't moving that.
15:49What do you mean, you ain't moving that?
15:50I ain't touching it, it's too heavy.
15:52I ain't rupturing meself for a couple of quid.
15:56He's given us a handful to shift this.
15:58That's a lovely bit of furniture worth 50 quid, that is.
16:00Well, I ain't gonna move it, then.
16:01Push it.
16:02It is on wheels.
16:09Damn!
16:10What?
16:11Four o'clock?
16:12It's a bit thick.
16:12We'll have to have that up.
16:13But we'll manage it.
16:14Get it moving.
16:15It'll go on its own weight.
16:16Aye.
16:17There is a way we could get a move on it.
16:19What's that?
16:20Bring the horse up here.
16:22Tie her out.
16:23Bounce all I could thought.
16:25If we've got any more suggestions like that,
16:27keep your mouth shut.
16:29Just needs a bit of fork, that's all.
16:31And one piano.
16:32There's two of us.
16:33One at each end.
16:34If we could get as far as the door,
16:37we might turn it on its side,
16:38might be able to...
16:39I wonder would he give us a cup of tea?
16:42You don't want to get in here a few minutes.
16:43What's the matter with you?
16:44We get more out of this one job
16:46than we make in a month.
16:47Now, come on.
16:48Have a bit of a think.
16:49Don't leave it old to me.
16:54Well, how are you getting on?
16:55Oh, yes.
16:56Very well.
16:58Yes, we're just sizing it up.
17:01We won't be here long.
17:02Oh, well, if you want me, I shall be in the study.
17:05Right.
17:05Thank you very much.
17:07Do you think we could have a cup of tea, mister?
17:10Tea?
17:10I'm not sure that I've got any tea.
17:12I might be able to find you a glass of milk.
17:14Milk?
17:14Oh, no.
17:15I can't take milk.
17:16Bad for me stomach.
17:18Not too heavy for me milk patient.
17:20Not me stomach, you know.
17:22It was a Jerry Bayonet under some.
17:25Ugh.
17:27Now, I thought I'd get over it.
17:29No, I never can take milk.
17:31Drop of beer's all right.
17:32Well, I might be able to find some beer.
17:34Oh, brandy.
17:35I don't mind either.
17:36The doctor recommended both.
17:37He used to have a little saying,
17:39Beer if it's here, brandy if it's handy.
18:03Jerry Bayonet, you don't know what a Bayonet looks like.
18:05Yeah, he's got plenty.
18:07Anyway, if you don't ask, you won't get it.
18:11I'm not wrong.
18:12Now, look.
18:13The first thing we've got to do is to clear a path between it and the door.
18:18Aye, aye, Harvey.
18:19Definitely.
18:22That's a nice chair, ain't it?
18:24What, this?
18:26Yeah.
18:26It's not bad.
18:30Oh, yeah.
18:31Very pleasant.
18:33Here, I certainly know how to live down by.
18:40Oh, dear.
18:43This guy.
18:44Take this.
18:44I mean, you need it.
18:47Oh, dear.
18:48Honey.
18:49You take it easy.
18:51You mind those laughs.
18:53It'll soon be dark, you know.
18:56Wow.
18:57Shame on him.
18:59What do you mean?
19:00You try to make me look a right Joe Ronson, father gentleman, weren't you?
19:04Me lying about and you doing all the work.
19:07I mean, poor old devil with his lungs and his guts gone, being floppy deaf boys lying about, son.
19:12I'm a good mind.
19:13A good mind to what?
19:15You lay one hand on your father and I shall send to the police.
19:18Are you all right, old man?
19:19Oh, well, Roger, don't worry.
19:21It don't matter.
19:22There's no need to be frightened of him, you know.
19:24Don't let him terrorise you.
19:25May terrorise him?
19:26Well, that's a good one.
19:27That's how you think he used to do to me when I was a kid.
19:29Well, from the look of you now, I should say you deserve it.
19:32I was doubtful about bringing you up here in the first place.
19:34I will not tolerate physical violence in my home.
19:37Come on out.
19:38I'll find somebody else.
19:38No.
19:40I don't send him away.
19:41We need the money.
19:42He'll be all right, see.
19:43He just loses control of himself.
19:45He's quite harmless, really.
19:48Very well then.
19:48For the sake of your father, all right.
19:50I don't think you realise what a fine old man you've got here.
19:53Ruined his body for his country.
19:55You try and be worthy of him.
19:57Now, come on, hurry up and finish what you've got to do and get out.
20:00If you need me again, old man, just shout.
20:03Eh.
20:04Oh.
20:08Pour it up.
20:10You white log at you, old man.
20:12Now, don't you touch me.
20:13I heard he say.
