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مسلسل Criminal Minds مترجم - Episode 14
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00:12Sarah Jean and Jacob Dawes butchered, what, 12 girls?
00:1713, Ken and the girl that was just found.
00:21Hillary Dixon. Disappeared 15 years ago.
00:25Buried her under Sarah's mother's living room.
00:27You think that was their last victim?
00:28Well, that's what we're here to find out.
00:34There's nothing about the dynamics of Sarah Jean and Jacob's relationship.
00:37The state isn't interested in dynamics or profiles. They just want this case to go away.
00:42They were caught. They confessed. They got the death penalty.
00:44You guys do realize that visiting death row is not part of my job description?
00:48Garcia, this will be the first serial killer couple ever recorded for VICAP.
00:52They slaughtered 13 young girls with blonde hair. Hello.
00:56Sarah Jean Dawes.
00:58Media called her the Ice Queen.
01:01That's how they interpreted her demeanor during the trial.
01:04You see different?
01:05No, I didn't say that.
01:06She killed her two-year-old son and 12 teenage girls.
01:09She only confessed to the murder of her son Riley.
01:12Well, she hasn't cooperated with any request to interview her.
01:15Well, she doesn't talk now. She's going to take that story with her to old Sparky.
01:26For the next 36 hours, a guard will remain outside your cell.
01:33Your personal effects will be along shortly.
01:36You will remain in the Death Watch cell until the hour of execution.
01:41Your last meal cannot exceed $20.
01:47It'll be a full moon tomorrow.
01:49Is there any chance I could see it?
01:52That's against regulations.
01:54Open on phone.
01:56Open on phone.
02:35It is they call themselves the women of Jacob try to look like his victims creepy
02:48There's only 12 of them so it's on the one short at least
02:57I think we'll find Hillary Dixon was by no means Jacob's last victim
03:53Whoso sheddeth man's blood
03:55By man shall his blood be shed
03:59Genesis 9-6
04:06In 1985 there was a string of missing girls reported in northern Florida
04:10Police subsequently got an anonymous call from a woman claiming to have seen Jacob with some of the girls
04:14Did they ever find out who the anonymous woman was?
04:17No
04:17Police interviewed Jacob Dawes also present were Sarah Jean Dawes and their two-year-old son Riley
04:23Police were suspicious they came back three hours later with a search warrant only to find that Riley had vanished
04:27They also eventually found the dismembered bodies of 12 missing girls buried in the ground underneath Jacob's workshop
04:34Fearing that the police were onto them Jacob figured Riley would slow them down
04:37So he ordered Sarah Jean to kill him and dispose of the body
04:41Sarah confessed to killing Riley but
04:44Never admitted her role in the deaths of the girls
04:46She never denied it either
04:48Well according to Jacob Sarah Jean was fully complicit in the targeting, abduction and murder of all 12 and
04:53Well now 13 victims
04:54Prison records show that Jacob is a sexual psychopath
04:58They were inconclusive on Sarah Jean though
05:00They said her demeanor was more like that of a war victims
05:03And as with all sexual psychopaths Jacob is obsessed with the idea of the total possession of his victims
05:08He's shown no remorse or guilt
05:10Well Jacob saw Sarah Jean as a possession
05:12Somebody controlled or dominate
05:15Just so we're clear, they've agreed to these interviews?
05:17Yes sir
05:17Oh wait, I'm sorry, who are you exactly?
05:20I'm Sam Shapiro, I'm the appeals attorney
05:21Not only have they agreed to them, they were initially requested by them
05:26Yeah, I can't get them a stay of execution
05:28Garcia, remember 75% of all communication
05:31He's nonverbal
05:32Hotch interviewed Jacob, Morgan, L
05:34I'm not going to get anything new, but
05:35We'll find a new way to ask
05:36696 Hennessy Street, Jacob and Sarah Jean's home
05:39It's due for demolition, take a look around
05:41Okay
05:58Jacob's workshop was out the back
06:02He claimed that Sarah Jean would lure the victims from mall parking lots
06:05She'd invite him to smoke pot in her truck
06:08They'd find Jacob, but no pot
06:11They'd bring him here
06:13I studied this case
06:14I'll never forget it
06:18This is where the workshop stood
06:20There was an arch right here
06:23He used his workspace as a torture room
06:26The marks on the bodies match many of his tools
06:29He used a bench saw to dismember the bodies
06:35And then he buried them under the floor
06:37Until he ran out of room
06:43We know that Jacob was abused as a child
06:44What about Sarah Jean?
