- 18 minutes ago
مسلسل Dracula مترجم - Episode 1
Category
📺
TVTranscript
00:00:28Transcription by CastingWords
00:00:59Transcription by CastingWords
00:01:28Transcription by CastingWords
00:01:43Transcription by CastingWords
00:01:54Transcription by CastingWords
00:02:24Transcription by CastingWords
00:02:40Transcription by CastingWords
00:02:44Transcription by CastingWords
00:02:58Transcription by CastingWords
00:03:15Transcription by CastingWords
00:03:23Transcription by CastingWords
00:03:37Transcription by CastingWords
00:03:54Transcription by CastingWords
00:04:00Transcription by CastingWords
00:04:13Transcription by CastingWords
00:04:14I think so
00:04:17I'm asking Mr. Harker if you had sexual intercourse with Count Dracula
00:04:50Transcription by CastingWords
00:05:16Mr. Harker, Mr. Harker,
00:05:20please, please, please, please, please.
00:05:34Please, please, you must take this.
00:05:50Yeah! Yeah! Hey!
00:05:53Yeah! Yeah!
00:05:57My darling Johnny.
00:06:02You are to travel to a distant land,
00:06:05and I shall miss you very much every single day.
00:06:10It seems to me likely that you will meet some very exciting women
00:06:13as you travel across Europe to Transylvania.
00:06:16And I wanted to assure you that should you fall prey to temptation,
00:06:20I, as your dutiful fiancé, will completely understand.
00:06:25The certainty of our coming wedding
00:06:28is all the consolation a young woman could require.
00:06:31Well, apart from the very handsome Dr. Holmwood,
00:06:34your friends Reggie and Barnaby, who always seem so pleased to see me,
00:06:37lovely Edwin from your office,
00:06:39the butcher's boy who's filled out quite deliciously in recent months,
00:06:42and should I want for variety,
00:06:44the adorable barmaid at the Rosencrown,
00:06:47who I know you have all so admired.
00:06:52I feel certain we shall be mindful of each other
00:06:54at all times during our separation.
00:06:57All my love,
00:06:59and I hope all yours,
00:07:01your adoring Mina.
00:07:02My answer is clear.
00:07:04Mr. Honey.
00:07:04If I want you to find out,
00:07:08I'll save for you all.
00:07:13Mr. Honey.
00:07:21Mr. Honey.
00:07:22Mr. Honey.
00:07:23Who has the nod on?
00:07:23Do you.
00:07:24Mr. Honey.
00:07:31Mr. Honey,
00:07:32Mr. Honey.
00:07:32I don't know.
00:08:26Hello?
00:08:45Hello?
00:08:46Hello.
00:08:47Hello.
00:08:47Hello.
00:09:09Anyone at home?
00:09:14Hello?
00:09:23Hello?
00:09:29Hello?
00:09:54I'm sorry I the wine was open I assumed perhaps I could pour you some
00:10:00count I do not drink wine I bid you welcome mr. Harker I am Dracula
00:10:34your employer speaks highly of you mr. Harker yes the property has been purchased in your name
00:10:44everything is in order I need only your signature on a few documents Carfax Abbey will be yours
00:10:50I am looking forward to England mr. Harker people here they are so narrow I wither among them I'm they
00:11:01are without they are without flavor perhaps you mean character perhaps this is good mr. Harker
00:11:15you must correct my English at all times from you I shall learn to pass among your countrymen as one
00:11:22of
00:11:22their own your English is already excellent count you'll flap at me however I'm afraid I will be
00:11:34leaving here tomorrow I have to return to England immediately no sorry your apology is unnecessary you
00:11:50are staying it has already been agreed with with whom your superiors you will remain with me for one
00:12:00month and assist me with my English and my understanding of your culture count I thought not no please do
00:12:11not
00:12:11look so concerned mr. Harker you are most welcome count count Dracula I'm a lawyer I'm not a teacher there
00:12:24there will be no need to teach simply remain on my side and I shall absorb you
00:12:39that word absorb he said that yes
00:12:49absorb
00:12:54please a close attention
00:12:59you will not find my home easy to navigate it is a rising labyrinth of stairs and doors and shadows
00:13:10yes quite remarkable one would almost need a map there is no map of my castle no complete design was
00:13:21ever
00:13:22never committed to paper
00:13:24it is said many souls are lost in the tangle of the corridors
00:13:31reserata
00:13:33casarem
00:13:34the prison
00:13:36without blocks
00:13:44perhaps you have heard of the architect Petrovio the widower
00:13:50no
00:13:52no
00:13:52this castle was the widower's final work
00:13:56a monument to his lost love and the sunlight to which he could never return
00:14:05legend has it that he died here in the arms of his wife
00:14:16if he was a widower surely she died before him
00:14:23it must have been a cold embrace
00:14:41do not be impatient with those sweet little things they are man's companion for the end and beyond
00:14:50where there is flesh
00:14:53where there is flesh
00:14:54there are flies
00:14:57in the morning
00:14:58you will find the sunlight will be streaming
00:15:02through this window
00:15:04no
00:15:06fortunately
00:15:07the drapes
00:15:08are very thick
00:15:11please excuse the absence of my staff
00:15:17they are not here at night
00:15:23forgive me
00:15:25i am clumsy
00:15:28of course count
00:15:30though perhaps you could lend me a replacement
00:15:33i am afraid i do not possess such a thing
00:15:36you don't have any mirrors
00:15:39bubbles of vanity
00:15:40what is the purpose of a mirror
00:15:42hmm
00:15:43one will find no enlightenment in one's own gaze
00:15:49ah
00:16:01are you all right
00:16:02miss lorga
00:16:03i went fine
00:16:04it's a
00:16:05it's a scratch
00:16:06please
00:16:07be careful
00:16:09we cannot return you in any way damaged to your beautiful mina
00:16:14it's nothing as to
00:16:17did i mention mina?