20:15If this wasn't the biggest bargain I've ever handled,
20:17I'd have filled a pair of Ewing.
20:19Who does he think he is?
20:21Him and his kinky slippers.
20:24Coaching around in a dressing gown at this time,
20:26I don't know how the folks is working.
20:28Come on.
20:29Let's get this thing out of here
20:30before I change my mind and have him over.
20:34Right.
20:35I'm doing.
20:35I'll lift it.
20:36You, roll the carpet back.
20:41I'll get this thing back to the yard if it kills me.
20:45What?
20:50Uh-oh.
20:51Uh-oh.
20:52Uh-oh.
20:57Here.
20:58What?
20:59Gandhi's dead.
21:00Oh!
21:01Oh!
21:01Oh!
21:03Oh!
21:03Oh!
21:07It's interesting.
21:08You don't often get a chance to read no newspaper.
21:10I don't remember seeing this one before.
21:13Did you know Gandhi was dead?
21:14Well, of course I knew Gandhi was dead.
21:16You didn't tell me.
21:17What was yours?
21:20Come on.
21:21Are we going to get this carpet roll back or not?
21:26Ready?
21:27Right.
21:33Have a bit higher.
21:35Oh, God.
21:36Oh, no.
21:47Look.
21:54If you keep rolling it, by the time it gets to that leg, it'll be four foot high.
22:02And I can't lift up four foot.
22:10Pull it.
22:12Don't roll it.
22:14I'll use a bit of common, Dad, please.
22:17I promise you I wouldn't survive five minutes without me.
22:24Look.
22:29Hope you
22:30are in the bathroom.
22:30Don't get it.
22:38It's a little bit.
22:39I don't know.
22:40It's a little boy.
22:47But if you can't go into the bathroom.
22:48I the way.
22:48He's in the bathroom.
22:48It's a little boy.
22:48I don't see any woman.
22:48I see you.
22:49I'm just wondering why.
23:05Look, give us a shot.
23:22Damn man, this is crazy, you can do nothing man.
23:37To the door. Push. There we go.
23:49I'm going through the door. Of course it's going to go through the door. They brought it through the door
23:54when they brought it in.
23:55How do you think they got it in here? Built a flat round it. I think it's all gone up.
24:00First rules of geometry.
24:17I told you. It's not going to go through. It's jaunty or no jaunty.
24:22You don't think I did think it was going to go through like this did you?
24:26I mean obviously you cannot get something that is six foot wide through a three foot aperture.
24:32Everybody knows that. I have manoeuvred it into this position so that we can turn it on its side and
24:39wiggle it.
24:45Lift. I thought she said we didn't have to lift.
24:49What I meant was that all we have to lift is not the whole piano.
24:54You see, it is like a race horse. Not all of its legs is off the ground at the same
25:00moment.
25:09What about when it's jumping?
25:12What's that got to do? Why do you have to complicate everything? This is a piano.
25:16You start talking about race horse and not me.
25:19Only because I was trying to explain the principle to you in simple terms that you would understand.
25:23Are we lifting it or are we not lifting it?
25:25We are appending it. There is a subtle difference.
25:29We are appending it and wiggling it.
25:32Wiggling it. Wiggling it.
25:35Right. Right. Take the string.
25:53Well, we have upended it. We have wiggled it. We have turned it round and we are still no further.
25:59It has got a bolt. Come in and it will go up.
26:01If there is a different door or if that wall is still not there, it will be alright.
26:05We could bring it round at a 90 degree arc.
26:08What are you talking about? Shut up.
26:10Well, I was only trying to help.
26:12What's up?
26:12Or it ain't going through this way.
26:14Or not it ain't.
26:14Well, what are you standing there for? Look at the charm. They are open.
26:21Haven't you finished yet?
26:23No, we aren't finished yet.
26:24You are taking your time, aren't you?
26:26You are not going to get it out this way, are you?
26:28That's what I have been telling him.
26:29Well, you've taken the paint off. You've tripped the wood there.
26:33Yeah, well, the legs did that coming through.
26:35Well, no, it's a big item. You've got to get a bit of damage, mate. It's a big item.
26:38Well, what are you going to do?
26:38Take the legs off.
26:39But the legs don't come off.
26:40Well, how the hell did I get it up in the first place?
26:42I don't know. I'm not a furniture remover.
26:45Well, neither of them might.
26:45Well, you shouldn't have taken the job on, should you?
26:47No, look, mate. If you're looking for a sore arm, you've picked the right one.
26:50Because I'm in the right mood, I'll tell you. If you want a chance of your arm...
26:52Don't you go threatening me. You can't terrorise me like you terrorised this poor old man.
27:00Yes.
27:01Oh.
27:04Is that your horse and cart parked outside the building?
27:07Oh, no.