06:46Her mother refused to give any testimony in her defense
06:49She never talked to anybody
06:51Maybe she's willing to talk now
06:52Let's go pay Sarah Jean's mother a visit
06:54The guards call this dead man's alley
06:59Has she had any contact with Jacob?
07:01Well, until today, she's declined contact with anyone
07:04For her own safety, we keep her away from the other prisoners
07:08The hate for this woman is as fresh today as it was 15 years ago
07:13Open on four
07:27Accomplished work
07:29I've had plenty of time
07:39What is it you want to know?
07:42I think it's time the mothers of those girls learned why their children had to die
07:48Don't you?
07:55Hello?
08:00Anybody? Hello?
08:05Mrs. Mason?
08:07Yeah
08:08Are you Sarah Jean Dahl's mother?
08:10Who the hell are you?
08:12FBI
08:12We're from the Behavioral Analysis Unit
08:16My daughter and her son of a bitch husband buried a 13-year-old girl under my floor
08:21What more do you need to know?
08:23Ma'am, Sarah Jean agreed to meet with our colleagues
08:25To talk about why they killed those girls
08:27We'd like some background information, if you don't mind
08:36Extensive remodeling
08:40Jacob built the original extension
08:44I see you liked arches
08:45Teenage girls is what he liked
08:48How was Sarah Jean growing up?
08:50Fun
08:52Until she met Jacob
08:56She was shy
08:57Quiet
09:01Oh, so smart
09:02And her relationship with her father
09:07Was Sarah Jean ever abused?
09:12He was strict
09:14He was a military man
09:16They didn't always see I die
09:19That's all history
09:20He's dead
09:24She's about to die
09:29Mrs. Mason
09:29If we better understand the dynamics of our relationships
09:33We can get a better idea of why and what actually happened
09:36Dynamics
09:39Well, it might answer why Jacob never killed Sarah Jean
09:42They shared something
09:47They shared pain
09:49How strict was your husband?
09:51How did he discipline Sarah Jean?
09:53Was he physical?
09:54He was a mean bastard
09:57But he only hurt me
09:59Why didn't you leave?
10:01Because we had no place to go
10:03An anonymous caller tipped the police off about Jacob, was it you?
10:08No
10:09But I know who it was
10:19This came this morning
10:28What's it say?
10:29It's a statement of innocence
10:37The doctor is so young
10:40Your mother must be very proud
10:41Sarah Jean
10:43Sarah Jean
10:47You look so fine, baby case
10:50If this was meant to be
10:52Our names will live forever
10:53Let's go
10:54It's a beautiful thing
10:55Let's go
10:56It's a beautiful thing
11:02You designed that to happen
11:06Did you learn anything, Agent?
11:19You want to see a trick?
11:23Pick a card
11:27You're a diagnosed psychopath
11:29Sexual
11:31Psychopath
11:32I picked a card
11:33How many other girls did you kill?
11:36Do you ever smile?
11:39I mean, it's hard to trust a guy who never smiles
11:42Are there more bodies?
11:44If I told you that
11:47What would I have left for myself?
11:48You can help these families get closure before you die
11:55Pass
11:58Come on
11:58Just one trick
12:02It's a good one
12:03Pick a card
12:05Come on
12:07Just one card
12:11So what'd you see in Jacob?
12:14Freedom
12:16Freedom
12:16Freedom from what?
12:23Garcia
12:24Hey, it's Al
12:24Hey, Al
12:25I need Gideon, please
12:26Yeah, yeah, yeah
12:26I'll pat you through
12:28Gideon, it's Al
12:29She says it's urgent
12:33We're at the mother's house
12:34She gave me a letter I want to read to you
12:39Read the letter, Al
12:41Mom
12:42I know how difficult this must be
12:45Things between us were never what they should be
12:47Between a mother and a daughter
12:48That is a private letter
12:49I want you to know that the best part of me
12:51The most important part of me
12:52Is now in a better place than where I will ever be
12:55Stop it
12:56I am responsible for the death of those girls
12:58I inflicted my duty as a woman and as a mother
13:02Take it easy
13:12You neglected your duty
13:14That doesn't make you responsible
13:16You didn't kill those girls
13:23Why didn't you say this in court?