00:16:21i think you spoke of her beauty at dinner
00:16:25hmm
00:16:29don't recall that
00:16:31perhaps it was the wine
00:16:36no i barely drank
00:16:39my sympathies
00:16:41please
00:16:42attend to your hand
00:16:43it's really fine
00:16:44it's nothing
00:16:45blood
00:16:46is not
00:16:47nothing
00:16:49blood
00:16:51is lives
00:16:52lives
00:16:54you are quite certain he did not say blood is life he said blood is lives
00:16:58he did
00:17:01yes
00:17:02it struck me as odd
00:17:04but
00:17:05there were other oddnesses that preoccupied you
00:17:08how could he know my thoughts
00:17:10i never mentioned mina at dinner
00:17:13i'm certain of it
00:17:14a dog can sniff stories on the slightest breeze while we are blind in the wind
00:17:20he could smell my thoughts in the air
00:17:22no mr harker that would be ridiculous
00:17:26but perhaps in your blood
00:17:28but perhaps in your blood
00:17:29perhaps stories flow in our veins
00:17:30if you know how to read them
00:17:33blood
00:17:33is
00:17:34lies
00:17:37you will not see me till tomorrow evening i have several appointments
00:17:44until then please treat my home as your own
00:17:52i bid you goodnight
00:17:54goodnight
00:17:56goodnight
00:17:56goodnight
00:18:24goodnight
00:18:28I don't know.
00:18:59There's someone in the house!
00:19:06Hello?
00:19:09Hello?
00:19:21So there was another guest in the castle.
00:19:25Perhaps also a prisoner.
00:19:28I didn't realize I was a prisoner at the time.
00:19:31That night then.
00:19:33I slept.
00:19:34You dreamed.
00:19:36I awoke early.
00:19:38No, wait, wait.
00:19:39You dreamed?
00:19:41After a day of such incident and color, how could you not?
00:19:47Was it Mina you dreamed of?
00:19:50You longed for her.
00:19:52One longs for the solace of home.
00:19:56One longs, certainly.
00:19:59Tell me more about your dream.
00:20:01It is private.
00:20:03You ache for her.
00:20:05You were together in your dream.
00:20:07I don't...
00:20:09This is not...
00:20:28There is no shame in it.
00:20:33Dreams are a haven where we sin without consequence.
00:20:36Believe me.
00:20:37I know.
00:20:39Some mornings, I can hardly look Sister Rosa in the face.
00:20:46What do you ask before?
00:20:50If I'd...
00:20:51If you'd ever had sexual intercourse with Count Dracula.
00:20:54Hmm.
00:20:56Why did you ask that?
00:20:58Clearly, you have been contaminated with something.
00:21:01Any contact you've had with Count Dracula, sexual or otherwise, is therefore relevant.
00:21:12Continue.
00:21:36Help us.
00:21:39So it struck you as strange, of course.
00:21:42Well, clearly there was someone trapped in the castle.
00:21:45No, no.
00:21:46The writings.
00:21:47Help us.
00:21:48It was upside down.
00:21:50Well, yes, of course.
00:21:51Because whoever wrote it was obliged to hang that way.
00:21:54But even that extraordinary physical feat is surely not the point of interest.
00:21:58And what is?
00:21:59What is remarkable, Mr. Harker.
00:22:02What is convenient, is that the words were in English.
00:22:13I didn't think of that.
00:22:14Of course not.
00:22:15You are an English man.
00:22:17A combination of presumptions beyond compare.
00:22:23Proceed.
00:22:31I knew I had the day to myself.
00:22:35So I determined to find the room above mine and see if anyone required my assistance.
00:22:41Tell me.
00:22:43How did you feel?
00:22:46Different.
00:22:47Older.
00:22:49But very curious.
00:22:52At least I knew I was not alone.
00:22:55The Count hadn't been exaggerating about his castle.
00:22:59Hello?
00:23:03Whatever way I turned, it never took me where I expected.
00:23:07Every door I opened led to two more.
00:23:10And then three.
00:23:14Every step I took, I made the wrong choice.
00:23:19I was lost in the architect's labyrinth.
00:23:27I wasted most of the day until I found myself too tired to go on.
00:23:38Sorry.
00:23:40Didn't mean to startle you.
00:23:42I think you've been working too hard.
00:23:45Clones.
00:23:46Please.
00:23:47Relax.
00:23:49Have a glass of wine.
00:23:52Your voice.
00:23:54You sound different.
00:23:56I've been working on my English.
00:23:59Oh.
00:24:00Do you approve?
00:24:01It's almost perfect.
00:24:03The credit is all yours.
00:24:07Your presence has invigorated me.
00:24:13Fresh blood.
00:24:32Help us.
00:24:41Hello?
00:25:01Hello?
00:25:03Hello, excuse me.
00:25:05Please, I intend you no harm.
00:25:11However fleeting the sight,
00:25:13surely this was proof that I wasn't going mad.
00:25:39Count Dracula.
00:25:43Are we alone in this castle?
00:25:46Yes.
00:25:48Except for the servants, of course.
00:25:52I never see any servants.
00:25:55They aren't here at night.
00:25:56I don't see them in the daytime, either.
00:26:01In fact, apart from the driver,
00:26:06I haven't seen anyone working here at all.
00:26:12Ah, yes.
00:26:14The driver.
00:26:21What I'm asking is,
00:26:23aside from yourself,
00:26:26is there anyone living in this castle?
00:26:39No, Jonathan.
00:26:41Jonathan.
00:26:43There's no one living here.
00:27:03So after sundown each day,
00:27:05Dracula appeared stronger and younger,
00:27:08while the opposite was true for you.
00:27:22Did you understand what was happening to you?
00:27:25Oh!
00:27:29No.
00:27:30Not then.
00:27:31I thought I was sick.
00:27:33I thought I was sick.
00:27:33Just sick.
00:27:36Turn your head to the side.
00:27:39Why?
00:27:41Show me.
00:27:49You have been very strong, Mr. Harker.
00:27:53In your circumstances,
00:27:54I don't think I could have been half so brave.
00:27:56I wasn't brave.
00:27:57In what way was I brave?
00:27:59You were trapped in that place.