27:08Now, do you realise you left a horse downstairs without a light on?
27:14I'm sorry. If I'd known you was coming, I'd have hung one on his toe.
27:19Don't you be funny with me. You know very well what I mean.
27:22It's an offence to leave a horse and cart in the street without sidelights.
27:25Yeah, all right. I'll shan't be long. I've just got to get this piano up, right?
27:28I'll be very much surprised if you come down and do it now.
27:31He's creating Miriel down there.
27:33He's pulled the cart up on the pavement and he's snapping at people.
27:35What?
27:36It's cos you ain't had no supper. He's hungry.
27:39Well, look, I haven't got a light with me.
27:43Then you'll have to move it, won't you?
27:45Well, look, I'm doing a job. Can't you see I'm doing a job?
27:48I can't help that moving.
27:49Oh, blood.
27:50You can't leave this piano here. I can't get out.
27:53I can't leave the awesome cart downstairs.
27:55You should have brought a light with me.
27:56Well, I didn't, did I?
27:57Why didn't you think that?
27:58I didn't think it was going to take this long, did I?
28:00Come on, come on. If you're not done in two minutes, it'll be towed away.
28:03I demand that you move this piano. You can't leave me like this.
28:06And I've got people coming round.
28:08Look, mate, I'm sick the death of you and your piano.
28:12I've wasted a good day's tot in doing this.
28:14I've had enough. I'm jagging it in.
28:15You can stick your piano.
28:17I'm going to take my horse and cart and I'm going out. Good evening.
28:20Hey!
28:21Old man! Old man!
28:23Now, you can't listen to me, old man.
28:25You've got to push this piano back.
28:26Oh, no, I've got to do that. Not me own. Me lounge.
28:29But I've got people coming.
28:31Oh, don't worry. No movies for you.
28:33I've got to do you. What are your names? Where do you live?
28:38Jewel and Warris, 2 Pudding Lane, London.
28:43Ah, that was a dead loss, wasn't it?
28:46No, not really. We learnt a very valuable lesson today, mate.
28:50Huh? What's that?
28:51What goes up, can bleedin' must stay up there.
28:56Hell, yeah.
28:59Oh, no.
29:04Oh, man.
29:06Not worth it.
29:08Not worth it.
29:13Oh, man.
29:22Come on, Pops.
29:24Come on, Pops.
29:43We're doomed.
29:49Man, the popo helped him, huh?
29:54Man.
29:59Man.
30:00Man.
30:11Listen, some people got the magic touch when it comes to, you know, bringing stuff in and taking it out.
30:18I probably would have damaged the damn walls, ladies and gentlemen.
30:21And so, sometimes, you know, making a couple bucks is not always worth it.
30:27And, you know, leave that shit up there.
30:31This was a very enjoyable episode.
30:33Crazy moments, funny moments.
30:34Let's chat about it.
30:36Don't go anywhere.
30:36Ladies and gentlemen, my man Harold, you gotta know your limits, ladies and gentlemen.
30:41Because there are some jobs that are, you know, more pain in the ass, more a hindrance, annoying, and sometimes
30:52downright.
30:53You know, I know that was a lot of money back in the day, you know, and he made emphasis
30:57on it as well.
30:58So, it really pushed him to do this, but it wasn't really fleshed out.
31:03So, it's one of those type of episodes.
31:06You see this big ass piano, you know, and you can sense it.
31:10You don't even need no Spidey sense or anything like that to know this shit is gonna go horribly wrong
31:16here.
31:17The only thing I was kinda hoping for was at some point was them to break that shit.
31:22You know, I don't know.
31:23I was hoping that, you know, eventually they would get it out or some shit and then it falls down
31:27the stairs and shit my stupid imagination here.
31:30But, at the end of the day, you know what, take the shit, let's bounce, let's get the hell out
31:36of here.
31:37This shit is not worth it.
31:38So, that is, you know, a good, you know, that was a good moment there that I enjoyed as well.
31:45I think that, Albert, phenomenal performance, ladies and gentlemen.
31:52And again, you know, when you naturally, for anyone that is not Harold and knows this guy's shit, right?
32:01Anybody like us, this guy, you know, a great job by also, a great job, excuse me, by the, basically,
32:09I'm gonna call him the customer, you know, the rich man here, you know.
32:13So, um, you're gonna look at him like, oh, shit, you're gonna be feeling sympathy for this guy.
32:17Oh, you know, any old person naturally, you're kinda like, you need any help, sir?
32:23You know, madam, you know, whatever and stuff.
32:25So, my mans, I know he didn't, he didn't drink it, but he was milking it, ladies and gentlemen.
32:32My mans, Albert, man, that shit was downright devious and funny as hell.
32:37Yo, he set my mans up.