13:26I knew he brought women back to his workshop
13:30It's a long way from knowing he was killing them
13:37They died as a result of my declutter
13:43This letter suggests to me
13:46That an innocent woman
13:48Is about to be executed for crimes she did not commit
14:08I can tell you right now it's not enough to get a stay
14:15You want facts?
14:17Read
14:17Human sexuality is a complex dynamic of three components
14:21Biological, physiological, and emotional
14:23Jacob's needs were informed by the emotional and sexual abuse
14:27That he received at the hand of his mother
14:28Long-term repetitive abuse informed the template of his love map
14:31Something we refer to as a signature
14:34Jacob was an only child
14:35Thus he was alone when the abuse occurred
14:37So in order for him to fulfill his fantasy
14:39He has got to be alone with his victims
14:42If I told you that
14:43What would I have left for myself?
14:46He said myself
14:47If Sarah Jean was present
14:48It would have destroyed his fantasy
14:50She confessed to killing his son
14:52Yes, true
14:53But we're also convinced that she was the anonymous caller
14:55That made the phone call that nailed Jacob
14:57Guilt-ridden
14:59Filled with remorse
15:00She called the police
15:02It's not the profile of a woman
15:04Who would then kill her child
15:05What else do you need?
15:07Evidence
15:07If we prove Jacob killed Riley
15:09Would that get a stay?
15:10Absolutely
15:12She protects the painting
15:14She protects the boy
15:16What?
15:18Paintings are a statement
15:19We need to figure out what they say
15:27Tension is mounting here
15:28As the FBI's BAU team presence
15:31Means that they are conducting
15:32A series of deathbed interviews
15:34In an attempt to find
15:35If there are any more victims
15:36Now it is rumored
15:38They are calling for a stay of execution
15:40Who the hell told them that?
15:42It doesn't matter
15:43I don't see Hodge getting anything out of Jacob
15:50Maybe I can help
15:53What are you doing?
15:55Uh, just get Hodge in here
16:04Oh, I know, I know
16:08One day these are gonna kill me
16:12Come on, Hodge
16:13That was funny
16:19And who are you?
16:22My friends call me JJ
16:24Well, hello
16:27Sit down
16:31Hello, JJ
16:32You're not my friend
16:34You can call me Jennifer
16:39Ouch
16:49Sorry about before
16:50Breaking your ear thing
16:57You have a lovely smile
17:01Thank you
17:01But you don't smile much
17:06Neither do you
17:08That's your excuse
17:11Take the liberty of getting these from yourself
17:13Well, those are private
17:15Thank you
17:23Riley running free
17:30The river
17:32Flowing positive energy
17:33Maybe
17:36Twelve roses
17:36One for each girl Jacob killed
17:40Twelve
17:41Not thirteen
17:43We found number thirteen
17:46You didn't know about her
17:48You didn't really know about any of them
17:50I never said I did
17:54That was a nice touch
17:55Bringing in the hottie
17:58You really want to know if there are salvage, don't you?
18:02I tell you what
18:04Draw a poke
18:06You win
18:07I'll give you another girl
18:09So there are more?
18:10Do we have a bet?
18:11What if you win?
18:17I get to smell Jennifer's hair
18:21No
18:21Oh, come on
18:23All she has to do is lean over
18:24And I get to smell her hair
18:25No
18:28I thought you wanted answers
18:30Go to hell
18:32It's okay, Hodge
18:35You see that?
18:37It's okay, Hodge
18:47Come on
18:48JJ deals
18:49I think I'd let you deal
18:50From your own deck
19:02You confessed to killing Riley
19:06Why would you lie about killing your own son?
19:09I didn't
19:10Well, where's the body?
19:15Do you have any children?
19:17That's irrelevant
19:19Do you carry pictures of your children, Agent Gideon?
19:22We're getting off point
19:23Are we?
19:26You know how long it's been since I could actually play with someone?
19:31All I've had is solitaire
19:36Cards?
19:37Two
19:45I think I'll play these
19:52How old would your son be now?