00:28:00You were afraid,
00:28:01and yet you spent your days searching the castle
00:28:04because you thought someone needed your help.
00:28:05If all my help had been requested,
00:28:07it would have been difficult to refuse that.
00:28:10Difficult?
00:28:12Unacceptable.
00:28:17So your search continued.
00:28:19Tell us.
00:28:27My every exploration
00:28:29led me deeper and deeper
00:28:31into the labyrinth.
00:28:47Eventually,
00:28:49I made a remarkable discovery.
00:28:52I'm sorry.
00:28:52I'm sorry.
00:29:26What had become of these people, were they my predecessors?
00:29:53. . .
00:29:53. . .
00:30:08. . .
00:30:09. . .
00:30:14Oh, mom.
00:30:17Oh, makarumah.
00:30:28Oh, makarumah.
00:30:43Marma!
00:30:53Marma!
00:31:06Marma!
00:31:15Marma!
00:31:43Stop!
00:32:16Stop!
00:32:30Please!
00:32:44It's all I remember, fear I may have passed out.
00:32:49Quite understandable.
00:32:51Omar Omar, do you know what that is?
00:32:56It sounded like a curse.
00:32:58It's Romanian, it means kill me.
00:33:00They look dead already, dead and walking.
00:33:06Undead.
00:33:10Tell me.
00:33:14There is a contagion, a corruption passing through this world from one sufferer to the next.
00:33:21For those unfortunates who fall victim to it, life becomes incurable.
00:33:25They lose the divine ability to die.
00:33:30As their bodies rot, their consciousness persists.
00:33:34Even as dust, their pain goes on.
00:33:38It is a secret every gravedigger keeps.
00:33:41There are those among us destined to scratch at our coffin lids for all eternity.
00:33:49If you work among the dead, it's not death you fear.
00:33:55It's the alternative.
00:34:01Is there any salvation for such creatures?
00:34:03I don't know.
00:34:05Have faith.
00:34:07Faith is a sleeping draught for children and simpletons.
00:34:11What we must have is a plan.
00:34:16Dracula's one of them, isn't he?
00:34:19Undead.
00:34:20Undead certainly, but from your account I think he is much more complicated.
00:34:45Johnnie, there you are.
00:34:48Thought we'd lost you.
00:34:50What am I doing here?
00:34:51Well, I found you downstairs, asleep on the floor.
00:34:59I could be wrong, but I think you were having a nightmare.
00:35:03You do look rather pale.
00:35:09You said you didn't drink wine.
00:35:12Now, listen.
00:35:16I need you to do something.
00:35:21Let's put yourself down.
00:35:23There you go.
00:35:23That's the ticket.
00:35:25Now, take this.
00:35:26I need you to write three letters.
00:35:33What was that?
00:35:34That's nothing.
00:35:35Sounded like a baby.
00:35:36Oh.
00:35:36No, no, no.
00:35:37There's no baby.
00:35:38Now, Johnny.
00:35:39Johnny.
00:35:40Concentrate.
00:35:40Three letters.
00:35:42No one calls me Johnny.
00:35:44No one.
00:35:46No one.
00:35:50Company for you while you work.
00:35:52Who is she?
00:35:54Don't you recognise her?
00:35:56Why would I?
00:35:58I took it from your room.
00:36:00It's Mina.
00:36:01Your fiancée.
00:36:04Mina Murray.
00:36:17How can I not recognise her face?
00:36:21Well, you do look rather drained.
00:36:26You look young.
00:36:30And I owe it all to you.
00:36:34Thanks.
00:36:36Now, it's almost time for you to go.
00:36:38So, three letters.
00:36:40All to Mina.
00:36:41The first saying you have nearly finished your work here
00:36:44and will be leaving within the week.
00:36:46The second saying that you have now completed your work
00:36:49and will be leaving the following day.
00:36:52And the third saying you have now left the castle
00:36:54and have arrived safely in...
00:36:56What shall we say?
00:36:58Bestrit.
00:36:58Hmm?
00:36:59I will send the letters at the appropriate times.
00:37:02I'll forward the last one to Bestrit
00:37:04so it can be sent from there.
00:37:06Why...
00:37:07Why would I...
00:37:08Why would I do that?
00:37:09So that Mina will know that you're coming home.
00:37:12But...
00:37:13Why would I write the letters in advance?
00:37:15Because the poster is very erratic.
00:37:18It's a precaution.
00:37:20For whom?
00:37:21If...
00:37:23If something were to happen to me
00:37:24and those letters had already been sent...
00:37:27Then Mina wouldn't think to come looking for you here.
00:37:33Do you want her to come here?
00:37:42That's a baby.
00:37:43I can hear it crying.
00:37:45There is no baby.
00:37:48Write the letters or don't write the letters.
00:37:52It's up to you.
00:37:53I'm only thinking about Nina.
00:37:55Now, if you don't mind things to do, see you tomorrow evening.
00:37:58Leave the letters on the table.
00:38:01The dates!
00:38:02The dates!
00:38:05The dates!
00:38:06The dates for the letters, huh?
00:38:08How should I date them?
00:38:10Well, let's see.
00:38:12Er...
00:38:13The 12th for the 1st.
00:38:15Er...
00:38:15For the 2nd, the 19th.
00:38:17And for the 3rd...
00:38:20Er...
00:38:23What shall we say?
00:38:2529th?
00:38:2929th?
00:38:30As good a day as any, Johnny.
00:38:34Good night.
00:38:43What if I leave?
00:38:45What if I leave this place right now?
00:38:47No-one is stopping you.
00:38:50I don't have the strength.
00:38:53No.
00:38:54I know.
00:38:55It's not your fault, Johnny.
00:38:57You mustn't blame yourself.
00:39:04Please.
00:39:08Please!
00:39:09Please!
00:39:10Please!
00:39:11The baby!
00:39:12Johnny!
00:39:14There is no baby!
00:39:21I knew, in that moment, that I had a choice.
00:39:24I'd been told the span of my life, the limit of my existence, the 29th.