32:40He's sitting in a, he feels comfortable, right?
32:42This chair, right?
32:43It looked like a nice chair.
32:45And he's like, oh, wow, this really is comfortable.
32:46He's getting all into it and shit.
32:49Man, this guy sees the guy, he pretended to push.
32:51I thought that was such a, what I would go, that's a gangster moment.
32:55That is a badass, man.
32:57He's, he's playing right now chess and my mans is playing.
33:01I don't know, he probably, he not even playing, he probably playing Chinese checker.
33:04He played a whole nother, whole nother game, man.
33:07Checkers, Chinese checkers, man.
33:09He might be even playing backgammon or something.
33:12He's not on the same page.
33:14And, you know, his pops got one up on him so much.
33:17Again, it's where that sympathy thing goes that he looks like, you know, he's abusing his pops.
33:24Anybody, rightfully, you see that, like, Daniel, why you, why you, why you, you know, making your old pops work
33:30this hard?
33:31You know, he's old, he should be retired and shit.
33:33You know, the son had a good line in that moment.
33:36Also, I did really enjoy the, I'm just gonna, I'm gonna freestyle it, the Brandy Handy line.
33:42That whole line bit was great.
33:44I thought it was very enjoyable.
33:45Getting schooled, getting educated a little bit here.
33:48And this was very, very good episode.
33:51So, I feel like we're already starting off with some, you know, banger episode.
33:54Again, we only, there's only a third episode in.
33:56We got plenty more to go.
33:58So, I'm feeling like I would like to see more of these kind of gigs, you know, these opportunities where,
34:06you know, he has to get his pops to tag along and see how they might shift stuff.
34:10Because it is highly amusing, you know, with something, you know, you know, there's gonna be, there's no way to
34:16say it, but something so big has to come out.
34:18I don't know if this sounds wrong.
34:21Oh, God, something so big, you know, that's what she said.
34:24But, you know, something so big, you know, how the hell are they gonna get that shit out?
34:28Especially the guy said there's no, no, whatchamacallit, no way to get the legs out and stuff.
34:35So, I'm like, damn, man, I'm like, see you later.
34:38I'm not doing that job.
34:39And if I did, it's like how, when you get, you order something, you know, a new bed or some
34:45shit, and these people, they coming in, and they doing more damage bringing the shit in, man.
34:50And like, I set it up, make sure things ain't damage, and they scratch it up the walls and stuff,
34:55because, you know, good help is hard to find.
34:58Oh, man, I enjoyed it.
35:00And I really enjoyed it because I've done plenty of side gigs, side hustles, and, you know, helping out in
35:08kind of those type of scenarios there.
35:10And some was, you know, well worth it, but some of them were so much of a hassle, so much
35:15of a headache, pain in the ass, the customer was a pain in the ass, or, you know, and you're
35:20trying to do them the solid, but they're just making your life a living hell.
35:24So, I also really did, like, the little snake charmer bit, that whole sequence there with the shoe business there.
35:32You can't sit down, you can't step, and I dealt with wealthy clientele, and it's literally, where the fuck can
35:41I sit, man?
35:43You know, like, where can I go, man?
35:45Like, and again, I'm not dirty or anything like that, but, like, yeah, they just so want everything immaculate, and,
35:52yeah, they don't want nothing to be messed up with.
35:54So, I enjoyed that bit, the shoe business, and then now after experiencing that, Harold became an expert, and he's
36:01like, yo, what size do you?
36:03Don't touch this, don't sit here.
36:05I was like, damn, it only took him one time, he got that shit down, packed, man.
36:09I loved it.
36:10I had a great time watching it.
36:12I hope that you did.
36:13Best way to let me know is by actually commenting down below.
36:16That's the best way of letting me know that you're enjoying.
36:19Thanks for hanging out.
36:20Looking forward to seeing some more.
36:22I'm hoping for some more shenanigans like this as far as, like, you know, hey, what they're going to come
36:26up with, what kind of little side hustles, what they're going to find next, and the beauty is that, like,
36:33you know, what kind of other crazy shit can they be getting?
36:35Because, you know, there's so much things in this world that, you know, people want to get rid of, and,
36:40you know, we're going to have to see what Harry's going to do.
36:42And his pops come in store.
36:44But I think really good moments with his pops taking advantage and milking it, getting himself some drinks and stuff.
36:52I think he should have got a couple more, man.
36:54Come on, fill that shit up, bro.
36:56Fill it up.
36:57But, you know, I enjoyed it.
36:59Enough of my yapping.
36:59Thanks so much for kicking it.
37:01Don't forget to subscribe if you enjoy the content.
37:02Like I said earlier, you know, commenting.
37:05I look forward to reading it.
37:07So, peace.