19:58Seventeen
19:59Imagine what he could have become
20:03Jacob put an end to any chance of that
20:07Does the strain of your work affect your marriage?
20:11I'm not married
20:12You wear a ring
20:18Why would you still be protecting Jacob?
20:20Did you divorce because of putting people like me away?
20:24I think you're innocent
20:27We're all guilty of something
20:31But it's...
20:34It's our children that suffer as far as sins, isn't it?
20:39You don't have to ask him
20:41How old is he?
20:45He's twenty-five
20:46Do you have a picture of him?
20:51In my office
20:54You don't carry him with you
20:56No
20:57To protect him
21:00You want to leave him somewhere safe
21:04Somewhere clean
21:07You killed Riley to protect him from Jacob
21:09I protect my son
21:11As you protect yours
21:13Where's he buried?
21:15All that matters
21:16Is that he's safe
21:17Where is he?
21:19He's in a better place
21:24The chaplain's here to see you
21:33What do you got?
21:34I got aces and heights too
21:35The dead man's hand
21:42I should have had that
21:43But then of course I would have lost
21:47Straight to the jack
21:50And unless the rules of poker have changed
21:52Since I've been in here
21:53You lose
21:57Oh
21:58Sorry
21:59Full house
22:00Aces of rights
22:04Bang!
22:07You would have been so nice
22:14But to answer your question
22:16There are no other bodies
22:24Jason
22:29The governor's just granted a stay of execution to Sarah Jane
22:32What?
22:32They can't do that
22:33They don't believe she killed your son
22:35She killed him
22:37Get that here exactly where he's buried
22:43It's gotta be here
22:44Jacob built this gazebo
22:46We've searched everywhere else
22:52The workshop and extension in Dead Mason's house had arches
22:55I know he had to have built this one for Riley
23:01Hey, you got something here
23:20Guys, the body's ID is coming through
23:31It's not Riley Dawes
23:33It's Ashley Farley
23:34She was 14 when she was killed
23:36Why would Jacob give us another victim?
23:39It completely goes against his need for power, manipulation and control
23:42Taking the secret of an old victim to his grave satisfies that need
23:45Why give it up?
23:46I mean, what's the payoff?
23:47Sarah Jane's the payoff
23:48Sarah Jane will be his last victim
23:50That'd be the ultimate of control
23:52Gideon, check this out
23:53Guess you used to be the Farley's house cleaner
24:09My last supper
24:12Excellent
24:13Look
24:14Came with a toy
24:17Yes, sir
24:19Please
24:25Ashley Farley
24:27You cleaned your parents' house
24:30Remember her?
24:31I found her
24:33We found her buried beneath a children's gazebo
24:37At another house Jacob renovated
24:38He put her through
24:41I just want to have brought her over that bastard
24:45Thanks, Zach
24:48You lied to me
24:50It wasn't Riley
24:51It wasn't
24:52She was 14 years old
24:55And really pretty
24:58How many others are there?
25:02I only have a few hours left
25:04And though I like you
25:06And I do like you
25:10I'd like to be alone now
25:13Good meeting you, Haji
25:18I'm not done yet
25:20Or me neither
25:33Baha'i reeds
25:35The river
25:40This here, what is this?
25:42A basket?
25:45The boy in that painting is what?
25:47Ten?
25:49Maybe more?
25:53Is that how you see him?
25:54Or how he is?
25:57I only have a few hours left
26:01I'm respectfully asking you to leave
26:04Where is he?
26:06Where is Riley?
26:10Please see Agent Gideon out
26:12Open form
26:29Where is he?
26:30I love the interview with Sarah Jean
26:31What is it?
26:32Exodus 2-3
26:33Moses
26:35Hebrews' sons were supposed to be drowned
26:38Moses' mother sent him down the Nile in a basket
26:41Where's he buried?
26:43All that matters is that he's safe
26:45Where is he?
26:46He's in a better place
26:50Jacob didn't bury Riley anywhere
26:53But Sarah Jean had already taken care of him
26:55Then she did kill him
26:56No, she sent him somewhere
26:58Where she believed he'd be safe
26:59He's alive
27:04We're running out of time
27:07This is the proof we need to save Sarah Jean
27:30Check out police and hospital records
27:32Back to September 1990
27:34You know, you should check local newspapers too
27:36See if anyone reported any abandoned beep
27:38See, I don't give a damn where the governor is
27:40We have found proof that Sarah Jean is innocent
27:42She really only had a maximum of three hours between police visits
27:46It was 4 p.m. so traffic was pretty heavy
27:49Whatever she did with Riley, it had to be local
27:511993, babies were abandoned in September
27:53Two-year-old boys?