00:39:30Now I could stay here, dying piece by piece, till I found myself...
00:39:34nailed into one of those boxes.
00:39:40Or?
00:39:42Or I could kill Count Dracula.
00:39:47Or...
00:39:47Not an easy task in the circumstances.
00:39:50No, but I had...
00:39:51certain advantages.
00:39:53I should be fascinated to know what they were.
00:39:56I was enfeebled and trapped.
00:39:58Well, indeed.
00:40:00So Dracula did not consider me a threat.
00:40:02That's true, yes.
00:40:04But on the negative side, you were enfeebled and trapped.
00:40:09I had a potential ally.
00:40:11One who could climb the castle walls.
00:40:14One you couldn't even find?
00:40:16That was because I was looking for the wrong thing.
00:40:20I should have been looking for a map.
00:40:22Of the castle, but there wasn't one.
00:40:24That's what Dracula believed.
00:40:26But in telling me that, he'd also told me where to find it.
00:40:29What did he say?
00:40:31I told you.
00:40:35I missed it.
00:40:36You did.
00:40:38Then you're much quicker than me.
00:40:40I'm not quick.
00:40:41I've always been slow.
00:40:44But the thing is, when you're slow, you know you need to pay attention.
00:40:47It's the clever ones who never listen.
00:40:51You've read all this already in my account.
00:40:55It's vague in certain crucial regards.
00:41:01Continue, please.
00:41:04It occurred to me that night that Dracula said more than he intended.
00:41:10And more than he knew.
00:41:16As he was a creature of the night, I had to wait until morning to test my theory.
00:41:29The Count said there was no map, but Petruvio was an artist.
00:41:34And artists always wished to be understood.
00:41:39The castle was a monument to the architect's lost love,
00:41:43and the sunlight to which he would never return.
00:41:47And what else is sunlight?
00:41:49But the face of one's beloved.
00:41:54The path to the sunlight.
00:42:11It was clear from the castle maps that Petruvio had created, within his design, a system of shortcuts through the
00:42:18maze.
00:42:19Hidden passages, possibly unknown even to Dracula himself.
00:42:23And the moon's red with the stars.
00:42:23A preventing a shadow from the sky to the place.
00:42:23To the night to the sunrise of the night.
00:42:291, 2, 3, 4, 5, 6, 7, 7, 8, 8, 9, 11, 11, 11, 12, 13, 13, 13, 13, 13,
00:42:3114, 13, 13, 14, 13, 14, 15, 14, 14, 14, 15, 15, 15, 18, 20, 15, 20, 18, 20, 20,
00:42:3515, 20, 16, 17, 20, 19, 16, 15, 17, 20, 21, 15.
00:42:45How many times had I looked at that picture and not seen it?
00:42:51Petruvio's wife was the sunlight.
00:42:54And he stood guard at the door.
00:43:34And he didn't run away.
00:43:45I don't know.
00:44:33He doesn't know I can get out of the box.
00:44:35Please don't tell him.
00:44:37What?
00:44:39Are you his friend now?
00:44:42No, I work for him.
00:44:46I'm a lawyer from England.
00:44:50I think he's made you his friend.
00:44:54Why?
00:44:57What's England?
00:44:59It's where I'm from.
00:45:02You know it.
00:45:03You're speaking English.
00:45:06I learned it.
00:45:08How?
00:45:09It tasted funny.
00:45:13Tasted?
00:45:13Once you are the counsellor and all languages are the same.
00:45:21I'm hungry.
00:45:24You at the window.
00:45:26You left the message.
00:45:29I smelled you.
00:45:31You're trapped here.
00:45:33You're trapped too.
00:45:35I want to help you.
00:45:36Tell him I'm hungry.
00:45:39He only gives me scraps.
00:45:42Tiny little tears.
00:45:45Tell him I finished the last one.
00:45:47I finished it really quickly.
00:45:51I'm hungry.
00:45:54I'm hungry.
00:45:55Look at it.
00:45:56Look at it.
00:45:57It is the sign of the cross.
00:46:00The symbol of our Lord.
00:46:02I know.
00:46:05It's pretty.
00:46:17You assumed, I suppose, that the cross would ward off evil.
00:46:24Why are you smiling?
00:46:26Your faith.
00:46:27I think it's touching.
00:46:30What happened to yours?
00:46:31I have looked for God everywhere in this world and never found him.
00:46:36Then why are you here?
00:46:37Like many women of my age, I am trapped in a loveless marriage,
00:46:40maintaining appearances for the sake of a roof over my head.
00:46:44Now then, we proceed to your miraculous escape from Castle Dracula,
00:46:49about which you have been so vague.
00:46:59I love you.
00:47:23Somebody, please, help.
00:47:26I love you.
00:47:38Bl pointing.
00:47:43Oh, my God.
00:48:12Johnny, this is interesting.
00:48:14I've never seen it work with a baby before. Never.
00:48:18I think I might keep it on for a while.
00:48:21I hope this doesn't mean that I'm getting sentimental.
00:48:30Why did you kill her?
00:48:32Who?
00:48:33Oh, um, because I wanted to see if she would die, I suppose.
00:48:40Johnny, you don't get me that look.
00:48:41You were a child once, you know the feeling.
00:48:44Didn't you break your toys apart to see how they worked?
00:48:47You're a monster.
00:48:48And you're a lawyer. Nobody's perfect.
00:48:51Ah, snake through the heart.
00:48:54You see, sometimes the legends are right.
00:48:58This is not one you can test too often, though.
00:49:01I only ever have three brides at a time.
00:49:05Right.
00:49:06Right, yes, I think that's the right word for it.
00:49:08You see, um, I am trying to reproduce.
00:49:13Ooh!
00:49:15Which, frankly, can be a bit of a challenge
00:49:17when there is only one of you.
00:49:20Ah!
00:49:21Ah, Johnny.
00:49:23You're just about done, aren't you?
00:49:25She was a thirsty little thing,
00:49:27and to think that she was going to keep you in that box
00:49:29all to herself.
00:49:31Are you going to kill me?
00:49:32Of course I'm going to kill you.
00:49:36Why does death always come as such a shock to mortals?
00:49:49You took everything from me.
00:49:53Well, of course I did.
00:49:55You are the high road that leads me to England.
00:49:58Why?
00:49:59Why England?
00:50:01Ah.
00:50:04The people.
00:50:06All those sophisticated and intelligent people.
00:50:09As I've been trying to tell everyone for centuries,
00:50:13you are what you eat.
00:50:22That's right.
00:50:36Now...
00:50:40If you don't mind,
00:50:41I need you to do one last thing for me.
00:50:45I haven't seen her in hundreds of years.
00:50:48Describe her to me.
00:50:51I've had artists paint her and poets capture her in words,
00:50:55and Mozart wrote such a pretty little tune I...
00:51:00I really should have spared him, but...
00:51:03What does a lawyer see?
00:51:06Johnny, in my memory, she sets behind the second highest peak
00:51:10at this time of year, and she's quite red.
00:51:15Is she red, Johnny?
00:51:18Look for yourself.
00:51:21But that will burn me to dust.
00:51:28Good.
00:51:30Fair enough.
00:51:32Absolutely fair enough.
00:51:34Will you put me in a box?
00:51:36Keep your eyes on the sun, Johnny.
00:51:39It'll be the last time you see her.
00:51:42There is a box waiting for you, in case you walk, yes.
00:51:46But most people I feed off just die, so you'll probably be fine.
00:51:52Don't you see? An end is a blessing.
00:51:55Dying gives you sighs.
00:51:56It's the mountain top from which your whole life is at last visible.
00:52:02From beginning to end.
00:52:04Death completes you.
00:52:08Spare me.
00:52:09How?
00:52:10How?
00:52:12How?
00:52:13Answer me.
00:52:13Johnny, how?
00:52:15How do I spare you?
00:52:18How indeed, Mr. Harker?
00:52:22Mr. Harker?
00:52:24Mr. Harker?
00:52:25Mr. Harker, you are about to explain how you escaped from the castle.
00:52:33Yes.
00:52:35You've read my account?
00:52:36Yes.
00:52:38I hope it will help to refresh your memory.
00:52:55Dracula will be served.
00:52:59What is this?
00:53:02Dracula is my master.
00:53:03Dracula will be obeyed.
00:53:05Dracula...
00:53:06Dracula is the beginning and the end.
00:53:08Dracula is all things.
00:53:09Dracula is God.
00:53:10What?
00:53:12I didn't write this.
00:53:14When you were first brought here, you asked for a pen and paper.
00:53:17You're up all day and all night and this is what you wrote.
00:53:20No, no, no, no, no, no, no, no, no.
00:53:22No, I, I, I thought I'd...
00:53:24You thought you'd written an account of your stay at castle Dracula.
00:53:27The only account you've given is the account you're giving right now.
00:53:39It's time to finish your story.
00:53:44Johnny, how?
00:53:46How do I spare you?
00:53:48How?
00:53:50Let me go.
00:53:52You know why I'm going to England.
00:53:54You know that I'm going to kill people.
00:53:55A lot of them.
00:53:56As many as I need and perhaps even more.
00:54:00I'm...
00:54:04You want what?
00:54:06Oh, you won't tell anyone about me or try to stop me.
00:54:09You'll just let me slaughter all those innocents.
00:54:12There's no questions asked.
00:54:14So...
00:54:15Oh yeah, you turned out to be Johnny.
00:54:18I swear.
00:54:19I swear.
00:54:21I swear.
00:54:22I swear.
00:54:24I swear.
00:54:24I swear.
00:54:25I swear.
00:54:25I swear.
00:54:26I swear.
00:54:26All right then.
00:54:27Do that.
00:54:31Swear.
00:54:32I swear.
00:54:33I swear.
00:54:34I'm going to England to destroy everything and everyone you love.
00:54:38But if you give me your word that you won't try to stop me, I'll spare you.
00:54:47It's a trick.
00:54:48Give me your word.
00:54:50You're going to kill me anyway.
00:54:52Look me in the eye and give me your word.
00:55:02Come Dracula.
00:55:05I give you my word.
00:55:08If you let me out of this place, if you let me live, then I will do everything in my
00:55:20power to stop you.
00:55:25Quite right.
00:55:29That's my Johnny.
00:55:32Welcome to the mountaintop.
00:55:41I'm not breathing.
00:55:43Sometimes you do.
00:55:44But I think it's mostly habit.
00:55:45You have no heartbeat either.
00:55:50I'm dead.
00:55:52Undead.
00:55:53But apparently not yet a vampire.
00:55:57One must cling on to any good news that there is.
00:56:06I do not serve Dracula.
00:56:09No, but he's in your mind.
00:56:10The question is, why are you not in one of his boxes?
00:56:15I don't know.
00:56:17It's not something one ever anticipates asking.
00:56:21But what happened after you were murdered?
00:56:38Oh my goodness, that was quick.
00:56:44Johnny.
00:56:45Johnny, Johnny, Johnny.
00:56:47Usually people have a lie down first.
00:56:52You're going to be a lively one, aren't you?
00:56:57You came back so quickly.
00:56:59That was impressive.
00:57:01You even have the beginnings of a will of your own.
00:57:04But none of the others had much beyond hunger.
00:57:06But look at you go.
00:57:08No.
00:57:10Well.
00:57:12Don't you see?
00:57:13This changes everything.
00:57:16Stay.
00:57:18Stay.
00:57:19You could be my finest bride.
00:57:25The others just became beasts, but you've kept your spirit.
00:57:30Johnny, you're like me.
00:57:32I am not like you.
00:57:35No.
00:57:36No.
00:57:40No.
00:57:41No.
00:57:42No.
00:57:50It's everything.
00:57:51It's...
00:57:53It's all I remember.
00:57:55But why did he scream?
00:57:56What did you do?
00:57:58Nothing.
00:57:58I did nothing.
00:58:00I looked at him and the next thing I remember was that I was here.
00:58:02Oh, yes, yes.