27:57None
27:58Why doesn't she just tell us where Riley is?
28:01She'll protect him for as long as Jacob is alive
28:02Look, they're being executed within an hour of each other
28:05What hope to even have of finding him in time?
28:06You know, it's quite possible she doesn't even know where he is anyway
28:09No, she'd know
28:11We've got to get into her cell
28:20You come to see the show?
28:24We need to get into Sarah Jean's cell
28:26I believe the proof
28:27I can't do that
28:28All official lines of communication are now over
28:31I just need five minutes
28:32They want the memory of these two individuals erased
28:42Five minutes
28:43That's all I need
28:46Five minutes
28:55I thought it was against regulations
28:56Well, don't tell anybody
29:02It's cold
29:05You need a jacket
29:06Vincent, give me a jacket
29:07Oh, no, I'm fine, really
29:09It makes me feel, you know
29:12Alive
29:38How are your sons, Warren?
29:40Well, they're good
29:41Good
29:42Uh, Darren just graduated
29:44Yeah
29:46Did you ever tell him about the man on the moon?
29:50Sure
29:51I used to tell Riley
29:54That no matter where we were
29:57The man on the moon would be looking down on both of us
30:11I was about to make aogram
30:14It was scripture
30:14That was when on there
30:15Wheeee knew
30:23In a school
30:23It was my son
30:23I knew that the man
30:25My brain
30:27Sch662
30:27I felt his favorite
30:28When heaped
30:40We should get back.
30:45Sarah, if there's something you know that can save you.
30:48Thank you, Warden.
30:52This has been wonderful.
30:55Your kindness to me.
30:57I thank you.
31:03That's Riley.
31:04That's her son.
31:05Isn't it?
31:06Someone tell me it's him, please.
31:09JJ, circulate this photo to the press.
31:11See if anybody recognizes his boy.
31:13Do I say who we think he is?
31:15No, just put him out of the missing persons.
31:17Okay.
31:19What does that mean?
31:21It means Jacob is being moved to the execution chamber.
31:28Sarah G, I'll be waiting for you.
31:33You wish to make your peace with God, Jacob?
31:38I've made my peace 18 times, and each one was prettier than him.
31:44Why take them with you, Jacob?
31:47You know why.
31:50Take him down.
31:52If you don't mind, gentlemen.
31:56It's this one walk I can make myself.
32:02Sarah G!
32:05I told you we'd be together forever!
32:10He's just confessed to killing four more girls.
32:13There's nothing I can do.
32:40Are you ready, Sarah G?
32:42I'm going to ride the lightning, baby!
33:02She cut around the photo so no one can read the text.
33:05He was two when he disappeared.
33:08This boy's 16 or 17.
33:10If it's Riley, it would mean it's a recent photo.
33:12Once Jacob's dead, you think Sarah G will tell us if this is Riley?
33:19I don't know.
33:20I don't know.
33:46I don't know.
33:47I don't know.
33:48I don't know.
33:48I don't know.
33:49I don't know.
33:49I don't know.
33:49I don't know.
33:50I don't know.
33:51I don't know.
33:53I don't know.
33:54I don't know.
33:55I don't know.
33:58I don't know.
34:09Any last words?
34:13Bring it on.
34:23Riley!
34:27You lose.
34:30No!
35:09Jacob is gone.
35:13He's no longer any threat to Riley.
35:16Tell me where he is.
35:19We can stop this madness.
35:21There's no greater gift in life than that of being a parent.
35:28That so many of us abused and squandered that gift.
35:32You can change that right now.
35:34I made my decision 15 years ago.
35:38This has never been about Jacob.
35:41It's always been about Riley.
35:43That's why I can't let you do this.
35:45This isn't about you or me.
35:47I know it isn't.
35:49That's why I'm not gonna let Riley lose the greatest gift he never knew he had.
35:53But that is my gift to him.
35:54And I'll not let you destroy that.