00:58:03Never mind that.
00:58:04We know what happened next.
00:58:05No, I...
00:58:06I don't...
00:58:07I don't remember.
00:58:11The river bore you out to sea and the fishermen found you, caught in their net.
00:58:15A drowned man walking and talking aroused a certain amount of curiosity and you were brought to me,
00:58:21babbling of a girl called Mina whose face you had forgotten and an evil count who had stolen your soul.
00:58:26Why...
00:58:26Why was I brought to you?
00:58:29I am known to have some expertise in the realm of witchcraft and the occult.
00:58:34You're a nun.
00:58:35We can discuss my imperfectly suppressed fascination with everything dark and evil another time.
00:58:41For now, we will focus on why Dracula screamed.
00:59:02You are facing the sun.
00:59:04Yes.
00:59:07I have sought to find God all my life and never found a sign of him anywhere.
00:59:12Why now?
00:59:14Why you?
00:59:15Why him?
00:59:16I don't understand.
00:59:18Then think!
00:59:30Count Dracula fears to cross.
00:59:34He fears the symbol of our lord.
00:59:37The girl didn't.
00:59:38Never mind the girl.
00:59:39She was nothing.
00:59:41Dracula, prince among vampires, fears the cross.
00:59:46Do you understand what that means?
00:59:49No.
00:59:50Tell me.
00:59:53God is real.
00:59:57God is real and I found him at last.
01:00:01You have found the devil.
01:00:03If it takes the devil to bring me to my lord, then I say, bring on the devil!
01:00:09I don't!
01:00:10Then why not?
01:00:12God saved you for a reason, don't you think?
01:00:15I'm not saved!
01:00:19I'm nothing!
01:00:21Would Mina think that?
01:00:23If she could see me, yes, she would.
01:00:29Look at me.
01:00:33I can't even remember her face.
01:00:35Yes.
01:00:36I think you have proven that to her satisfaction.
01:00:44Mr. Hacker, I apologize for the deception.
01:00:47It was necessary she heard the story from your own lips.
01:01:05You may have forgotten your fiancé's face.
01:01:14But I have not lost you yet.
01:01:22Hello, Johnny.
01:01:25Your eyes are still blue, at least.
01:01:28Having established your identity, it was not difficult to trace you back to England and find your worried fiancé.
01:01:34I have a detective acquaintance in London.
01:01:41Me?
01:01:42Did you really think, even in your darkest moment, that I wouldn't come for you?
01:01:50Did you think it was even possible that I could abandon the man I love?
01:01:58I am no longer that man.
01:02:02Dearest one.
01:02:05We are to be married.
01:02:07So let me be plain.
01:02:10Who you are will always be my decision.
01:02:20Dracula?
01:02:23Dracula?
01:02:24How exciting.
01:02:33Look after Mina.
01:03:07Mina.
01:03:09Take it, please.
01:03:12Why?
01:03:13Because you're bleeding.
01:03:16And I can't stand it.
01:03:20Take it!
01:03:36Mother Superior on no account invite that creature in.
01:03:40That is not a temptation with which I was struggling.
01:03:45What is happening? What is this?
01:03:48They are under attack from the forces of darkness.
01:03:50Why would the forces of darkness wish to attack a convent?
01:03:55Perhaps they are sensitive to criticism.
01:04:04I know who you are.
01:04:06I know who you are.
01:04:06I have studied the legends.
01:04:07I am fully aware that I am addressing Count Dracula.
01:04:11I am nothing more.
01:04:15The lights are a little noisy.
01:04:17Do you mind?
01:04:18No!
01:04:30Listen to me.
01:04:33You are Jonathan Harker.
01:04:37You would never harm me.
01:04:41I know I am safe with you.
01:04:58It's me.
01:05:03Look at me.
01:05:05See me.
01:05:08My blue-eyed Johnny.
01:05:19No, Johnny.
01:05:23Don't.
01:05:25Oh, please, don't.
01:05:27You don't need to do that.
01:05:30I know you don't.
01:05:33Don't.
01:05:36The sun is down.
01:05:37You don't need to hide anymore.
01:05:39Or are you too afraid to step from the shadows?
01:05:42Of course.
01:06:21Please.
01:06:36Let me...
01:06:38Judy.
01:06:39Let me...
01:06:41Please.
01:06:43No!
01:07:10No!
01:07:17I'm sorry.
01:07:23Somebody help!
01:07:24Please!
01:07:38This is devilry.
01:07:40It's worse than that.
01:07:41It is the devil.
01:08:07It is the devil.
01:08:12But I do love a bit of fur.
01:08:24Suffer unto me.
01:08:31I'm not sure what legends you've been reading, but bells don't have any effect on me.
01:08:37This one will.
01:08:40Sister Agatha, have you been up to one of your secret projects again?
01:08:43You better hope so.
01:08:45This is exciting.
01:08:46This will be the most nonsense I've heard in one sitting.
01:08:50Sisters, present arms.
01:08:54I see.
01:08:55My arrival was anticipated.
01:08:57I was aware of the possibility.
01:08:58Sister Agatha, what have you brought down upon us?
01:09:00Cooey!
01:09:02Hello!
01:09:05Hello, ladies!
01:09:08I don't want to worry you, but the army of the faithful can't seem to look me in the eye.
01:09:12You're naked, and they're nuns.
01:09:14It isn't your eye they're not looking at.
01:09:15Well, isn't anyone going to invite me in?
01:09:18I've come a long way to see you!
01:09:20Certainly not.
01:09:22Sister Rosa, the key.
01:09:24You can't be serious.
01:09:26I'm more than serious. I'm completely confident.
01:09:28How did you know that I was coming?
01:09:30There's a man here you consider to be your property.
01:09:33My bride.
01:09:34Here's what drew you here, I think.
01:09:36A bee can always find nectar.
01:09:39And a trap always needs honey.
01:09:41I don't think this is a trap.
01:09:43Well, it wouldn't be a very good trap if you did.
01:09:48Thank you, sister.
01:09:54Count Dracula, please attend my wife's with care.
01:10:04This is St. Mary's convent of Budapest, and you're not welcome here.
01:10:09You are most specifically not invited in.
01:10:25So it's true then.
01:10:27That's interesting.
01:10:28What is?
01:10:29A vampire may not enter any boat unless invited in.
01:10:32I wasn't sure about that one.
01:10:34A vampire?
01:10:35You unlocked the gate, and you weren't sure.
01:10:37A vampire?
01:10:38Oh, the iron wasn't keeping you out.
01:10:40You could have torn it apart like Metsch would.
01:10:42I could tear you apart.
01:10:43Not from out there, you couldn't.
01:10:45But what's stopping you?
01:10:48A feeling?
01:10:50A force?
01:10:51Is it physical or mental?
01:10:53Why do you need an invitation?
01:10:55You expect me to tell you?
01:10:56Oh, I don't even expect you to know.
01:10:58A beast can follow rules.
01:11:00I don't expect it to understand them.
01:11:05I am more than a beast.
01:11:08In what way?
01:11:09But by your own account, you've been on this earth for hundreds of years, and you can't
01:11:13even walk into a nunnery?
01:11:15An ox could do it.
01:11:17How are you more than a beast?
01:11:19You want me to show you?
01:11:20Of course.
01:11:21I'm waiting.
01:11:23Come in.
01:11:24Come in.
01:11:25Come in.
01:11:26Come here a moment.
01:11:27Come closer.
01:11:30Look at them.
01:11:33Look at your sisters.
01:11:35Armed and ready.
01:11:36You're not looking.
01:11:37I don't need to.
01:11:41One of them.
01:11:42That's all I need.
01:11:44If just one of your pretty little army beckons me in,
01:11:49I will tear your world to pieces, and I will drink my fill.
01:11:55Why would they invite you in?
01:11:56What do you have to offer?
01:11:58Eternal life.
01:12:00Well, they have that already.
01:12:02Thanks.
01:12:03Starting tonight, because the first one to invite me in stays at my side.
01:12:09The others I will tear apart, and ladies, I will take my time.
01:12:16One should never rush a nun.
01:12:19Your words are not welcome here.
01:12:21Well, if you find you're not tempted by my offer, ask yourself this.
01:12:29Who is?
01:12:32Who's weakest?
01:12:33Who's the most afraid?
01:12:35Who will break first?
01:12:37Is there still time for it to be you?
01:12:42What's that?
01:12:43What are you doing?
01:12:45You wanted to know who's weakest?
01:12:47I'm showing you.
01:13:07Oh, go on.
01:13:08Help yourself.
01:13:09Cause the dog comes past here most days.
01:13:11We often give it scraps.
01:13:15Go on.
01:13:16You've come so far.
01:13:18I'm sure you could do with a drink.
01:13:26You see, I'm not certain I see the appeal.
01:13:33Feature is all, I suppose.
01:13:36Do you think provoking me is clever?
01:13:40What?
01:13:42Yes.
01:13:43I do.
01:13:46I want to learn about you.
01:13:48I want to see the limit of your capability.
01:13:52The point of this experiment.
01:13:53You have no conception.
01:13:55Not the first, aren't you?
01:14:01Dear boy.
01:14:07This is contemptible.
01:14:09You are without shame.
01:14:11Be careful.
01:14:12What do you say to me?
01:14:13Don't speak with your mouth full.
01:14:16She has earned the right to express her contempt, you know.
01:14:19We all have.
01:14:20Each of these women in front of you has turned her back on earthly pleasures,
01:14:24resisting all forms of temptation.
01:14:27We have freed ourselves of appetite and therefore of fear.
01:14:32That is why you can't bear the side of this.
01:14:36It speaks of a holy virtue you do not possess.
01:14:39It is goodness incarnate.
01:14:46For a moment there I thought you were clever.
01:14:51But no.
01:14:52No, that's not why I fear the cross.
01:14:55Goodness has got nothing to do with it.
01:14:58So you say.
01:14:59But how can a mere beast understand its own fear?
01:15:03No one will invite you in, Count Dracula.
01:15:06You'll just pity you right where you are.
01:15:08Who are you?
01:15:10Finish your scratch.
01:15:12It's all you'll be getting tonight.
01:15:15Agatha.
01:15:16That's her name, isn't it?
01:15:19Mother Superior used my name.
01:15:21You heard her.
01:15:21You'll have to do better than that.
01:15:23You're from somewhere else, I think.
01:15:27Um...
01:15:29Holland, right?
01:15:30Well, you can tell as much from my accent, I think.
01:15:33I bid you goodnight.
01:15:39Helsing!
01:15:43Van Helsing!
01:15:44What is your interest in me, Agatha Van Helsing?
01:15:51Who are you?
01:15:54You're every nightmare at once.
01:15:56An educated woman in a crucifix.
01:15:59In a place.
01:16:00In a place.
01:16:10You're every nightmare at once.
01:16:12What?
01:16:12In a place.
01:16:21Aacha?
01:16:22I could tell you.
01:16:24The moon.
01:16:24What?
01:16:25The moon.
01:16:34He was a brave man.
01:16:37He must have loved you very much.
01:16:39What is he?
01:16:42What is Count Dracula?
01:16:49In life, he was a prince of exceptional learning and attainment.
01:16:53In death, I suppose you could say he's the best of the vampires.
01:16:56The best?
01:16:57The most successful, I mean.
01:16:59Most are a feral, half mad.
01:17:01They rarely last long.
01:17:02And yet, somehow, Dracula has found a way to retain his human form and intellect more or less intact for
01:17:07hundreds of years.
01:17:09By drinking blood.
01:17:10Ah, they all drink blood.
01:17:12Dracula has learned to do it well.
01:17:14I think by choosing his victims for the greatest of care.
01:17:19Even in death, he has retained the discrimination of an aristocrat.
01:17:26And so he took my Johnny.
01:17:31Come.
01:17:33The Mother Superior will want to lead us in prayer.
01:17:37I don't see the point in praying.