35:59All the people Jacob allowed Sarah Jean to know were the families she cleaned for.
36:03Sarah Jean worked for wealthy families.
36:04All of them lived in Hampton.
36:05Let's go over all the families in the state of Florida who were looking to adopt in 1990 and let's
36:08see how many lived in Hampton.
36:10Families looking to adopt hundreds.
36:12How many from Hampton?
36:12Uh, three families.
36:14The Jameses, the Copples and the Sheffields.
36:16Looks like the Sheffields removed themselves from the list in October 1990 and then moved out of Hampton.
36:21It's one month after Riley vanished. Where'd they go?
36:22Uh, Keystone Heights.
36:24We got a match on the photo.
36:26Using the local daily news.
36:28Call Morgan and Elle.
36:29Tell them to get to the Sheffield house.
36:31Byron Sheffield.
36:32Local cello prodigy.
36:34Seventeen-year-old Byron Sheffield won a scholarship to play cello.
36:41How many miles to Keystone Heights?
36:43Way too many.
36:44We're never gonna make it in time.
36:45Not if you keep running your mouth.
36:47Well, you better buckle up.
36:53We found a Morton deal. We found her son.
36:56Unless I receive an official stay of execution from the Governor, I am duty bound to see this through.
37:01My son is dead, Agent. Get in.
37:03I have agents on the way to its house as we speak. And the Governor's standing by.
37:06Oh, I think you'll not accept the truth.
37:09I can't. This isn't it.
37:14My agents are within minutes of finding her son alive.
37:19I am truly sorry.
37:22Hold here.
37:28What wouldn't you do for your son to give him a life you could never hope to dream of?
37:35I am at peace in the knowledge that my son is free to be whatever he chooses to be.
37:43If he knew who you were, do you think he'd choose to allow you to walk in there?
37:51If he knew who his parents were, can you imagine the damage my legacy would leave him?
38:00Can you imagine what he would feel, knowing his mother spent 15 years on death row, innocent of all charges,
38:09just so he could be free of her?
38:11Not me.
38:13Jacob.
38:16It isn't just my life you have in your hands.
38:20It's Riley's life, too.
38:24You have the chance to save my son's life.
38:28I chose to save yours, too.
38:32My life ended the day I met Jacob.
38:44Garcia, we made it.
38:47Hello? Open up, FBI!
38:50Hello?
38:52Garcia, tell Gideon we're here.
38:54Yeah, but I'm afraid nobody else is.
38:56Garcia, Patrick's through.
38:58Gideon, I've got L's. She says they're at the Sheffield house.
39:01It's time.
39:03Take your hands off her.
39:05Tell Morgan to kick the door down a fiesta.
39:07Or you can get in the house, whatever it takes.
39:09FBI!
39:10I said take your hands off her.
39:11Agent Gideon.
39:12A few moments, please.
39:18FBI!
39:21Morgan!
39:33Stay in the car.
39:35Can I help you?
39:37Frank Sheffield?
39:38What is this about?
39:40This is about your son.
39:41My son?
39:46Is that your son in the car?
39:49I don't understand.
39:50What is this about?
39:51Tell me.
39:52We're federal agents.
39:53Hey, Hutch.
39:55We got him. He's here.
39:56What do we do?
39:57Gideon, they've got him.
39:58What are we doing here, Gideon?
40:00I am standing here because of choices I made.
40:06Don't let my son be Jacob's last victim.
40:12Let me go.
40:14Let us both go.
40:45Tell Morgan.
40:49It's not her son.
40:52That we made a mistake.
40:55Let him go. It's not the boy.
40:59Hey, Derek.
41:05Wait there, sir.
41:21Mr. Sheffield, I'm, uh...
41:24I'm very sorry. We have the wrong house.
41:27I apologize for any inconvenience.
41:33Agent!
42:04Would it be too much to ask if yours is the last face I see?
42:07It's not the way.
42:10Mr.
42:33It's a little place.
42:33Mr.
42:36I see.
42:37It's just the way.
43:46Albert Pines said,
43:48What we do for ourselves dies with us.
43:51What we do for others and the world remains and is immortal.
44:08We do for ourselves and the world remains and the world remains and the world remains and the world remains.
44:29We do for ourselves and the world remains.
44:29We do for ourselves and the world remains.
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