01:17:40God is nowhere.
01:17:43In which case, it is up to us to stop Count Dracula.
01:17:51And we will.
01:17:53Won't we?
01:17:54Yes.
01:17:55We will.
01:17:59Goodbye, Johnny Blue Eyes.
01:18:02I shan't ever love anyone else, you know.
01:18:06Quite right.
01:18:10Goodbye, Johnny.
01:18:40Johnny...
01:18:41Johnny, blue eyes...
01:18:45The suicide doesn't work. Don't you think the undead have tried that?
01:18:51Stay through the heart, that's fine.
01:18:53But someone else needs to put it there.
01:18:57I'm willing to give it a try.
01:19:00Do you want me to do that?
01:19:03Do you want me to kill you properly?
01:19:07All you have to do is invite me in.
01:19:18We face danger, we face evil,
01:19:21which stands at the gate of our most holy sanctuary.
01:19:26God is with us, this we know.
01:19:28God's love is eternal, this we know too.
01:19:34Tonight, in our most deadly hour, do we think our God will remember us?
01:19:40Will he reach down and save us from death's shadow?
01:19:46No.
01:19:49No, he will not.
01:19:51Where in our world is God to be found?
01:19:56In our prayer?
01:19:57No.
01:19:59In our song?
01:20:01No.
01:20:02In our suffering, in our endurance?
01:20:05No.
01:20:07Faith is not a transaction.
01:20:10You do not barter with the infinite.
01:20:13You align with it.
01:20:16So then, where do we find our God?
01:20:21Sisters, I will tell you.
01:20:22When you stand in the deepest pit, alone, without hope or help, and yet still no right from wrong.
01:20:33When there is only darkness and despair, and yet you feel humming in your blood the difference between good and
01:20:43bad.
01:20:43When you are beyond rescue, or reward, or judgment, and you still look evil in the face and say,
01:20:52No.
01:20:53This far, but no further.
01:20:58No.
01:21:02Whose voice is that, who is with you in that darkness?
01:21:08Whose voice keeps you to the path?
01:21:13Darkness and evil may seem compelling to us all.
01:21:17And I believe it is because in their presence, we can feel God in our hearts.
01:21:26No.
01:21:27He will not reach down to save us.
01:21:31We will rise to meet him.
01:21:38Let us pray.
01:21:39Let us pray.
01:21:40Let us pray.
01:21:45Let us pray.
01:21:52She was clearing her throat.
01:21:58Thing is fine now.
01:22:03AHHHHH
01:22:04Oh!
01:22:05Ladies!
01:22:06Who's next?
01:22:07Who?
01:22:16This is that I have a very hard time deciding who's gonna be
01:22:21Here's an idea
01:22:25Catch
01:22:29This will be the safest spot
01:22:31What is this place?
01:22:32My workshop
01:22:33Here
01:22:35Where does sunlight hit?
01:22:37It's night time
01:22:37In the morning
01:22:38In the morning
01:22:39It's not morning for hours
01:22:41I know
01:22:45Who's got it?
01:22:46Who's caught it?
01:22:48Oh, we have a winner
01:22:51What's that?
01:22:52Jesus
01:22:53Jesus?
01:22:55Bread
01:22:57Sacramental bread
01:23:00Oh, of course
01:23:06Nuns
01:23:07You have those?
01:23:09Things
01:23:09Which work
01:23:10Actually
01:23:11Even though
01:23:12You will
01:23:14Never
01:23:15Guess
01:23:17Why?
01:23:21So I suppose I'll just have to control myself
01:23:25But between you and me
01:23:28Controlling wolves is just so much more fun
01:23:35It's a question of who you'd rather have to tear you apart, I suppose
01:23:38You have a choice, of course
01:23:40I'm undead, I'm not unreasonable
01:23:44Oh, I don't know
01:23:47I'll notice that
01:23:49I mean, I bet
01:23:49Ooh
01:23:49Or
01:23:50Oh
01:23:52Ooh
01:23:57Uh
01:23:59Oh
01:23:59Oh
01:24:00Oh
01:24:00Oh
01:24:04It's a clear paradise of my life.
01:24:30It's all right. The screaming is stopped.
01:24:34I don't know how you could be able to listen to that.
01:24:37I brought it on them. Listening was my punishment.
01:24:45Dracula's going to find us, isn't he?
01:24:47Of course.
01:24:49How is bread going to keep him out?
01:24:52Sacramental bread.
01:24:53But how?
01:24:54I don't know. None of the vampire legends make sense,
01:24:56and yet somehow they are proving to be true.
01:25:00He can't enter a home without being invited. Why not?
01:25:04The light of the day would burn him to death. Why?
01:25:07He's terrified of the cross, and yet he's no believer.
01:25:11Somehow these facts are all the same fact.
01:25:15There's one thing that Dracula fears above all,
01:25:18and to destroy him, we must discover it.
01:25:24He got into the convent. How did he get in here?
01:25:27Clearly there was an invitation.
01:25:29Then someone invited him.
01:25:34Sh-sh-sh-sh.
01:26:00You painted her?
01:26:02I... I thought you... you were...
01:26:05I saw you dead I couldn't stop him we let him inside he's inside we know Johnny he killed everyone
01:26:20do not cross that line you can't come any closer let him in we cannot trust him he's strong
01:26:28stronger than you think and if I'm with him no one is strong enough no one please we can't just
01:26:33leave him out there do not invite him in
01:26:47come here Johnny come to me I am inviting you to be with us you don't know what you're doing
01:26:59he let Dracula in he won't do it again you won't really Johnny because I'm here with
01:27:05you and I will give you strength two of us together we can be stronger than it's
01:27:16Johnny your eyes
01:27:19he's inside why aren't your eyes blue anymore
01:27:32not my eyes
01:28:00I've been dying to meet you
01:28:02I'm here and I'm here and I'm going to be a hitler
01:28:04no
01:28:05no
01:28:06no
01:28:35Transcription by CastingWords
01:29:05Transcription by CastingWords
01:29:32Transcription by CastingWords
Comments